It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.
Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.
Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.
Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.
Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.
We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.
Funnily enough, every scene above has an Eddie parallel:
Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).
Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).
The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).
Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).
Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).
Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.
It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽
And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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I just had the most amazing idea I think.
Another Lankmann Foundation employee: Oh, hey Alex, good seeing you, I know you're clocking out but- what the fuck are you doing in a hazmat suit.
Alex, looking at Clyde slither away from outside the window: I have to feed my cat, don't worry about it.
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