Sub Bucky and a breeding kink 💀 dead unlived it's one of my favourite things 😌
This is pretty high up there on my list of dream fantasies 🥵 these are two of my biggest weaknesses, don't even look at me rn
One of life's greatest joys is cuddling with the other person's head resting on your chest so you can play with their hair and rub their shoulders. I love that shit, having someone else's body weight on you is so comforting.
I imagine that's something Bucky would really enjoy too. It's so soft and sweet and tender and getting to feel cared for would really appeal to him.
But that's up until his hands work their way under your top, up over your bare skin so he's able to cup your breasts and bury his face between them while he's getting his hair played with. Life's pleasures don't get much simpler than that.
After a few moments he shifts slightly, tugging the neckline of your shirt out of the way to give himself space to kiss and nip your skin. All of a sudden he's desperate and it's beautiful to watch.
"Please." He whispers between frantic kisses, flicking his tongue over the stiff peak of your nipple before engulfing it with his warm, eager mouth.
"Please, what?" You tease, tugging on his hair just a little for emphasis.
He groans, frustrated by his own lack of coherence, pulling his mouth from your nipple. "Please let me put a baby in you."
That's not what you were expecting but fuck, he makes it sound pretty appealing.
"Bucky-" You begin but he cuts you off, giving your other nipple the same attention as he gave the first. God, that's distracting.
"You'd make. Such. A pretty. Mommy." He whispers, kissing his way down your body until he reaches the bottom seam of your top. From there, he pulls it off, letting it fall to the floor before removing the rest of your clothes.
"You'd look so pretty with a little baby bump." His huge hand rests on your bare tummy, imaging how your body would change.
"I want it, Buck." You mean it too. It doesn't sound like such a bad idea when he's taking his clothes off.
"I know you want it." He groans, rubbing the tip of his dick against your soaked core. "Y-you're so wet."
He presses his hips forward, sliding inside you and you can't explain it but you swear it feels different this time.
"Don't even think about pulling out." You cup his face in your hands, keeping his eyes on you and you almost worry he's going to fuck himself senseless into you. "I want you to make me a mommy. You're going to give me every single drop of cum and when it starts to drip out of me, you're going to fuck it back in."
His head falls onto your shoulder, sobbing a pathetic moan against your already hot skin. The pace of his thrusts matches his need, his hips slamming into yours and when he finally gives in, he cums inside you with your legs clamped around his waist, making sure he couldn't pull out even if he wanted to.
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Sparkstember Day 18: Balls (Bullet Train)
Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!
So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.
I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.
One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.
Favourite songs (and other highlights):
Balls: I mean. It's Balls.
Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)
The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too
How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually
Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck
It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)
The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)
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