#page 5294

[pesterloglog]

John Egbert, Jade Harley, Jaspersprite

Act 6, page 5283-5307

JOHN: jade...

JADE: hm?

JOHN: i think i just realized something.

JADE: what?

JOHN: THIS MOVIE FUCKING SUCKS!!!

JADE: whaaat

JADE: but you love this movie!

JOHN: yeah, i know.

JOHN: i mean... i thought i did.

JOHN: it's been kind of a long time since i last saw it. i really remember it being a lot better than this!

JOHN: but now everything just seems so cheesy and stupid.

JADE: but you were making such a big deal about finally getting me to watch it with you on your birthday!

JADE: you were going on and on about how i wouldnt be disappointed... but now youre saying you dont like it?

JOHN: i don't know. i'm trying to like it. i WANT to like it.

JOHN: i want to feel the same magic that was there all the other times i watched it.

JOHN: but i can't, because...

JOHN: it's just...

JOHN: not...

JOHN: good. :(

JADE: really?

JADE: i was actually kind of enjoying it!

JADE: its very silly

JADE: i really dont think its the kind of movie youre supposed to take all that seriously john

JOHN: but i DID take it seriously!!!

JOHN: i guess maybe that's kind of the point.

JOHN: i always thought all this hokey bullshit was legitimately awesome and compelling.

JOHN: what was i even thinking!

JADE: i dunno....

JADE: but people can change their minds about things

JADE: i think youre allowed to change your mind about a silly movie

JADE: i used to LOVE the squiddles show when i was really young

JADE: but as i got older i started to realize it wasnt as great as i thought it was

JADE: i was just too young to see how it was actually a flagrant vehicle for selling merchandise

JADE: and if you believed the conspiracy theorists it might have even been pushing some other dark hidden agendas.....

JADE: so i stopped liking the show itself as much but that didnt change the fact that i had a lot of fond memories about it

JADE: i still loved all the cute characters and could enjoy it on a nostalgic level

JOHN: well, maybe later i'll be able to rekindle some nostalgic feelings about it.

JOHN: but right now, i just feel like a dope for talking this up so hard.

JADE: what is even the problem with it?

JADE: ive just been watching this and thinking, yup, i can see why john was so obsessed with this movie...

JADE: its funny!

JOHN: it's just non stop terrible action movie cliches!

JOHN: look.

JOHN: i love nic cage. he is basically my hero, ok?

JOHN: but i'm kind of just realizing now that he is EMBARRASSINGLY BAD in this movie!

JOHN: he is just doing this corny parody of a southern guy who is down on his luck, and acts "charming" with his goofy accent and stuff.

JOHN: some things i used to think were so badass are just coming off as ridiculous now.

JOHN: can you believe that one time we were watching this movie, when he said "put the bunny back in the box" i actually high fived my dad?

JOHN: this time that line just made me roll my eyes.

JOHN: there's so much crappy dialogue!

JOHN: "cyrus, this is your barbecue, and it tastes good..." arrgh!

JADE: but he was trying to sound like a hardened criminal to win the trust of john malkovich!

JOHN: jade, please. it was a cheesy line, don't be so naive.

JADE: what!!

JADE: you spent your whole life worshiping this dumb movie and now youre calling ME naive????

JOHN: ok, i'm sorry. i guess in fairness to you, you have only just begun to climb the steep learning curve of this vexing and hypnotic film.

JOHN: but i am no longer bound by its spell, jade.

JADE: oh god

JADE: vexing and hypnotic??

JADE: its a movie full of explosions about a guy with a mullet

JADE: what is with you lately? you seem to be in such a crappy mood these days

JOHN: i am fine. this MOVIE is what's crappy these days.

JADE: oh bluh bluh

JADE: can we just finish the rest of the movie?

JADE: look you made us miss a whole bunch of stuff!

JADE: hang on im going to rewind it...

JOHN: who even cares what we missed.

JOHN: just cameron stupid poe in his idiot wife beater babbling some more southern home spun heroic nonsense.

JOHN: heart of gold my ass!!!!!

JOHN: everything dave ever said about this movie was right! i can't believe i used to think he was just trolling me.

JOHN: the stupid junkyard scene where cyrus makes a little model out of rocks and stuff, just so he could tell the criminals to surround some army guys and shoot them... that was pointless!

JOHN: and all this heavy handed scoring. oh my god. the music makes every little thing into such a federal issue!

JOHN: like... oh man, SOME MINOR CHARACTERS BEING INTRODUCED IN SLOW MOTION! dun-dun dun-dun DUN DUN DUN!!!

JOHN: there. now you officially know they are all badasses.

JOHN: also, i somehow didn't even remember dave chappelle being in this movie. he was pointless too.

JADE: whos dave chappelle?

JOHN: and you know the malloy guy, the dick head cop who we're supposed to hate, because of how he gives john cusack a hard time and makes asshole decisions with a helicopter?

JOHN: well screw that! he wasn't so bad. so what if he was a little grumpy? he was just trying to do his job. he had one of the best lines in the movie actually, which was another thing we were supposed to hate him for.

JOHN: what was it? about how cusack was probably out saving a tree and recycling his sandals or some shit? HAHAHA! now that i think about it, i fucking LOVE malloy.

JOHN: i'm going to rewind it to watch that scene again...

JADE: no!!!

JADE: dont touch the remote

JOHN: oh, and we're supposed to be like "YEAH" when cusack wrecks malloy's awesome sports car.

JOHN: but that was a nice car! john cusack shouldn't have ruined it like that for laughs.

JOHN: i know *I* wasn't laughing, were you?

JADE: YES :p

JOHN: john cusack was such a terrible character in this movie now that i think about it. i don't really get what he added to it?

JOHN: he was like the second hero... but dorkier? what did he even really do? he scampered around the junkyard for a while goofing off, and then when it was his time to shine...

JOHN: HE DEMONSTRATED HIS MASTERY OVER HEAVY MACHINERY! wow, he can operate a crane! i am thrilled by the exploits of this pedantic weenie.

JOHN: i guess he's actually like cage's estranged sidekick? almost like the robin that batman never realized he had.

JOHN: now that i think about it, this movie was always an oddly poignant tale of bromance between cage and cusack. just two bros separated by destiny, waiting to be united.

JOHN: when they finally come together to kick some ass, it is arguably more moving than when he reunites with his wife and daughter!

JOHN: i wonder if i'll think that scene sucks now too? it used to move me to tears, but now i'll probably think it's so lame, i'm almost afraid to watch it. maybe i should try to leave at least SOME memories untainted.

JADE: john you are kind of sounding like a crazy person here

JOHN: yeah right! crazy like a fOWWW!

JADE: what???

JOHN: oh...

JOHN: i guess there was a stray feather clinging to my pajamas and it just poked me in the ass.

JOHN: god damn dave sprite.

JOHN: that guy molts like it's going out of style.

JADE: oh...

JADE: heh

JADE: yeah

JOHN: where is he anyway?

JOHN: i specifically told dave sprite several times when my party would start, because i knew he would do this.

JOHN: he's already missed half the movie!

JADE: why do you always call him dave sprite?

JOHN: um... because that's his name?

JOHN: dave sprite.

JADE: no, i mean why do you always say it like that? with the space between words?

JADE: its not dave sprite, its just davesprite

JOHN: what ever.

JOHN: i can't believe he's standing me up on my birthday.

JOHN: maybe he doesn't want to hang out with jaspers?

JOHN: jaspers, i hope you're not going to start chasing him around again when he gets here.

JASPERSPRITE: Hisssss!

JOHN: dude, shut up.

JADE: yeah.... john

JADE: i dont think davesprite is coming tonight

JOHN: aw, man. really?

JOHN: i knew we shouldn't have invited both him and jaspers.

JOHN: that's just party planning BASICS.

JADE: no...

JADE: it has nothing to do with jaspers

JOHN: oh.

JOHN: then why?

JADE: he uh...

JADE: kind of broke up with me

JOHN: what!!!

JOHN: when did that happen?

JADE: a couple days ago

JOHN: no. no way.

JOHN: i cannot accept this!

JADE: john its ok you dont have t...

JOHN: you and dave sprite were like the glue holding everything together on this miserable road trip!

JADE: we were?

JOHN: yes, jade.

JOHN: you were our rock.

JADE: your rock??

JADE: what are you talking about?

JOHN: come on, jade.

JOHN: you and dave sprite were like... an INSTITUTION on this stupid golden battleship.

JADE: we were not an institution!

JADE: you are just saying meaningless things now

JOHN: why did he break up with you?!

JADE: um...

JADE: its complicated

JADE: basically hes just going through a lot of stuff right now

JOHN: stuff??

JOHN: what stuff.

JOHN: jade, we are all going through stuff. you don't see me flying off the handle and breaking up with MY girlfriend.

JADE: do uh...

JADE: you have a girlfriend?

JOHN: that is not the point.

JOHN: the point is that dave sprite is a douche.

JADE: i dont think hes a douche, hes just...

JOHN: no, he's an orange feathery douche.

JOHN: why is he such a basket case? he's like regular dave, but like, aloof enigma edition.

JOHN: maybe it's because he's part bird? i think becoming a bird and a sprite did something weird to him.

JADE: i dont think being a bird ever bothered him

JADE: like i said... its all more complicated than that

JOHN: normal dave was so much more level headed.

JOHN: i have to admit, i spend a lot of time wondering what he and rose are up to.

JADE: me too

JOHN: ehh...

JOHN: maybe it's for the best he broke up with you.

JADE: why?

JOHN: well, what kind of future do you think you would have with him?

JOHN: he's a sprite. like really, what even is a sprite? how long do they live? will he still be around if we win the new game we are allegedly trying to get to?

JADE: i dont know

JOHN: there are a lot of things we don't know.

JOHN: and also...

JOHN: how do things even work if you marry a sprite?

JADE: what do you mean

JOHN: i mean...

JOHN: ok, he has a ghost butt, for one thing.

JADE: uh

JADE: so

JOHN: a GHOST BUTT, jade!

JADE: SO WHAT IF HE HAS A GHOST BUTT!!!!!

JOHN: i'm just saying...

JADE: WHATEVER YOURE JUST SAYING, JUST STOP SAYING IT!

JADE: and whatever youre trying to gesture with your hands there, stop doing that too!

JOHN: what? no, i was just...

JADE: nope!!! totally not talking about this

JOHN: but

JADE: put your hands down john

JOHN: ok, fine.

JADE: thats not down, thats up!

JADE: oh well, at least youre not making those unsettling gestures...

JADE: john...

JADE: what are you doing?

JOHN: nothing!

JADE: i hope youre not entertaining some awkward train of thought about, uh...

JOHN: no!!!

JADE: what is with you??

JADE: today is your birthday, youre supposed to be having fun!

JADE: but youve been so testy, as if youre committed to not having a good time

JOHN: well, maybe i'm just getting a little tired of being stuck on this lame boat!

JOHN: don't you think it's gotten kind of old?

JADE: yeah, i can see how you might find it a little slow here

JADE: i dunno, i havent minded much... maybe its different for me though because i used to live all alone?

JOHN: oh sure, i'm sure it's GREAT for you. you get to spend your days smooching and breaking up with dave sprite and what not, and you can shrink down to any old planet you feel like, any time. whereas i have to make this whole big deal of ASKING you to shrink or unshrink me, and...

JADE: but i dont mind doing that any time!!!

JOHN: i know, but you think i want to bug you about that at the drop of a hat? when you're busy and on dates and stuff? i just happen to have respect for something called PERSONAL BOUNDARIES, jade.

JOHN: and it's not like there's really anyone else to talk to, except the inscrutable chess people and a bunch of brainless consorts and an idiot cat princess. oh and also nanna, but i mean, she's my grandmother, and she's great, but a guy can only spend so much quality time with his grandmother before he starts to feel like kind of a loser whose friends are too busy to spend time with him!

JADE: john... if you told me this earlier i would have...

JOHN: and i still never visit any interesting dream bubbles, and we can't even finish our cool planet quests because the moment we broke through the window all our denizens decided to go back to sleep, and...

JOHN: i guess what i'm saying is, i'm MORE than ready to get to the other window and meet our friends and other new people and stuff.

JOHN: are you sure you can't make the ship go faster???

JADE: were already going as fast as i can make us go

JOHN: and how fast is that again?

JADE: about the speed of light!

JOHN: well, can't you use your space powers and bump it up a notch?

JADE: no! nothing can go faster than light john

JADE: unless you teleport of course

JOHN: and why can't you teleport us again?

JADE: i already explained this! i cant do that here, its not within the domain of the green sun which gives me those powers!

JOHN: is that why we can't go faster than light either?

JADE: no thats just a regular law of physics!!! jeez

JOHN: ok, i mean, i know that. but this isn't really a regular place, right?

JOHN: isn't the speed of light like a thousand miles a second? so what does that really mean here? are miles and seconds the same here as on earth? how does this nonsense dimension we're racing through jive with all the relativity mumbo jumbo?

JADE: ok first of all, thats not even close to the speed of light

JADE: light travels at a hundred and eighty six thousand miles per second no matter what frame of reference youre in... even this one!

JADE: second of all special relativity and comparing laws of physics between different frames of reference, those are tricky issues to talk about!

JADE: but id be more than happy to talk about them if youd like. actually i would enjoy that because i never really get to talk about science wi...

JOHN: no, i don't want to talk about physics! i don't know anything about the laws of physics, because they are hard and boring.

JOHN: i simply would like them to behave in a way that is most convenient to ME and MY LIFE! is that really asking too much?

JADE: yes as a matter of fact it is!

JOHN: well, guess what? SCIENCE IS STUPID BULLSHIT!!!

JADE: you take that back!!!!!

JOHN: no.

JOHN: magic is awesome.

JOHN: science blows.

JOHN: the end.

JADE: john.....

JADE: what is that?

JOHN: what?

JADE: under your hood...

JADE: looks like a piece of paper stuck to your back?

JOHN: huh?

JOHN: oh god dammit.

JOHN: STRIIIIIIDEEEERRRRRRRR!!!!!

JOHN: THAT BASTARD!!!

JADE: what?

JOHN: THIS IS TOTALLY OUTRAGEOUS.

JADE: what is it??

JOHN: I WILL TELL YOU WHAT IT IS.

JOHN: IT IS THE LAST FUCKING STRAW!!!

JOHN: RAAARARRAAUUUAAAAUUAGHGHGGHGGGGHHGH!

JADE: where are you going?

JOHN: I'M GOING TO GO KICK HIS ASS!

JADE: what! john, no...

JOHN: POSING AS MY DEAD FATHER BY MIMICKING ONE OF HIS GREAT FATHERLY NOTES HE USED TO HIDE AROUND THE HOUSE???

JOHN: AND ON THE TWO YEAR ANNIVERSARY OF THE DAY HE WAS SLAIN BY JACK NOIR, A *FACT* OF WHICH THAT CHEEKY ORANGE ASSHOLE IS PLAINLY AWARE??????

JOHN: THIS IS A NEW LOW, EVEN FOR DAVE SPRITE!

JADE: ok yes, that practical joke is in poor taste, but you should try to calm down and...

JOHN: NO, SCREW THAT, I AM SUPER PISSED OFF ABOUT THIS!

JOHN: THERE IS ONLY ONE WAY TO SETTLE THIS, AND THAT IS WITH AN OLD FASHIONED BEATDOWN.

JOHN: WHERE'S MY HAMMER!!!!!

JADE: um

JADE: which one?

JOHN: ANY OLD HAMMER!

JOHN: WHATEVER. IT COULD BE A HAMMER FROM THE BARGAIN BIN OF A HARDWARE STORE FOR ALL I CARE.

JOHN: JUST GIVE ME ANYTHING THAT'S FIT FOR CLOBBERING A GHOST BOTTOMED DICK FACE WHO'S ALSO A BIRD.

JADE: sigh

JOHN: I'M COMING FOR YOU, DAVE SPRITE!

JOHN: DO YOU HEAR ME, YOU MAGICAL SON OF A BITCH? I KNOW YOU CAN HEAR ME!

JOHN: THAT STUNT WASN'T COOL! *YOU'RE* NOT COOL!

JOHN: LIKE IT WASN'T BAD ENOUGH YOU DUMPED JADE FOR NO REASON. WHAT'S THE MATTER WITH YOU!

JOHN: YOU AND JADE WERE OUR ROCK ON THIS SHIP! YOU HEAR ME?? OUR ROOOOOOOOCK!!!

JADE: :|

JOHN: AND NOW *THIS* BULLSHIT??? WHAT THE HELL, MAN.

JOHN: I DON'T GO AROUND LEAVING FAKE PUZZLES FOR YOU LIKE FROM THE MOVIE SAW, DO I? HAVE YOU EVER HEARD ME SAY I WANT TO PLAY A GAME EVEN *ONCE*?? WELL, HAVE YOU????

JOHN: NO, BECAUSE THAT WOULD STIR UP PAINFUL MEMORIES OF A DEARLY DEPARTED LOVED ONE, AND THEREFORE WOULD BE UNBELIEVABLY SHITTY OF ME!!!!!!!!

JOHN: HEY! I SEE YOU THERE!

JOHN: GET DOWN FROM THERE RIGHT NOW, WISE GUY!

JOHN: OH NO, DON'T PLAY DUMB. I CAN SEE YOU PLAIN AS DAY. I'M ON TO YOU, BUDDY.

JOHN: STOP VAGUELY WATERMARKING THE SKY WITH YOUR SMUG DOUCHEY FACE THIS INSTANT AND FIGHT ME LIKE A MAN!!!

JOHN: YEAH SURE, LAUGH IT UP! THAT MAKES YOU SEEM LIKE WAY LESS OF A TOOL. NICE GOING BRO!

JOHN: EVERYONE ON THIS BOAT IS SICK AND TIRED OF YOUR BULLSHIT! WHY DON'T YOU JUST FLY AWAY AND LEAVE US ALONE?

JOHN: HOW CAN YOU BE SO MUCH MORE OF A PRICK THAN THE REAL DAVE? YOU ARE THE MOST PISS POOR SUBSTITUTE FOR A BEST FRIEND A GUY EVER HAD.

JOHN: I CAN'T *WAIT* TO MEET UP WITH THE REAL DAVE AGAIN. THAT WAY WE CAN ALL GO BACK TO THE AWESOME STATUS QUO OF PRETENDING YOU NEVER EXISTED IN THE FIRST PLACE!

JADE: john...

JADE: theres no one there

JOHN: oh he's THERE alright.

JOHN: he's probably just using some sprite magic so only i can see him.

JOHN: don't you see, jade? he's antagonizing ME PERSONALLY, not you. he's done with you, remember?

JOHN: he already used you like a rented mule, and now he is moving on to greener pastures.

JADE: what pastures

JOHN: it's me.

JOHN: I'M the pastures.

JOHN: and now his mule is grazing all over them, while he has a good laugh.

JADE: what

JADE: wasnt i supposed to be the mule?

JADE: i dont think i understand your analogy

JOHN: no, you see, it's...

JOHN: the mule represented, like...

JOHN: i don't know, like the spirit animal of his douchey ways. or something.

JADE: ....

JOHN: augh, WHO CAAARES.

JOHN: who cares about mules, or pastures, or dave sprite's stupid ephemeral sky visage.

JOHN: who cares about anything!!!

JOHN: who cares about my birthday, or nic cage, or this boat full of idiots.

JOHN: JUST.

JOHN: WHO.

JOHN: CARES.

JADE: john i think youre officially throwing a tantrum here

JADE: ...

JADE: john?

JADE: john...

JADE: are you asleep?

JADE: please dont tell me you just fell asleep in your driveway

[thecureimcoldopensavdemo]

why are u reading homestuck who eveb does that

i am being bullied on atumblr dot com for reading the acclaumed web comic "homestuck". i can hear the artillarilly barrage landing near my home already. is it too late to repent.

[mspaintripventure]

TG: can you do page 5294 pls

Already did, and John's in the queue! Just hasn't debuted yet. The rip is in my mioware.io account, if you so wish to paruse it and find other Johns, TG. Here's the rip you wanted though!

[mmmmalo]

This is a (meandering, non-exhaustive) overview of Homestuck’s use of

by which I do not mean examples of psychological realism in a character’s words and deeds, but rather the various means by which characters’ psyches are expressed outside of themselves. I wish to elaborate on how thoughts, feelings, and desires may find expression in the environment, in the medium of the story itself, and in the form of other characters.

That’s perhaps a little vague, so here’s a ready example of what I mean: brainghost!Dirk. He talks with Jake, but since he is a construct of Jake’s mind, Jake is essentially talking to himself. Brainghost!Dirk is an alienated medium for voicing Jake’s own thoughts, irretrievably distorted through its intermingling with what Jake thinks/wishes Dirk would say (not unlike a puppet). I am claiming that this mode of characterization is not a unique to Jake; the blurring of inner and outer voices is omnipresent throughout the story.

Or, rephrased: what I hope to show is that a great deal of Homestuck is haunted with brain-ghosts, of one kind or other.

An early example of this kind of storytelling in science fiction would be the film Forbidden Planet (1956). The film contains a pair of conflicts which eventually reveal themselves to be one: the scientist Morbius wants some space explorers to get off his planet, and an immense monster (pictured above) appears during the night to attack the explorers. Morbius, it turns out, has been experimenting with a machine capable of turning thought into reality. So when Morbius sleeps, his dream of driving off the trespassers materializes in the form of beast that forcefully enacts the wish.

The beast is declared a “monster from the id”, the “id” being a concept borrowed from Freudian psychology, indicating the part of the mind responsible for the unfiltered generation of impulses, of urges. In the film, this passing mention of psychoanalysis precedes the revelation of Morbius’s link to the beast.

Homestuck hints towards its own mixing of thought and reality with a device similar to Morbius’s dream machine: Sburb.

A snapshot of Dave’s Sburb client (1519) shows that the final subprograms launched during the games installation make reference to terminology associated with Carl Jung and Sigmund Freud. The terms suggest that Sburb interacts with the ideas in the kids’ subconscious minds (archetypes) and brings symbolic representations of these ideas into conscious reality (manifests the ideas). The game alters the means by which reality is constructed. As with Forbidden Planet, a major result of this is id monsters.

When John slips on a staircase, he flips out (left, 560). And when he nearly launches himself into the abyss with the Pogo Hammer, he has to take a nap before he has calmed down enough to continue (center, 637). Immediately following both moments of vertigo, massive ogres appear. The eventual fight with the ogres begins after John looks over the edge of the platform above his house, into the abyss (right, 662).

All of this suggests that Sburb is reacting to John’s emotional state (fear) to produce in-game content. The game functions as a waking dream.

It should also be noted that Sburb provokes the reactions it elicits. Karkat once mentioned a nagging feeling that the game was mocking him by giving him a planet covered in the candy red blood he had spent a lifetime attempting to hide (2301). Karkat’s paranoia seems to be correct here, and moreover applicable to the cast in general -- John’s house was likely placed atop an immense spire /in order to/ bring John’s dread of falling into sharp relief. The suspicion can be substantiated with a few related motifs.

The story provides two likely origins for John’s fear of heights: his own fall from the slime pogo as a child (2626) and the death of Nanna, which John believed resulted from her falling from a ladder and being crushed by a book (52). What’s more, Sburb’s invocation of the Fall of Man (Adam and Eve being cast from the Garden of Eden) via biting into an apple hints that there is an allegorical significance to John’s more literal fear of heights. 

We can apply these patterns to other characters in an attempt to learn more about them. LOLAR being covered in ocean suggests that Rose is afraid of water, with the likely cause of Rose finding Jaspers dead and washed up on a riverbank (presumed drowned). Dave speaks openly about how his sword fights with Bro left him anxious of metal sounds (7749), meaning the grinding gears of LOHAC were a personalized hell for Dave. Jade’s first imp manifests in response to the sight of a yellow aurora (2998), inviting the reader to investigate why that image invokes a fear response.

But we won’t get to into all of that, not for now at least. Let’s take a step back.

For my reading of the imps as manifestations I’ve been leaning heavily on a piece of film theory devoted to the effects of sequential images. The sequence above constitutes two observations. One, that by this arrangement the viewer will infer the old man sees and reacts to the middle figure. Two, that the viewer’s impression of the old man will change based on the content of the central image, even if his expression is the same. Is he smiling at Nepeta or warm embrace Marvus’s armpit? The answer may influence your interpretation of the little smile.

The neat thing about montage is that the interrupting frame need not bear any obvious relation to what precedes or follows in order to be subject to a causal reading. Moments that occur sequentially can be read as triggering one another, even if what follows any particular moment appears to be a break rather than a continuation.

Example: There’s a moment where Aranea walks into Jake’s dream, and brainghost!Dirk immediately starts razzing Jake about his attraction to the alien girl and threatening to give him a boner. The scene is interrupted by Jack committing a series of gratuitous murders. We then cut back to Jake, and bg!Dirk is now teasing him about his dirty thoughts.

DIRK: You have got to be kidding. Did you seriously just think something THAT dirty? DIRK: You must be doing this on purpose to spite me now. I mean, just wow dude. That was x-rated as fuck. 

JAKE: (No no stop. See youre talking about it and now i cant help it!) JAKE: (You are psyching me into having dirty thoughts get fucking lost you interloping brain douche!!!) 

DIRK: Don't worry, I'm gone. It's like a goddamn peep show in here and I feel like a sleazy piece of shit watching this from a dark corner of your mind. DIRK: You have a graphic imagination, English. I'm kind of impressed. 

JAKE: (Shut up theyre just thoughts its not even like im trying to have them THEY DONT MEAN ANYTHING!)

The ostensible joke is that bg!Dirk is exaggerating or outright fabricating his account of Jake’s thoughts in order to hassle him. But by way of montage, one can infer that we /have/ seen Jake’s dirty thoughts, in the form of Jack’s display of overwhelming bloodlust. Violence is superimposed over the sexually explicit. 

Whether the scene literally takes place in Jake’s mind is secondary (though such a reading would explain why Jake’s brain ghost is even aware of Jack) -- the use of montage allows Jack’s actions to function as a /metaphor/ for Jake’s thought.

Another example of Jack functioning as a murderous/libidinous avatar would be the death of Mom and Dad. At their little tea party, Dad spills some wine on Mom’s clothes and declares that she must disrobe immediately (so that Dad might launder the garment). Mom calls the aromas wafting from his pipe sensuous. The two clasp hands and declare that all they need is eachother. Then they die! The joke is that while Bec Noir is ostensibly an interruption to date night, he also functions as its culmination, with murder acting as substitute for the sex act.

The link between violence and sexuality is perhaps a hard sell, but I hope to convince you that the reading holds merit. Let me emphasize that the very act of Mom and Dad holding hands was itself sexually loaded.

I owe to HS liveblogger elfstuck the insight that John’s linear 3 card sylladex is a reflection of his short attention span. Consider how John’s role as a game character means he is thrown all around his room, back and forth, as the player figures out what to make of the situation. If you ignore the fourth wall, you’re left with an extremely distracted person, who attention flows easily from one object to another. Accepting the object-in, object-out nature of John’s sylladex and the resulting shenanigans as a metaphor for this, it would follow that the sylladex in general can offer an abstract representation of thought.

In passing, I can mention how the enormity of Jake’s sylladex (it cannot even fit on the page, and contains an object that exceed most players’ size limits) would imply that despite evidence to the contrary, the boy likely has a big brain (and perhaps its being offscreen suggests Jakes own unawareness of much of his own thought). Dirk’s comment about avoiding items that are difficult to shoehorn into his mnemonic schema (4535) could be read as a difficulty maintaining information that doesn’t fit into his personal mental models. The sylladex becomes a metaphor for the mind that requires interpretation.

Under this mode of thought, the moments when Jade’s pictionary modus fails to correctly interpret her drawing become akin to a mental slip-of-the-tongue. For the Tanglebuddies to be misread as enmeshed hands implies an association, in Jade’s mind, of horny Squiddles and clasped hands. John affirms the association much later by miming Tanglebuddies as he attempts to grapple with the question of whether Jade and Davesprite are sexually compatible (5294):

JOHN: how do things even work if you marry a sprite?

JADE: what do you mean 

JOHN: i mean... JOHN: ok, he has a ghost butt, for one thing. 

JADE: uh JADE: so 

JOHN: a GHOST BUTT, jade! 

JADE: SO WHAT IF HE HAS A GHOST BUTT!!!!! 

JOHN: i'm just saying... 

JADE: WHATEVER YOURE JUST SAYING, JUST STOP SAYING IT! JADE: and whatever youre trying to gesture with your hands there, stop doing that too!

It should also be noted that before launching into her “daring dream”, waxing poetic on the miraculous union of the human and the animal with her hands clasped in wonder, Jade successfully captchalogued the Tanglebuddies (796). And more to the point, Jade’s pose in reproduced during discussions of cherub (5961) and leprechaun (6007) reproduction. Hand-holding becomes representative of an (oft-sexualized) union, underlining the euphemistic nature of Mom and Dad’s post-contact demise.

The next example of using montage to communicate thought requires a little more buildup.

There’s a gag in Rose’s introduction where the reader tells Rose to play with her writing journals, and scoots the journals under the bed and retorts that she would only do that if no one were watching (220). At first glance, the moment scans as a minor meta joke in a story filled with meta jokes -- but the trick is that Rose does not /know/ herself to be a video game character, her every movement controlled and observed. Rather, she /believes/ this to be true -- the joke about being watched establishes that Rose is paranoid, as will become apparent in the hostility she assigns to Mom’s every action.

The command prompt and narration are themselves brain ghosts of a sort: the voice deployed in them is always linked to the present point-of-view character. The insults that precede character introductions ( “Zoosmell Pooplord”, etc) become marks of anxiety, an intrusive proclamation of what the kids at times think of themselves (and/or what they think others think of them). “Nice time management skills, sweetheart!” becomes a bit of self-deprecation Rose as she procrastinates, which Rose experiences as having been voiced by some objective observer who judges her deficiencies.

A blurred line divides characters from the voice at the back of their head, belonging to the (presumed) omniscient, omnipotent author-god. This is why avatar!Hussie is dressed as Calliope when he is killed by Lord English. Both Calliope and Hussie are a voice in Caliborn’s head, and thus both present apparent obstacles to an unmediated self.

The left panel (3219) foreshadows the right (3358). Gamzee is not being declared the objectively most important character in Homestuck. Rather, Gamzee is declaring himself /to have been declared/ the most important character in the story. The line establishes that Gamzee believes himself to be in a story (with an author!) and that this author has declared him paramount. Furthermore, “fondly regarding creation” is an modus operandi of Problem Sleuth’s Godhead Pickle Inspector. Applying that turn of phrase to Gamzee’s actions further establishes that Gamzee believes himself to /be/ the god-author declaring his own importance. So it should come as no surprise that 137 pages later, Gamzee outright proclaims himself to be the god(s) he worships.

Going back to montage, it becomes interesting that this snapshot of Gamzee’s megalomania is inter-cut with the creation of Jadesprite -- the moment that dead!dream!Jade merges with Bec, forming a unity with a deity not unlike the unity Gamzee claims with his mirthful messiahs. The interweaving would suggest that Jade and/or Jadesprite experienced analogous thoughts of megalomania upon the moment of ascension.

This would be a good point to mention that not only imps and ogres, but trolls also function as manifestations for the people they impose upon. Karkat is not only an interruption here, but also a continuation. He points out that Jade’s self-loathing, that she cannot safely distance herself from the qualities of Jadesprite she finds distasteful. This is precisely why Karkat ends the conversation by telling Jade to turn off the fourth wall (which divides the self!), as well as the reason he imagines Jade making out with herself: Karkat is on every front presenting the prospect of union with oneself.

The notion of trolls as manifestations first emerges clearly when Rose and Dave receive their packages from John. As they finish reading John’s letter, each is suddenly contacted by a troll and greeted with the command “Answer.” Critically, by word alone it is ambiguous as to whether the command refers to answering the troll or the letter. And as it turns out, these answer occur simultaneously: Rose and Dave’s responses to the letters are embedded in the subsequent conversations. 

Rose receives a letter poking fun at her pretensions, claiming that her attempts to hide her affections for people are futile. In response we get Kanaya, who imperiously proclaims her disdain for Rose, only to suddenly change tact and explicitly seek Rose’s friendship, an entreaty which the oft paranoid Rose accepts. Dave receives a letter imploring him to let go of his insecurities and express himself. In response we get Tavros, the very picture of insecurity, who is fixated on the idea of making Dave shit himself (as part of an ‘emotional constipation’ motif that follows Dave). And Dave complies, in a sense, by way of the quasi-ironic gay treatise that compels Tavros to block him. Each conversation addresses the issues laid out in John’s letter.

Examples can be found throughout the comic. Equius remarking that he talks to Gamzee every day (2220) establishes that Gamzee is regularly haunted by the thoughts of domination that Equius voices -- both in the literal and metaphorical sense. Erisolsprite referring to Dirk as a rock 2oliid piiece of a22 and then calling himself 2ociiopathiic for even thinking something so callous (5516) expresses a conflict already present in Jake’s own mind, echoing the frustration with his own dirty thoughts expressed by the argument with brainghost!Dirk. Feferi’s pronounced enthusiasm for the imminent apocalypse should cause you to question Kanaya’s seemingly neutral resignation towards the end of the world, since Feferi manifests for Kanaya (2328). And so on.

The person being trolled is always being confronted with thoughts or feelings or memories already present within themself. Alien contact always doubles as a brain ghost haunting.

Another example, with some buildup: Karkat invokes the phrase “PERFORATE MY BONE BULGE WITH A CULLING FORK” to express his contempt for Vriska, and on subsequent pages we see Feferi pointing her culling fork at a cuttlefish (2181), as if to suggest that the creature symbolizes the bone bulge. Fast forward to Kanaya, who has just gotten through a conversation with Vriska and finds herself haunted by Eridan, who keeps going on about his romantic desperations and insisting (correctly) that Kanaya’s crush on Vriska is itself romantic. That his notification erupts from an image of cuttlefish held at Kanaya’s waist adds to the air of yearning, as though her own bulge is rumbling. The scene is capped off with a double entendre: “its hard and nobody understands” is playfully poignant jab at an inability to understand one’s own desires (among other things). 

And Homestuck devotes a lot of attention to desire.

It’s long been acknowledged by the fandom at large that Kanaya’s attraction to Light players functions as a joke on the proverbial moth-to-the-flame. As reconciliation with the fire destroys the moth, there’s a morbid tinge to the attraction, as though it doubles as a death wish. And the wish is granted -- when Kanaya dies in Homestuck, she dies to light, either from Eridan’s wand or the laser blasts unleashed by HIC. Even the death of Kanaya’s lusus pertains to light -- the matriorb ripped from her innards is shaped like a miniature sun, as if to establish some loose link between the notion of motherhood and the incandescence Kanaya eventually achieves.

This can be generalized into a principle wherein lusii (and the circumstances of their deaths!) can functions as analogies for the desire of the wards.

Vriska, for example, desires execution. When offering Terezi a flimsy apology for crippling Tavros and proxy-murdering Aradia, Vriska offers to slam her head against her desk in penitence. This moment should be read against Vriska’s addiction to breaking 8 balls, and leaving the broken shards lying around as though she’s inviting the “bad luck” of stepping on them. It /is/ an invitation. Vriska seeks love via violent retribution against herself. This is why in the right panel, Vriska’s blood-spattered head is juxtaposed with a broken 8 ball: the blood came from Spidermom’s execution (which characterizes Vriska’s desire), and motif of 8R8K H34DS connects the moment to Vriska’s idea of apology.

Like Kanaya, Vriska (to a degree) seems to structure her love life along these lines. In the words of @azdoine:

like ppl are actually out here writing Vriska as the top as if her entire Act 5 character arc isn’t about bratting out until Terezi has no choice but to punish her

“oh noo, I, the thief of light, stole all of your luck, and made the coin land on the scratched side! now you have to kill me! but I’m probably going to get away with everything, because you don’t have the guts to stab me with that sword of yours!!!!!!!! if only there was somebody, like you, who could prove me wrong!”

EXTREMELY SUBTLE THERE, VRISKA

Vriska’s approach to wooing Tavros also revolves around baiting execution:

The scene: Tavros leads a horde of imps and ogres into a mystery cave, the top of which is adorned with kissing lizards and an alchemical symbol. Tavros is putting a puzzle of a frog together, but Vriska has already pieced together the puzzle: making a frog universe is, in part, a cipher for personal reproduction. The Ultimate Alchemy is making a baby! And as Vriska says, “real gamers cut to the chase. They power through all the nonsense and go for the gold.” So she brings Tavros to LOMAT and makes the moves on him.

Tavros is equated to a treasure chest by the repeated use of framing and Vriska is GOING FOR THE GOLD, like a WINNER. Tavros later reaches into the same chest for his lance before heading off to attempt to kill Vriska -- affirming that the treasure Vriska seeks here is Tavros’s “lance”.

This setup was suggested by the conversation accompanying the kissing salamanders: Vriska gives Tavros a map with a big red X, saying he should take his legion of imps through the gate and go defeat his denizen. The gate actually leads to Vriska, but she isn’t lying. She is positioning herself to be Tavros’s final boss. The imps are manifestations of Tavros’s pent up rage (much of which was generated by Vriska’s harassment), and Vriska wants Tavros to take that anger out on her. Hence the later panel which uses Vriska’s boots to place a big red X directly over her groin, making explicit the implicit goal of Tavros’s trip to the windmill X-gate.

This pursuit of love through violent comeuppance may have something to do with Vriska’s bitter disappointment that ghost!Aradia did not seem to hate her.

An intermission/introduction of sorts, as we bridge from one discussion of desire to another: did you know that Michael Bay’s Armageddon (1998) structures itself in part around Freud’s Oedipus complex? I say this in total sincerity.

The plot: a meteor the size of Texas bears down upon the Earth, threatening armageddon. Luckily, a crew of rough-and-tumble oil drillers are ready to fly into space and split that mother in two. Oh HELL yeah.

Except, wait, the movie’s actually about family drama: Bruce Willis finds Ben Affleck sleeping with his daughter Liv Tyler; Willis proceeds to chase Affleck around the oil rig with a shotgun, bang bang bang. Not Allowed. The Protective-Father-Hates-Your-Boyfriend dynamic is presented as an Oedipal triad of sorts: although Tyler is not literally Affleck’s mother, she performs the mom-function of “forbidden object of desire” -- and Willis opening fire is equivalent to the castration said to await trespassers onto maternal soil.

The above reading is buttressed by jokes: Armageddon appears to function within an implicit dream machine, such that the characters’ thoughts and fears can become manifest in their environment. So when it comes to pass that whenever  Affleck climbs into a hole (heehee), a pipe breaks (hoohoo), and suddenly everything goes boom, I read that as Affleck reliving the consequences of boning Tyler, packaged in such a way that the Freudian fear of castration is more explicit. (The relevance of Oedipus to the proceedings adds some humor to Steve Buscemi declaring the entire disastrous situation a “Greek tragedy”)

At any rate, after some shenanigans, Willis comes to accept Affleck’s claim to his daughter and confers the deed, as it were. Willis gives the young couple his blessing and they get married. Hooray!

Except, wait, the movie’s actually about the perpetuation of the oil industry: the dream machine was declared at the beginning of the movie when a petty street-side argument triggered the first barrage of meteors. The meteor the size of Texas (aka Dotty) is triggered by conflicts that haunt the central cast -- namely Willis, who enters the film hitting golf balls at a Green Peace boat. On a metaphorical level, Dotty is a golf ball the size of Texas, striking directly at the Earth instead its self-declared representatives. There’s a certain irony here: the film lampshades that the men who are destroying the world have been tasked with saving it.

The family drama folds into the environmentalist angle: Liv Tyler is a symbol of the earth (which gets drilled). This is the joke when Affleck is bouncing animal crackers around on her belly like she’s host to the Savannah: she kind of is! It’s no coincidence that Willis confers ownership of the oil rig at the same moment that he offers his daughter’s hand in marriage: the motifs are being discussed simultaneously.

But enough of all of that: back to Homestuck.

Armageddon’s simultaneous casting of Liv Tyler into the roles of earth and mother offers a glimpse at the interpretive possibilities made available by Hussie’s statement that Homestuck is in a way a synonym for Earthbound (an RPG in which “homesickness” is a status ailment which can be cured by calling your mom). Stuckness or boundness can be deployed to communicate a sense of longing for “home”.

A good chunk of Homestuck is built upon feelings of nostalgia, taken to mean a sort of intense separation anxiety with the past. John speaks about this when he watches Con Air with Jade – John wants the movie to feel like it did when he watched it with his Dad long ago, but the feeling from when he was a kid is gone. This upsets him. Moreover, John’s freakout starts at the moment Cyrus puts a gun to the bunny’s head (5286): Con Air itself is partly about Nic Cage trying to return to the life he lost when he went to jail, and ‘putting the bunny back in the box’ is a metaphor for the attempt. Cyrus, in threatening the bunny, is highlighting his role as a force preventing things from going back to how they were. Thus, if we are to believe that John is responding to the movie thematically, Cyrus confronts John with his own inability to go back to a happier past – his inability to go home -- and this recognition is met with anger.

In making the leap to the psychoanalytic motifs, it helps to recall the part where baby!Dirk responds to being born by cracking open his ectotube and crawling back inside. Dirk, who aspires towards his “ultimate self”, illustrates here that he envisions his ascension as a return to the ‘essence’ of Dirk from which he (and all other iterations of himself) arose, as represented by the ectoslime. Baby!Dirk gestures at unity with his ectoslime/essence by crawling back into the place from which he was born, which I’m basically claiming is a “return to the womb” on a symbolic level, or at least that this is a useful parallel to draw. (A related motif to think about: Dirk decapitates himself by sticking his head inside a box, which as per Con Air symbolizes the place you wish to return to)

[Hella Jeff sez: “i took (my pants) off because i was banging your mom for a minute there..... AND NOW YOU ARE BANGING HER”]

Castration becomes unavoidable as you try to relate all of this to Dave, whose occasional references to banging hot moms are part of an ongoing reference to the Oedipus Complex. Critically, the complex is not /just/ about wanting to bone your mom, but also fear that your dad will chop your junk off if you do. The breaking of Dave’s sword on the rooftop is a realization of this fear (yes, we’re doing the “swords are phallic” thing). But Dave has no mom that he knows of, so what gives? 

The answer is in the way Bro inexplicably breaks the record emblem on Dave’s t-shirt, as though he has introduced a fissure into Dave’s very identity. Life with Bro has made it very difficult for Dave to be honest with himself, which is to say, Dave pictures Bro’s abuse as having divided him from an ideal “true self”, which can feel emotions without all the anxious ironic detachment. I mentioned before that seeking unity with that from which you came is a “return to the womb”. This is the sense in which the Oedipal mom attraction becomes relevant: the return to the past is sexualized. The ‘home’ Dave wishes to return to is /himself/, and in this sense Dave is his own hot mom (which is related to how often Dave compliments his own looks, as well as the above gif suggesting Dave’s boner – he is literally/metaphorically “attracted” to himself).

(Incidentally: this model of desire, in which a broken subject attempt to become whole again by seeking out its lost half, is basically the concept of the soulmate, as laid out by Plato. Cherub reproduction turns the metaphysical pursuit of one’s lost half into a plot-level objective)

John’s entry item (apple) was linked to fear embodied in a childhood trauma (the Fall), and the same can be said of Dave. Hatching from the shell that contained your primordial goop (Dirk) is analogous to being violently separated from yourself (Dave), which is why Dave’s entry item (an egg) hatching coincided with Bro slicing the meteor in half: the abuse that divided Dave from himself, his “castration” by Bro, is simultaneously the “birth” that separated Dave from his “mother” (which is also Dave).

The general idea is that birth = self-alienation = castration, insofar as all are depicted as modes of being separated from oneself.

The broad motif of ‘being separated from oneself’ can be very useful for identifying brain ghosts in unexpected places. Take for example, Roxy’s fenestrated planes: when they are introduced the narrative is quick to tell us that if someone were caught half in/out of one of the windows when the power cuts out, they would be sliced in half. By the rule of Chekhov’s gun, this introduction should mean we should eventually see someone get gorily bisected by the window, but alas we never do. 

Instead, when Gcat warped the panel away, trapping Roxy between the windows, we were shown the image of a bisected horse puppet in Dirk’s apartment, This signals that Chekhov’s gun has indeed gone off. But rather than splitting a body, it split a soul: Meenah’s introduction follows the sequence because Roxy has generated a shadow of herself, a doppelganger. This is not without precedent: an earlier portion of this post was devoted to exploring the fourth wall as a mode of self-alienation. Roxy’s panel mishap can be considered part of that pattern.

If Meenah functions as an extension of Roxy, all of her actions can be read as bearing some relations to Roxy’s own latent thoughts and desires. Prior to the epilogues, for example, Meenah imploring John not to give her the ring seemed to be yet another Fuck You to the late Chekov: the issue never comes up again. But a psychic link between Meenah and Roxy would suggest that John broke his promise to Meenah by giving the ring to Roxy, and that whatever motivations compelled Meenah to make her request in the first place would also apply to Roxy.

Decapitation is yet another mode of self-alienation, and thus can be construed as a mode of birth. Hence the image of Lil Sebastian hatching from his shell of taxidermied man meat. That’s a motif unto itself, but what I wish to call attention to is the match-cut from John’s broke body to Jake’s broken tower. The juxtaposition collapses the images into metaphor, such that Jake’s loose dome in the woods becomes a decapitated head -- an appropriate addition to the pumpkin patch it rests in, given all the Headless Horseman jokes. We can look to Dirk for for another example of a headless horse-man of the house echoing the head: for a guy who idealizes decapitation to such a degree, it is striking that Sburb aims to provoke him by reattaching his beheaded apartment to its underlying units.

Houses act as metaphors for heads, then “Homestuck” could also interpreted as “head trapped” -- like the title emphasizes confinement within one’s own mind. Such a reading offers up Failure to Launch and Arrested Development (posters on John and Jane’s walls) as alternate synonyms for Homestuck, as each satirizes (or outright mocks) potential failure states in the process of inter-personal and mental development (ie “growing up”). Like Earthbound, both lean on a sense of homesickness in characterizing despondency, as though characters are haunted by the needs that defined their childhood -- or else find themselves needing that childhood itself.

But collapsing nostalgia into infantile regression is far from the only way to approach the house/heads equation. One might read the transformation and growth of houses with Sburb as metaphors for expanding the mind. One might infer that the choreography of events within houses can map out thoughts like dancing bees. One might take the metaphor as a foothold for interpreting the significance of the Sburb logo being at once a house and a window. \I have my own thoughts about Homestuck’s brain-ghost haunted house-minds, but for now, I only hope that this document has raised some interesting questions -- and ideally, that the interpretive approaches I’ve described might be useful in seeking answers.

[automatismoateo]

I was proud to say I ripped a page out of my bible and now I'm thinking of deleting the post via /r/atheism

I was proud to say I ripped a page out of my bible and now I'm thinking of deleting the post

I have a bible that has a paragraph about how 'being gay is a sin' and how it was apparently 'horrible and no Christian could support it.' So I ripped the page out and started to plan on burning the rest. (Small note, I wouldn't do this to any other book)

I'm not religious and was pretty proud of myself for finally being able to distance myself enough to be able to actually rip the page out.

I posted about it onto the confessions page and about how I wasn't ashamed of it and was actually proud of myself.

A lot of people came on and started to scold me and called me arrogant for ripping the page out and how only God knew about what my future would be.

I'm thinking of deleting the post now but I kind of want to keep it up because I'm still slightly proud of myself for getting rid of that page.

Submitted February 28, 2022 at 01:12PM by Agile-Country-5294 (From Reddit https://ift.tt/OKTE65a)

[if-you-fan-a-fire]

“Tried Escape, Gets 2 Years,” The Globe and Mail. November 9, 1938. Page 04. --- Walkerton, Nov. 8 (Special). - An attempted break from the Bruce County jail here drew for Stanley Jones of the Cape Crocker Reserve a two-year term in Kingston Penitentiary. Jones, who was completing a five-month sentence for illegal possession of liquor, staged a general demolition of his cell, tearing plaster and lath from the walls. With almost superhuman strength he also tore loose a large elm board with which he began prying the bars of the cell door. The cell and corridor were littered with plaster when Turnkey A. McDougall arrived. Jones had been unable to escape form his cell on the second floor of the jail in the remand block of cells. He was the only prisoner in the section. [AL: A few things to note. Possessing alcohol of any amount was strictly prohibited by the Indian Act in Canada - ostensibly to protect indigenous people  but really, as practiced by Indian Agents and police, as another means of exerting control. Of course, the topic of alcohol on reserve is still a divisive issue today in indigenous communities, but there is, to me, a profound difference between a community deciding to impose a ban itself and a settler colonial government agency doing the same. Five months is not an exceptional length of time, in this period, to punish someone for breaking the Act - the same day it was reported a woman in Hamilton was given six months’ for sale of alcohol in violation of the Indian Act. Nor is Jones’ anger and fury at being incarcerated something unusual or worth condemning. Note also the ‘superhuman’ strength attributed to him - a frequent trope used in describing the criminalized, especially racialized minorities, which ties to ideas, falling out of favour in the criminological literature of 1930s Canada but not the popular imagination, that posited criminality as a kind of bestial atavism... Jones, as convict #5294, was a difficult inmate at Kingston Penitentiary as well, assigned to the menial duties of stone cutting like other troublemakers, being implicated in an embryonic escape attempt. He served his full sentence, with two months off for earned remission, and was released back to county authorities,]

[infotechausdigital]

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As per the SEO Agency in Melbourne experts, all because of growing technology, more and more people are shopping around before choosing to make any purchase. If you want to differentiate your brand from others, one of the best things you can do is offer reviews.

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There is always a scoop for all the type of business on social media. This is one of the great ways to update your targeted customers, reach out to the more buyers and promote your brand locally as well as globally. Depends on your industry find a different platform as most businesses presence on Facebook, Instagram, Twitter, and LinkedIn. Using photos, blog posts, status updates and more to activate your social media channel.

To know more tips and tricks to build a strong business marketing strategy you can contact the team of Infotech - Digital marketing agency in Melbourne on,+61 (03) 5294 0966

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[viditajewels]

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Kraft Heinz Food Company Gevalia Coffee Queen Contest - Win A Trip

Kraft Heinz Food Company Gevalia Coffee Queen Contest – Win A Trip

Open only to legal residents of the United States who are 18 years of age or older at the time of entry. Just submit your entry in Gevalia Coffee Queen Contest before December 21st, 2019 and get a chance to win A trip.

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[canadagiveaway]

Dovpo Topside Dual Carbon Giveaway - Win Topside Dual Carbon

Dovpo Topside Dual Carbon Giveaway – Win Topside Dual Carbon

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[capecoddaily]

Deck: Another active week in P-Town…Towns: ProvincetownTopic: Police BlotterHub Category: Police and FireAuthor: CapeCodToday StaffTeaser: Another active week in P-Town…Main Image: Thumbnail Image: Body: Provincetown Police Department Page: 1 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 For Date: 04/08/2019 - Monday Call Number Time Call Reason Action Priority Duplicate 19-5220 0011 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5219 0012 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3004] BRADFORD ST 19-5221 0033 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST + HOWLAND ST 19-5222 0057 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2898] JEROME SMITH RD 19-5223 0105 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2521] ROUTE 6 19-5224 0143 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: COMMERCIAL ST + SNAIL RD 19-5225 0149 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 413] CONWELL ST 19-5226 0211 NOISE COMPLAINT SPOKEN TO 3 Location/Address: [PRO 2] ALDEN ST 19-5227 0405 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 521] ROUTE 6 19-5228 0503 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 569] WINSLOW ST 19-5229 0511 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 + HOWLAND ST 19-5230 0545 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 19-5231 0600 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 958] JEROME SMITH RD 19-5232 0614 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2490] PROVINCELANDS RD 19-5233 0615 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 447] JEROME SMITH RD 19-5234 0720 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5235 0810 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5236 0814 PARKING COMPLAINT No Action Required 3 Location/Address: [PRO 3456] RYDER ST EXT 19-5237 0916 ALARM - GENERAL False Alarm 1 Location/Address: [PRO 1815] OAK DR 19-5238 0951 ANIMAL CALL Services Rendered 2 Location/Address: [PRO 542] SHANK PAINTER RD 19-5239 1005 SERVICE CALL - POLICE SPOKEN TO 3 Location/Address: [PRO 395] COMMERCIAL ST 19-5242 1100 COMPLAINT - GENERAL SPOKEN TO 3 Location/Address: [PRO 2102] SNOW ST Provincetown Police Department Page: 2 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5243 1139 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2494] BRADFORD ST 19-5244 1146 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5245 1234 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2977] COMMERCIAL ST 19-5246 1259 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST + STANDISH ST 19-5247 1337 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5248 1350 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 2207] SHANK PAINTER RD 19-5250 1455 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5251 1518 LOST PROPERTY SPOKEN TO 3 Location/Address: [PRO 399] COMMERCIAL ST 19-5252 1525 PARKING COMPLAINT Could Not Locate 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5253 1552 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5254 1606 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5255 1617 DISORDERLY Peace Restored 1 Location/Address: [PRO 105] COMMERCIAL ST 19-5256 1701 911 - GENERAL No Action Required 1 Location/Address: COMMERCIAL ST 19-5257 1835 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST 19-5258 1930 MEDICAL EMERGENCY PATIENT REFUSAL 1 Location/Address: [PRO 1892] SHANK PAINTER RD 19-5259 2047 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 221] COMMERCIAL ST 19-5260 2134 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5261 2139 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2018] COMMERCIAL ST 19-5262 2143 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2483] COMMERCIAL ST 19-5263 2151 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2898] JEROME SMITH RD 19-5264 2203 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2500] COMMERCIAL ST For Date: 04/09/2019 - Tuesday 19-5265 0002 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 530] SHANK PAINTER RD 19-5266 0009 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 + SNAIL RD Provincetown Police Department Page: 3 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5267 0010 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 444] HIGH POLE HILL 19-5268 0018 MV OBSERVANCE / ASSIGNMENT BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2489] BRADFORD ST 19-5270 0226 FOLLOW UP SPOKEN TO 2 Location/Address: [TRU] OLD FIREHOUSE RD 19-5271 0307 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 525] COMMERCIAL ST 19-5272 0319 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 516] RACE POINT RD 19-5273 0343 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5274 0401 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3430] COMMERCIAL ST 19-5275 0423 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 517] RACE POINT RD 19-5276 0425 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2499] RACE POINT RD 19-5277 0435 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2513] ROUTE 6 19-5278 0524 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 447] JEROME SMITH RD 19-5280 0614 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 99] COMMERCIAL ST 19-5281 0712 MV STOP Citation / Warning Issu 3 Location/Address: [TRU 95] ROUTE 6 Refer To Citation: T1244321 19-5282 0735 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5283 0742 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5284 0755 MV STOP Citation / Warning Issu 3 Location/Address: [TRU 95] ROUTE 6 Refer To Citation: T1244322 19-5285 0803 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5286 0818 MV STOP Citation / Warning Issu 3 Location/Address: [PRO 2521] ROUTE 6 Refer To Citation: T1244323 19-5287 0838 MV STOP Citation / Warning Issu 3 Location/Address: [TRU 95] ROUTE 6 Refer To Citation: T1244324 19-5288 0855 MV STOP Citation / Warning Issu 3 Location/Address: [TRU 241] ROUTE 6 Refer To Citation: T1244325 19-5289 0900 MEDICAL EMERGENCY Services Rendered 1 Location/Address: [PRO 1509] BRADFORD ST 19-5290 0906 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2206] PILGRIMS LANDING Provincetown Police Department Page: 4 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5291 0924 MV STOP Citation / Warning Issu 3 Location/Address: [TRU 241] ROUTE 6 Refer To Citation: T1244326 19-5292 0941 MV STOP Citation / Warning Issu 3 Location/Address: [PRO 3440] ROUTE 6 Refer To Citation: T1244327 19-5293 0952 MV STOP Citation / Warning Issu 3 Location/Address: [PRO 2513] ROUTE 6 Refer To Citation: T1244328 19-5295 0957 ANIMAL CALL Services Rendered 2 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5294 1000 MV STOP Citation / Warning Issu 3 Location/Address: [PRO 539] SHANK PAINTER RD Refer To Citation: T1244329 19-5296 1019 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST + ALLERTON ST 19-5297 1044 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 440] HARRY KEMP WAY 19-5298 1051 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 761] BRADFORD ST 19-5299 1053 MV STOP VERBAL WARNING 3 Location/Address: BRADFORD ST Refer To Citation: 19-353-CN 19-5300 1114 MV STOP Citation / Warning Issu 3 Location/Address: [PRO 539] SHANK PAINTER RD Refer To Citation: T1244300 19-5301 1126 ASSIST DEPARTMENT / MUTUAL AID SPOKEN TO 3 Location/Address: [PRO 625] DEWEY AVE 19-5304 1337 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2206] PILGRIMS LANDING 19-5305 1342 SERVICE CALL - POLICE BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2304] COMMERCIAL ST 19-5309 1511 ALARM - GENERAL False Alarm 1 Location/Address: [PRO 3761] COMMERCIAL ST 19-5308 1512 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3440] ROUTE 6 19-5310 1537 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2513] ROUTE 6 Refer To Citation: 19-354-CN 19-5312 1601 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5313 1614 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3430] COMMERCIAL ST 19-5314 1620 LARCENY / FORGERY / FRAUD Services Rendered 2 Location/Address: [PRO 122] COMMERCIAL ST 19-5316 1741 COMPLAINT - GENERAL Services Rendered 3 Location/Address: [PRO 1895] BRADFORD ST 19-5317 1744 HARASSMENT / THREATS Services Rendered 2 Location/Address: [PRO 175] COMMERCIAL ST Provincetown Police Department Page: 5 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5318 1808 LANDLORD / TENANT Services Rendered 2 Location/Address: GARFIELD ST 19-5319 1914 MV STOP Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5320 1936 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 539] SHANK PAINTER RD 19-5321 2027 SERVICE CALL - POLICE Services Rendered 3 Location/Address: RYDER ST + COMMERCIAL ST 19-5322 2230 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 519] RACE POINT RD For Date: 04/10/2019 - Wednesday 19-5323 0028 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 545] SHANK PAINTER RD 19-5324 0036 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 413] CONWELL ST 19-5325 0036 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 1778] SHANK PAINTER RD 19-5326 0109 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2490] PROVINCELANDS RD 19-5327 0113 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5328 0119 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 526] RYDER ST EXT 19-5329 0124 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2483] COMMERCIAL ST 19-5330 0137 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2494] BRADFORD ST 19-5331 0149 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3430] COMMERCIAL ST 19-5332 0151 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2977] COMMERCIAL ST 19-5333 0156 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2513] ROUTE 6 19-5334 0226 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2859] BRADFORD ST 19-5335 0310 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 512] PRINCE ST 19-5336 0344 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5337 0354 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2513] ROUTE 6 19-5338 0416 ALARM - GENERAL False Alarm 1 Location/Address: [PRO 346] COMMERCIAL ST 19-5339 0447 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 106] COMMERCIAL ST 19-5340 0458 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2513] ROUTE 6 Provincetown Police Department Page: 6 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5341 0520 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 539] SHANK PAINTER RD 19-5342 0545 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2540] RACE POINT RD 19-5343 0556 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 1778] SHANK PAINTER RD 19-5344 0634 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2493] BRADFORD ST 19-5345 0727 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5346 0748 COMPLAINT - GENERAL SPOKEN TO 3 Location/Address: COMMERCIAL ST 19-5347 0811 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5348 0833 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST EXT 19-5349 0834 LARCENY / FORGERY / FRAUD SPOKEN TO 2 Location/Address: [PRO 1651] DAGGETT LN 19-5353 0900 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3287] ROUTE 6 19-5350 0905 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 1153] WILLOW DR 19-5351 0922 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 3222] ALDEN ST 19-5354 0951 ANIMAL CALL Services Rendered 2 Location/Address: [PRO 2645] SHANK PAINTER RD 19-5355 1008 ANIMAL CALL SPOKEN TO 2 Location/Address: [PRO 542] SHANK PAINTER RD 19-5356 1013 ANIMAL CALL Services Rendered 2 Location/Address: [PRO 1522] BRADFORD ACRES RD 19-5357 1044 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 285] COMMERCIAL ST 19-5358 1044 PARKING COMPLAINT SPOKEN TO 3 Location/Address: BREWSTER ST 19-5359 1054 VANDALISM Services Rendered 3 Location/Address: [PRO 3317] CEMETERY RD 19-5360 1105 ASSIST DEPARTMENT / MUTUAL AID Services Rendered 3 Location: [OT] EDGARTOWN 19-5361 1127 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 1173] WINTHROP ST 19-5362 1146 GENERAL INFO No Action Required 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5365 1236 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 658] MOZART AVE 19-5366 1237 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 571] ALDEN ST 19-5368 1314 FOLLOW UP No Action Required 2 Provincetown Police Department Page: 7 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 Location/Address: [PRO 542] SHANK PAINTER RD 19-5369 1335 MV OBSERVANCE / ASSIGNMENT No Action Required 3 Location/Address: BRADFORD ST EXT + W VINE ST 19-5371 1346 COMPLAINT - GENERAL SPOKEN TO 3 Location/Address: [PRO 175] COMMERCIAL ST 19-5372 1353 ANIMAL CALL Services Rendered 2 Location/Address: [PRO 2645] SHANK PAINTER RD 19-5373 1432 FOLLOW UP Services Rendered 2 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5375 1521 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5376 1644 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 105] COMMERCIAL ST 19-5377 1653 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 + MAYFLOWER AVE 19-5379 1724 MV STOP VERBAL WARNING 3 Location/Address: ROUTE 6 Refer To Citation: 19-355-CN 19-5380 1725 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST 19-5381 1727 MEDICAL EMERGENCY PATIENT REFUSAL 1 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5382 1854 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: COMMERCIAL ST + SNAIL RD 19-5383 2000 MV STOP VERBAL WARNING 3 Location/Address: BRADFORD ST + WASHINGTON AVE Refer To Citation: 19-356-CN 19-5385 2012 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 958] JEROME SMITH RD 19-5386 2023 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5387 2039 MV STOP Citation / Warning Issu 3 Location/Address: PRINCE ST Refer To Citation: 19-357-CN Refer To Citation: T1244307 19-5388 2152 ALARM - GENERAL Services Rendered 1 Location/Address: [PRO 346] COMMERCIAL ST For Date: 04/11/2019 - Thursday 19-5389 0033 PARK, WALK & TALK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 1778] SHANK PAINTER RD 19-5390 0038 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 539] SHANK PAINTER RD 19-5391 0103 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2977] COMMERCIAL ST 19-5392 0105 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 75] CAPTAIN BERTIES WAY 19-5393 0114 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 526] RYDER ST EXT Provincetown Police Department Page: 8 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5394 0138 SUSPICIOUS ACTIVITY SPOKEN TO 2 Location/Address: [PRO 106] COMMERCIAL ST 19-5395 0221 SUSPICIOUS ACTIVITY VERBAL WARNING 2 Location/Address: [PRO 2490] PROVINCELANDS RD 19-5396 0231 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 530] SHANK PAINTER RD 19-5397 0520 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2500] COMMERCIAL ST 19-5398 0526 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 526] RYDER ST EXT 19-5399 0527 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2489] BRADFORD ST 19-5400 0547 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 + SNAIL RD 19-5401 0804 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5402 0819 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 440] HARRY KEMP WAY 19-5405 0926 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2380] CREEK HILL RD 19-5406 0944 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3287] ROUTE 6 19-5407 1004 SUSPICIOUS ACTIVITY Could Not Locate 2 Location/Address: [PRO 1260] COMMERCIAL ST 19-5408 1022 ANIMAL CALL Services Rendered 2 Location/Address: [PRO 1349] COMMERCIAL ST 19-5409 1044 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2898] JEROME SMITH RD 19-5410 1049 FOLLOW UP Services Rendered 2 Location/Address: [PRO 542] SHANK PAINTER RD 19-5411 1107 FOLLOW UP Services Rendered 2 Location/Address: [PRO 3908] COMMERCIAL ST 19-5413 1133 ALARM - FIRE False Alarm 1 Location/Address: [PRO 2977] COMMERCIAL ST 19-5414 1154 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5416 1321 COMPLAINT - GENERAL Services Rendered 3 Location/Address: [PRO 837] COMMERCIAL ST 19-5417 1335 ANIMAL CALL SPOKEN TO 2 Location/Address: COMMERCIAL ST 19-5418 1348 FOLLOW UP Services Rendered 2 Location/Address: [PRO 3908] COMMERCIAL ST 19-5422 1524 HAZARDS Removed Hazard 2 Location/Address: ROUTE 6 19-5423 1530 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3440] ROUTE 6 19-5424 1620 PARK, WALK & TALK Services Rendered 3 Provincetown Police Department Page: 9 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 Location/Address: [PRO 3870] COMMERCIAL ST 19-5425 1632 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 4081] COURT ST 19-5426 1658 MV COLLISION Services Rendered 1 Location/Address: [PRO 272] COMMERCIAL ST Refer To Accident: 19-18-AC 19-5427 1713 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5428 1757 ANIMAL CALL Services Rendered 2 Location/Address: ROUTE 6 + HOWLAND ST 19-5431 1825 MEDICAL EMERGENCY PATIENT REFUSAL 1 Location/Address: [PRO 1952] COMMERCIAL ST 19-5432 1937 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 1488] PEARL ST 19-5433 2002 ASSIST CITIZEN SPOKEN TO 3 Location/Address: [PRO 2169] COMMERCIAL ST 19-5434 2028 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2633] HOWLAND ST Refer To Citation: 19-358-CN 19-5435 2039 MV STOP VERBAL WARNING 3 Location/Address: [PRO 521] ROUTE 6 Refer To Citation: 19-359-CN 19-5436 2043 COMPLAINT - GENERAL Services Rendered 3 Location/Address: [PRO 3331] COMMERCIAL ST 19-5437 2051 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 2364] COMMERCIAL ST 19-5438 2055 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 526] RYDER ST EXT 19-5440 2110 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2521] ROUTE 6 19-5441 2200 MV STOP VERBAL WARNING 3 Location/Address: [PRO 539] SHANK PAINTER RD Refer To Citation: 19-360-CN 19-5442 2206 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 2343] BREWSTER ST 19-5444 2224 MEDICAL EMERGENCY PATIENT REFUSAL 1 Location/Address: [PRO 507] PEARL ST 19-5445 2245 MEDICAL EMERGENCY PATIENT REFUSAL 1 Location/Address: [PRO 507] PEARL ST For Date: 04/12/2019 - Friday 19-5447 0148 MEDICAL EMERGENCY PATIENT REFUSAL 1 Location/Address: [PRO 542] SHANK PAINTER RD 19-5448 0257 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 530] SHANK PAINTER RD 19-5449 0612 MV DISABLED Services Rendered 2 1 Location/Address: ROUTE 6 + HOWLAND ST 19-5450 0802 AT SCHOOL Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST Provincetown Police Department Page: 10 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5451 0805 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5452 0818 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5453 0832 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 3741] COMMERCIAL ST 19-5454 0834 LOST IPHONE Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5455 0845 MV COMPLAINT Services Rendered 2 Location/Address: DYER ST + COMMERCIAL ST 19-5457 0858 HARASSMENT / THREATS Services Rendered 2 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5458 0912 MV COMPLAINT Services Rendered 2 Location/Address: [PRO 175] COMMERCIAL ST 19-5459 0941 MV COMPLAINT Services Rendered 2 Location/Address: [PRO 182] COMMERCIAL ST 19-5460 0950 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3287] ROUTE 6 19-5461 1007 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 571] ALDEN ST 19-5462 1014 LOST VARIOUS ITEMS Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5463 1021 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 537] SHANK PAINTER RD 19-5464 1026 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 19-5466 1049 MV COMPLAINT Services Rendered 2 Location/Address: [PRO 597] COMMERCIAL ST 19-5467 1133 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 440] HARRY KEMP WAY 19-5468 1136 MV COMPLAINT Services Rendered 2 Location/Address: CEMETERY RD + ALDEN ST 19-5469 1154 LOST CHECKBOOK Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5470 1208 HAZARDS Services Rendered 2 Location/Address: [PRO 3260] BRADFORD ST EXT 19-5471 1235 MV COMPLAINT Services Rendered 2 Location/Address: [PRO 2521] ROUTE 6 19-5472 1257 MV COLLISION Services Rendered 1 Location/Address: [PRO 440] HARRY KEMP WAY Refer To Accident: 19-19-AC 19-5474 1347 COMPLAINT - GENERAL Services Rendered 3 Location/Address: [PRO 2420] BRADFORD ST 19-5476 1500 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 569] WINSLOW ST 19-5475 1505 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD Provincetown Police Department Page: 11 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5477 1537 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2521] ROUTE 6 Refer To Citation: 19-361-CN 19-5478 1545 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2521] ROUTE 6 Refer To Citation: 19-363-CN Refer To Citation: 19-362-CN 19-5479 1653 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5480 1727 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 19-5482 1753 LOST PROPERTY Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5483 1809 KEEP THE PEACE Services Rendered 2 Location/Address: COMMERCIAL ST 19-5484 1939 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: AUNT SUKEYS WAY 19-5485 1955 ALARM - FIRE Services Rendered 1 Location/Address: [PRO 3188] MEADOW RD 19-5486 2149 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2500] COMMERCIAL ST 19-5487 2150 ASSIST CITIZEN SPOKEN TO 3 Location: [PRO 3431] LOPES SQUARE 19-5488 2157 FOLLOW UP SPOKEN TO 2 Location/Address: [PRO 3188] MEADOW RD 19-5489 2221 BAR CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 399] COMMERCIAL ST 19-5490 2223 BAR CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3443] COMMERCIAL ST 19-5491 2322 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5492 2337 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5493 2355 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2500] COMMERCIAL ST For Date: 04/13/2019 - Saturday 19-5494 0006 BAR CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3443] COMMERCIAL ST 19-5495 0020 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2494] BRADFORD ST 19-5496 0025 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2500] COMMERCIAL ST 19-5497 0025 ASSIST CITIZEN Peace Restored 3 Location/Address: [PRO 399] COMMERCIAL ST 19-5498 0028 MEDICAL EMERGENCY Transported to Hospital 1 Location: [PRO 3431] LOPES SQUARE 19-5499 0129 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST Provincetown Police Department Page: 12 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5500 0149 SUSPICIOUS ACTIVITY SPOKEN TO 2 Location/Address: [PRO 2483] COMMERCIAL ST 19-5502 0216 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2977] COMMERCIAL ST 19-5501 0219 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5503 0255 NOISE COMPLAINT No Action Required 3 Location/Address: [PRO 2547] COMMERCIAL ST 19-5504 0336 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 537] SHANK PAINTER RD 19-5505 0521 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5506 0526 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5507 0535 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5508 0535 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 + SNAIL RD 19-5509 0548 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: RYDER ST + BRADFORD ST 19-5510 0550 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: GOSNOLD ST 19-5512 0742 ANIMAL CALL VERBAL WARNING 2 Location/Address: [PRO 2518] ROUTE 6 19-5513 0838 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3440] ROUTE 6 19-5514 0918 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5515 0940 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5516 1001 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2928] BRADFORD ST Refer To Citation: 19-365-CN 19-5517 1031 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 4136] BRADFORD ST 19-5518 1117 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5519 1155 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2512] JEROME SMITH RD 19-5520 1212 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2521] ROUTE 6 19-5521 1223 MV STOP VERBAL WARNING 3 Location/Address: [PRO 3004] BRADFORD ST Refer To Citation: 19-364-CN 19-5522 1247 ALARM - GENERAL Services Rendered 1 Location/Address: [PRO 704] BANGS ST 19-5523 1351 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST Provincetown Police Department Page: 13 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5524 1432 ALARM - FIRE Services Rendered 1 Location/Address: [PRO 204] COMMERCIAL ST 19-5525 1504 HARASSMENT / THREATS Services Rendered 2 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5527 1549 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5528 1613 LOST CAR KEY Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5529 1618 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: SNAIL RD + COMMERCIAL ST 19-5531 1653 911 - GENERAL Services Rendered 1 Location/Address: [PRO 63] BRADFORD ST EXT 19-5532 1708 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 440] HARRY KEMP WAY 19-5533 1711 MV STOP VERBAL WARNING 3 Location/Address: SNAIL RD + COMMERCIAL ST Refer To Citation: 19-366-CN 19-5535 1854 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 519] RACE POINT RD 19-5536 1854 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5537 1955 DISTURBANCE - FIGHT / ARGUMENT Peace Restored 1 Location/Address: [PRO 1953] COMMERCIAL ST 19-5538 2124 MV STOP VERBAL WARNING 3 Location/Address: [PRO 3296] SHANK PAINTER RD Refer To Citation: 19-367-CN 19-5539 2131 ASSIST CITIZEN SPOKEN TO 3 Location/Address: [PRO 2251] COMMERCIAL ST 19-5540 2131 911 - GENERAL No Action Required 3 Location/Address: [PRO 3222] ALDEN ST 19-5541 2212 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5542 2254 NOISE COMPLAINT SPOKEN TO 3 Location/Address: [PRO 3443] COMMERCIAL ST 19-5543 2332 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5544 2339 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 3908] COMMERCIAL ST For Date: 04/14/2019 - Sunday 19-5545 0039 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 2577] BRADFORD ST 19-5546 0044 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: SHANK PAINTER RD 19-5547 0051 MV STOP VERBAL WARNING 3 Location/Address: CONWELL ST + BRADFORD ST Refer To Citation: 19-368-CN 19-5548 0138 BUILDING/PROPERTY CHECK Services Rendered 3 Provincetown Police Department Page: 14 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5549 0333 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2540] RACE POINT RD 19-5550 0519 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 521] ROUTE 6 19-5551 0602 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2500] COMMERCIAL ST 19-5552 0609 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2512] JEROME SMITH RD 19-5553 0612 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2898] JEROME SMITH RD 19-5554 0614 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: BRADFORD ST + RYDER ST 19-5556 0834 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2483] COMMERCIAL ST 19-5557 0849 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3440] ROUTE 6 19-5561 0934 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5558 0937 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5560 1125 HAZARDS Removed Hazard 2 Location/Address: [PRO 4136] BRADFORD ST 19-5562 1218 PARKING COMPLAINT SPOKEN TO 3 Location/Address: [PRO 1992] COMMERCIAL ST 19-5563 1236 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 182] COMMERCIAL ST 19-5564 1244 ALARM - GENERAL False Alarm 1 Location/Address: SEASHORE PARK DR 19-5565 1333 HARASSMENT / THREATS SPOKEN TO 2 Location/Address: [PRO 210] COMMERCIAL ST 19-5566 1350 911 - GENERAL Could Not Locate 1 Location/Address: [PRO 2500] COMMERCIAL ST 19-5567 1358 MV DISABLED Services Rendered 2 Location/Address: [PRO 2520] PRINCE ST 19-5568 1400 COMPLAINT - GENERAL Services Rendered 3 Location/Address: [PRO 1490] PLEASANT ST 19-5569 1512 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5570 1555 HAZARDS Could Not Locate 2 Location/Address: [PRO 58] BRADFORD ST 19-5571 1649 LOST IPHONE Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5572 1710 MV STOP VERBAL WARNING 3 Location/Address: [PRO 105] COMMERCIAL ST Refer To Citation: 19-369-CN 19-5573 1906 ALARM - GENERAL Services Rendered 1 Location/Address: HENSCHE LN Provincetown Police Department Page: 15 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5574 1906 ANIMAL CALL Could Not Locate 2 Location/Address: [PRO 356] COMMERCIAL ST 19-5575 1953 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 440] HARRY KEMP WAY 19-5576 1958 MV STOP VERBAL WARNING 3 Location/Address: [PRO 1930] BRADFORD ST Refer To Citation: 19-370-CN 19-5578 2041 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 182] COMMERCIAL ST 19-5579 2043 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3440] ROUTE 6 19-5580 2139 MEDICAL EMERGENCY Transported to Hospital 1 Location/Address: [PRO 437] FREEMAN ST For Date: 04/15/2019 - Monday 19-5581 0041 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 539] SHANK PAINTER RD 19-5582 0049 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5583 0052 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: HOWLAND ST + COMMERCIAL ST 19-5584 0107 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2540] RACE POINT RD 19-5585 0112 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2499] RACE POINT RD 19-5586 0118 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2494] BRADFORD ST 19-5587 0119 MV STOP VERBAL WARNING 3 Location/Address: COMMERCIAL ST + BRADFORD ST 19-5588 0146 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 4136] BRADFORD ST 19-5589 0158 ASSIST CITIZEN Services Rendered 3 Location/Address: [PRO 526] RYDER ST EXT 19-5590 0217 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2898] JEROME SMITH RD 19-5591 0234 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2898] JEROME SMITH RD 19-5592 0302 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2490] PROVINCELANDS RD 19-5593 0343 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: ROUTE 6 19-5594 0354 MV OBSERVANCE / ASSIGNMENT BLDG/PROP Checked/Secur 3 Location/Address: [PRO 2489] BRADFORD ST 19-5597 0828 HAZARDS Services Rendered 2 Location/Address: [PRO 955] HOWLAND ST 19-5599 0923 ALARM - GENERAL Referred to Other Agenc 1 Location/Address: [PRO 3007] HARRY KEMP WAY Provincetown Police Department Page: 16 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5598 0924 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2483] COMMERCIAL ST 19-5600 0927 MV STOP VERBAL WARNING 3 Location/Address: [PRO 539] SHANK PAINTER RD Refer To Citation: 19-371-CN 19-5601 1004 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2513] ROUTE 6 Refer To Citation: 19-372-CN 19-5602 1005 911 - GENERAL Services Rendered 1 Location/Address: [PRO 63] BRADFORD ST EXT 19-5603 1022 911 - GENERAL Services Rendered 1 Location/Address: [PRO 63] BRADFORD ST EXT 19-5604 1033 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2494] BRADFORD ST 19-5606 1044 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2395] BRADFORD ST Refer To Citation: 19-373-CN 19-5607 1143 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5610 1300 MV DISABLED Services Rendered 2 Location/Address: [PRO 2513] ROUTE 6 19-5611 1303 MV STOP VERBAL WARNING 3 Location/Address: [PRO 2513] ROUTE 6 19-5612 1326 SERVICE CALL - POLICE SPOKEN TO 3 Location/Address: [PRO 540] SHANK PAINTER RD 19-5613 1341 GENERAL INFO Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5614 1416 COMPLAINT - GENERAL SPOKEN TO 3 Location/Address: [PRO 3128] CONWELL ST 19-5615 1436 HAZARDS Services Rendered 2 Location/Address: ROUTE 6 + SNAIL RD 19-5619 1600 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5617 1723 MV OBSERVANCE / ASSIGNMENT Services Rendered 3 Location/Address: [PRO 3440] ROUTE 6 19-5620 1745 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3296] SHANK PAINTER RD 19-5618 1747 MV COMPLAINT Could Not Locate 2 Location/Address: [PRO 2540] RACE POINT RD 19-5621 1815 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 3259] MACMILLAN WHARF 19-5622 1828 BUILDING/PROPERTY CHECK Services Rendered 3 Location/Address: [PRO 2977] COMMERCIAL ST 19-5623 1853 ASSIST DEPARTMENT / MUTUAL AID Services Rendered 3 Location/Address: [PRO 2521] ROUTE 6 19-5624 2042 SERVICE CALL - POLICE Services Rendered 3 Location/Address: [PRO 542] SHANK PAINTER RD 19-5625 2148 BUILDING/PROPERTY CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 530] SHANK PAINTER RD Provincetown Police Department Page: 17 Dispatch Log From: 04/08/2019 Thru: 04/15/2019 0000 - 2359 Printed: 04/16/2019 19-5626 2348 PARK, WALK & TALK Services Rendered 3 Location/Address: [PRO 105] COMMERCIAL ST 19-5627 2351 BAR CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 3443] COMMERCIAL ST 19-5628 2352 BAR CHECK BLDG/PROP Checked/Secur 3 Location/Address: [PRO 399] COMMERCIAL ST

[souqbladek1]

http://bit.ly/2DaD2Qh اعرض عليكم جهاز انذار ضد السرقات •••••••••••••••••••••••••••••••••• • الجهاز المعروض عبارة عن جهاز إنذار ضد السرقة لاسلكي بالكامل • لحماية المنشئات والشركات والمنازل ضد خطر السرقة والإقتحام • ويتصل بالتليفون المحمول فور أى محاولة إقتحام • كما يمكنكم عبر جهاز الإنذار المطور أن تكتشف السرقة قبل حدوثها سواء كنت متواجد بالمكان أو بعيداً عنة و في نفس الوقت إرهاب السارق و يجعله يهرب . ••• مكونات نظام جهاز الإنذار ضد السرقة •••• ••••••••••••••••••••••••••••••••••••••••• • وحدة التحكم المركزية. • حساس مغناطيسي لا سلكي يتم تركيبه على النوافذ والأبواب ووظيفته التنبيه وإطلاق الإنذار في حالة الشعور بأي حركة أو تسلسل. • جهاز كاشف لا سلكي يعمل بأشعة الليزر ويطلق التنبيه والإنذار في حالة المرور في المكان. • أصوات الإنذار وتتميز بارتفاعها لتنبيه صاحب المكان. • الريموت كنترول ووظيفته التحكم في فتح أو غلق جهاز الإنذار. • مصدر الطاقة وهو عبارة عن محول كهرباء مسئول عن إمداد الوحدة الرئيسية بالكهرباء. • بطارية داخلية تعمل في حالة انقطاع التيار الكهربائي. •••••••••••••••••••••••••• السعر: 800 ريال مع التركيب •••••••••••••••••••••••••• للتواصل والاستفسار (اتصال او واتساب) : 0557854043 ●●●●●●●●●●●●●●●●●●●●●●●●●●● ......... وتوجد عروض أخرى ......... لجميع العروض الرجاء زيارة صفحتي

[reviewape-blog]

Frisky Foreplay Games for Couples

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It’s amazing that people all over the world have routine, boring sex over and over again. Isn’t sex your chance to play and have fun with your partner … to connect intimately, bond emotionally and enjoy each other? Sexual intimacy is crucial for your healthy, loving relationship. But it’s hard to keep your intimate times together fresh, exciting and fun. How do you continue to make sex wild, hot and intensely passionate so that you both want to spend more time together? In a committed, loving relationship, it’s scary bringing new sex ideas into your bedroom. You may feel shy asking for certain types of foreplay or sex that you believe your partner thinks is nasty, dirty or disgusting. Maybe you want to explore kinky sensations involving spanking, dirty talk, oral sex or even anal pleasuring but don’t know how to bring up the subject. Sexy bedroom games involving various types of foreplay ideas and playful sex tips is a perfect solution. When it’s part of the game, you’ll both be more willing to experiment and have fun together. To help improve our own marriage, my husband and I designed Frisky Foreplay to spice up our intimate play. We’re making our sex games available online for you to Instantly Download because: We want couples all over the world to satisfy their sexual needs and create happy, healthy and loving relationships. We hope these creative foreplay and fun sex ideas will inspire you to explore your sexual potential and satisfy your intimate desires. Frisky Foreplay is a spicy couples game using regular dice and a huge list of sexy activities designed to help you explore a range of erotic pleasures: Exciting couples games help you increase the Fun, Joy and Pleasure in your relationship. Laughing and playing together will bring you closer together and strengthen your intimate bond. Your copy of Frisky Foreplay includes hundreds of quick & easy foreplay activities to play with. Use them to trigger your erotic imagination and add your own personal pleasuring touch. All the creative foreplay ideas can be used on their own or combined to add extra spice to your every day lovemaking ideas. Take turns rolling three dice and performing hot, sensually arousing tasks. But of course you don’t just “press the hot buttons” when you want great sex. You want to play more and make the pleasure last as long as you can. There are six levels of more intense pleasure to unlock as you play. Inflame your lover’s passion with deliciously intimate kisses. Stoke the erotic heat while you tease and tantalize with fingers, toes, toys and other playful accessories. Spice up your lovemaking with hundreds of hot new erotic ideas. Frisky Foreplay is about creative sensual intimacy – great sex is the goal. When you’re playing this erotic dice game, take your time to Tease & Tantalize each other. Just try to resist the urge to go all the way (at least until someone wins). Each foreplay activity encourages you to sample new techniques, rarely used positions, unique accessories and even your adult toys in creative new ways. Take the chance to explore for new erogenous zones and devise new ways to stimulate your favourites. Inspire each other to go beyond the ordinary – make your adult playtime extra special. This amazing foreplay game is specially priced so you can enjoy some great sex tonight or any time you desire. What’s better than a cozy night in bed or by a fire playing intimate games designed for couples in love? Show how much you appreciate the one you love by spending more intimate time having fun playing together. Your gift of loving pleasure will be treasured and fondly remembered. Order via our secure server with a Credit Card or PayPal. You can download and enjoy Frisky Foreplay within minutes. Click Here to Spice Up Your Sex Life Now Here are just a few other ways you can use the Frisky Foreplay ideas: Remember, prolonged foreplay is essential for improving your overall lovemaking experience. Extended pleasuring is one of the best ways to dramatically intensify your orgasms … even multiple orgasms. Fooling Around is a colourful erotic board game design that adds a fun twist to Frisky Foreplay. It lets you use the foreplay ideas booklets in a whole new way. This Tongue in Cheek adult game involves Fooling Around the rim of a hole. Deep inside the hole are Hot Spots. Your goal is to fill the Hot Spots with your Pleasure Plugs. When the Hole is completely plugged, the game is over. The winner is the player who plugged the most hot spots. This sexy game for couples is about fun and exciting sensual intimacy – sex is definitely on the menu. So dim the lights, turn off the phone, find a comfy location and get down to it. You will get lucky with every roll of the dice. Get both of these sexy games together as instant downloads and start playing tonight. I’m so confident that you’ll absolutely love playing Frisky Foreplay with your partner, that it comes with a no hassle, NO RISK 100% money-back guarantee. If, within 56 days (8 weeks), you are unsatisfied for any reason, just email us for a full refund. You have absolutely nothing to lose by trying it out right now. You’ll receive instant access to these exciting foreplay games (Even if it’s 2:00 AM on Saturday night) For your privacy and to avoid unwanted embarrassment you’ll be discreetly billed with the name “CLICKBANK”. Once you have ordered on the secure server, you’ll be taken to a special download page where you can download both of the Frisky Foreplay and Fooling Around sex games. The games and foreplay ideas are all in PDF format, which can be viewed on any computer (PC or MAC) or even your iPad. It is not a physical product so dice and tokens are NOT included. Most people have many of these around their home anyway. Surprise your lover tonight with a naughty new bedroom game to spice up your relationship. Make your sex life sizzle … Remember, there’s absolutely no risk. Your order is discreetly and securely processed through ClickBank which provides excellent customer service. This is truly a risk free offer to enhance your relationship with more sexy fun. P.S. Neurobic Sex is an idea that has come from recent research into mind and body science. It turns out great sex actually improves your brain and keeps you healthy. When you engage your senses (vision, smell, taste, touch and hearing) and emotions in unusual, unexpected or novel combinations, you create new neural connections. You also stimulate production of brain nutrients that keeps your mind agile and healthy. Neurobic exercises can actually help you think, feel and look younger. Remember seeing how your acquaintances and friends transformed almost overnight when they started having regular sex in a new relationship. They almost seemed to glow with joy and happiness. Try having more great sex for yourself and see if it works for you. According to the research, for a neurobic exercise to be effective, you must: Your brain is your most important sex organ – keep it fit and healthy with creative sex. Playing couples games together will help engage all your senses and emotions in pleasure. If you’re new to sex games and feel Frisky Foreplay may be too advanced or kinky for you, check out 100 Great Sex Games for Couples from Michael Webb. These sexy games are much more suited to romantic couples who are looking for tamer, soft core sex play. When you finish with them, come back and give Frisky Foreplay a try. It’s still cheaper than other games that come in a box because there’s no shipping costs.You can download and play Frisky Foreplay in just a few minutes. Click here to get Frisky Foreplay Games for Couples at discounted price while it’s still available… All orders are protected by SSL encryption – the highest industry standard for online security from trusted vendors. Frisky Foreplay Games for Couples is backed with a 60 Day No Questions Asked Money Back Guarantee. If within the first 60 days of receipt you are not satisfied with Wake Up Lean™, you can request a refund by sending an email to the address given inside the product and we will immediately refund your entire purchase price, with no questions asked. - ReviewApe - https://www.reviewape.com/?p=5294

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Facts About Construction Project Revealed

The subsequent examples illustrate some prevalent conditions for all entrepreneurs of projects, such as homeowners. Get the job done in or about a private residence, carried out entirely via the homeowner or occupant (or maybe a servant of either), is not topic towards the Act. Nonetheless, in which Commercial Construction Atlanta hires everyone to complete the get the job done, the Act applies in respect of that function. Who the constructor can be would rely upon the instances. more info on the relationship involving the time Just about every action requires, The prices for each action as well as the resulting time and ... The place to order Information and facts Locate a agent, company, or distributor; find out more about our goods and where by to buy them. Learners examine the breadth of the construction business and acquire a deeper familiarity with all of the aspects that influence the market. The construction administration everyday living cycle commences at the same time as the bidding course of action, but once the deal is finalized, the meat of the project can start. When project administrators have to negotiate contracts, deal with jurisdiction's licensing demands, obtain insurance policies, and regulate work web page protection, an idea of legal concepts can preserve money and time. There are several areas of legal responsibility in construction administration. There could be a claim for failure to detect faulty get the job done, if a bid exceeds estimates, or if there is prolonged overhead or In the event the project is delayed. Lovvorn Construction Inc. 3340 Peachtree Rd NE Suite 1800 Atlanta, GA (404) 814-5294 Project Engineer: A project engineer acts as being the liaison in between the project manager and the technological areas of a project. He or she is frequently the key specialized place person for The customer and is particularly in charge of scheduling, setting up, and useful resource forecasting for engineering things to do. Charge-additionally-cost: The proprietor pays the overall Charge and a set rate proportion of the total Value into the contractor. This is among the most helpful agreement with the contractor, due to the fact any more expenses is going to be lined. This system is part of a complete application of study, personal system registration is not available. A quality Management approach makes certain that the setting up has attained a specific regular. Lovvorn Construction is the final action a project goes by prior to remaining delivered to the proprietor and consists of a series of methods and techniques to make sure it satisfies the best expectations. The Construction Administration Affiliation of The us, a US construction management certification and advocacy physique, says the a hundred and twenty widespread obligations of a construction supervisor slide into these 7 groups: This study course is a component of an entire method of review, individual class registration isn't obtainable. Human resources kind an integral Portion of any construction project, along with the good results or failure in the project can hinge on powerful administration of your people today associated. Making use of an assortment of available assets, college students formulate techniques for Functioning efficiently with long lasting and casual personnel, in addition to Qualified trade labourers. Circumstance studies offer the opportunity to discussion substitute staffing models to get a specified state of affairs. Another good thing about estimating application is usually that it allows the builder to look at the ultimate position costs and Evaluate them with the Original bid.

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