#part of a comic we're planning

[cocajimmycola]

The puppeteer would eat your art ,,, would taste like chocolate cupcakes ,,, pospospos ~~

:D !!! im glad the puppeteer likes it ! her name is toksi :> she creates traps and wweapons

[deiaiko]

Two Sides of the Same Coin - ToG Time Travel AU (Masterlist)

☕ Buy me coffee ☕

Read on AO3

2nd Floor (Season 1)

#1.1 Arrival + #1 - Introduction + #1.2 New beginning

#2 - Discovery

#3 - Future + #3.1 Haunted

#4 - Weary + #4.1 Lost & found

Time difference

#5.1 Bliss + #5 - Reconnect + #5.2 FUG + #5.3 Hwaryun

Grace's backstory

Rak's dramatic entrance

#6.1 Hoh +#6 - Promise + #6.2 Grace

Grace's outfit

Grace's ways of relaxing

About Rachel

About Laure

Shibisu's thoughts on Grace

Bam's thoughts on Grace

Khun's thoughts on Grace

Grace's relationship

Grace's plan for Rachel

Grace's arrival

#7.1 Silent Conversation + #7 - Disappearance

#8 - Grief

End of Season 1 - art, a/n, and announcement

Season 2 setting

Hatz and Endorsi's thoughts on Grace + hide and seek test

Names

18th Floor (Season 2)

🔥 #1 Testing the water (explicit) 🔥

#9 - Rescue

Grace and Viole - by @cheer-soli-art

#10 - Relatives

#11 - Encounter

#12 - Sorrow

#13 - Reunion

What did Khun figure?

Viole's opinion on the reunion

Agni's face

Marriage

Grace and Agni's design

Agni's reason to climb early

#14 - Partner

Off-screen Braiding scene - by @ylge Doodles - by @cheer-soli-doodles

#15 - Memento + #15.1 Alliance + #15.2 News

#16 - Myself + #16.1 Favor + #16.2 Rachel

#17 - Doppelganger + #17.1 Call + #17.2 - Auri + #17.3 Wind up

🎂 Khun birthday art (2023) 🎂 | 🎉 One-year anniversary art 🎉

Reflection Review - by @jusalilweird A possible future - by @cheer-soli-art

Agni and Khun's differences

#18 - Whereabouts + #18.1 Rak + #18.2 Decision

#19 - Abode + #19.1 Anticipation + #19.2 Dinner + #19.3 Unravel

GraceAgni hurt comfort - by @cheer-soli-art

#20.1 Sulk + #20 - Visit + #20.2 Spell + #20.3 Company + #20.4 Blue + #20.5 Care + #20.6 Concern + #20.7 Reason + #20.8 Spar + #20.9 Heads up + #20.10 Chat

#21.1 Order + #21 - Wall + #21.2 Unavoidable + #21.3 Thoughts

(Will be updated)

[sualne]

Will we see crocodad and kidluffy art in the future? Will your auluffy eventually become the mc with devil fruit powers?

there's already kid luffy and crocodad art? im drawing the "prologue" out of order so yes, there'll be more.

the story is meant to be have both croc and luffy as protagonists, as for devil fruit powers, we'll see. 👀

[lunarflare64]

..........not again

[lazyjellyfish300]

The Woman He Didn't Choose part 2🥀

AU Bachelor!Miguel O'Hara x Fem contestant Reader

Synopsis: the aftermath of the show as you and Miguel move on(sort of). The first part is mostly from his POV then transitions into your experience on the spinoff show- Singles in Paradise where you have a second shot at finding love. Word count: 6k

A/N: Sorry to any Xina fans, I made her OOC and quite mean in this one. I haven't read the comics but from what I've heard of her and seen so far she's one of the canon love interests I like the most. (Even tho I shamelessly self ship with Miguel lolol bc as far as I know ATSV Miguel is separate from comic Miguel Soo until we hear otherwise I'm gonna be delulu.)

Also, I am sorry if any of the couple pairings in this part bother you, it's purely for the purpose of the plot since we're supposed to be on another dating show and I am too lazy to create a bunch of OCs. If you're unfamiliar with the show Bachelor in Paradise, here's a clip to give you an idea. Basically, it's another dating show usually in a tropical location where single people couple up, and new arrivals come in every so often and ask people on dates to shake things up, leading to drama and chaos, and couples can choose to stay together or break up in the end and there's typically an engagement. DISCLAIMER: I HAVE NO RIGHTS TO THE SHOWS THE BACHELOR OR BACHELOR IN PARADISE, ALL RIGHTS TO THE OWNERS. I CHANGED THE NAME OF THE SHOW IN THE STORY.

TW: MINORS DNI, ANGST, RACIAL MICROAGGRESSIONS ABOUT ESL AND FAMILY STRUCTURE(IF THAT'S SENSITIVE FOR YOU PLEASE SKIP ❤️) EMOTIONAL ABUSE, TOXIC RELATIONSHIP, ALCOHOL ,DOWNPLAYING MENTAL HEALTH STRUGGLES, LITTLE BIT OF EMOTIONAL CHEATING ON MIGUEL'S PART, STRUGGLES WITH RELIGION AND FAITH, MENTION BULLYING AND FAMILY STRUGGLES, BREAK-UP, FANTASIZING, JEALOUSY, INSECURITY, CLASSISM, MODERATE SMUT(P IN V BUT IT'S ONLY MENTIONED NOT FULLY DETAILED, THESE ONES ARE DETAILED: DRY HUMPING, HEAVY MAKING OUT, AND FINGERING. ALSO, VOYEURISM-ISH)

(couple pairings are Ben Reilly and Felicia Hardy, Jessica Drew and Noir, George Stacey and MJ, Xina Kwan and Miguel O'Hara, not saying anything else bc spoilers)

Part 1 , Part 3

@miguelhugger2099, @kodo1221,@mimiemie, @laysmt, @cheerrioeoz , @spicydonut25 , @thisistotesnotspam-heart , @thekidscallmebosss , @librababe99 , @ce3stvu @irishbl0ss0mz @nommingonfood , @mauvecherie-writes , @royale-skeleton-key , @famouscattale

I'm so sorry if I forgot you in the tags , just lmk

------

"Miguel!"

Miguel looks up abruptly from a spot on the floor he was zoning out on to look at Xina's slightly annoyed expression. "Hydrangeas or peonies for the guest tables, babe?" she repeats, standing next to the sample table where the wedding planner and florist awaited with anxious eyes. 

Miguel blinks rapidly. "It doesn't matter to me, baby...um...." he points to the peony arrangement. "That one." 

Xina huffs and turns to look at the planner and florist. "We'll do the hydrangeas." 

Miguel smirks and puts his hands in his pockets. "Now, why would you ask me my opinion if you're going to just pick the one you wanted?" 

Xina's annoyed look softens subtly but she shakes her head. "It's mostly the bride's day, you know. You're just supposed to show up." 

Miguel smiles. "Well, I guess you don't need me to come to the wedding planning dinner tonight? Since you seem to have it all handled?"

Xina groans. "Miguel! You said you'd be there! Have you even read through Exodus like I asked you to?" 

Miguel feels his cheeks burn. "Shit...um, no..." 

Xina shoots a glare at the wedding planner and the florist and makes a shooing motion with her hand. They both put their heads down and quickly leave the room, giving them privacy. Miguel adjusts his tie, a little bit thrown off by her dismissive actions towards the staff. 

Xina sits down at the table and pours herself a glass of ice water. She takes a long sip and sighs, looking at Miguel. "Babe...," she says in a low voice. "You know that getting married in the church is a top priority for me. You know what it means to me..." 

Miguel's eyebrows knit together with worry. "I know it is..." he rapidly crosses the room to join her and kneels in front of her, hands on her thighs. She squirms away from him a little and purses her lips, looking down. 

"Promise me you'll catch up on your Bible reading by next week and set up an appointment with the missionaries?" 

Miguel hesitates for just a fraction of a second in his mind but he answers her, almost a little too quickly, "Of course I will." 

Xina manages to give him a little smile, fiddling with the top button on his shirt. "Love you..." 

"Love you too." 

---

Later that evening, Xina and Miguel are sitting next to each other at a large, circular, oak table across from her parents, eating dinner in their mansion of a home. 

Xina's mother makes a face when she takes a bite of the salmon. 

"Something wrong with it, hun?" Xina's father asks, dishing himself some potatoes. 

Xina's mother spits the bite into a napkin. "Rex!" She barks. An older, balding man with a kind face and chef's uniform enters the dining room. "Yes, ma'am?" 

"Salmon's not up to par, I'm afraid." She pushes the dish towards the puzzled chef. 

"M' sorry ma'am. Can I make you anything else you'd like instea-"

She cuts him off. "No, my appetite's ruined. That's all, Rex." 

The chef looks down in shame at the dish he worked hard on, picking it up with shaky hands and shuffling quickly out of the dining room. 

Miguel tightens his grip on his fork and shifts in his seat, clearly uncomfortable. He had not seen this side of Xina's parents. But, it was only their third time meeting, so he did his best to concentrate on who he was really there for, Xina. He took another bite of his roast beef. 

Once the old man was out of earshot, Xina's mother tuts her teeth. "Sorry, he's insufferable... I don't know what we'll do with him.... is your roast beef even edible, dear?" She asks Miguel. 

Miguel inhales slowly, trying to stifle his outrage on the chef's behalf but Xina's father cuts in. 

"So, Miguel," Xina's father says, breaking the silence. "Your folks are planning on driving down on the... 25th, right? For the rehearsal dinner?" 

Miguel nods, blotting his lips with a cloth napkin. "Yes, sir." 

"Remind me who's coming?" He asks, pouring a generous helping of gravy on his potatoes. 

Miguel clears his throat. "My younger brother, Gabe, and my mother-"

"Right, your father's not in your life." Xina's father says, waving his fork. 

Miguel's lips fall open and he blinks in disbelief at the abruptness of his statement. I mean, he wasn't lying, per se. Miguel took a sip of his wine, trying to chalk it up to just him not choosing his words carefully, that's all. 

"Right, he's not..." Miguel says, straightening in his chair. 

Xina's mother pipes up, "You know, that's really such an inspiration on your part. Most people like you with your background end up on the streets, or worse." 

Miguel abruptly stops cutting his meat, first looking at Xina's mother, who sat with a smile on her face looking at him, to her husband, who was too occupied with his potatoes to even care, to Xina who was just looking at her lap, clearly a little embarrassed at her comment, but stayed silent. 

It got worse. She continues, "... wouldn't even guess that English isn't your first language. You're so well spoken for someone like you." 

At that point, Miguel is so uncomfortable that he stands up abruptly, removing his napkin from his lap and setting it next to his wine glass.

"...if you'll excuse me..." he briskly walks out, making sure to close the front door a little extra loudly than he normally would. 

Miguel paces in the driveway, taking deep breaths. He exhales a little bit when he sees Xina, but he's met with a different reaction than he was expecting. 

"What the hell are you doing?" she hisses, wrapping her cardigan tighter around her stomach. 

Miguel's face contorts in confusion, "Babe..that comment your mom made-" 

"It's just how she is, Miguel!" Xina says, her annoyance starting to make itself apparent as her face comes into view. 

Miguel is now even more confused. 

"Just come back inside, please?" Xina looks around, hoping none of the neighbors were witnessing their spat. 

Miguel takes a step back, his face hurt. "Xi...what's got into you...?" 

"Look, I'm sorry that she said it, okay? But that's just how she is. She doesn't have a filter. Old people are just like that. Now she's upset because you stormed out." 

Miguel becomes angry now. "Babe. I understand your parents are from a different generation and your mom has a certain way of... communicating." He sighs. "But what she said was kind of racist. I felt extremely uncomfortable." 

Xina looks up at the sky in utter aggravation, "Okay! Fine! You're right! It was totally racist, okay? Happy? I'll talk to her about it later, but I really don't wanna fight anymore about this. We're supposed to walk down the aisle in three and a half weeks. They're just stressed because they're not only hosting my family, they're hosting yours too. I'm stressed, you're stressed. We all are..." 

Miguel takes a deep breath. Now he's second guessing himself and his feelings. Did he overreact? The last thing he wanted was for them to dislike him. They were his future in-laws after all. Even though Miguel is hurt she won't defend him and is downplaying his feelings, he decides to shove them aside for her sake. Miguel looks down at her, taking her waist in his hands. She flinches a little and tries to pull back at first, but remains where she's standing when he holds her a little tighter.

"I'm sorry...okay? I'm sorry for being an ass..." Miguel can't help but feel a little odd that he's the one apologizing, but he continues. "Let's go back inside, yeah? Maybe we can go on a date this Friday, just to get away from all this wedding planning stuff." 

Xina gives him a half smile and takes his hand in hers. "Deal..." 

----

Later that night as Miguel showered in his shared apartment with Xina, he kept replaying their fight over and over again. He didn't know what it was, but lately, Xina was showing a very different side of herself. One that was completely the opposite of the soft spoken sweetheart he fell in love with when the cameras were rolling

He knew that she was religious when he proposed, but had the impression she was more of an Easter and Christmas-only attendee. Her devoutness amped up shortly after their engagement. Her pressure for him accept Jesus and get baptized so they could be married in her church started making him realize he bit off a little more than he could chew.

He felt a phony when she'd ask him to pray over meals and when he'd be called on to read a passage in Sunday School, like he wasn't supposed to be there. His scientific-inclined brain clashed with the idea of a magical being in the sky who would send him to Hell if he touched himself.

Furthermore, Xina demonstrated that she could be quite insensitive to his feelings, and he couldn't unsee the way his future in-laws poorly treated their chef in front of him, and the casual microaggressions they were throwing out about him and his family.

His whole childhood, he was bullied for his accent and for being one of the kids who would get pulled out of class for extra tutoring because he was so far behind everyone else. He was used to being doubted and constantly faced taunts from his classmates and teachers. Conchata was generally the better parent compared to George, but unfortunately that wasn't saying much. 

She put immense pressure on Miguel to do well and excel in everything, constantly shifting the goalposts for the near impossible standards she expected him to reach. 

But, he worked his ass off and eventually started reading two grade levels above his current grade and took home placing trophies in Math and Science olympiads. It wasn't long before Ivy League schools set their sights on him, and he went on to be the successful geneticist he was today, even buying Conchata a new house despite their volatile relationship. 

Throughout it all, he never felt ashamed of where he came from, or his heritage. Nevertheless, it was something he was still was VERY sensitive about and he told Xina about it many times which is why it stung when she couldn't defend him. He even told you about it. 

Oh God....you. This was the first time in a while that he finally allowed his mind to dwell on you for longer than a minute. He remembered how receptive you were when he told you. For once, he didn't hear a, "well at least you have it better than most", or a "cheer up, it's not so bad," when he explained his life story. Instead, you listened carefully with a soft look in your eyes and one of your hands resting on top of his, letting him know that the way he felt was completely valid. Something he didn't realize could be so healing when he heard you say that in that moment.

On top of that, your family was so...kind. Your mom even went out of her way to whip up an extra loaf of banana bread just for him when she caught wind that it was his favorite. Your siblings treated him like he was just another member of the family and it was a little unreal how seamlessly he got along with all of them. And, he distinctly remembered how gracious every single one of them were to the restaurant staff when you all went to lunch, with no awkward, demeaning energy like Xina's parents unfortunately demonstrated at dinner tonight. The cameras must have kept them on their best behavior until their true selves could come out once they turned off. 

He's about to do something he knows he shouldn't, but he can't resist. He unblocks you on Instagram. (He has only one post on his own account and it's from when he was announced as The Eligible Suitor, the show forced him to create one for publicity's sake, he actually loathes social media in all forms). 

And there you were, smiling with your friends at brunch. Another one of you showing off your new dog you rescued from the shelter named Hamilton, and your gorgeous headshot of you in a swimming suit for your debut on Singles in Paradise, where you and other rejected candidates from the show were all going to go at it in a fancy beach resort in Mexico. 

Man, you looked good, curves on full display. The smile that he fell in love with was spread across your lovely face. The same one he was responsible for erasing when he broke your heart with less than 10 words on a tranquil beach in Thailand months earlier. 

Now, you seemed happier. Trying to carry on with life as though he was never there. Like he didn't haunt your dreams and the sound of his name didn't cause the sting of a thousand burns to scorch through your body. Like you were never the first girl he ever spilled his cum into during that sexy night in the Fairytale Suites, remnants of him imprinted somewhere deep inside you. 

Xina climbs into bed next to him and he closes out of Instagram immediately, ashamed that he let his mind wander. Her hand wanders down to his cock and it's not long until he's pounding into her. His mind struggles desperately to fight off the memory of the way your lips parted in ecstasy the whole time she's underneath him.

-----

A few days later

"What the fuck, Miguel?!" Xina screams at him over the phone. Miguel holds the phone away from his ear for a moment, the sound too harsh against his eardrum. She was upset at him this time for his interview on a morning talk show, promoting their upcoming wedding which was supposed to be aired live as the show's long awaited special before Singles in Paradise made its debut. 

The host smiled and leaned on her elbow. 

"Now, Miguel. Eligible Suitor's number one fan blog is releasing rumors that you only chose Xina because she was the safer option compared to y/n, the season's edgier "bad girl". Is there some truth to that statement, or can you elaborate on that? 

Miguel nods slowly, a little bit of panic settling in on the inside,  wondering how the hell the fan pages were eerily accurate, despite him not giving away any hints about his internal struggles regarding his engagement to the press that he was aware of. 

"Well, as the man chosen to be the Eligible Suitor, there are certain expectations for me and who I ultimately end up with...Xina fit in well with my family. She had all the qualities of the ideal partner. Overall, it just seemed to be a better match..." 

"But you're making it sound like if say, y/n for example had all of that, would you have picked her instead?" 

Miguel hesitates, turning a little red. He wasn't good at lying. "Well, I mean..." 

Awkward silence that lasts a little too long. 

He quickly tries to recover but he ends up making it worse, "I mean, what's done is done. There's not really a point in wondering about that, you know....? We-we're very excited for the wedding..." 

It wasn't longer than a minute after the show cut to commercial that his phone was ringing off the hook. 

"Tell me right now that you love me, and not her, or I swear to God, Miguel I will call off this whole thing!" She says through tears. 

Miguel sighs and pinches the bridge of his nose. Now he really felt like a jerk. 

"I do love you baby..." 

Xina is still distraught and doesn't seem to want to listen. "After everything we've been through. I've supported you. I got along with your mom, I got an apartment with you. I even supported you through all that mental health bullshit of yours and you still can't even defend me on live television and say you love me more than that broke piece of trash!" 

Miguel freezes. "Hold on, mental health bullshit....?" Miguel really hopes that he didn't just hear what he thought he heard. He does his best to keep his anger at bay but he can feel it rising anyway. "So, all of the internal struggles I trusted you enough to tell you about....my depression which is something that will ALWAYS be a part of me, Xina...you think it's bullshit?" 

Xina sputters, "Miguel, no, I didn't mean it like that. It's just...ugh you are just so hard to deal with sometimes, you know? I totally understand and respect the fact that you're going through a lot right now, but so am I. And I can't sit here and coddle you through everything if you don't get help." 

Miguel's world comes shattering down. His worst fear that started to creep into the back of his mind ever since about 2 weeks after he proposed to Xina had just been confirmed to be true: she was not at all the woman he thought she was. It was merely an act for the show, and, with the help of the producers and audience, they pushed him towards her simply because she was the woman they wanted to see him with, when his heart truly lied with you the whole time. 

And now, you were on a beach in Mexico probably getting courted by all sorts of men who could give you way more than Miguel ever could, while he was left to contend with a broken heart and a cancelled wedding. 

He says in a shaky voice. "I was getting help...I told you I started therapy. I trusted you with THE most sensitive parts of me, Xina. And you threw it in my face. By the way, why do you say y/n is broke trash, as you put it, huh?" 

"Miguel, stop putting words in my mouth..." 

"Nononono...you LITERALLY said it, Xi. Don't start with your gaslighting bullshit on me!" Miguel is raising his voice now. "You called her broke trash. Let me guess: you shoo away our wedding planners, your parents treat your chef like complete shit. She has less money and prospects than you, therefore she's just trash, right? Well, I came from hardly anything, too. Does that make me trash? Huh?" 

There's only silence on the other line, then she says, "Miguel, you're different..." 

"No. No, Xina. You're different. You're not who I thought you were, and I think we shouldn't be marrying each other." Hot tears spill down Miguel's face and he hangs up his phone. He presses his back against the wall, sliding down until he hides his face in his hands, sobbing on the floor. 

--------

A few weeks later at a beach bungalow resort in Mexico

"Welcome back to another season of: Singles in Paradise, I'm your host, Jason Donner and boy is it good to be back!" Jason beams, flashing his pearly whites at the camera. 

You hear your cue and you walk out, clad in a white bikini with a pretty purple coverup wrapped around your midriff with the knot resting on your hip, emphasizing the curve, a certain post-break up glow about you that immediately made you hard to resist, a confident twinkle in your eye. You greet Jason with a hug and he holds your hands in his. 

"Great to see you. Feelin' nervous?" 

You flash a lovely smile at him, playing it up for the cameras. "Just a little bit. But I'm more so excited than nervous." 

Jason's lips curve into a smirk. "Anyone down there on that beach you're hoping to run into?" 

Miguel. 

No, you hadn't really thought about it. Noir was pretty cute. You throw his name out there. "I hope Noir is down there..." 

Jason nods, giving your shoulder a good luck squeeze. "Well, go on down there and see for yourself. Good luck! And welcome to paradise once again." 

"Thanks, Jas!" You play it up, giving him a little flirty wink as you walk down the stone path and disappear into some trees, making your way to the beach. Necks turn slowly and you feel your heart pound as several pairs of eyes land on you. 

Felicia Hardy is standing at the beach side resort bar waiting on her piña colada with a bad case of RBF. But, her snowy eyes melt into an enthusiastic expression when she sees you. 

"Noooo way!!! Oh my GOD, you're even hotter in person! Girl! What!!" 

You beam, flattered as she pulls you into a hug. Her long, platinum blonde hair hangs loose from a claw clip with the ponytail flowing in waves that brush against her back, a few stray wisps framing her face. She's wearing a dark blue tube top dress which is doing her figure all types of favors, accentuating her goddess-like pear shape. And, she smells totally divine of coconut body spray, evidence of sunbathing apparent in her sunkissed cheeks and tan lines. 

"Holy shit, where'd you get your outfit?" She asks, giving her piña colada a sip, shamelessly eyeing you up from head to toe.

You smile, giving her a little twirl. "Girl, $20 at Marshall's for the whole thing. I swear to God."

"No way! Oh my God, I love that place!" Felicia smiles. "I gotta say I'm a huge fan of you. Dude, that pissed me off so fucking bad when Miguel fucked you over like that."

You smile back at her, flattered. You can tell that you definitely want to have Felicia be your beach bestie throughout this whole process. She had been the Eligible Suitorette about 2 seasons ago. Her tenure was one that went down in the show's history, the way she didn't take any shit, and had so many guys falling all over her. But, unfortunately her engagement to Flash Thompson went down in flames when his dumb ass eventually got caught cheating, making fans of the show rally around her even more.

"So, I guess I should give you the low down on who's coupled up with who so far?" She asks.

You nod, familiar with this part of the game. "Yes, please. Oh my God, tell me everything."

You two go sit down on a pair of beach chairs, turning them so your knees are touching each other, leaning in close together for your woman to woman huddle, the cameras zooming in on you both.

"Okay, so first of all, I'm with Ben." She gleams, biting her lip. You follow her gaze and see Ben shirtless, playing volleyball with some of the other men, his baby blues are locked right back on Felicia with his angelic, pretty boy face. He nods and gives you a polite wave hello.

"Girrrrrrllllll...." You smile, turning back to her. "Good for you, honestly, he is SO damn fine, respectfully of course."

Felicia throws her head back and waves you off with a laugh. "Girl, thank you. No worries at all. Yeah, he's uh, he's something else alright." She bites her lip again and looks down. "He treats me so good. It's going really well..."

You give her a warm look, the unmistakable signs of falling head over heels quite recognizable all over her demeanor and the way she's talking about him.

Felicia resumes her report. "Noir is here, but he's got a thing for Jess."

You feel slightly disappointed to hear that but nod, encouraging her to continue.

"Peter B. is here, but it's been kinda awkward. MJ is here too."

"No fucking way?" You sit up, interested. "They really invited both of them here?"

Peter B. and MJ were considered royalty as far as the show goes, with Peter being one of the most beloved suitors of the show's history. However, that quickly became tainted with scandal with the volatile on-and-off nature of his and MJ's relationship. They got engaged at the end of his season, then they were "taking some time apart", then they reunited, but he was seen in the Barbados with some mysterious brunette, but she was also out and about with no engagement ring. BUT, they were spotted in Chicago holding hands and all over each other in a night club just a month ago

"Yeah girl, I have no fucking clue. They're clearly off at the moment , but you can totally tell it's bugging Peter. She's all over George right now."

"Girl noooo. George Stacy?!"

"George, fucking-Stacy, girlll."

George had troubling political opinions and was known for being quite a douche. BUT he was also well over 6 feet tall with ocean eyes, big arms, and money. Well, for you, personally, no way in hell you'd tolerate that.

"MJ hates me though." Felicia warns.

"Wait, why??"

"She thinks I "stole her man" even though Peter was literally throwing himself at me when they were on break number 394 or some shit." Felicia chuckles, shaking her head, stirring her piña colada which is now becoming a watery slush. She pauses for a moment then looks at you. "So, girl, tell me, who did you have your eyes on coming here?"

"Well..." You sigh, the options so far were not promising. "I did think Noir was cute, but he's already with Jess."

"You could still invite him on a date, technically." Felicia points out. "But, I understand. He does reallyyy seem to be into her right now. It would be hard to try and pull him at this point." She drums her fingers. "Girl! Go for Peter. Oh my God you guys would be so cute!"

You blush internally. Peter? You hadn't given him much thought. You turn around, searching for him. He's standing in the ocean a few feet away up to his ankles. He turns to the side a little, and the wind blows open his unbuttoned Hawaiian shirt as he leans down to examine one of the seashells under his feet.

Oh God, he was handsome. 6'2, lean muscles peppered with dark hair that ran across his chest and belly button, and a shadow of stubble on his face gave him a rugged feel, but those chocolate puppy brown eyes made him look so innocent. One of his cheeks had a little dimple that would pop out when he made that signature little smirk of his.

"Fffuck...really, girl?" You murmur, your jaw practically still hanging open at the sight of him. "But I thought you two were a thing?"

Felicia smirks. "Hell no! I rejected him forever ago. You sooo like him! I can tell. Just do it!"

You take a shaky breath. "God...okay, fuck it. I'm gonna go talk to him."

"Good luck!" Felicia calls after you. "Come find me afterwards and tell me everything!!"

You nod and shoot her a smile as you walk away. You bite your lip, your stomach doing all sorts of flips and tricks as you approach Peter. He has sort of a hopeless look on his face as he watches George and MJ from afar cuddled up on their beach towels, George's rough hands rubbing sunscreen into her shoulders as he was practically eye-fucking her.

"Peter!" You call for him. Peter turns, confused at the sound of a woman's voice calling for him, but his pupils go wide when he locks eyes with you for the first time.

"H-Hey!" His lips part a little bit at the sight of your gorgeous hair and friendly smile. His eyes start to land on your figure but he quickly flicks them back upwards to look into yours, not wanting to look like a perv. God, he was so cute. He offers you one of his hands, his voice gentle. "I'm Peter B."

You introduce yourself and he repeats your name back to you. The way he says it is making you scream a little on the inside, his voice is soothing and low. And suddenly you want to know more, so much more about him. And with the way he's gazing down at you, he does too.

You two just stand there in the ocean, chatting as the wind rustles against you both. Soon, the sun is starting to dip further down in the sky and you feel a chill coming on. Peter notices the goosebumps on your arms and wraps his shirt around you, holding you under his arm as you both meander back to the beach.

You squeal when he swoops you into a bridal style carry, butterflies appear in his stomach when he feels your hair brush under his chin, and he's almost tempted to pull you in closer. No, he decides there's plenty of time for that later, if all of this continues to go as flawlessly as it is already. He sets you down on one of the poolside cabanas, spreading a blanket over your legs. You curl up under it, shooting him a smile of appreciation. He looks at you with adoring eyes at how cute you look curled up like that.

"Can I get you something to drink?" He asks gently, the tips of his fingers brushing against your thigh, sending a chill down your spine.

"Um, vodka cranberry, please." You say sweetly. Peter gives you his signature smirk, the little dimple in his cheek driving you wild. His fingers make full contact with your thigh this time, stealing the breath from your lungs.

"Coming right up..." he's off to get you your drink, leaving you internally screaming by the pool.

---

Jason is leaning against a palm tree, silently monitoring the scene of flirtatious couples below when a tall dark figure approaches him. The camera stays on Jason and captures the look of shock across his face.

"Well, well, WELL! Look who it is, great to see you man!"

The man's face isn't shown, and it appears his response is being muted off mic, Jason's voice is the only audible one, the camera focusing on his reactions with the mystery guest,

"Wow...I'm so sorry to hear that man...yeah, yeah she's here. And you're sure about this.....? Alright, well here's your date card, feel free to use it whenever you wish. Good luck down there man."

------

You and Peter are laughing together by the pool, the alcohol slowly starting to weave its way into your banter. The daybed you're sharing is just a smidge too small, forcing your thigh to touch his as you squish on it together, bodies laying side by side. When you ask him a question, you subtly push yours a little closer into his. Peter seems to notice your increasing touch, his train of thought stalling for just one minute, before he turns pink and apologizes. "Sorry, must be the alcohol," he mumbles cutely, looking sheepishly at you.

"Yeah, the alcohol..." you tease, your pointer finger traces his sternum. His breath hitches and he's looking at you with wet lips, his eyes come to rest on your breasts that are squished so deliciously together.

You're looking back at him too, letting your eyes rake over his body up and down, admiring how good he looks and how the faded blue lights from the pool are casting a sensual shadow over his form, wondering how it would look if it were in the darkness of your bedroom instead.

Peter clears his throat. The nervousness catching up to him, and he turns his head, gazing at the shimmering water. "Sorry..." he lets out a breathy chuckle, then turns back to you. "I haven't connected this quickly with someone ever since...well I mean, since my last relationship which ended badly..... As I'm sure you're well aware of thanks to the press."

You hum, your finger now tracing little circles on his shoulder, making him tremble slightly. "Yeah....I heard. I'm kind of in the same boat."

You take a deep sigh. God, just when you thought you were getting over him, Miguel pulls you right back in. Being with Peter right now feels foreign, strange. You can't put a finger on it. You notice that those decadent brown eyes are already fixed on you, and you stare back, your voice oozing a hint of desire as you softly tell him,

"But, I wouldn't mind if I...spent some more time getting to know you."

Peter exhales softly, you detect the sweetness of the liquor on his breath, the wetness that the rim of his glass left behind is shiny on his bottom lip, and all you want to do is taste.

Peter slowly smirks back, his fingers coming to pull under your chin, bringing your face closer to his.

"I wouldn't mind either..." lust codes his voice now. But, before he goes in to kiss you, his eyes soften a little bit as he drinks in your features. "You're very beautiful..."

You feel the heat rising in your body, you drape one of your legs around him, resting your knee on his hip. "Thank you..."

Peter lets out a soft groan, his hand immediately comes to grip your thigh, encouraging you to press your body against his, and he traps your lips in his with a fiery kiss.

The stubble from his face is a little scratchy, but you don't mind. His tongue is sweet from the wine he was drinking, and you can't get enough. His hands travel a little higher on your thighs and you gasp into his mouth as he pulls you on top of him so you're straddling him with one knee on either side of his waist.

"C'mere..." he purrs.

You lean in closer to him, pressing your forehead against his to try and make your moans more quiet as he grinds your pussy against the bulge in his swim trunks, the soft fabric of your bikini bottoms separating you. The friction is delicious and you reward him with a neverending chorus of his name.

"Peter...."

Peter gives a loud groan, his grip on your hips tightens, this time bucking his hips under your spread pussy, letting you ride the outline of his cock.

"Ffuck....Peter, baby...." you whine.

"Mmm yeah, baby?" Peter lands a sharp spank on your ass in response, making you curse under your breath again. "You like what I'm doing to you?"

"Yes baby, I love it." You bite your lip, closing your eyes. "What if someone sees us, baby?"

"Let em watch.." Peter moans.

"Oh God...don't stop, please." Your moans rise in pitch.

"Fffuck....." Peter breaths out, his hands coming up to grip your breasts while you ride him. "I won't baby...fuck..." The sensation causes him to close his eyes as well. "You feel too good to stop."

You lean over, your lips crashing greedily against his, both of your tongues dancing in each other's mouths, while you grind together. His hands can't get enough and he finally starts to curl two fingers inside your pussy which elicits a sharp cry of passion, Peter playfully shushing you as he kisses your nose.

-----

The rose Miguel is holding falls onto the sand below as he watches you and Peter heavily making out, now engaged in mild foreplay and you might as well start fucking at any moment now due to how hot and heavy the scene is.

It's almost a race with how quickly the jealousy, nausea, and rage rises in Miguel's body, filling him to the brim. He stands there, jaw and shoulders tense. His cock twitches a little at your whines but seethes at the sight of another man's hands all over you. He finally rips himself away, not able to withstand it any longer.

Noir and Jess look at him with raised eyebrows as he sits at the beachside bar after downing 3 shots of tequila back to back. He just sits there, eyes glazed over at the empty shot glasses in front of him for several moments until he leans forward, laying his head in his arms with his eyes closed.

----

To be continued...

[genericpuff]

I'm sorry, but this should come as a shock to absolutely no one.

Just a little bit of 'insider info' (and by 'insider' I mean I was a part of the beta testing crew a few years ago) Webtoons has been messing with AI tools for years. You can literally play test that very same AI tool that I beta-tested here:

Mind you, this is just an AI Painter, similar to the Clip Studio Colorize tool, but it goes to show where WT's priorities are headed. I should mention, btw, that this tool is incredibly useless for anyone not creating a Korean-style webtoon, like you can deadass tell it was trained exclusively on the imports because it can't handle any skin tone outside of white (trying to use darker colors just translates as "shadows" to the program, meaning it'll just cast some fugly ass shadows over a white-toned character no matter how hard you try) and you just know the AI wouldn't know what to do with itself if you gave it an art style that didn't exactly match with the provided samples lmao

And let's be real, can we really expect the company that regularly exploits, underpays, and overworks its creators to give a damn about the ethical concerns of AI? They're gonna take the path of least resistance to make the most money possible.

So the fact that we're now seeing AI comics popping up on Webtoons left and right - and now, an actual "Webtoon AI" branding label - should come as zero shock to anyone. Webtoons is about quantity over quality and so AI is the natural progression of that.

So yeah, if you were looking for any sign to check out other platforms outside of Webtoons, this is it. Here are some of my own recommendations:

ComicFury - Independently run, zero ads, zero subscription costs (though I def recommend supporting them on Patreon if you're able), full control over site appearance, optional hosting for only the cost of the domain name, and best of all, strictly anti-AI. Not allowed, not even with proper labelling or disclosure. Full offense to the tech bro hacks, eat shit.

GlobalComix - Very polished hosting site that offers loads of monetization tools for creators without any exclusive contracts or subscriptions needed. They do offer a subscription program, but that's purely for reading the comics on the site that are exclusively behind paywalls. Not strictly anti-AI but does require in their ToS that AI comics be properly labelled and disclosed, whether they're made partially or fully with AI, to ensure transparency for readers who want to avoid AI comics.

Neocities - If you want to create your own site the good ole' fashioned way (i.e. HTML / CSS) this is the place. Independently run, offers a subscription plan for people who want more storage and bandwidth but it only costs $5/month so it's very inexpensive, and even without that subscription cost you won't have to deal with ads or corporate management bullshit.

Be safe out there pals, don't be afraid to set out into the unknown if it means protecting your work and keeping your control as a creator. Know your rights, know your power.

[egophiliac]

Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?

thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')

1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:

and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!

2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)

and you can also use lines against each other to get different vibes:

it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.

(just gonna use my own art as examples, apologies)

if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.

and don't forget about negative space either! the spaces between things have their own interesting shapes too!

I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D

3. acting!

just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.

this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)

it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!

3. thumbnailing!

this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.

it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!

(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)

then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!

(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)

4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.

that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.

↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!

[ghostietea]

I know the Homestuck fandom mostly likes to focus on the Strilondes as tragic siblings but can we have a moment for the Harleyberts please. Please. Please, because the versions of June and Jade that we're left with at the end of the comic both come from a timeline where their sister is dead. Like, what if an alternative version of your sister from a world where you were killed ensures that your sister from your universe dies in front of you, leaving you alone and thinking she's gone forever for three years as part of a plan to change the timeline in a way that gives you a chance to live? What if, after all that time, you met your sister again, she's alive but she's not the sister that you lost (and you're not hers either)?

[xitsensunmoon]

Biting the Hand That Feeds au FAQ (Vampires + donor au)

Any general content warnings for bhtf au?

Yes. A normal amount of fnaf warnings, a normal amount of vampire warnings. For someone who doesn't know I elaborate... For vampire stuff, the most obvious ones are blood, hypnosis, bites, and animalistic behaviour. Less obvious - slightly suggestive themes. For fnaf - fnaf's usual violence, dark themes, a drop of gore and murders. The lore is uh. Very dark. I will try to decrease the amount of all of the cruelty but man. People who know, know how hard it will be. But I will tag everything properly so don't worry.

Is there a fic for your au?

No. And currently, I'm not even planning on writing one.

How do I find the story?

For now, we have two comics that are directly connected and one that doesn't have a specific place in the story but is about canonical lore.

[ 1 ] - [ 2 ] - [ x ]

In future, we will have more and I probably absolutely will forget to update this post so I recommend checking the tags. Here's the tag list

Tip: don't click the tag. Tumblr hides half of the results. Type it in the blog's search instead :)

Are the comics the only canonical thing about au?

No! I answer asks and draw a lot of doodles with bhtf au all the time and 90% of them are canon. You can, yet again, find everything in the tag list linked in the previous question.

Can I draw/write fan stuff for your au?

Yes, please!! I'm always happy to see fanart and fan writings and literally everything that you do! Just tag me when you post and use a fanart or fanwriting tag for au specifically so I don't miss it!

Can you include my characters in your story?

No, unfortunately, I cannot. The story is already written and I don't have any "space" for background characters either. Maybe it will change but currently, things are like this.

I asked a question with an interaction with my characters and I never got an answer, why?

I don't accept such requests. I'm not ready to spend my time drawing other people's characters for free(if I personally don't want to, of course)

Is there any limit to how many questions I can ask?

No, not at all! You can ask all you want just please make sure your question wasn't answered before. There is a big possibility I will just simply delete it if it was answered beforehand many times. Check the ask tag for it.

What about limitations? Any boundaries?

Please no questions about tickling🧍‍♀️ I got so many of those it already makes me uncomfortable. And for some reason, a lot of people send asks that include violence towards my characters and while I don't really feel uncomfortable with this I just idk what to answer and why are you even doing this lmao

What questions I should avoid?

Well, not really avoid but I will mention it anyway.

The things I have planned to draw right now:

- Sun and Moon and y/n's first meeting

- The creation of Sun&Moon

- Why S&M are sensitive to light and darkness

- How they hunt

So no need to ask me about these. I will show it, I promise.

What about sexual themes?

I understand that I post a lot of suggestive stuff and it may appear I allow such a thing but no.

You can create content with it tho, I don't mind for the most part. Just be ready that I may not reblog it, as my Tumblr is a SFW place. It's always 50/50.

Romantic themes?

I do draw some kisses and cuddles when I feel like it and you of course can send ideas for cute interactions but in the story we're very far away from it lol.

My question gets ignored even though I followed everything that you mentioned here. Why?

Answered in main FAQ.

Can I share the ideas for your au with you?

YES!!! Yes, yes and yes! I'm very open to that, like yes! The only thing that I definitely want to mention - you should expect that I actually can take your ideas and use them. Some people are protective of their ideas so if you're like this you probably should not share them with me :)

The information that you're using for your au is wrong.

Happens sometimes yeah. I know nothing about any medical stuff for y/n so I usually improvise. After all it's an au about robotic vampires man, this information is absolutely wrong. But! You're free to drop feedback/constructive criticism in my inbox!

Will be updated later

[writingoddess1125]

I am your Biggest Fan~

This was written while drunk-ly watching the new OPLA! If people like this I can make a Pt. 2 that gets SPICY ENJOY!

Part 2: Biggest Fan Pt. 2

Buggy The Clown x GN Reader

Warnings: Tsundare Buggy, Mild Kidnapping, almost noncon, Pirate stuff-

Buggy and his Crew had landed on a small island far away from any post or true fun- in most cases he would have raided the place for a show- However he was in no mood. After being released by the damn Strawhats he wasn't in much of a performing mood- No.. Him and his crew of Freaks where utterly beaten by a bunch of nobodies and then their Capitan was taken hostage by Arlong, It was humiliating. They all needed to recoup and lick their wounds as well as a fluff to the Ego- So here they all sat, in a dinky bar that looked a few strong wind gust away from falling apart.

Buggy glared at the old stage of the Bar- like it was mocking him. His anger still not coming down from his escape. Downing his pint he sighed and fixed his hat, ignoring the stares as of the few Locals that worked up the nerve to glance his and his crews way. He was disguised in a old cloak in order to keep people from recognizing him too much and making a fuss-

"Welcome to the Green Fuzz! We have a special performer tonight!" A skinny man announced from the stage, snapping Buggy from his pouting as he rolled his eyes. Drinking more as he now wanted to leave..

"A world famous Burlesque dancer will leave you stunned, smiling and oh so saucy-!"

Bleh. Buggy thought, glancing to see where the closest exit was.

"Now put your hands together for (Y/N)~"

The curtains opened slowly revealing a lone person standing there dressed in what could only be described as a mock-doll get up satin ribbons barely holding up the corset they were in and the thin lace tulle barely hiding the revealing thong underneath, Their back facing the audience as the music started up. They spun as a flurry of thin lace wrapped around them like colorful flames barely concealing their body. Hips started to pop to the beat of the drums as (Y/N) smiled and danced forward. Buggy whole body froze like he was hypnotized, his eyes never leaving their form- How their body curved in the corset and how their hips jiggled and shook with each turn. The way their flashy makeup caught the light making them look like a true star. The too tall heels clicking with the beat as they did amazing jaw dropping moves and even slipping into a deep split, shaking their ass a little at the audience as they sauntered up once again.

People starting to clap to the beat as they watched them dance, Sinking along to the music as the performer pulled at the laces of their corset. Rocking their hips to the beat before with a flashy pose shed the corset and tossed it to the side, showing the dazzling tassel pasties on their chest which shook and twirled brilliantly.

Buggy left like his lungs were burning, his eyes glued to the performer and a uncomforble tightening of his trousers not helping either. It was almost ridiculous, the flashy dances and explicit comical manner just hit his brain right in every way. The crowd laughed, clapped and sang along with them and Buggy just watched- His eyes never leaving them for a second.

By the time the show ended Buggy felt like he was salivating, He didn't even care that his crew was genuinely clapping for someone else- He had his eyes on his prey and he wasn't planning on letting it go. He grabbed Cabaji hard by his collar and brought him close. A crazed grin spread on his lips.

"Ready the crew- We're taking this village after all.. I'm going after my New favorite act-"

(Y/N) sat back stage in their changing room, smiling as they took a seat at the vanity to start taking off the makeup of the night. The show had been going off without a hitch, as most nights. While they did travel to different villages for shows their favorite was these small places. While the pay wasn't anything grand it was the few people that did attend and the staff that hosted them. They were always the nicest and appreciated burlesque the most. (Y/N) started to take off the blue rhinestone earrings, Their was quite a lot of people for such a small town- That and there was a man in a cloak.. While their face wasn't shown his eyes- they stared at them so intently. Almost sent a chill up their spine.

Then a knock snapped them from their thoughts. Assuming it was one of the staff.

"Oh- Im still getting undressed just a bit longer please!" They called out. Quickly grabbing the makeup wipes to start, but froze as the sound of heavy footsteps sounded, a shadowy cloaked figure now in their doorway. Whipping around they stared in fear-

"H-How did you?" (Y/N) started as they stood up, their fingers hovering over a robe to at least cover themselves up- However they instead left something.. Fleshy? Looking down a severed hand holding the robe before waving at them. Opening their mouth to scream but the floating hand slammed into their lips sealing it from the scream.

The cloaked man laughed loudly at this, Pulling away his cloak as Buggy slowed to a chuckling at this as he stepped forward, tapping his boots mildly as he walked in further and closing the door behind him.

"I gotta say, That was a absouely ravenous performance. Almost as good as myself~"

He stepped closer, now inches from (Y/N) who was trembling standing there with the hand still tightly over their lips. Taking his free hand he carefully ran it up their form, Playing with the tassels of their costume. Tilting his head in delight as his eyes ranked their body- Not even bothering to hide his own arousal.

The muffled sounds of Buggy's crew starting to pillage the small village, screams of terror and crashing adding a eerie ambiance to the small room. (Y/N) trembled from his touch and the sound of the poor village being ripped apart.

"Usually I love being on stage, the people clapping and loving me. watching us in delight. I never am in someone else audience or a fan of someone else in the spotlight-"

He removed his hand from their lips, Smiling at the smeared makeup on their face. He practically moaned at the sight. He couldn't wait to see their mascara running down their face and lips bruised with what he was gonna do to them- He started to pull at what was left from their costume, feeling them trying to resist and even attempt to grab his wrist to stop.

Chuckling at the pathetic act he slapped their hands away from what he wanted- Ripping away the dazzling chest pasty on their chest savoring the pained cry that left them and how red their poor nipple looked.

"But for you,"

Buggy grinned widely, his watercolor eyes seemed to darken with lust as he reached forward and slammed his palms hard on the back wall on either side of (Y/N) head, Trapping them with no way to escape. A Rush of emotions flooded over (Y/N) and they had to lean back for support to keep from falling to their knees in fear. The smell of citrus, candy and sea air flooded their lungs as Buggy leaned in leaving a trail of love bites up their neck to their ear as he whispered.

"Im your biggest fan~"

[stringlessau]

Stringless Part 1, Page 2

FINALLY we got this page out :D

It's been a hot second since page 1 mainly because there was a lot of rewriting to be done from the old outline (but at least this means the comic is scripted for a couple more pages already)

You may notice the new and improved coloring style! Rope did all the color in this page instead of last time where he only did flats and background, and from the way it looks i can tell the style is gonna be a hit :3

Hope you enjoy the page, we're still getting the hang of this but we're proud of what we got!

Scripting and lineart by @shiibaroll

Coloring and background sketching by @theropeaaa

Special thanks to @gutamajunk for giving the idea of the spamton car introduction even before the comic was planned! His proposed rough outline for the events of Stringless influenced how i wrote the AU storyline a lot and it'd not be the same without it.

[artbyblastweave]

Okay, Time for that belated Shrinking Rae post-

In the comics, Shrinking Ray's "arc" (bearing in mind an extremely liberal definition of that term, they had exactly one scene showcasing this) was that he was implied to be developing an inferiority complex; he's not necessarily incompetent, but he's out of his niche, his clever shrinking-based plans kept getting upstaged by brute-force solutions from the more conventionally powerful heroes like Invincible. He's the scrawny, nerdy little guy with the joke powers, he never gets a win, and in most fights he literally isn't visible. In the fight with the Lizard League his death is framed as pathetic and ineffectual- there's one or two panels between "I'll make you pay!" and getting eaten alive by Komodo. All of this is doing a couple of things- it's emphasizing that again, this is in fact a story and setting where superheroes sometimes just die really badly with limited fanfare- a thing that IIRC hadn't happened since the original Guardians team wipe in issue 7. Second, it's an indicator that the new Guardians are structurally kind of on the ropes. They're heavily staffed by second stringers, they exact second they have to split their forces they suffer a 66 percent casualty rate, and that's with backing from two capes who aren't actually part of the team. Grim! Anyway, when they do the adaptation Shrinking Ray becomes Shrinking Rae, because they want to tweak the gender balance of the cast and the pun is too good to pass up. But I think that there was a reasonable reluctance to transfer the "arc" from the comics one-to-one, because to be blunt, "Ineffectual Nebbish Glasses-wearer who whines a lot and dies pathetically," paired with absolutely nothing else, is gonna read as misogynistic if the character is a woman now. So in the adaptation Rae is markedly more competent. We're introduced to her taking down a much larger opponent by fucking around inside his ear canal, which becomes a favored trick of hers. There are traces of the self-esteem thing- the visual gag where she physically shrinks about a foot when getting chewed out in the briefing- but the overall throughline isn't "look at this loser who somehow ended up on the guardians." In the Lizard League fight, she doesn't get eaten- she's deliberately trying to execute a Thanus maneuver and just fucks it up, seconds after successfully killing a different villain the same way. And there's a second where it looks like it might work, too, before hope is cruelly yanked away. Which makes for a markedly cooler death scene- but who died? What was actually going on with her? Anything? In some sense she's cooler, but it's kind of an undifferentiated cool. She had what, Six lines? Seven? On balance I think Rae is still doing her fundamental job in the story, which is to pad the Guardians roster for a while and have someone who actually dies and stays dead as a result of the Lizard League fight- but I think they definitely missed an opportunity to give her some more texture than her comic counterpart had. Part of me thinks that the show would have been a good place to go even harder on Shrinking Rae being in over her head, but in a considered way, to emphasize that the Guardians aren't well managed- maybe tie it into the tensions between Robot and Immortal regarding sustainable team management practices. Part of me thinks you should go the other way, that if you're gonna do away with the idea she's underwhelming you should blow up her role, have her actually say and do some things that affect the story or the team dynamic in any noticeable way, because as it stands she's kind of visibly siloed as the designated mauve shirt. I'm definitely of one mind that this showcases something I suspected was gonna bite the show in the ass, which is that they're (laudably) diversifying a secondary and tertiary cast whose main role in the source material is often to die badly or fade out of focus.

[venusbby]

i just feel like being itoshi rin's bestfriend is a whole new experience.

there is something about being rin's closest person that brings you a feeling of warmth and pride altogether. knowing each other for years, you were aware that the mighty itoshi rin was selective when it came to people he wanted to spend time with. sure, he had many friends, he was a professional player after all- but even he can't help but admit that nobody could compare with you.

maybe it's because to him, you aren't really a friend at all.

you're much more.

and he definitely does not want to admit that. so he does not.

you, on the other hand, have a hard time trying to figure it all out. one part of you thought in a more simple way.

he's just closer with me because we've known each other for so long, that's all it is.

and then there's the other part of you that is greedy and aching and yearning to get some sort of sign that he's interested.

you're not expecting much. this is itoshi rin we're talking about. he just doesn't do any of that stuff. it's crazy that you're even thinking about the topic of dating when all these years you haven't heard a single word from him about having a simple crush on someone. but again, this is itoshi rin. he doesn't say the things he doesn't want to say. he doesn't show the feelings that he doesn't want to show.

you scolded yourself every year for not getting over your little crush on your bestfriend. unfortunately for you, it went on increasing until your heart was overflowing with care and adoration for a guy who seemed absolutely clueless about romance and the wildly trending best friends to lovers trope in almost every recent book or movie.

in your case, the best friends to lovers trope feels a little less sad because rin never really showed any interest in other people.

oh, little did you know. but you're still glad that the person writing your story didn't pour the cup full of jealousy into your life.

it's almost comical how stupid the both of you are.

a hopeless romantic and her hopelessly unaware bestfriend.

the stupidity goes for a few more months. sneaky glances, touches that feel like a spark, those short words of affection that rin manages when you're at the lowest and oh, the birthday.

the stupidity finally stops at rin's birthday.

ten minutes left to 12 AM. you were trying to drive as slowly and as patiently as you could to rin's apartment. arriving early would just ruin the surprise. you needed to get out of the car when there were just 8 minutes left, so that by the time you reached the high floor of the apartment complex it would leave you with 5 minutes to prepare yourself and the box of cake in your sweaty hands, waiting outside his door. then you would enter when there's just a minute left.

only rin deserved this type of difficult and serious planning.

you felt the pride for being able to think so much and felt extremely smart for calculating this plan accurately. however, the feelings were quick to drain out and be replaced by nervousness.

he wouldn't be mad, no. you just didn't want to make him feel awkward.

rin never really made a big deal about his birthdays. that never stopped him from letting his teammates and friends from blue lock enjoy the day, though. every year, he booked some place they could spend time, eat, drink, party, whatever. he didn't care much, just watched bachira and isagi wreck havoc. as long as he had you sitting next to him, laughing at his friends' antics, he was okay. he also liked seeing you happy. his chest bloomed with some unfamiliar feeling every time you said that you were happy because he was happy.

one minute left.

you quietly entered with the spare key rin had given you.

for emergencies.

somehow birthdays counted, right?

the lights were off, and you felt a little dumb. it would be really embarrassing if rin wasn't even home. maybe even more embarrassing if rin didn't expect you to come at all and told you to go back home or something.

from the living room, you could still see rays of faint warm light making its way into the hallways, escaping through the doorway of his bedroom. judging by the low sound effects, you guessed he was watching another movie or tv show.

one thing your dumbass forgot to plan. how the heck were you supposed to call him into the living room without scaring him?

fuck it, you thought.

"rin, im home, come out here please." you tried, trying your best to sound as less alerting as you could, hoping you didn't scare the guy. from the way the sound of the movie quickly stopped after your voice, you grimaced.

quick, heavy footsteps followed as itoshi rin entered his living room. his expression was a mix between a scowl and a frown- a face only he could make. you paused before you could even try to explain.

paired with the handsome, annoyed face was the absence of a shirt.

what were you going to say again?

well, it didn't matter. rin spoke before you could even adjust to the unfamiiar view.

"what the fuck."

"uh, look-" you managed.

"no, what the actual fuck."

you pursed your lips in an attempt to put your mind to work, to come up with something- anything. those teal eyes felt vibrant even in the darkness of the living room with just more of the golden light from his room passing through- because of the bedroom door now being opened all the way. you shifted from one foot to another. he continued to stare, his eyes slowly travelling down to the cake you were holding.

"happy birthday."

itoshi rin, your bestfriend, exhaled.

two strides and he was standing right in front of you, expression unreadable, and maybe you were hallucinating, because in the slight darkness you thought you saw him smile.

"y/n, you're insane." he breathed out, running a hand through his dark, disheveled hair. rin's face felt a little warm when he realized how he looked in this situation. this is by far the most out of pocket thing you've done, in his opinion.

for you though, this reaction was somewhat better than what you'd expected. you bit your lip to hold back a smile and set the box down on the neatly kept coffee table next to you. "i might be."

it was already three minutes past twelve. but you didn't care anymore.

while you carefully removed the cake out and placed it on the table, rin turned the lights on, still not recovered from your sudden appearance.

"shit," you realized when the brightness of the light hit your eyesight, "i forgot the fucking candles in the car. sorry."

now as unbelievable as it sounds, it was rin's turn to hold back a smile as he muttered quietly, "stupid."

it was even harder to focus on the cake without candles in front of you, when itoshi rin was sitting next to you on the couch, shirtless.

silence filled the room, and none of you made a move.

why would you do anything anyway? wasn't it rin's job to cut the cake?

apparently, you seemed more interesting than the cake, because rin was staring at you instead. you stuttered underneath his gaze. "what, you want me to sing the song for you?"

he huffed, attempting to fix his hair so he could stop thinking about your sleepy eyes. god damn it. he didn't know how to deal with this, with the erratic beating of his heart.

"thanks. for this."

itoshi rin was malfunctioning. and you were the cause for that.

to that, you managed a genuine smile. it was nice to hear.

"it's nothing. i did it because i care." you said quietly, fiddling with your fingers, eyes focused on the cake. you don't think you can handle looking at him. it might tempt you to pour out all your feelings. you could save them for another day, just not his birthday.

the mess of your hair kept together by a hairband, your heavy eyelids and the nervous fumbling of your fingers, rin knew you meant more. you wouldn't do so much for him despite being so tired if you just cared. there was only one option he had, to show you how thankful he was.

you're out of your short anxious trance when his bare, strong arms slowly but confidently pulled you into him.

the shock doesn't last for long and you find yourself melting in his embrace, face resting against his shoulder as your arms made their way to his back, to hold him tighter.

the cake must be satisfied with this outcome as well because it doesn't complain as you both stay in the same position for quite a few minutes.

rin felt your breath against his collarbone and sighed.

"stay the night. i can tell you're tired."

you don't deny it, but still whisper, "let's eat the cake first."

he finally let out a soft chuckle, feeling relieved that you couldn't see him as he mumbled something along the lines of "that's why i love you."

wait.

did he say love?

[comicaurora]

Out of curiosity, how far ahead are you on the comic? I mean, you must have it all planned and written out, but I imagine that you are drawing the future of Aurora even while we're reading it.

So is Arc 2 already illustrated and ready for upload while you're on like Arc 5 or something? I'm by no means undermining your need for a break; I'm shocked that you've been uploading continuously for over 4 years at this point. I'm just interested to know how long it takes a person to make something this great. And also if you change any details in the final edit?

Basically: what's the workflow like?

Also I think you low-key inspired me to pick up painting as a hobby. I'm ready to pour so much money into creating things that I know I'll hate. :)

God, arc 5? That's a very generous assessment of how fast I can draw!

Typically, when the comic is updating regularly, I keep a buffer of 10 to 20 completed pages. Right now, in the interest of taking a break, the buffer is 0 completed pages.

Chapter 1 of Arc 2 is completely storyboarded, meaning it's sketched out, the dialog is all mostly finalized barring last-minute rephrasements, etc. It can be read in its current form, it just looks unpretty. In fact, just for fun, here's a sneak peek!

In the next month I'll go through and finalize as many pages from this chapter as possible - which means locking down the panel borders, fleshing out the backgrounds, lining, shading, coloring, polish, etc. - which will be the process of building up a new buffer for when the comic starts back up again in January. During that time, I'll also be storyboarding Chapter 2 and as much of the following parts as I can manage.

I have the next several chapters and sub-arcs planned out in loose timelines - event A happens at location B leading to consequences C and D, stuff like that. Chapter 2, being the closest, is a little more fleshed-out, with a more detailed bullet-pointed timeline and various character ideas I've had that might or might not make it into the final version.

What exactly the chapter breakdown is going to look like is a little more complicated. Initially I'd planned for Chapter 1 to be low-stakes downtime and Chapter 2 to quickly kick off the high-octane adventure again, but when I started bullet-pointing out the stuff I wanted to do in Chapter 2, I ended up with a big pile of slower-paced character moments I thought were well worth exploring, so the runtimes might stretch a little.

Translating those brainstormed notes into storyboards and dialog is what I would classify as the "writing" part of this process. It happens at an erratic pace largely determined by the whims of whatever muse decides to get me in a headlock that day; sometimes I go weeks with no storyboarding progress, sometimes I hammer out fifteen pages in one day.

It's kinda like weaving, to me. The soon-to-be-arriving parts of the story are the most finalized, the most densely woven. A little ways beyond that, things get looser - some patterns may be locked down, but the actual work that'll hold it together hasn't been done yet. And in the far-flung future arcs, it's just the basic bones of the story and a pile of the threads I've planned to use. I know the shape of it, but in order for it to be fun and engaging for me to make it, I need to give myself room to be creative when I'm putting the whole thing together.

I actually have a file called the "Toolbox" that contains every random character or subplot idea I've had, and sometimes when I'm debating where to go with a chunk of story, I'll crack it open and scan through to see if anything jumps out begging to be used. Lotta fun stuff in there that may or may not ever see the light of day. Dropping stuff in the Toolbox is one of the most fun and freeing parts of the process for me!

[sky-kiss]

YAS! Free time is best time! Hmm for prompts, I love the idea of low intelligence Tav and Raphael? Like Tav convinced Raphael is a Fae? Man offered her food, won’t call her by her name, rhymes, and wants to make deals. He’s totally a fae, and he gets so pissy she won’t be convinced otherwise.

Or for spicy prompt. I know it’s not everyone’s thing, but innocent Tav being deflowered by Raphael as part of a deal? Or cockwarming, that’s my favorite as well.

A/N: Had to fight, had to actively restrain myself for going for one of these prompts. Will do the scenario though. And I weep. But when Idiot!Tav calls, I answer.

______

R/T: Local Devil Tries to Flirt; Local Idiot Too Far Gone for Banter

______

There are mortal eccentricities he finds charming. Ambition, for one! Their pluck! The gods create meager little creatures, soft, small, and weak, yet they forge ahead! Unconcerned by their relative lack of status in the universe! He'd go so far as to say he admires the trait. And there is something endearing in their youthful naivete, comparative ignorance of the outer planes. Raphael is not so proud as to admit he has not actively exploited this lack of knowledge in the past. It's always served his best interests! 

But it can be, and currently is, a double-edged sword. The cambion strokes his chin, lips pressed to a thin line, as he surveys his champion. His little mouse regards him with narrowed eyes and a vacant stare. "Come, my dear! Eat and make merry for tomorrow," he prolongs the sentence, letting it hang between them with a practiced theatricality. "You may die." 

"Is that a threat?" 

Raphael chuckles, shifting his weight to the back foot, his right hand pressed to his sternum. "From me? Have I been ought but a friend? A champion, an advocate, in this your hour of need?" 

She huffs, "I can't see that you've done a thing for us. You dangle a deal and won't let me take it!"

"The thrill of anticipation, sweetling. Best in all things." He winks. 

She does not reciprocate. Her brows pulled together; she frowned, arms crossing her chest- not the body language Raphael wanted. In truth, he's been finding the whole arrangement a touch challenging. There's no back-and-forth or witty banter- not like he planned it. Tav shakes her head. "And that's another thing. I'm not your sweetling. Or your dear. I'm Tav. Can you manage Tav?" 

"We're certainly feeling combative, aren't we?" The devil narrows his eyes. 

"You can do it, can't you?" 

And he's momentarily struck by the notion that she isn't challenging him; she's genuinely curious if he can do it. Raphael hums, "Nuanced as it is, I am perfectly capable of naming you, Tav. Is that satisfactory?" 

She shakes her head. "I don't trust you." 

"Clever girl. Only you don't have to trust me. There is something deliciously illicit in such partnerships—a hint of intrigue. A flash of- "He leans nearer, flourishing with his right hand. Sparks dance from the tips of his fingers. "Danger." 

"No good ever came from the fae-folk." 

"My dear, I assure you, I…" Raphael cuts off, brain catching up to his tongue. "Beg pardon? Fae?"

"Fae," she repeats. Tav eyes him with renewed caution, hand slipping to the hilt of her (comically ineffectual) cold-iron knife. "I'm many things, Raphael, but I'm no fool."

"Truly." He licks his lips. It's rare for him to be purely baffled, but here it is. Nothing about her suggests she's joking. A quick peak in the little idiot's head suggests she believes her statement with absolute certainty. He crosses his arms over his chest, indicating himself with a hand sweep. "My dear, what do you make of all this?" The horns, red skin, the tail…clearly infernal. 

She shakes her head. "A devil would deal more honestly. I'd be more inclined to trust them. This is…a glamor. Convincing, but false."

He blanches. "What." 

"You bring me here. You make me pretty promises and ply me with wine and sweet words. You speak in riddles and songs!" He wants to argue that those are all devilish traits, but gods, why bother? Raphael pinches the bridge of his nose. "Devils may be evil, Raphael, but at least they're honest."

"To their detriment, apparently." He sighs. "Pet…" 

"Tav." 

"Tav," he corrects, feeling his temperature rise in response to his temper. "I have offered a contract, its terms clearly stated."

"No. You've offered me a deal. No contract, no terms. And the matter with the Orthon! A purely verbal arrangement. No devil worth their salt would go along with that." 

"How dare you! Impertinent, thoughtless…" Raphael catches himself. He makes a mental ten count and assures himself the deal will be done shortly. It all comes back to the crown. He needs them. He…gods, he has to play along. It tastes like bile on his tongue. "Fae, yes. You've found me out, pet. A…creature of chaos. Such am I." 

Tav nods. "Thank you for your honesty." 

He honestly considers strangling the little idiot. 

[devilfic]

❝small favor❞

V. the christmas special.

parts: previously / next plot: it's the most beautiful time of the year. pairing: mcu!peter parker x gn!reader. cw: christmas shenanigans, alcohol mentions, harry gets drunk for norman osborn related reasons, peter is a little ball of anxiety because he likes you, can I share with you what jobs I think ned and mj got after graduation. words: 8.4k.

a/n: this was gonna be a two-parter but I thought. no. so instead it's just super long :D

Peter has started visiting more.

There were the surprise visits on weekends. Something was just too important to wait a week, and too important to give you a call, and you liked that he made a note of bringing you food for the trouble. Then he was popping in on Wednesday nights—sometimes Friday mornings—because he'd forgotten to tell you this or he just couldn't wait to tell you that.

And he has texting you more, too. Not super serious things either, and after a few days of it, you had worked the fight or flight reaction to his ringtone out of your system. At some point, you had started feeling like this was becoming... a genuine friendship.

"I mean... I... yeah. We talked about it, didn't we?" Peter stops pouring, brownie batter dribbling off the lip of the bowl, "Friends. I- I think of you as a friend. If you think of me... as a friend."

You gnaw on your pen as you study him. It's another weekend surprise visit, and this time he's brought you boxed brookie batter as an olive branch. You'd actually been busy this time, and so you'd put him to work baking it while you made your vacation list, "It's just... crazy. I mean, we went from being strangers to only seeing each other once a week—purely professionally—and now you bake me things. And we hang out."

"What's wrong with that?"

"Nothing! It's just weird," he continues to pour as you talk, "I used to see you as this unattainable hero. I couldn't believe you trusted me, felt comfortable enough to tell me your name, to care enough that even EDITH knows who I am. And now we're friends."

Peter's nose scrunches at that, and you've never wished more than now that you could see the rest of his face. He starts placing balls of cookie dough in the batter, "You talk about me like I'm Beyoncé or something."

"You're the Beyoncé of superheroes."

"Hey, that is not true. That title goes to Captain Marvel."

"Not to me."

"Well, of course not to you. You're my biggest fan."

"Wow, demoted to a fan already."

Peter slides the pan into the oven, "You know what I mean. You're biased."

"You're starting to sound like Jameson now."

He kicks the oven door closed and hops up onto the kitchen counter next to you, nudging your knee with his knee, "Oh, you haven't heard my Jameson impression. Watch this." Peter clears his throat, clenches his fist, and shakes it in the air, "Spider-Man is a menace and should be charged with domestic terrorism!"

You giggle, "Do more."

"5G isn't giving your kids cancer, it's Spider-Man leaving his webs all over the city!"

"More!"

"Spider-Man is laying eggs in our city's sewers so that one day, all his freaky spider children will rise up and take over New York!"

"Please, keep going."

Peter groans. You see his head tilt toward the notepad in your lap, "How's the vacation going? Or vacation planning, I guess."

You sigh. Your list to pack kept getting longer, and yet, anytime you tried to focus on what to bring, you would just remember something else you needed to do before leaving New York. "How do you think, based on my utter lack of excitement?"

Peter raises a brow, "Whaaat? You're not excited for Miami?"

"I was, but... everything in the world is happening at the same time. Jameson wants me to get two more articles out before I leave and my family wanted me in Florida three days ago. At this rate, I'm just barely going to make it there before Christmas. Not to mention..." You trail off as you look to Peter, whose mask eyes have gone comically wide in interest, "I don't want to leave you all alone."

"You know I've been Spider-Manning since I was like, 14, right?"

"Well, yeah, but- wait, 14?" Peter grimaces. You gloss over it before he can worry himself about it, "Anyway, I just worry. I mean, with Fisk turning the PR tide and God knows what he's planning, I don't wanna just fly to the other side of the country. It feels wrong."

Peter smirks, "Nah, nah. It's fine. I can take care of myself."

"Don't make me remind you about how all of this," you gesture between Peter and the oven, "started." He looks away from you, sheepish. "You know what I mean, right? Maybe I'm overestimating my worth to you, but-"

"You're definitely not. You have no idea how much you mean to me." That stuns you. It stuns both of you, clearly, if Peter's frantic peek at your face was anything to go by. His mouth gapes like a fish out of water for a moment, "I just mean that... you've made being Spidey... easier on me. It's nice knowing someone's actually on my side in this city. So yeah, it will feel really weird without you being just a swing away."

"You can still call, Peter. I won't mind."

"And when your family asks who's bothering you while you're sunbathing on the beach?"

"I mean, my little cousins will be impressed if I name drop Spider-Man."

He smiles. He kicks his feet out, heels bumping the cabinet doors beneath you while silence settles. You take this chance to examine a slight fraying on the fabric of his suit, a hole beginning to form on his upper thigh that you could just fit your pinky through. You remembered a time when his suit was made out of sweatpants and a dream.

He was 14 when he first started all of this. When you were 14, you were stressing over high school essays and alien invasions. You couldn't help but think that maybe he'd lost his youth to this thing. This thing that brought you together.

Spider-Man who, back then, was really a kid. He'd had to grow into it. You couldn't imagine having to grow into that. "Well, that's enough about my holiday plans. What about you?" Peter prepares to answer, then deflates. "What's up?"

He bites his bottom lip, "I don't... have any."

Your heart sinks, "What? Why not?"

"No, no, it's fine. I'll probably be out on patrol making sure everybody else is having a safe, criminal-free winter break."

Sliding off the counter, you come to stand in front of Peter with your arms folded, "Absolutely not."

"Okay, before you say anything-"

"It's Christmas, Peter! You're supposed to take time off! Be with friends and family. If you never take a break, you'll wear yourself out."

"Just hear me out-"

"No! I won't have it. You're not the only hero in New York. You're taking Christmas off. I don't care if I have to stuff you in a carry-on and take you with me but you will not be working-"

One hand clamps around the back of your head and the other silences you, turning your complaints into mush, "If you would let me finish..." you huff indignantly against his hand, "you'd know that a friend of mine is throwing a Christmas party and I was invited. There. I have plans."

Your face softens. "Really?" You ask, but the sound is muffled and it comes out more like, "Will-ee?"

Peter laughs, hand slipping from your mouth, "Really. I'll at least take a few hours off. Maybe more if I fall into a food coma."

Peter's other hand is still cradling your head, but you don't bring it to his attention. "You promise? I won't have to fly back early and check up on you, will I? 'Cause I'll do it."

"I wouldn't stop you." You glower, making Peter's mask eyes squint with amusement, "I promise."

"Sometimes I think you like making me worry over you."

"Would you believe me if I said that I'm just this awful all the time?"

"Yes, but that would make me worry even more."

The hand at your neck gently curls around the side of your throat, Peter's thumb angling your chin up to his own. The brush of it makes you tremble just slightly.

Was he trying to make you dissolve into a puddle?

"I'll be okay. Just... come back to the city, will ya? Don't fall in love with Miami."

You place one of your hands over the hand on your throat. The other hovers somewhere near his knee on the countertop, unsure of yourself. When you admire his exposed mouth, you think of Peter. Parker.

You remember you hadn't actually talked about that since it happened. It was Peter's intention to skirt around Parker, regardless of how certain you were that they were the same person. It was all in jest, sure, but some small part of you (some incredibly small, minuscule, microscopic part of you) wondered if your reporter brain just fit the two pieces together because it wanted them to fit.

Perhaps he wasn't Peter Parker. Perhaps this really was all a coincidence, and perhaps aliens didn't fall from the sky and gods didn't save the world.

You wouldn't push him on it. You wouldn't look into it either, because reporter brain be damned. You cared more about the Peter you knew than the Peter you didn't.

You smile up at him, "How could I? Miami doesn't have you."

"Nice to see you could finally make it, kiddo." Jillian is grinning at you when you arrive, her baby tucked at her hip and her wife entertaining the little monster over her shoulder. She sees the winded look on your face and immediately motions you over, pressing a hand to your cheek, "Did you crawl out of a snowdrift? You're freezing!"

You lean into it, chasing the warmth in hopes that it would restore some feeling to your skin, "The storm's getting awful out there."

"Came outta nowhere, didn't it?" Jillian's wife snorts, booping the baby's nose. "We almost didn't risk coming with the little one, it was so bad."

Said little one looks perfectly warm wrapped up in her blanket, an envious sight as you shiver and shuck off your coat to hang. You would offer the kid a boop on the nose yourself, but with your fingers frozen solid around your offering—a plate of sugar cookies—you don't want to make her cry. You give her a smile instead.

"Oh, and would you believe it?" Jillian whispers, sidling up to you, primed for gossip, "We've got a real treat here tonight. Take a wild guess who decided to show up."

"Jonah's wife?"

Jillian cackles, "God no. The stalker."

As soon as she says the name, your eyes zero in on him.

He's wearing that plaid shirt again, but the collar and cuffs are all that peek out from underneath a wrinkly blue sweater. His hair is free and gelled back, revealing his nervous expression more clearly. Nursing a cup of apple cider, he just barely looks like he wants to be here. But then he catches your eye across the room.

And he waves.

"Oh my," Jillian teases, "you must've left quite the impression if he came all this way just to see you."

"He did not come just to see me." You reply in a hushed tone, but she laughs at you all the same.

"Sure. And that's not him heading over right now, even though he's been hugging the wall all night."

You jerk your head to where Parker was standing, and, sure enough, he's pursuing you.

You part from Jillian before she can get the chance to embarrass you (she accepts your cookies as payment), and so you all but jog to meet him halfway.

He doesn't get the chance to be polite before you're interrogating him, "Where did you go?"

"Uh... What?"

"At the gala. When I ran back inside the ballroom, I couldn't find you anywhere."

Peter's eyes slowly widen, "You went back inside?"

"Answer the question, please."

"Wh- I... I was there. You didn't see me?"

"No, I didn't."

"It got crazy after Fisk rushed the stage. I got swept up in the crowd. You must've missed me."

"Really? 'Cause I was with the crowd, you know. In front of the building? Where Fisk was giving his big speech about how he saved the day? I didn't see you anywhere."

Peter blinks, then gasps as if he'd just remembered something important, "You know what? That's right. I went to go find Harry. I wanted to make sure he was alright, and then I couldn't find you in the crowd so I just assumed... I'm sorry for leaving you back there all alone." You watch as he fumbles for something convincing, "I texted Spider-Man about it, though. He said you were safe."

You fold your arms, "...Is that all he said about me?"

"Well, that. And something about your conspiracy theory?"

"Conspiracy theory."

The topic change gets some of the tension in Peter's shoulders melting away, replaced with a smile faint enough to not pass as overtly smug. He waits for one of your co-workers to move out of earshot before continuing, "You think... I'm Spider-Man."

Your jaw tightens. You know that anyone would draw the same conclusions you did after that night. You also know that no matter how logical your reasoning is, you sound highly illogical when you admit to it out loud. If you brought up the same accusation to Jillian or Jameson, they'd both laugh you out of the office.

You have to stand your ground, though. If there was one thing you were learning about Peter, it was that he was easy to fluster, "And if I do?"

"I'm flattered, really, but I don't really have the hand-eye coordination."

You know it's bullshit. He should know you know it's bullshit. If it hadn't been for his quick thinking, you and Harry would've been trampled under the masses at the gala. It's bullshit and he's waiting for his checkmate that will never come.

You do not give it a second thought. You toss your phone at Peter's head.

And he catches it. Of course he does. He stops it mere inches from his face.

If anyone saw you try to give him a concussion, they don't come over to question you on it. "Can you..." Peter starts after a breath, a bit dazed, "...can you stop trying to hit me?"

You go to defend yourself because, at the very least, you hadn't meant to try to punch Peter—which meant it didn't count—when someone barrels right into you.

And, to prove you right twice in a row, Peter is quick to catch you. He scoops you up into his arms before you end up a reporter pancake on the floor. One of your co-workers, already blitzed off spiked eggnog, had bumped you on their way to the drinks table for what looked like the umpteenth time tonight, and didn't have enough marbles to apologize before bumping someone else.

Peter is careful in how he holds you. There's that unmistakable strength behind his grip, but also... he was gentle. He felt safe.

You don't make to escape just yet, all your bravado knocked right out of you. "Jesus, you okay?" His eyes dart over to your co-worker and a scowl turns his expression sour, "Jonah should put a cap on the drinks."

You feel more than embarrassed stumbling to your feet, even more so when Peter still coddles you after you're standing upright. "I'm fine. Thanks." Peter's looking at you, brows drawn together, with so much concern it makes that second thought from earlier come in hot with a sizable topping of shame, "Talk about instant karma."

Then it's gone. Peter laughs and... it sounds just like your Peter. Undeniably. You can't help but give in. For a fleeting moment, the question of secret identities has melted away and it's just the two of you, giggling about something silly.

You're ashamed enough to apologize for throwing your phone at his head when the laughter dies down. You succeed in stealing it back and lead him over to the windows, far away from any more drunken disasters, "It's alright. I've had worse thrown at me before."

You raise an eyebrow, "Oh? Like what?"

His voice catches in his throat at first, "A... carton of expired milk. High school bully, Flash Thompson. We were both on the same academic decathlon team but he never gave up on his dream of professional baseball."

"Flash Thompson? You mean, Silicon Valley, MIT grad, tech startup millionaire Flash Thompson?"

Peter winces, "The one and only."

You frown at the distant look on Peter's face, aware of some regret there at the mention of Flash. "You and Harry went to ESU together, right? Is that where you always wanted to go?"

Peter shakes his head, but a smile comes to his face regardless, "MIT was my first choice, actually. But... even with a scholarship, I just couldn't imagine leaving New York behind. So I stayed. Went to ESU. Helped my Aunt May with the mortgage on her first house since my... my uncle passed. And now I'm selling pictures of Spider-Man to pay my rent."

You can't help the way you soften. "I'm so sorry about your uncle, Peter. Your Aunt May is lucky to have you around."

His eyelids flutter closed for a breath, and his smile grows wider. If it were even possible. "I'm lucky to have her."

You stand there together in silence after that, but it feels more comfortable than before. All the scrutiny and speculation you'd come in with had faded away, and now you were left wondering more about Peter. His hopes, his dreams, his life before all of this. What would it have been like if he'd gone to MIT? Where would you be? Or Spider-Man?

Peter's eyes peel open, "So, what about you?"

"Oh. Well, I took a shine to my school newspaper. After... everything in 2012, I knew the world would never be the same. So I had dreams of becoming a journalist, covering the street, being the first on the scene. Took my ass to college on part-time jobs and a dream, and interned at nearly every newspaper in the city before Jameson gave me a shot here. As much as I can't stand the way he talks about Spidey... he's not that bad of a guy. All things considered."

Peter agrees, "He did hire you, so..."

"Yeah, well," you lean your cheek against the window, glass cooling your blush, "At least Spidey doesn't hold it against me... but, I have to ask: why the Bugle? I mean, with photos like yours, you should be fighting off every publication in the city. Instead you turn in these... absolute masterpieces, freelancing, for a guy who can't even give you due credit, and you only stop by for a paycheck."

Peter looks to the window, the wind howling over a crooner's cover of Santa Baby. The storm was still raging on outside, and you dreaded the thought of having to walk through it to get back home. The taxis wouldn't have much luck either from the looks of it. "I... like my job, but it's not what I wanna do forever. I don't care about fame or Pulitzer prizes. It's always been about taking care of me and my Aunt May, and Jameson is a lot of things but he's always understood that. He pays me enough that I can have a place of my own and a little leftover for my aunt, and he doesn't ask questions.

"I don't need to be seen. And that's the whole point, isn't it?" His expression gradually warms as he recalls something, "It's not who's behind the lens that matters, but who's in front of it."

Your expression warms too, "I can see why Spidey likes you."

A notification disturbs the moment. Raising a finger at Peter, you check the latest notification... and your stomach drops.

Peter takes a step forward, sensing the change in atmosphere, "What? What is it?"

"My flight's been cancelled. I was leaving tomorrow for Miami but the storm..."

"Oh. Man, I'm sorry."

"I should've left sooner, I should've left when my family..." You lose the motivation to even finish your sentence, feeling exhausted all at once, "It doesn't matter anymore. I'm stuck here for Christmas."

Peter stuffs his hands in his pockets, rocking back and forth on his feet as he searches for something to say. You're about to tell him not to worry about it when he speaks up, "You know," he starts, the uncertainty in his voice giving you pause, "it's no... Miami, but my aunt throws this Christmas party every year? For Christmas Eve. We invite a few friends over for dinner. She'd love it if you came."

"Oh, Peter, that's sweet but... I don't really want to intrude on a friend thing-"

"No, no, it's okay! Anyone can come. It'll just be my aunt, some of her co-workers from F.E.A.S.T., a few of my friends, my ex-girlfriend-"

"Your- what?"

"Oh. Well, I mean, we were friends before we dated. Well... technically? She sort of just... hung around me and Ned in high school and then we started dating for a while but then we broke up in university. But we stayed friends. Became better friends, actually. So, she's my ex but also a really good friend. I promise it's not weird or anything. She's super cool about it. And I am too! Her name's MJ. I think you'll like her."

You stare at Peter. You think you see a bead of sweat twinkle on his forehead underneath the Christmas lights above.

He insists that you're welcome to come, and staying home alone for Christmas would be pretty hypocritical after your argument with Spider-Man.

Spider-Man.

"...and Spider-Man will be there."

Spider-Man?

You abruptly lock eyes with Peter. "Spider-Man?"

Peter's smile is tight-lipped, "Yeah." His voice cracks. "I mean, he's just stopping by real quick, but I invited him. He might not come. But... he also might."

Was this the friend of his throwing a Christmas party? Why in the world would Peter (Parker) invite you to the same party Spider-Man would be at, unless he could stand in the same room as him at the exact same time? There'd be no other way to convince you otherwise, and you'd be forced to accept that they really were two completely different people.

Yeah, right.

You'd go to this party and suss it out for yourself.

And it wouldn't hurt, would it? Peter was nice, if not the most awkward person you've ever met. To offer you a place at his aunt's Christmas dinner not long after hurling an object at his head was a sign of true Christmas spirit. You could learn a thing or two from him, "Okay. You've convinced me. What's your number? You can text me the address."

Peter blanks for a moment, "Um... yeah, um..." You watch him flounder, growing increasingly suspicious, "Can I see your phone?"

You drop your phone in his hand. His fingers move quickly across the keyboard before returning it to you. Peter Parker is now in your contacts. You check the number against Spidey's but there isn't a match. "Thanks," you glance at his wobbly smile, "I sent you a text."

Peter gestures behind him, "Oh, cool, awesome. Will you excuse me for a sec? I gotta use the restroom." And he doesn't wait for you to affirm before he's rushing down the hall and out of sight.

A full minute passes before you receive a text back from Peter.

15 Amfan Ave Forest Hills, NY 11375 7pm :) Hope you can make it! He never shuts up about you *I *shut

Hm.

So... I hear you're throwing things at people now Who told you that? You lose one phone, then you try to bludgeon an innocent man with another. I should lock you up and throw away the key I wasn't trying to bludgeon him, because I knew he'd be perfectly *fine*. And he helped me prove a point Which was... That the chances of him being you are more likely than either of you would have me to believe Could it be that you just have a thing for attractive, masked men? That is That is irrelevant to the conversation HA you so do Literally nothing to do with anything I just said It's okay. The mask makes it really easy to project one's ideal man onto me. Or so I've learned through Twitter I'm not projecting *anything* onto you Do you picture Ryan Reynolds when you talk to me? It's okay if you do Peter, shut up Maybe someone more boyish like Timothy chalet Timothee Chalet Timothee Chalamett I'd say you just like hearing yourself talk but this is a textual conversation I like that we can talk like this :) I like it too :) What about Tom Holland? We've got the same jaw If you think me accusing you of being Parker is me projecting a handsome man onto you, I can only assume you think he's hot. Which means I can assume you have a thing for him. Because I can also make things up Like Batman and Clark Kent? Are you saying Parker is the Clark Kent in our fictional relationship? More like Superman and Jimmy Olsen And you're my Lois Lane? ... Goodnight, Peter

Aunt May's home is beautiful. There's a lovingly sculpted garden out front that has since given into the snow, but you can tell it's a sight in the spring. For now, the Christmas garland lining the doorframe—wrapped in a rope of rainbow lights—brightens up the porch. As does the collection of little striped sweater-wearing gnomes gathered around the front door.

There's a commotion of voices behind it as you approach. You shift your plate into one hand, pressing the doorbell with the other, and the voices get louder. You swallow down your nerves when the door is ripped open by a stranger.

The stranger in question is staring out into the dark at you like they weren't expecting you. Your eyes quickly dart to the plaque beside the door and see a bold "15" emblazoned there. Nope. This is the house.

Their eyes zero in on the plate in your hand. Smiling, they open the door wide and step back, "Sweet! Peter said you'd bring dessert."

You kick the snow off your boots before stepping inside. The stranger shuts the door behind you before any more of the cold could get in. "It's peppermint bark," you explain, returning a smile of your own, "but I hear May's making a cake."

"May and Peter. May's great with everything but the oven- don't tell her I said that. I'm Ned, by the way." Ned holds his hand out for a shake.

Ned is really talkative, you find out. He holds your peppermint bark as you undo your boots and coat at the door, rattling off about how Peter and he had been friends at Midtown. He tells you about his job as a cybersecurity specialist, a job he'd naturally floated toward after graduating from MIT, and how he'd stayed with the Parkers for a few months after moving back to New York. It's how he knows that the downstairs bathroom door won't close unless you lift up when you shut it. You only remember about half of what he says by the time you get to the living room.

There are considerably fewer people than you expected, one of which makes his way over the minute you catch his eye.

"Hey," Harry grins. Unlike the nice suit he'd worn to the gala, he's dressed down in jeans and an ugly sweater with "I've been naughty" printed in big letters across the front, looking a lot less tense than when you'd first seen him, "Fancy seeing you here."

"I could say the same." You can't help but ask, "Don't the Osborns host Christmas Eve at Oscorp tower every year?"

Harry's good mood fizzles out right before your eyes. You feel pretty awful about it. "Uh, yeah. Norman does. But it's more business than anything, so I dipped. I'd rather be here watching Pete fuck up a perfectly good cake."

"I heard that!" Peter's voice calls from a room away.

Harry's good mood returns, "Well, it's good to see you at the annual Parker holiday celebration. And I'll forgive you for poking into my family business if you hand over those treats."

Bashful, you let Ned pass the plate into your hands before passing it to Harry, "Sorry. Reporter brain."

Harry's nose scrunches up, "Don't apologize. Unless these taste like ass."

"I promise they taste better than ass."

"Good enough," he backs away, turning his head to shout down the hall, "Peter! Get in here already!"

When the redhead is immersed in a game of UNO, you turn to Ned, "And that doesn't... feel weird? Having Harry Osborn at family dinner?"

"There are weirder things about Peter. Speak of the devil."

The ugly sweater is the first thing you notice. A companion to Harry's, it is nearly the exact same design, except for the "I've been nice" where the "I've been naughty" had been. He's dusting his hands of something when he comes around the corner. His eyes soften when he sees you with Ned, "Hey, you came." He says in a much too gentle voice. Harry and his opponents nearly drown him out with their cheers and boos.

Unlike at the office party, you notice, Peter's hair isn't tamed by hat nor hair gel. Instead, it curls incessantly around his flushed cheeks. He looked like a damn Keebler elf. It was frustratingly adorable. "Of course. I heard there'd be cake."

"How is that cake, Peter?" Ned pulls on a piece of the ugly sweater as he walks by, and you realize that some of the red had been singed. You follow Peter's frantic gaze from the hole to you.

"This was unrelated to the cake."

"You burned something else?"

"No! One of the stockings fell into the fireplace and I-" Peter trails off as you begin to smile, "you don't get to laugh at me if you didn't bring sweets."

"I did! Harry stole them." You nod over to the coffee table where the group is devouring your peppermint bark with reckless abandon. At least you knew they didn't taste like ass. Peter rushes over to steal the plate before they could polish off the last handful, much to their protest.

"Dinner's almost ready, I swear. You've met Ned, uh, Harry..." Peter scans the group, using his free hand to point out people, "...that's Yolanda, Katie, Lexie, Eduardo: all May's friends. May's in the kitchen but I'd stay out of her way until the ham comes out unharmed."

You notice that out of everyone gathered in the house, he does not mention his ex-girlfriend. "And MJ?"

You wait for an answer. Instead, something heavy shakes the house from above. It doesn't sound like it came from outside, but rather somewhere in the house. Not quite above your head. Weirdly enough, only you seem to be concerned about it.

Peter just glances at the ceiling, "And MJ."

MJ is tossing an empty storage bin to the side when you crawl up through the floor behind Peter. She's crouched on the balls of her feet, shoulders slouched, the sharp bones of her back poking through her tight graphic tee. Her head snaps toward you both when she hears you grunt up the last rung of the ladder. Her eyes narrow on you, then Peter, "I can't find it."

Peter offers you a hand to hoist you further into the attic, "Did you check the-"

"Yes. And I checked the one next to it. And the one next to that."

You look at Peter for an explanation, but he doesn't provide you with one. He walks over to where MJ has now fallen back on her ass, rifling through one of the bins. His mouth twists to the side. "Maybe she meant the box next to her old CDs?"

"There's like 15 boxes in here, Peter."

Off to the side of the room, where MJ was currently facing the mysterious dilemma, were about nine—not 15—storage bins in disarray. Two were off to the side, emptied of their contents: there were piles of men's clothes, women's clothes, baby blankets, and more. The third box that MJ was poring over had Halloween decorations in it.

"Well, you're getting close." Peter encourages.

The way MJ grumbles resentfully has you squirming. As time ticked on, your presence unannounced, you were starting to feel like an intruder. You clear your throat and MJ looks over at you for the second time, "Maybe I could help?" You offer.

At this, MJ brightens. "Finally! Someone cares about my plight. I don't know you, do I?"

You crawl over to where MJ is sitting and Peter gestures to you, "MJ, I told you about the reporter from the Bugle, right?" You give your name for good measure, and MJ's eyebrows raise. She gives a quick, indecipherable look to Peter. He returns it. Then she examines you.

After a moment, she dusts her hand off on her khakis and holds it out for you to shake, "Michelle Jones. Call me MJ." You repeat her nickname warmly. "Peter never shuts up about you."

Peter chokes on his spit.

"He... he does?"

MJ continues shaking your hand for longer than necessary, smiling secretively now, "Oh, yeah. He's got your blog bookmarked too. Post notifs for your Twitter, the works." You cut your eyes to Peter, appalled that he'd ratted you out to someone else, but MJ is quick, "I figured it out on my own ages ago."

"Is it really that obvious it's me?"

"No." And she smiles wider.

Peter is about to cut in with something when a woman's voice rings out, shrill and clear despite two layers of flooring in between you. He's needed with the ham. He looks between you and MJ, reluctant, "Look, if you can't find it-"

"We will." MJ's reply is confident, leaving no room for failure. You feel a little pressure applied to "we".

Peter nods. He mouths an apology at you and skitters out of the attic.

Left alone with MJ, you notice that she is staring at you now. You feel like you've been left alone with an oracle, prepared for your innermost being to be laid bare before you: past, present, and future. She looks like the type to know what makes people tick.

"What are you looking for?" You try to break the silence, though your voice comes out meeker than you'd have liked.

She doesn't look away from you as her fingers grip the container in between her legs, "Uncle Ben's favorite Christmas sweater. All I know is it has a reindeer holding a beer on the front."

Reinbeer. You almost laugh at it. You imagine it would tickle an uncle pink too. "Then I'll get to looking."

You've only just crawled over to a bin of your own when MJ asks you outright, "You like Peter, right?"

Your hand stills as it pries the top off. You feel her eyes burning into your back. "He's... nice, yeah."

You can hear how unimpressed she is with that, "I don't know if it's obvious, but Peter isn't exactly popular." You think that's kind of a cruel thing to say about someone you consider a friend, but MJ keeps going, "All he had was Ned back at Midtown. And me, eventually. I've known him since high school and he's made maybe a handful of friends, maybe less. The last time he invited someone new to Christmas dinner was Harry."

And that had been at least a few years, judging by how long Harry had been away at Oxford.

But why was she telling you this?

"He likes you." You yelp when you realize MJ's voice has gotten close. You turn, and she's kneeling behind you with no interest in your fear. "But do you like him?"

In her hands is a faded, toy Iron Man mask. "I... I think he's nice. I mean kind," you correct yourself when MJ frowns, "but I... I don't really know him. I mean, I don't think I do. I've only actually spoken to him twice and one of those times, there was a gun involved. Everything I know about him is through his pictures and Spidey, and I trust Spidey. So, I trust Peter."

"And Spider-Man?"

"What?"

"Do you like Spider-Man?"

You swallow. Like didn't really sum up how you felt about him. He was a hero, an inspiration, a friend, and also... yeah, you felt something more there too.

You think about why she would ask. Why it would have anything to do with you liking Peter or not. You look at her and it feels like she hasn't really asked you that different of a question at all. Your answer is much more definitive this time, "I do. I like him more than I know what to do with."

MJ leans back on her haunches. She appraises you, "He's pretty great, isn't he?" Her tone is considerably softer.

"Yeah. He really is." You smile.

MJ hands the mask to you and you take it, admiring the chips in its paint and the lovingly worn edges. She scoots between you and the bin you'd been looking into and pops the lid off. Almost immediately, she swears in relief. Sitting folded on top is the most gaudy sweater you've ever seen. A deformed reindeer is embroidered on the front, and sure enough, holds a can of beer in its hoof. When MJ shakes it out, little specks of dust fly everywhere.

This, too, she hands to you. You look at her in bewilderment. "You'll wanna make a good first impression with May," she advises, "just be prepared for the water works."

And there are water works.

May throws her arms around your neck and just about sobs her thanks to you, squishing the sweater between your chests. You note that she smells like candy canes. When she draws back, her glasses are all askew, "And I'm so glad you could make it! Peter wouldn't shut up about you. Isn't that right, Petey?"

Peter's eye twitches. "I'm gonna set the table. Ned, you wanna set the table?" And he scoots past you and May without waiting for a response.

"Don't mind him, he gets testy when he's cooking. Did Petey give you the tour?" You shake your head and May kisses her teeth in Peter's direction, "Okay, this is the kitchen, around the corner here is the dining room. You've seen the living room and the attic. The bathroom is by the front door, and the bedrooms are upstairs. If someone's in the bathroom down here, do not use the bathroom by the stairs. That's Ned's favorite when he gets bubbly guts, and he will get bubbly guts."

Ned complains under his breath as he walks by.

"If you need somewhere to get away from the festivities for a bit, backyard's that way and my room's upstairs, first door to the left. All good?" She pets your shoulder. Then, she looks down at the sweater still in your hands and takes it from you, tenderly. "I'm gonna go change into this and then dinner is served. Help yourself to anything, okay?"

May leaves you in the kitchen with that. Around the corner, Peter and Ned are fussing over where to put the ham and sides. Around the other corner, Harry is drunkenly singing Christmas carols with Yolanda. MJ watches on from the corner of the room, recording on her phone. She catches your eye and mouths, "For blackmail."

You peek into the dining room and Peter is worrying over one of the chairs. You can hear Ned scold him, "Sit next to them. You don't wanna talk over the ham. It'll kill the mood."

"But how do I... subtly get them to sit in this chair and not next to MJ or something?"

"Tell MJ not to sit next to them."

"But what if-" You jolt a little when Peter suddenly spots you eavesdropping. He straightens up with a death grip on the chair he'd been messing with, "Hey! Hi. This is your chair by the way." And he tops it all off with a smile.

It's warm in May's home.

You don't even register the cold at first. You do register Harry's frenzy, the way he grabs far more napkins than he needs to, pressing them to your stomach where the majority of his spilled drink had gone. When you finally do comprehend what just happened, you place your hands over his, "How long have you been plotting your revenge?"

Harry is red-faced. He lets you hold the napkins there while May rushes to find a towel, "Sorry. I wasn't looking where I was- sorry."

You don't get to dwell on the déjà vu of it all. May is ushering you up the stairs with a beach towel pressed to your front, muttering about how she'll have to put Harry on ginger ale for the rest of the night. She guides you into what you're certain is Peter's old bedroom.

It's been cleaned out, and most of his personal belongings must be at his own place, but there are still old posters on the wall, and a calendar dated in April, two years ago. His bed is ruffled like he'd slept overnight. It's neat, and looks like it usually is neat, but there are traces of him everywhere, like picture frames with Peter and May and a man you don't recognize.

"Peter probably has something here you can wear. It's all stuff from college." She digs through the top drawer of his dresser, finally stopping on a sweatshirt with Empire State University in college block across the chest. "Here! You think this'll fit?"

She stretches it out and you nod, thankful, "Yeah, thank you so much, May."

She smiles, "Okay. Bathroom's across the hall if you need to wash off. I can run your shirt through a wash while you're here if you'd like. Just let me know, okay?"

May is, perhaps, the sweetest woman on earth. She leaves you with a thumbs up and shuts the door behind you, reminding you to lock it after she leaves.

Your shirt had absorbed most of the drink, and you're relatively unscathed besides some sticky residue. You wipe at your stomach with the towel she'd given you and slip Peter's sweater on. It feels... odd, wearing it. It smells like May's house with little traces of Peter.

Your eyes drift back to the picture frames.

One such frame sits on top of the dresser, a photo of Peter and the man who you assume is Uncle Ben. He holds Peter in a headlock but they're both smiling at the camera. You smile too, tracing a finger around the wooden edges.

Another picture is of Peter and MJ and Ned, standing outside of MIT with their fingers pointing at the school. Another is of Peter and MJ sharing cotton candy at Coney. Another is of Peter as a little boy, with two people flanking his side that you do not know. You realize you'd never asked about Peter's parents.

There are other photos of him around that age with May and Ben, and as you piece together what feels like an undoubtedly tragic story, you catch something outside the window.

A person. Hanging onto the side of the house.

Your heart hammers in your chest as a hand pushes the window up, and then, "Did I scare you?" Spider-Man perches on the sill with what you can imagine is a shit-eating grin.

You stomp over to the window and shove at his shoulder, but he doesn't budge in the slightest, "You almost gave me a heart attack! Were you watching me get dressed?"

The mask's eyes blow open, "What? No! I swear I just got here."

"Do you ever use the front door?"

"Not if I can help it," he crawls in, staying planted by the window, "don't tell me you're snooping through Parker's things."

"I was just... looking. At the pictures. And Harry Osborn spilled his drink all over me so I had to borrow Parker's shirt."

"Hm. ESU looks good on you."

You look up at Peter, who keeps his hands tucked behind his back, leaning against the wall by the window. "Aren't you gonna say hi to the party? Make Parker look cool?"

"Eventually. Maybe. Might just watch from afar."

"No, nuh-uh. You said you had holiday plans and that you were going to a party. That doesn't count if you're watching from afar."

Peter's head sways to the side, "I never said this was the party I was going to."

"Is there another?"

"Well... maybe. Maybe not."

"Peter-" You whine, but he cuts you off.

"I'm not a party guy! Sue me."

"Well, then Parker's got you beat two for two. Unless you're lying, since I haven't given up on my conspiracy theory."

Peter presses himself off the wall, sauntering toward you in a zig-zag. Your eyes follow him, back and forth, back and forth, until he's a step or two away. His hand reaches out to play with one of your sleeves, its seams resewn with mismatched thread, "Leaving a party as Peter Parker to come back as Spider-Man. Give Parker some credit. That's the kind of plan you come up with in high school."

You shrug, trying not to act like Peter playing with your sleeve wasn't giving you goosebumps. "You never know."

Peter nods, "Yeah, you're right. I mean, he was really excited to see you."

"Oh yeah?" You swallow.

"Yeah. Was kind of pathetic, actually."

Peter shoots a web at the ceiling and twists, catching the web between his feet so he could hang upside down. The suddenness makes you stumble back with a breathless laugh, "That's not a very nice thing to say about a friend."

"Weren't you the one who said he'd be shaking and crying if you yelled at him?"

You sigh, "I was... I was teasing you."

"Because I'm Peter Parker."

He says it matter of fact. You stare at him, "Yeah," you whisper, "that's right."

He pulls himself up the web until he's face to face with you, "Then that wouldn't be very nice to say to a friend, would it?"

"No, it wouldn't. If you were Peter Parker, I guess I'd have to apologize to you."

"Yeah? How?"

You breathe deep. Everyone is still laughing downstairs. You become hyper-aware of the fact that you hadn't locked the door. At any moment, someone could walk in and...

Peter waits, curious.

Your fingers trace the lines of his jaw, pressing into the fabric of his mask, feeling over the ridges where black lines broke red. You know what you want to do. And you also know that there is no going back if you do it.

Your fingers reach the place where the mask meets the rest of his suit. Hooking two fingers under the fabric, you pull.

Your fingernails trace over the curve of his Adam's apple as it bobs, over the jut of his chin. Peter's breath is heaving. One of his hands releases its grip on the web and you see it glide toward yours out of the corner of your eye. You just feel the skin of his bottom lip under your finger when you realize how this might look. What he might think you're trying to do.

Mask in hand, questions of his identity hanging in the air, your curiosity and his vulnerability. You release the mask, awash with worry. You want to get it out before there's any misunderstanding, but as your hand drifts back to yourself, his catches it. You would give anything to know what he's thinking right now.

Peter lets your fingers fall. Silently, he drags the mask over the tip of his nose and leaves it resting there. An invitation. "I trust you." He promises. And kisses you.

He has to stretch a little to reach you. You understand this and press closer, taking the back of his head in your hands and holding it steady for you, but you know you're trembling. You curse yourself for how much your body reacts to this, how uncool you must look, how you shake with all the excitement and terror of this. You kiss him and feel silly about how you claimed to know his lips so well before now. That was nothing.

This is everything. So many things. Each time you go back in for more, you lock away some new little detail about him.

Peter places a hand against your neck and tugs you even closer, but the momentum makes him swing a little bit so his nose bumps your chin. You're too stiff to laugh, but he does, "Sorry," his voice is raspy, "this looked cooler in my head."

You lean into him, dizzied, "Was this... did you plan for me to kiss you? When you got up there?"

"I've wanted to kiss you plenty of ways." Peter's admission is followed by a sigh. He presses a hand to your chest and nudges you back a step before he's dropping to his feet and advancing upon you once more, bumping you against the dresser as the picture frames rattle. Your fingers sneak under his mask at the back of his head so they can sink into his silky hair.

He probably kisses you a hundred more times after that. Every kiss you think might be the last, but then you feel a tug in your chest and go in for one more. An itch that no scratch can soothe.

Peter's mask starts to slip and you feel one of his hands leave your waist to fix it, but the warmth your fingers had snuggled into disappears and-

You keep your eyes screwed shut, "Peter." You gasp against his mouth. Your fingers twitch in his hair, finding no resistance.

"It's okay," he nudges your nose with his, still pressing kisses to the corner of your mouth, "it's okay."

"But-"

"Don't you wanna know if you were right?"

You squeak when his lips find the underside of your jaw, "I don't need- you don't need to-"

"You're always right," Peter interrupts you, kissing down your neck, "I was never fooling you. You're so smart, you know that?"

"Peter." You say his name with no real plans for it to do anything, letting your head fall back.

"Please." He says back. Urging.

You lift your head, heart hammering away, and meet the eyes of Peter Parker.

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