#playing on central servers

[pantspissedinreverse]

oh my fuckin god theres infighting on my goddamn 4v4 pass time team what the fuck do you mean you just learned about the official a few hours ago I PINGED ABOUT IT ON THE 8TH STOP ARGUING YOU GODDAMN MAN CHILDREN OR IM GONNA FUCKING KILL THIS TEAM RIGHT NOW

[noxtivagus]

the drk brainrot is so real i'm just rambling abt my thoughts on it again

[hexiva]

Roleplay Is Not Dead Nor Doth It Sleep

There's a post going around about how text-based, freeform roleplay is dead, and I was typing up a huge response to this, with an accompanying guide on how to find roleplayer in 2024, when I realized it might have a bigger reach if I made it its own post. So here's that guide.

I hesitate to say that there isn't a problem with the new format of social media making roleplay more difficult to find, but in the desire to make that point, the OP of the original post has left people with the idea that there's no way for them to get into freeform text roleplay in 2024. Which just isn't true! Here, look at all the ways.

Forums

The link to RPG-Directory to find roleplaying forums is a good start. Once you've found a forum RPG, even if you don't join, there's usually an 'advertising' section on that forum where other forum RPGs post their ads - this may help you to find forums that don't advertise on RPG-D.

Another really good forum to find roleplay on is Barbermonger. Barbermonger is focused on connecting people for one-on-one roleplays.

This last one's going to be weird, but it turns out that there are still people seeking roleplay on the Gaia Online forums after all these years. I think this is delightfully retro and then crowd there seems a little older than average. No pre-existing knowledge of Gaia required.

Tumblr

You can also find forum roleplay groups (as well as tumblr and Discord groups) right here on Tumblr. Usually, the thing to do is to use the search function - search for "[genre] rp" or "[fandom] rp" and sort by "latest." (If you sort by Top, you are likely to find dead RPs.) For example, here's fantasy rp, historical rp, and marvel rp. You can also try jcink rp, as most roleplay forums are hosted on Jcink these days, or discord rp, depending on your favored platform.

There are also tumblr blogs specifically dedicated to advertising roleplays. I'm not super familiar with these nowadays, but just in the process of searching those tags above, I found these:

Jcink Tinder

RPG Adverts

RPings

There are more, I just don't know them off the top of my head.

Reddit

Listen, don't run away, I swear it's good now - I swear Reddit is good now -

Reddit is a good place to find Discord roleplays. It's a little heavier on smut-only roleplays than other platforms mentioned here, but it's not impossible to find sexless, plot-based roleplay here either. Most ads are for one on one RP, but you can find groups mixed in here too. The big subreddits for text-based freeform RP seem to be:

r/DiscordRP

r/RoleplayPartnerSearch

r/roleplaying

r/Roleplay

Some of these have weird rules about what you can put in your ad, and I don't remember which ones, so read carefully and don't get discouraged if your ad is initially removed.

Discord

In 2024, Discord is by far the biggest and most popular platform for roleplay, and it has its own native roleplay advertising hubs. Here are a bunch:

roleplay partner hub

Rockin Roleplay

The Roleplay Garden

roleplay help

the roleplay connection

RP Central

Roleplay Central

Roleplay Hub

Barbermonger also has a Discord server

Roleplay Meets: Reborn

RP Hub

The Scribes Guild

DM Rp Village

cherry blossom! roleplay hub

DM-RP

Roleplay Round Table (21+)

The Historical Syndicate (specifically for historical roleplay)

The Roleplayer's Directory

If you can't find the Discord roleplay you want on here, you can also try Discord hub websites, like Disboard. These work similar to tumblr tags - search for [genre] rp or [fandom] rp.

Other

The original post specifically mentions that 'all the old "omegle but for role play" type websites died out ages ago'. This is mostly true, but not quite! There's still Rolechat. It's a little janky, but what it needs more than anything is a bigger user base. Their Discord server is also a good place to find one on one discord roleplay. It is, of course, free, but if you want to support its development, they have a patreon.

Please reblog this post, and add your own tips on how to find roleplay!

[hermitadaymay]

WELCOME TO HERMIT-A-DAY MAY 2024!

I'm thrilled to bring this challenge to you all for the second year in a row! Hermit-a-Day May is a challenge inspired by Hermitober, but with a twist: instead of theme prompts, we focus on a specific Hermit every day!

THE RULES: 1. Any type of fanwork is welcome so long as it features, or is otherwise inspired by, the Hermit of the day. 2. Tag #hermitaday to have your fanwork reblogged, or submit it directly to the blog (Please note that while I recognize the value of fanworks involving more mature themes, and they can certainly count toward challenge completion if you're keeping track for yourself, content on this blog will be kept "PG-13" so that all may enjoy.). 3. Fanworks for one Hermit posted after the day rolls over to another Hermit's day (per the US Central time zone) will be reblogged in a big queue in June. 4. I am not interested in seeing captions or tags in which you disparage your art/skills. We're all improving all the time. Be kind to yourselves.

WHY SHOULD I PARTICIPATE? To show love to every Hermit, from the most to least subscribed, from those who have been on the server from day one to those who only joined this season! And because challenges are fun! And because, this year, there's an extra dimension to the event: a fundraiser for Gamers Outreach, featuring art incentives by @rendiggitydog and @belmarzi.

GRAND TOTAL INCENTIVE: For every $150 we raise for Gamers Outreach, belmarzi will make 10 seconds' worth of animatic, featuring as many Hermits as she can fit into the time frame.

INDIVIDUAL DONATION INCENTIVE: For every $50 (formerly $65 - changed 5/3) you personally donate to the fundraiser during the month of May, Rae rendiggitydog will draw you a shaded flats commission of a Hermit of your choice.

WHO’S RUNNING THIS? Hi! My name is Luna! You can use she/her, he/him, ze/hir, or ro/ros/roseself pronouns for me. My main blog is @as-if-unreal. Yep, before you ask, it really is just me, but to be fair I've had a lot of help.

BONUS SUNDAY PROMPTS EXPLAINED UNDER THE CUT

TFC - May 5th While he may no longer be with us physically, TFC left behind him a legacy of quiet care and good humor, and Hermitcraft would not have been the same without him.

FRIENDS OF HERMITCRAFT - May 12th There are plenty of shows, podcasts, competitions, other servers, and more woven into the internet ecosystem around Hermitcraft, and plenty more people involved in them: just as a small number of examples, Season 9's Rift opened up to a whole server of Emperor friends, and there are always allies to be made in MCC and enemies to be made in the Life Series. Today is for celebrating all of those who, while they may not be Hermits themselves, exist and entertain in proximity to them.

FAVORITE "ALT" HERMIT - May 19th HoTGuY and Poultry-Man. Helsknight and Evil Xisuma. Renbob and - look, you get the idea. This server is full of theater kids ready to toss on an alternate skin and play into a brand new character at the drop of a hat. Who's your favorite?

GROUPS AND COLLABS - May 26th This month is all about one Hermit a day... but what we really love is when they interact with each other. What does your favorite duo or group of Hermits get up to together?

[prokopetz]

More inadvisable webcomic gimmicks:

Webcomic whose server sniffs your IP address and displays subtly different versions of each page based on your geographic location; the art is identical and the story in its broad strokes is consistent across all versions, but the dialogue gives very different impressions of certain central relationships between characters.

Purportedly autobiographical webcomic whose protagonist's life story consists of the plots of various popular science fiction and fantasy films, played out in reasonably complete detail, but interpreted through the lens of the "describe a film badly in order to make it sound as boring as possible" meme.

Webcomic which builds up a dedicated readership, then begins updating on an irregular schedule with frequent unpredictable delays, taking each page down after a few hours and deleting that page's source files, with the explicit goal of causing as much of the comic as possible to become lost media.

Garfield-style gag-a-day webcomic in which every strip consists of an identical tableau of two characters sitting on a couch, differing only in their dialogue and facial expressions; a separate, entirely unconnected ongoing story is related wordlessly and in miniature via the window visible behind the ostensible protagonists' heads.

Patron-supported webcomic with two separate entry-level tiers called "See the Comic Early" and "See the Comic Never". If you subscribe to the latter, the author blocks your IP address.

[mcyt-builds-contest]

Pandora"s Vault:

Contained : Dream, Tommyinnit, Ranboo, Technoblade, Connoreatpants

Series : DSMP

Propaganda : its so big. Its so so big. Look at a map of the dsmp. Its just a black void bigger than l'manburg was. You look at it and you just know it's something terrible. the obsidian walls, lava, the iron. It's just there. In the middle of the ocean. It does not fit in and its scary. the AMOUNT of redstone and functions it go is AMAZING. the only way to enter is through a portal that then leads u to the nether and has to be manually activated again by the warden. So to enter you literally NEED the wardens permission. All the bridges and all the door. It's so fucking cool man what can I say. The amount of security. the lore that happened inside pandora as well. Pandoras arc was the best arc of the whole of dream smp and I stand by that. There is so so much to unpack. Sam and Dream could have just built some shitty obsidian box and called it a prison, but no they made PANDORAS VAULT

The Prison of the Iron Crocodiles:

Contained : ForgeLabs, unsortedguy, okrobert

Series : Scenario SMP

Propaganda : A work of tactical mastery and raw function. Sean's team only had three people including himself, whereas every other kingdom had around 10 players. In order to even the playing field, Sean's plan essentially involved using the rules of the Scenario to their full potential -- players were not allowed to break blocks while in enemy territory, so anyone dropped into the pit trap contained in the castle's gates would be stuck and forced to drop their weapons and armor or risk being murdered by a very angry crocodile. Was a working prison for quite some time, including being used to hold one of the rival leaders and more than one of his people hostage for a good amount of time. It's probably not much to look at compared to some of the other builds here, but it made up one of the central tactical plot points of the entire GoT scenario. The ripple effect of this prison being built can't be understated -- its usage completely reshaped the political and tactical landscape of the server. ...I mean, Forge didn't win, but it still reshaped the way he lost. Also it was just a very cool tactic.

[apollos-boyfriend]

something about the way the qsmp plays with the concept of gender is. so near and dear to me. there's of course the fact that multiple characters are canonically trans, like juana, tilin, and leo, but also just the way gender is handled in general. slime calls mariana his wife and alternates between he/him and she/her for him. jaiden's been referred to as an uncle. bad's been referred to as an aunt. leo alternates between using male and female conjugation for foolish. a fairly central part of roier's character revolves around him having a drag persona. there's probably so much stuff that i'm missing and this isn't even going into how their approach to gender plays into and influences their approach to individual relationship dynamics (be they platonic, romantic, or sexual) and it's just. it's all so good and treated like a normal aspect of life instead of a deviation from the norm. i have so much for this goddamn server u guys

[faeiri-tft]

PLEASE do the toontown online rant i want it so badly

this post kinda got away from me, and by "got away from me" i mean this 3000 word toontown rant is Part One. there will be a Part Two to this later in which i actually talk about the fanservers i wanted to talk about. anyway let's go

toontown online (tto) was a children's mostly-turn-based subscription MMO released in 2003. after a few years of obviously being on life support, disney gave a one-month notice that tto (and several other games) would be closing on september 19th, 2013. on the same day the game closed, the fan-run server toontown rewritten (ttr) was announced (with multiple other fanservers/fangames/reimaginings being established since), and is a few months away from outliving the original game

see, one thing about tto that allowed fanservers to crop up so quickly and easily was that it had, um, interesting choices. very interesting choices. like, "kids could use a code injector to turn their backyards into giant mashed-together nightmarescapes"-level choices

(loose video description: a rabbit toon running around a chaotic mismash of rooms, obstacles, and npcs that Should Not Be There. audio caption: Evanescence's "Bring Me To Life".)

but ok let's talk about the actual game first.

toontown online (tto)

the game starts with you creating your player character - you can pick from eventually-9 species, a couple body types, and 2 dozen preset colors. the gender code is a spaghetti nightmare but you won't learn this until the fanservers come about so don't worry about it. you're then taken to the Toontorial, which explains maybe 20% of the game's mechanics before setting you loose into the main game

the toontorial also gives you the basic "plot", such as it is: Toontown is suddenly* under attack by a bunch of boring businessrobots called the Cogs. their goal is to turn toontown into a dreary gray featureless corporate hell; their business activities are so boring that they're physically painful to be around. luckily, they can't take a joke, so the toons have figured out how to defeat them: by playing pranks on them until they laugh so hard they Explode

*originally, the game installer had a little animation giving a backstory for the Cogs' creation. this was never referenced in game, removed pretty quickly, and i think even the devs kinda forgot it existed

that's...pretty much the whole story! in that context, your toon progresses through all of toontown, helping some mostly-pretty-interchangeable shopkeepers, reclaiming buildings from the cogs, eating ice cream, etc. occasionally, the cogs would Come Up With New Tricks (read: major content update) and the toons would Find A Way To Fight Back (read: same major content update). that was the closest thing to Plot, unless you count "the devs scheduled a bunch of invasions of high-tier cogs right before the game's closure". but...i doubt most the kids really expected a Plot. mickey mouse was there

the gameplay:

the Free Account

there were two...pretty different approaches to playing toontown online. when the game launched, there was a 3-day free trial to the entire game, after which you got kicked entirely until you subscribed. at some point, this was changed so that the first area, Toontown Central (TTC), was Always Free - you could do all of that area's quests/"taskline" and limited activities, indefinitely, and in theory this would make you beg your parents for the rest of the game

i have no idea if this actually got more subscriptions or not. from what i can tell it just spawned more warrior cats

(source)

there were. a Lot of warrior cats. there were some other social activities, too, such as Fashion Shows (with your limited range of clothes) and Begging Subscribed Players To Summon Cog Buildings To TTC and Getting Chat Banned. ...however, as one of the subscription kids i didn't really interact with this side of the game, so i'm not the best person to talk about it

2. the Paid Account

mmm look at those crisp clear graphics. hell yes

a subscription account gave you access to this whole map, along with all these areas' tasklines. to progress through the game, you must complete a variety of "ToonTasks" for the Toon Resistance (it's called that. their catchphrase is "Toons of the World, Unite!". you were giving disney money for this). these reward you by increasing your max health (your "Laff Points"), slowly unlocking more combat options, and sending you to different, higher-difficulty areas of toontown

some of these tasks were...longer than others. generally, though, they all boiled down to: "just go fight some cogs"

combat:

(source)

toontown battles are turn-based: the players use their attacks ("gags") first, and then any surviving cogs attack you with, usually, office equipment and puns thereof (unless the cog is e.g. a Loan Shark, in which case they can just fucking bite you). if you defeat a cog, it explodes; if the cog defeats you, you "go sad" and are sent back to the safety of the playground, lose your gag inventory, and can't leave until you heal.

early on, most your battles are 1v1, but later on almost everything is a multiplayer 4-ish-v-4.

an...interesting feature here in the game's early days was that you could only Type Your Own Words to someone who shared their "friend code" with you IRL. otherwise, you had to use this thing:

(source)

you had a set list of phrases you could string together, which generally covered most the things you wanted to say. but it could get frustrating when you wanted to have a real conversation with your toontown friends! so...as the source above mentions, people obviously found ways around the system. turns out that if you let players move objects around their houses, they will use that to Draw Letters and pass their friend code along regardless

eventually - before the warrior cats, of course - disney presumably realized this system was pretty goofy (🥁) , so the game got a real chat, albeit one that functioned on a very strict whitelist. my favorite is that it didn't let you type numbers, however you could just say won too tree for hive etc. like. disney i really don't know what to tell you. anyway

(isn't he charming)

cogs come in levels 1-12, with levels displayed above their heads, and as you'd expect their damage output and HP increase with their level. however, the game doesn't...actually show you cog HP? instead they have a little colored light on their chest that fades from green to red until they explode. you see numbers on all the damage you do, and you see your own HP/laff, but never the cogs'. also lategame cogs are Too Tall For You To See Their Level once they line up for battle (which isn't actually that bad but it's funny). there's a formula for HP per level, but it's never mentioned in-game. i guess someone can teach it to you but then you have to watch them type "a level tin cog has won tree too health" and is that really worth it

(as you can tell i just…don't get this. "my kid is practicing arithmetic with toontown!" - marketing angle expressly denied by god. the stealth edutainment was right there)

anyway! in theory, you have seven base combat options ("gag tracks"), which combine in a variety of ways:

toon-up, which restores your teammates' health;

trap, which does guaranteed high damage but only if someone uses lure;

lure, which stuns the cogs for a few turns and is the only way to make trap work

sound, which does low damage to every cog;

throw, which does medium-high-ish damage to one cog; multiple throws combined give percentage combo damage, and hitting a lured cog will also add percentage "knockback damage";

squirt, which is exactly like throw but less damage;

and drop, which does high damage but cannot hit lured cogs, and has low accuracy unless you hit the cog with something else first

each gag track has 6 levels, which you unlock by using that gag track a bunch. you can't carry as many of the high levels with you - i mean, putting one piano in your backpack makes perfect sense, but two is just silly, right

a few years into the game's lifespan, level 7s were added - these were huge AOE that you could regain with every 500 track EXP. there was also something called "organic gags" to promote the please-log-in-every-day gardening system

every player starts with throw and squirt, and throughout the game you slowly unlock four more gag tracks. your choices are permanent: once you have your six tracks, you're locked out of the seventh forever.

in theory, all of this opens up a huge variety of combat options!

in practice, the battle strategy looks something like this:

use sound

as mentioned, almost all of lategame will be 4v4 battles, which means sound will almost always outdamage everything on earth. you don't even need four foghorns (the highest normal sound gag) to break 200 AOE damage, and the highest health a cog EVER has is 200*. and two of the boss battles can reward you with gag restocks and heals that you can use mid-battle with no consequences (other than having to grind for those rewards a bunch). and failing THAT, you can just...ration your foghorns and take 2 turns to clear a set of cogs, interspersed with healing.

(*okay there was something called "v2.0 cogs" but they were...strange, and we just used sound anyway)

sure, once level 7s were added you could use those occasionally. and you could fall back on lure+throw if you didn't want to use your sound restocks. but even then, for most of tto's existence there was something called the "knockback bug" which. well. just look at it

(link for transcript. it's tvtropes sorry)

if you are a target-audience eight-year-old this translates to "lure + throw will only do enough damage if the cogs Feel like it." like it's really just insult to injury at this point. this was the result of One misplaced variable and was not fixed until the game closed

in the tto era, if you didn't have sound, you were kinda doomed to be kicked out of every fight forever

(bonus fun fact: there were Four entire battle themes and they were 40-second midi loops. let me out)

the bosses:

each of the four cog departments has a Boss Cog. to face off against them, you have to assemble a cog disguise and collect enough merits/stock options/whatever to be allowed into the boss's office.

(pictured: your convincing disguise)

when you enter, your disguise pops off due to Reasons, and you have to fight through...a bunch of waves of normal cogs. it's basically a really long normal battle. once the minions are dealt with, you have to, inexplicably, do a live-action battle against the boss themself:

(loose video description: four toons defeating the CFO by using magnet cranes to hit him in the face with safes for 32 seconds.)

the live-action rounds aren't supposed to go this quickly, but it's still...kinda strange? certain reoccurring game areas require Parkour, but there are no battles like this outside of the Four bosses. the CFO's room is the only place you see these cranes and they have A Lot Going On. the other 3 bosses have their own unique weird mechanics. before the first boss was added we neither had nor needed the ability to Jump. it's just weird

once you've defeated the boss, you're given a reward of varying usefulness (the best/most unbalanced reward type is Unites, which are a free heal or gag restock you can do inside or outside of battle. essentially lategame toons can simply choose not to die. riv2u etc.)

and, um. then you get some more merits/stock options/whatever and do it again. and again. and again. and again. and agai

the grind:

so the thing is that tto was a subscription mmo. every addition to the game had to be measured, above all, in terms of "how can we best get kids to beg their parents to give us money." this especially shows in the suit grind:

(source/source)

you have to defeat each boss 78 times in order to get all their laff points - and as you proceed, you have to defeat an increasing amount of cogs to even be allowed into the boss (although once you max you get in for free).

by far the easiest way is to run through the designated HQ facilities - basically, cog fights interspersed with some platforming or minigames. you only collect your merits/whatever at the Very End of the facility. the only way to increase what a facility gives you is if your last battle ends during an "invasion" - a timed period where One Specific Cog replaces all street cogs, usually summoned with boss rewards.

the sellbot HQ grind isn't so bad. bossbot HQ - the endest-game HQ - frequently requires you to do an hour-long facility and on six separate occasions you have to do seven of them. if the invasion ends before your final battle, you have to sit around until someone summons another. if you lose your internet connection because it's 2008, or if your parents make you come to dinner, or if hacking or the game's general bugginess cause a server reset because you're probably in the busiest district for the invasion bonus, you have spent that Entire Hour On Nothing. the CEO (bossbot cog boss) probably also takes an hour because you and your fellow players are 10

this shit, combined with laff points locked behind gardening (time-gated), racing and golfing (multiplayer minigames with absurd requirements), and fishing (RNG-based with some fish being absurdly rare. i watched my mom fish for one every day for a month), meant that maxing a toon took Years, if you managed it ever.

it wasn't, um. it wasn't good

ok so what else is wrong with this game:

i had "aged out of the game" (lol) by the early '10s, so i'm not the best person to do a writeup of the hacking/scripting situation of those days. that said, what i'm going to do is give you a few examples, and i want you to just...look at them

(source)

(source). early '10s youtube was funny i'm trying to decide if i miss it

(source). fun thing to note here is that other players had collision, so a swarm of t-posing toons could just barricade the gag shop if they wanted to

(video description: toon who has Replaced His Head Model With An Anime Logo throwing thousands of jellybeans at everyone) (cw mild flashing just in case? and also the feather headband accessory)

i should note that the Bring Me To Life vid i started with was client-side, meaning only the player could see their technicolor hellscape. this guy's face was server-side. i do Not Think you should be able to do that

(video description: a player demonstrating use of a bot to get into the nutty river district, followed by other players using it to go to different game areas)

the above video was posted on august 17th, 2013. if you don't want to watch an Unregistered Hypercam 3 recording at about 5 frames per second, what's going on here is:

the player goes to a specific location and says a specific speedchat phrase.

a bot toon teleports to their location and provides some prompts on how to use it

the player tells the bot, via speedchat, to teleport to the (currently closed from the outside) busiest district so the player can follow

these "taxi toons" were server-sided, persisted across server resets, were made by a future fanserver dev, had younger kids referring to them as a "glitch" as if this were something that could Accidentally Happen, and stayed functional until the game closed

like...a lot of the "hacking" was just baby's first script download. this one - afaict also created by the laughing man head guy - is like...the fact that after years of no substantial game updates, someone effectively programmed their own "QOL feature" (note: not actually good for the poor mid-00s server being turned into a clown car) into a silly disney MMO and it just fucking sat there for a year is just. it's just.

i don't know what this is. this is not Playing The Game Toontown Online. this is nothing. this is everything. there are comments from 2013 on some of these videos saying stuff like "hackers killed toontown", but your game cannot have this happen if it is not already dying

and, like...it was. i'm not sure how many moderators there were by this point, but at the very end of tto, the number of active devs was One. the original devteam recently brought this up at the 20th anniversary celebration: devs just...slowly started getting pulled from the game, one at a time. there were a few updates after bossbot HQ - Field Offices, which i've basically never heard anything good about in their tto form ever; the Silly Meter, a yearly event...thing whose main function was to add unskippable dancing-inanimate-object cutscenes to your street battles; Parties, which...yknow parties were okay actually. i accept parties. but they weren't exactly a Major Game Update like the ones that had come before. in 2011 we gained the ability to Wear Hats. in 2012 the test server got some actual QOL updates that never made it to the main game; the final test server update was some maintenance in february, and then nothing for 18 months. disney was not providing enough resources to address the scripting because disney was not providing enough resources to address toontown. imagine being the last dev standing on an MMO that was older than some of its players, was losing its business model to mobile gaming, and spent most of its life falling apart at the seams. just imagine it, for a second

it couldn't have kept going, not like this.

on august 20, 2013, the closing announcement came: we had a month left of toontown online. the test server shut immediately; subscription refunds went out, and the game became actually F2P for the month; the part of the announcement that went like "we're shifting our focus to other games!" made a bunch of twelve-year-olds hate club penguin as if club penguin wouldn't also close in a few years; all the holiday events went off at once; and...

there wasn't a "thanks for playing!" popup. everyone online just got kicked, all at once. it was finally over

hey wait.

[aroaceleovaldez]

hi

tyson's actor has been announced

thoughts on that? i remember you talking about tyson's down syndrome coding and the way there's a big chance of being portrayed in an ableist way

I already talked about my main thoughts on Tyson's casting [here] but in summary - yeah, no, confidence is not inspired right now. I had mentioned before that if they didn't cast an actor with down syndrome for Tyson I cannot see it going well no matter what, and given how s1 handled disability themes (aka erasing the majority of references to adhd/dyslexia and other disabilities, turning Sally into an autism speaks mom, etc) I doubt they're going to reference Tyson's down syndrome coding at all, which is disappointing on multiple levels.

A.) His entire character and the arcs relating to his character, particularly his relationship with Percy and Percy's character development in SoM are ALL surrounding Tyson having down syndrome and themes of grappling with ableism. SoM is supposed to be where we solidly establish Percy as a character who stands up for other marginalized kids, particularly other disabled kids, and if you remove Tyson's down syndrome then that entire aspect of the story goes up in smoke - which is a problem because disability themes are central and core to the entire series. You can't remove them without ruining the basis of the entire plot, because it's disability metaphors all the way down. If by some miracle they do try to keep his disability coding, the casting right now at all levels point to it turning out horribly - firstly they've cast an abled actor to play a disabled character - not cool! Especially given down syndrome is not usually an invisible disability - like I give leeway to adhd/dyslexic casting because it really doesn't affect anything at all. It'd be nice but ultimately nothing is different really - But something like this is significantly more important. Secondly, because we know from the casting call that they're keeping the "Tyson is 'actually' a little kid" (< actually part of his down syndrome coding - it's an outdated medical concept from the 2000s which is very ableist so already not looking great that they kept that) them casting a nearly 30 year old for a character who is supposed to be in Percy's grade (Percy being 13) just sounds like a horrible set-up for a very ableist portrayal.

B.) Based on how s1 went, recent books in the franchise, and this casting, the more likely route is they're going to erase Tyson's disability coding entirely and likely replace it with Tyson being a "himbo" character. I was talking with the TA server about this and apparently according to some of them Daniel Diemer in The Half Of It very much gave off the vibe that with his Tyson casting they're going to go the "himbo" route. Which would make sense given in like TOA, TSATS, and CoTG it seems like Rick learned what a "himbo" is and has been trying to shoehorn that character archetype into everything. Also in recent books Rick has just completely started erasing or ignoring disability themes, including applying ableist tropes to characters instead (Percy being a goofy lazy idiot who dislikes school, Nico being infantilized, Annabeth's disabilities basically being entirely erased, etc etc). Suffice to say it's not looking good I'm not happy about it! :T

Like, in all, I'm sure Daniel Diemer is a great actor. I'm not accusing him of being ableist or anything. (Now, Disney? maybe.) But I am really disappointed in this casting and there is literally no way Disney can justify it. Like, what, "he's tall and Tyson is supposed to be tall?" Character height has literally never been a factor for any other casting and it absolutely is not relevant at all for Tyson. The majority of casting so far has been blind casting (save for age for the most part) - why is it suddenly so important now for Tyson's height of all things? When there are SIGNIFICANTLY more important aspects of his character to be casting for? So far it seems the only casting they've actually paid attention to disability with is Hephaestus with Timothy Omundson, which is nice, but one out of A Lot is not great given this is the disability series! We really should not be getting this many abled actors playing disabled characters (and DEFINITELY not be getting this much erasure of disabled and disable-coded characters - Grover's muscular disease, lack of references to adhd/dyslexia, erasure of Percy's PTSD, etc. Chiron's disability being brought from coding to explicit is nice, but they couldn't be bothered to actually cast a disabled actor for it too? Honestly I wouldn't even mind some of the abled casting as much if they actually bothered to acknowledge the disability themes at all!). And this is a trend so far because Disney has also completely neglected casting plus-sized actors for plus-sized characters in the series (INCLUDING TYSON). It generally just reeks of Disney being afraid to cast anybody but able-bodied skinny actors as much as possible, or at the very least being completely unwilling to touch upon the disability themes of the series - which is stupid, given it's the entire basis of the series.

tl;dr: I have exactly zero faith in s2.

[dasha-aibo]

You guys are not discussing the recent Pentagon document leak enough

Not because it's important, but because it's HILARIOUS:

the leaker is a 21-yo Discord admin

ran a server called "thug shaker central" where they played Minecraft, posted racist meme, prayed and posted videos of shoting at the range

when he posted the top-secret info, nobody gave a shit, they just wanted to play more Minecraft

so he snuck the files into his mom's home and took photos of them on his bed and dining table

server member looked up to him like a cool uncle and "OG", very distraught, crying

just a day before his arrest he told his buddies that he's scared and has no idea what to do

he legit posted top secret government files in a Discord server and expected nobody to leak them, because they were his friends

nobody has any idea how he got the info, his clearance level is nowhere near high enough for this shit

[rou-luxe]

please elaborate on the grandpa clavis bc I don't know much about Alfons, so idk what to think about that 😭

hEHehEhhAaAaHAHA LET'S GO I HAVE PERMISSION TO GET THE IDEA OUT OF MY HEAD (cracks knuckles) I love them both

analysis under the cut spoilers for Clavis, light spoilers for Alfons

I kinda quit Alfons route early to go to the English server release because my brain is too lazy to translate everything 😭 so this is just from what I know about him. this is doomed to be inaccurate 💀

warning this gets off topic in some places because my analysis ideas carried me a bit too far because I love them

The central point is that they both use pleasurable experiences to ignore reality. Alfons focuses a LOT on the pleasure part of that, as seen from erm his lack of sleep and mentions it plenty in voicelines. Alfons also applies this philosophy to people other than himself. Alfons sometimes protects MC from uncomfortable realities, like the scene where he and Ellis kill someone, and uses his power to convince MC that it was just a play (Kate LOVES plays).

As seen from his profile, Alfons heavily resents pain of any sort. I already forgot when exactly (chapter 4 premium avatar challenge?), but at some point, MC is crying and he consoles them before you know- this is just an assumption, but I think he doesn't want any sort of emotional turmoil in those close to his heart. He keeps reassuring Elbert that he is much more beautiful than MC without hesitation. Not only is he making sure MC is safe and doesn't get in a horror-esque story (nervously looks at Elbert trailer), he's also making sure that Elbert doesn't get jealous to the point of performing taxidermy on a person... because the events leading up to that would hurt them both. This makes Alfons feel so kind and considerate ngl 😭

Clavis wants to be loved by all. The game sometimes describes him as "lonely" - this is likely because he was overshadowed by Chev as a kid, and because he felt so shaken by his mother's death that he needed attention from others to feel more complete. It also connects to his pranks. He wants to feel something, anything to pretend he's not dying inside. Whether the attention he gets is positive or negative, at least he feels something.

It's mentioned quite a lot in his path that the more pained / scared Clavis is feeling, the more he smiles. It's sort of his coping mechanism. By smiling, he can pretend everything is alright (HIS MOM 😭😭 I'M GONNA FUHGKING CRY SHE MUST'VE BEEN SO SWEET AND BEAUTIFUL AND Cybird I want to see his mom).

He also does somewhat force MC to be around him, but it's not in a Silvio way, it comes off more clingy to me. He's been left alone, abandoned so many times, that he can't bare the pain of loneliness anymore. And thus we get dragged to his breakfast parties. Another coping mechanism. Clavis gets to spend time with MC every morning, gets to cook for her (...it's the thought that counts) and terrorize a couple of his half-brothers... just to forget it all. Clavis even escapes from his prison cell just to see you, the light of his life. (I love him)

"Sylvatica" comes from the scientific name for "forget-me-not". This one is completely an assumption that seems rather unlikely, but perhaps like Clavis, Alfons wants to be remembered somehow.

I can't remember if this was legit or not because I've been scrolling through Tumblr too much but I remember seeing a post that went something like: "Alfons has MC sign (something) papers because after he dies, his curse will make him forgotten and he just wants something to prove that he loved MC" or something. (That post broke my heart so bad.) Is that why he's called a "phantom"?

In summary:

They both have their own ways of ignoring reality, and they are both up to trickery (especially when it comes to MC). Both endulge in enjoyment, it's part of their lifestyle. doesn't necessarily refer to seggs but it does sure sound like it

I'm not quite sure where Alfons' ignorance originates, but all Clavis wants is to be loved. Give him the love.

Okay onto the shorter sillier theories because my heart can't take this

Clavis' epithet is "The Pleasure-Loving Beast", and Alfons' is "The Hedonistic Thrill-Seeker".

Clavis likes tricks and teasing, and so does Alfons. Though Clavis does that MUCH more often.

They also act like they're fucking around but they actually know what they're doing.

They pretend to be worse than they are 😭 (omg shakespeare too... is that my type... 💀)

Others have made this remark before but Alfons feels like a darker Clavis + more unhinged

They both like to cook. And eat. And they both have stomachs of steel.

sword

They both have bad handwriting. Clavis is notorious for this, and Alfons says he has bad handwriting in the first letter of his path.

Fuck I forgot I had science homework due tomorrow

edit: I forgot another one they both are self-described "gentlemen" 😭😭

[dorims]

What kinks do u think Roman has?

I just know they’re weird (and I’d still be into them)

so if i have to be honest, ive never really thought about roman's kinks 🥲 HOWEVER you know how he shamed tom for swallowing back his cum after tabs sucked him off?? yeah he's definitely into that and you can't tell me otherwise.

and without further ado! a little brainstorm under the cut <3

tags. VERY SUGGESTIVE, MDNI, an overall masochistic vibe, degradation/praise, allusions to cheating, impact play, mentions of roman's low self-esteem

a/n. psa im not familiar with writing smut and if i gotta be honest im pretty vanilla myself so...do with that what you will LMFAO

masochism

hes a masochist, we been knew

its pretty much the central theme of these hcs too

degradation/praise

so definitely degradation bc its roman, cmon. but for some reason i cant help but think that he's really into being praised too?

could be wrong but i feel like he'd only let himself be praised after he's developed a solid bond with his partner, and it'd probably go from being degraded to a mix of degradation and praise to full praise in some occasions.

if theres not a smooth transition i feel like he would panic and shut himself out. like it feels too intimate or smth.

cuckolding (controversial)

i think he would like it bc it hurts. like his partner sleeping with someone else is kind of like a slap to the face

a situation that has him constantly thinking 'I'm not enough' and that kind of hurt i think he gets off on bc masochism <3

but thats only maybe with the condition he somehow gets the chance to prove to himself and to you that he is better than the person you're sleeping with

OR he's into 'pseudo-cuckolding' so he likes the idea that you COULD go and sleep with someone but you dont, kinda like what happened with grace and the server

SO MAYBE IM WRONG and he would actually hate this but you know, im trynna brainstorm

phone sex (is this even a kink?)

only the sound of your voice and his,

kinda like the romangerri situation LMFAO

because think about it, this way you dont have to actually see him. that would comfort him in some way because of his low self-esteem and self-image issues. that way you can picture anything you want and not be disappointed with the real thing, you know?

i also think that phone sex (or bathroom door sex????) would help him open up until he grows comfortable enough in the intimacy the two of you are building

love how this are supposed to be smut hcs yet im making them slightly angsty

impact play

i think this might be a little self-explanatory, but yes, getting hit in a sexual context turns him on

only when he is receiving ofc

dom/sub dynamics

he's a massive sub and no one can tell me otherwise

its literally on the show TT

ANYWAY, he's probably bratty at first but then just gives in to your every demand because he aims to please

still likes to get on your nerves though, like a lot and i think thats because even when he's been an annoying piece of shit in bed you still take care of him and that reinforces, in his head, that, sure he's being unbearable but that doesn't take away the fact that you care for him and love him, ya know?

also, he would probably call you mommy/daddy at first jokingly but the it kinda sticks??

freud would have a field day with roman roy

OOC BUT FUN TO THINK ABOUT: vanilla sex

hear me out, ik roman's character is pretty much the personification of the words 'kinky mf' but idk

i think vanilla sex would suit roman SOO much. i think for roman to reach the point of having sex with ANYONE there needs to be a established foundation of trust and respect and perhaps love too

and i know sex doesn't necessarily mean love, but we are talking about a man who's definition of love is pain - like love HAS to hurt for it to be love - and undoubtedly he would twist his perception of sex to fit that same definition of love because love is a branch of intimacy and so is sex, you feel me?

i just feel like it would show roman another side of intimacy. all gentle and kind and giggly sex and intimacy doesn't necessarily have to hurt for it to feel good.

like imagine just plain vanilla sex and its banter and laughter and quips and help me lol

vanilla sex and aftercare would solve all his problems, i said what i said /hj

[oddlyzephyrous]

Powerlessness, Control, and Community on the QSMP

Been in a sort of literary analysis mood lately, so here's a mess of some of my thoughts on the themes of the QSMP main story (and why, regardless of how frustrating we can find some events, i think they ultimately make sense in regards to the story currently being told)

Since the very beginning of the server, the central ideas of the story have been present. First of all, these people are TRAPPED here, by an organization that they know nearly nothing about and that seems to have near-godlike power over their lives and the island. The central conceit of the story of this server is that these people LACK CONTROL over their environment, over where they go, over what they do. ANOTHER ENTITY controls the very fabric of their environment. People are killed, punished, kidnapped, teleported around against their will. They're experimented on. Tortured. Drugged. Their day-to-day lives are their own- but they CAN'T LEAVE. Many of them didn't even choose to be here.

Quesadilla Island is a place of peace at first glance. But look deeper and it's a battlefield, and the participants of this battle are metaphorical giants. They're powerful to a reality-shaping degree. Their motives are obscure, lofty, mysterious. Their plans play with lives like pieces on a chessboard.

The Federation. The Resistance. The Codes. The Watcher and his Workers. Evil Cucurucho. All main-plot powers, with terrifying powers, mysterious origins, obscure plans, warped morality. Even in individual characters' lore, we have entities like this: Madagio, Rose, the Ender King, Bad's "old friends," et c.

Our characters and their children are ants on a battlefield of gods.

There is so much that is out of their control. They're pawns and playthings, there's powers far beyond them, things that they cannot understand. Of course they try and try and fail anyway. If you really want to kill an ant, there's little it can do about it.

But like ants, their greatest strength is community. It's each other. They make each other strong. They stand up to these massive threats as a community. When they gain another small victory, they share the joy. When, inevitably, they suffer another loss, they bear that loss TOGETHER. They all do what they can. They infiltrate, prepare, scheme. They do everything small people can against massive threats. They cannot win with brute strength, they HAVE to use other tactics.

Yes, the victories are small. They're few and far between. But against the insurmountable odds they face? They're miraculous. They're hard fought and won with blood and tears and LOVE.

The losses are massive. People die. They're traumatized. People are irreversibly changed. Of course it is this way. With these odds, in this situation, it's inevitable. But the losses are handled. The burdens are borne with blood and tears and love.

In the end, I think the QSMP is a story of people in a world of impossible odds, trapped and played with by entities that use them like pieces in a game. They're outmatched in every way. The only thing they have is community. They have each other. I think this is meant to be a slow, painful clawing forward for them. Pushing themselves as hard as they can to gain any inch of traction, any crumb of power. Fighting tooth and nail for knowledge, for peace for themselves and their children.

And in the end, I think they'll win. It think they'll make it. Because in the end, it's all about love. And the greatest power our islanders have is love. It'll be a long and bloody fight. There will be loss. But I think they'll make it.

[i-can-read-to-him]

The Wesper Fic Club's Author Spotlight is a post series that aims to feature two to three fic authors a month, randomly selected from a pool of names put forth on our server. The authors are then asked to answer three interview questions, select up to five of their fics for us to feature, and finally, recommend three fics by others in the fandom.

(Note: Our spotlighted fics are not limited to Wesper, though they tend to be a central pairing in most of our authors' featured works.)

This week, we are putting a spotlight on Ashlynn's writing!

Socials: @oneofthewednesdays (Tumblr) | oneofthewednesdays (AO3)

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Part One: Author Interview

Q: What’s something you haven’t written yet, but want to write in the future?

A:  So, one of my favorite series when I was in high school was The Mediator series by Meg Cabot. I was absolutely obsessed with the budding romance between Jesse and Suze. In fact, I used to write for the fandom back in my fanfiction.net days. Those early fics have been purged from the Internet as far as I can tell. Anyway, I want to write a Mediator AU for the Six of Crows fandom. Instead of zowa powers, Jesper can see dead people. These dead people may or may not include the ghost of his mother. In his first year at university, he ends up moving into a room in a building that used to be an inn back in the 1800s. Wylan is haunting his bedroom. (He was murdered en route to a music conservatory back in the day). Jesper decides to solve the mystery of Wylan’s murder, at first because he is annoyed by his ghostly roommate. He wants to force Wylan to move on so he can have his room to himself. But later Jesper begins to care about Wylan, even falling in love with him. If you have read The Mediator series, you already know how it is going to end…. Also, Paul Slater will be played by Kuwei Yul-Bo. If you know, you know.

Q: If you could travel anywhere in the Grishaverse, where would you go?

A: I would travel to Ketterdam to study at the university. I absolutely fell in love with the description in the book, with its crooked little alleyways filled with bookbinders and apothecaries. It reminds me so much of Oxford University in real life. I had the opportunity to conduct archival research at Oxford as a visiting scholar when I was in graduate school. During my two summers in England, I spent hours nestled in the Bodleian Library, surrounded by stacks of books. The design of the Boeksplein is basically the same, but with more interesting gargoyles. I am also about to begin my career as a university professor, so the University of Ketterdam just seems like a good fit… as long as gunfights don’t break out in the reading room.

Q: Apart from sight, what is your favourite of the senses to describe when writing?

A: I absolutely love writing with sound, especially words with subtle onomatopoeia. I love the rustle of leaves on a crisp autumn morning, and the murmur of the wind through the branches of a willow tree. I draw quite a bit of inspiration from Edgar Allan Poe here. When I was young, I fell in love with his description of a heartbeat in “The Tell-Tale Heart.” His poem “The Bells” is absolutely mesmerizing to me, and I borrow sounds from it all the time. Indeed, Poe talks quite a bit about the importance of sound in creating mood in one of his essays—“The Philosophy of Composition”—and it is something I think about quite a bit when I write. I love to use the ticking of clocks and the dripping of water to stretch silences. Finally, I absolutely love movies like the Quiet Place franchise because they are a study in soundscapes. In another life, I think it would have been really cool to become a foley artist in the film industry.

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Part Two: Selected Works

Sleep No More

Teen | 51.1K | Wesper Modern AU, NYC, Homelessness, Angst with a Happy Ending

Sleep No More is my love letter to New York City. In the opening scene, Wylan wakes up on the 7-train as it leaves the tunnel at Hunters Point Avenue. The glare flickers beneath his eyelids, making it impossible to sleep.  I took the same commute on the 7-train for several years when I was working out at a school in Queens. I would spend over an hour on the train, listening to Crooked Kingdom and other audiobooks on my commute. On one of those commutes, I started to consider the challenges Wylan would face as an unhoused teenager in the city. The story evolved from there to include alternating point-of-view chapters between Wylan and Jesper, and of course, some guest appearances from other crows, as they work together to outwit Jan Van Eck.

Musée des Beaux Arts

Teen | 24.6K | Gen with background Wesper, Kanej Friendship, Pre-Canon, Post-Canon, Ableism, Happy Ending

I wrote Musée des Beaux Arts during the Six of Crows Big Bang event back in 2022. I wanted to explore how Wylan and Kaz complement each other as character foils throughout the series. Therefore, the story includes alternating point-of-view chapters, starting with the Queen’s Lady Plague. The title comes from a poem of the same name by W.H. Auden, and I tried to incorporate themes from that poem throughout the story. The poem, in particular, discusses a Pieter Bruegel painting called Landscape with the Fall of Icarus. Therefore, artwork plays a central role throughout the narrative. Each chapter shares a title with a famous painting from the Dutch Golden Age. My favorite chapter is probably the third because I had so much fun writing Jesper. 

Sankta Margaretha and Other Tales Of Sorrow

Teen | 18.4K | Kanej  Hurt/Comfort, Family, Angst, Implied/Referenced Non-con

This was the first story that I ever wrote for the Six of Crows fandom, and it is easily my most popular fic. It follows Mama and Papa Ghafa on their journey to Ketterdam to reunite with their daughter. I had so much fun developing the unique narrative voices for both Mama Ghafa and Papa Ghafa. The Lives of the Saints features heavily in this fic as well. I fell in love with the story of Sankta Margaretha when I first read it, and I wanted to infuse as much of that mythos into the story as possible. It is, at its core, a story about faith and forgiveness. Plus, I got to write one of my favorite interactions between Papa Ghafa and Kaz Brekker. 

Escapology

Teen | 2.2K | Gen  Modern AU, Escape Rooms, Friendship, Humor

Escapology is such a self-indulgent little fic. I am an escape room enthusiast in real life. I have traveled to multiple cities with my friends to complete escape rooms. We have, to date, done thirty-nine rooms together as a team. I wanted to explore the chaotic energy of a Modern AU where the Crows work together to escape an Ice Court-themed escape room. Kuwei is their poor, exhausted gamemaster.  If we ever get our Six of Crows spin-off, I need Netflix to create an exclusive Ice Court escape room in real life. Can you imagine how fun it would be? 

Pas De Deaux 

Teen | 9.7K | Wesper Holidays, Healing, Mild Hurt/Comfort, Kissing, Post-Canon

I am so fond of this little fic, and not very many people have read it compared to some of the others, but I am not surprised because it was a winter fic that was published well after the winter holidays. It is heavily inspired by the Soldier Prince story in The Language of Thorns, which was in turn heavily inspired by The Nutcracker Suite. Wylan is struggling with less-than-happy memories during Nachtspel, and Jesper helps him make new memories. I started this story writing the kiss at the end, and then had to write nine thousand words to actually get to the kiss.

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Part Three: Author's Recs

Bright Morning Stars by endoftheworld 

Mature | 163.5K | Wesper Hunger Games Crossover, Canon Typical Violence, Rebellion

This is the second story in Now We Are All Chosen Ones. While I would encourage you to read the opening story in the series first, it can absolutely stand on its own as a self-contained story. Jesper has always known that he would be reaped for the Hunger Games. It was only a matter of time. Meanwhile, Wylan is the son of the president, and he begins to realize that he is being watched. Bright Morning Stars keeps you on the edge of your seat from start to finish, and I absolutely love how the author wove together Six of Crows and the Hunger Games. 

hybrid signal by pyrrhlc

Mature | 110K | Kanej with background Wesper, Helnik  Fairy Tale Curses, Haunted House, Monster Kaz, Hurt/Comfort

Written through the lens of a Beauty and the Beast AU, this is an absolutely gorgeous exploration of not only the love between Kaz and Inej, but also the meaning of forgiveness in all its forms. The worldbuilding is stunning, and I loved how the enchantment transformed each of the crows. There are tragic notes to it, of course, there is an eventual happy ending. 

crystal cut by twosoulsinonehome

Mature | 107K | Wesper Enemies to Lovers, Slow Burn, Figure Skating, Hurt/Comfort

I have reread this fic at least three times since the final chapter was posted in February. It is a figure skating AU. I know nothing about figure skating. However, I was absolutely entranced by the annoyances-to-lovers dynamic throughout the fic. Wylan is a figure skater. Jesper is his coach. Will they kill each other before the end of the season? Or will they kiss each other senseless instead? (Who am I kidding? You already know the answer to that question.)

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Please support our authors by commenting and leaving kudos on any stories of theirs you read and enjoy! Don't forget to also reblog this post and check back soon for our next author spotlight to come.

Interested in joining our server and getting to know our community? Feel free to request an invite via the @i-can-read-to-him ask box.

[zosonils]

phineas and ferb episode pieced together from a dream i had: that ducky momo game that candace played obsessively in one episode shuts down, because it’s an mmo for children and the year is no longer 2009. obviously candace is end of club penguin level devastated so phineas and ferb try to cheer her up by making their own version of the game, which because they’re phineas and ferb is like this massive hyper immersive augmented reality construct that spans the entirety of danville, and i guess there’s like a message in there about how their big extravagant approach to everything isn’t always the answer because while it’s sweet that they’re trying to make her feel better candace doesn’t want a new better ducky momo game, she just wants her crappy browser based ducky momo game back because it’s special to her. i didn’t dream the doof and perry b plot but i can see doofenshmirtz having a thematically relevant heartbreaking backstory about the mmo [Medieval MethOd acting] he used to play as a child for a fleeting moment of happiness being unceremoniously shut down when the drusselstinian government dropped flash compatibility [blinding each other with bright lights was a central mechanic that the game simply didn’t function without]. maybe he makes an inator to delete everyone else’s beloved mmos [perry the platypus can you please help me troubleshoot my inator all it does is shut down online roleplaying games for some reason] and that’s what wipes phineas and ferb’s elaborate ducky momo fan project out of existence. i also didn’t get an ending but i reckon it should end on like it turns out that baljeet backs up the entire internet every couple months just to be safe or something, so they actually have the source files for candace’s comfort baby game right there, so they set up a sort of ‘ducky momo rewritten’ server so that candace and people like her can come back to the game whenever they want. linda gets home and is like so what’s this about phineas and ferb remaking that computer game of yours and candace is too happy to even really care that she can’t bust them for turning danville into a virtual reality exhibit she’s just like look phineas and ferb got ducky MMOmo back on my computer post server shutdown see :) and turns her laptop to her and linda says well wasn’t that nice of them good on you boys. oh there you are perry, roll credits. they should be paying me for this

[forestfiresandfics]

Loyalty

Loyalty is of course a central motif in 3rd life, and if there is a theme to be plucked from the series, my guess is that it would relate to the concept of loyalty in one way or another. So it feels a natural thing to analyse. We see loyalty used as a motif throughout the series in two main ways, the loyalty shown within partnerships, and loyalty within alliances. Loyalty is tested, sometimes broken, but the faction war succeeds in separating the server into two distinct, loyal groups.

While before I’ve been simply referring to the various groups in 3rd life as “partnerships,” due to the fact that they are almost entirely pairs (desert duo, renchanting, flower husbands, and for most of the series, the crastle), as things get somewhat more complicated, I’m going to start referring to these groups (to take a term from my own fic) as factions. These factions are defined not by their members (as we see some of them are transient and malleable), but rather for the sake of clarity, by their bases. This allows us to consider independents like BigB alongside our more often discussed pairs, and it allows us to situate some of our more nomadic members like Impulse. “Alliances” for my purpose will be agreements made between factions, and “partnerships” are agreements within factions. 

One of the reasons Loyalty is discussed so often in 3rd life is the general adherence to it, and the notable exceptions. Ren and Martyn’s partnership is very strong, and often held as the pinnacle of loyalty, though more recent analysis suggests that the core may not have been as solid as it initially seemed. Loyalty also explicitly comes into debate in a number of different alliances, as people’s loyalties are unclear—usually Impulse and Tango as they explicitly play the field (actually I don’t remember if Impulse’s is explicit, but as I’ve mentioned in other posts, we can see how eager he is to get on everyone’s good side in the way that he runs off to go get scammed by Scar on purpose). Regardless, as the battle between the two alliances comes to a head, Impulse is forced to prove his loyalty to one side or another, and once he has, it is solid and unwavering. Exceptions of course mean betrayals, with Bdubs and Scar being the most notable betrayers. Our seemingly disloyal mole ends up being staunchly loyal, while our seemingly loyal faction leaders end up switching easily. 

As I’ve alluded to, loyalty between partners and loyalty between allies are both concepts that come up consistently throughout the series, but they seem to work differently. The demands of loyalty between partners or allies are different. Partnerships are established through contract, made explicit through the three red-green pairs. “Marriage” and “indenture” (they use the language of debt, though they don’t say the word indenture itself) are treated with the same seriousness as “fealty” to one’s lord. These are all different forms of contract, and while they all have different implications and requirements, loyalty is at the forefront of them all. These contracts between partners don’t break or even bend the entire time the war is going on, the one exception being when Dogwarts tried to turn Cleo against Bdubs and it worked…for like twenty seconds. 

Loyalty between alliances is a little less defined. Or rather, the expectations are only defined by one side. As we all know, 3rd life starts out establishing partnerships, then they start to reach out to form alliances, and in the end the series devolves into a war between two alliances that encompass the entire server. The red army, and …the unnamed alliance. Based on just the names alone, which do you think is the side that states their expectations explicitly? 

Dogwarts has specific requirements of those who join their alliance, largely centred on loyalty in the form of fealty. They are a kingdom, and the allied factions are lords. Those lords are expected to bend the knee, do whatever the king says, and fight for the kingdom’s sake. In exchange, the kingdom is expected to divvy out resources, protect their allied factions, and provide rewards. Basically, mediaeval knight rules. These terms are fine for those who join the alliance, but completely unthinkable for those who don’t. The flower husbands and the crastle in particular take offence to the one sided nature of it, and the inability to act independently. 

Meanwhile the desert alliance just asks for “friendship,” something Scar has been commodifying the entire season. If any terms are said, its that ‘I will help you if you’re in trouble and you’ll help me if I am.’ The lack of structure innate in the alliance draws in the groups that explicitly distrusted Dogwarts, but it also allowed them to pick up stragglers who are less invested, like Joel who they ended up poaching. 

Dogwarts required loyalty from the outset and demanded it in explicit terms. The desert alliance fostered it naturally, with the loyalty as an implicit agreement born from self preservation. The alliance was free, and to keep that freedom, you had to support the other members. In a way, the alliance offered their loyalty to one another by choice, rather than by requirement. Despite the differences in methodology, the explicit demands of loyalty vs the implicit offers, both sides prove extremely loyal. Aside from the revelation of a mole (who I claim is actually loyal throughout, though others may argue with me), every single alliance holds strong throughout the entire war. There is not a single instance of dissidence or desertion. In other words, both methods are equally effective at garnering loyalty between alliances. Our few exceptions to the general rule of loyalty happen within factions, against day-one partnerships, and the faction war is largely free of infighting. It’s as if everyone put aside the death game for a while to play war, and then remembered the rules afterwards. 

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