#please it's for my own good

[ssalballoon]

rot and ruin

this was heavily inspired by thatkorka's lovely fic! please check it out, it's such a good take on Gale's arc :')

[thirdtimed]

convex...? i find it quite simple really

[canisalbus]

I dunno if this is going to start some sort of trend that sweeps the tumblrscape... but I couldn't resist...

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[actual-changeling]

literally i need them to hug in season 3. i cant live without that neil please PLEASE i need them to hug for two minutes minimum full body arms wrapped swaying back and forth crying PLEASE NEIL PLEASE WHY ARE YOU RUNNING COME BACK

[azuries]

say goodbye as we dance with the devil tonight, dont you dare look at him in the eye

[the-nothing-maker]

When will gods let you rest

[sysig]

Good skeles, like you lots (Patreon)

[fantasykiri5]

They’re so bad(boys)!!

[rendevok]

twitter fluff requests! 💞

[aliceforeverr]

Can we talk about how in that scene where Luz dies, she doesn’t know what to say or do — she doesn’t evensay “bye” because it’s all so sudden — and it’s all too soon before she explodes into thousands of balls of light and everything is quiet except for the quiet, somber drifting music. What’s left of her sweeps through the Isles as it Belos continues overtaking it, and the lights pass by everyone she knows: Eda and King, her classmates, Willow, Gus, Hunter and Amity, and then Camilla, who sheds a tear despite still being a puppet. Finally it ends on Eda and King’s shocked faces and the Collector so confused as they realize they can’t fix or bring her back. As the music screeches to a halt, you realize that Luz is truly gone and then you think, “Now what?”

Truly one of THE most affecting parts of the episode. I mean, have the chills just writing this.

[mendingbone]

i keep seeing people in their late teens/early twenties having a "[X] content intended for younger audiences does not feel satisfying to me anymore but i don't know where to start to branch out into adult fiction" moment and i thought i would give some recommendations for adult fiction for my fellow creepy crawly queer people. all or at least a LOT of it will be on the darker and more fucked up side bc i primarily engage with horror and thriller media personally but feel free to add on with more or recommendations from other genres :)

edit: i am continuing to add to this list so there might be new recs (highlighted in pink) in here every once in a while! also want to add that there's a variety of POC, queer, and disabled authors in here as well, i am also all of the above (asian, bi/aro, poly, disabled) and tried to incorporate as many of their wickedly talented, compelling narratives as possible. that's all, happy reading!

A Certain Hunger, Chelsea G. Summers

A Darker Shade of Magic, V. E Schwab*

A Dowry of Blood, S.G Gibson

Animal, Lisa Taddeo*

A Ripple of Power and Promise, Jordan A. Day*

Bunny, Mona Awad*

Children of Blood and Bone, Tomi Adeyemi*

Cursed Bread, Sophie Mackintosh*

Dark Places, Gillian Flynn

Dead Girls Don't Say Sorry, Alex Ritany*

Drive Your Plow Over the Bones of the Dead, Olga Tokarczuk*

Eileen, Ottessa Moshfegh*

Fruiting Bodies, Kathryn Harlan*

Goddess of Filth, V. Castro*

Gone Girl, Gillian Flynn

House of Leaves, Mark Danielewski

If I Had Your Face, Frances Cha*

Iron Widow, Xiran Jay Zhao

Jackal, Erin E. Adams*

Juniper and Thorn, Ava Reid*

Kindred, Octavia Butler*

Manhunt, Gretchen Felker-Martin*

Mexican Gothic, Silvia Moreno-Garcia

Ninefox Gambit, Yoon Ha Lee*

Rabbits, Terry Miles*

Scorched Grace, Margot Douaihy*

Sharp Objects, Gillian Flynn

She is a Haunting, Trang Thahn Tran

Slewfoot, Brom*

Sorrowland, Rivers Soloman

Summer Sons, Lee Mandelo

Supper Club, Lara Williams*

The Centre, Ayesha Manazir Siddiqi*

The Change, Kirsten Miller

The Death of Jane Lawrence, Caitlin Starling*

The Dreamer Trilogy, Maggie Stiefvater

The Haunting of Hill House, Shirley Jackson

The Hollow Places, T. Kingfisher*

The Human Origins of Beatrice Porter, Soraya Palmer*

The Jasmine Throne, Tasha Suri

The Locked Tomb, Tamsyn Muir

The Luminous Dead, Caitlin Starling*

The Red Tree, Caitlin Kiernan*

The Unfamiliar Garden, Benjamin Percy*

Vicious, V. E Shwab

Wake, Siren, Nina MacLaughlin*

We Have Always Lived in the Castle, Shirley Jackson

What Moves the Dead, T. Kingfisher*

[rdr2gifs]

''the morning light, when it comes to me, it was there but I could not see''

Arthur’s life was profoundly shaped by his self-hatred, lack of self-worth and disbelief in the existence of kindness in a seemingly dark and cruel world.

I strongly disagree with the statement that Arthur only became a ‘’better’’ man after being diagnosed with tb. His struggle with his true/inner self is apparent as early as chapter one. ‘’You are not who you think you are, sir… which is lucky’’

He has lived a rough life, raised by criminals and surrounded by violence ever since he was born. It was installed in him early that his value lied within being a violent enforcer and he has lived this life since, knowing nothing else. As a highly aware person, Arthur's actions weight heavy on his soul. He accepts that his actions have consequences. He knows that a person who has caused so much suffering is not meant to have happiness in life. His way of life has caused him to believe that he is not worthy of love or redemption. He doesn’t want to believe that a person like him could be capable of any good. (a thing to note here is that imo, Arthur’s actions near his death weren’t attempts at redemption but rather a strong desire to do right and possibly be his true self.) This is why he keeps living as he does as it’s the only thing he’s ever known, it’s the thing that brings him profit, praise from the person he looks up to and he is already damned so he might as well continue living this life anyway.

The internal problem Arthur faces is that this violent, cruel way of life doesn’t align with what I’d call his true self/ideals. He is torn between the harsh reality he has known and an unconscious yearning for righteousness/love. To be able to carry on with his actions he must enforce certain ideals within himself, such as: I am bad, ugly, nasty, ignorant, mean etc. He also decides to see the dark side of reality, telling himself that the world is a grim dark place and this is just as things were meant to be. This is why he feels so uncomfortable being complimented for his good deeds, because a bad rotten person like him should not be able to do good. It breaks the image he has built for himself and he doesn’t want that happening. This can be seen a lot during the ‘’Money Lending and Other Sins’’ missions where he is unusually mean (even for his standards) to each of the debtors. Imo, he acts this way because he must truly convince himself of being a terrible man to be able to carry out a job which revolts him so badly. In the last debt collecting mission with J. John Weathers, it can be seen in his face/expressions how much he is struggling to put on a tough, uncaring, heartless act. He needs to maintain a ruthless persona to survive in the world he knows. He must convince himself of his own cruelty.

''Forgive me, but that's the problem. You don't know you.''

Contrary to Arthur’s beliefs, he is a naturally kind-hearted person who is unconsciously drawn towards kindness. And yes, even before he was diagnosed with tb. This can be seen in the people he respects the most and, in his willingness to help strangers (notice how he often does unnecessary acts of service for total strangers such as: carrying their things, holding out hands etc. even though they had already troubled him). Despite the life he has lived, Arthur does not enjoy violence, he does not enjoy hurting people. He doesn’t want to dominate over others. He thinks mostly about others and not about himself. This fact alone is very telling of his character.

He writes about Charles, a man who he truly respects: ‘’He’s a better man than me. He does not need to think to be good. It comes naturally to him, like right is deep within as opposed to this conflict between GOOD↔EVIL that rages within me.’’ A man who is not struggling with his inner self would not have written this. To me this clearly implies an inner desire to be a better man. He writes about his mentors: ‘’I love Dutch like a father, but in many ways, I love Hosea even more. He’s kind and fair and like a human being. Dutch is something else.’’ Clearly showing a preference for Hosea who is of a more gentle nature and shows genuine kindness. Unsurprisingly, these are the people who see through his dumb/though act and encourage him to drop it.

When he comes across Brother Dorkins for the first time, he writes: ‘’(he)was one of those innocent people who make you feel better about human beings and about yourself a little. Must be odd to see all that goodness in the world. Place always seemed dark and brutal to me.’’ Expressing how he does not see goodness in the world, implying lack of good examples/kindness/good experiences in his life. Yet, the monk leaves an impression and imo, this encounter (seeing genuine goodness) disrupts Arthur’s perception of what the world truly is. ‘’Just as evil begat evil your whole life long, so good may begat good’’ (what strengthens my belief in this, is the following, symbolic scene of Arthur realising the consequences of his actions right after picking up a crucifix. He was aware of them before sure, but is unable to truly ignore them now having seen it right in front of his eyes). If only Arthur was presented with more examples of goodness in his life.

''You have it in you... I can tell!''

His desire to do as much good as possible after realising he won’t live long is instant. This would not be the mindset of someone who did not already possess kindness in his heart. ‘’Know glory and forget about shame.’’ Arthur’s shame and self-loathing caused by his previous actions were what was holding him back from allowing kindness into his life. Knowing that he has limited time left has not made him into someone he wasn’t before. The diagnosis was a catalyst, allowing him to embrace that love/goodness truly does exist and accelerate the process of chipping away from the persona he has made for himself. This was a newfound understanding for him as in the past he was rejecting any notion of kindess. In himself and perhaps the whole existence of it. ‘’You keep hidden all that matters, even from yourself.’’

After being diagnosed, he writes: ‘’What kind of a man have I been? What kind of a man am I? What world is this we live in? A land of fury or a place of love? Am I being prepared for eternal damnation? Am I past any kind of saving? Is that all fairytales? Man ain’t got much good in him. I ain’t got no good in me… I don’t think and yet I see goodness. I see it. If not in me, in good folk. In Abigail and her love for Jack. In that silly monk. In Downes, I guess. Begging not for himself but for the poor, even though he was near starving himself. Maybe I don’t want salvation. Part of me has always longed for death.’’ This entry perfectly shows how deep Arthur’s self-loathing goes and just how much it has damaged him. As his journal allows a look into his true feelings, he truly does not see a single good thing about himself. He knew for a long time that the way he lives is detestable but he could not let go of it. Not because he didn’t want to, but because it’s all that he has ever known. He didn’t believe in anything else. This sudden acceptance of goodness has allowed him to see clearly, which was obscured from him before, and for the first time, enabled him to act free of past regrets for what is right.

⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪ ⊹ ࣪

Arthur’s redemption is not about becoming a good man. It is about finding the strength to change and recognise your true self despite a lifetime of self-loathing and breaking free from destructive beliefs of the past.

In Arthurian legends a stag is a symbol of the unending quest of spiritual knowledge/enligtenment

[turtleblogatlast]

I still think about how Leo’s ideal day out for the fam’s venture into the Hidden City was basically just an effort to get some rest and relaxation because boy does he never get that ever.

[engagemythrusters]

“Anakin Skywalker was the best Jedi” uh no that was Mace Windu. Mace was the best Jedi.

[iwritenarrativesandstuff]

On Kurapika's Self-Imposed Isolation

While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.

I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.

Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."

So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.

The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.

Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.

Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:

[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]

It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...

[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]

...and this...

[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]

...and this.

[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]

This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.

(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)

But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.

Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.

But Kurapika... doesn't come across as a naturally angry person to me at all.

He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness

[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]

...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.

And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.

[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]

Look at him! He's so bright! So happy!

...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?

[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]

Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.

I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.

And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.

[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]

Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.

[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]

[skiploom]