Yeah aha 👍This week along with last week were midterms too, which was fine up until my car decided to break down on me Sunday! Still recovering from all... that atm, so sorry for the lack of art from me! I promise I am still here and alive and well :)
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But you see, poptart is sprouts braincell... and sprout is poptarts braincell.... do you see the cycle? the dependence??? DID YOU TAKE POPTART? WHAT DID YOU DO WITH HIM.
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@domsakromsa08 WAA thANK YOU!!!!! I AM STILL IN SHOCK OVER ALL TEH FANART I GOT LAST UPDATE HAHA thank you for the addition! <3 <3
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Today I learned about the musical Into The Woods....
Haha theres so many interpretations for my username....
My username 'elliwoods' is just a play on the name Elwood, yknow like the blues brother! 'intotheelliwoods' I will admit.... I forget most of its origin but I think I was slightly inspired from the streamer inthelittlewood even though I dont even watch him pfft-
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@justletmereadmycomics @cavern-of-shenanigans aaaaah I am so so happy people liked that last update :) I have been planning it for ages! And sorry, no, I will not be paying for anyones therapy.....
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I am too biased for this question.....
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ranking ouat characters by how likely they are to lose a finger in a swordfight
preface: i'm gonna be poking fun at these funky little characters for fun, but i really appreciate how the show gives them distinct fighting styles!!! it both sets them apart both literally and by personality, as well as setting them up for interesting fights as different characters are pit up against different characters!!! that's really cool.
now, before i start, YES, a lot of things are gonna sound like an innuendo. get your laughs out about it now. if you make a dirty joke, i promise i will be in your walls <3
anyway, as i've mentioned in a previous post, my experience in swordfighting is in using wooden training sword , which weighs just under a kilo. i typically use this for the fancy, pretty looking stuff like patterns. in actual sparring, i'm using what's essentially a plastic pipe covered in foam which if i had to estimate weighs a quarter of a kilo MAX). a proper real metal sword, depending on the length, is gonna be somewhere just under or over a kilo. so contrary to all your fantasy novels or movies, you're not gonna pick up a sword and be like "oh shit that's heavy i can't even heft it up". you will very easily be able to pick up that sword. it only becomes heavy once you've done a lot of swinging it around, carried it for a while, etc. adrenaline can carry you through maybe the first three minutes, and then your exhaustion will hit you, and then you're gonna be carried by your own endurance primarily, but yes this does build strength so believe me when i say that all the ouat characters are canonically quite strong (but you didn't need me to tell you that lmao).
Last place: David
HIS SWORD THROW IS SO IMPRESSIVE. you will most likely end up very unarmed having missed the enemy and very at the mercy of your enemy who still has their sword. luckily for him IT WAS COOL AS FUCK that i won't be considering that a point of deduction, ESPECIALLY because he would have hit regina if she couldn't teleport.
now let me just say, his circle work??? very good indeed. he can take multiple enemies in a fight. he absolutely will NOT trip over his feet and get killed in that way.
now, i understand the flair for the dramatic in big, overarm swing type movements. i've got two concerns: first of all, how far he extends his arm when swinging his sword. he's opening himself to get his hand cut off, getting stabbed, etc. secondly, when you extend your hand that far and suddenly have to block a strike??? it's essentially the strength of your arm vs the strength of your opponent's ENTIRE body. you do NOT want that.
he also has a tendency to blend hand to hand combat with swordfighting, yikes. when swordfighting, a main advantage is your REACH and how much DISTANCE you're able to keep. david is essentially throwing all that away to get closer and throw in a couple elbows. he's gonna get himself very stabbed that way.
occasionally, he also does a big spinny thing and can i say PLEASE don't turn your back on your opponent you're ITCHING to get stabbed. interesting note: when he uses a two handed grip, he tends to swing like a baseball bat.
judgement: at best, he's lost a hand. at worst, he's dead.
Killian Jones
not even 0.5 seconds into his first fight with rumpelstiltskin, SIR WHAT WAS THAT WINDUP??? YOU'RE NOT THROWING A BASEBALL. after that he's got a decent fencing style. he keeps his free hand close to his body, where he doesn't risk it getting cut off. i'm concerned when he advances that he makes his stance TOO long. since this is a one on one fight, that's fine, but if he was fighting multiple people at once he would be taken out by being TRIPPED. that said it's still good that he advances and places pressure on his opponent. solid technique. HELP HE JUST DID THE WORST GLANCE EVER. rumpelstiltskin's sword was STILL UP and KILLIAN WAS ALREADY LOWERING HIS SWORD. THIS IS HOW YOU GET SLASHED IN THE CHEST. random wide swings???? i appreciate that he ACTUALLY aims for vital points, unlike literally everyone else on this damn show. killing someone pretty much stops YOU from getting killed, so his survival prospects have just increased despite everything.
killian has a GREAT ability to disarm his enemies. disarming your enemies = not being killed.
his movements in his fight with emma are ALL wide and dramatic. is he showing off???? i hate to say it but if YOU have a sword and someone is trying to tackle you, you should STAB them so that you don't risk losing your sword, impaling yourself, or your opponent getting your sword. horny bastard.
HE DID A DRAMATIC SPIN. JAIL. and wasting time gloating?? surefire way to give your opponent opportunities. he's lucky emma was never aiming for the kill to begin with, and was quite inexperienced.
we see VERY wide swings in the neverland arc too.
does not have a very strong stance when fighting blackbeard </3 killian being capable of using his hook to reinforce blocks by placing it down the edge of his blade is AMAZING. i don't know how to explain this, but when you're gripping the handle of your sword with two hands, you are pushing against a single point. when he holds the handle with one hand and braces the other end of the sword with his hook, the force is more evenly spread, making it stronger. the only way i can think of achieving that with two hands is by bracing against the flat of the blade, and by god i am NOT risking that EVEN tho it's just a plastic pipe covered in foam LMAO.
idc about the context you are absolutely NOT striking towards someone's feet. don't do that. very impractical, even if you're trying to force them to step somewhere.
anyway he's pretty decent at taking multiple opponents at a time, tho i do prefer charming's circle work.
judgement: this is so long BECAUSE HE'S SO DAMN INCONSISTENT. i noticed that past season 5 he gets back to being more consistent and fency. so i think it's during high emotional states when he starts going wide. unfortunately the big thing with fighting is you gotta be able to BALANCE your emotion or you're gonna slip up like hell. i REALLY wanted to rank him higher than i did (it was honestly very close between him and snow white) because like i mentioned, he doesn't hold back and has great disarming skills, however i find him too inconsistent to be reliable. catch him on a bad day (he has a lot of those) and he's sloppy. so yeah.
Snow White
she doesn't have as many swordfighting scenes as other characters, but she's quite promising. i won't fault her for kicks, even tho i personally wouldn't risk it, because she isn't getting up close and personal like an elbow would (looking at david). she has a tendency to get low, which like major no no. mega yikes. you lose all your reach with that. i'd like to commend her for being able to get BEHIND her enemies quite often. anytime you can manage to NOT be where your opponent is pointing their sword is a pretty good one. however she also likes to spin, and you know how i feel about that. she doesn't swing too dramatically (like the others before her on the list), and she tends to put more of her body behind her slashes and parries rather than using her arm to tank it all which i really appreciate. i also REALLY noticed her grip (in a good way). mainly because i couldn't watch her footwork. that goes hand in hand with my previous point, you gotta have a good grip to put your body behind in strikes. i would say her biggest risk is getting her hand chopped off, but otherwise i reckon she fares quite well.
Number 1: she's an icon, she's a legend, and she IS the moment
Emma Swan
really appreciate emma also managing the sword toss. anyway, tbf what i'm judging rn is one of her earliest swordfighting scenes GIRL DON'T DUCK UNDER A SWORD?? DON'T GET LOW FIRST OF ALL, AND SECONDLY IF YOU MISJUDGE YOU LOSE YOUR HEAD. please DODGE or PARRY or BLOCK. emma has the same big swinging problem as david. IF YOU LOSE YOUR SWORD DON'T GET CLOSER GET FURTHER. IDC HOW MUCH YOU WANT TO GET YOUR HANDS ON HOOK, THAT'S A GREAT WAY TO GET STABBED. then she CRAWLS (turning her back on her opponent) for her sword instead of JETTING IT. girl a sword is gonna do you no good when you're ON THE GROUND YOU CAN'T SWING OR STAB FOR SHIT. now if you pull up the clip and see her FIRST strike once she gets on her feet again, first of all: SHE WASN'T EVEN AIMING FOR ANY VITAL SPOT SHE SWUNG LIKE HALF A FOOT FROM HIS HEAD. secondly that grip is giving me second hand embarrassment. what is that.
next significant swordfight we see is with gold in season 4. her fencing-like stance?? cool. she is NOT leaving her torso or neck open to any stabbing whatsoever. she kept her free hand close to her body for a SIGNIFICANT portion of that fight which is AMAZING. homegirl is NOT risking her hand getting cut off. slay. also, when she's going for power, she has a two handed grip and puts her ENTIRE body behind the thrust. very impressed. she's also got GREAT footwork and she is putting PRESSURE on gold by advancing and pushing him back.
now, in her fights with gideon, she does a lot of very awkward and stiff two handed grip. girl PLEASE do not get lower to glance off, step to the SIDE. she falls back into big wide swings but she was going through something. i KNOW that's contradictory to what i said about killian, but EVERY other time she has powered through and this is the exception.
judgement: as much as i was making fun of her, we only see a few blunders most of which she was always going to survive because of how big a simp hook, not to mention those were within her first few DAYS of having a sword. she then went on to become who i think is the best swordfighter in the whole show, so emma clears all
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29/6 - valentino
11/7 - marc
both 'pecco doesn't have to prove that he earned those titles by beating the marc marquez' and 'pecco should embrace the challenge of testing himself against the marc marquez' are takes I fundamentally agree with, but of course there's still something fun about how it's basically mind games by proxy from these two. neither of them are wrong! but the contrast is still pleasing. it stems from their fundamentally oppositional relationships wrt pecco, where valentino functions as The Mentor and marc functions as The Rival. valentino is emphasising pecco's existing status in the sport by offering a reminder of the world championships he already has, in order to minimise the importance of next year's battle and the pressure on his protege. marc is emphasising the status imbalance between himself and pecco by offering a reminder of how marc has more titles than pecco, in order to heighten the importance of next year's battle and increase the pressure on his rival. the two statements end up mirroring each other quite nicely, right?
you see it in how valentino positions the battle as something that's been hyped as the press, as something that's more illusory than 'real', versus marc implicitly challenging pecco by saying pecco should surely be seeking to challenge him. valentino will not go so far as to suggest pecco will beat marc - all he's saying is the outcome does not reflect on the fact that pecco WAS already the strongest (past tense). valentino's removed from the action, he can't make any promises on behalf of another rider, he deliberately refrains from placing more pressure on pecco by engaging in any way with his chances of winning next year... whereas marc very much argue his own case, saying that he believes he will win at least one more title (which would most likely involve beating pecco). valentino says pecco doesn't need this challenge, whereas marc suggests pecco should want it. and more than that - what marc is saying the challenge isn't just facing marc on the same bike, it's the fact that pecco's team decided to put him there. that they invited marc into pecco's house. marc speaks of all that pecco has to lose, while valentino speaks of all that pecco cannot have taken away from him
I don't want to read too much into the phrasing here since I'm aware the translation may be imperfect... but valentino both explicitly ("he will have a very uncomfortable teammate") AND implicitly "[pecco] has everything he needs to keep up with [marc]") acknowledges just how big a challenge this will be. uncomfortable - not just because marc is hard to beat but because he is a bastard of a teammate. keep up - not even beat, because just matching marc isn't going to be easy. and marc isn't being shy either about how hard defeating him will be for pecco, pointing out they will be on equal machinery for the first time, that marc still has more titles, that pecco still hasn't shown he has what it takes to match marc under those circumstnaces. still, marc is coming for pecco because right now pecco's on top of the mountain - pecco is the one with the results, the momentum, the "mental stability" (jorge martin girl stand up)
I don't know. I'm really fond of how pecco has ended up being positioned between the two of them. pecco's unique narrative role is such that if anything, the marc/valentino axis is de-emphasised. it still matters, but it's very much the hypotenuse. this isn't just a continuation of an old feud, it's not just two legacies facing off or the title race or any of that - because it's pecco's legacy that's being litigated as much as anything else. pecco's primary objective is not protecting valentino's title count, and valentino's advisory role is centred around pecco's objectives rather than his own... his desires and hopes in that capacity are subservient to pecco's. marc isn't there primarily to match/overtake valentino, he's there to beat the current king in his own castle and to win titles for himself. they mirror each other and oppose each other... but ultimately, it's still pecco who currently sits at the centre of that triangle. he's the one who the other two are primarily focused on. quite a unique position, especially for a rider who has been so publicly wrestled with how he compares to those particular legends of the sport. quite the task ahead of him. quite the challenge
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Soulmates AU in which when your soulmate is in a situation that can result in their death you get to see through their eyes. Like, I don't know how to explain this- it kind of flashes between what you see and what your soulmate sees. You know those edits where there's a scene going on and there's another one faded in the background happening at the same time? Similar to that. The idea is that you get to see what your soulmate sees too, on top of what you're seeing.
Now, this AU but JeanMarco. With Marco asking the others where's Jean, just for him to start seeing a corpse right in front of his eyes not even a second after asking. Seeing through Jean's eyes as he's trying to get hold of that gear and stuff. And once Jean's safe, once it clicks that you know his best friend is his soulmate Marco can't wait for them to graduate so he can you know tell him that.
Then, you know. That happens. And Jean is so fucking confused because he keeps seeing Annie crying, looking down on him. Only when Annie starts getting off the gear, when his soulmate starts moving around trying to get away he starts panicking, starts moving around faster than before. And maybe he's too late. Or maybe he shows up in time and kills the titan. I don't know. That's not where I'm trying to get, but to the second option AKA Marco pulling an UNO reverse on Annie because he's a smart sneaky bastard like that and being like 'Hey you can't kill me, my soulmate will know it was you' which makes her stop trying to take off his gear. Reiner keeps telling her to do it, Bertholdt keeps yelling about that titan coming closer, but Annie... she has seen things, at some point. Flashes of moments that weren't hers, happening right in Trost- right in that moment. And she didn't give them too much thought until that moment, until it got confirmed that it has nothing to do with her titan powers.
'What do you mean by that?' she asks, because she needs to know more. Because she wants to know more. And Marco starts explaining how it works. Tells them that he has found his soulmate, that they will put all the blame on them for his death. Reiner doesn't believe him, keeps insisting that he's playing them around - he, and anyone born and raised on Marley, has never heard of something like that before, it doesn't exist - but Annie tells him to shut up and to let Marco go. Cue to the plot of any fic in which Marco doesn't straight up die after finding up their secret.
Anyway I don't know man, just,,, We need more soulmate aus for JeanMarco. That's an order.
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