#point is even if he is actually interested and he's just one of those 'i text if i have something to say to you' it doesn't change anything

[reidswhre]

notes 4 you ; spencer reid x fem!reader

warnings: fluff! best friends in love

You were gathering your things from your desk while wondering what you were going to have for dinner. You hadn’t left any food prepared, and honestly, you didn’t feel like cooking, but nothing that a food delivery couldn’t fix.

“Hi.” Spencer smiled at you from in front.

“Hey, you.” You smiled back while slinging your bag over your shoulder.

“Are you heading home?” He asked.

“Of course, I’m going home, where else would I go at this hour?” You teased him.

“Oh- I don’t know- I- well.” He rubbed the back of his neck. “I thought maybe you could come to my place, I’m making pasta.”

“Your place? Oh God, sure! I’d love to.”

“Really?”

“Of course!”

You used to go to Spencer’s place often, and he to yours. You’d have dinner, watch a movie or two, and talk a lot. You spent all day together at work, but given the tragic cases you dealt with, seeing each other outside of work felt peaceful, a nice atmosphere that you both created.

You liked him a lot, and you were sure he liked you too. There were always moments when everything felt tense or you sensed something stronger than friendship between you, but neither of you ever acted on it.

“I missed it here,” you said as you entered Spencer’s apartment.

“Did you?” He asked as he watched you head straight to his bookshelf.

“Are you kidding? I love this place; it’s so cozy, so interesting, so lovely, so… you.”

“Do you love me?” He gave you a playful look as he set the groceries on the table for dinner.

“Of course, I do, silly.” You rolled your eyes and picked up the book on the coffee table. “This one’s new.”

“Yeah—actually, all those piled over there are new.” He pointed to a stack of about five books to your right.

“Oh, can I borrow this one when you're done?” you asked, grabbing one from the pile.

“You can take any of them, really.” He gave you that closed-lip smile.

“Wait, you’ve read all five already? You said they were new!”

“I read fast.”

“Of course you do.” You rolled your eyes again, smiling as you skimmed through the book.

“By the way! I finished reading that book you recommended, your favorite, remember?”

You felt a wave of happiness wash over you. “You’re kidding! I didn’t even know you bought it! How exciting! What did you think?”

“It was pretty good, though I think the dialogues in the book show some deficiencies in terms of plausibility and conversational dynamics. This homogeneity in the discourse negatively affects the characterization and pacing, creating a sense of stagnation in the dramatic development.”

You were left speechless, which made you laugh a little.

“What’s so funny?” He furrowed his brows.

“You just severely criticized my favorite book!”

“I didn’t criticize it severely!” He defended himself. “I thought it was good! It has memorable lines, and it’s very romantic. I just think the dialogue could’ve been better, that’s all.”

“Sure, everyone’s entitled to their opinion, even if yours is wrong,” you teased.

“Hey!” Spencer feigned offense.

You laughed, and Spencer chuckled a little too.

“You can keep that one too.”

“No, no, don’t worry. I have that book in every edition that exists.” You laughed. “It’s my favorite for a reason.”

“Yeah, but—I thought you might want this one.” Spencer walked over to the bookshelf in front of you and pulled out the book from a drawer.

The book was filled with sticky notes. You glanced at it and saw it was covered with annotations everywhere.

“I—well—I made notes while reading because—I don’t know—I wanted to give it to you. I thought you’d like to see how I was doing as I read it.” He looked a bit nervous.

You looked at him and then back at the book. You were so surprised that no words came out of your mouth, which only made Spencer more anxious.

“No—you don’t have to keep it—It wasn’t my intention to make you feel like you had to read it, I didn’t even ask if you wanted it, I’m really sorry!”

“You’re sorry?” You raised your eyebrows. “Sorry for giving me the best gift anyone’s ever given me?” You smiled broadly.

“What? You want it?” He sighed in relief.

“Are you kidding? This is incredible.” You threw your arms around him in a hug. “I love it! I can’t wait to see what you wrote.” You pulled away from the hug to skim through the book.

“No! Don’t do that!” He placed his hands over the book so you couldn’t read it. “Read it at home, okay?”

“Why!? I want to read it now.” You laughed and moved the book out of his reach.

“The thing is, I—you know—I wrote a lot…” He looked away.

You gave him a knowing look. “Of course, that was the idea, wasn’t it? I’m well aware,” you said teasingly.

“Sure! But… I didn’t just write what I thought about the book.” He looked at you. “I highlighted and underlined things that reminded me of you, and… I wrote you a few things. Just—read it later, okay?”

Suddenly, you felt a bit nervous, your stomach flipping. What did he mean by writing you a few things?

“Oh sure… yeah—sorry.” You closed the book and tucked it under your arm.

“It’s okay! Forget it.” He smiled sweetly. “Help me with the pasta, yeah?”

You smiled back. “What?” You pretended to be offended. “I came here to be treated like a princess, not to get my hands dirty!”

“Stop complaining!” He teased you, and you laughed.

You returned home around midnight, hung up your jacket, and left your keys on the table. Eagerly, you pulled the book out of your bag and sat down on the couch to take a look.

You saw some of his notes.

What’s this supposed to be? This guy’s an idiot. >:(

Oh, that was sweet! Extra points for him!

She’s funny, just like you.

you and me :) It was next to a paragraph describing a black cat and an orange one playing around.

I’m reading this on the plane, and you’re asleep i miss you :(

I seriously hate this guy, who raised him!?

You looked really cute today. You’re always cute.

There were countless more notes, all in his handwriting.

You had no intention of sleeping until you finished reading them all.

[pygmi-says-hi]

writing tips - sick/poisoning fics

so since you guys ate up the injury thing like holy fuck 1.5k notes in 24 hours??? hello?? I thought I'd do a semi-related one about sickness.

disclaimer because you guys thoroughly reminded me of this: medicine is fucking weird and everybody reacts differently. this is blanket statement information, not the mayo clinic. idc that 'oh my cousin had that disease and he didn't have that symptom' okay whatever like sorry but that's not the point of this post. this is just to eliminate egregious mistakes. I'm not looking into every possible way this illness will show up. chill your tits. the comments on the last post were just like. dude. chill.

aurkay so.

poison-related illness.

okay poisoning is such a cool concept and there are literally so many cool effects it can have. Idk why everyone goes with the holy trinity of hallucinations, fainting and nausea. like yeah those are good but there are so many other things???

like internal bleeding. literally the best. I love it. It's slow but hella deadly and sometimes people can't even feel it/don't know what's happening. that's such a great option for whump or some angst. like they didn't know until it was too late. gold.

also - some poisons are not dissolvable in food or drink. Like certain medicines, they lose effectiveness if digested instead of injected intravenously. obviously you don't have to know that but if you wanna get into it, do a lil bit of research. could bring up some intriguing scenarios.

infection or sepsis

yoooo. sepsis is lowkey terrifying. infections are similar to actual illness but are caused because of an unsanitary wound. lots of interesting symptoms to browse here:

fever, cramps, fainting, hallucinations, dehydration, delirium, nausea, sores, sepsis, organ failure and on and on and on.

infection happens so fast too. like forget to change a bandage once and boom it could be infected. (is that a whump opportunity I hear...?)

sepsis is like the point of no return pretty much. Unless you've got crazy medical technology, sepsis is really really bad. basically, it's when the body overreacts and starts to damage its own tissue. leading to organ failure and then eventually death. spooky.

regular illness

this just means like a virus or something. a key point of viruses is an elevated temperature and dehydration; the body's primary responses. burn the bug out and dehydrate it.

depending on the illness, symptoms will vary. respiratory infections or viruses involve congestion, coughing, sore throats, a rattly breathing sound, and productive coughing (phlegm and mucus). Stomach illnesses include cramps, nausea, dehydration, dizziness, low blood sugar, weight loss, and diarrhea. these can overlap but mostly those are the groupings.

with fevers come achy joints and sensitive skin. fever is inflammation, like mild swelling everywhere because of how intense the antibody reaction is.

dehydration sets in really quick. really bad dehydration induces dizziness, nausea, diarrhea, delirium, lethargy, and fainting. great motivation for a whumper to possibly restrict whumpee's water intake...?

just some prompts! kinda low energy today sorry I haven't been posting, xox

[inchidentally]

Inch what is your opinion on this clip? https://www.tumblr.com/eightyonefour/762429464940527616/what-kind-of-guyteammate-is-oscar

It makes me sad that Lando isn’t able to find a lot of words to describe Osco ;-;

ohhh anon I know for most ppl this is all so boring and not interesting but the way excitable!nervous!shy!butextroverted!fidgety!sassy!emotional!squirmy!insecuresometimes!pleaseloveme!whydoyouhateme?!seeIknewyou'dloveme!creative!sexualconfidence!HORNY!travelstheworldintechnicolor!babyfever!workaholic!Lando exists against calm, placid, self-assured, does his job well,what's the point in doing less than his best, work life balance, lowkey, rational, good with kids but talks to them like adults Oscar makes me so emotional for god knows what reason ??? ;_;

but to Get Into It, I know this is the choppiest messiest compilation I've ever done but hopefully it'll be both self-explanatory and also go along well w my usual dissertation on something that has no real life importance for me but that makes me Feel Things

x x x

so the main thing with how Lando's stops for long periods to think and mull it over is for two reasons: one is that he hasn't done the usual PR aspect of his rs with Oscar the way he has with other drivers/teammates - and the other is that if he found Oscar dull or uninteresting then he wouldn't have had to sit and think aslfgsaljfgsajl. Lando's rly good with the media and honestly this answer would've been rly easy and quick if he could just say "yeah he's very fast and a good guy! hard worker and solid teammate!" bc it's not like anyone is expecting any more about a guy like Oscar anyway!

and with everyone else, Lando's got lots of anecdotes and jokes and shared activities as well as lots of experience interacting on camera in ways that give fans something to enjoy. it's not being disingenuous, it's just that they can easily tailor the friendship to be useful for publicity.

but !!! it's also the case of all of Lando's friends on the grid being extroverts as well as being great on camera. and Lando maybe could be seen as an extrovert but he's also naturally (self-confessed as well as confirmed by those closest to him) painfully shy and he relies on extroverts around him to help him out a lot. I got this ask that we don't even need proof of bc it's exactly how Lando is when he's alone among strangers or around huge crowds. same with when he has to do publicity stuff all alone the thinking silences stretch and he gets that upward inflection where he's trying very hard to see if the other person knows what he means??

and Osc is very much not an extrovert and while he likes the odd shared activity, he has said he prefers quiet conversation in small groups away from public places. so literally ! the ways he and Lando are compatible are simply in enjoying spending time together and being extremely low pressure friends who don't like the publicity aspect encroaching on that.

so how do you describe someone to a stranger if they're just quietly a good, reliable person who you like and work well with ?? Oscar himself needs a fair amount of prodding and encouragement to describe himself, let alone Lando being asked to do it !!

which I think is why landoscar has actually had this strong resonance for a lot of us who have those kinds of friendships or love those kinds of people - you can only see it and get to know it by observing it and knowing it in a way yourself. the way Oscar stares at Lando and does his little self-assigned duties to Lando and the way Lando watches Oscar in that wide-eyed trusting way and lets his brattiness out bc Oscar will always find it endearing. none of that makes for snappy PR content but if you get the vibes then it's so so sooooooo sweet ;__;

it's also why their dynamic lends itself so much to fic authors bc you've got a strong foundation of their authentic dynamic since they can't/don't fake it or play it up, from which you can put them in any scenario or any roles and they just… write themselves! not in a sense that the author isn't putting the work in as a writer skfgalsfg but the strongest thread among landoscar fic is that dynamic always coming through so consistently (even in the more challenging dark fic or out there AUs) the classics I can think of first off are playdate by debrief, that one from work can come over on monday night by higgsbosonblues and q&a by corsi

the common development of how Oscar is so blatantly changed by Lando in ways that seem either superficial or purely practical so that Lando ends up initially missing out on the depth of what that means - and misinterpreting Oscar not changing emotionally for him as disinterest. only to find that when someone who is solid and reliable and knows who they are decides they love you, they show it by changing their life for you and not changing themselves for you.

and that irl considering that Oscar always says how important it is for his relationship with Lily that he spend time with her that isn't connected to his career/life's passion, it's clear that he considers that to be proof of how much he cares. so all of the little ways Oscar bends and adapts and fulfills Lando's practical needs are ways for him to say "I value you" "I make you a priority in my life" "I want to fit you into my life" "I am willing to give up something/change something for you"

like idk how much Lando realizes the significance of those things and that's how I interpret him spending a very long time mulling and thinking rather than just getting past the answer in a neat, succinct way. bc Max F is a very emotionally intelligent guy and very capable of expressing his feelings, all of the guys on the grid are varying levels of emotional awareness/intelligence but they all have the same regular expectation of using their words to express how they feel about friends, and ofc the people surrounding Lando for the past ten years are highly attenuated to his needs. Oscar stands out as this very very different person to what he's used to!

and lastly, there's the whole gentleness and communicating through their kitten smiles and their ways of getting lost on a random subject - they're just such a quiet, gentle introverted dynamic. there's this moment after Japan last year waiting for a train, as well as this moment from Vegas where the crowd is singing happy birthday to Lando that I think are like, poetic levels of how their shyness/introversion fully matches up. bc neither of them feels easy or comfortable actually interacting with the crowd, so they keep looking to each other and smiling for comfort and reassurance. if another driver from the grid were around they could probably rely on him to brazen out the situation, but these two kittens just find solidarity in each other to get through!

so a lot of what makes landoscar a flop for bromance-only ppl is what a lot of us love about it <3<3<3 like I love a good bromance and self-aware PR ships too but landoscar made me want to get an f1blr and write insane pointless dissertations about them so shrug emoji !!

[thechillsquid]

Hillbilly/Blind Eyes Au

More ramblings cause I’m trying to figure out how to write the actual fic out for the dumb au

Mostly with the kids visiting over the summer and how McGucket is also their sorta gruncle Fidds cause him and Stan have a queerplatonic thing going on by that point and Fiddleford actually somewhat knows what to do with kids though he’s still absolutely unhinged but to a slight degree towards the right

Like McGucket has the memory gun around, he just basically doesn’t use it really cause 1. Bill can and has dragged memories back up after he’s tried to erase them in the past 2. He has somewhat of a support thing with Stan

So he’s still got his senses it’s just the fact Stan has lowkey helped corrupt this man’s morals and with Bill constantly asking ‘aren’t you tired of being nice? Don’t you just want to go apeshit?’ eventually the answer became ‘you know what? Maybe I do want to apeshit’

And then there’s Bill, who at that point is dating Fiddleford and has been hit with several realizations about himself over the past 30 years, has kinda sorta lost interest in the destroying the earth thing because he just wants to see what chaos Stan and McGucket get up to, and maybe actually enjoys having somewhat of a family again

And all three of these idiots are trying to still fix this portal without anyone finding out, Bill’s lowkey taken over the shapeshifter’s body/kinda ejected its mind/kinda killed it and is just waltzing about however he pleases (sometimes as a ‘total normal human guy,’ a goat, or whatever other forms he thinks would be fun/convenient) until the portal opens and he’s able to actually physically manifest/they find where the hell Ford went

Ford is going to be thrown for a fucking whirlwind but also I just kinda realized that Bill is also a sorta the kids gruncle cause he’s dating Fidds and him and Stan con people together (though those twos relationship is more platonic than anything)

So like these kids have Stan, Bill, and Fidds; only two of these people know what children need to survive and one of them isn’t even human, Fidds and Bill talk in codes or weird languages sometimes and the kids are just left wondering wtf is going on

Also now that I’m thinking of it more, Bill taking over the shapeshifter’s body offers so much chaos, espically whenever he forgets about playing his part and the kids are like ‘did… did you just blink sideways…?’ and everyone is just like ‘no’ and it’s so clear they’re lying but also it’s so stupid

Anywho yeah, so you got Stan and his boyfriend and this is his boyfriend’s boyfriend who helps him steal cars sometimes

HA, I need to draw more of these idiots

[haveyouseenthisskeleton]

this ask may sound dumb but can i have the main 10 reacting to their crush with a fixation with bones? i have one of those life sized plastic skeletons and my brain always itches to study the structure of the human skeleton lmao 💀

Like, i KNOW that i’d be absolutely fascinated with the brothers and would probably ask to look at their bones or something 😭

anyways, i love your writing and i hope ya have a great day/night!

Undertale Sans - He doesn't mind. He's laying in bed, snoring, and lets you do whatever you want with his bones. He might even actually like that. You swear you heard something similar to a purr escape his throat for a moment.

Undertale Papyrus - He stays very still with his big googly eyes every time you have a sudden interest in one of his bones. He's still bewildered about what you're even doing but you seem to like it. A lot. So he guesses it's a good thing?

Underswap Sans - Um... Personal place? Please? Blue keeps trying to push you away, but somehow you never get the message and come back. He would gladly appreciate you not randomly poking his bones, it's starting to get a little weird.

Underswap Papyrus - He's always flushing when you do that, but he doesn't push you back either. Honey loves being touched and tickled and will never say no to a weird bones-touching session where he gets to be cuddled while you're looking for... Whatever you're looking for. That's fine by him!

Underfell Sans - He got really concerned the day you proudly said you were starting a plastic skeleton collection and started bringing home random naked skeletons to hand everywhere, but now that's just creepy. He's not one of your plastic skeletons, the hell do you want with his bones? He might reluctantly give you his arm if you insist a lot to see if it's enough to satisfy you, but that's all.

Underfell Papyrus - He stands really still as you're turning around him. He gives you concerned side eyes from time to time as you randomly poke his ribs, but he's not moving an inch. He said he would let you check his bones only one time, after you insisted a lot. But he's not going to make it easy for you. He growls if you look too long at the same spot.

Horrortale Sans - He doesn't mind. The only problem is that he's so happy to have attention he keeps bumping his head into yours, so you don't see his bones a lot. He's also purring like a tractor, which prevents you from focusing too much. He's accidentally impossible to study.

Horrortale Papyrus - He's very uncomfortable with that and won't hesitate to tell you he doesn't like it. Willow doesn't like when people are staring at him, or at his bones for all that matters. He's too uncomfortable with how he looks for that. Please give him some personal space.

Swapfell Sans - You think you can fool him? He watches your human movies! He knows those weird thrillers where a nice human starts doing strange things and then just straight-up kills their partner in their sleep. First, you collect bones, then study him, and then, bam! You're breaking all of his bones to do weird experiments on him or something. Stay away from him! If he catches you staring too long, he will bite you.

Swapfell Papyrus - You're so confused. Every time you check his bones, you swear some bones were not here before. Rus keeps adding fake bones to his bones just to see your face twitch in confusion. You're his favorite TV show.

Fellswap Gold Sans - He slaps your hand away every time you're trying to poke at his bones. You tried to surprise him. A lot. He's impossible to surprise, to the point you're wondering if he can see behind his head. You're so frustrated. So close yet so far...

Fellswap Gold Papyrus - He lets you check him if you let him check you. He's curious too! Well... You just didn't expect Coffee to randomly sniff you from head to toe, but, uh, that's how he wants to do it apparently.

[too-many-hyperfixations]

Transformers One Megatron Character Analysis

The movie calls him something else for a lot of its runtime. I’m calling him Megatron because that’s what we know him as and it’s cooler. Spoilers for the movie and a TON of paragraphs ahead.

Megatron’s arc in Transformers One isn’t primarily about betraying Optimus, it’s about his trust in authority is shattered and how that affects all other forms of trust for him.

We meet Megatron in this movie before he believes himself on the level of the primes and thus not having taken up the name of one. This movie is Optimus’ movie, as most transformers movies are, so we have to encounter Meg through him. Meg’s first time speaking his own mind rather than just covering for Orion is on the train shortly after his initial onscreen appearance, where he chided Orion for breaking into the archives yet a g a i n. The reason he does this is interesting to me though!

See, Megatron doesn’t just point out that it’s dangerous because this isn’t the first time security has chased him down, he says it’s an unnecessary risk. Meg cares as much about the source of the planet’s energon being revitalized as anyone else, but he wholeheartedly believes that their leader is not just looking in the right area in the first place, but that he is fully capable of wrenching free the matrix from the forces that be on the surface! Mind you that these are forces he nor anybody else can verify. Only Sentinel and his personal cabinet (who have everything to gain from keeping their mouths shut) have ever actually BEEN up there!

For all the faults of Orion in this movie before the consequences of his actions force him to discover what it takes to become a dependable leader, Orion forces Meg out of his comfort zone in the ways he has to be to grow as a person! This is what leads to Megatron getting into the race, which is the first time we see Meg having to make split second decisions, and doing really well at it! The two nearly get first by a close margin!

The next time that Orion manages to talk Meg into a situation outside of his comfort zone is when he gets them to go all the way to the surface, and even explore there, instead of going home! Meg’s journey on the surface marks the first time he really starts making choices for himself, because although he has a friend he trusts enough to follow the decisions of with him, there’s no authority up here with him. Sure, his former manager is there, but she was demoted earlier and he followed Orion’s judgement over hers even then. Megatron is now making decisions as part of a group in a situation with nobody qualified to give orders. Even when a sudden mountain formation starts taking out the tracks, listening to Bee and running is a conscious decision made in the moment rather than one made because he does this every day this is what you do. He can make decisions in a split second for himself, he's done it with hiding Orion in his cart, but never without the safety net of someone to defer to. When the quintessons are scanning, Meg is at equal standing in the group with their discussion agreeing that those ARE quintesson ships and then helping decide their course of action about the danger. This all comes to a head in the cave, when Megatron, loyal Megatron finds out his life is a lie. His own words on his LIFE BEING A LIE! The minute he fully processes that this information is real and what it means, he goes into a pretty brutal explanation of how he wants to kill Sentinel! This doesn't just break his trust in authority, however, he starts questioning if he can trust ANYONE he's meant to trust! He takes the capsule of proof the original prime gave them partly because he doesn't trust others with it, and partly because he now has a need to be the one in control, including over how that crucial information gets used. If he can't trust the person whose integrity is the most important for their entire society, can he even trust his friends? By the time they reach the Old Guard, Meg has already decided that the answer to that question is no. Even while running over Sentinel with a TRAIN, Optimus is set on using the power of broadcasting and entrusting truth with the people to do the right thing with it! Megatron believes Starscream's philosophy even before he's told the words of it, the strongest bot gets all the power. His trials out here have been those of combat as well, that have fortified his mind, made him worthy! The problem isn't in the system, it's in this one specific person who needs an example made of him for all time! "The rebirth of Cybertron cannot begin with an execution!" Says Optimus. To Megatron, it was always the only way. The strongest bot deserves all the power.

[suzukiblu]

WIP excerpt: come on barbie let's go party. (( chrono || non-chrono ))

“There’s something I think might be interesting to try,” Tim says musingly, and Bart and Cassie glance towards him curiously, and Kon–hesitates, a little, and bites the inside of his cheek. 

“What’s ‘something’?” he asks, trying not to sound–weird or guarded or . . . whatever, he guesses. He could use some direction, personally, so–yeah. And Tim’s the plan guy, so–yeah. 

“We could play dress-up,” Tim replies casually, tapping the collar of his cape. Kon . . . blinks. 

“Ooo,” Bart says, and Cassie hums consideringly and strokes a finger across Kon’s chest. He–swallows, again. 

“Seriously?” he asks, trying to sound–normal, or whatever. “Dress-up? You already got me in the glittery one-piece, man, it’s not like there’s even anything else here to–” 

Bart blurs, and lightning crackles, and then he sharpens back into focus with his arms full of shopping bags and a bright, broad grin, looking so pleased with himself. 

“Got it!” he chirps, holding the bags up proudly. Kon stares at them. There is, very notably, a toy store logo on literally every single one. 

“. . . Bart,” he says slowly. “The fuck is in all those?” 

“Dress-up stuff and whatever,” Bart says reasonably, and then dumps basically all the bags onto the table into a friggin’ avalanche of assorted doll clothes and accessories. Kon puts his hands over his face and just . . . sighs. 

Of fucking course Bart would just go raid a fucking toy store for, like, supplies for whatever weird kinky thing Tim is thinking about right now. Like–obviously he would. But also–

“Bart,” Kon says in exasperation, gesturing pointedly at the pile. “Most of those are girl clothes.” 

“So?” Bart says. 

“So I’m not a girl!” Kon says. 

“You’re literally already wearing a girl’s clothes,” Bart says, wrinkling his nose at him like he thinks he’s the one being–what, weird or something, Kon doesn't know. “Also there were way more girl clothes and they were all way cuter too.”

“I’m not cute, Bart!” Kon says in exasperation, scowling back at him. 

“I didn’t actually say you were that time,” Bart points out, and Kon flushes.

[leviismybby]

Here’s my confession

I strongly believe that Levi has crooked teeth. At least the lower ones. I mean, having such a deficient diet during childhood plus being trapped in fights as well, he at least received one punch on the face. Those things affected his teeth development. Maybe it’s an insecurity of him,even to the point to be the reason why he doesn’t smile often. My poor baby :”( although I think it would look pretty cute somehow aaah

Imagined catching the slightest of a smile of him when he forgot to hide it, noticing his pretty crooked teeth. I’m being delusional pff

But well, this is more like a headcanon of mine. Just want to share it haha

Have a nice day dear <3

Hi anon! :))

This is an interesting one, I can actually kind of see it haha. It makes sense also since you already pointed out how he had a though childhood, actually surprised that none of his teeth are missing.

Give me your aot confessions, it could be about any character or any topic. 🫡

[beevean]

So some recent... discourse put into my mind the concept of "power fantasy", and how people relate to it in different ways. Of course, I'm talking about Hector :P

Is Hector, in the games, a power fantasy? I think the answer is "yes but actually no but actually yes it's complicated".

Let's be honest, first: Hector is a product of his time. He is, in many aspects, Castlevania's response to the wave of edginess that was en vogue in the mid-2000s - I don't compare CoD to ShTH for no reason lol. Hector was always meant to be an anti-hero contrasting the pure heroes the games always starred before him:

—Why did you choose the theme of "revenge" for this game? Iga: Up to now, the Belmonts have been seen as the good guys. I thought it'd be nice to do something other than a moralistic "good triumps over evil" theme sometime. After all, Castlevania has always had an excellent world for telling a "dark hero" story. Alucard would be one such character… though even he is fighting for a just cause: "I've got to stop my Father!" So he's still kind of a good guy. This time, though, I wanted the motivation itself to be impure. So this theme is what I came up with, and then I thought it would be even more interesting if each side was out for revenge on the other.

Hector has "impure" motivations. His quest is completely selfish: while all the other protagonists want to face Dracula (or others in his place) because it's the right thing to do, Hector is just in to kill the man who ruined his life. In fact, he really couldn't care less about the Curse, and multiple times in the game he asks why can't Trevor just deal with the issues he doesn't want to deal with lol. This is in line with other characters of the same caliber, such as Shadow sneering at a city being invaded by aliens until there is something in for him, or Guts who declares that he's willing to let a whole town fall prey to demons, as long as Casca is safe. However, this is not a detriment to Hector's character like it would be nowadays, as he's also very much mean to be "cool": while obviously every protagonist has his cool factor, even going back to Simon in the first games who defeated Dracula all by himself and then had to heroically struggle with the Curse, Hector is cool in that, well, deliciously over-the-top way that was all the rage back then. He can ride wyverns as he slashes them, he can go toe to toe with Trevor himself to the point that even he is impressed, he can forge a gun and an electric guitar, cutscenes show him punching a stone devil with his bare first, he gloats in Dracula's face that he can nullify his Curse... yeah, he's a gigachad lol. The flaws are only meant to make him cooler and not "boring", as paragon heroes were seen at the time.

I, personally, never cared about this part. I'm not the target audience for this kind of power fantasy. Sure, I like that Hector is over-the-top cool and I will always joke about his most outlandish feats, but I'm not so keen on reducing him to those alone. I couldn't even explain why avenging your dead lover counts as part of a power fantasy lol.

This is why I latched on so much on the first half of his story, the one where Hector deals with Dracula, and why I insist that Hector is much more than his admittedly cliché archetype of "angry man on a revenge quest".

Calling Hector "stoic" is not even knowing the meaning of the word. Calling pretty much any CV protagonist "stoic" is factually wrong, as even the more serious ones like Alucard and Shanoa have other depths to them (Alucard is still grieving for his mother and we see it in a nightmare, Shanoa was deliberately made stoic and she subtly longs to feel again), but Hector doesn't even begin to fit the definition of "One who is seemingly indifferent to or unaffected by joy, grief, pleasure, or pain". The whole point of CoD is that Hector was left so emotionally vulnerable by his grief that both Isaac and Zead used him as a puppet. Anger is the complete antithesis of stoicism. "well anger is still a toxically masculine emotion" - memes aside, Hector shows other emotions too, most notably around Julia, the only person with which we see how actually gentle and polite he is when he doesn't have Dracula's influence scrambling his brain. By the way, you cannot ignore the effects of the Curse on both Hector and Isaac when you analyze them, especially the former:

It can't be plainer than this.

And it doesn't come out of nowhere, because not only Julia herself tries to warn Hector that Devil Forgemasters are susceptible to the Curse, he acts vulnerable around her. He apologizes for his unjust outbursts, sympathizes with her plight, is visibly affected by her grief when Isaac dies... sure, it might be all because he's lowkey crushing on her, if you want to see it that way (and I do have my words over the plot point of Julia looking like Rosaly: I would have preferred if the game had more time to show that Hector grew to see Julia as her own person beyond her appearance), but the point is that this behavior highly contrasts with how angry and aggressive he is to everyone else, which the reveal of the Curse recontextualizes.

Also, just saying, while anger can be toxic, the point of these storylines is usually precisely that revenge is bad. Unchecked anger is bad for you, and you shouldn't let yourself fall down that spiral, lest you lose yourself. Isaac got consumed by his own hatred and died as a tool; Hector realized in time that he should snap out of it and survives, also because he was nice to Julia and so she grew to care about him and saved him when he tried to kill himself <- a reaction that is very unmasculine, might I add, as toxic masculinity dictates that men should make other people pay for their pain. bro. bro this is the complete antithesis of "toxic masculinity". Again, this is really not knowing the meaning of the word.

I don't even need to pull examples from the manga, but just for completion's sake:

iunno about you chief, but someone who bursts into tears just because wifey told him that she's happy he was born isn't exactly the portrayal of toxic masculinity to me.

Which makes me segue into the next point!

Hector and Isaac are victims of abuse, and this is another very important angle to understand them. And I'm not just talking about their childhoods, of which we only get hints, although of course it does matter that the two experienced so much hatred and rejection in their youth that Dracula was the better option for them.

We don't see the details, but Dracula affected both of them deeply. He put them in a competitive dynamic, favoring Hector over Isaac: Isaac grew bitter with resentment, which made him double down on his loyalty to Dracula, while Hector only got the appreciation he craved at the price of his very humanity and morals, which weighed on him. The point of this favoritism is not really the core of their rivalry in game, as that one was caused by Hector's betrayal, but it gives a different dimension to the character. It would have been easy to have the mistreated guy the one who decided to turn his back to Dracula, but no, it was the golden child. Isaac was so entrenched in this dynamic that he never broke free, choosing instead to blame Hector and do everything in his power to prove himself to an uncaring Lord, including (in the manga) killing his own underlings so that he would be free to face Hector by himself. From PtR:

"My own body is proof of Your expectations for him" is such a hard-hitting line. Isaac fears that he didn't even disappoint his Lord, because his Lord didn't have expectations for him in the first place. It's Hector the one he's so proud of.

And Hector hates it. By all means, he should be happy to have a home, to be respected and appreciated and free to use his powers. And he used to be!

"Lord Dracula... You once accepted and needed my powers. There was a time when such a thing gave me joy..."

Hector was grateful for his Lord, but he couldn't live anymore in the safety of the castle, if the price was committing indiscriminate murder for the sake of a senseless revenge, going against his morals and being used as a weapon. Hector had to make a choice: keep living under Lord Dracula's protection, but losing his humanity piece by piece, or breaking free and facing the world that hated him, but as a free man?

Hector chose freedom over conditional safety and love. He was ready to die, as long as he died a free man. He put himself first, he turned his back against people who did not truly appreciate him, and despite the mess he left behind it was the right decision. And that's the power fantasy I adore, and that is what makes him a strong character in my opinion. It's the embodiment of achieving self-confidence, the healthy selfishness, the affirmation of the self when everyone else around you only sees you as an object or a prize, the reassurance that even if you fall, you can always get up and try again and become a person you can be proud of.

And Hector, after breaking free, very much acts like a victim of abuse. I spent countless words over how he displays the belief that he needs to do something to earn the right to be loved by Rosaly, unaccepting of the fact that she simply does because, well, he likes him and sees the good in him, and that's it. I wrote a whole analysis on how this belief stems from a sad naiveté on how the world works, because Hector is naive underneath the aloof exterior, and it's not something to make fun of him for, but a tragic result of living under Dracula for so long. I'll also point again to him having breakdowns because he hates himself and sees himself as inherently unlovable.

I could also spend all the words about the parallels about how Hector loves Dracula and how he loves Rosaly:

In both cases, he latches onto the only person who has showed him a modicum of kindness. He wants to give his life for them. The difference being, of course, that Dracula only appreciates Hector for what he does (and I could also go into a whole tangent on how Hector was personally raised by Dracula to be his knight and he has a piece of his essence inside him which parallels how abusive parents see their children as an extension of themselves), while Rosaly for who he is. With Dracula, Hector understands that all the shallow care in the world doesn't matter if he isn't also respected as a person: he still cares about him, in some fashion, but not the point of clinging.

And if Hector is ready to lay down his life for Rosaly because she finally showed him what real love looks like, is it any wonder that seeing her die would spark such a fury in him that it makes him prey to the Curse and to being once again twisted into a tool?

The power fantasy comes from the part where Hector breaks free of the abuse and manipulation - twice over. But he is also relatable, with all of his flaws, weaknesses, and mistakes he makes. The whole point of Hector's journey in the first half of his story is that he feels the need to atone for his sins, and the consequences of his actions all catch up to him in the worst of ways. Ignoring this to reduce Hector to an edgelord who only spends his life angry and then hooks up with a Rosaly replacement (which incidentally also ignores Julia's personality and agency and I might even call as misogynist as the plot point itself) is a huge disservice to the thought and care put into him to make him stand out from his own archetype.

Power fantasies are not inherently bad. Depending on the fantasy, they can be inspirational. Hector is inspirational to me, if that wasn't clear, I see part of me in his circumstances and I admire his arc: it tells you, "you can break free too, you have the strength to do so, and you will find people who will love you without reason". And I just generally speaking find him a very well written character despite stemming from a rather outdated context, because all the details come together to make him fleshed out and tridimensional.

[armandposting]

Thoughts on madeleine saying louis is afraid to say he loves armand even though we’ve seen him say it on screen previously? Ive seen people saying its bc the love madeleine was sensing was actually for lestat bc he was on louis mind and that’s fine ig but… personally I think its MORE interesting if louis could only say it to armand before bc he didnt mean it before. But now he really is falling in love with armand and he cant say it (he cant tell *anyone* he loves them bc those are the last words he said to paul). This makes is sooooo much more tragic tho bc armand sold louis/claudia/madeleine out bc he started to doubt louis’s love and im just afhwkdkwkd i need to know ur thoughts on this one

yeah I think the idea that madeleine was picking up on his love for lestat is fucking stupid lol. she specifically says she can feel armand through louis. we've seem louis say he loves armand but we've also seen him being visibly less sincere about it than armand is so I think how you've described it is pretty much exactly what's going on. like I don't know what would be the point of having that scene overlap with the kidnapping if the point weren't to be that armand is only just now, when it's too late, getting confirmation that louis loves him. and he still can't trust that enough to stop what's happening. that's part of the tragedy.

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[waystarresourceco]

Kieran Culkin on Roman's playboy image and the way the actors/writers understanding of backstory fits together. (x)

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.

[throwawayasoiafaccount]

god tywin lannister deserved worse

just remembering elias death and i wanna puke and the way tywin talks about elia and what happened is so damn gross

but rip tommen and myrcella we all know what’s about to happen in the next book :/

the cycle of violence just keeps spinning and damn you tywin for beginning it

(i got a bit crazy in the tags 💀)

[sysig]

Bad time of it, all things considered (Patreon)