#pointing it out before anyone else does!!

[pleasantlycrazyworld]

Logan's girl

Summary: Jessie's girl inspired; Jean has feelings for Logans girl and Logan over hears and gets insecure

Logan woke up to you in his arms and warmth fills him seeing you so peaceful in his arms. He hated that he had to get up, but he managed to move you away from him without waking you and he sneaked out of the room to start making breakfast for the two of you.

When he was heading to the kitchen, he overheard Jean talking to Storm while they were drinking coffee at the table in there. He didn't think anything of it and was about to continue going into the kitchen before he heard his name and your name, when he heard that he froze and started to actually listen to what she was saying.

"Logan is a great teammate, you know he's starting to be a good friend of mine but lately something changed itsn't hard to figure out, he got himself his girl and I-I really want to make her mine..." Jean admitted to Storm her feelings that she's been hiding for a while, and Logan felt his eyes widen.

He heard Storm gasps lightly "Jean you don't mean -" Jean cut her off and continued her ramble. "It's been killing me to see her watching him with those eyes, and she's loving him with that body, I-I just know it! And he's getting to hold her in his arms late at night!! I wish I was with Logan's girl, and you know I just feel so dirty when they start talking cute I wanna tell her that I love her, but the point is probably moot...she really does love him doesn't she?" Jean asked weakly, already knowing what the answer was. Storm felt for her friend, but at the same time, she couldn't believe what she was hearing.

No one has ever seen this side of Logan. Logan was actually in love, he really loved his girl. Anything with eyes could tell that she was the man's soft spot, and he was really starting to soften up with everyone around him, not just her. The two of you had been together for a few months now but in that spam of time Storm could see a change in Logan that she hoped lasted. Storm just hoped Jean didn't do anything stupid and left the couple alone. Hopefully, Logan never found out how the red head felt towards his girl.

Unfortunately, he heard the whole confession. He decided that breakfast was something the two of you could go out for and went back up to the bedroom as quietly as he could. While he was heading back to your shared room he was trying to remain calm and to keep his claws in so you wouldn't be able to tell right away that he was upset about something so early in the morning.

"Baby...princess," he shook you awake. You groaned and tried to ignore him, but after a while, you admitted defeat and just woke up. "Whaaat??? It's so early, bub." You groaned louder, rubbing your eyes. Usually, hearing you call him bub resulted in him giving some sort of snarky comeback reminding you that he isnt your bub he's your handsome man, but today, it just made him drag you out of bed. "We're going to breakfast, thought we'd go to your favorite diner angel." He got the two of you dressed as you leaned against him and practically slept on him.

He had to drag you out of the mansion, he couldn't be in there anymore knowing there was someone else in there who wanted his girl. He didn't want to see Jean or Storm or anyone, and he didn't want you to be around Jean anytime soon. The two of you got to the diner alarmingly fast and as the two of you sat across from each other, you could tell something was bothering him. His jaw was locked, his brows were furrowed, and when the food arrived he was violently stabbing his eggs.

"Lo... my handsome man, what's bothering you, baby?" You asked a bit timidly, your voice was full of concern. You could tell he didn't want to tell you, he was avoiding eye contact but finally the two of you met each other's eyes and he sighed before sitting up straighter. He cleared his throat before telling you what happened, "I overheard... something today. It was um interesting?" He cringed thinking about this morning before he sighed again and continued explaining, "Jean, she said she has, she's been having feelings for my girl." His jaw clenched harder than before, something you thought was impossible and made you worry he would actually break his teeth.

"Your girl? But that's me," you said innocently with a shrug, not connecting the dots. Logan nodded with a look on his face that read, 'Don't make me say it again, please.' "Yeah, my girl princess..." He said again, waiting for it to connect in your head, and when your eyes widened, he knew that everything was connected. "Logan....I..." You didn't know what to say, honestly. You hardly knew Jean. You worked with her a handful of times, and the times you do interact, she does get flirty.

You started to think back on the times she flirted with you in the past and the incidents that may have shown her feelings clearer.

"Did you change your hair? It looks beautiful," she twirled a piece of your hair, "and it's so soft. What shampoo do you use, sweetheart?" --- then there was the time after you made dinner for everyone. She thanked you for your hard work and amazing food, and she graced your arm with her hand softly before walking away. --- or the time where during a movie night you noticed how she sent glares your way while you were cuddled up with Logan on the recliner but you had just assumed she wanted to be in his lap, not wanting to have you in her lap.

You cringed at the realization and you were praying that Logan didn't know about the flirty past few weeks. You knew this would hurt him even if he had nothing to worry about. He didn't know why it bothered him so much, he trusted you, loved you and you loved him but the idea that someone else, someone strong, pretty and younger could love you better than him just ate away at him.

When the two of you got back to the mansion you avoided Jean as the plague, it was clear that the two of you may have overheard that she had growing feelings towards you and she was devastated. She had a strong feeling that even if she didn't confess to you, she still ruined your friendship somehow. It became more clear to her that you two learned about her feelings when later that night she overheard you two moaning each other's names loudly, as if to claim one another to everyone else in the mansion. The next morning she couldn't make eye contact with you, when she did her eyes immediately went to the hickies that covered your neck.

Tagging:

@userchai

@mahi-tamashi

@100percentlazybonez

@lanassmarty

@western-pyro

@misscrissfemmefatale

@marit332

@navs-bhat

@fluffy-b33z

@chaimshelii

@helpyourself-9

[ace-and-the-rpg-horrors]

i feel like some of the fandom is a bit harsh on Monty... like, trauma is definitely not an excuse, but it does give pretty much all of his actions an understandable explanation?

like... Monty was actively being abused by Esther in practically any scene they were together. he said something she didn't like, and she yelled and grabbed him threateningly. both of the times she transformed him, from crow to human and then back again, she literally stabbed and ripped him up in a really gory way.

i sure wonder why an evil witch's familiar who's constantly treated like that would follow her orders even if he disagreed with them!!

and considering that Esther is potentially one of the only humans Monty came into contact with before meeting the others, and she's like that - he turned out alright, didn't he? he's petty, a bit rude sometimes, and takes things personally, but generally, he's a shockingly decent person.

yes, he didn't take it well when Edwin rejected him. but, as others have pointed out - how was Monty genuinely meant to know any better? he had lived his whole life as a crow in a cage too small for him, where the only person he knew was his extremely nasty and cruel owner. and then, all of a sudden, he's forced into a new body and has humanity thrust upon him against his will. he explicitly expressed this discomfort himself when Esther degraded him for getting "too emotional" for her liking.

"i never asked to be human. with all these... feelings."

even after the bitterness of the rejection, Monty never actually wanted to hurt the Dead Boy Detectives. turns out, he didn't even know that Esther's plan intended to end them completely, and was so horrified upon finding out that he made an attempt to lead them to safety, which was, by the way, putting himself at massive risk. Esther already punished him likely under the assumption that he just didn't put enough effort into manipulating them - can you imagine what she'd have done to him if she knew about his last-minute attempt to actually save them?

of course, i don't think Edwin was wrong for not forgiving Monty. he deserved that. Monty still helped in the scheme that aimed to destroy him. he also fully deserved to reject Monty if he wanted to (conversely, i do also see people say that Edwin "could have handled it better," but honestly, i don't know if it's just me not being neurotypical or something, but i genuinely do not see how Edwin could have been nicer about it? he was straightforward and polite, then afterwards, still tried to be Monty's friend until the betrayal.)

however, Monty was still very much a victim himself, and any harm he did was not from his own will, instead motivated by fear of the terrifying witch who had him fully reliant upon her, often through both verbal and physical force. Esther never hesitated to hurt him. he was painfully aware of that. she didn't care about him beyond how useful he could be. and when he failed at that, her reaction was violent.

but he didn't have anyone else.

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[signanothername]

Do you think that your take on nightmare could become a better person without becoming at least fully uncorrupted?

I like your take on uncorrupted nm but I was curious to ask because there’s not really much of Nightmare becoming a better person *whilst* still being corrupted?

Asking the real questions here >:)

Before I start this ramble however, I think it’s important to keep in mind that even while uncorrupted, Nightmare’s still a bitch, cause as I mentioned before, Nightmare wouldn’t suddenly get back to becoming a kind angel with a big heart, and it’s also important to keep in mind that if uncorrupted Nightmare got back to being powerful (even without the corruption in the mix) he’s extremely prone to (and would probably) get back to his old ways

Cause while the corruption has a great impact on Nightmare’s behavior and how he deals with his emotions, the corruption is less of the root cause and more of a participant in Nightmare’s awful behavior

The root cause of Nightmare’s awful behavior is extreme fear born out of trauma

The corruption already did its job a long time ago and shaped Nightmare as a person, it’s still Nightmare himself that’s in full control of his actions, he could at any point in time, make the right or wrong decision

With that in mind, could Nightmare be a better person whilst corrupted?

I’d say it’s kinda complicated, it’s both yes and no at the same time

Could he become a better person whilst corrupted?

Yes

Would he overall become a better person with better behavior? And with everyone?

No, unless there’s an actual driving force to motivate Nightmare to be a better person somewhat (which is absolutely possible ;) ), Nightmare would continue to be a bitch

Could he still get better at treating specific people that he deems worth his time? And only deems worth his time after specific interactions that made him believe so?

Yes

Corrupted or not, Nightmare isn’t incapable of becoming a better person, however there needs to be a reason for Nightmare to be so

Nightmare is a very “treat people how they treat you” kinda person, and while Nightmare is extremely toxic, abusive, and cruel, he’s also someone who stays true to his word and would treat who treats him with kindness the same, and Nightmare doesn’t easily believe in genuine kindness without a goal behind it, and so he’d insist on giving something back instead of accepting kindness for what it is

So if someone shows him genuine kindness, he’d also show genuine kindness (in his own twisted way) in “this is me paying my debt back” way, like, he’d “pay it back” by keeping the AU of the person who showed him kindness under his protection for a period of time, or let go of a debt they owe him, etc

I’ve mentioned before that Nightmare is capable of kindness, and I don’t mean in “paying someone’s kindness back” kinda way, but he can actually be kind in an active way where he thinks of doing something kind to someone else without it being a payback of sorts, and so Nightmare can still make a good decision and actually show it without any strings attached, and the truth is he does show it, very rarely, but he does (in the “a little life update” comic, Killer mentions how Nightmare managed to do one “good thing” at least ;) )

Nightmare just has a mindset that’s like “nobody was ever kind to me when i was the one who’s helpless/ defenseless, so why should I ever show anyone kindness now that I’m in power?” It’s an irrational mindset, but the thing is, no one can debate him on it considering it’s something he keeps to himself

For the outside world, Nightmare does what he does cause he’s a bitch and that’s it, not taking into consideration the fact he acts the way he does as a result of a harmful mindset he developed due to a life changing traumatic experience (obviously cause they don’t know)

And while his kindness is still pretty much apart of him, whenever he has certain thoughts of doing something good/ kind for someone, he just immediately stomps on it and tells himself that he’s being “irrational”, and yes, Nightmare thinks that being kind in a cruel world is “irrational”, he’s the opposite to Dream, who thinks that being kind in a cruel world is what true strength is

And y’know I kinda always talk about how much of a bitch Nightmare can be, but I never talk about the fact that, despite how bitchy he is, Nightmare can actually be sensible

In the right circumstances at the right times, Nightmare can actually be talked to without him being an absolute bitch

And that goes for almost everyone, MTT included

like Killer, Murder and Horror can actually talk to him without Nightmare immediately taking it as a chance to abuse them

But Nightmare is the kinda person that you need to tiptoe around sometimes, cause he has insane mood swings, so MTT have to check whether he’s in a good mood or a bad mood and based on that decide whether it’s a good idea to approach and talk to him or leave him alone and sometimes even go as far as make themselves as small and as unseen as possible as to not catch his attention

Building a good rapport with Nightmare is.. complicated, but possible

But the thing is, even if Nightmare became a better person, it’s better to keep your expectations a bit low, cause even if Nightmare took genuine steps towards becoming a better person i think his capacity for that is limited, like don’t expect him to become like Dream where he’d jump to saving someone in need, but he’d cut back on his abusive and toxic behavior

Basically, Nightmare would become a better person but in a passive rather than an active way where he’d stop hurting people himself, but would let other people do the hurting for him (and i mean in a natural way with how positivity and negativity works and not send someone to hurt another)

For example, let’s say the twins see an innocent someone get beaten in front of them, Dream would immediately jump in to save them, Nightmare wouldn’t, he’d watch with sadistic glee and it would even get a chuckle or two outta him as the poor soul is getting beaten all while he feeds on their misery and once he’d fed himself he’ll just leave (and that’s regardless whether he’s corrupted or not)

It’s cause Nightmare also has the mindset of “the strong devours the weak”, it’s the natural order of things to him, it’s not his fault that the world around him settles for the minimum is it? That’s why he’s obsessed with power and would do anything to obtain it, if Nightmare can ensure that he keeps that power by torturing innocent people then he’ll do it, all cause he’s paralyzed by the terror of the mere thought of becoming weak again

To Nightmare, weakness means a death sentence, and we all know how irrationally afraid Nightmare is of death

Despite his power, knowledge, and 500 year long experiences, Nightmare was and will always be a fearful child who claws at the world around him first so it wouldn’t have the courage to claw back at him (completely dismissing the fact that the world would claw back regardless >:) )

For Nightmare to become a better person he needs to face his greatest enemy, and that enemy was always his own self

[kentuckyfriedmegumi]

i’m PISSED about the way gege handled megumi’s character and i wrote an entire 1k-word analysis/rant on it

i think what makes me especially mad in the way that gege has handled megumi’s character is just in how much set up we were being given. yes, megumi was taken over and suppressed for 50 chapters, but we see how he haunts the narrative.

yuji is CONSTANTLY fighting, working to get him back, it is his MAIN focus in this entire fight. yes, he wants to kill sukuna, but it’s BECAUSE he wants megumi back.

“wake up, fushiguro.” (chapter 251)

i’ll do it as many times as it takes! “wake up, fushiguro!” (chapter 263)

in addition to the long, drawn-out “save megumi” arc, we had megumi’s growth as a character before then. he starts off as someone who does not see value in his life. he would rather sacrifice himself to save his friends bc he believes that their lives are worth more than his.

we see this in how willing he is to throw away his life and summon mahoraga. he’s NOT suicidal, it’s just that he would rather that HE be the one to die than anyone else that he cares about when it comes to a deadly situation (sukuna, finger bearer, etc.)

haruta is an entirely different thing, he was already dying. people who think he was stupid for summoning mahoraga on haruta don’t realize he was literally on the verge of death when haruta pulls up and slashes him from behind.

megumi’s mindset is also PERFECTLY defined in the baseball episode and in his flashback talk with gojo in the OoBO. he’d rather play support and sacrifice himself than have someone else sacrifice themselves for him. he needs to learn to be more selfish, greedier, if he ever wants to grow as a sorcerer.

but that contradicts with how he wants to live. he’s living for tsumiki, he’s a socercer for tsumiki. he doesn’t care about getting strong or being the best, he just wants to do what he can to support her, so he doesn’t mind if he’s the sacrifice play.

until yuji. yuji comes in and he dies in the detention center, and we see meg slowly morph into this desire to become stronger. he wants to be strong so he can save people, which is something that he never really cared about doing before, but he doesn’t know how.

then we get to the exchange event, the fight with hanami, and him getting taken out by the bud curse, and he realizes that he NEEDS to be stronger so he can save people like yuji and tsumiki. this is the start of his arc and after his fight in OoBO, he never summons maho again til shibuya

after shibuya (bc there wasn’t a TON of meg development-focused stuff in that arc), we see he’s had a MAJOR growth in his abilities and CT. he’s a lot more confident in how he fights, he’s very dynamic and cunning, and he’s using the shadows in a new way.

but on the other side of it all, he’s struggling a lot internally. tsumiki is awake, but she’s been roped into the CG. he’s wavering and he needs support. he’s stronger now, but he’s not strong enough. he wants to save tsumiki, but he doesn’t know how.

“so start by saving me, itadori!” (chapter 143)

after megumi is taken over sukuna, we see him fight back. he does originally and he suppresses sukuna’s technique in order to protect yuji. however, sukuna acts specifically in a way to sink his soul and submerges him in darkness.

this is the lowest point on megumi’s character. it leads directly into chapter 251 where megumi has entirely given up. he sees no purpose in living, his entire reason for being a sorcerer is dead. yuji tries to pick him up but sukuna cuts them off and we’re left with megumi no longer wanting to live.

this makes his recovery THAT MUCH more important. this makes his character arc SO MUCH more impactful. this is why whenever we get to ch. 266, and yuji and megumi FINALLY talk, it’s a beautiful convergence of their emotions as they talk about their loss and why they feel the way that they do.

this is why it entirely pisses me OFF that after we finally, FINALLY get megumi back, he is immediately sidelined with the rest of the B cast. we don’t get any post-battle discussions, we don’t get a continuation of “i’ll be lonely without you,” we don’t even get a proper conversation between him and yuji.

all of this buildup, this setup, this constant tension between megumi and yuji saving each other and yuji doing literally anything and everything to get megumi back, it all comes to a boiling point, it’s about to spill over the pot, and then it just… ????

i actually get so SO mad thinking about the way that megumi’s character has been concluded. unless this final chapter really does touch on him, his outlook on life, and his motivations now, megumi’s character was just entirely wasted and thrown to the side of the sake of other conclusions and new plot introductions.

we don’t even get a further explanation of “i’ll try to live for someone else.” we know it’s for yuji, we know he comes back because yuji tells him he’ll be lonely. but megumi deciding to live for another person is just putting him back at square one. UNLESS we learn that it’s different.

maybe meg is living for yuji but without the self-expectation and pressure he had when he was living for tsumiki. maybe he realized that even a simple life is worth living, so he will use yuji as a crutch as he finds his purpose again again.

something. ANYTHING. any sort of convo that indicates that megumi has NOT retracted into his old self. it probably is the case where he chooses to live for yuji, but is determined to live for himself, but JESUS can we not get a convo about that????

in conclusion, megumi’s character has been so BEAUTIFULLY written. he is so tragic with so many complex motivations and ideas. and we get all this converging together at the very end and it just… disappears. it’s immediately sidelined. how fucking frustrating is that.

[gay-dorito-dust]

Hello ! Just so Agatha all along and I have a request if it's ok 😊

How Agatha will convince witch!reader who has a crush on her to join her in the witch road 👉👈

Gn reader if possible

Thank you ! 😁

Agatha would probably be aware of your feelings in all honesty, and she couldn’t blame you! She’s amazing!

However she’s probably use this infatuation with her to her advantage when her and ‘teen’ come over to your home, following the trail of magic that drew them there. It was noticeable, stronger the other witches she’s recruited but still there was room for growth and new powers.

‘What tricks are we going to have to use to recruit this witch/wiccan?’ Teen asked Agatha as they stood on your doorstep.

‘No tricks, this one’s got a little thing for me, it’s adorable but it means that most of the work in convincing them has been cut out for us.’ Agatha replied as she went to knock on the door, only for it to open on its own to reveal you on the other side.

‘How did?’ Teen questioned.

‘I could sense you the moment you drove into the driveway, your magic is far more potent than others.’ You answered as you stepped to one side with a welcoming smile. ‘Want to step inside and continue this conversation because I don’t think the neighbours will want to hear about the sales pitch you’re bound to give me into joining your cult.’ You add.

‘It’s not a cult it’s a coven.’ Teen interrupts but you weren’t listening when Agatha moved past you, making sure to brush her hand against the back of yours as she does, and immediately you felt your resolve to stand your ground crumble like a deck of cards. It must’ve been obvious as teen only looked at you knowingly as he past into your house and once they were both inside, you shut the door harder then you should’ve but at this point you wanted this to be over with.

‘Go on then, convince me to join you on your journey to the witches’ road.’ You crossed your arms over your chest.

‘I’m assuming you’re more than aware of the fact that if you were to make it to the end of the road, any wish your heart desires can be granted.’ Agatha started.

‘I do know this factoid, yes.’ You said and Agatha crept closer to you until you were a hair’s width away from one another as she now spoke lowly. ‘Then I’m also lead to assume that you know that extends to crushes, infatuations, all that important stuff also.’

‘Yes but I’d much rather the feeling to be mutual without the usage of magic, as ironic as that sounds.’ You replied as you stared deeply into her beautiful eyes.

‘And it can be,’ Agatha whispered as she grasped your hands with her own, intertwining your fingers, ‘I really need you by my side y/n as my moral support, my confidant and my strength during the most difficult situations that we’ll face.’ Agatha could see that you were buying her sales pitch into getting you on the witches road, but knew she couldn’t stop there and decided to make this visit short and sweet she adds.

‘I wouldn’t want anyone else to join me on the witches’ road other then you my dear, you have the potential to be the most powerful witch/wiccan in our coven. All those other witches can barely hold a candle to your fire. I need you.’ She finishes and teen had to give it to Agatha, she was certainly an actress when she needed to be as he watched you both as though he was watching his favourite drama.

You were at war with yourself. You swore that you wouldn’t resort to magic for even the most simplest things, never less the witches’s road, you knew the stories of how dangerous it was but your infatuation with Agatha tended to lead you into doing something stupid; even agreeing to going on the Witches’ road with nothing but the hope that Agatha might actually see you for once.

However before you could reason with yourself, your mouth moved faster then your brain could intervene with logic and common sense. ‘Fine, I’ll join.’

‘Yes!’ Agatha and teen cried as Agatha brought you into her arms, holding you tight so that you didn’t see the smirk across her face, that wasn’t so hard if anything it was barely even took her five minutes to get you to say yes; she didn’t understand why she didn’t come to you first just to get it over and done with, every other witch before you was a tougher nut to crack then the last. You were merely the reward for a hard days work.

‘You won’t regret this darling, that I promise you along with power, love and so much more.’ Agatha tells you as she rubs your back.

You poor, idiotic fool, let’s pray you do survive the road and not die with a broken heart when you realise the truth…

[narrativelysignificantturtleduck]

i've occasionally seen the take that sokka should've have been just as down for avenging kya as katara was and well, no, it makes sense that katara takes it more personally considering kya died to protect her specifically. "the runaway" establishes that sokka has let katara claim ownership of kya's memory to the point where he can barely separate the the two of them in his mind. he doesn't really allow himself to grieve openly enough for revenge because to him openly grieving kya is solely katara's right. any desire for revenge he has manifests more as a general desire to win the war and "knock some firebender heads".

but recently i saw a post that went further and said that hakoda would've supported it and THAT is interesting to me because i do think hakoda decided to go to war because of kya's death. i think he told people objective, tactical, noble reasons - the raid established that the war was more of a threat, he doesn't want anyone else to lose loved ones to the fire nation - but if i were a southern water tribe warrior i'd wonder if i was signing up for a revenge mission. like the tribe hasn't been involved in the war before but the chief's wife is killed and he's suddenly very interested in fighting the fire nation? hmmm. it's not that the nobler reasons are lies but i think hakoda blames himself for kya's death (just like katara does) and feels like he has to go fight the people who killed her because he didn't fight hard enough to save her. and the line between that kind of guilt and revenge is thin. what do you think must be done to make things right? what provides closure? this is what draws katara to revenge, this is what would draw hakoda to revenge. i think there is a part of him that went to war seeking that catharsis. i think sometimes during battle there is a look in his eyes that scares his men, moments where he seems far too eager to stab a fire nation soldier through the heart. the kind and friendly leader they know replaced with something dark.

but would he support katara's quest for revenge? no. he went off to war to protect his kids from its harsh realities. he may want revenge and even be willing to take it but he would never let katara have that on her conscience. if anyone will carry that, it will be him.

and ultimately, he never did seek out the leader of the southern raiders. yon rha is still alive for zuko and katara to track down. maybe he realized he didn't want it on his conscience either

[mysi101]

The Southern Raiders: so, demon Zuko brought out the worst in poor, innocent Katara…

What did Zuko do to deserve this accusation coming from some people among the fanbase? I rewatched The Southern Raiders the other day and spend close attention to catch up on what they could possibly mean.

So, what does Zuko do to Katara after the Gaang flees from Azula?

He looks after her and is holding an appropriate distance while asking her, calmly, why she still can’t trust him.

After her response he realizes: Oh yeah, I wronged her the most. Followed by asking how he can make it up to her and understanding what she needs, even though she is giving sarcastic answers.

He offers Katara a chance to face the killer of her mother, so she will be finally able to receive closure and begin the process of healing. This is an exact parallel of Zuko facing Ozai on The day of the black sun. He could’ve just left and join the Gaang, but instead he chose to face his father first: because he needed this.

(Furthermore, he spared Ozai, the same way he spared Zhao even back in S1; that goes against the frequently used argument that he definitely expected Katara to kill Yon Rha coming from some people.)

As I mentioned before, I paid close attention during my rewatch

At no point is Zuko pushing Katara to do anything she doesn’t want, nor does he do anything else to release her dark side.

Am I the only one picturing an incubus-like Zuko whispering in Katara’s ear, every time someone claims that?

On the opposite: He is listening to her and is offering support while facing her biggest trauma. The same goes for the actual field trip: he is nothing but supportive, doesn’t push her to do anything and is standing aside, so that Katara can receive closure under her own conditions—which she did, and she forgave Zuko because of it. Not only that, she even gives him a tight hug out of deep gratitude. Would a person act like this towards somebody who brought out the worst in them? I highly doubt it.

But then why is Katara showing a dark side, some might even say, she is OOC?

I genuinely don’t get the OOC-part... She is very in-character, and her dark side has nothing to do with Zuko. It’s Katara being presented as an actual human being with feelings. Imagine that...

Why is Aang allowed to show a dark side? I never heard anyone complain about him in those specific situations. But Katara, despite raising her voice before and showing her rage in many situations during the show, is suddenly acting OOC when it comes to The Southern Raiders.

She is about to face her trauma and to meet her mother’s killer, of course she won’t be the happiest person in the world, more nervous and angry, lashing out if someone tries to stop her. Yeah, and even going as far as to use bloodbending when finally meeting the (wrong) man.

Doesn’t mean her feelings aren’t justified, and it wasn’t Zuko who brought them up, but the situation alone.

That’s all this is

A person facing her trauma, thus showing very natural darker feelings in this situation, after suppressing them for years. Of course, it was hard for Katara, but she agreed on this trip because she knew she needed it. It was the right thing for her to do—and Zuko is the one who gave her a chance on this, nothing more, nothing less.

[cator99]

2 days ago: a new email from the landlord is dropped. I open it, and damn near toss my phone across the room.

The email can be summed up as such: "Hi everyone just a totally casual reminder that ONLY THOSE CURRENTLY ON THE LEASE are LEGALLY permitted to reside in the home. I've made this very clear. In the off chance that you missed the memo, allow me to reiterate this part on the lease for you. [insert that part in a fancier font here]. To be clear, anyone who is not on the lease as a tenant is not authorized to reside in the home. Anyways so yeah I'll be bringing some handymen over on the 26th to deal with the basement leak."

(Side note– yes, she does say both "I've made this very clear" and "to be clear".)

The house is engulfed by an eerie silence in the following days. Or maybe– in my paranoid state– I'm imagining it. I know for certain that no one wants to touch the damn thing. We all sit and wait for someone else to breach the topic. That "someone else" being the unemployed ftm who has been the primary correspondent with the landlord for at least as long as I've been here, despite all common sense pointing towards this being a task that would be better delegated to literally anyone else– although, seeing as he is now our only unemployed resident, I do consider bestowing this responsibility upon him to be an act of mercy. Something something "enclosure enrichment" etc. So. He finally returned today, and the expected happened. Total pandemonium in the house chat. Thankfully, no one seems to have– at least openly– begun to suspect the obvious, (that, of course, being that this is a sort of warning from a landlord who knows exactly what's going on) and then, from there, extrapolated that perhaps this is the result of a snitch. But who would do that? Couldnt possibly be the one person in the house who has openly expressed concern about the way things have been dealt with. Oh well. Thankfully, the most cogent thought that was expressed on the topic was this:

New Girl remains totally silent as everyone chimps out and devises a plan to give legal aid a call tomorrow. Yknow. Regarding an issue that should more or less be new girl's responsibility to deal with. Hours pass before she finally responds to the questions regarding what she would like us to do. Does she even want to be on the lease? After all the fighting we did to get the landlord to agree to even consider doing so? All this hullabaloo just feels a little silly when she doesn't seem to give a shit either way. She's expressed very little consideration towards these matters at any point (in her defense, she is Cerifiably Slow in that incresingly-rare Not A Malingerer type of way so... I don't expect too much), but right about now, without Pins Girl here to make a stink about it all and whip people up into believing that suburbia-chan's tenancy here is of utmost importance and a real human rights issue, it has become even moreso apparent that she really doesn't care nor understand the implications of this situation. But I digress. Hours after the fact, she drops in with a few words, and leaves it at that.

Imagine purple saying this through gritted teeth. She's one of the 2 relatively-normie-if-a-tad-reclusive (who can blame them) 30 y/o IT-job people who live upstairs. The one who has been volunteered to call legal aid in the morning... sooo valid.....

[autistichalsin]

My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

[too-many-hyperfixations]

Transformers One Megatron Character Analysis

The movie calls him something else for a lot of its runtime. I’m calling him Megatron because that’s what we know him as and it’s cooler. Spoilers for the movie and a TON of paragraphs ahead.

Megatron’s arc in Transformers One isn’t primarily about betraying Optimus, it’s about his trust in authority is shattered and how that affects all other forms of trust for him.

We meet Megatron in this movie before he believes himself on the level of the primes and thus not having taken up the name of one. This movie is Optimus’ movie, as most transformers movies are, so we have to encounter Meg through him. Meg’s first time speaking his own mind rather than just covering for Orion is on the train shortly after his initial onscreen appearance, where he chided Orion for breaking into the archives yet a g a i n. The reason he does this is interesting to me though!

See, Megatron doesn’t just point out that it’s dangerous because this isn’t the first time security has chased him down, he says it’s an unnecessary risk. Meg cares as much about the source of the planet’s energon being revitalized as anyone else, but he wholeheartedly believes that their leader is not just looking in the right area in the first place, but that he is fully capable of wrenching free the matrix from the forces that be on the surface! Mind you that these are forces he nor anybody else can verify. Only Sentinel and his personal cabinet (who have everything to gain from keeping their mouths shut) have ever actually BEEN up there!

For all the faults of Orion in this movie before the consequences of his actions force him to discover what it takes to become a dependable leader, Orion forces Meg out of his comfort zone in the ways he has to be to grow as a person! This is what leads to Megatron getting into the race, which is the first time we see Meg having to make split second decisions, and doing really well at it! The two nearly get first by a close margin!

The next time that Orion manages to talk Meg into a situation outside of his comfort zone is when he gets them to go all the way to the surface, and even explore there, instead of going home! Meg’s journey on the surface marks the first time he really starts making choices for himself, because although he has a friend he trusts enough to follow the decisions of with him, there’s no authority up here with him. Sure, his former manager is there, but she was demoted earlier and he followed Orion’s judgement over hers even then. Megatron is now making decisions as part of a group in a situation with nobody qualified to give orders. Even when a sudden mountain formation starts taking out the tracks, listening to Bee and running is a conscious decision made in the moment rather than one made because he does this every day this is what you do. He can make decisions in a split second for himself, he's done it with hiding Orion in his cart, but never without the safety net of someone to defer to. When the quintessons are scanning, Meg is at equal standing in the group with their discussion agreeing that those ARE quintesson ships and then helping decide their course of action about the danger. This all comes to a head in the cave, when Megatron, loyal Megatron finds out his life is a lie. His own words on his LIFE BEING A LIE! The minute he fully processes that this information is real and what it means, he goes into a pretty brutal explanation of how he wants to kill Sentinel! This doesn't just break his trust in authority, however, he starts questioning if he can trust ANYONE he's meant to trust! He takes the capsule of proof the original prime gave them partly because he doesn't trust others with it, and partly because he now has a need to be the one in control, including over how that crucial information gets used. If he can't trust the person whose integrity is the most important for their entire society, can he even trust his friends? By the time they reach the Old Guard, Meg has already decided that the answer to that question is no. Even while running over Sentinel with a TRAIN, Optimus is set on using the power of broadcasting and entrusting truth with the people to do the right thing with it! Megatron believes Starscream's philosophy even before he's told the words of it, the strongest bot gets all the power. His trials out here have been those of combat as well, that have fortified his mind, made him worthy! The problem isn't in the system, it's in this one specific person who needs an example made of him for all time! "The rebirth of Cybertron cannot begin with an execution!" Says Optimus. To Megatron, it was always the only way. The strongest bot deserves all the power.

[frangipanilove]

Thoughts on Isabelle as a Beth proxy

(Beware of potentially unpleasant romance-related spoilers below)

@bethgreeneprevails I hope you have recovered from your traumatic morning the other day (hopefully this won't traumatize you further). As promised, here are a few of my thoughts on why I’m not terribly distressed by the prospect of potential hints of romance between Daryl and Isabelle. I typed this out the other week, then of course yesterday THOSE spoilers came out (under the cut, to save lives), then all hell broke loose, and here we are.

Yes, they are unpleasent spoilers for sure! I’ll address them briefly in here, but they actually don’t really significantly change how I already feel.

And honestly there’s not really anything new and groundbreaking in here in terms of analysis, just a few thoughts I’ve been having about Isabelle as a Beth proxy.

So to get it out of the way, the recent spoilers report that apparently Daryl and Isabelle will share a kiss. I know, I know. I wasn’t thrilled to hear that either. But I’m still not terribly concerned about it, and I’ll try to explain why.

First of all, I don’t know if these are credible spoilers or not. It’s my understanding that they originated from DearTV, but I haven’t been able to confirm that, so keep that in mind.

But at a certain point last night they seemed to be all over the internet:

And while I reserve the right to be moderately grumpy about it, I don’t think we’re in for a porno here. I expect it to be fairly harmless and innocent. I think we’ll survive. Unlike poor Isabelle.

I originally wanted to write this post because I feel strongly that Isabelle has so much Beth-proxyness (totally a word) about her, and anything that happens between Isabelle and Daryl, on some level says something about his relationship to Beth. While it was subtle during season 1, it was definitely noticeable, and I believe it’s going to become a lot more obvious during season 2.

First a few words on why I originally came to see Isabelle as a Beth proxy. It actually started long before season 1 aired, and it has to do with their names:

As you can see, the French “Isabelle” (and Spanish “Isabel”), originally derived from the medieval French /Spanish version of the name Elizabeth. And “Beth” is an established short-form of the name Elizabeth. So “Isabelle” is etymologically directly linked to the name Elizabeth, and “Beth” is an established short-form of the name Elizabeth.

I was curious about this connection even before the show had aired, because it seemed like such an unlikely coincidence. The two names basically share the same origin! That’s earns a major side-eye from me, why would TPTB do that if not for establishing a subtle connection between the two characters? Keep in mind that this was an impression that was formed before the show had aired, solely based on the name etymology. I wondered if Isabelle was there to function as a Beth proxy, and I wondered how this would carry over to the show.

Then episode 1 was released, and we saw this:

Yup, Isabelle has a wrist scar, just like Beth does. She’s definitely a Beth proxy. Because the wrist scar, that’s undeniably a Beth callback. That’s something that was a topic in 4x12 Still when Daryl and Beth had the fight at the moonshine shack, it was something Dawn used against her at Grady etc. The wrist scar has become something that’s tied to Beth, not anyone else.

And it’s significant that this is one of the very first things we learn about Isabelle. It’s quite literally the first glimpse we get into her character that goes beyond the superficial stuff such as her appearance, that she’s a nun etc.

It’s a defining moment for Isabelle, we learn that there’s more to her than just being a pious nun, and it’s something that ties her character directly to Beth.

And as the season went by, there were other things, dialogue callbacks etc. I don’t even remember. But that wrist scar was the main reason I could never unsee the parallels to Beth.

And towards the end of the season we could definitely see some sort of connection forming between Isabelle and Daryl, a connection that wasn’t necessarily strictly about platonic friendship. I expect us to see more of that in season 2, and no, it’s not going to be delightful to witness. But we’ll survive.

I'm not going to lie, we’ve had reports suggesting that Isabelle will die, and it’s likely that my anxiety would be higher if we didn’t already know that.

But if Daryl starts falling for her, he’s falling for a Beth proxy, because that’s how she was introduced to the show. Obviously that’s not all she is, she’s a character in her own right, but she definitely carries traits that are supposed to remind us of Beth.

Her presence makes room for Daryl’s memories about Beth. Again, it was subtle and understated in season 1, but I expect it to increase in season 2. For instance, I do believe we’ll see a conversation between them about Beth prior to the hallucination scene in the Euro tunnel where Daryl eventually instructs her to tell Merle, Beth and Glenn he tried, which I discussed briefly here and here.

Another thing; I might be in the minority here but I interpret Isabelle’s lying and manipulation differently than many others. I’m fully expecting pushback on this but hear me out:

Isabelle is Laurent’s de facto mother figure. She’s his only remaining family, and she’s protecting him as though he’s her own child. There’s a parallel to Beth here, in that she’s also been a parent figure (to Judith and others), she’s fiercely protective of children and has been surrounded by parent/child symbolism.

And while in isolation, Isabelle’s behavior towards Daryl is indeed manipulative, I interpret it as a mother’s (or mother’s figure’s) desperate attempts to ensure her child’s safety. I don’t think her behavior comes from a place of malicious intent, I see it as a testament of the lengths to which a mother will go to protect her child. She perceives Daryl as Laurent’s best chance of survival, and she goes all in, unapologetically. I can’t hold that against her, I would probably also lie and manipulate to protect my child. I think that’s human nature.

And we see how Daryl, while reluctant at first, slowly start to develop a bond with Laurent. That scene of them on the riverbank when Laurent let the boat go is stellar. First we see Daryl give into his anger, lashing out at Laurent, likely following the pattern he learned from his own father growing up.

But then we watch him reach a moment of clarity, where he sees himself from the outside, replicating the dysfunctional parenting style of his father. He manages to regulate his emotions and get control over himself. He then sincerely apologizes to Laurent and chooses a different path, a different parenting style, one of love, patience and tolerance. That’s an incredible moment of character development for Daryl, and it shows that whatever manipulation he’s been subjected to by Isabelle has in fact made him a better person. Maybe Isabelle knows what he needs better that he knows himself. Much like Beth did.

We see a similar moment of real, healthy parenting in the trailer, where Daryl talks to Laurent about the three of them going to the US.

Obviously, I haven’t watched this scene yet, so for all I know my analysis could be completely wrong. That’s a problem for future me. For now, I’m loving this shot. I’ve never seen Daryl this paternal, and quite frankly it’s HOT! This, to me, looks like solid, healthy parenting, by someone who’s come a long way, emotionally speaking. He excels when he gets to be a parent.

And he has Isabelle’s manipulation to thank for that. Her “manipulation” unlocked something good in him. I actually don’t see it as manipulation. She’s surviving and making sure Laurent survives too.

I think you could actually argue that Beth would have responded to the situation in a similar way, which is another reason I’m side-eying Isabelle’s character. I 100% believe Beth would lie and manipulate in order to protect her child, or any child. We’ve already seen her do that to protect her loved ones, in 5x4 Slabtown, before her escape attempt with Noah.

We saw her, ice cold and lying through her teeth, telling Dawn that she saw Gorman go into her office. Her steady gaze and cool calm demeanor as she lied to Dawn’s face, seconds after having fed Gorman to walker-Joan, just so that she and Noah could escape from Grady, that’s imo the same impulse Isabelle is following to protect Laurent. Do whatever it takes to protect your loved ones. Lie, manipulate, steal…

And she later does the same in order to save Carol’s life, when it’s decided that Carol isn’t worth the resources it would take to save her.

I don’t see it as manipulative as much as I see it as being fiercely protective and ruthless on behalf of your loved ones and your children. I don’t see it as an inherently “bad” quality, I see it as “doing whatever it takes” to protect your family. Both Beth and Isabelle have that same ruthlessness when it comes to protecting their loved ones. And I’m excited about that because it’s yet another parallel between them.

And Isabelle, just like Beth, sacrificed herself. She returned to her abusive ex boyfriend because she thought that would be Laurent’s best chance of getting to safety at the Nest. Beth sacrificed herself for Noah, twice. And stopped at nothing to save Carol’s life.

So yeah, I think all of this is just a long way of saying that I believe we’ll see even more similarities and parallels between Beth and Isabelle in season 2. We probably will see Daryl develop some sort of feelings for Isabelle. Yes, it will be difficult to watch, but I think it’s a part of the process Daryl needs to evolve. I think there’s a reward for us at the end of it. And ultimately it might even be good for Daryl to have a little taste of those feelings. He might open up about Beth, I fully believe we’ll see them talk about Beth, and I do believe it will be thoroughly communicated how important Beth was to him, either explicitly through dialogue, or alternatively more subtly, through symbolism. And Isabelle will most likely die, while Beth will hopefully “resurrect”.

I believe the budding romance (or whatever) will make space for so much Beth symbolism, if we can just tolerate watching it for long enough to get a good grasp on the symbolism surrounding it. I do believe it will mostly be fairly innocent, at least that’s what I’m going to tell myself for now. And Beth will always be lurking in the symbolic shadows. In the narrative it will be about Daryl and Isabelle, but beneath the surface it will also address Daryl’s feelings towards Beth.

I think my main message with all of the above is that I expect to see the Beth-proxyness of Isabelle turned up a notch this season, and that it will function as a primer for bringing Beth back. I think we’ll see it both in terms of more subtle, between-the-lines symbolism, but also increasingly by having her explicitly talked about, for example in conversations between Daryl and Isabelle, such as we saw from the leaked script pages the other week.

[triannel]

HI!!! I adore how you write bill, an my own birthday is tomorrow an im ✨Terrified✨✨,, n was wondering ifff. You could do a sorta angst-fluff where its the readers birthday, but every single one of his birthdays has been awful. And like, now that bills here with the reader he feels like maybe he wont have to Just survive his birthday? That even with his god awful family, it might be ok. Like yeah the meds help, but it doesnt fix anything if the people youre with are why youre fucked yknow? IDK and maybe bill decides to take it upon himself to remove the readers family😋 cant be a neglected middle child w all the responsibilities of the eldest if youre an orphan/J AN I DONT MIND HOW CLOSE YOU STAY TO THIS I LOVE YOUR WRITING ANYWAYS!!

(,,,o n also the reader maybe be a grungey scene kid kinda guy? Lots of piercings, an is more feminine than his parents think he should be, especially as a trans guy, So thats smth. Love bones n bugs and shinies an is like if a dog n crow were a guy,, n supr srry if this is a bad req!! Im jus excited cus i love bill, and im also stressy out cus of my burthdayy >_<“) SO NO PRESSURE TO RESPOND ESPECIALLY IF THIS IS TOO LONG OR ANYTHIMG!!!/gen

-🌙

Hello and Happy Birthday 🌙 anon! I've managed to whip this up and I hope it gives you at least some sort of comfort for today. I really do hope you're situation gets better soon, take care of yourself and have a great day! (Also, don't worry, I never really do mind long asks.)

BirthDate

Oneshot | Bill Cipher x Reader | Fluff/Comfort?

Warnings: Mention of Death, Implied Abuse, Implied Trauma, Implied Bad Birthdays, Bill Cipher lol

Quickly stepping upstairs, you lock yourself in your bedroom, blocking all the noise emenating from downstairs. Exhaling, you drop to your bed, letting yourself relax into comfort of the soft mattress and fluffy pillows.

Only needing rest by this point, you close your eyes. Wanting nothing more than to leave this place behind.

"WHOA, DIDN'T EXPECT TO SEE YOU SO EARLY!" A voice suddenly spoke, booming loudly for you to hear.

Ah yes, there he is. You can't exactly say he's your best pal, but right this moment, you truly do feel more at ease with him than being back there.

"It's honestly been a long day so..." You shrugged for a moment before continuing, "Does it bother you?" You ask, giving a lighthearted smile.

"NOT AT ALL, I WOULDN'T BLAME ANYONE BY WANTING TO MEET YOURS TRULY," he spoke, blinking slowly in a dramatic way to show off his 'impressive looks'.

You chuckle slightly, shaking your head, "I mean, I don't think I'm exactly the one to choose to be here..." speaking your thought aloud just to perhaps tease him a little as you glance at him for a moment before slightly chuckling once more.

You never really did know how you even get to meet him to be honest, he somewhat always manages to show up in your dreams, so overtime you guessed that he might be the one approaching you...That, or it might be because of something else entirely.

For a moment, you thought you saw him become nervous for a second, but maybe it didn't happen at all as you only saw it for less than a second.

"WELL, JUST WANTED TO CHECK HOW YOU'RE DEALING WITH KNOWING YOU'RE ONE YEAR CLOSER TO YOUR DEATH," he flatly said, in a weird, eerie way. He always did love being weird so this type of behaviour wouldn't be uncommon by this point.

"Right... Well, what's the agenda for this time then? Or are you busy?" You ask, avoiding your 'birthday' in question. You'd much rather not talk about your birthday at all to be honest. Not a single one ever went well...

Adjusting his bowtie, he started to speak, "WELL..."

Snapping his fingers, your surroundings completely change.

The rest of your 'dream' went on a relatively good note. Having a cup of tea, playing chess, you both did the usual activities you both would do when meeting in your subconscious mind. But the only thing is that, he seemed to be more...well a bit more charming and noticeably, but only slightly more open to your suggestions on what else to spend time on.

He'd usually take the wheel and drag you through any activity he wants, but this time though, this time he was a bit more...considerate.

Now playing a board game with him, you take the dice and roll it. Getting one, Bill chuckles slightly at your misfortune for a second before taking the dice from you.

He might be treating you like this because it's your birthday, but you'd doubt it... Well at least for now-

"EY, IT'S YOUR TURN TOOTS," he snapped his finger a few times in front of your face.

Chuckling, you mutter an apology before taking the dice. Rolling it in your hands, you then let it go. As the dice lands on the floor, it lands on a six, letting you be the winner for the match.

"Yess, I won!" You raise your arms, smiling back at him.

"CHECK AGAIN." Bill spoke, pointing at your piece. Looking down at the board, you see a newly added tile in front of your piece, moving the finish line out of reach. You raise your eyebrow, giving him the side eye.

"WHAT? I DON'T MAKE THE RULES," he raised his shoulders, smiling mischievously with his eye.

Shaking your head, you chuckled at his silly banter while giving him the dice for his turn.

It's unexpected but, this dorito triangle man truly has made a significance on making your birthday much more bearable. Be it his choice to do it or not, you're honestly just glad to at least have some semblance of joy sprout on this day.

I haven't been able to post for a week because unfortunately I became rlly busy at the moment and it isn't helping that I do tend to procrastinate at times. I'll post more regularly later, but for now at least, I'll post this here. Once again, happy birthday 🌙 anon!

[doveywovy]

tobiizu modern au in which the uchiha are a wealthy family that vacations every summer at a family beachhouse on a (Relatively) small island- and Tobirama drives the water taxi they hire to take them out to it every year.

the first time it happens, they're both only about 16. Izuna immediately hates it- and hates tobirama- because it makes him feel childish. Here he is, out on vacation with his family (lame) to go play in the sand (lame!) and maybe play in the waves (SOOOO lame, totally childish). and heres this teen the same age as him, not just spending the summer break working but specifically working alone, doing a difficult and responsible job like driving a boat! Izuna takes this as a personal affront to his manhood and spends the whole ride there and the whole ride back being absolutely insufferable to Tobirama and the rest of the family.

he spends the next summer working his own summer job (But something much fancier, like interning somewhere impressive) and the summer after that he spends at an intense sports camp. So the next time they see eachother, Izuna's 19 and- okay, well, he hasn't really matured. but his stance has changed to the viewpoint that HE'S clearly the winner here. Here he is, out on vacation with his family (Wealthy and impressive) to go relax in the sand (so wealthy and mature) and maybe swim in the waves (sooooo cool, totally mature and adult). Meanwhile Tobirama has to spend his summer working in a dingey boat serving the Uchiha and family like them! Since Izuna's won the competition they totally had going on, he can afford to be nicer to Tobirama. especially since hormones have kicked in and tobirama is unbearably fucking attractive to izuna. He spends the whole vacation having ridiculous daydreams about them running away together (fucking on the boat) living a life at sea together (fucking on a boat) and him showing off his better lifestyle to Tobirama (fucking on the beach.) He does exactly nothing about any of this except being mildly more polite to tobirama for the 47 total minutes they spend interacting.

The next three summers, however, he gets proactive. The Uchiha are a big family with a ton of stuff they need, and they always run through it quickly or realize they forgot something after they left. Someone has to go back to the mainland and get The Only Cereal Kagami Will Eat, or Shishui's Special Sunscreen (he has allergies to the rest), etc etc. In past years it's been one of the odd aunts or uncles, but now Izuna's taken it up as his personal mantel.

If anyone needs anything from the mainland, of course Izuna will make the trip out! No need to worry! He'll call up Tobirama's company and have the ride out within the hour, and he'll be back two hours after that. Sometimes he runs right out without bothering to change- Mikoto needs fresh lettuce for the dinner salad, there's no time for him to change out of his trunks or put a shirt on! Everyone's glad he's willing to make the sacrifice for the family, nobody wants to do it themselves- and so nobody points out that unlike past triptakers, Izuna never double checks if anyone else needs anything before he goes. It means he has to make a lot more trips, individual ones for Sasuke's fresh tomatoes and Itachi's eyecream and Obito's glasses cleaner, instead of all at once like he could if he just asked before going. But they're a wealthy family, they can afford it, and he's getting it all in the end, isn't he?

Now that izuna's upped his time with Tobirama from 24-ish minutes to the island and 24-ish minutes back home (shared with his entire family), to around an hour one-on-one every other day the entire two months he's out there...things change.

For one, the crush gets more genuine. He's talking to Tobirama constantly and gets to know him as a person and unfortunately he really likes him as a person. The fantasies get more focused on getting to actually date Tobirama in a normal person way, not whisking a mermaid tobirama off for beach-sex.

Tobirama, meanwhile, is finally starting to like this guy. He hasn't thought about izuna nearly as much as Izuna's thought about him. He hated him as a teen for being annoying and bratty, thought he was hot and annoying a few years ago, and now he's a nice sociable guy who lets him talk about boats for twenty minutes straight. Who's extremely hot and constantly shirtless, for some reason? Which Tobirama's not mad at.

so- izuna's fumbling his way towards something, but cautious not to fuck it up because he genuinely wants something serious with Tobirama and that makes him much more worried about ruining it. and then one day madara- well, the thing is.

To madara, izuna will always be somewhat five years old. He can't imagine him any other way. So he assumes, when Izuna constantly spends his summer vacations on the water taxi with tobirama- he doesn't consider it could be about tobirama. He thinks it's about the boat! Especially since Izuna can hold full conversations about boats with people now (Because of his conversations with tobirama about them, but Madara doesn't know that) and takes photos of boats (For tobirama)....All of this to say, Madara decides Izuna must want a boat.

So madara offers to help him buy one. Nothing too fancy (to the Uchiha perspective), but something nice.

Izuna immediately remembers the conversations he's had with Tobirama about his dream boat. He remembers his ridiculous fantasies at 18 years old about whisking Tobirama away for a life on the open sea. and he imagines, for half a second, trying to explain to madara that he doesn't want a boat despite seeming to be obsessed with them because he's obsessed with a guy instead. He is not having that conversation.

He's buying a boat. He's buying Tobirama a boat. Then he just....has to figure out how to give it to him.

[l0stfoster]

You already know who it is, back on my bullshit 👉👉 not here for paul this time (SHOCKING)

So , darry. Darrel Curtis. My boy my baby. I just have like ,, general things i want to know more about so bare with me bc hes my fav alongside paul ofc and i can ramble

1. When did his tail get permanently fucked up and how did he mess it up so badly?

2. Ik his powers get unstable when he gets like ,, real upset so besides the night he slapped Pony, are there any instances where he just got outta control ?

3. Is he afraid that his relationship with Paul isnt real bc of his mind manipulation bc baby knowing me if i had that power id be scared to mfing death

4. Goddammit im mentioning paul again sorry but ik darry calls paul pretty boy (heart hands i love that) but does paul call darry any pet name that just makes him SWOOOON

5. Has he ever gotten jumped post-book ?? I imagine that before him and paul fell out he had told him a bunch of things including weaknesses that socs used to their advantage ESP after paul “betrayed” them, and what better way to hurt paul holden then to hurt the person he loves more than life itself

Okay thats all for now b4 i go literally insane but i may be back bc i have questions abt other couples 😼😼😼

You’re so fucking real for the Darry enjoyment too I also adore him he’s such a guy. Both in canon and in the au, I need to kiss him on the forehead. DARRY YAP TIME (Crow will be so joyous)

Timewing got really excited about this one so a lot of the answers are his, I just added on afterward with my thoughts, so the first bullet point will be hers, and the second one is mine!!

When did his tail get permanently fucked up and how did he mess it up so badly?

- I assume he tried to crush it or break it violently enough that it needed to be amputated. One way of the latter reason probably would've been falling off the roof of the house back first. One way of the former reason is heading out to a field and trying to slam a hay bale on it. - I personally like to think he'd gone far enough to get his hands on a spare tire from their father's truck and,, crunch! It was the only way he could think of doing enough damage while getting away with it since the car had issues enough to need active little fixes and tweaks, including tire changes. He was around 17 or 18 during all of this, by the way. Unlike his ears, this isn't one his family knows was purposeful.

His powers get unstable when he gets like ,, real upset so besides the night he slapped Pony, are there any instances where he just got outta control?

- There are so many instances but it happens more so when he's stressed. There were a few situations where during tests during school he accidentally ended up making an entire class of 20+ students so anxious a few were sent home and a couple jocks had panic attacks. Another instance was (using the musical for this) when he and Soda were brought in to be asked abt Pony's whereabouts and he got so pissed off with the questioning that he also heightened the officer's anger and nearly got himself arrested. Also the rumble. I think that speaks for itself. - A couple other instances I can think of are after their parents died, when Dally got shot, and uh. The entirety of the duration that Pony was gone, though that was mostly him heightening his own distraught compared to anyone else. He probably does it every now and then at work too during rough work days, which makes for some interesting occurences.

Is he afraid that his relationship with Paul isn't real bc of his mind manipulation bc baby knowing me if I had that power I'd be scared to mfing death.

- Absolutely. He stresses abt it every second of every minute of every hour of every day. - A little fact that Darry doesn't know, though, is that after Paul's powers are presented he has a level of resistance to certain types of curse-related powers! He's not immune, per se, but Darry's manipulation, Soda's song, and Johnny's death sense are all a little lowered; this is because he's in the direct bloodline of the witch who cursed Tulsa. In the way that Johnny can't see Paul's death date (but can get flashes of it), Soda's siren song is easier for Paul to break himself out of and he can tolerate Darry's manipulation for a little longer before caving into it. Parry fans can rest easy knowing that Paul's love for Darry is 100% genuine. Unfortunately, Darry does not know that </3

Goddammit Im mentioning Paul again sorry but ik Darry calls Paul pretty boy (heart hands I love that) but does Paul call Darry any pet name that just makes him SWOOOON

- It's mostly the Latin nicknames that get him. He may not know what the hell Paul is saying but he's in love with it anyway. But he's also especially fond of being called the ever so typical "sugar" - Yeah it's just a bunch of Latin and then the usually sappy ones. Darling, Doll, etc. Paul hits him with “Optimum accidit mihi” ("The best thing to happen to me") once and Darry would actually fold if he knew it.

Has he ever gotten jumped post-book ?? I imagine that before he and Paul fell out he had told him a bunch of things including weaknesses that socs used to their advantage ESP after Paul “betrayed” them, and what better way to hurt Paul Holden than to hurt the person he loves more than life itself

- I imagine maybe once but there was also when he went hunting for Two's stolen feathers and was... scary. He's a scary dude, no one wants to mess with a fae that has that much muscle and is probably not afraid to bite you. - I also agree that,, yyyyeah, Darry is arguably one of the greasers to get jumped the least, including post-book. He works a lot too, so it's not like there are many open instances for him to walk around. Darry definitely told Paul any weaknesses that did exist, but I like to imagine Paul kept those real tight to his chest- He absolutely used them himself during their time hating each other, but could never get himself to tell the other socs; it was a level of trust he couldn't bring himself to break, especially since Darry had seen and heard his own share of things from Paul that he never spilled. The Socs also didn't know that Darry was what Paul valued the most; sure, Paul was very clearly into him, buuuut they make their own assumptions regarding his sexuality and how things go relating to it-

-I could definitely imagine a scenario where they attempt to sabotage Darry and Paul's relationship out of spite if they knew how dedicated Paul is.

[koshiaoi]

More sif from In Galaxies And Eons, he gets a bit worn-out whenever he loops.

My hc is he is affected by the craft exhaustion way more than normal sif, by way more I mean while in the loops, and that's because it's not just local to Vaugarde and is instead just reversing time completely! But his body does still feel the effects of it harshly, as each time he dies the scar on his cheek and the black bits of his hair, hat, and the inside of his clothes gains another star. All the black bits slowly turn a dark blue! Just cuz I wanna and I love blue.

If anyone is wondering, the scar on his cheek he got from loop, this loop spent way longer in the time loops than the original loop (around 10k I think?) And doesn't really talk to siffrin because of this. Loop attacked sif because he wanted to replace him and get back his actors.

From everyone else's perspective, they were a few days before they got to dormant and were taking a break when they heard sif scream, they rushed over and saw him almost dead being attacked by a "sadness" that somehow could talk? They hear it say something about ripping his skin off and replacing him, at which point they were able to save sif. Frightening loop, causing them to run away. Isa and odile noticed something in its eyes though... a weird shade that gave them a visceral feeling.

Bonnie wouldn't be able to leave sifs side after this, as they were told that he was 'just going to take a nap' and he ended up getting attacked. So bonnie sees this and knows that they can't leave the rest of the party anymore, but what's worse about it is that even though frin looks half dead, they're not bleeding, like at all. Instead, every scratch and wound is this weird back nothingness, which is even more reason to not let him alone ever again!

Mira tries her best to heal him, but nothing happens, almost like its permanent damage, like its scars, which stress her out even more! The person who she thought she could trust with her life is now badly injured because of her! If she just didn't ask him to come along, he would never have gotten hurt! It's all her fault! Its-

And isa would hide his true feelings about the entire thing, just trying to cheer sif up by telling him how cool he is for being able to hold his own against that sadness, they that couldn't even damage... wait what? Why couldn't they damage it? Why could only sif damage it? Well that doesn't matter! Sif looks really cool now! He tries his best to help out the freaking out siffrin.

Odile on the other hand would take that thought and run with it. When she saw that when they tried to attack the sadness, not only did it not flinch, like at all, it's form also didn't even react! No small bits of water, nothing. And then there's the fact that whatever it did to siffrin is permanent and can't be healed, what it said was weird to, not to mention that IT COULD TALK? No something wasn't right here... they should really talk to siffrin later.

Yes! I am using some headcannons for this! Specifically the loop appeared before the loops and was just hiding, the loop being sap!sif but I made him worse, and one thing that's just true, is that odile will know that isa also saw the weird thing and will talk to them about it and everything.