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#portia: what???? when? where? HOW?
dollypopup · 1 year
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all of us out here sleeping on the ultimate upcoming dynamic of season 3 between Portia 'this little mofo has ruined my plans twice already in as many years' Featherington vs. Colin 'and I'm about to make it a third, die mad about it' Bridgerton
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grace-williams-xo · 1 month
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I HAVE FINISHED THE FIRST FOUR THIS IS GONNA BE MY MESSY THOUGHTS POST. SPOILERS AHEAD. [Part two rambles, addressing some of these.]
I want Cressida to be happy and I want her and Debling to work things out sue me I do
More than that I ship Cressida and Eloise,,,, frothing for them to kiss actually
Benedict my happy smiling boy with no thoughts behind the eyes I love you
I still want Sophie to appear late in the season
Anthony is so in love and obsessed with Kate it is grotesque like that man has not had a thought about anything other than his wife since he married her
Despite being the world’s biggest Kanthony lover,,,, I have to admit that their absence works better than I expected
Francesca and Eloise’s little friendship moment in ep 1 was so sweet [EDIT: I meant Francesca and Penelope smh my brain]
Francesca has my entire heart I want her to continue to thrive happy in part two
It’s not that I don’t like the Mondrich’s or their plot… it just feels very disconnected. Hopefully this improves
SO happy about Pen and Delacroix’s continuing friendship I always want more of that I love them
Anthony is gonna kill Colin when he gets back, Kate saying no is gonna be the only reason he doesn’t (I can’t fully explain it, I just feel like Anthony is gonna be mad)
Despite what I said in point 6, we do need kanthony in every episode of part two
Kinda loving Portia Featherington this season, sending her thoughts and prayers every time Prudence and Phillipa breathe, but also scared how she’s gonna react to Pen marrying Colin
When Colin finds out about LW,,,,,,
I like how late the introduction of Marcus was, and how slow burn that is
The first threesome scene wasn’t that bad imo and the second one, where he’s not involved, is so blink and you miss it and he’s clearly not into it anyway so also not that bad
This is going to be the longest 27 days of my life
P.S. I don’t know what to say about Polin. I was screaming at Colin for 90% of it. The carriage scene, the proposal; chef’s kiss.
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dragon-kazansky · 2 months
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Bridgerton shade of blue
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Benedict Bridgerton x Female Reader
Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.
{Masterlist}
{Previous Chapter} - {Next Chapter}
Season one
Chapter Fourteen - Scandals in abundance
♡♡♡
When you sat down for breakfast, you expected a peaceful morning between you and your mother. However, the knock at the door was urgent, and quickly did the butler come rushing in with the latest Whistledown column. He handed it to your mother instantly.
You sat there and watched many expressions cross her face, wondering what on earth had been written to have her react in such a frenzy.
Only when she was done reading, and only then were you given the paper to read. You took it from your butler and looked st the first column.
The gasp you let out was louder than you anticipated. Your eyes rose to meet your mother's.
"I must go."
She simply nods and calls for the carriage to be prepared for you. You head upstairs to get yourself ready immediately.
The Bridgertons must be beside themselves.
Marina Thompson is pregnant and has been since she arrived in Mayfair. Poor Colin had no idea. He couldn't possibly have. You were certain of it.
You had no idea that just the night before, he had devised a plan to run away with Marina to marry her in Scotland. Not that he could now, surely.
The carriage ride to the Bridgerton house felt like a long journey, though you were certain that had to be because you were anxious to get there. When the carriage finally did stop, you didn't even wait for the footman. You opened the door, startled the poor man, and hurried out. He watched you rush up to the front door and knock rather urgently.
The butler answered the door and called your name into the house. You entered and found your way into the drawing room. Violet was fanning herself on one of the sofas, Colin was nowhere to be seen. You made your way over to Lady Bridgerton and held up the glass of water that was sitting on the table to her. She took it and sipped it.
Benedict and Eloise were also present in the room, neither of them said a word.
"Did he know?" You had to ask.
Benedict and Eloise both shook their heads at you.
"Where is he?"
"In his room," Eloise answers rather solemnly.
Violet waved her fan a little more quickly. It would appear that one could not be a Bridgerton without coming close to a scandal. Lady Whistledown sees and hears all.
You feel for poor Colin. Apparently, he believed himself in love with the woman. Though Anthony took the blame for that. Colin was still young.
"Eloise, dear, we must get ready for the modiste." Violet closes her fan and stands from beside you.
Eloise groans.
"Now, dear."
You watch in silence as Eloise stands and goes with her mother. Before Violet exits the room, she turns to you. "It was nice of you to come by, my dear."
You smile at her and watch her go. Once she's out of the room, you turn to Benedict. "Tell me everything."
Benedict leans forward and tells you all he knows. From Marina's arrival to the pregnancy, she had kept secret. The man she was under love with and his absence. It had all been in Whistledown. You didn't learn anything particularly new other than that Marina had intended to keep her condition quiet and then tell Colin she was pregnant after they were married.
Portia Featherington knew, of course. It's why she was so keen to marry Marina off.
"Gosh."
"Yes, I know."
"How is Colin?" You ask. "Truly."
"Not great, I admit. He hasn't spoken a word to us since the paper arrived this morning. He has kept much to himself."
"Do you think he will speak to me?"
"I do not know." Benedict says softly. "Do you wish to try?"
You shrug lightly. "No harm in attempting."
Benedict leads the way to Colin's door, and you knock gently on the hard wood. You hear no response, but with one nod from Benedict, you talk.
"Colin? I'm sorry to hear of what happened. I hope you are well."
Nothing.
You sigh. "Know that you may call on me for anything."
You turn and face Benedict. You have no idea what else to say. What does one say in such a situation?
Benedict leads you back to the drawing room.
"I believe there is to be a family meeting. Daphne is coming down too."
"Daphne? Goodness. Word reached her door, too?" You sigh.
"She is family."
"I know. I envy that."
"Envy?" He looks at you curiously. "Envy what?"
"That bond you have with your family." You sit down again, not sure what else to do with yourself.
"You do not have that bond with your mother?" He asks, sitting opposite you.
"Having a bond with your mother is one thing, but you Bridgertons are a family. You have siblings. Anthony, who looks out for all of you, though admittedly, not always in the best of ways. Daphne, who adores you all so dearly she will make such a trip just to be here for her brother. I have no sibling. No father. Just mother. When something happens in my family, we only have each other."
Benedict fights the urge to reach out for your hand.
"I shouldn't complain. I am lucky to have what I do, and I am grateful. I just wish I had siblings to look after and rely on. I hope I have several children one day who can experience that."
Benedict listens to you talk about your hyperthetical future again. Every time you talk about it he feels a strange twinge begin to turn in his chest.
"I'm sure that will be a reality one day."
You smile wistfully.
"I shall be good to see Daphne again. I have missed her. Have you not?" You ask.
"Of course. She is my most sensible sister." He grins.
You laugh. "I have to say the most sensible of the lot."
Benedict laughs, too.
It feels good to laugh.
♡♡♡
Daphne doesn't arrive until the evening. You have long since left the Bridgerton house by then. Benedict had seen you out, and you spent the rest of the day at home.
A family meeting was just that, for family.
You don't see the Bridgerton family for a couple of days. As you understand it, Colin and Marina meet, chaperoned by Daphne, to talk. It wasn't the most cheerful conversations, you hear.
The queen's luncheon was the first time you saw the Bridgerton lot after a few days of absence. Daphne had been the one to reach out to you after securing an invite. You accepted, of course.
You stood in the gardens and awaited their arrival. All eyes were certainly on them upon their entering the garden.
Benedict caught your gaze and offered a small flicker of a smile. You smiled back. He looked relieved to see you. Perhaps all this drama surrounding his family was a bit much over the last few days.
You wanted to approach them, but your mother kept a firm hold on your arm. You sip your drink quietly, eyes drifting away from the family you so wished to greet.
As people approach the Bridgertons and the Bassetts to greet them, Benedict finds himself greeted by Granville.
"I have missed you in the studio of late. You must join me for another drawing lesson," Henry says to Benedict. "As I said, improvement is all a matter of practice."
Benedict glances over in the direction you're standing in. His mind briefly recalls the day he let you see into his sketchbook. Your words rang clear in his head.
"At least, that is the excuse he gives for coming home with paint in all kinds of peculiar places," Mrs Granville says with a chuckle.
Benedict giggles awkwardly and then spots someone just beyond the garden talking to Cressida Cowper of all people.
"Ah! Were you able to meet my friend Wetherby at my party? Come, I shall introduce you."
"No, thank you." Benedict says quickly. "I- I see my mother requires my presence. Good day!" Benedict leaves quickly.
Truth be told, he hadn't visited the studio since you asked him where he went off to on his evenings. He couldn't bring himself to go back.
That, and you complimented his art so wonderfully. He often heard your kind words in his mind as he sketched these days.
He was rather starting to like his work.
The Featheringtons arriving had all eyes on them. No one whispered a word about Colin. However, that did not mean they wouldn't talk about the family that had hosted the girl mentioned in the gossip column. If anything, people defend Colin.
Eloise rescues Penelope from the stares her family are retrieving.
Portia tried to talk to Violet. It was rather awkward to watch. You turned your eyes from them and tried to speak to your mother, but even she was watching with keen eyes.
The Featheringtons are asked to leave once Violet walks away without saying a word.
You watch Penelope follow her family out.
The next to walk off is Daphne, and you know not why. You hadn't even had the chance to talk to her.
Something seemed to be upsetting her too.
Your heart ached to see the people around you suffering. It seems it doesn't simply rain. It pours.
Managing to free yourself from your mother, you stroll along the outer hedges of the party. Benedict manages to intercept you there, smiling softly at you.
"Hello."
"Hello." You repeat softly.
"It's been a bus few days."
"Yes. I imagine."
Benedict stands there and stares at you for a moment. He's not sure what it is he wants to say. That is, if there is anything at all he wants to say. All he knew was that he wanted to see you.
"You look sad," he says.
"Sad? I'm not sad."
"No?"
"No."
Silence falls between you both. He scans your face quietly. You're avosiign his gaze, and he can see the way you lightly pluck at your gloves. Rather pretty gloves, he might add. Did you always wear such pretty gloves, or did you pick these out, especially for this occasion.
Benedict frowns. Why did he care so much about your gloves?
"What is the matter?" He asks softly.
"I can't help seeing the sadness in others around me. Colin. Daphne. Penelope. Your mother."
Benedict remains silent.
"Everyone seems to be hurting in one way or another, and I either do not know why, or do and cannot do a thing. Can I confide in you about something? Without judgement and disdain against me?"
Benedict gives you the slightest nod.
"I hate society."
You see the way his brows raise. Yet you see no judgement in his eyes.
"I hate the way it judges, discriminates, gossips, and picks and chooses. I hate the way it functions." You speak so passionately, from the heart. "Society turns its back on someone the moment they step out of line or even slightly bend the rules. One wrong move or word and its all over."
Benedict is intrigued by your views. So many thoughts must be occupying your mind, and he's only heard a fraction. It's in this moment he realises he doesn't know you. The real you, that is. He just knows a fraction of who you are.
There's a goofy crooked smile on his face.
"What?" You ask, looking at him.
"What?"
"You think I'm silly, don't you?"
"I never said that," he defends himself.
"Then why are you looking at me like that?"
"Like what?" He chuckles.
"That!" You say, trying not to raise your voice too much. You weren't fond of the idea of drawing attention to you both.
Benedict merely laughs, and you groan softly. Now you're getting agitated, and he would be lying if he said he wasn't somewhat enjoying that.
"I think you're fascinating."
You state at him blankly. "Huh?"
Benedict chuckles again, and you quickly jab him in the arm without anyone noticing.
"Ow!"
"Shut up," you hiss at him.
"What? What did I say?"
"Nothing! Forget it. You're infuriating me." You sigh.
Benedict tries to hold back his giggles.
At least someone can smile despite the rain clouds over everyone else's heads.
You crack a smile and then giggle. Benedict laughs, too. You both must look so silly giggling in the hedges.
"Oh, Benedict, you do make every miserable thing seem more positive." You smile at him.
"How so?"
"Just by being you."
Benedict swears he could fly from the amount of joy you have just bestowed in him. Never has anyone said anything more heartwarming to him than that.
As you travel home in the carriage with your mother after the luncheon, you cannot stop yourself from smiling. You have been cheerful from the moment you left.
"Whatever has you grinning, dearest?" Your mother asks you as you gaze out the window.
You keep your eyes trained on the passing scenery, your lips ever grinning.
"Nothing, mother. Nothing at all."
♡♡♡
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little-lynx · 1 year
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EVERLARK OUTFITS: THE VICTORY TOUR
This part of “Catching Fire” is done (finally) so I put it all together;) DISTRICT 11, THE SQUARE
I go to my compartment and let the prep team do my hair and makeup. Cinna comes in with a pretty orange frock patterned with autumn leaves. I think how much Peeta will like the color. <…> As the train is pulling into the District 11 station, Cinna puts the finishing touches on my outfit, switching my orange hairband for one of metallic gold and securing the mockingjay pin I wore in the arena to my dress. <…> I can hear the anthem beginning outside in the square. Someone clips a microphone on me. Peeta takes my left hand. // Catching Fire, ch. 4
I think this dress should be a little semi-official so I choose cape sleeve sheath midi dress. It’s perfect for autumn (and they have early autumn weather there in 11th). The hair is just plain + gold hairband = girlish innocent look like the one after the games (this tactics they choose for the Tour). Plus I wanted to draw Katniss with her natural straight hair because i draw her with her braid usually ;) And again nothing about Peeta’s outfit. You know I feel like Portia 😅 because I have to choose how to dress Peeta. I’m not complaining through. So it is black suit with golden buttons (matching Katniss’s hairband and pin), thin soft orange sweater and black leather shoes.
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DISTRICT 11, THE DINNER
A pale pink strapless dress brushes my shoes. My hair is pinned back from my face and falling down my back in a shower of ringlets. Cinna comes up behind me and arranges a shimmering silver wrap around my shoulders. He catches my eye in the mirror. “Like it?”  “It's beautiful. As always,” I say. “Let's see how it looks with a smile,” he says gently. // Catching Fire, ch.5
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DISTRICT 7
Jackson has devised a game called «Real or Not Real» to help Peeta. He mentions something he thinks happened, and they tell him if it’s true or imagined, usually followed by a brief explanation. <...> But since Peeta’s greatest confusion centers around me—and not everything can be explained simply—our exchanges are painful and loaded, even though we touch on only the most superficial of details. The color of my dress in 7. My preference for cheese buns. The name of our math teacher when we were little. Reconstructing his memory of me is excruciating. Perhaps it isn’t even possible after what Snow did to him. But it does feel right to help him try. // Mockingjay, ch. 19
So we have only one sentence in “Mockingjay” about this outfit. And still I decided to draw it because I have a theory (head canon?) about it. I think Peeta remembers the color of her dress because it was special night for him (a lot of kisses and attempts to sneak away from everyone and maybe it felt very real at times) and also because she had two braids and the dress was red. RED is the color ❤️. / Peeta has dark red + black + a little bit gold which is also sexy color combination.
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DISTRICT 5 I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs. All of the wedding gowns he designed for me went back to the Capitol, but there are some dresses I wore on the Victory Tour.  <…> Annie wears a green silk dress I wore in 5, Finnick one of Peeta’s suits that they altered— the clothes are striking. <…>  As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s.  // Mockingjay, ch. 16
Katniss: green silk dress + wavy sleeves + sea waves embroidery / Peeta: ivory dress shirt + knitted green waistcoat with sea waves embroidery + tweed suit
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DISTRICT 2
Girl talk. That thing I've always been so bad at. Opinions on clothes, hair, makeup. So I lie. “Yeah, he's been helping me design my own clothing line. You should see what he can do with velvet.” Velvet. The only fabric. I could think of off the top of my head. “I have. On your tour. That strapless number you wore in District Two? The deep blue one with the diamonds? So gorgeous I wanted to reach through the screen and tear it right off your back,” says Johanna. // Catching Fire, Chapter 15
This description gave me strong “Anastasia” feels 😅. So I loosely based Katniss dress on Anastasia’s ballet evening gown. For Peeta I chose tuxedo jacket similar to Salvatore Ferragamo design for FF 12/13.  Neo classic, purple velvet, shiny shoes. Also I decided to include a cane, both to help Peeta to have some rest during all this Tour activities and as an accessory.
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DISTRICT 12
When we reach the mayor's house, I only have time to give Madge a quick hug before Effie hustles me off to the third floor to get ready. After I'm prepped and dressed in a full-length silver gown, I've still got an hour to kill before the dinner, so I slip off to find her. <…> She [Madge] saw my reflection behind her and smiled. “Look at you. Like you came right off the streets of the Capitol.” // Catching Fire, ch.6
When I started drawing this one I just felt that I need to make it look very “Capitol”. So I added some feathers. A LOT of sparkling feathers, haha. Also there are some “moon and stars” accessories in Katniss’ hair because this silver gown gives me moonlight vibes. For Peeta I came up with classic suit but made him wear it casually.
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andmineisyellow · 4 months
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I'll be honest, my biggest takeaway from the sneak peek wasn't, "Yes Pen, read him for filth!" It was, "Oh Pen is totally shame spiralling out of control." Because yes, Penelope has every right to be upset with Colin and tell him why she is upset, but most of the emphasis in this scene is on just how much Penelope hates herself. She doesn't believe Colin when he compliments her dress (a direct parallel to scenes Pen has had with Marina and Edwina in the past), she calls herself a spinster even though she's only 19 (I'm willing to bet Portia refers to Penelope as a spinster at some point before this scene), she assumes Colin sees her as an embarrassment, and again she points out that even though she managed to change her wardrobe, she is still a laughingstock.
This whole scene does way more to demonstrate Penelope's insecurities than it does to paint Colin as someone who needs to grovel for forgiveness. If anything, Colin is handling the situation maturely. He openly communicates his feelings, he doesn't deny what he said, and it's clear he wants to work through the issue.
Penelope is so unhappy with herself that she's taking it out on him more than she should. It's easier to blame him for the one thing he said rather than force herself to look inward. But I think once Colin comes to her again with his plan to help her find a husband, this is going to shift. Penelope will be put in a position where she will have to reflect on those insecurities and Colin will be the one with her on that journey.
Which brings us back to Nicola talking about Penelope putting Colin on a pedestal. He might be off of that pedestal after what he said last season, but she still doesn't view him as a fully flawed human being yet. Once Penelope forgives Colin at the end of 3x01, it's going to open up her eyes and allow her to see Colin as a full human being and as her equal (not as her idol). This is how we get "You're my mess," and "You're the imperfect man of my heart."
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weepynymph · 22 days
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Penelope’s window 
Obviously the Featherington’s drawing room window looking out across the square to the Bridgerton’s house is a hugely significant part of this season (which is so fantastic because it’s been planted for two season straight now that’s she’s constantly sitting there - I love it!) but what about Pen’s bedroom window? 
On first watch I automatically assumed during the scenes where she’s sat at her bedroom window all day after her and Colin’s lessons are revealed to the ton that she was, as usual, looking out at the Bridgerton’s house. Especially because we immediately cut from this image to Colin looking out of HIS drawing room window towards the Featherington’s house. But then on second watch it struck me that her bedroom doesn’t look out over the square, its on the opposite side of the house, overlooking the gardens.
The best evidence I have for this is 2x08 where its looks as though Pen is watching the fireworks in her bedroom.
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And during the scene in 3x02 from what I can see it’s mostly trees out there which doesn’t match up to the square at all so it’s got to be the back of the house.
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So when she withdraws from society and hides in her room, it’s not the Bridgerton’s house she’s staring out at all day - it’s the garden. It’s the place where they made this disastrous plan, and the place where she heard Colin say he’d never court her.
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Later that night when Colin meets her in the garden (God the symmetry is so GOOD) she describes herself as ‘a sad, stupid girl who believed she might possibly have a chance of love’ and I can’t help but be reminded of how crushed she was at the end of last season when she believed that things might finally be happening with Colin only to hear him completely reject the idea of ever courting her. 
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I’d be willing to bet that she spent a good portion of that day in 3x02 staring out at the garden thinking about that night and punishing herself for having let herself hope, for having ‘brought this on herself’ again.
For Penelope, the drawing room window represents the hope that she might someday be with Colin. When she says to Debling in 3x04 she’s ‘grown tired’ of the view I think she means she’s grown tired of hoping for something that will never happen.
Whereas her bedroom window, I think, has come to represent the destruction of that hope (at least at this stage in her story). The only times we see her looking out of it are 2x08, and here in 3x02: moments when all hope is lost for her, not just in terms of being with Colin, but of finding love at all. Portia makes it pretty clear in this scene that the idea of Pen making a match is unrealistic, one could say, laughable.
And then where does Colin bribe Rae to bring Pen so they can have a moment alone? Not the front of the house or that little side entrance we see her meet Eloise at in season one (which would probably be more discreet to be honest), but the garden.
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Whistledown’s narration is significant here too, she says: ‘a small taste of the light can lead to that most dangerous of emotions. Hope. And once hope is lost, a lady may become reckless.’ They are literally standing in the place where hope was lost, the place where he broke her heart last season, and the whole script is about to get flipped. She thinks this is the end of everything, when really it’s the beginning.
She’s been staring at the garden all day thinking about everything it represents; how she is nearly on the shelf and may die without ever having been kissed, how Colin Bridgerton would never dream of courting her. But it isn't true. Instead, true love is waiting for her down there. Hope is waiting for her down there. She is not going to die tomorrow. She is not going to die without ever having been kissed. Colin Bridgerton WOULD dream of courting her (and is about to in the next episode! In the bloody garden!!!)
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This turned into a dissertation but all this to say that this is why Colin Bridgerton needs to climb through that bedroom window in part two and thoroughly make it up to her, thank you for coming to my Ted Talk.
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Hello, I'm requesting the mini HC nightmare scenario again, of the M6 having a nightmare of MC dying, please and thank you! 🫶🏽
The Arcana Mini-HCs: M6 have a nightmare of MC dying
Julian: wakes up hoarsely crying your name in a cold sweat, freezes when he sees you, then melts in relief when he does. instantly holding trembling fingers against your wrist to feel your pulse when you brush the hair out of his eyes, hesitates to ask you to hold him for comfort but will turn into a grateful, exhausted puddle when you do
Asra: oh. oh no. wakes up with a jolt and refuses to talk about it, instead asking shakily if they can hold you before burrowing with you under the covers and clinging to your chest. doesn't say much beyond "I forgot how bad it was" as he glues his ear to your heartbeat and tangles himself up with you. tells you the dream later if you ask
Nadia: startles upright with a small scream, needs a moment or two to register that you're in front of her and okay before she snaps out of the horror-induced daze. hesitant to fall asleep again, extends a no-pressure invite to you to join her for some tea and a midnight snack. either way, she's staying where she can see you breathing and happy
Muriel: already in a full-blown panic attack by the time he wakes up and the only thing to do at that point is help him ride it out. Inanna's quick to fetch a pouch of myrrh and lean against his back, but what helps him most is when you crawl into his lap and breathe with him, each grounding, mirrored breath a reminder that you're here and ok
Portia: almost flings herself out of bed with a gasp, immediately collapses into relieved tears when she sees you still next to her. tells you between sobs about her nightmare and only really starts to calm down when she can feel you holding her just as tightly. falls back asleep fairly quickly, but spends that time gently tracing your face
Lucio: if you weren't already awake from his sleep-shouting, he's shaking you awake with tears streaming down his cheeks just in case you really are dead, please wake up, please please please - oh good you're up, hold him until he feels better and listen to him while he tells you about his dream. keeps watch the rest of the night, just in case
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One of my favorite things about S3 is Colin and Portia. Colin, upfront, defending Penelope, unafraid, showing he has a backbone and is an intelligent man now, not a boy, surprised Portia and made her rethink a lot of things. It made her start to respect him. But i love the journey that made her truly do so, but also like and admire him, and believe he is the best for her daughter. Again and again she realized that Colin would not forsake her daughter. That Colin was not only the love, but the security she so wished for her daughter. First, when she knew they were fighting before the wedding, she knew something was up and he was upset with something but he stood by her daughter's side, he tried to pretend all was well for Pen's sake too, he married her. And she could see there how much he loved her. Then she learned that he married Penelope knowing her secret. She understood that Colin, not only being hurt by what that secret meant to him personally, but knowing about the possible social consequence that could bring to him and his beloved family, he chose Penelope. Because he did, he put Penelope above his family in many ways, if we think about it, and he was worried as hell but he did it. But the moment that solidified that, where she truly believed this man will always cherish, protect and love her daughter, was when he learned about the blackmailing. Portia was afraid he would finally think it's enough, but what he wanted was to try to protect her in any way he could. he never even considering letting her go. That healed something in Portia, i think. Now she respected and admired Colin, she could feel that was happened to her, to her marriage and her life would not happen to Penelope. Not only because Penelope would not allow it, she found her own strength, but because she knew he would always be by her side, lovingly, fiercely.
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bakuliwrites · 1 year
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MC Falling Asleep on M6's Lap (Baewatch)
It's been a hot minute since I posted anything and, unfortunately, I don't have the brain power to do any new content. But I figured I would post a headcanon from my old blog. Someone had requested this a long time ago and I loved writing it. The idea was so cute! I love the Baewatch tale and the bonfire scene at the end is so fun. So, here you go! Also, updated my banners just to try out something new :)
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Asra is more than prepared for you to fall asleep on his lap. In fact, he can sense your exhaustion before even you can. He gives you a knowing smirk at your first yawn, leans back where he’s seated in the sand, and offers up his lap for you to lay your head in.
“I’m not sleepy,” you insist, crossing your arms indignantly. But his lap looks pretty inviting. Within minutes, you’re conked out, head cradled by Asra’s legs. He tenderly runs his fingers through your hair, smiling softly down at your slumbering form.
When it’s time to leave, he gently rouses you from your sleep. “MC,” he whispers, carefully shifting you in his lap, “It’s time to go.” Groggily, you rise. Hand in hand, you and Asra walk the length of the beach, back to your room, where you get some much needed rest, snuggled up in his arms <3
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You’re already resting your head on Nadia’s lap when you feel the first twinge of exhaustion. Your eyes start to droop, though you try desperately to keep them open. You want to watch Julian’s magical fire display, but you’re just so tired.
Nadia discovers you’re asleep when she looks down to see if you’re enjoying yourself. She smiles to herself, moving a strand of your hair aside that’s fallen in front of your eyes. She thinks you look positively adorable. So adorable, in fact, she feels suddenly compelled to pinch your cheeks (but refrains, not wanting to rudely awaken you).
When it’s time to go, Nadia lays a soft kiss on your forehead and whispers your name. She guides you back to your room, holding you close and keeping you warm in the chilly night air. She makes sure you have everything you need before snuggling up beside you in bed<3
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You’re dazzled by the multicolored lights flashing before your eyes, changing with each powder Julian tosses into the fire. There’s so much joy floating around the campfire, you find yourself feeling utterly relaxed. So relaxed, in fact, that you lay your head down in Julian’s lap and pass out.
Julian’s too busy showing off his magical powders to notice you’ve fallen asleep, at first. But when he finally does take notice, he makes sure to quiet down. He rubs small circles on your back, gazing thoughtfully down at your peaceful face. He’s glad to see you so restful.
When it’s time to go, he doesn’t bother to try waking you. Instead, he carefully lifts you into his arms and carries you back to your room. He’s so very gentle when he tucks you in, stealthily sliding into bed beside you and cuddling you close <3
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Portia practically pulls you into her lap when she notices you yawning. With a wink, she promises she’ll wake you up if anything crazy exciting happens. You smile up at her before falling asleep to the comforting sensation of her combing her fingers through your hair.
You’re knocked out for the remainder of the bonfire. Portia makes mental notes of all the things you’re missing, ready to regale you with all of the nonsense that occurred while you slept. She marvels over the fact that you could sleep through Lucio’s racket (though she did see your face twist in what could’ve been annoyance when he was being particularly loud). She was quick to quiet him down, shooting him a dirty look.
When it’s time to leave, Portia leans in to whisper in your ear, “Come on, cuddle bug. It’s time to go.” She giggles as your eyes flutter open and you flash a quizzical look her way. She’s never called you “cuddle bug” before and you’re not sure how you feel about it. You can’t help but laugh a little as she guides you back to the room, ready to settle in for the night with you <3
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Muriel has been silent, as usual, the whole of the night. But you’ve caught him smiling a few times. He seems a bit mesmerized by the changing colors of the fire. Seeing him relaxed makes you feel even more relaxed than you already were. You lay your head down in Muriel’s lap, which startles him at first, and decide to close your eyes for a minute.
Well, a minute becomes a while. You’re lulled to sleep by Muriel’s warmth, the crackle of the fire, and the gentle rush of the waves. Muriel is rigid when he discovers you’ve fallen asleep on him. He doesn’t move a muscle the entire rest of the night, terrified to wake you up. In fact, he barely breathes in fear of rousing you (something you’ll laugh about later).
When it’s time to go, he awkwardly lifts you from the ground, cradling you gently in his arms. You wake up on the walk back to your room, but he keeps you snuggled up in his embrace. When you reach home, you fall asleep again, wrapped up in his arms <3
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In the brief moment that night when Lucio is actually sitting still, you manage to lay your head in his lap. “Don’t you go falling asleep on me, MC!” he teases, catching you yawning, “The night is young, yet!” You roll your eyes at him, settling further in. Secretly, he’s happy you’re cuddling up with him.
Despite Lucio’s hullabaloo, you manage to fall asleep. When he looks down to ask if you want anything else to eat or drink, he notices you’re passed out in his lap. A lot of things go through his mind, all at once. He has half a mind to draw a moustache on you, smiling devilishly at the thought. But he’s also just really delighted that you’re relaxed enough with him to fall asleep.
He lets you rest (though he’s not very good at keeping quiet for you and, in his excitement over the bonfire, he definitely bonks you in the head a couple times with his knee which is followed up by profuse apologies, smooches, and hushes for you to go back to sleep). When it’s time to go, he shakes you awake (a bit unceremoniously), but makes up for it when you return to your room by tucking you into bed and cuddling up beside you <3
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gleefullypolin · 3 days
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Stacy's Tipsy Musing's - Colin Bridgerton Hot Takes - Part 1
Ok boys and girls, we need to have a little chat about Colin Bridgerton.
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Part 2 has been out now for a couple of days and there have been a lot of hot takes to come out of the season. A LOT of hot takes.  I’m going to break this down into 4 parts. 4 questions that I'm seeing really bad hot takes about Colin.
Now none of this is new, I gotta say before Season 3 aired Colin was a hot button topic anyway. He seemed to be the Bridgerton brother that lots of people love to spew hate takes on anyway. But damn I gotta say its painful seeing the Polin fandom have so many bad takes falling from their lips.
So, I figured...having a little drink tonight, sitting down for Father’s Day (Happy Father’s Day, Colin) I’d give you the opinion on some of these takes that you didn’t ask for...Mine!
Ok let’s start with the hottest take. Question 1:
Does Colin really believe that Pen entrapped him in marriage?
“Perhaps that was another part of your planned entrapment”
Ok I have to say, I have never seen one line inspire SO MANY BAD TAKE FANFICS IN ALL MY LIFE! Let’s start at the beginning...he found out about Lady Whistledown by following Pen because he noticed she and his sister run off together and disappeared. His sister who was not speaking to Pen previously from his knowledge. So not only is he suddenly feeling betrayed by his future wife, but also his sister.
Now add to this, his trying to reconcile this lie in the middle of planning a wedding to the woman he thought he knew most of his life as quiet little Pen, who just weeks earlier he was trying to teach how to flirt and land a man. He is confused and angry.
But that’s only 2 layers of hurt. Let’s keep adding to that. Layer one, we have the lie. Layer two, we have a woman he thought he knew. Add in Layer three, the Marina situation.
The original LW lie for him was about Marina’s lie. The original entrapment. An entrapment that Colin was willing to look past. He was still willing to marry Marina despite her deception. He still checked in on her post marriage to Phillip to ensure she was happy, to see if she regretted NOT marrying him. Colin always regretted his behavior to Marina’s entrapment. An entrapment that LW pushed into the light and forced a different decision for him. I don’t think he cares about Marina now, he never once accused her of taking Marina from him, he never loved Marina, but she took his agency, his decision.
Now for the fun of it, let’s add layer four. Portia’s already accused Pen of entrapping Colin during his confrontation with her. An accusation he strongly defended her against. An accusation which led to him telling her he loved her for the first time and them sharing their first time together. Which he is now reminding her of.  “I’m a man of honor. And we were intimate.” Colin knows how to hurt Pen. We always know how to hurt those we have known for a long time, and they are of course the oldest of friends. He is striking her where he knows it will hurt her the most. Because he is hurting, and she caused the blow.
So let’s talk about the biggest blow of them all. “Perhaps that was another part of your planned entrapment” He doesn’t look her in the eye when he says any of this. He can’t, because he KNOWS he’s being an asshole. He knows its below the belt. But she hurt him. He’s angry, hurt, lashing out.
Because of Layer five...Hot anger at what she wrote about him at the beginning of the season. This person who knows him better than anyone else, wrote truth to page. No one knows the real Colin the way Pen does. His brothers toasted him when he returned home because of his new female attention, his friends said he was more fun this season. But Pen called his new persona a ploy for attention. She saw him for what he was. A fraud. If he is to forgive Pen, he is to also start to acknowledge that there is truth in things she says that perhaps Lady Whistledown does not tell lies.
But then there is layer six. Jealousy and shame. Colin has sat in all of his emotions, yes he’s angry about what she has written,but we get to the heart of it, he’s jealous of her and that makes him ashamed of himself. That’s very Book!Colin coded who was very ashamed of his jealousy, so much so that Pen mistook his silence and brooding as shame of her. But this Colin is brooding in his own shame and jealousy and lashing out at her.
And then we get to layer seven. Colin loves Penelope above all else. And with this love and hurt and shame and jealousy, there is nothing that will stop him from marrying her. And in part, that is where his ire in this pointed cut comes from. He’s reminding her that they will marry. This will happen. This woman who is a successful writer, something he thinks he will never be, will marry him. Because he has laid claim to her. He has bedded her. They were intimate, she was compromised, and they have entrapped each other. But above all, he loves her, and Lady Whistledown will not change that decision for him this time. This time, he will marry.
Seven layers of lies, deception, past hurts, parental pressures, anger, jealousy and shame, and above all love sat on his tongue and wormed through his thoughts for days until they cut out at the small woman beside him that he needed to hurt in that moment. The woman he had been avoiding for that very reason.
Colin is not a hateful man. He was a kind man. He was rarely angry. But when he was finally put in a place where anger was his only emotion, he avoided Penelope, so that he didn’t hurt her, so he would not say things that were unkind and would hurt her. But when put into the place that he could not avoid her, he lashed out. He made it very clear how things were going to go and he pouted, and he brooded and he said unkind words.
And he was ashamed. And after that he did his best to avoid her, (by being out drinking, sleeping on the couch, avoiding intimacy) so he would not lash out at her again. Because he was ashamed.
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Stick around for Part 2.... Why would Colin send Pen home alone after finding her on the street at night?
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sapphicbluebelle · 5 days
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I love how Bridgerton always takes these stereotypical female archetypes and then subverts you expectations and makes you rethink everything you thought about that character. And they don’t do it right away either, they let you get comfortable with the archetype for a while and then boom, they’re suddenly not as superficial as they seemed.
Lady Featherington seemed like the typical mean mother with selfish goals and underhanded tactics. But throughout season 1 while building up her villain persona they also set the stage for her arch in season 2. They showed Portia being ruthless blatantly but they also showed her being constantly let down by her husband, though that was less subtle, they also showed how she was money hungry, but didn’t highlight that the money she wanted was usually FOR her daughters. Th en in season two they continued this with Jack featherington. It was the scene at the end of the season where Portia says her iconic “I am a mother” line that was the turning point in her story I think. It took all of that set up she had had as a woman who had been constantly let down by the men in her life and showed her building herself and her daughters back up even when they had been taken advantage of time and time again. Portia Featherington isn’t a villain, she is a woman who fought for herself and her daughters to have power in a world that sought to demean her and give her no power.
Cressida Cowper for the first two seasons was plain and simple: a mean girl. That was her character through and through. Season 3 takes that mean girl persona and shows Cressida in a new light. Cressida is not a mean girl with high status. She is a girl with no power in the world. Cressida is not unlike Penelope, but rather than using a quill to try to desperately give herself power, she uses insults and jibes in person. She is not desperate for a husband for status or power like we were made to believe, she is desperate for a husband so that she may be free, free from her father, and free from the confines of her mausoleum of a house.
Philippa Featherington is considered the unintelligent woman. For the first two seasons she is treated by bother the other characters and the narrative as this ditzy lady who doesn’t know much. Season three keeps this narrative for the lost part. But it also starts to show her as less ditzy and more misunderstood. It shows that Philippa is not unintelligent, she has just not been given the tools in life to build her knowledge. Phillippa’s defining moment to subvert expectation was her “bugs” moment where everyone had seen her as being very naive and ridiculous for wanting to release bugs during a ball. But when she releases them you see that what she meant was butterflies. Phillips Featherington is not unintelligent, she is just unapologetically herself.
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sea-owl · 2 months
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Ok but I wanna talk about Portia in that trailer and the absolute pride in her voice when she's taking to Penelope.
I personally love Portia's character and how she's been a foil to Violet in that she's a loving mother, but she's also a realist about the society they live in. She's a tough love, no nonsense type of mother. She's making sure everyone survives as a top priority, if she has to be mean to get them there than so be it.
She's been at odds with Penelope the last two seasons mainly because of their different views. Portia is a realist, while Penelope still has dreams like most 17-18 year olds. Portia, in her own way, has been trying to bring Penelope back to reality.
An example of this to me is the scene where Portia finds out Penelope has been writing to Colin. The first thing she says "I declare Penelope," in a softer tone and when Penelope declares Colin her friend that tone becomes more strict. She tells Penelope, "Colin Bridgerton is no more your friend than I am the next Catherine the Great." Is it mean? Yup. But looking at it through Portia's eyes there's some truth to it. Their society doesn't allow friendships between single men and women. Colin and Penelope writing to one another without being engaged or even a proper courtship was actually very inappropriate. Portia probably does understand that there really isn't anything inappropriate in those letters and they are actually friends but she also knows no one else would see it that way. If she wanted she would have been well within her rights to go to Anthony about it and raise a fuss. She needs Penelope to see this too.
Now come season 3 in Portia's pov Penelope is finally taking the marriage mart seriously. She's got herself a suitor who is a titled lord, and Portia is proud of her. No more silly little fantasies of love. Meanwhile Penelope is probably weirded out with some other mixed feelings by this because this isn't what she is used to from her mother.
Makes me excited to see where their relationship goes. Because honestly, Penelope probably inherited the most from her mother, but she's in denial about it. It mostly comes out in Lady Whistledown, but that sharp wit and scheming mind is Portia. Penelope will actually fall into Portia's line of thinking when she's backed into a corner. When she saved both Colin and Eloise, she knew they would be hurt, and she's sorry about that, but she also knows they'll be safe. That is Portia's school of thought 101.
I've also been wanting to see how they approach the big heart to heart between the two of them. I want them to get into a screaming match that breaks down into them sincerely talking to one another. Penelope's confidence is supposed to get a boost this season, and we know she's not afraid to subtley barb at her mother. I hope they have Penelope confront Portia at some point, forcing everything out in the open.
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lauraameyauthor · 1 month
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Lots of thoughts about the first half of series 3, but I'm not sure I can put all of them into words (what am I, a writer?) but here is a list of highlights:
Colin's "pirate" costume and new hairstyle both does and doesn't suit him and I love how that was intentional. He's still finding himself and it is made obvious that this new, almost-rakish lifestyle is the result of that. It's only when he's with Pen (and sometimes his mother) that he forgets to play the part he doesn't even realise he's playing.
The first kiss scene was heartbreaking. Penelope saying she wants to be kissed once before it's too late... tears!
That one kiss (two, actually - Colin snuck an extra one in) was enough to turn Colin into a flustered mess and I am loving it. His awkwardness with his family the morning after his dream was hilarious.
I like how Eloise and Penelope's friendship isn't totally broken but not repaired either. It's obvious Eloise still cares about her and they both miss each other. The next few episodes are going to be the real test, however.
I do like that they have given Cressida a bit of depth and that she is slowly changing for the better.
The directing is a lot better than last season's.
Colin entering his slut (but only for Penelope) era is brilliant to watch. Particularly the scene with the cakes. And don't think I missed how often your eyes travelled lower than proper, Mister Bridgerton.
Lord Debling was lovely and not at all like the love triangle I feared. I also adore how he noticed the reason Penelope sits at the window.
I love how over the top the dialogue in the dream sequence was. It was acted like Colin was dreaming himself the dashing hero of a novel (I know he is the dashing hero of a novel, but in-universe, I mean. It's dashing-hero-of-a-novel inception.)
Benedict running away from that one debutante and using Lady Danbury as an escape.
Francesca's wallflower moment with Penelope was very sweet.
In fact, Francesca is sweet altogether. And I love the budding romance with the Earl.
Penelope's sisters make for great comic relief. As do their husbands. The revelation that Philippa and her husband hadn't been having sex at all was hilarious.
It's nice to see Penelope start to stand up to Portia, and for Portia to start to realise how much she is failing her daughter.
And, lastly, the carriage scene. I love everything about it, from Colin's facial expressions, to the declarations, to the moment where he straightens her dress and kisses her sweetly... all leading up to the best possible way to end an episode. "For God's sake, Penelope. Are you going to marry me or not?" We love Chaotic Colin Bridgerton.
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dollypopup · 3 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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Season Three Bridgerton Predictions (Mostly Just Stuff I Want To Happen)
With Charithra Chandran not coming back in season three, they're going to excuse Edwina's absence by saying she married the prince and is living with him in Prussia.
We get flashbacks of Colin and Penelope as kids, where they were closer, but then we see them get distant because of ✨️society✨️ sending them on different paths.
Francesca, Gregory, and Hyacinth start having a few relevant and independent character moments and actions other than just being 'the younger ones' and have a greater impact on the story.
So. Much. Jealousy. From. Colin. And he doesn't even know it. He sees all their lessons paying off, and he gets jealous, but then he has no idea what he's even feeling. He'll act so passive aggressive with a potential suitor and Penelope's will be like, "What's wrong with you; we had a plan?" And he's like, "I don't know??" "Well stop." "I can't????" He'll land to the conclusion that he just think these men aren't good enough for Penelope for so long. It'll come up in a big argument and she's all like, "Well whose good enough for me? Someone like you?" And then he's like "Yes! Oh." And Penelope is so annoyed because NOW this guy likes her? Just as she was trying to move on? But the thing is she still likes him, so things progress.
Eloise and Penelope avoid each other like the plague, but when Eloise finds out Penelope and Colin are kind of having a thing, and she flips out. She doesn't want Colin to get hurt, so she tells Penelope to steer clear from Colin or she'll tell everyone she's Lady Whistledown. So she does and Colin is very confused and hurt. Then Penelope and Eloise go through some sort of shenanigan and end up having a deep conversation, making up and are once again friends. But then Colin accidently does find out Penelope is Lady Whistledown and is hurt, and Eloise becomes Penelope's #1 defender.
Kate's pregnant, and has the baby within the season. Anthony is freaking out about this; about being a dad, about the baby being okay, about Kate being okay, and how difficult the birthing process will be (trauma from Hyacinth being born). Meanwhile, while Kate is worried about the baby, she's more so focused on what responsibilities she now has as a Viscountess.
They don't reveal the Whistledown secret, at least not to the general public. I think the Bridgerton's will find out, as well as the Featherington's; so when Portia finds out, she sees Penelope in a completely different light, and they have a bonding moment. Maybe in lieu of a big reveal like in the book, at the end of the season the Queen finds out, and instead of exposing her, now she and Penelope sort of work together, aligning their agendas. This elevates the importance of Penelope's work, low key spying for the Queen and reporting on things to manipulate general society. BUT I think Eloise is leaning more to the politically radical side of things, and Penelope's work is now sort of leaning in the opposite direction of that. Despite this, they still find a way to be close friends, despite their very different agendas.
Colin does a big gesture on how he's proud of being with Penelope, that he'll flaunt it in public for all to know.
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maefansblog · 10 days
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I have read hundreds of Polin Fanfiction, and I'm not stopping anytime soon. 🙈🙈🤷‍♀️🤷‍♀️
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I think I found my favorite tropes for Polin Fanfiction.
I'm just listing a few of my favorites. I'd love to see what your favorites are 💕
1. Penelope runs away from the ton, and Colin Finds her.
2. Colin and Penelope elope.
3. Pen tells the Bridgertons about Marina
4. Penelope gets hurt, and Colin gets in protective mode.
5. The unwed/unplanned pregnancy.
6. Married Colin Time travels back to Season 1
7. Penelope and Colin's affair (it's only for this couple... you know the show hinted at it)
I love to see hungry Colin, Chaotic Colin, Chaotic Proposals Only Colin, Colin "My Wife" Bridgerton, Colin with a Hero's Complex, and Writer Colin
I love to see Writer Penelope, Bad ass Pen, Third Child Pen, and Sassy Pen
These are staples to me:
Pen writing, Colin writing, Colin mentioning his travels at least once, Colin telling his friends he "would never court/date Penelope Featherington, not in your wildest fantasies", Lady Danbury/Penelope's friendship, the hand cut scene, the kiss scene, the reveal at the church/or setting adjacent, car/carriage scene, chaotic proposal, an acceptance or refusal (refusals are WILD in fanfiction. I love it!), Colin tells off Portia, Cressida's blackmail, Colin's pleading to Penelope to Stay, Mirror, Colin telling everyone how much he loves Penelope.
I love it when the author chooses to keep Whistledown or not. Sometimes, both Colin and Penelope become Whistledown. In another fic, Pen gives it up. In certain stories, Colin supports and loves her no matter what. I love how each author brings something new to the story.
I'd love someone to write about:
A "What if" Eloise told the Queen that Penelope was Whistledown.
I've always wondered the implications of that.
A. What would the Queen do?
B. Where would Pen go?
C. What would Colin do?
D. How would Portia react?
E. What would Anthony or Violet do?
F. How would the Ton react?
G. Would Eloise tell her family, Runaway, or would she still be friends with Cressida?
I'd be the first to read it! There are so many ways that this plot could go.
Recommendations are in this next post:
I appreciate you, Polin Fanfiction authors! Keep up the great work! 💕
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