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#prime cut movie
envelopandkissme · 1 year
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SISSY SPACEK IN PRIME CUT (1972) Costume design by Patricia Norris
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Starscream is given a bath, Part 3:
1005 words! This is the longest piece so far. I’m really enjoying writing him, but do let me know what you think of my interpretation of Starscream. Does he read accurate to canon?
Enjoy!
Part 2: here
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She had her hands on her hips as she observed him, contemplating logistics.
“If you wanna lie back in the water, this’ll be easier.”
“Right.” He nodded, carefully lowering himself into the bathtub with his arms on both sides. The human poured more soap into the water, leaning over into the tub and stirring it a little with her hand, sloshing the water around to mix it together. The result was quite a few bubbles, which clung to the sides and to the seeker’s spiky knees poking out of the water. The human got to work, and neither of them made a sound for some time.
“You know, if I was a plane, I would LOVE the pressure washer.” She finally filled the silence, while scrubbing his leg.
“You can’t be serious.” Starscream tilted his head to the side, crossing his arms.
“I am serious. Especially if it’s a hot day…”
He lifted his leg slightly out of the water, giving her easier access.
“Hmph. If that’s what you’re into, I suppose.”
“What? It just seems so refreshing.”
“If you truly think so, perhaps I should blast you with it next time.”
That comment earned him a laugh from the human, which actually startled Starscream for a moment. He didn’t know what to do with this! He just smiled awkwardly, listening to her laugh. That smile lingered on Starscream’s face all the while she worked, and he actually found himself…relaxing as the human continued the spa treatment.
After a while she collected herself, speaking up.
“You know what?”
“What?”
“I never realised you were… sort of blue before.”
He chuckled for a moment, amused at her surprise. But then his expression turned more somber. It was true, his frame wasn’t truly all gray and dull. He had more blue and white on him than he let on, but he had been neglecting his finish for the past few centuries. Which he had his reasons for, but it wasn’t exactly something he was looking forward to opening up about. At least not today.
“Well- I- It’s not like I had ample opportunity to deal with it! As Second in Command to the Decepticons, I had constant duties to attend to.” He scoffed, crossing his arms.
“I couldn’t be wasting my precious time on such frivolous things as continuously fussing over my finish. Unlike some…” Starscream’s tone had a certain defensiveness to it, something which the human decided not to push when it was obviously something he didn’t want to talk about.
“Hmm. Well, it’s a shame. Your colors are really pretty.”
The seeker pulled himself back upon hearing those words, doing his very best to avoid eye contact with the human.
“What? It’s true!”
“Shut up and keep scrubbing.” He replied with a dismissive wave of his servo, still averting his gaze. Another sudden laugh from the human startled him and he finally looked at her, a smile he tried to hide tugging on the corner of his mouth.
“What are you laughing about, you tiny thing?”
“You like being called pretty.” She replied. “Hold out your arm for me?”
If he was startled, he hid it well and quickly recovered.
“Of course. While it is not the word I would’ve used, I suppose I cannot blame you. After all, it’s only natural you would recognise my exceptional frame.” He replied, trying to act as casual as possible as he brought his arm forward for her to clean. But it was no use, he looked almost shy as he tried to fill the silence, and his wings were clearly fluttering.
“Why, I happen to be the representation of anything a seeker could hope to become, if I do say so myself.”
She moved the soapy sponge up and down and listened to him preen, noting every little little flutter of wings that accompanied his words. Turning his arm around gently, she sprayed a bit of water right into the joint.
“Not only due to my impressive frame-”
Starscream was not used to being touched like this.
“-but also my unmatched skill in the air.”
Being handled like this.
“I was- I am a force to be reckoned with.”
It was still uncomfortable, but simultaneously very not bad. Very not bad at all. She had gradually worked her way down from his shoulder to his wrist joint, stopping at the servo. She held it in between her own hands, sitting over the side of the tub and laying out his talons over her upper leg.
“Are you even listening?”
“Do you want me to file these sharper?”
They spoke at the same time.
He looked down at her, dumbfounded, unable to resist the urge to just squeeze the squishy limb ever so slightly. So warm and pliant, even a little icky in how it simply gave way under his servos. The irony was not lost on him, and this time he didn’t try to hide a grin. This small creature, one who could be so easily wounded by the cut of those very talons, was offering to sharpen them even more. It’s as if she didn’t even know who she was talking to. He had the sudden urge to remind her, to squeeze even more until this human knew to be wary of him, but he pushed it aside. Why was he even thinking that? Besides, she had just worked so hard cleaning him. It would be rude to mar his newfound shine with her blood. Not to mention difficult to wipe off.
“You might as well.” He replied, trying to appear disinterested. But as her fingers glided delicately over his digits, the file in her hand scraping against the tips, he could almost fall into a recharge right then and there. In fact, he did close his optics. Any arrogance that might’ve been preventing him from making a fool of himself was immediately thrown out the window. And if the human noticed she didn’t say a word, just silently repeating the process with his other arm.
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fanofspooky · 3 months
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Scream Queen - Sissy Spacek
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anewstartrekfan · 12 hours
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Transformers one fanmade promo
Song: Won’t get fooled again
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supercalime · 1 year
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Me whenever I go on the RWRB tag
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OKAY rwrb fandom I have a question for those of you who‘ve been following all things concerning the movie bc i am confused and feel like i should probably know this:
In the newest teaser/trailer/royal family teaser, there is no queen but instead there is a king and at least in this scene, he seems to be quite ok, maybe at least, of henry and alex - and like, does anyone know how Marys character from the book even appears (be it as the queen or another character taking over her role as a new movie-only-character) ?? or was she was cut completely ???
Just to be clear, i won‘t make an opinion about that before i‘ve seen the movie, i just wondered wheter that was already common knowledge that I forgot or missed
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ciaocinna · 1 year
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Well now release the extra hour of content you cowards!
We want the full cut!!
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rotb
hi guys. so i saw rotb. unfortunately i fucking hated it. lemme talk about why. (spoilers, obviously. be warned this is very long.)
first of all, lemme preface this by saying two things. number one being i did not have high expectations for this movie in the first place. because lets be honest, this is the transformers fandom, and hollywood has almost never done us justice. also, the trailers and teasers weren't exactly encouraging. number two being i am a huge fucking movie nerd. okay. i love movies. so just keep that in mind.
i think it's worth pointing out that my number one critic of this movie is that for almost the entire runtime, it's something worse than bad: it's boring.
i mean, how do you make giant robots boring??? how is that even possible? let's unpack that.
first of all, it has the most generic, cookie cutter action movie plot ever. we have to get the.... thing! you know, the thing! and we have to do it before the.... other guys! who are working for the BIG guy! and if we don't... the world will end! wahhh!
how is anyone supposed to be invested in that. there are no stakes. there's no tension. there's nothing. we've literally seen this exact plot played out one million times. THERE'S NOTHING NEW!!!
furthermore, the characterization of literally everyone is dogshit. the villians are bland, and have absolutely no motivation behind "darkness and evil." that's NOT INTERESTING!! there's no backstory! i literally could not even tell you the NAMES of the three main antagonists that are on the screen for half the movies runtime. that's how unimportant they are.
and god, the autobots are even worse. first of all, optimus prime and mirage are the only actual characters. i can't remember a single line any other robot says. not one.
but optimus is so under-hyped. they claim he's some big warrior (optimus primal even goes "i'm named after you") but we don't get ANY backstory. we don't know anything about cybertron, or the war, or even what the hell they're doing on earth. we know they "crash landed 7 years ago, and haven't been able to get off since". and they "have to get back, or cybertron will be destroyed!" do they ever tell us WHY cybertron might be destroyed? NOPE!
now we, as an informed audience, can reasonably assume it's because of the war.
but.... what??? friends, the decepticons are never even MENTIONED.
lemme repeat that. the decepticons are never. even mentioned. SO WHY WOULD ANY AUDIENCE BE INVESTED IN THEM RETURNING TO CYBERTRON? THERE'S NO STAKES!!!
back to the autobots though. also mirage is just annoying. he's literally just a"POP CULTURE REFRENCE" machine. that's it. that's all he does.
i... i can't even address what happens between him and the human guy (literally can't even be bother to remember his name) in the finale. i can't. i need to leave that alone or we'll be here all day.
god, i have so many things to say about this movie i need to speedrun a couple okay let's go
humans. boring. why are these movies about giant robots so determined to shove human characters in our faces they DON'T COMPARE EVER!!! the two humans are? fine? but the dude is literally just hero fantasy and the girl is. unimportant. nothing in this movie is important. you could cut any of them.
the action. mediocre. impossible to enjoy when "GENERIC ACTION ONE LINER!" is being crammed down your throat literally every five seconds.
why did the movie market so heavily with arcee wheeljack and bumblebee. they literally have like 15 total lines of dialogue. i can't express to you how much they don't matter.
and you know what. all of that could have even been forgivable. if they had just bothered to put some classic characters in there, with classic character designs, and make a product that actual fans could at least appreciate in aesthetic/homage, if not writing!
but they didn't. they used random ass characters who NOBODY cares about and gave them all SHIT designs too!
and it's so tragic when you consider all the amazing source material that they have to offer. i mean, i have been begging for YEARs for a movie set on prewar cybertron following megatron. the political conflicts and class wars! the origin of megatron is literally the MOST INTERESTING PART OF HIS CHARACTER! BUT IT HAS NEVER A SINGLE TIME BEEN ADDRESSED! HE GETS REDUCED DOWN TO BIG MUSCLE SCARY GUY WHICH IS LITERALLY!!!!!!!!!!!! THE VERY THING HE REBELLED AGAINST!!!!!!!!!! ITS THE WHOLE FUCKING REASON FOR THE WAR AHHHHHHHHHHHHHHHHHHHHHHH
can you tell i have a lot of feelings about this. wow. okay this is so long. i'm sure nobody's acutally read this far. alright. what's left.
what'll i'll say is this.
there is literally no appeal to this movie. NONE. it isn't watchable as a fun, transformers piece come to life. it's not watchable as a quality action movie. hell, it isn't even worth a hate watch!!!!!
and somehow. some fucking how. it is still the second best transformers movie. OUT. OF. SEVEN.
friends. how is this possible. how could this have happened.
to all the fan creators making fan art and writing of this movie. you guys are fucking heros, alright. you are taking this incomprehensible garbage, and making actual art. you guys make this franchise worth staying in. thank you, and i wish someone put you guys in charge instead of MICHEAL. FUCKING. BAY.
in conclusion. fuck hollywood. someone give money to the people who actually care about this franchise. or i'll die.
thank you and goodnight.
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omercifulheaves · 1 year
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Prime Cut (1972) Man, they don’t make them like this anymore.
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gibbearish · 1 year
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also is the thing with the box ever. explained?
#barbie#like from what i remember it was just kinda Ominous Box but there didnt seem to be any signs it wouldnt do what will ferrell said it would#and like you can chelk her bailing at the last second up to her being conflicted about going back to barbieland or not but#the fact that she runs as theyre tightening the twist ties makes it read as more to do with fear of the box itself#and like the ceo's goal was to get her back to barbieland anyways and she was primed to want the same thing at that point#because she'd just gone through the Horrible Real World Experiences wringer so even if it was just based on internal#conflict that wouldnt be the time to do it#i think story wise it wouldve been better to either a) cut the box out entirely‚ b) make the ceo Actually Evil and have the box do#worse than just. be a teleport chamber?#(and yeah ik ik like him and his men chase her down which is upsetting to her but he's not like. maliciously#motivated really? like he wasnt looking to kidnap her and hold her prisoner or smth like. she wanted home‚ he wanted to#send her home‚ and then she bails for no discernable reason other than Thats How The Plot Goes)#or c) have her accept the box and have it work to teleport her home but then have the seeds of doubt that have already started in#her grow organically as she lives a few more days in perfect barbieland and is like Wow Actually This Life Sucks For Me#then have ken come back and do his whole takeover while she's distracted by something#for example thats how you could integrate the mom and daughter back in is have her find out they did send her back and#come out to barbieland to investigate thinking it /was/ against her will#idk the box was just weirdly implemented as a plot device imo#like theres a lot of things in the movie that don't make any sense outside of 'you know‚ like how barbies do?'#which sometimes works and sometimes doesnt
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erotetica · 2 years
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Not to be rude but is this fucking it
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cinemajunkie70 · 2 years
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A very happy birthday to Sissy Spacek!
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cinemaslife · 7 months
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#37 One Cut of the Dead (2017)
"La grabación de una película de serie B de muertos vivientes es interrumpida por un auténtico apocalipsis zombi." -FILMAFFINITY
Mientas realizan la grabación de una película de bajo presupuesto con zombis, el equipo se está desquiciando por un director Higurashi (Takayuki Hamatsu) que se comporta como un histérico en plató. En un descanso, los dos actores principales y la maquilladora hablan de lo terrorífica de la localización y esta última les confiesa que en realidad hay una leyenda urbana de que el lugar está encantado. Es ahí cuando empiezan a escuchar golpes al otro lado de la puerta del edificio.
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Alguien del miembro del equipo técnico sale a fumar un cigarro y es atacado por un zombi, al principio cree que es uno de los actores secundarios maquillado y no se asusta demasiado, hasta que lo ataca, arrancándole el brazo. Cuando vuelve dentro del edificio, todos piensan que es una broma del equipo, pero rápido descubren que no. Un segundo después, el mismo zombi entra en el edificio y ataca a las personas que están dentro.
Todos se muestra terriblemente incrédulos ante la situación, y no pueden creer que se haya dado la circunstancia grabando ese género de terror, el miembro del equipo al que le han arrancado el brazo se despierta como zombi y los empieza a perseguir, hasta que logran sacarlo fuera.
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Para despertar a "la cosa" hace falta un pacto de sangre, por lo que nada de lo que está ocurriendo en la fábrica es casual, alguien ha buscado esa situación. El director, con cada vez un comportamiento más extraño, les azuza a uno de los zombis para poder seguir grabando con realismo su película. Por lo que lo acaban golpeando y deshaciéndose de los dos salen corriendo del edificio hacia la furgoneta, siendo atacados mientras avanzan.
El director les sigue puteando azuzándoles a los zombis para poder seguir grabando su película deseada, pero nuestros protagonistas (los dos actores y la maquilladora) empiezan a estar exhaustos.
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Heridos, confundidos y perseguidos, parece que no pueden deshacerse de sus atacantes, entre ellos intentan protegerse y ayudarse, pero les está resultado cada vez más difícil. Por lo que deciden volver a la fábrica del inicio.
La maquilladora se da cuenta de que han mordido a la chica protagonista, y se arma en contra de ella. El actor masculino protagonista intenta salvar a la actriz de la maquilladora y la termina asesinando, cosa que hace que la actriz salga huyendo hacia el núcleo del ritual para llamar a "la cosa".
La actriz escondida descubre que la mordida que creía que le había realizado el zombi no es más que maquillaje de la película, por lo que se demuestra que la situación vivida ha sido en balde. Pero ahora tiene otras preocupaciones, necesita revertir el ritual y acabar con los zombis.
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Vuelve en busca del actor, para encontrarlo convertido en zombi (a la vez que está disfrazado de zombi), la ataca mientras el director sale de la nada para seguir grabando la reacción de ella. Con lo que ella lo mata y acaba matando también al director del film, harta de que la este persiguiendo y colocando en situaciones comprometidas con la excusa de la película.
Totalmente desubicada, descompuesta y llena de sangre, la protagonista camina sin rumbo, colocándose encima de un pentagrama hecho con sangre, donde finaliza el film, saliendo los títulos de crédito y gritando el cámara "corten".
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Nos lanzan mediante un flashback a un mes antes, cuando el director se encuentra grabando otro proyecto, y le proponen dos productores la película de zombis, en una sola toma sin cortes.
Así empieza la preproducción del proyecto, organizando el equipo técnico, material y equipo artístico, con un punto de vista más distendido y menos dramático, te muestran la selección de casting, y los procesos para realizar el film. Como la lectura de guion, localizaciones, procesos de grabación... mostrando todo el montaje para que parezca real el ritual zombi.
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"Se trata de una película dentro de una película que está dentro de otra película... el concepto metacine se queda corto, entretiene como cine B, pero no es gran cosa" - Cinema's Life.
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shushmal · 5 months
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There's an incredibly pretty girl at the front desk in Family Video, and Steve—Eddie's boyfriend of eight months—is leaning over the counter with a sly smile and half-lidded eyes.
Eddie pauses in the doorway, struck dumb for a moment as he takes in the scene, and then gleefully ducks down behind the nearest shelf.
"So tell me," Steve says, all low and intimate. "What kind of movie were you looking for?"
"Um," the girl says. She doesn't sound very enthusiastic—barely indulgent at best. Eddie wishes he could see, but any sight of him will ruin Steve's chances right now. He's got a pretty good mental picture though. "I really like those old black and white movies, the really glamorous ones, you know?"
"Oh, totally," Steve sighs, like he's swooning. "Like Cary Grant, Clarke Gabel?" Eddie can practically hear his smirk. "Katharine Hepburn? Ginger Rogers?"
"Oh, I love Ginger Rogers!"
"Really?" Steve says matching her excitement. "Well, you're just in luck! Robin here knows all about those old black and white movies, don't you Robin?"
Eddie presses a hand to his mouth to hide his snickering. Robin had looked like a hooked fish when he'd walked in, she's gotta be gaping stupidly right now. "Uuuh," he hears her mumbling, and tries not to snort too loud. "Y-Yeah, uh, golden age of Hollywood stuff, absolutely. I could? Show you where they are?"
"Oh my gosh, that would be amazing!" the girl says, her interest in the conversation now warmed by several degrees. Eddie is still a little in awe of how well his boyfriend can sniff out gay girls.
"I got the front here, Robin," Steve cuts in smoothly. "You ladies take your time, make sure you pick out a good one!"
Eddie waits another beat, listening at their footsteps shuffle away, before he pops up from behind the shelf. Steve, lighting up like a Christmas tree, beams at him.
"Am I a genius or what?" he whispers, grinning ear to ear.
"Your lesbian powers know no equal," Eddie says just as quietly, taking the girl's spot at the counter, leaning into Steve's space. Steve happily mirrors him, until they're tucked together, the world narrowing down to the two of them. It's Eddie's favorite place to be. "All hail Steve Harrington, blessid he, lesbian whisper. Come to aid all useless queers in the fight against singledom."
"Thank you, thank you," Steve says with an air of novel benevolence. "I promise to only use my powers for good."
"Dingus. Doofus."
They jump away from each other as if shocked. Robin glowers at them both, but the pretty girl behind her is giggling and standing way too close for friendly, just at Robin's elbow.
"Move it, lovebirds," she hisses as she rounds the desk. "I need to check Claire out."
"I think you already have," Steve says. His smile this time is down right evil.
Robin actually hisses at him, and hip checks him away from the register. Eddie does a bow, sweeping his arm out to give Claire the prime spot in front of the desk, before he turns back to Steve.
"My dear, if you could please," he simpers, all posh and nasally. "Show me to your finest, grossest horror movie, thank you my good sir."
"Ugh," Steve groans already heading off into the shelves, not waiting for Eddie to follow. "You're lucky I love you, Ed. Shit gives me nightmares."
"I know," Eddie sings, chasing him. "I love you too."
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dracoj · 5 months
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reasons why the love triangle in challengers serves cunt:
it’s a real triangle
the hate and love and lust volley between the three of them the whole time at dizzying speeds.
sexual tension is so insanely off the charts you can feel it in your mouth
zendaya
each of them is deeply jealous of the other two, in ways personal or professional or both. tashi had her career cut short before its prime. while patrick and art are still known as tennis players she will never be. art’s whole life is an exercise in repression and he knows he’ll never have that chaotic, prodigal spark that tashi and patrick share. patrick’s ex best friend and ex girlfriend got married and rich together while he’s sleeping in his car. they’re all longing for what the others have.
ZENDAYA
tennis as sex my beloved
in an early sceenplay, when art and tashi hook up for the first time, he can’t get hard until she coaches him while jerking him off. in the movie, patrick tells the story of how he taught art how to masturbate for the first time. haters will say you can’t have cinematic parallels between scenes that were never technically filmed but they haven’t watched the version of this movie in my head
did i mention zendaya is there?!?!
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hotvintagepoll · 6 months
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Propaganda
Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?
Maggie Smith (The Prime of Miss Jean Brodie)— Look, ok she's best known now for Downton Abbey and the Potter franchise, but the woman won an Oscar in 1969, so that makes her eligible in my oh so humble opinion. She starred opposite Olivier in her first major play role (which was filmed) and her wit and beauty was just the epitome of everything I wanted to be as a child
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Eartha Kitt:
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"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."
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"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."
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"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”
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"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."
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Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist.
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Maggie Smith:
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