#product sourcing companies in india

[expobazzar]

Your Source For Product Sourcing – ExpoBazaar

Looking for a dependable product sourcing source? Take a look at ExpoBazaar. Our platform makes it simple for you to find the products you require at reasonable rates by connecting you with reliable suppliers and manufacturers all over the world. Start sourcing wiser right away with ExpoBazaar.

[ess-ell-sourcing-co]

Top-Notch Quality Control Services in India by Essell: Ensuring Excellence at Every Stage

When it comes to ensuring that your products meet the highest standards of quality, Essell is your trusted partner in India. With a keen eye for detail and a commitment to excellence, we provide comprehensive quality control services tailored to your specific needs.

Why Quality Control Matters

In today's competitive marketplace, maintaining product quality is crucial. Poor quality can lead to dissatisfied customers, increased returns, and damage to your brand's reputation. At Essell, we understand that Quality Control Services in India is not just a step in the production process; it's a critical aspect of your business strategy. Our services help you mitigate risks, reduce costs, and ensure customer satisfaction.

Our Approach

Our quality control services encompass a wide range of activities, from initial inspections to final product testing. We employ a systematic approach to quality management, integrating best practices and industry standards. Our team of experienced quality control professionals uses advanced tools and techniques to assess every stage of the production process.

Incoming Material Inspection

Before production even begins, we conduct thorough inspections of incoming materials. This step ensures that only the highest quality components are used in your products. Our rigorous checks help prevent issues down the line and save you from costly mistakes.

In-Process Quality Control

During the manufacturing phase, our team monitors processes closely to identify any deviations from quality standards. By catching issues early, we can implement corrective actions promptly, ensuring that production stays on track without compromising quality.

Final Product Inspection

Once production is complete, we conduct comprehensive final inspections. This includes functional testing, visual inspections, and compliance checks against your specifications. We believe that every product should meet or exceed your expectations before it reaches the market.

Customized Solutions

At Essell, we recognize that every business is unique. That's why we offer customized quality control solutions to suit your specific industry and product requirements. Whether you're in textiles, electronics, or consumer goods, our services are designed to fit your needs.

Commitment to Excellence

With a focus on customer satisfaction and continuous improvement, Essell is dedicated to helping you achieve the highest levels of Quality Control Services in India . Our expertise and proactive approach empower you to build a reputation for reliability and excellence in your industry.

Partner with Essell for quality control services that ensure your products shine. Let us help you deliver quality that your customers can trust!

[thummars24]

Why Thummars is the Premier Sesame Seeds Manufacturer and Supplier in India 

In the bustling world of agricultural exports, sesame seeds stand out for their versatility and nutritional benefits. Among the top players in this market, Thummars has established itself as a leading sesame seeds manufacturer and supplier in India. With a commitment to quality and a robust supply chain, Thummars delivers sesame seeds that cater to both domestic and international markets. 

The Nutritional Powerhouse: Sesame Seeds 

Sesame seeds, often referred to as the "king of seeds," are packed with essential nutrients. They are a rich source of healthy fats, proteins, and minerals like calcium, magnesium, and iron. Their high antioxidant content also helps in reducing inflammation and improving overall health. The demand for sesame seeds has been steadily rising due to their inclusion in various culinary and health products. 

Why Choose Thummars for Sesame Seeds? 

1. Exceptional Quality 

Thummars takes pride in its stringent quality control processes. From the sourcing of raw seeds to the final packaging, every step is meticulously managed to ensure that only the best sesame seeds reach the market. The company employs advanced cleaning and sorting technologies to remove impurities and deliver seeds that are consistent in size, color, and quality. 

2. Sustainable Farming Practices 

Sustainability is at the heart of Thummars’ operations. The company works closely with farmers to promote sustainable farming practices. By encouraging the use of organic fertilizers and crop rotation techniques, Thummars helps in maintaining soil health and reducing environmental impact. This approach not only supports the environment but also ensures the production of high-quality sesame seeds. 

3. Comprehensive Range of Products 

Thummars offers a diverse range of sesame seed products to meet various market needs. Their product line includes raw sesame seeds, hulled sesame seeds, and roasted sesame seeds. Each type undergoes rigorous testing to ensure it meets the highest standards. Whether for use in bakery products, snacks, or as an ingredient in international cuisines, Thummars provides sesame seeds that cater to a wide array of applications. 

4. Reliable Supply Chain 

In the global market, timely delivery and reliable supply are crucial. Thummars has built a robust supply chain that ensures prompt and efficient distribution of sesame seeds. The company’s strategic logistics and warehousing capabilities enable it to handle bulk orders and manage inventory effectively, thus minimizing delays and ensuring customer satisfaction. 

5. Competitive Pricing 

Despite its premium quality, Thummars maintains competitive pricing. The company's efficient production processes and supply chain management help in keeping costs down. This allows Thummars to offer high-quality sesame seeds at prices that are attractive to both domestic and international buyers. 

6. Commitment to Customer Satisfaction 

Customer satisfaction is a core value at Thummars. The company focuses on building long-term relationships with its clients by providing exceptional service and support. Thummars’ dedicated customer service team is always ready to address inquiries, provide product information, and assist with order processing. 

Conclusion 

For those seeking a reliable and high-quality supplier of sesame seeds, Thummars stands out as a top choice in India. With its focus on quality, sustainability, and customer satisfaction, Thummars has earned a reputation as a leading sesame seeds manufacturer and supplier. By choosing Thummars, you are not just investing in premium sesame seeds but also supporting a company that is committed to excellence and sustainability in every aspect of its operations. 

[shreeji-ingredients]

Corn Grits by Shreeji Ingredients: The Secret Ingredient Behind India's Favorite Snack Brands. 

In the bustling world of Indian snacks, there's a quiet hero at the heart of many beloved treats: corn grits. This essential ingredient is the foundation for a variety of snacks, offering the perfect balance of taste, texture, and nutrition. One name that stands out in the industry is Shreeji Ingredients, known for being among the best corn grits manufacturers for snacks in India. Let's explore how Shreeji Ingredients' corn grits are revolutionizing snack production and why they are the top choice for snack brands across the country. 

The Versatility of Corn Grits 

Corn grits are made by grinding dried corn kernels into coarse granules. Their neutral flavor and adaptable texture make them an ideal base for a wide range of snack products, from crunchy chips to fluffy puffs and crispy wafers. Shreeji Ingredients excels in producing high-quality corn grits for Indian snack brands, ensuring that each batch meets the stringent standards required for creating delicious and consistent snacks. 

High-Quality Corn Grits for Indian Snack Brands 

Quality is paramount in snack production, and Shreeji Ingredients takes this seriously. As one of the leading corn grits suppliers for healthy snacks, Shreeji Ingredients ensures that their corn grits are processed with the highest standards of hygiene and quality control. This dedication to excellence ensures that snack brands receive grits that are not only tasty but also nutritionally beneficial, catering to the growing demand for healthier snack options. 

Leading Corn Grits Suppliers for Healthy Snacks 

Health-conscious consumers are increasingly seeking snacks that offer more than just great taste. They want snacks that provide nutritional benefits without compromising on flavor. Shreeji Ingredients, as one of the leading corn grits suppliers for healthy snacks, delivers products that are rich in fiber, gluten-free, and free from artificial additives. This commitment to quality helps snack brands develop products that resonate with health-conscious consumers. 

Reliable Corn Grits Manufacturers for Wafers Production 

Wafers are a staple in the Indian snack market, loved for their light and crispy texture. Achieving the perfect wafer requires reliable corn grits manufacturers for wafers production. Shreeji Ingredients excels in this area, providing corn grits that have the right consistency and quality for producing uniformly thin and crispy wafers. Brands trust Shreeji Ingredients for their reliability and consistency, ensuring that their wafers meet consumer expectations every time. 

Top Corn Grits Suppliers for Snack Production 

For large-scale snack production, brands need suppliers who can consistently meet their volume and quality requirements. Shreeji Ingredients stands out as one of the top corn grits suppliers for snack production, offering not only high-quality products but also dependable logistics and customer support. Their understanding of the snack industry's needs allows them to provide tailored solutions that ensure smooth and efficient production processes. 

Best Corn Grits Manufacturers for Snacks in India 

India is home to several esteemed corn grits manufacturers, but Shreeji Ingredients is among the best corn grits manufacturers for snacks in India. Their commitment to innovation, quality, and sustainability sets them apart. Shreeji Ingredients invests in advanced processing technologies to produce grits that enhance the taste and texture of snacks while also focusing on eco-friendly practices. 

The Future of Corn Grits in the Snack Industry 

As consumer preferences continue to evolve, the role of corn grits in snack production is set to grow even further. Innovations in processing techniques and flavor development are enabling brands to create exciting new products that cater to diverse tastes. With Shreeji Ingredients leading the way, the future of corn grits in the snack industry looks promising, with potential for even more delicious and nutritious snacks. 

Conclusion 

Corn grits might often go unnoticed by consumers, but they are the backbone of many of India's favorite snacks. Shreeji Ingredients, recognized as one of the best corn grits manufacturers for snacks in India, plays a crucial role in this landscape. Their high-quality corn grits and reliable supply chain make them the top choice for snack brands aiming to deliver the best products to their customers. Whether it's crispy wafers or savory puffs, Shreeji Ingredients' corn grits are the secret ingredient that ensures every bite is perfect. 

[deanpinterester]

i cannot stress this enough: if your reasoning for clowning on the mcu is "they overwork their cg artists and animators" i 1000% guarantee that a show or movie you have been stanning for years also abused their artists and you just haven't heard about it because the production companies aren't in the spotlight like mcu productions are. that cartoon for kids? that incredibly animated movie? that non-marvel superhero movie? i've seen people declare their hatred for the way the mcu treats their workers and then turn around and gush about a show that i know for a fact was hell for the artists attached

and no this is NOT me saying "this means you should stop hating on the mcu uwu" it's me saying you gotta be aware that this shit is an INDUSTRY WIDE PROBLEM. you CANNOT "fix" it by refusing to watch mcu movies and feeling good about it. you have to be aware that it's EVERYWHERE. why do you think so many animation and vfx productions are sourced in canada? in india and the phillipines? we are not unionized.

i know it's hard to face the idea that your favourite show might have been made unethically especially when you've spent so much time hating the mcu for doing the same thing. you don't have to start hating your favourite show. just like...be aware. don't be smarmy about it. don't claim without research that a beautifully animated movie Must mean the animators were not working 16 hour days and weekends. i do think we can fix this 👍 but we can't fix it if 90% of us don't even realize what the problem really is

[accordinc]

Navigating Success: The Role of Sourcing Agents in India

In the dynamic world of global commerce, sourcing the right products at the right prices can make all the difference between a successful business and a struggle for survival. For many companies, especially those venturing into international trade, partnering with sourcing agents has proven to be a strategic move. Among the top players in the sourcing landscape, India stands out as a formidable hub, providing businesses worldwide with an array of advantages.

The Sourcing Agent Advantage

Sourcing agents act as intermediaries between businesses and manufacturers, connecting supply with demand seamlessly. Their expertise lies in understanding market trends, identifying reliable suppliers, negotiating deals, ensuring quality control, and streamlining the entire sourcing process. This leaves businesses with more time and energy to focus on core operations and market expansion.

India: A Sourcing Powerhouse

When it comes to sourcing agents in India, India emerges as a prominent player. The country's robust manufacturing industry, diverse product offerings, and skilled workforce make it an ideal sourcing destination. From textiles and apparel to electronics and machinery, India's extensive supply chain can cater to a wide spectrum of industry needs.

Key Benefits of Partnering with Indian Sourcing Agents

Expertise: Indian sourcing agents possess in-depth knowledge of local markets, regulations, and suppliers. This expertise helps businesses navigate potential challenges and capitalize on emerging opportunities.

Cost Efficiency: One of the most attractive aspects of sourcing from India is cost savings. The country's competitive labor rates and production costs translate to cost-effective sourcing solutions for businesses.

Quality Assurance: Reputed Indian sourcing agents prioritize quality control, ensuring that products meet international standards. This focus on quality minimizes risks and builds long-lasting business relationships.

Supplier Network: Sourcing agents in India have a well-established network of suppliers across various industries. This network allows them to swiftly identify the most suitable partners for specific sourcing needs.

Cultural Understanding: Effective communication and cultural sensitivity are vital in global trade. Indian sourcing agents often bridge cultural gaps, facilitating smoother interactions and negotiations between businesses and suppliers.

Challenges and Overcoming Them

While partnering with Indian sourcing agents offers numerous benefits, challenges like language barriers, time zone differences, and occasional miscommunication can arise. However, these challenges can be mitigated through clear communication, regular updates, and establishing transparent expectations.

In Conclusion

As businesses strive to stay competitive and agile in a fast-paced global market, leveraging the expertise of sourcing agents has become increasingly essential. India's role as a sourcing powerhouse cannot be overstated. Its diverse manufacturing capabilities, coupled with the knowledge and skills of local sourcing agents, create a win-win situation for businesses looking to optimize their supply chains.

In the journey of international trade, having a reliable sourcing agent from India by your side might just be the key to unlocking smoother operations, higher cost savings, and a distinct competitive edge.

[mteksourcing403]

[chaos0pikachu]

Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

[fatehbaz]

Endangered Indian sandalwood. British war to control the forests. Tallying every single tree in the kingdom. European companies claim the ecosystem. Spices and fragrances. Failure of the plantation. Until the twentieth century, the Empire couldn't figure out how to cultivate sandalwood because they didn't understand that the plant is actually a partial root parasite. French perfumes and the creation of "the Sandalwood City".

---

Selling at about $147,000 per metric ton, the aromatic heartwood of Indian sandalwood (S. album) is arguably [among] the most expensive wood in the world. Globally, 90 per cent of the world’s S. album comes from India [...]. And within India, around 70 per cent of S. album comes from the state of Karnataka [...] [and] the erstwhile Kingdom of Mysore. [...] [T]he species came to the brink of extinction. [...] [O]verexploitation led to the sandal tree's critical endangerment in 1974. [...]

---

Francis Buchanan’s 1807 A Journey from Madras through the Countries of Mysore, Canara and Malabar is one of the few European sources to offer insight into pre-colonial forest utilisation in the region. [...] Buchanan records [...] [the] tradition of only harvesting sandalwood once every dozen years may have been an effective local pre-colonial conservation measure. [...] Starting in 1786, Tipu Sultan [ruler of Mysore] stopped trading pepper, sandalwood and cardamom with the British. As a result, trade prospects for the company [East India Company] were looking so bleak that by November 1788, Lord Cornwallis suggested abandoning Tellicherry on the Malabar Coast and reducing Bombay’s status from a presidency to a factory. [...] One way to understand these wars is [...] [that] [t]hey were about economic conquest as much as any other kind of expansion, and sandalwood was one of Mysore’s most prized commodities. In 1799, at the Battle of Srirangapatna, Tipu Sultan was defeated. The kingdom of Mysore became a princely state within British India [...]. [T]he East India Company also immediately started paying the [new rulers] for the right to trade sandalwood.

British control over South Asia’s natural resources was reaching its peak and a sophisticated new imperial forest administration was being developed that sought to solidify state control of the sandalwood trade. In 1864, the extraction and disposal of sandalwood came under the jurisdiction of the Forest Department. [...] Colonial anxiety to maximise profits from sandalwood meant that a government agency was established specifically to oversee the sandalwood trade [...] and so began the government sandalwood depot or koti system. [...]

From the 1860s the [British] government briefly experimented with a survey tallying every sandal tree standing in Mysore [...].

Instead, an intricate system of classification was developed in an effort to maximise profits. By 1898, an 18-tiered sandalwood classification system was instituted, up from a 10-tier system a decade earlier; it seems this led to much confusion and was eventually reduced back to 12 tiers [...].

---

Meanwhile, private European companies also made significant inroads into Mysore territory at this time. By convincing the government to classify forests as ‘wastelands’, and arguing that Europeans would improves these tracts from their ‘semi-savage state’, starting in the 1860s vast areas were taken from local inhabitants and converted into private plantations for the ‘production of cardamom, pepper, coffee and sandalwood’.

---

Yet attempts to cultivate sandalwood on both forest department and privately owned plantations proved to be a dismal failure. There were [...] major problems facing sandalwood supply in the period before the twentieth century besides overexploitation and European monopoly. [...] Before the first quarter of the twentieth century European foresters simply could not figure out how to grow sandalwood trees effectively.

The main reason for this is that sandal is what is now known as a semi-parasite or root parasite; besides a main taproot that absorbs nutrients from the earth, the sandal tree grows parasitical roots (or haustoria) that derive sustenance from neighbouring brush and trees. [...] Dietrich Brandis, the man often regaled as the father of Indian forestry, reported being unaware of the [sole significant English-language scientific paper on sandalwood root parasitism] when he worked at Kew Gardens in London on South Asian ‘forest flora’ in 1872–73. Thus it was not until 1902 that the issue started to receive attention in the scientific community, when C.A. Barber, a government botanist in Madras [...] himself pointed out, 'no one seems to be at all sure whether the sandalwood is or is not a true parasite'.

Well into the early decades of twentieth century, silviculture of sandal proved a complete failure. The problem was the typical monoculture approach of tree farming in which all other species were removed and so the tree could not survive. [...]

The long wait time until maturity of the tree must also be considered. Only sandal heartwood and roots develop fragrance, and trees only begin developing fragrance in significant quantities after about thirty years. Not only did traders, who were typically just sailing through, not have the botanical know-how to replant the tree, but they almost certainly would not be there to see a return on their investments if they did. [...]

---

The main problem facing the sustainable harvest and continued survival of sandalwood in India [...] came from the advent of the sandalwood oil industry at the beginning of the twentieth century. During World War I, vast amounts of sandal were stockpiled in Mysore because perfumeries in France had stopped production and it had become illegal to export to German perfumeries. In 1915, a Government Sandalwood Oil Factory was built in Mysore. In 1917, it began distilling. [...] [S]andalwood production now ramped up immensely. It was at this time that Mysore came to be known as ‘the Sandalwood City’.

---

Text above by: Ezra Rashkow. "Perfumed the axe that laid it low: The endangerment of sandalwood in southern India." Indian Economic and Social History Review 51, no. 1, pages 41-70. March 2014. [Bold emphasis and some paragraph breaks/contractions added by me. Italicized first paragraph/heading in this post added by me. Presented here for commentary, teaching, criticism purposes.]

[a-man-for-hire-and-his-archives]

AMC Picks Up Captain Nemo Origin Series ‘Nautilus’ From Disney, Plans to Air Show in 2024

The Captain Nemo origin story series “Nautilus” lives on, with AMC Networks licensing the U.S. and Canadian linear and streaming rights to the live-action series from Disney Entertainment.

The 10-episode show was originally slated to air on Disney+, but it was announced back in August that the show was not going forward at the streamer as part of a wide-ranging cost cutting initiative at the Mouse House.

AMC and AMC+ will now air the show as a special television event in 2024, with an exact premiere date to be announced later. Inspired by Jules Vernes’ “Twenty Thousand Leagues Under the Sea,” the show will explore the early life of Captain Nemo, who is played by Shazad Latif. The character is described as “an Indian Prince robbed of his birthright and family, a prisoner of the East India Mercantile Company and a man bent on revenge against the forces that have taken everything from him.”

“’Nautilus’ is a big, sweeping drama that is sure to appeal to fans of our Anne Rice Immortal Universe and other buzzy and fan-forward series like ‘Orphan Black: Echoes,’” said Ben Davis, executive vice president of original programming for AMC Networks and AMC Studios. “We are looking forward to bringing it to AMC+ and AMC as a special television event next year.”

Along with Latif, the cast of the show includes Georgia Flood, Thierry Fremont and Céline Menville, with guest appearances from Richard E. Grant, Anna Torv and Noah Taylor.

The series was developed and produced by Moonriver TV’s Xavier Marchand and Seven Stories’ Anand Tucker. James Dormer serves as writer and executive producer. Johanna Devereaux, Chris Loveall, Colleen Woodcock, and Daisy Gilbert also executive produce. Cameron Welsh serves as producer. Michael Matthews was the lead director.

“I am hugely excited that the efforts of everyone involved in the making of the show will be seen on such a prestigious network,” said Dormer.

“We are so thrilled to present the epic adventures of Captain Nemo and his legendary submarine The Nautilus alongside the other incredible AMC universes,” said Marchand and Tucker. “The series will take viewers on a breathtaking journey with Nemo and his crew, battling terrifying creatures and the dark forces of the British Empire.”

“Nautilus” is distributed by Disney Entertainment and acknowledges the support from the Australian Government’s Location Incentive and from the Queensland Government via Screen Queensland’s Production Attraction Strategy.

Source: The Variety

[hedgehog-moss]

[1] `there are often translations available in other languages long before English ones` This is really interesting! I'm familiar with translation in games, where english is often a very early target (a small game might get 0-5 translations, depending on amount of text) because the size of the market is larger.

[2] Do you happen to know why this is different for books? Is it faster to come to a deal about publication rights for some other languages to get started on the translation? Is translation to english harder (at least from French) than to say, Spanish?

The literary translation situation has long been very dismal in the English-speaking world! I don’t know a lot about video games, but are localisations provided by the company that makes the game? Because if that's the case it makes sense that games would get translated into English as a priority. For literary translations which are imported rather than exported, other countries have to decide to translate a foreign author and anglo countries (US, UK and Canada at least) are not very interested in foreign literature. There's something known as the "3% rule" in translation—i.e. about 3% of all published books in the US in any given year are translations. Some recent sources say this figure is outdated and it’s now something like 5% (... god) but note that it encompasses all translations, and most of it is technical translation (instruction manuals, etc). The percentage of novels in translation published in the UK is 5-6% from what I’ve read and it’s lower in the US. In France it's 33%, and that’s not unusually high compared to other European countries.

I don't think it's only because of the global influence of English* and the higher proportion of English speakers in other countries than [insert language] speakers in the US, or poor language education in schools etc, because just consider how many people in the US speak Spanish—I just looked it up and native Spanish speakers in the US represent nearly 2/3rds of the population of France, and yet in 2014 (most recent solid stat I could find) the US published only 67 books translated from Spanish. France with a much smaller % of native Spanish speakers (and literary market) published ~370 translations from Spanish that same year. All languages combined, the total number of new translations published in France in 2014 was 11,859; in Spain it was 19,865; the same year the US published 618 new translations. France translated more books from German alone (754) than the US did from all languages combined, and German is only our 3rd most translated language (and a distant third at that!). The number of new translations I found in the US in 2018 was 632 so the 3% figure is probably still accurate enough.

* When I say it’s not just about the global influence of English—obviously that plays a huge role but I mean there’s also a factor of cultural isolationism at play. If you take English out of the equation there’s still a lot more cultural exchange (in terms of literature) between other countries. Take Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead; it was published in 2009, and (to give a few examples) translated in Swedish 1 year later, in Russian & German 2 years later, in French, Danish & Italian 3 years later, in English 10 years later—only after she won the Nobel. I’m reminded of the former secretary for the Nobel Prize who said Americans “don't really participate in the big dialogue of literature” because they don’t translate enough. I think it's a similar phenomenon as the one described in the "How US culture ate the world" article; the US is more interested in exporting its culture than in importing cultural products from the rest of the world. And sure, anglo culture is spread over most continents so there’s still a diversity of voices that write in English (from India, South Africa, etc etc) but that creates pressure for authors to adopt English as their literary language. The dearth of English translation doesn’t just mean that monolingual anglophones are cut off from a lot of great literature, but also that authors who write in minority languages are cut off from the global visibility an English translation could give them, as it could serve as a bridge to be translated in a lot more languages, and as a way to become eligible for major literary prizes including the Nobel.

Considering that women are less translated than men and represent a minority (about 1/3) of that already abysmally low 3% figure, I find the recent successes of English translations of women writers encouraging—Olga Tokarczuk, Banana Yoshimoto, Han Kang, Valeria Luiselli, Samanta Schweblin, Sayaka Murata, Leila Slimani, of course Elena Ferrante... Hopefully this is a trend that continues & increases! I remember this New Yorker article from years ago, “Do You Have to Win the Nobel Prize to Be Translated?”, in which a US small press owner said “there’s just no demand in this country” (for translated works); but the article acknowledged that it’s also a chicken-and-egg problem. Traditional publishers who have the budget to market them properly don’t release many translations as (among other things) they think US readers are reluctant to read translated foreign literature, and the indie presses who release the lion’s share of translated works (I read it was about 80%) don’t have the budget to promote them so people don’t buy them so the assumption that readers aren’t interested lives on. So maybe social media can slowly change the situation by showing that anglo readers are interested in translated books if they just get to find out about them...

[ess-ell-sourcing-co]

Essell: Your Trusted Partner for Comprehensive Factory Audit and Analysis

In today’s globalized market, ensuring that your products meet the highest standards begins with the factory where they are made. At Essell, we understand the critical importance of Most Trusted Factory audit and analysis in maintaining the integrity, quality, and safety of your supply chain. Our comprehensive audit services are designed to give you peace of mind, knowing that every aspect of your manufacturing process is up to par.

Why Trust Essell with Your Factory Audit?

With years of experience in the industry, Essell has established itself as a trusted partner for businesses looking to ensure their manufacturing partners meet stringent criteria. We know that every product tells a story, and the foundation of that story starts with where and how it’s made. Our detailed audit process goes beyond just ticking boxes – we delve deep into the operations, management systems, and compliance measures that define the quality of your products.

Comprehensive Audit Services

Our audit services are thorough and tailored to meet your specific needs. We evaluate every facet of the factory, such as:

Quality Control Systems: We evaluate the factory's quality management systems to ensure they adhere to your standards, whether that’s ISO compliance, Six Sigma methodologies, or other industry benchmarks.

Labor Conditions: At Essell, we take social responsibility seriously. Our audits include a review of labor practices to ensure that workers are treated fairly and work in safe, ethical conditions.

Production Capabilities: We assess the factory’s production capacity and processes to ensure they can meet your volume and quality requirements consistently.

Environmental Compliance: Sustainability is key in today’s market. We analyze the factory's adherence to environmental regulations and their efforts towards minimizing their carbon footprint.

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The audit is just the beginning. Once the inspection is complete, we provide a Most Trusted Factory audit and analysis that breaks down our findings into actionable insights. This report is designed to help you make informed decisions about your manufacturing partnerships. Whether it’s identifying areas for improvement, validating a new supplier, or ensuring ongoing compliance, our analysis gives you the clarity and confidence you need to move forward.

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Choose Essell for your factory audit and analysis needs, and rest easy knowing your manufacturing process is in capable hands.

[whencyclopedia]

Indigo Revolt

The Indigo Revolt (aka Indigo Riots or Blue Mutiny) of 1859-60 in Bengal, India, involved indigo growers going on strike in protest at working conditions and pay. The subsequent violence was aimed at exploitative European plantation owners, but the cause was, during and after, taken up by anti-colonial Indian liberals as an example of the necessity for independence.

The Indigo Trade

India was known for its cotton textiles through the Middle Ages, and by the mid-16th century Gujarat in northwest India was major a source of indigo, the deep blue-violet dye used to colour cotton and other materials. Indigo was in high demand by the European trading companies, including the British East India Company (EIC) which made large profits from its export. The EIC used well the long-standing expertise of Indian indigo growers and dyers, particularly in centres such as Sarkhej in Gujarat and Bayana in neighbouring Rajasthan, both in northeast India.

The making of indigo dye was a long and labour-intensive process. The plant cuttings were harvested once a year in June or July before the onset of the rainy season. These were then taken to a factory by cart where they were emptied into large vats to steep in water. The dyed water and mash was then boiled as this brought out a richer colour in the indigo grains, which then had to be strained out. The grains were next pressed into dried cakes, which were in turn pressed into barrels or, alternatively, the mass was cut into cubes and packed into chests ready for transportation. Most indigo was shipped to Calcutta (Kolkata) for sale to merchants who then organised shipment to England or the Americas where it was used to colour textiles. From the late 18th century, Bengal became the major centre for indigo production, accounting for 67% of London's total imports of the dye in 1796 (around 2 million kilograms) and then rising further into the 19th century.

The indigo industry was a volatile one. Too much or too little rain greatly affected the quantity and quality of the dye produced each year, and in boom years, overproduction brought a crash in the price. Still, for the long-term investor, indigo could be a very lucrative industry indeed. Unfortunately, the financial speculation that resulted in such a crop with potential for large gains was another source of instability. Finally, the location of many indigo plantations made them prone to flooding, which not only damaged the crop but often swept away the factory facilities.

Continue reading...

[gojuo]

Alabasta, where Vivis from, is based off both India and Egypt. Casting an Indian actress is accurate to the source material, and all the casting choices for OPLA are approved by Oda

1. alabasta is based on egypt & the middle east in general. not india.

2. oda is not sifting through hundreds of thousands of audition tapes to pick an actor. it's the casting directors who do that until they narrow it down to the final two or three actors, then they involve the man in the process who just gives his personal opinion on who he personally likes. oda is not a casting director.

can you dumbasses please stop falling for pr statements. the ceo of the production company of opla is an open zionist. there is a very blatant reason as to why they refused to cast arabs and just settled for south asians instead.

[rhysdarbinizedarby]

Night Court S02 "The Duke's a Hazard" Welcomes Dave Foley, Rhys Darby

We have preview images for Melissa Rauch, John Larroquette & Dan Rubin's Night Court S02 "The Duke's a Hazard," with Dave Foley & Rhys Darby.

Before we take a look at the next episode of series star/EP Melissa Rauch, co-star/EP John Larroquette & writer/EP Dan Rubin's Night Court, we have to throw out some serious thanks once again to series star Lacretta for dropping us the news that The Kids in the Hall's Dave Foley would be appearing this during a conversation last month. Well, it turns out that Foley will be guest-starring in Tuesday's "The Duke's a Hazard" – and he's not alone because Our Flag Means Death star Rhys Darby will be joining him. For a look at what you can expect, check out the official overview & preview images that were released.

(Photo by: Nicole Weingart/NBC)

Night Court Season 2 "The Duke's a Hazard" Preview

Night Court Season 2 "The Duke's a Hazard": When Gurgs' (Lacretta) royal boyfriend pays a surprise visit, she questions their compatibility. Dan (John Larroquette) defends his family's honor after he discovers a feud that dates back centuries. Rhys Darby and Dave Foley guest star.

(Photo by: Nicole Weingart/NBC)

The eternally optimistic Abby Stone (Melissa Rauch) follows in the footsteps of her revered late father, Judge Harry Stone, as she takes on the challenge of overseeing the night shift of a Manhattan arraignment court.

Abby always sees the best in people, and her passion for justice is undeniable. In her quest to bring order and dignity to the court and reign in its colorful crew of oddballs, she enlists former night court district attorney Dan Fielding (John Larroquette) to serve as the court's public defender. Still exceedingly self-confident, Fielding must adjust to a new boss and a new job – defending the downtrodden. And, beneath his arrogant demeanor, there is an empathetic side to Fielding that Abby is determined to unearth.

They both must contend with Olivia (India de Beaufort), the court's officious assistant district attorney. Driven and ambitious, she views the night court as a stepping stone on her way to bigger things. Wyatt Shaw (Nyambi Nyambi), the court's new quick-witted and sarcastic clerk, has seen it all. As a recently divorced, overprotective father of two young girls, he's determined to make sure his daughters see way less than he did.

Rounding out the staff is Donna "Gurgs" Gurganos (Lacretta), the night court's sharp-witted bailiff. Gurgs takes her job very seriously and is fiercely protective of her night court colleagues. Nikolai (Dimiter Marinov) is the court's maintenance man. A staple character within the building, Nikolai pops up in the day-to-day lives of the crew. He's a mystery to everyone around the courthouse (and he likes it that way).

Rauch and Winston Rauch executive produce via After January production company (based at Warner Bros. TV) alongside Rubin- with Larroquette set to produce. After January produces in association with the original series studio, Warner Bros.

Source: Bleeding Cool

[pigeonflavouredcake]

I'm procrastinating my grimoire section on baneful magic so I wrote about salt instead

Salt is another incredibly common tool used by practitioners, second only to candles. Salt is often referred to as a pure element by practitioners due to the harvesting process. This makes salt the basis for many spells and rituals, using it to cleanse vessels, represent earth or given as offerings. Because it doesn’t go off or get mouldy it is a great tool to have in your arsenal.

Types of Salt

Black Salt: There are two types of black salt, witches black salt; a mixture made by the practitioner using their choice of salt and ash from coal or incense, this type of salt is inedible and is an option for banishment spells and baneful magic. The other type is kala namak or Himalayan black salt; a kind of rock salt with a dark red/purple hue harvested in northern India and Pakistan around the Himalayas. Kala namak is composed of sodium chloride, iron sulphide which gives the product its purple colour and hydrogen sulphide which gives it its strong smell and savoury taste. (Krishna, K. 2021) 

In cooking, kala namak can be used to replace regular table salt. The hydrogen sulphide can result in an eggy flavour so it is best used sparingly in savoury dishes. You can find it online or from Asian food or health food markets.

Pink Salt: Pink salt or Himalayan salt is a type of rock salt mined in Pakistan near the foothills of the Himalayas. It gets its pink colour from the trace minerals of potassium, magnesium and calcium. Like regular table salt, pink salt contains 98% sodium, because the additional trace minerals are so small there are no proven health benefits to using pink salt over table salt. (Leonard, J. 2018.)

In cooking, pink salt can be used in replacement for regular table salt but due to the larger surface area of the granule compared to table salt granules I recommend using slightly less than required. Pink salt typically has a stronger flavour with a slight metallic after taste. It is often used in love spells because of its pink colour. You can find it in your local supermarket in the 'continental' section. 

Red Salt: Red salt, also called Alaea salt or Hawaiian red salt, is a bright red and unrefined sea salt rich in iron oxide it gets from being rolled in alaea clay found in the Waimea mountains of Hawai'i. Alaea salt is used in traditional Hawaiian practices for blessings, purifying and healing, the religious/spiritual use of Alaea salt is exclusive to Hawaiian culture. Because Alaea salt doesn’t meet U.S food grade requirements it is not commercially sold. (University of Hawai’i)  

Rock Salt: Rock salt (not edible) is typically produced through blast or drill mining; the process is done in stages, first a cut is made in the face of the rock to allow space for drilling and blasting, the next stage, holes are drilled into the face that are then filled with explosives and fired. After the blast the resulting roof is scaled to remove any potential loose debris. The fragments of salt are then hauled on to trucks to be transported to a crushing plant. When they are crushed they’re mixed with anticaking agent to prevent the salt from recrystallizing, it is then stored and shipped. (Irish Salt Mining)  

The salt produced is not safe for consumption and is instead used to grit and de-ice surfaces in the winter, it can also be used for grounding and protective spells like sprinkling it at your front door. You can find it in your local supermarket or hardware store under rock salt, road salt or de-icing salt. 

Sea Salt: Sea salt is the name given to salt harvested from sea water via evaporation. Depending on the climate of the company’s farm, the evaporation process can either be man made or entirely solar based, sea water is collected, filtered for impurities and left under a heat source to reduce the water level and saturate the brine, the brine is then moved to be crystalised where more heat is applied, as salt crystals star forming, they’re harvest and separated, some are then processed with an anticaking agent before being packed and shipped, some are left alone. (Cornish Sea salt Co.)

Sea salt production has been around since the 5th Century BC, being mentioned in the Buddhist scripture, Vinaya Pitaka. (Prakash, O. 2005. p 479) 

The religious use of sea salt varies widely depending on the culture but in general neo-pagan practices sea salt is often given as an offering to the gods. In cooking, sea salt and table salt can be used interchangeably as they have the same nutritional value.

Table Salt: Table salt is your standard refined salt that is typically mined. Table salt production requires turning salt from chunks, to flakes and then finally to granules followed by anti-caking agent to prevent it from recrystallizing.

The standard use in cooking is to reduce the sweetness of dishes, salt also helps create a stronger flavour by decreasing the water content as you cook, concentrating the flavour.

Everything is great in moderation so take care of how much salt you consume on a regular basis. The NHS suggests adults should be eating no more than 6g (1 teaspoon) of salt per day, a diet high in salt correlates to high blood pressure and increases risks of heart disease and strokes. (NHS. 2021)

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References

Cornish Seasalt Co. (DNA). How is Sea Salt Made?. Cornish Seasalt Co. cornishseasalt.co.uk [Webpage]

Irish Salt Mining & Exploration Company LTD. (DNA). Process. Irish Salt Mining & Exploration Company LTD. irishsaltmining.com [Webpage]

Krishna, K. (2021). Kala Namak/Black Salt: How It Is Made, Nutritional Values, Benefits for Health, Skin and Recipes. NetMeds. Netmeds.com [Webpage]

Leonard, J. Olsen, N. (2018). Does Pink Himalayan Salt Have any Health Benefits?. Medical News Today. medicalnewstoday.com [Web Article]

NHS. (2021). Salt: The Facts. nhs.co.uk [Webpage]

Prakash, O. (2005). Cultural History of India: Food and Drinks (800 B.C. to 300 B.C.). New Age International. India [Book]

University of Hawai’i. (DNA). Exploring our Fluid Earth. Teaching Science as Inquiry: Traditional ways of Knowing: Salt Harvesting. University of Hawai’i. manoa.hawaii.edu [Webpage]