#recontextualizing

[abislwise]

My genius is unappreciated in my time

[txttletale]

sry to step back from the ai stuff and ask a more fundamental question but what do you mean about both art only mattering in the interplay betwwn work and reader and the stuff about how displaying something turns it into Art?

Like yeah ik both of those points are like super common things artists say but Ive only ever seen them deployed as like a way to shut down Outsiders trying to ask questions ive nerver understood what they actually mean

you see a toilet in a bathroom, you think "thats a toilet". you see a toilet on a plinth in an art gallery, you think "what's that doing there?" and then, if you are able to get past a knee-jerk rejection of 'THATS NOT ART WHATS IT DOING IN THE ART BUILDING', you think things like "what differentiates art objects from other objects? someone made this toilet, after all. it's mass produced, but prints can be mass produced, and they're still art. is a toilet that is being displayed different to one i am meant to use? what do i feel when i see a toilet randomly in the middle of a room while walking around an art gallery, that i don't feel when i see it in a bathroom when i'm going to take a piss?" & so on... the object has not changed, but your reaction to it has, and so it has become meaningfully different!

[loststarkr]

because i have a secret

[eurodynamic]

KINGDOM COME: DELIVERANCE II (2025) -> Easy Riders

[1alchemistart]

...with human soul and parts!

[loveinhawkins]

ao3

Robin’s double-triple-quadruple checking that Steve is okay—well, okay as he can be, gritting his teeth as Nancy wraps hastily made bandages around him—when she sees Eddie turn away out the corner of her eye.

She follows the movement unconsciously, but then she really looks, and at first she thinks it’s just this god-awful place draining the colour out of everything, but wow, he looks bad.

“Hey,” she says as brightly as she can, “you just checking out the scenery over here or…?”

Eddie shakes his head, and that immediately seems like a bad idea because his face gets even paler, which Robin didn’t even think was, like, possible.

“Just needed to—” he says faintly.

And that’s all he gets out before he weaves where he’s standing, and Robin reaches for him instinctively, grabs a hold of his hand; his palm is cold with sweat, and she suddenly finds herself thinking that the rumour going around a couple years ago, that Eddie passed out in the middle of a dissection in Biology, must have some truth in it.

“Okay, we’re okay!” she says quickly, and holds on as tight as she can. “We’re just gonna stand here and breathe.”

She says it a few more times, “We’re just gonna breathe,” and she’s got no idea if it’s the right thing to do or not, whether it’s just deeply annoying or making everything worse.

Eddie closes his eyes, and she worries about that initially, but the grip of his hand gets stronger, and he doesn’t sway again, and when he opens his eyes and looks at her, they’re clear and focused.

He squeezes her hand twice. “Thanks.”

He doesn’t let go, and he looks embarrassed about it, so Robin says that her sense of balance is so incredibly shit, and this is very helpful of him, thank you.

It works at least a little bit; he almost laughs. Then he swallows, and she can feel his urge to look back over despite himself. He stops the motion just in time.

“Is he—” His fingers twitch uneasily. “Is he okay?”

“Yes,” she says immediately.

She really hopes it doesn’t sound like she’s pacifying him. It’s just, she knows by now what to watch out for, she doesn’t even really need to be looking; an awareness of Steve in her periphery is enough.

She rushes to try and clarify, “Like, I know it seems like I was panicking with the rabies thing, I mean, I kinda was super panicking, but I got it all out my system, like I’m a worrier first and foremost, that’s my secret default emotion, you’re welcome, so when I say there’s nothing to worry about, obviously there are plenty of things to worry about, look where we are, but I promise nothing major currently in the Steve department, and I can tell you, like, instantly when that changes, it’s a sixth sense.”

Eddie blinks, looking slightly stunned. Shit, she forgets sometimes that it’s only really Steve who’s used to these monologues.

A big breath. “And I know it seems like I’m panicking because I’m rambling which—okay, that’s sometimes true, but in most cases—this one included, I swear!—me talking way too much just means I’m comfortable with whoever’s listening.” Eddie’s eyes widen. “So, um. Congratulations? Sorry? Take your pick. Does that, um, make sense?”

There’s a pause before Eddie replies—he’s probably still processing just how many words were thrown at him.

“I don’t think you talk too much,” he says in a taken aback kind of way. Then, “And yeah, sure, that makes sense. Just, uh, questioning your judgement.” A slight self-effacing smile. “I’m not typically the kinda guy folks are comfortable around.”

“Is it really so shocking?” Robin says, meaning it as a tease but—

“Yes,” Eddie says, and while he matches her tone, the word teeters between a joke and something vulnerable.

They both turn at a sudden grunt of exertion—Steve’s standing up, supporting himself with one hand leaning on the rock he’d fallen against. Nancy watches his movements with an anxious intensity; Robin follows her eyeline and notes with relief that the bleeding’s stopped.

“We can go to my house,” Nancy says like she’s trying to convince herself it’s a good idea. “There’ll—there must be some bandages or something just. Just in case.”

Steve lets go of the rock and stands up to his full height. It’s a deliberate show of reassurance, Robin thinks, as much for himself as it is for Nancy.

“Sure,” Steve says. “And guns too, right?”

Nancy’s startled into a laugh. For a second, the weight of concern leaves her face. “And guns,” she repeats.

Eddie catches Robin’s eye with an air of bewilderment. “Guns?” he mouths.

Robin nods.

Eddie looks, if possible, even more lost. Then his eyes slide away from Robin’s, and his expression changes; he starts to frown. At first Robin can’t tell what he’s noticed except that there can’t be any more blood, thank God, because he doesn’t look away. Then she sees it too as Steve takes a step forward with a nonchalant, “What are we waiting for? Let’s go,” like the determined normality of his voice can somehow hide the fact that he’s shivering.

Nancy bites her lip, looking like she’s come to the same unwelcome conclusion as Robin: that no matter what they say, it’ll just result in Steve arguing against it.

There’s a rustle off to the side. Robin glances over only in time to see a blur of denim; Steve catches it against his chest. Eddie’s vest.

“For your modesty, dude,” Eddie quips like it’s no big deal, but Robin can instantly sense the care he’s taken in how he’s said it, that he’s guessed intuitively about the kind of person Steve is: the kind who, when Robin once forgot her umbrella, shared his and made sure she was fully covered, despite him getting soaked in the process.

It’s like she can physically see the path that Eddie’s flippancy has opened up. This way Steve accepting the vest is just continuing the joke; he doesn’t need to admit that he actually needs it.

And it works. Steve expertly sidesteps around the vulnerability and shrugs on the vest, echoing Eddie’s levity right back at him.

“Oh, my modesty, sure. Well, in that case, don’t wanna offend you, dude.”

“You know me, propriety is my middle name.”

Steve laughs. He fiddles a little with one of the buttons on the vest then says lightly, as if an afterthought, “Didn’t know you cared.”

It still walks the line of a joke, but Robin can hear his sincerity, and from the look of surprise on Eddie’s face, so can he. And it’s not like Steve being genuine is a surprise to her, but—

The ground gives way beneath her feet; her stomach lurches as she loses her balance, and it’s only when she accidentally catches Eddie’s shoulder that she realises she’s not going to fall through an endless chasm, that the world is just shaking violently—still not a comforting prospect, but she’ll gladly take it over the alternative.

She barely has time to feel the relative relief before another shudder sends her straight to the ground; she’s too caught off guard to even protect her face with her hands. But her landing isn’t nearly as painful as it should be—as everything finally grows still, she finds the reason why: Eddie, who from the awkward twisted position of his legs looks like he was caught equally off guard, and yet he’s still managed to fling an arm around Robin, bracing to keep her from the worst of the impact.

“Did anyone touch the vines?” Nancy asks breathlessly.

Robin and Eddie shake their heads.

“Any, uh, particular reason why?” Eddie says in the tone of someone who’d really rather not find out.

“It’s a hive mind,” Steve and Nancy say simultaneously, in a very hive mind like way.

Robin hums the theme to The Twilight Zone; everyone laughs, some pressure finally released.

“So killer demon bats weren’t enough, we’ve gotta deal with booby traps too,” Eddie says.

Steve snorts. He glances childishly to Robin as if looking for approval; she rolls her eyes with an irrepressible smile. Seriously?

There’s a split second of disbelief before Eddie just grins in delight. “Real mature, Harrington.”

Steve shrugs. “Sorry, man,” he says, not sounding sorry at all. “Just providing what Dustin would’ve done.”

They sober slightly at the reminder that their group’s been split.

“You think they’ve figured out that we’re…?” Eddie wiggles his fingers vaguely. He’s slower at getting to his feet than everyone else had been—he’s still hunched over slightly, rubbing at his knee.

“They will,” Nancy says with conviction.

“Don’t underestimate them,” Steve says mildly.

“Oh, I’m not, believe me. They’re kinda terrifying.”

“Terrifying?” Nancy echoes, laughing again, right as Steve says, “Exactly.”

As if in response to their laughter, there’s a distant growl punctuated with ominous clicking. Steve and Nancy both go rigid, and Robin thinks of the night after Starcourt, when Steve stayed over at her place because neither of them wanted to be alone; and he told her how everything started for him, his voice tripping over the words like he was reliving it all over again: running back to Jonathan Byers’ house, hearing the snarl of a monster.

“Yeah, I’m all for going to the Wheeler sanctum,” Eddie says weakly.

But he doesn’t move initially, so Steve and Nancy end up leading the way. Steve repeatedly sweeps the beam of his flashlight back and forth, making sure that the path is lit up for everyone, and Robin wonders whether he’s so focused on that that he hasn’t yet noticed—

“You’re hurt,” she tells Eddie softly. She’s up and looped her arm through his without thinking—which is kind of a big deal considering she nearly threw up with nerves when dancing with a boy at her middle school Snow Ball—and she realises that, for once, she forgot to be nervous about it.

“It’s not that bad,” Eddie says dismissively, but she can feel him leaning on her so it must be at least a little bit bad. “Hey, we kinda even each other out like this, huh? Your balance is pretty good, actually.” He pauses, then, “I’m okay, promise, just didn’t wanna…” He shrugs, nods towards Steve. “Gotta prioritise, y’know?”

Robin doesn’t push back on it for now, just slows her pace so Eddie isn’t jostled. “Thank you,” she says instead, lowering her voice. She nods toward Steve too. “For the…”

“Style improvement? Yeah, you’re welcome.”

This time Robin only lets him get away with belittling it for so long; it’s important, she thinks, that he knows.

“I mean it. He wouldn’t have taken it if you hadn’t—he’s…” She sighs. The greatest Tammy Thompson impersonator. Stupidly funny. Serious, when he has to be. Caring. Selfless. My best friend. “Stubborn.”

Eddie laughs under his breath. “Oh, and you’re not? What the hell was that back there?” He drops into a gently mocking impression of her voice, “I made that shit up.”

“I was just being honest!”

“Way to give me a heart attack.” She feels him squeeze the crook of her elbow. “Don’t do it again.”

And there’s that balancing act again, joking but not. Robin hears it for what it is. Don’t leave me alone. She squeezes back.

“I won’t.”

She expects Eddie to change the subject quickly. Instead he laughs—smaller, sadder. “Shit, sorry. You must think I’m—”

“No,” she says firmly. “I don’t.”

Eddie looks down like he’s just watching his step, nothing more. But his hold around Robin’s arm tightens again. He clears his throat.

“Thanks, Buckley.”

“Hey, Robin, Eddie,” Steve calls; Robin feels Eddie jump. “There’s vines up ahead, like…” He turns around and indicates where with the flashlight. Then he catches Robin’s eye, knits his eyebrows slightly. You okay?

She smiles in reassurance before subtly tilting her head towards Eddie, wrinkles her nose. 

Steve’s forehead relaxes. The tiniest nod. Yeah, I know. Got my eye on it.

Because of course he’d noticed the hurt knee despite Eddie’s attempt to hide it; Robin recalls now one of Steve’s rants about his time at school, how he’d often clock injuries during basketball games before the borderline neglectful coach.

And then she realises that Steve’s been walking backwards throughout their silent conversation, alternating between lighting the way for Nancy, and for her and Eddie.

She rolls her eyes, briefly draws a circle in the air with her finger. Now you’re just showing off.

Steve grins, waggles his eyebrows ridiculously. Oh, yeah? What’re you gonna do about it?

But he obligingly turns around, as Nancy gives him a sidelong, questioning look. He answers, too far away to hear, points behind him with his free hand like he’s explaining something. Then his hand goes to the vest, rubbing his thumb absentmindedly over the denim near the collar; Robin smiles.

“So, uh, how likely is it that I’m gonna get that back?” Eddie asks. He sounds amused, like he’s just noticed the same thing as Robin.

“Like, out of ten?” She pretends to think about it. “Two point five.”

Eddie snorts. “Wow, thanks.”

It’s a compliment, Eddie, she thinks, recalling the select few sweaters that Steve fiddles with in winter. He only does that with clothes he really loves.

“You’re not the first. He steals my sunglasses all the time.”

Eddie bursts out laughing. “Figures. He’d look good in anything, it’s so unfair.”

And it doesn’t sound serious; it’s said off the cuff, like it doesn’t have to mean anything. But Robin’s growing more certain that she can hear what’s hiding underneath—that, however hesitantly, she’s being tested.

“Yeah, but we’re not supposed to actually tell him that, he’ll never shut up about it.” As Eddie laughs, she elbows him gently, reaches across to tug at one of the zippers on his sleeve. “So are you providing a permanent service with your clothes? Cause I call dibs on your jacket.”

Eddie laughs again; the mix of disbelief and joy in the sound is familiar—Robin’s heard it come from herself not all that long ago. It takes a while to sink in, that friendship can be found so easily—an uncomplicated, earnest type of love once thought lost to kindergarten; it doesn’t have to hurt.

(“I didn’t need the truth serum to say it,” Robin had confessed during a terminally slow day at Family Video. “I think, deep down, I trusted you.”

“Oh,” Steve said softly and watched the rest of the movie they’d thrown on dewy-eyed.)

There’s a spring in Eddie’s step now despite the limp. He calls out like he’s on a summer hiking trail, “Are we there yet?”

Nancy chuckles. “No. Are you five?”

“Wheeler, I’m shocked that you’d repeat the baseless lies of the school faculty.”

Steve turns, his grin caught by the flashlight—and he looks younger suddenly, Robin thinks, like he’s in class, sneaking a look at someone in the seat behind.

“Wow, dude, I’m so sorry. Are you bored? I forgot to book the entertainment.”

“Did you, Steve?” Eddie asks, all innocence. “I thought you were the entertainment.”

And as they go back and forth, it’s as if the darkness of the woods can’t reach them anymore—as Steve starts a game of I spy, and Eddie encourages Nancy to come up with equally outlandish guesses, the two of them barely keeping their giggles under control, violets, vixen, velociraptor?

“Vines, you losers!” Steve says, still grinning, walking tall like he’s totally forgotten about his injury; and Eddie turns to Robin like that had been his aim all along, “Your turn, Buckley.”

Oh, you’ll fit right in, Robin says to herself before jumping into the game—as they all, at least for a little while, leave fear behind.

[yumester]

[avelera]

Just realized that the reason Jayce puts a hand in front of Viktor in the Council room in S1 after Jinx steals the Hexcrystal is because Jayce is planning to take the ENTIRE fall for Hextech becoming a risk and he’s trying to keep Viktor out of it/make sure Viktor stays quiet and less noticeable so the Councilors won’t turn any of their wrath on him as well and I just… 🥺

[speculative]

A new twist on triangleposting by SPACE_Jonny

[thewhizzyhead]

how genderbending the warriors (2024) is done not for the sole sake of "bad-assery"

okay here we go feminist ramble time for our newest chick on the block: warriors. now i'll be honest, prior to listening to the album, when i first heard that the warriors main girls were originally dudes in the movie and the novel, i thought that the decision for the genderbending, in lmm's perspective, were from the following: 1.) girl power move in like a very basic meaning of the word "bad-ass" 2.) simply a twist on a cult movie about big gang bros loved by the film bros, and 3.) a way to have the schuyler sisters back together gjfkdfldf

but when i read more about warriors and its development and how lmm took inspiration from the gamergate controversies of 2014-2015 aka among the peak of gamerbro misogyny campaigns, that's when i realized that Oh Shit Is Serious - because adapting a story about a group being framed and targeted and harassed for something they are accused of doing without any substantial proof other than a man screaming "THE WARRIORS SHOT CYYYYRUUS" with 21st century misogyny campaigns in mind makes the theme of fighting back a lot more complicated and a lot more resonant, going beyond just marketing a cast you can call "badass"

take the hurricanes' quiet girls, for example. the hurricanes (concept album version) is the only gang that lets the warriors off the hook and with a stern warning: quiet girls don't make it home. here, the hurricanes berate the warriors for not saying shit or attempting to defend themselves from accusations they know well aren't true. THIS MESSAGE IN PARTICULAR is what stays and influences ajax, fox, and swan til the very end of their stories.

literally one song after this does ajax show how easily she resonated with the hurricanes' lesson by finally sticking with her gut and actually choosing to fight back against both the baseball furies AND against the sleazy undercover cop. the latter encounter is one of the instances that really solidifies the recontextualization of the story because in the OG movie, ajax (a dude) WAS the sleazy fuck up harassing a woman in a park - and now with the literal character switch, ajax goes from being just a rebellious gangbro dude bro into someone whose want to fight is warranted. such a want to fight is seen in fox seeing as fox is the first to comment on the quiet girls scene and that, in the concept album, she is the one that instigates the rumble against the police in union square - saying that she is sick of being afraid of them and their 'fuckin powder blue' colors (also notice how she is the only warrior that really does say fuck the cops i think that's cool BUT I'LL TALK ABOUT FOX MORE NEXT TIME)

to a less obvious extent, swan also gets the receiving end of this recurring theme - by the album's finale, the usually violence-averse caution-first interim leader becomes a lot fiercer in protecting her crew. but perhaps among what i consider to be the biggest recontextualized change in the feminist sense is MERCY and her motivations to join the warriors in the first place. according to the wiki, her attraction to swan and the warriors and um seeing the orphans as wimps is what led her to switch sides BUT IN THE CONCEPT ALBUM, mercy's motivation to become a warrior is deepened, rooted in admiration rather than attraction - wanting to be like those women who hold their head up high. and again, we see this in Sick of Runnin' when she takes part in the rumble, finding her bravery within their ranks as they fight back. here, mercy becomes less of a swan tagalong and more of someone that wants what the warriors have: pride.

of course now that i type this out i realize that warriors is not based solely on the feminist rhetoric as with their theme of hope amidst adversity, the story is more intersectional and rooted in community struggle and wanting for more than that. but nonetheless, i genuinely believe that the twt filmbros arguments on why the genders should not have been changed in the first place just for "woke" points is kinda like,,,very shortsighted because not only does the narrative of women narrowly escaping unwarranted accusations actually fucking fit, but the act of learning to fight back amidst all odds - be it that of disbelieving, predatory men or the power of oppressive pigs - stays resonant for women yesterday, today, and the days to come.

ultimately, warriors (2024) is not solely a tale of female badassery - rather, it is a tale of the need for such "female badassery" in the face of past and present realities, which is why it somehow fucking worked.

[radiohyo]

More modern AU stuff — this one was inspired by the first trilogy.

Just imagine — you’re five, or something like that. Your parents are fading from your memory and from your world, and the only person willing to take you in is your grandfather. I don’t even know who he is exactly, but he’s got a huge house — and a brother who happens to be a killer, and he’s the one who’s going to train you, all for the sake of your new family. There’s already one kid under your grandfather’s care — no one really knows how he ended up there. He’s strange, autistic, and he’s the only one you can be friends with

I don’t know, it all just seemed kind of funny to me.

/Attention rote spoilers in tags

[mirrorbusterz]

you know you're in it deep when you're drawing ship art of optiratch that's only technically optiratch in the sub of a show that nobody watched

[ciderjacks]

I love how Ryoko Kui uses context and pov in scenes like this.. bc like, in the first scene where he’s saying Laios isnt normal, it’s from Marcilles point of view, she takes it as him just being a jerk, and so you sort of think it’s a one off joke of him insulting Laios for doing something as insane as using his leg as an anchor.

And then a few chapters later, that scene comes back from Chilchuck’s point of view, in a way more serious tone, and you realize that the reason he reacted like that is because seeing someone he cared about put themselves in such a painful and dangerous situation with seemingly no regard for their own life really disturbed him. And like, witnessing the aftermath of that was apparently traumatic enough that it stuck with him long after the fact.

[raayllum]

1x01 / 6x09

[annasofthe11thdimension]

Pictured: Loop being extremely normal as they lay in their shallow (homemade) grave as they meditate on existence and also if they have annoyed the Researcher enough THIS time for her to murder them and bury them alive.

(Spoilers - they did not annoy her even CLOSE to that much.)

And there is the required reverse image of Odile arriving - she's had a LONG day (i.e. previous loop), and due to this it will take ten minutes before she even acknowledges the shallow grave Loop is laying in, as she was distracted complaining about what Siffrin just did to annoy her.

----

I'd say there's context for all of that, because like...there IS context? Here's the link to the series of fics that HAS that context even! But also...even with context...can't say that it's going to make any of this less weird.

Mostly Odile is looping because due to Loop's wish the universe got rewritten to make Siffrin's repression and emotional issues (the ones bad enough to get him stuck in a time loop in the game) 'someone else's' problem...or at least that's Loop's best theory atm!

Regardless, context or not, I'm quite happy with how the pics came out, and figured I might as well post them here too.

[martian-martian-martian]