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bainhardt · 2 years

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Pokemon SV thoughts: tumblr exclusive dlc version sorry this is so long but too bad lol

I got to the credits tonight and to be honest, I feel like I have way too much to say about SV, but that'd be kind of exhausting, so I'll try to keep it to broad strokes. It reminded me a lot of Legends Arceus: I had my share of fun, but I have numerous complaints as well.

First, if what people are tired and cynical about is Game Freak's supposed lack of "innovation," I feel this game is proof that they are finally coming around to trying new ideas. This and LA are the freshest the franchise has been in decades. But new ideas take a lot of refining.

The most fun aspect was exploration. It's legitimately awesome to simply wander, see Pokemon, and catch Pokemon, and you can go basically anywhere you want from the word “Go.” I remember wanting far more out of the exploration in Legends Arceus, and I was relieved to find when playing SV that it felt much closer to what I had envisioned for the concept. This is a big step forward in terms of freedom (and the region is pretty cool, which helps).

But the battling is the same as always (even with the new gimmick), the gyms are the same, the E4 is the same. If the core gameplay loop has grown old for you, there won't be much to win you over; you can do these battles in any order you like, but they're still just... battles.

Add on top of that this game has... a LOT of cutscenes, and it can really drag just trying to get things done so you can progress and become stronger. Story is always subjective, but if you're not invested in the plotlines, you are NOT going to enjoy the pacing (I didn't).

Despite that, the "endgame zone" so to speak is probably the single coolest thing I've seen in a Pokemon game to date. idk that I'd say it makes up for the first portions, but I did start to enjoy the story in the back half. imo the coolest villain/plan segment in the franchise.

Lastly, this game runs like shit. This is THE worst technical showcase of any game I've played on my Switch, bar none. I'm not talking your occasional slowdown or something - this is literally a game that spends more time chugging and breaking than not.

It really brings the entire experience down to know this was a game that was willing to put the work in with its ideas and ambition, only to be held back by hardware limitations and likely development problems (three Pokemon games in a year, all felt crunched and unpolished). I honestly feel like now that the fanbase at large has gotten their hands on gen 9, just about anyone would’ve been willing to give up BDSP and Arceus if it meant this game got the time and resources it really needed. But that problem rings true for any one of them; all three of these games needed more work than they got in the end. Not one of them has felt truly complete when compared to SWSH.

Anyway, all I really had left in terms of complaints are minor ones, but man, I had about a thousand. You can't turn move animations off, you can't L=A mode, there's no Battle Style Shift or Set option, the Pokedex and Bag don't remember where your cursor left off in between uses, the PC box takes forever to load each page, you can’t change to the All Boxes view while holding a Pokemon, the summary screens work differently between the PC and the Party screen, the Bag and Pokedex have no fast scroll buttons, the sandwich recipe menu has a favorite button but then no way to filter by favorites, each time you use an item on a Pokemon it deselects that item and makes you select it again... you get the idea. Many people don’t notice things like this, but for me they’re like pebbles in my shoe, and holy shit - this game was like walking on goddamn gravel.

If this game worked as intended, it would very probably rank the best in the franchise like, unanimously. For a lot of players, it likely still will be. But to me, it's hard to recommend a game that feels this broken, that feels this slapdash when I know they can make them better.

Also, I never tend to include this as part of my actual review’s parameters, but I liked a lot of new Pokemon (most since like gen 5 maybe) and thought a lot of new abilities/moves/battle stuff was really creative. This was the first game I can remember in years where I actually used a team of nothing but new guys, and a full team of six at that. But there's also some truly batshit insane powercreep stuff that's looking to make competitive a nightmare (getting my predictions in early). Continuing the post-3D trend, practically every new Pokemon has a signature move, signature ability, or both, and holy fuck some of the new moves are unbelievable. And the two box legendaries have some Calyrex-ass double down abilities that are sure to make the restricted format full of them. Ugh.

Another thing I felt even before the game came out and after playing still feel is: I really hate the approach to graphical presentation and how that factored into the designs and appearances of the human characters. It’s admirable that they’re trying to add more detail to the Pokemon with texture and lighting, but the people in this game look properly fucking weird to me. The clothes are textured to look more real, the hair is attempting a realistic texture with like visible strands (although it does look pretty shoddy)... but then the skin and faces are still giant plasticy anime-style deals. It reminded me a lot of fashion dolls. Just kind of uncanny, you know?

And personally, I don’t even want the graphics to be more realistic at the end of the day; Pokemon is supposed to be cartoony, and I think this bizarre middle ground only hurts the style in a lot of ways more than it improves it. The trainers and NPCs at large suffer from this lack of cartoonishness, and I feel like the entire world’s color and vitality gets brought down a level from generations past. Yes, the gym leaders still manage some good and a couple great designs; yes, the Star leaders are probably the best designs in the game. But virtually everyone else in the game look like “boring human in clothes.” Battling what few trainers I did, it felt hard to believe this is the same franchise that used to have unique Youngsters, Lasses, Beauties, Fishermen, Hikers, Ace Trainers, Battle Girls and Black Belts, where everyone from business people to scientists to janitors to students and their teachers had memorable and new appearances each generation. Looking at this game, the notion that we could see a repeat of what happened to XY’s Hex Maniac, for example, was laughable. They really put all their eggs into one basket with the main cast, which I think is a significant step backwards.

The actual, real, final thing I can remember to say at this time was that I felt the gym/E4′s use of Terastallization was poor and a huge missed opportunity. Each gym, the leader uses a random ace that they Tera into their gym’s type, which only serves to make the battles as much of a sweep as always if the player is sufficiently prepared. When wiping the Water gym leader with my Electric type, I actually paused for a second when seeing his final Pokemon was Crabominable. I thought “huh, now I don’t have a great move for this, do I switch out to-” before remembering he was, of course, going to change it to a Water type like everything else and I could finish the battle with no more trouble than before.

To me, the better way to handle this and introduce the depth and possibilities of the mechanic is to have each leader’s ace still be a Pokemon of their type, which they Tera into something different and unexpected, reflecting the way it will work in real battles with other players. This also serves to showcase a range of basic strategic choices for each type players could choose to use in their own teams. The only leader that felt close to this was Iono, Terastallizing a Mismagius into Electric so as to have no weaknesses with Levitate. Giving her something like a Volt Absorb Pokemon to Tera into Flying or Water and negate a weakness wouldn’t have been as “strong,” but I feel it would’ve been more thematically appropriate while requiring players to actually vary their approach a little more.

#Jeffu plays Pokemon

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heartbreaknow · 4 years

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So I wrote this ridiculous meta. It’s long, guys, it’s long. I wrote most of it like a year ago, but a discussion on discord made me decide to add a couple of paragraphs and actually post it.

I know meta isn’t really en vogue anymore (lol, was it ever?), but what the hell. If you enjoy deep-dives into Tony Stark’s hot mess of a psyche, it’s possible you’ll enjoy—

Tony Stark as Sisyphus (& The Tranquil Summit of ‘I’m A Good Person’)

Okay, so here’s what I think:

I think Tony Stark has a high (and largely accurate) estimation of his own value, i.e. what he’s accomplished and what he can do. He’s a genius, billionaire, playboy, philanthropist, superhero, and he knows it. But I don’t think Tony really sees himself as a good person or believes that he deserves to be liked and cared about for who he is. I am 100% convinced that inside Tony Stark’s mind is a subconscious narrative that goes:

1. If people don’t value me they’re idiots who aren’t worth wasting time on.

2. If people don’t care about me, they’re smart; caring about me is a bad move that will erode quality of life over time.

Basically, I think there’s this weirdly paradoxical thing that happens, where, whenever Tony does something incredibly heroic and brave and selfless, he attributes the thing he’s done to his value, but not to his goodness. A psychologically healthy person would recognize they’d done a good thing, and each time it would incrementally reinforce their sense of themself as a good person. But Tony, who is not such a psychologically healthy person, fails to identify and attribute his actions correctly. In his mind, the thing he did was valuable, perhaps necessary, probably important. But his understanding of his own actions largely bypasses goodness.

Which kind of ends up creating a bit of a negative feedback loop whereby he has to be heroic just to break even. Because subconsciously, he’s not a good person doing good things. He’s a dubious person doing necessary, valuable things. If he stops doing the necessary valuable things…what’s left?

On a conscious, surface level, he is aware the things he does are good, but I think he’s so unpracticed at linking the idea of goodness with his own self-identity that he tends to almost discount goodness where his own actions are concerned. Like, if you asked him if he thought he’d done a good thing by saving a bunch of people from plummeting to their deaths, he’d be like, “Yeah, of course, saving lives is kind of the superhero MO.” But it’s just words. His psyche doesn’t know how to make use of that. In fact, even here in this little hypothetical projection I just did, he’s deflecting away from goodness in favor of efficacy and necessity.

So all of the good things he does just reinforce the schism in his psyche whereby he has a well-supported sense of his own value, but any sense he has that he is good is as thin and unsupported as a house of cards. It’s kind of like a sibling to impostor syndrome, where a very competent person doesn’t attribute their competent actions to the fact that they are competent, but instead attributes their competent actions to any number of other factors, such as luck, other people’s help, or that it was actually easy and if it hadn’t been easy they would have failed. Except in Tony’s case it’s not his competence his psyche doesn’t know how to reinforce, it’s his sense of his own goodness as a person.

Tony’s subconscious says: you don’t do good things because you’re good. You do them because you have to. Because what kind of a person would you be if you didn’t? Because you’re trying to be better. Because you need to atone. You do good things to mitigate your badness. You do selfless things to mitigate your selfishness.

If someone accused him of being a bad person, he could, and might, defend himself by listing any number of extremely good things he had done. But because he hasn’t internalized them properly, the defense would feel hollow and flimsy to him—despite it actually being a sound defense. Which is why, instead of defending his goodness, he’s a lot more likely to say, “Yeah yeah, selfish asshole. Got it. But I’m a selfish asshole who can pull us out of the fire.” Because that he has internalized: he is valuable. He can do things no one else can.

(Side note: I think this is part of why some people perceive Tony as being a narcissist with a huge ego. They assume he thinks highly of himself, and is extolling his own virtues when he calls himself a genius, billionaire, playboy, philanthropist. “Shallow bragging,” they think. But he’s not extolling his virtues. He’s giving his resume: This is my value.)

And I think he just kind of goes through life that way, relying on his sense of his own value to be enough, to get him through, without some kind of psychological collapse. And it mostly works. He is very valuable; it’s enough to get by on. I mean, he’s saved the planet how many times? And the technological advances he’s provided society over the last decade are hard to overstate. And he funds the Avengers almost single-handed. So yeah, damn right he’s valuable.

But no matter how strong his sense of his own value is, it’s ultimately a shell. I’m not saying it’s worthless, because it’s very much not. Feeling valuable is a really great thing for anyone to have as part of their self-identity. But the bottom line is that it’s not who he is; it’s what he can offer. It’s one abstraction removed from the core of self-identity. And what’s encased in that shell of value is a person who doesn’t really like himself or trust himself, because he hasn’t properly internalized all the reasons he should.

Also, do I need to mention that his Iron Man suit (a literal shell he literally built and literally uses to give aid and protection) is the perfect extension of the schism between who he is vs. what he can do for the world? (It’s also a perfect extension of the way he conflates who he is with what he can do for the world.)

What’s interesting is that in Iron Man 3, he proves to himself that he’s still Iron Man, with or without the suit. Which is a positive, empowering affirmation for Tony, and the movie kind of plays it as the ultimate breakthrough in self-actualization—but it doesn’t actually address the underlying schism in his sense of self. It doesn’t bridge the disconnect between “I am a valuable person to the world” and “I am a good person within myself.” All it does is prove to Tony that he is able to be valuable even when he’s alone and suit-less. He feels less afraid by the end of the movie because he’s proven that the suit is not the source of his empowerment. However, his self-identity is still kind of a mess. He just feels more certain of his ability to self-generate the side of that mess which he sees as valuable.

Another thing I want to note is that I don’t actually think Tony’s difficulties with internalizing a sense of personal goodness spring from the fact that he used to design and sell weapons. I definitely think his years of designing and selling weapons negatively affect how he feels about himself, but I think his issues with self-identity began a lot earlier in life, with a father who “never told Tony he loved him; never even told Tony he liked him.” Young Tony was probably often reprimanded for his badness but rarely praised for his goodness. And when he was given any sort of approval as a child, it was probably most often for making himself useful in some way (I’m picturing Howard saying, “Don’t just stand there like a simpleton; help your mother.”) Though as he got older he probably also discovered intelligence, drive, and ingenuity would get him places. Thus creating a mentality where “bad” was the default; “good” was out of reach; useful, intelligent, and driven were the best you could do; and accomplishment was currency.

So if anything, I think the causation goes in the opposite direction: Tony’s years of designing and selling weapons did not cause his estrangement from a sense of his own goodness. Rather, his pre-existing estrangement from a sense of possible goodness was part of what made him willing to design and sell weapons. It’s certainly much easier to disregard the ethics of your pursuits when you’ve never really believed yourself to be a good person anyway. When you are in fact so estranged from the notion of what it means to be good that you’re honestly not sure how you would achieve it or even what it would feel like.

It also is a big part of why he’s more prone to “ends justify the means” thinking than some of the other Avengers. The concept of goodness is more abstracted for him. When Cap is faced with a problem, for example, the first thing he mentally reaches for it his ethical compass; he trusts it will guide him. Whereas Tony’s ethical compass isn’t a tool he’s particularly comfortable using; it’s unreliable. When something is wrong, when there’s a threat, Tony reaches for his drive and intelligence to make the wrong thing right, to neutralize the threat. On a gut level, Tony believes that making the wrong thing right, neutralizing the threat, equals good—and drive says the means which get you to the good result are good means. Compared to Cap, for whom the end result is secondary. Good people use good means to try to stop bad things from happening. The good is in the trying, not the result. (Tony: We’ll lose. Steve: Then we’ll do that together too.)

Obviously Tony does not consciously believe good results always equal good means. But it’s harder for him to determine when his means are bad, because he has such a messy relationship with his ethical compass. If he didn’t mistrust it, he’d find it was a perfectly functional and admirable ethical compass. But he can’t trust it, because he doesn’t truly believe he’s a good person in the first place.

What’s interesting, though, is that he keeps trying. Ironically, when it comes to being a good person, he doggedly practices Steve’s approach. He keeps trying to do enough good to outweigh his perceived failings, regardless of the fact that it’s a Sisyphean task because his psyche never internalizes it properly. He keeps trying anyway, with no real belief that there’s some tranquil summit of “I’m a good person” for him to reach. He keeps trying, because that one thing, at least, he’s sure is right. Which is really what makes him heroic.

Thank you for coming to my TED Talk.

#tony stark #tony stark meta #tony stark's psychological issues #steve rogers #remember to add a big old IMO to this entire thing #nobody reads meta #and i understand why #it's not my favorite thing to read either #but i always end up writing it anyway #because i'm a masochist i guess?

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bigskydreaming · 3 years

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If you were editor of Nightwing's book ever since at least the start of Rebirth to today and you were given free reign, what would your story mandates?

Oh no, this is dangerous. LOL. Hmm, I have no idea what to shoot for here, so I'll try to keep it to ten. That's reasonable right? Ten is good. Yeah. Is fine.

Okay, so, in no particular order:

1) Let Dick be competent 101. None of this him having to play hype man for every other character to pop up in HIS title bullshit. Nope. That's not what they're there for. He's the lead man, LET HIM BE THE LEADING MAN. Like sure, everyone has their areas of expertise, he doesn't need or have to be the best at everything, blah blah blah.....but its about the nuance. All of that is kinda lip service because the thing is, you don't go into MOST comic books and NEED to be reminded of that because the lead characters of those books are all constantly getting saved or shown up or chastised by every guest star in their books, you know? This is a very weird, very niche phenomenon very specific to Dick's character, and I'm super over it. I'm here to read about the guy who has literally been doing this longer than most superheroes twice his age. The guy who's been doing this since before he hit double digits. The born acrobat. The destined ultimate warrior or whatever of Gotham's Ornithological Society Of Murder and Pretentiousness. Gimme that guy. And that guy doesn't need to be 'humbled' every other page, because the thing is, he's not some egomaniac to begin with so the everpresent need to humble him doesn't actually come off as humbling! It just comes off as pandering and not even to actual fans of the actual character, so its like.....wyd DC.

2) Let other people take responsibility for their own crap with Dick rather than always just expecting a mea culpa from him. I'm so unbelievably tired of the words I'm sorry from Dick. I love personal accountability, so I never thought I'd have to say this about a character, but enoooooough. They have made it completely in character for this dude to apologize to everyone ELSE for being brainwashed, getting amnesia, being KILLED, like.....the amount of things he's groveled for forgiveness for when he didn't actually do a damn thing wrong or worse yet, was the ACTUAL victim of is like....pretty damn staggering. And meanwhile, there's nary a peep of apology from the people who regularly insult or belittle him, get physically violent with him, take advantage of him or take him for granted, etc, etc, etc. Its entirely too one-sided and imbalanced, and the pendulum needs to swing the other direction, like YESTERDAY, and in a fairly big way, IMO.

3) None of this Baby's First Social Justice Awakening 101 crap. I'm sorry, but no. Especially not when you go out of your way to acknowledge that Dick is Romani, only to then turn around and act like he's only JUST had his eyes opened to an awareness of like, classism and poverty and the real struggles people face day to day? Sorry not sorry, but especially for other white writers out there, do not use people of color as self-inserts for dipping a toe into Learning To See Past Privilege. And especially when talking about a character who has a history of being actively abused and hurt by the system and institutions of power, or hell, even leaving out that particular origin story, who has still been out on the streets helping people since he was a literal child. You can not tell me that this is his first face to face experience with social issues, or the first time he's had the inclination to try and address those head on. (And its also particularly egregious that the people second-guessing Dick in his own title and giving him reality checks or acting like they have more of an awareness of all this than he does like, happen to all be white? OPTICS. LEARN ABOUT THEM. COMMON SENSE. GET SOME.)

Know what would actually be a better way to approach this? Flashbacks. Show us Dick running into situations that make him think back to a case when he was still Robin, when he and Batman had started fighting over their approaches to things, actually SHOW us those conflicts and how their viewpoints had started diverging, and how much of that was due to Dick not having the same experiences as Bruce, or the same standing in society, no matter what house he lived in. THEN you can jump BACK to the present, with the reminder/awareness that this is something that isn't NEWS to Dick, but that he in the past felt he was forced to make his peace with as something he wasn't in a position to do that much about....only NOW, he's in a very DIFFERENT position, and suddenly it just hits him how he's still acting like he did when he was limited in resources or in having to be part of a chain in command or having to factor other responsibilities into things....now he ACTUALLY has the power and the resources to make meaningful change in the ways he ALWAYS wanted to, but maybe just needed time to figure out HOW.

Like you know what would have made Shawn Tsang's story arc so much better? If Dick didn't just remember her as the Pigeon's one time teenage sidekick he'd briefly fought as a kid, but like.....if he remembered her as someone he and Bruce had FOUGHT about. Because he didn't agree with sending someone to juvie for defacing public property as a form of political protest, when it was someone's LIFE who was going to be irrevocably damaged by that while the damage to the city could be fixed with a check, and what made Dick any more deserving of Bruce's leniency and faith in his potential or underlying goodness than Shawn?

But he was still a kid himself back then, and when Bruce responded with his usual conviction, talking about the importance about rule of law and etc etc, Dick just didn't have the words to get through to him then, to get him to understand that this wasn't just Dick not getting it because he was too young, it was BRUCE not getting it, that Dick was literally just saying well he wasn't too young to have been in juvie himself, and of the two of them, he's the one who has experience there so why was Bruce's opinion on whether this was the punishment that fit the crime the one that got to hold more weight here? When Dick's the one who knows what that punishment actually LOOKS like beyond the abstract, for whom it was a reality that still haunts him in ways that even defacing a few statues of some rich old fucks doesn't deserve?

Or hell, go back FURTHER than when he was Robin. Idk where any of those posts are, but I've always wanted to see something where Dick maybe runs into someone he remembers from his time in juvie, maybe a guard who is like, the source of the reasons Dick mistrusts figures of authority and is so hung up on independence and not being under anyone's thumb, or maybe someone who was in there with him, another kid who looked out for him when he didn't have to, etc. Gimme Dick tackling head-on his firsthand awareness that there's no rehabilitation to be found in a jail for kids, when most of those kids don't even need rehabilitation in the first place and only did what they did in order to survive or escape from worse situations or like, were there purely because of racist cops, etc. Let him go after THAT system, driven by personal experiences and memories that maybe only hit him in full after recovering his memories from the Ric Grayson arc, like they're things that he put in a box in his mind a long, long time ago because he didn't have the spoons or reserves to deal with them when he was a kid still so traumatized in so many ways, like, something had to give and so he put all those memories away for another day and just....never got back to them because life kept hitting him with new and fresh trauma every week.

But now something has him thinking back to those early days in Gotham, and reminding him that not everyone had a Bruce Wayne willing and able to give them an out from that place or acrobatic skills to escape it on their own, and like. You want to do something about the cycles of violence in Gotham and Bludhaven? Why not start with the places that literally MANUFACTURE cruelty on an institutional level, that teach kids that no matter what they did to get put there, even if that was nothing at all, they're all going to be treated the same way and given no reason NOT to do whatever it took to be top dog in a dog eat dog world by the time they got out.

There's SO many better approaches to social awareness in the Batbooks than what we're seeing, and like. Sheesh. The bar is way too low.

4) On a related note, if I'm editor of the Nightwing book, the FIRST thing I'm doing is making it a priority to find a writer of color for that book, ideally someone of Rom descent. Its waaaaay past time to let a Romani writer take the reins on Dick, Wanda, Pietro or Doom, aka some of the only prominent Romani characters out there? You can't tell me that there aren't talented writers who identify as Roma who would be more than willing to add their perspective to Dick's archive of narratives, and if an editor's gotta go looking for them? Go fucking look. DC and its fans have milked a lot of mileage out of the idea of Dick being Romani with very little in the way of nuanced storytelling to show for it in the past twenty years, and if DC wants to trot out little reminders that Dick is Romani every couple years, like in the form of a freaking line that has no follow up or expansion to any degree and is offset by an internal monologue that otherwise reads as incredibly privileged, the least they can do is TRY to expand on that with the narrative perspective of someone they claim to be representing via that character.

And no, this isn't gatekeeping, this is prioritizing. Its not about preventing other writers from writing this character, like just for the hell of it, its about being proactive about finding a writer who can write specific aspects of this character that have long gone unaddressed or poorly represented. And like. Okay. Its not easy breaking into the comics industry for anyone, but its particularly not easy for marginalized writers. Most every major comic book company just recites 'make your own stuff first and then show us that' but when you're a writer specifically, finding a compatible artist to partner with on creator-owned indie stuff first, when those artists are in the same position as you are and apologetically and understandably tend to have to take paying work over yours if you can't pay except on the back end, like....there are a lot of hurdles to getting your start in comic books, and while there are more and more marginalized writers in comics these days, DC and Marvel kinda fucked up, because you know what?

After being told 'make your own first, then we'll talk,' writers DID do just that....but then found out that well, due to the ease of online distribution and access these days, for any writers who CAN find an artist to partner with, its a hell of a lot easier to get their content out there these days WITHOUT a major publisher behind them.....and for a lot of marginalized writers in particular, its worth it to keep full creative control in exchange for smaller circulation. Especially when they don't have to deal with editors 'softening' their work to make it more palatable for audiences that quite frankly aren't necessarily their primary target. So yeah, marginalized voices are becoming more and more present in comics, but Marvel and DC for the most part are keeping the same voices centered they always have, and what these voices have to say is becoming less and less relevant and outdated. Because much like this arc from Taylor, even when they DO dip their toes into story matter that's of interest to wider audiences, they're doing so to a degree that still puts them years behind the conversations everyone else is having.

5) The same holds true of disability representation. I stopped reading Taylor's run for a lot of reasons but his way of responding to people unhappy with his depiction of Babs was a key one. If I'm editor on a book, and someone tweets at one of my writers that their depiction of a disabled character was hurtful because it feels like they're doubling back on everything Babs has ever said about not being defined by or ashamed of her disability and now its being treated like a dirty little secret, and that writer's response is essentially to just laugh at them and say there's nothing wrong or ableist about their writing of a disabled person, TO a concerned disabled person? That writer's ass is getting fired. Full stop.

Either you give a shit about this stuff or you don't. Don't pay your readers lip service about how important social issues are to you and how much you care about using superhero narratives to inspire people on these matters if you're gonna turn around and show your ass the second you don't feel comfortable and prioritized by the conversation, like it wouldn't exist without your oh so valuable contributions. ESPECIALLY if you don't identify as sharing the same identity of the marginalized character you're writing. You are a guest in someone else's lived experiences at that point, and you think you've got the right to belittle and talk down to the people who LIVE THERE? Fuck off, my dude.

6) Re-center Dick as someone who the superhero community RESPECTS. I love seeing Dick depicted as someone who has an awareness of his own limitations and an appreciation for what others bring to the table, and so I'm not opposed to him calling on others when he needs to.....but I also would like to see more of the opposite. But not in the way we usually see it these days, where he's asked to come help with a crisis and then usually second-guessed the whole way, and then sent back home without so much as a thank you when its done. Yawn. Sorry. I've read that story by now.

You know what story arc I freaking LOVED as a kid, back in the 90s? In Green Lantern, when Kyle Rayner first became the sole GL, one of his very early arcs, before he ever joined the JLA or anything....was him realizing how little he knew about being a superhero. He was like, my predecessors all had a full fledged CORPS to teach them everything they needed to know, but I had a few lines of exposition from a funny little blue guy in a red pillowcase and then I was off to the races. That's not good enough. There's so much I don't know about being a hero, I don't even KNOW what I still need to know.

So he went on kinda a superhero training roadtrip. He went to Metropolis to ask Superman for advice, he went to Batman to learn from Batman and Robin (Tim at the time). He went to Wonder Woman, Sentinel (Alan Scott, the first Green Lantern), etc, etc. And in the end, Kyle very much became his own kind of hero who wasn't just a pastiche of all those other heroes and the advice they gave him, but like....this put him on the road to that.

And I'd love to see something like that happen in Dick's solo title. We've seen him train in a team setting, we've seen him train the other Robins.....I'd love to see like, young superheroes from OTHER books, not ones created by the title, but like names people actually recognize from other franchises, like, guest star in Nightwing's book to learn from HIM, specifically. I wanna see something where Wally looks at the latest speedster and is like, you know what, if you really wanna be the best hero you can possibly be, then Nightwing's who you gotta go to, because there's no one I trust to make a better hero out of someone than him. I want the newest kid on the JLA block to worry that people aren't taking him seriously because of his age or experience, and he's always hearing them talk about Nightwing and how young he was when he started and so if anyone knows something about how to gain the respect of your older superhero peers, that's the guy to talk to.

Gimme Dick's couch being crashed on at various times by a half dozen new or upcoming young superheroes who all heard or figured out that if they really want to up their superhero game, Nightwing's the guy to see.

7) Bring back Bea. There's no long paragraph expansion on this, its really simply. Bring back Bea. She was one of the freshest breaths of air in Dick's supporting cast in ages, most of the current run is based off her character direction in the first place, she's literally the best suited TO help Dick in this venture, and the reasons they gave for writing her out of Dick's life were all bullshit and they just wanted to focus on his previous relationships, which would be fine if they didn't fall into the same two endless cycles of bring back up, go nowhere with, awkwardly avoid each other for years, rinse and repeat. Like. Bring back Bea, please and thank you, the end.

8) Focus on new villains. Heartless is meh, but the idea of new villains is still better IMO than rehashing Blockbuster, Zucco, etc. Like, nostaglia ain't it. If I want to read Blockbuster fucking up Dick's life, I can do that. They're called back issues. The thing is, love it or hate it, the Blockbuster arc WAS iconic. It left its mark. And anything that doesn't leave just as much of a mark, if they're going to bring him up again, is just gonna be a waste of time, you know? It'll just dilute his overall presence when like, what he was - worked fine as is. We don't need Round Two.

The trick to good villains, IMO, is they have to speak to a fight that needs fighting.

What I mean by that is....the best villains are those who resonate on a more instinctive level because they embody something that already exists in a reader's mind as a conflict that needs fighting. Like, if superheroes exist, if the embodiment of larger than life presences and forces devoted to protecting the world from various things are real....then their villains need to embody the kinds of fights or conflicts that NEED larger than life figures to combat them, at least on a one to one level.

Look at Superman and Lex Luthor. Superman at his core embodies the strength of community. He's the ultimate hero of the people, his essence is that he was the last survivor of a doomed race who was raised by two honest, hard working people to see the beauty in just being ONE of them, in using what he had on behalf of all of them and not just himself. In contrast, Lex Luthor is basically the embodiment of capitalist greed, of excess, of the entitlement of being able to have anything with a snap of your fingers and thus assuming that gives you divine mandate to make the kinds of choices that he sees as only his right to make.

He hates Superman, ultimately, because Superman is the WRONG savior of the people. He wants their only savior to be HIM, half the time he honestly believes he's saving the world FROM Superman, but just as often he's perfectly content to be the villain and not shy about it....because Lex Luthor's ultimate motivation is he wants everyone to know when he's dead and gone that LEX LUTHOR WAS HERE. He genuinely doesn't care WHAT his impact or legacy is at the end of the day, just that it exists and it overshadows most everything else...because all that really matters to him is the irrefutable proof that HE mattered. And thus at their cores, Superman and Lex are perfectly opposed. Ideally situated to eternally be in conflict, their own forever war, because their core natures are incompatible. They CAN'T compromise, without compromising themselves and essentially ending up as someone totally other than who and what they are already.

And you can go down the list. The Joker is the chaos to Batman's order, while Mr. Freeze is the stagnancy of that order taken too far, he's what you get when you freeze everything in your grief and refuse to let anything go on, anything new grow, because that would mean having to admit once and for all that what you're mourning is really gone. Two-Face is the ultimate embodiment of Man vs Self, a once good man at war with his own worse nature, and reminding everyone who looks at him how easily they could fall to the same fate.

And so on and so on. What Dick needs, is more of the same. Like, as much as I'm not a huge fan of Talon stories, I maintain that the Court of Owls were a great foil for him - just they tend to be poorly used in canon as well. But I also think how poorly they come off in canon has a lot to do with canon not really touching on WHY they're such a perfect foil for Dick....and that's Dick's history with being outside the system, mistreated and even exploited by the system. Because the Court, their core concept, is they ARE the system. They are entrenched, enfranchised, institutional power, passed down through generations, dynastic control that is a perfect counterpart to the dynastic power of the Wayne family, embodied in its youngest generation in the form of Bruce's FOUND family, the children he adopted regardless of whether or not his peers found them deserving of that honor. The Court, and their entire....thing...about the Gray Son, is the entitled fury of those denied something they deem theirs simply because they WANT it, and who will burn the whole world down rather than admit defeat or let someone else have it instead.

And that resonates. It could resonate a lot MORE if DC would actually lean into those concepts and allow Dick to explore how the Court are nothing he's not used to, they're literally made up of the same people who have looked down on him ever since he came to Gotham, but now they're actually a face and a name put to all those attitudes, something he can literally FIGHT BACK AGAINST. The Court are literally human-sized embodiments of everything and everyone who's tried to confine Dick since his parents' deaths, tried to define him without his permission, tried to make him other or lesser than who and what he is.....and who thus now exist in a form that Dick can literally BATTLE. So that he doesn't HAVE to just take this stuff lying down.

Thanks to the Court, he doesn't HAVE to just passively accept it, that this is just how life is, that some people are going to view him this way and think this about him and there's nothing he can do about it. He CAN do something about it, in superhero stories. He can kick its ASS, in the form of the Court of Owls and everything its members think about him and intend for him. He can refuse to bow down to them, to accept their mark on him. He can say lol, no, and then blow their shit sky high, ideally with a little help from his family. He can BEAT them, in this incarnated form, and in doing so, even though he can't beat everything they stand for and represent, that victory still matters, still means something symbolic to readers it resonates with.

And that's what we need more of. Villains created specifically to embody concepts that are diametrically opposed to Dick and what he represents. The system, yes, but also villains who embody the kind of tyranny and control he fights back against in his constant battles for autonomy and self control. Villains who embody the 'new hopes' of a second generation just like Dick himself is the focal point of the hopes embodied by the second generation of heroes. I'm actually not the hugest fan of multiversal constant Dick Grayson, but I might like it more if he had an opposite number there, someone he was specifically contrasted with. Idk.

But you get it.

9) Dick having a social life. Gimme the Titans and his siblings showing up JUST to show up. We have room enough for at least a couple pages every other issue where we just get to see these characters having some breathing room, taking a beat to stop and be something other than just a superhero, to be human as well. There's more to life than 24/7 fighting, even for them, and that's largely been lost in modern superhero comics, which kinda sucks, because that was what made most of the more iconic and lasting dynamics between various characters like, STAND the test of time. The larger than life battles between good and evil might be what many of us come to superhero comics FOR, but the relatable back-and-forths and ups and downs of their private lives spent with friends and family tends to be what keeps most of us coming BACK. And lately its all just mission, mission, mission, and I'm like blah, blah, blah and its like, meh, meh, meh. Y'know? Give the guy some down time, and let his friends come spend it with him.

10) Boone. This is purely self-indulgent, but if you know anything about me, you know my obsession with Robin: Year One, Dick's brief time at Vengeance Academy, and the hate/hate relationship he has with his brief frenemy from that period, Boone aka Shrike. This character has SOOOOO much potential to be Dick's true archnemesis and rival, and like. *Sobs* I can't get into it all again. Its too much. I can't do it.

Okay, I absolutely can. And will, probably. But like. Later.

BONUS ROUND:

Other thing I would absolutely insist upon if I were Nightwing editor....

GET THAT FUCKING MEME SHIRT ABOUT BRUCE SLAPPING DICK THE FUCK OUTTA HERE.

Like. Seriously. WHAT THE HELL. Why would you double down on THAT? Why is Babs STILL wearing it? (Last I checked, like I think I saw it in a scan from last issue? I'm pretty sure its still there? If not, forget this entire rant, and I am very embarrassed. Okay not that embarrassed. I don't really care if I'm wrong here but like, in case I'm not)...

WHY. Who thought that was funny? No, seriously, on behalf of any other abuse survivors who like me are SERIOUSLY not amused, who the FUCK thinks its FUNNY to have one of Dick's best friends sporting a shirt that no matter what it represents IN universe, to readers OUT of universe, is always going to call to mind the fact that this meme only freaking EXISTS because of all the times DC has obliviously and without acknowledgment written Bruce abusing his children, including the BFF that Babs is literally wearing that right in front of.

Like omg do you hate her, DC? What other possible reason could you have for thinking that would be a cute, funny thing for her to wear around the guy getting SLAPPED, by his DAD, in your shirt's iconography.

Okay I'm done.

LOL.

Sorry, that last one was brewing for awhile. Deep breaths. Woo.

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itsclydebitches · 3 years

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re: that ask you posted a couple days ago about the male and female representation in RWBY, part of what makes RWBY's whole 'girl power' thing ring exceptionally hollow to me is the fact that there are like... no women in positions of real power in remnant. like at all. except the big bad.

winter is second in command to james. glynda is second in command to ozpin. all of the headmasters are men (for no discernible reason, imo; why theodore and not dorothea?). the leader of the ace ops was a white man (and then winter seemed to take over clover's position instead of either of the women of color on the team, and she was still second to james). RWBY is an all girl team, but JNPR was led by a boy despite a girl arguably being far more qualified (pyrrha). the happy huntresses are all women, and robyn had no real power to speak of--she didn't even manage to win the election, because jacques rigged it, and then the council ceased to matter. there was one (1) woman on the council, but she was so inconsequential that i can't even remember her name. (i suppose we're lucky it was the guy and not her who james shot lol) jacques controls the SDC instead of willow, even though he's not even a schnee by blood and actually married into the family for power. (and we don't even know how he got it over his wife.)

and then there's the white fang, which ghira led and not kali--and it's ghira who leads menagerie itself, while kali seems to be a housewife. sienna had five minutes of screentime before being brutally killed and her position assumed by adam, a man. cordovin is basically a one off lackey we haven't even thought about before or since. neo was second to roman. you have cinder, sure, who is a second but to salem, a woman, and raven as the leader of the branwen tribe--but what does it really say about your 'girl power' narrative when the only women with genuine systemic power in your world are villains or antagonists with massive bodycounts??

atla has the same sort of problem--a couple great female characters, but all the leadership positions are men (except the kyoshi warriors, an all girls group, and even then the leader of their island is an old man) and the one female mentor figure also turns out to be evil--but it at least has some great writing to help overlook that fact, and it came out in the mid-00's and so has some sort of excuse of being a product of its time. but rwby didn't even start until 2013 and it's still going and still making these kinds of decisions well into 2021.

where is this supposed girl power, exactly? am i really supposed to overlook the very patriarchal worldbuilding just because the title characters are girls?

That's an excellent summary of the situation, anon, and as with so much in RWBY, it comes down to the full context. Any one of these examples isn't necessarily going to mean much on its own. It's when you look at the pattern that you can start making a case for those conclusions: Why is the show marketed on "girl power" set in a world where men hold the vast majority of that power? And, more importantly, why is that setup not the point? We could easily have a story where that lopsided gender dynamic is the problem that the girls are looking to fix, but... that story doesn't exist. Like the problems discussed with Jaune, the supposed point here exists only on the surface. Dig just the tinniest bit — the above — and you hit on a lot of structural problems with this "girl power" world.

To add just a few details to what you've already said:

Salem indeed has power, but she's never allowed to fully use it. Each volume the frustration with this grows as Salem accumulates more abilities and then just sits on them. From literally hiding out for a thousand years to worries that she won't use the Staff in Volumes 9-10, Salem really isn't allowed to be the threat she's presented as on the surface. And yes, this is absolutely due in part to the "She's too OP and the writers don't know how to let her be that powerful while still having the heroes win" issue, but again, context. That problem doesn't exclude others occurring simultaneously.

Same double explanation with Summer. Yes, dead moms are an incredibly common trauma to dump on a protagonist, but it still left Yang and Ruby with Tai as their primary influence. And Qrow. The uncle becomes the extended family influence while Raven is the absent one/eventual antagonist. It's personal power as opposed to political power, but Tai, Qrow, Ozpin, formerly James... most of the mentors are men. Maria, a key exception, has been ignored in that regard. The story announced that she was Qrow's inspiration, setup her being Ruby's new mentor, and then... nothing. Nothing has come of that. She disappeared for a volume and then went off to Amity and was literally forgotten by the story when evacuating everyone was the finale's whole point.

Like that Endgame moment I mentioned, the Happy Huntresses feel a little too forced to me. Yes, it's the same basic idea as in ATLA, but ATLA, as you say, has a lot more going for it. The Happy Huntresses feel... on the nose? Idk exactly how to explain it. Like, "Here they are! Another team of all women! Isn't this how progressive storytelling works? Just ignore how this is a one-off team of minor characters compared to the world building issues discussed above." And if you're not paying attention, you miss just how insignificant they are, with a side of Robyn being, well, Robyn. The Kyoshi Warriors, at least, are based off of Kyoshi. A woman avatar who is a significant part of their history. That is, presumably, why they're an all women warrior group (but who notably still teach Sokka). The Happy Huntresses are all huntresses because...? There's no reason except that meta "We want to look progressive" explanation. Just like having all the women superheroes team up for a hot second so people get excited and ignore the representation problems across, what? 21 films? Don't get me wrong, I love that May is among the Happy Huntresses. I think including her in the explicitly all-women group was one of the better things RWBY has done in a long time, but the rest is still a mess.

RWBY is arguably about these smaller groups as opposed to systematic power (despite the writers trying to work that in with things like the White Fang and the election. Not to mention the implication that everything in Atlas is fine now that evil Ironwood has died and taken the symbol of wealth (the city) with him. We saw a human holding hands with a faunus after all. Racism and corruption solved, I guess.) So yes, our group is dominated by women... but Whitley is the one saving Nora, helping to defeat the Hound (plus Willow), thinking of the airships, and providing the blueprints they need to escape. Salem is our Big Bad, except Ironwood is the one the volume focuses on. Ruby is our leader, but Jaune is the one leading the group into the whale and getting praised for how heroic he is. Ren does more to shake things up, even if he's painted as the one in the wrong. Oscar gets to confront Salem and destroys the whale threat. Ozpin provides the information they need to evacuate. Meanwhile, when the girls do things in Volume 8 it's almost always followed by a long-stint of passiveness. Nora opens the door so she can be unconscious for most of the volume. Penny keeps Amity up so she can also be unconscious for a good chunk of time. Ruby sends her message and then sits in a mansion. Blake fights so she can tearfully beg Ruby to save her. Weiss, as said, takes a backseat to Whitley (and Klein). They forward the plot, absolutely, but comparatively it doesn't feel like enough.

It's that pattern then, no one specific example. More and more the personal power, not just the systematic power already built into Remnant, seems to be coming from the men. Not all the time, but enough that scenes like the tea drinking moment feel like a part of a much larger problem. Pietro taking control, Watts hacking, and Ambrosius literally remaking her when Penny is supposed to already be in control of herself and her fate. Winter being presented as the active mentor to Weiss, only to turn around and claim that Ironwood was actually responsible for everything. Ruby, Weiss, Blake, and May straight up commenting on how awful things are out there while Yang, Jaune, Ren, and Oscar lead the charge against Salem — with the latter three doing the most to forward that mission (no fear, semblance, cane). As others have only half-joked, Yang's supposedly badass moment was bringing up a mother she's ignored for six volumes and briefly blowing up the immortal woman for a couple of seconds (with Ironwood's bombs). Even Marrow is arguably the most significant Ace Op after Clover. Vine isn't actually a character, Elm slightly less so, Harriet is there to go crazy and try to drop a bomb (notably before admitting to never-before-existed feelings for Clover), but Marrow? He's the one who breaks out. Who is meant to heroically stand up against Ironwood. Who comments on how awful it is that teenagers are fighting and, regardless of how messed up the moral messages are, is supposedly pushing for active change while all the women in his group, including Winter, insist on maintaining the status quo. Look at all these choices as a whole, it makes throwaway worldbuilding choices like "All the Maidens are women" feel pretty hollow. Why does it matter if Amber is a Maiden if she dies in a flashback so Ozpin can struggle to pass on the power? If Pyrrha dies before becoming one so Jaune can angst about it? If Raven is one and then disappears from the story entirely? If Winter has enough power to break Ironwood's aura, but supposedly had no power throughout every other choice she made getting here? If Penny is one, but is continually controlled by men and then asks another man to help her die? It's just really unconvincing, once you look past the surface excitement of a woman looking cool with magic powers.

When you do consider the whole of the story — both in terms of our world building and who is forwarding the plot in the latter volumes, getting the emotional focus, being proactive, etc. — there are a lot of problems that undermine the presumed message RT wants to write. They say, "girl power" by marketing RWBY with these four women, but too many of the storytelling decisions thoroughly undermine that, revealing what's likely a deeply ingrained, subconscious bias.

#rwde #rwby #mymetas

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xiaosean · 3 years

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why you should watch douluo continent

the drama adaptation is such a good rendition of “soul land” and stayed true to the plot line and character development. it was fast-paced (perfect for me) but may be confusing for those who don’t know the story. i personally love the donghua, and i think the drama did an adequate job of portraying everything in their own way 😁 (read at your own discretion; this contains spoilers)

things i liked:

initially, i didn’t like the dreamscape bc wtf is it doing there? why is he hearing his mom’s voice in episode 1 (it just kills the entire momentum of the plot); and then after i got to episode 39... fucking ep. 39, i knew the dreamscape needed to be there in order to save tang san’s life; mr. wang who wrote the script, props to you.

the cgi 🥰✨ i had really low expectations bc if there’s shitty cgi like cql... i wouldn’t be able to handle it. but it’s so good ??? please, i know the ape soul beast was small and funny looking (bc they had to spend money on the water dragon lmao), but other than that, it was so good and how each and every character’s powers were able to shine

le outfits + makeup - they’re not super pale 😭😭😭 finally !!! and the outfits are so nice, SO SO NICE, each and every character holy hell

how they changed hu liena’s (aka. qian renxue) role in the drama --- she’s my fav female antagonist; she’s so good here, her character was annoying at first, but she’s so dynamic and independent, and just wants to impress her mom. you see her helping tang san + his squad during the last 5 eps because SHE CARES about her mom despite her strict upbringing 🥺 her and tang san have a ship name called 糖葫芦 (candied hawthorns) and i think that’s so cute hehe

the seven devils 😂 i loved the seven devils in this adaptation almost as much as i loved them in the donghua; each and every character got their own storyline, they’re not boring nor do they draw attention away from the tang san’s main plot, and you see so much development (esp. in ou sike and dai mubai)

headmaster, da shi, and er long trio! 黄金铁三角 iconic and they captured it so well 😭 they chose the actor for the headmaster so freaking well i’m screaming! he loves money so much and his little facial expressions as a third wheel is everything, the comedic relief! and da shi... i see y’all thirsting over calvin chen okay 😌 he’s so much better in the drama tbh & er long is majestic and amazingly powerful and cunning, i love her !!! and props to luo san pao, the best doggo ever!

the seniors! they basically perfected tang san’s relationship with dugu bo... it was antagonistic at first, but then they became besties over poison 😭❤️ i loved dugu bo’s character in here bc he was so funny & didn’t get social cues LMAO // the ape soul master was brief but he honestly made my day with how much he respected the tang family & how he took care of his father back in the day // 七宝琉璃 squad was also 🥰 (less hot than in the donghua lol) but they also somehow made jian yeye the comedic relief? i love how they’re so accepting of ou sike despite him being a support soul master

tang san’s mom - i can only hear her voice, but she made me cry & i love her for that

tang san ❤️❤️❤️ xiao zhan’s voice over just blended in with his character & it was just so wonderful; tang san in the donghua was smart, so fucking smart, cunning, but the kindest at heart; xiao zhan truly portrayed that and my most memorable part was when da shi said “your only flaw is that you let your emotions get the best of you” (this is so important), and you see him later try to control his emotions and not act rashly, especially when confronted with 时年 & 比比东 --- also crying scenes 11/10

bibi dong powerful, POWERFUL WOMAN, props to her voice actress, i got chills when she said, “你根本没有资格知道” // tang hao, wow he’s just like i imagined, but i wish he was a little more emotional in ep. 1 bc the blue silver plant in tang san is essentially his lover’s martial soul

how the concept of family was generated within the shi lan ke academy squad 🥺 it’s such a feel good drama, istg, makes you so happy when you’re having a bad day ✨

things i didn’t like:

xiao wu’s character portrayal (the scriptwriter’s fault, not xuanyi) // i honestly let it slide for the first 10 episodes bc i usually start falling for a character later on, it’s normal; but drama xiao wu didn’t fulfill the 小舞姐 in my heart 😔 i get that many people like her, but it’s not the same! xiao wu in donghua is beautiful, independent, and outspoken, BUT MOST OF ALL HER LOVE FOR TANG SAN IS OBVIOUS, you don’t need to say “一起去” every other line in the drama; i think this could have been remedied if they stayed true to the storyline and let tang san enter the secret dimension alone, bring the mythical herbs back, and have xiao wu prick herself to activate 相思断肠红 (they completely butchered the significance of the flower i’m so angry; fyi: the flower can only belong to you if your heart loves one person --- there’s the most beautiful backstory to the flower but drama douluo said nah). also, drama xiao wu is so clingy and she started exposing herself from the beginning... no momentum build-up whatsoever 😔 it’s 斗罗大陆, not 斗罗大陆: 小舞传 and sometimes it felt like she was being so insistent on following tang san around, i’m just 😓

the whole canghui academy scheme --- it was confusing for 10 eps straight until they got to the end of it, but I guess the drama wanted to add that part in because they wanted to focus less on the competition and more on 变异武魂 (the mutated martial souls) in order to defeat bibi dong

how the beginning was so confusing 😫 i wish they just stuck with child tang san remembering his past life as a disciple in tang clan & then learning 玄天宝录 on his own bc that was such a great part of his character development + understanding of soul masters/their weaknesses; and the fact that he would rely less on his parents

the kiss + confession at ep. 40 // could have done w/o it or even a simple forehead kiss; the confession from tang san was way too quick considering there’s little to no emotional build-up towards that moment (other than bibi dong doing all the work like the queen she is) and there’s no surprise element either? like we’ve been knew she’s a soul beast since ep. 5 🥲 and the kiss was awkward & like i said, sanwu’s love doesn’t need words or actions to confirm... it’s this innate thing that the audience should be able to see (if the scriptwriters focused a little more on BIG plot points that boost the sanwu relationship, then it would have been perfect) ^^ i wish they spent more time on the romantic aspect of the relationship bc even after 30 eps, they seem like siblings when OP said They’re Not.

overall thoughts:

this is purely my opinion, so please take it with a grain of salt! the cons imo were minor except for the development of the sanwu relationship; it doesn’t seem like romance to me 😔 but hopefully it’ll get better in the (maybe) second season when they take some time apart to grow? i’m surprised how much they referenced the original story (characters and such), and i am thoroughly impressed with WHERE THEY ENDED IT, and how they rounded all the new/old plot points together in a way that makes sense. i also don’t hate any of the antagonists, which is why this drama is so lighthearted and easy to watch. it’s not emotionally taxing (sans tang san crying bc xz breaks me heart 😭💕), and safe + enjoyable to watch with family! you’re gonna miss it once it ends, and i think that makes a drama successful 😁 also i’m not gonna go into depth about the mysterious ending bc i might spoil it for those who want to watch the donghua LMAO (but if you want to know my theories, shoot me an ask)

#douluo continent spoilers #SPOILERS TAG RIGHT THERE.#don't say i didn't warn you!#douluo continent #douluo dalu #ruby talks

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fangirlinglikeabus · 3 years

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in what is quite possibly one of the worst decisions in my life, i’ve decided to read every classic doctor who novelisation, in story order. because i’m incapable of doing anything without recording it, i’m posting my thoughts as i go - whether i liked it, how different it is from the original, if i think it’s worth it. full disclaimer, this won’t be an exhaustive list of changes because i don’t think i know any serial well enough, and my own opinions of the original stories will probably influence how i react to them written down. anyway...here’s season 1 (under a read more because it turns out i have an unfortunate number of opinions on the novelisations of 57 year old episodes)

doctor who and an unearthly child by terrance dicks i guess if you’re a completionist?? there’s a few minor differences, including the odd decision to change ‘eh? doctor who?’ to ‘eh? foreman?’ and have the doctor introduce himself as the doctor, but honestly this just kinda hammered in the dullness of the caveman plot, and there’s some neat aspects of the first episode, like the pov shots, that are lost by just slavishly converting What Happens into text. end result is something i found significantly less interesting than the original! feat. the complete absence of susan’s flaming-skull-torch scene, barbara being described as ‘bossy’, and the narrative voice lumping barbara and susan in as ~the girls~ even though one of them is a grown woman and the other’s teacher. also really wish terrance dicks had cut out the racist line about native americans!

doctor who and the daleks by david whitaker oh god, this is so much better just on a ‘feels like an actual book that can stand on its own’ level. it also changes a lot more, including adding a new opening (which actually makes the doctor creepier because it takes place far away from housing so ian and barbara have a much greater reason to suspect him) and fleshing out the final invasion sequence a bit. susan also goes by ‘susan english’ in this because apparently whitaker decided that foreman was too subtle. we get some ian/barbara stuff here but personally i wasn’t too into it: they don’t know each other before the book starts and whitaker introduces some weird arguing drama i don’t care about or understand, so a lot of the appeal of their relationship (imo) wasn’t there, and unfortunately that made for some frustrating reading that hurt my enjoyment of this. speaking of our favourite schoolteachers, it’s from ian’s pov, so scenes without him are either cut out completely or told to him later on. this book also made me pick up a lot more on how masculinity is coded in the story (not really a fan of that!), but unfortunately even in print i can’t tell any of the thals apart.

the edge of destruction by nigel robinson full disclaimer i am 100% biased because edge of destruction is one of my favourite season one stories, but i really liked this. mostly changes are just adding bits onto scenes (barbara’s ‘how dare you’ speech gets lengthened for one - pretty sure it adds some of her lines from an unearthly child but i’m not certain) but it also adds entirely new stuff which takes us deeper into the tardis than they could on tv (for obvious budgetary reasons). plus we get a bit of a recap of what’s come before, and apparently susan doesn’t know who dickens is. there’s a few bits which i feel were a bit overexplained (we can probably extrapolate the doctor was ‘furious at his ability being called into question’ without being told) and the opening doesn’t quite have the confusing energy of the tv version’s imo, but overall a pretty well realised novelisation - although it does have the recurring ‘girls’ problem which i complained about with dicks, and there’s this weird uncomfortable bit at the beginning where susan’s appearance gets compared to that of an east asian person in a way that struck me as orientalist.

marco polo by john lucarotti this ABSOLUTELY highlighted that apparently the details of marco polo don’t stick with me too well. i think it’s mostly following the script, which is fine, because lucarotti at least doesn’t feel like he’s phoning it in a la terrance dicks’ an unearthly child, although there were a few bizarre uses of indirect speech (like it would just switch in the middle of the character talking), as though he was hurrying onto the next bit. we get a brand new-ish opening, which is understandable because obviously these novels weren’t serialised to go one after the other like the television series. the big change that stood out for me is that ping-cho gets an Actual Love Interest, and unfortunately it isn’t susan :(

doctor who and the keys of marinus by philip hinchcliffe hinchcliffe writing this is so odd to me. it’s like if they got barry letts to novelise the happiness patrol or something. ANYWAY keys is terry nation’s best contribution to doctor who, and also happens to be my favourite of the season, but this doesn’t add much particularly - apart from, bizarrely, giving altos long blond hair. there is absolutely no plot motivation for this, he just looks like that now. hinchcliffe has some nice descriptive passages, but i’m also pretty sure ian didn’t slap barbara in the original and he does here so uh. that’s kinda bad.

the aztecs by john lucarotti same weird thing with indirect speech, but this one definitely benefits from being 3 episodes shorter than the last story lucarotti novelised. there’s a lot more detail gone into about aztec culture and details which is nice and interesting, definitely the thing that stood out most for me here and i think it’s almost worth reading the book for that alone. uh...aztec warriors wear less than they could probably get away with on screen so ian goes around shirtless if you’re into that? we have some stuff about gods which is fine and interesting until it veers into stuff i suspect may be putting christianity on a pedestal a bit - that’s not great given the colonial context! - and tlotoxl has gone full shakespeare’s richard iii with a hunchback and limp which smacks of ableism to me and isn’t fun at all. oh yeah, and the doctor’s ‘i made some cocoa and got engaged’ line had the wording changed so like...what’s the point.

the sensorites by nigel robinson i mean i guess?? i actually like the sensorites quite a lot, and this is competent as an adaptation, but it also genuinely doesn’t add much to the story apart from a few nice descriptions and some (sigh) much less nice orientalism. remember that description of susan in the edge of destruction? the sentiment’s back with ‘asiatic’, and the sensorites come in for a bit of it too. overall not one of the greats of these books and tbh i don’t really have much to say about it either!

the reign of terror by ian marter so, funny thing about this one, it was written before anything about translation circuits was canonised, and to get round that...ian marter just decides that everyone in the tardis crew starts speaking french. barbara’s better at it than ian, apparently. as a story it doesn’t really add much, although i do really like marter’s descriptive passages. it does double down on the gaoler’s creepiness, including him leching at susan, but that’s not a fun addition! i found the plot a bit easier to follow when it was set down in prose honestly, even if it did make me notice more the dismissive way the lower class revolutionaries were treated at the beginning - they’re drunk, or slovenly - but i think that anxiety about the descent into chaos is common to a lot of french revolution stories.

#doctor who #classic who #first doctor #ian chesterton #susan foreman #barbara wright #laura reads dw books #target marathon #genuinely have no idea how much people will care about this but i'm subjecting everyone to it anyway #i almost lost this in the mess that is my drafts folder but unfortunately for everyone i found it again

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beesweatercas · 3 years

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Why dont u like 15x20? Full explanation please haha akkhckskf

Wow you just like playing with fire huh well dear since you asked:

Cw: su!cide, mental illness

1) Destiel aside, it was really ooc for Dean to just be like “yeah it sucks that Cas and Jack aren’t here but you know you just gotta move on :/”. We’ve seen how he reacts when someone close to him passes away, whether it’s Sam and he overdoses on medicine (Red Meat) or sells his soul, or it’s Cas and he drinks excessively and generally gets extremely depressed. Being all cheery and talking about moving on is not only a red flag for someone contemplating suicide, it’s just so out of character for Dean.

2) The blurry wife. Um. Really. I know it was meant so it was “open for interpretation” but that’s really just a fancy way of excusing misogyny.

3) The wig. If you’re going to give Sam that ending, at least do it respectably. Sam’s ending was alright, in theory, but the way it was done by making his wife blurry and naming his son Dean and the whole montage was just ridiculous imo. If they showed it better it would’ve been okay.

4)The fact that when Sam died he was surrounded by pictures of his blood family. No Cas, no Jack, hell, no pictures of his blurry wife that he loved so dearly. For a show that had a main message of “family don’t end in blood,” that was a crappy way to end Sam’s character.

5) Dean has been suicidal for a long time, and killing him off when he’s finally “happy” isn’t giving him peace or giving him the ending he wanted. If you’re going to go ahead and say that he’s gotten over Cas’s death and Jack’s absence, fine, but that would mean that Dean was content with his life. Why would he want to die when he’s happy and free? He canonically had a job application on his desk, so it’s clear that he didn’t want to go just yet, and even if he did, he wanted to at least get another shot at normal. This isn’t The Good Place where a character chooses to die when they’re happiest and at peace, this is Earth and that is not a message you want to send to human beings who are alive right now. It’s not like Dean was 90 years old and had enough of life, he was in his 40s. Who knows what could’ve happened if he had gotten the chance to live the way he wanted. And also just... a nail to the back, really, wooow. Plus Sam totally could have prayed to Jack to save him, so there were definitely ways to prevent Dean’s death and simply choosing not to use those options was ooc and sends a bad message to all people struggling with mental illness.

6) Agent Bon Jovi. Yes the idea was cool and all but come on they could’ve chosen a name that doesn’t sound funny. It killed the mood.

7) If you really think the plot of the finale was good, sure, you’re entitled to your opinion. But really take a look and think about the way it was done. The whole thing was 3 montages, a death scene, and a monster of the week plot line. I know the motw thing is their classic go-to, but for a finale I just expected something more. Also let’s not forget how they played carry on wayward son and then IMMEDIATELY followed with a COVER of carry on wayward son. Please-

8) Also following up on the Dean dying thing: Dean canonically, explicitly, wanted a big funeral with “open bar, choir, Sabbath cover band, and Gary Busey reading the eulogy.” Sure, he was joking around a bit when he said that, but it was a hyperbole, an exaggeration, which means that he stretched what he meant to say, and he did want a funeral that was still meaningful and cool. What did he get? His brother and dog watching miserably as his body burns. It’s not like there weren’t friends of his that were still alive and able to come say goodbye. Do people really think Claire, Garth, Eileen, Jody, Donna, and more wouldn’t want to attend Dean Winchester’s funeral?? At the very LEAST they could’ve had Jack come down from Heaven for a few moments.

9) Not really the finale but it’s continued from 15x19: A TODDLER IS GOD. Jack should’ve had the chance to be a kid. Despite his appearances and powers, he’s still new to the world. He’ll make mistakes, just like he did before he was god, but those mistakes will have even greater consequences. I know that was where the story was going and there wasn’t really a way around it, but it just leaves a bitter taste.

10) Not even for destiel reasons, but just the fact that Dean didn’t even talk about Cas’s death. Even if he told Sam about it and said he doesn’t reciprocate those feelings, at least he would have said SOMETHING. “He saved me” isn’t enough, I’m sorry. That’s the reason Cas’s death fits the bury your gays trope; not because Cas came out and died, but because he was practically erased after that.

11) The lack of characters. Go ahead and claim corona restrictions all damn day, there was still a shot at the end with the entire cast and crew smushed together on a bridge. Mask-less. I’m sure there were a few actors who would’ve felt comfortable enough to be in the finale. If schools are able to be open with thousands of kids spreading germs everywhere and endangering each other as well as the teachers, then a show can have like 3 people added to the set for a few scenes.

12) John is with Bobby and Dean in heaven?? THEE abusive John Winchester?? You really think Dean will feel safe with his abusive father right around the corner?? You really think SAM is happy about that?? Bobby wouldn’t stand for that either! They tried to redeem John and his behavior, and that’s honestly inexcusable, that man has no right to be anywhere near those boys.

13) 15 years of character development? I don’t know her <3

14) Bringing back Jenny was pointless I’m sorry it really was, I didn’t even remember her and they killed her off 0.2 seconds after revealing her. I-

15) Might I add that if only 30% of your audience enjoys the finale, you aren’t doing your job correctly lmao

So yeah. If you’d like me to elaborate on any of these points feel free to send me an ask, dm me, or reply to this post. If you’d like to argue with me, feel free to do that too.

#asks #banananon #spn #supernatural #spn finale #spn 15x20 #kat rants #long post

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angeloncewas · 3 years

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yeah i totally agree with what you said about satire and schlatt basically taking the easy way out. it seems like since that video he's kinda eased back from doing that shit, either bc the backlash or bc his friends have started verbally calling him out on it, both to his face and through making comments about him on stream (comments as in like saying they dont agree with what he did and saying they thought that video was terrible, not like them shading him or whatever ajsksk) which is good but also i wouldnt be surprised if something like that video happened again just bc like. it is his career and at this point he has to know what his larger fanbase is like to an extent, which means he also knows those terrible fucking jokes will make him money. i dont like that, but im also not gonna sit around and pretend like i cant see the fucking obvious, ya know? from what ive seen of him when he's not putting on a show for his main channel, or when he isnt around people who both encourage and enable his bad behavior (not saying this to shift blame, ive just noticed how he goes from making actually funny jokes that are harmless or, at most, a pretty obvious example of him poking fun at shitty people, at least imo, to like. straight up just being offensive when he's with people like swagger, miz, etc. vs ted, charlie and so on), he seems like a pretty good guy and its pretty clear to me that he doesnt hold the same views as the character he plays up for his main channel but that doesnt change the fact that his audience is now full of the worst kinds of people and that is how he makes money.

as someone who, again, watched idubbbz, as well as filthyfrank, they both stated they were playing characters and they didnt agree with the shit they were joking about, joji especially, but them saying that isnt very well known by even their own fanbase who just watches their main channel stuff, bc the one video where joji made that explicitly clear what he was doing, he later deleted for people harassing him in the comments (it was an old ass video where he basically said that playing those characters was giving him literal health problems, specifically stress induced seizures, and his comments were so bad that he never made an ooc video on his main channel again) and the one video i can think of where ian explicitly said he was playing a character was like an hour long podcast with h3, which most people dont even wanna watch bc it is a painfully uncomfortable one hour, considering the fact that they are supposed to be friends. besides that, the only other time they were really out of character was in vlogs with maxmoefoe, and they still did their offensive bits from time to time bc it was still going up on youtube, even if it wasnt their main channel. compare that to schlatt who has, as far as i know, never explicitly said he's playing a character, and the closest he has gotten to saying that was in some weekly slap video that i cant remember the title of bc all those videos kinda blend together if im being honest. like they definitely show a different, better side of him, but they are also all really short videos with only gameplay to watch and he never even promotes the channel, so its not like the shitty people watching him are like "hm time to take some time out of my day to go watch big man schlatt give people advice and be a genuine person for once", right?

idk. schlatt is just such a weird person for me bc like. he is a big comfort for me, i really do enjoy his content when he's not making bad stabs at satire (bc sometimes he does it right!! but a lot of the time, at least recently, he has just missed the mark entirely, to the point where it feels like he wasnt even trying to hit the mark at all), but he is also so uncomfortable to watch sometimes just bc he seems to either not know where the line is, or thinks crossing it is okay bc its him playing a character and that's not fun to watch as a minority who often ends up being apart of that "punchline".

that aside tho...yes, unfortunately idubbbz does still make content (and i say unfortunately bc it is not very good) though it seems like he is very slow to upload and last i checked, the views arent too great, but ive seen worse. probably the only thing that could bring back his views at this point would be a content cop, but like a year or so back he said he has no plans of continuing the series bc he finds it boring now, which is fair enough. i dont really keep up with him anymore, but as far as i know, he just got married to anisa and he streams on twitch sometimes, besides that the dude is a mystery to me!

—🦷 (also im sorry if this is formatted weird, for whatever reason tumblr has indented each of my paragraphs with one of those grey line thingys and it wont let me remove it. if it doesnt show up in the actual ask then ignore this!)

This is kind of old now (sorry), but I still wanted to respond because I really appreciate your perspective :)

> I always wonder how people not involved in the fandom view Schlatt. Because wasn't there this thing about Hasan genuinely thinking that he was conservative? And like he obviously doesn't now, but does that not impact how he sees him and his content? I don't mean to dictate friendships - of course - I'm just curious as to the impact of having that audience from an outsider pov. I remember being shocked what that thing happened with the pdp fan, but I later found that many people weren't because they knew the nature of the audience he cultivated; maybe I'm just stupid, I had no idea. (Not that Schlatt and pdp are the same, it's just a loose comparison.)

> No one should face harassment, but I doubt Joji deleting that video helped his case. (I mean ig it worked out in the long term considering everything that happened with his music, but yk.) I'm very sorry for the health problems he faced with the characters themselves though. I don't know much about him but that sounds awful.

> I have thoughts on The Weekly Slap, but I think they make me sound bitter and don't add much so just know that they're there ajfdkjdf. I will say that he doesn't seem like "Jschlatt" in them, and moreso just a guy. I know that he quit it for a number of reasons and one of them was not being comfortable with that kind of connection in relation to his increasing fame, but honestly I think his complete dislodgement from his fanbase isn't healthy either.

> I mean, I get it. I've watched a lot of content from a lot of people - ranging from kind of unpleasant to very unsavory - and it's kind of a weird feeling with YouTube and Twitch stuff. Idk it's like - when I go to the grocery store, I'm not wondering if the guy checking my things out is a racist. When I see a commercial, I don't wonder if that guy advertising chicken nuggets is a secret creep. But with content creation of this kind, it's just a weird thought in the back of my mind. I don't know if this makes sense lmao

> Weird that Idubbz finds content cop "boring." I guess the formula is kind of stale and half of the content was the edge, but it seems like the kind of thing that'd be perfect to capitalize off of around now. Cool that he got married... I think. I mean if he's happy ???

> Don't mind the formatting, and sorry to respond like WAY past when this conversation was relevant T_T. I read it right away but the timing got off with actually being able to type stuff out.

#angel answers #long post #discourse #🦷 anon #ask to tag #negative #cc critical #if u like schlattit is #sidjfd

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ledamemangociana · 3 years

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RANKING HAISUTE (or the ones i’ve seen so far)

not that anyone has asked me, but i’ve literally been so hyperfixated on these shows for MONTHS and although i’ve gotten my bestie into them now, it’s not like i can bombard them with all these deep-ish dives into these things and how much and why i love them, so i thought HEY why not just put it out into the ether coz DAMN i really wanna talk about them.

under the cut for length (HELLA LENGTH) and spoilers.

let me preface this first by saying i havent seen ALL the shows yet. i havent ever watched the first run of Itadaki No Keshiki, and i havent seen any of the new Karasuno cast shows yet, as by the time i had gotten hooked on these shows, the time to watch Strongest Challengers and Battle At The Garbage Dump on DMM.com had passed, and with my limited budget (i havent been able to work properly since literally mid-July last year), it’ll be a while before i can afford their twin pack DVD when it comes out next month. ALTHOUGH i am hoping to be able to download Fly High on DMM.com before the availability runs out in the middle of March, if i’ll actually have enough money for that.

additionally, i rank these from my least favorite to most favorite, but that does not mean that i hate or dislike any of them. in fact, i have little to zero negative things to say about any of these shows. i just happen to love some more than the others, and i think you’ll be able to tell by how long i go on about each show. i’ll TRY to keep things concise but im telling you now, i’ve already tried this once until an accidental button press erased everything i had written, and this will not be short. at all.

i’ll start first with the things i love about Haisute in general:

quite obviously, the projections. before i finally saw Haisute this year, i had only ever seen BNHA, KNY and Kuroshitsuji musicals, and while they have awesome set pieces, i had never seen video projections utilized the way Haisute does, and i think it’s so wonderful and creative, and so technically sound on everyone’s part. like, it has to be so precise with cast performance and blocking and sound and lights...like. dudes. shout-out to the tech staff of Haisute, y’all are amazing.

the acting performances in general. i dont think there’s a bad actor at all in any of these. some stiff-ish performances (Noah Ishikura as Lev, but mostly in SoE, which was his first time acting ever, so understandable), maybe, but even those actors do great when they’re having a pivotal moment, scene or dialogue. it’s hard to pick faves but somehow i do have them, lol - Kenta Suga as Hinata (obviously), Kentaro as Daichi, Hiroki Ino as Suga, Kousuke Asuma as Oikawa, literally ALL THREE BOKUTOS, literally BOTH AKAASHIS, Ami Saito as Yachi, Tatsunari Kimura as Kageyama, and my top two faves, Shori Kondo and Takato Nagata as KuroKen. for obvious reasons (see: my numerous gifsets that i still have so much to add to alkdjf).

the music is WONDERFUL. the varieties across shows, teams and characters while still maintaining the main themes are just so good. it’s easier for them to be highlighted to since there isnt any singing, and so many moments are told through the music rather than the music accompanying the moment imo.

the choreography is gold af. im sad we lose HIDALI after Tokyo Battle, but im sure the rest of the shows still keep that amazing spark. but i juST. HIDALI’s choreography is iconic. i’ll talk abt it a bit more in some of the entries in the list.

OKAY, now on to the rankings.

7. View from the Top (2nd Run) so again, I DONT HATE ANY OF THESE SHOWS. the reason this is at the bottom of my list is mostly because of what it doesnt have through no fault of its own, rather than anything that it does. i personally love watching character growth and evolution, so for the most part, the first story in anything that has multiple follow-ups tend to be my least favorite part, and i come to enjoy them more as a “look how far we’ve come” thing. that being said, i do think this was such an awesome show to kick-off what has become an iconic 2.5D franchise. so much of it feels like the transition from potential to kinetic energy. a little show that could, and then did. i do think i enjoy this more with a nostalgic sort of fondness than i do with a “look how cool this thing is!” feeling, but again, that’s coz i enjoy watching things changing rather than at the start. what definitely stands out to me here is that i came to it this as only my fourth 2.5D franchise, and the ones i’d watched before this were so different in staging and execution, and that really had me hooked. also, this franchise honestly is one of the best casting in any show i’ve ever seen in my life, like wtf, i havent seen a badly cast actor at all, even for the side characters i dont really pay that much attention to otherwise. you cant help but be sucked into the bright light that is Kenta Suga, and Kousuke Asuma has to be the most Oikawa Oikawa to ever Oikawa anything Oikawa. Tatsunari, Ryotaro and Justin absolutely jumped right out of the manga and anime and onto the stage as Kags, Tsukki and Asahi. and GAWD do i love me some Kentaro and Hiroki as DaiSuga. i went in a big fan and simp of Hiroki Ino and Sugawara, so for the first couple of watches, i was heavily focused on Ino!Suga, but by the third rewatch, Ken-chan came around a corner and smacked me in the face with a 2x4 wrapped in barbed wire. when that man smiles, i just get murdered.

6. Start of the Giant i honestly had a hard time picking between this and InK for the bottom spot, not because i hate this (AGAIN, I DONT HATE ANY OF THESE SHOWS), but because of how this show feels to me. ultimately, i picked this one to win over InK because of how much character progression is shown between these two shows. stating the obvious, KAZUMA KAWAHARA. HOO BOY. and big, BIG shout-outs to Kouhei Shiota for portraying Tanaka’s emotional roller-coaster so excellently to stride alongside Ennoshita’s big journey and Kazuma’s powerhouse performance. i also wanna spotlight how much more comfortable Tatsuya Kageyama was in his second go-around as Kags, and how well Keita Tanaka and Naoki Tanaka came in as new(old)!Daichi and new!Suga. it took me a while to get to this show because i was so sad to lose Ken-chan and Hiroki after SoE, and i thought i just would not be able to love DaiSuga the same way. turns out that that’s a good thing, because they do play similar but different DaiSugas to Kentaro and Hiroki. it possibly also helped to know that KT wasn’t entirely new, and to have known of Naoki from BNHA (with Hiroki!), although i hadnt known it was him until i started the show up at last, lol. Kentaro got to play a captain who was warm and very much one of the boys, someone who was growing into the role of a captain of a team that had a very real chance of going farther than it had in a while, while KT got to play a Daichi who, fittingly, was more established as a pillar of the group (and im sure the storytelling of this show helped with that), more of that Dadchi that we know and love. Hiroki got to play a gentle but mischeivous Suga who was all about watching over and taking care of the team, watching and waiting for his turn while understanding that Kags was their best chance, while Naoki got to play a more active, more athletic Suga who was becoming more active the closer the team got to Nationals. their performances stood out not just coz they were new, but because of the theme of this story in particular, about captains and leading, so i thought it was quite a nice way to welcome them into the fold. i also of course enjoyed Johzenji and Wakunan, maybe Johzenji more than Wakunan. i saw someone say they’re a bit like Fukurodani and Nekoma lite, and i can totally see and agree with that. this show also feels a bit like Revival lite, in that it’s got a fun first half and then a more action-packed second match with an emotional gutpunch at the end. but ultimately, this is lower on my list because, through no major fault of its own, it felt like a filler show, considering what was coming after this. it felt a bit like “lets’ get on with this story so we can get on to the last hurrah that everyone is looking forward to.” of all the side teams to have been portrayed in the Engeki story, i feel like i remember johzenji and wakunan less. again, that’s not really anyone’s fault, it’s just where this show was positioned in the timeline and what it was ultimately representing. as a parting thought tho, i just wanna shout-out the new lighting scheme they did for this show, especially coming from SoE where there was a lot of darkness or back-lighting. this show is brighter lit in general than most of the shows that came before it, and idky exactly but i do appreciate that a lot.

5. Winners And Losers objectively, this is probably one of the top 3 shows in all of Haisute’s history. but it’s lower on my list because it is the most taxing to watch and rewatch, not because it’s too slow or anything like that, but because it really just is such a tiring story, and i think that’s deliberate on the part of the writers and directors. this was Karasuno’s first major loss, and it was against an opponent they thought they knew, so of course the lead-up had to be a big deal. it’s also a story that revolves quite a bit around kageyama reaching a turning point and learning a few lessons that would ultimately change him, so the story had to also execute that change happening not just in Kageyama but around him. add to that the fact that this was Tatsunari’s goodbye performance (as well as Shohei’s as Noya, but then he doesn’t really get a big emotional moment here) and it’s just heavy on the emotions all around. the comedic distraction of ShoriTaka as Tetsuko and Kenko was honestly quite welcome, lmao. quick little shout-out to Kousuke Asuma and Allen Kohatsu as IwaOi, since they got to really show off the different sides to both those characters in this, and they just are stellar in general. that bit at the end of one of their flashbacks where Iwa-chan tells Oikawa that he’s not the only one fighting, there’s six people in that team, and Oikawa breaks into laughter as Kousuke strips off the flashback jacket, and Iwa’s like “uuuhhh did i hit you too hard, or?” UGH, i love that bit, that almost creepy laugh from Kousuke and the way he comes out of it to say “suddenly im not so upset” is just SO good. im also so happy to see Hiroki get his due as Suga when he finally gets to step up to the plate - or net, as it were - and basically pinch-hit for Kags. he plays senpai!Suga so sweetly, like you really can’t help but love him coz he’s so caring. i also did not expect to be hit right in the feels with the switch back from him to Kageyama, but that bit where he says “it’s frustrating, but hinata’s expression when he’s hitting my sets is different from when it’s yours” really got me. and then when he had to leave the court, asahi and daichi send a fist bump his way, and he gives just this tiny fist bump wave that’s both tired and disappointed and sad, and it’s juST! it hurts me everytime. and before this gets long, im gonna just spotlight the last 10-15 minutes of the show, right after Karasuno loses. Kenta absolutely nails Hinata’s expression in the manga, that wide-eyed disbelief and shock. and then when Daichi tells him not to apologize because he didn’t miss, when Daichi just walks over and hugs him, good gawd. (sidebar, but i’m so glad i got to see that bit with both Ken-chan here and KT in Strongest Team.) and the way Hinata couldn’t move after thanking the audience, not even after Ukai called him back, so Daichi had to actually go get him? my heart was in PIECES. and then the fuggin dinner scene. LORD ABOVE. like, if you dont love Kenta Suga as Hinata, this is the scene that should convince you you’re wrong.

4. The Strongest Team this is right smack dab in the middle of the list because it’s probably the best staged show of all the seven that i’ve seen, but it also hurts me so much for all the obvious reasons. this is the one i’ve rewatched the least, and everytime i rewatch it, i cry as if it’s the first time im watching it. the whole show absolutely feels like a tribute to the Karasuno cast and all the growth they’ve had and contributed to Haisute over their three years with the show, and the entire thing feels so fond, if that makes any sense. everyone on the team gets a big emotional moment, and it’s so sweet to see them each paid tribute. aside from them, i gotta AGAIN shout-out kousuke as oikawa. i like aoba josai enough, i like oikawa enough as a character, but that moment when kousuke absolutely broke down in the locker room after losing to karasuno broke my heart, even more so knowing that he absolutely felt all that gratitude because he wasnt sure he’d be able to come back to the show coz of his hip injury. i think one little moment that doesnt get as talked about as it should is just after he and Iwaizumi have that short convo of always being each other’s partners even after they’ve moved on to different schools. they do their fist bump, and then Iwa walks away, but Kousuke/Oikawa is still absolutely in tears, and as Iwa walks off, he just kind of reaches out and lets out a pained “Iwa-chan!” that’s just barely audible, and that jUST. GETS ME EVERYTIME. hell, im feeling a little heartstring pull right now just thinking about it. i also wanna shout-out Shiratorizawa because Engeki made me actually care about them. like, okay - i dont hate Shiratorizawa, at all. but watching the anime, despite having an entire season be around them, i just never really latched onto them. i like Ushiwaka enough, and i just...dont like Tendou (sue me). but Engeki Haikyuu has a habit of spotlighting other teams and characters enough to make you actually think about them and care about them, and Shiratorizawa was the biggest example of that for me. their theme is awesome, it’s this big, deep, heavy thing that feels as big and broad as the players look. and i could feel their almost militaristic teamwork when the coach is on them, and it’s so good. speaking of Coach Washijo, shout-out to that flashback scene to his younger days. Kenta looked absolutely risible in the wig and giant eyebrows, but i think it was an important touch to have the person playing Hinata be the person playing younger Washijo, because their inner conflicts are basically the same, and Washijo comes to appreciate Hinata’s efforts because of it, so i thought that was a nice touch. (still dont like Tendou tho, sue me.) i gotta end this entry coz it’s getting long, so im just gonna quickly list my favorite scenes/moments:

Yamaguchi’s pinch serve, and bringing out the spear. Kairi Miura wields that spear like he’s been doing it all his life.

Tsukki’s big “GODDAMMIT I THINK I LOVE VOLLEYBALL NOW” moment. the expression on ryotaro’s face right at the end of that scene, where he’s basically saying “it’s just a club, AND YET!” uuuggggghhhh, please i love it. also, shout-out to when Hinata pointed at him and just said “...nice.” like...that always feels like only half Hinata and Tsukki, and more half-Kenta and his best friend Ryotaro, just like the “Tsukki! that one was worth a 100 points!” line that absolutely gets Ryotaro so that on the live cam he had to turn his head away before he meant to for the next bit.

that moment in the last-ish set of the match where everyone is just DESPERATE to win, so it becomes this frantic rally and volley where everyone just starts to grunt and yell louder and louder, and people are running back and forth and jumping and diving, and it’s just this cacophony of sound and blur of movement that just seems to stretch on and on, until finally Shiratorizawa just yells “SHUT UP! WE’RE STRONGER!” and knocks all of Karasuno down. WHEW. that bit is just. WHEW. i almost always forget to breathe at that point. and then the waterworks get turned on as Ukai tearfully tells them to get back up, because volleyball is a sport where you HAVE to look up. LORDDDDD.

the bit towards the end of the match, after tsukki returns from his injury, where they absolutely acted out Ushiwaka pushing Hinata and Tsukki to the floor and holding their heads down. when i first watched it, i gasped because that is straight out of the anime and manga, and then when the rest of Karasuno came in to pull Ushi off, i just turned into a giant sobbing mess.

the graduation curtain call, obviously, but in particular, the bit that will ALWAYS, WITHOUT FAIL, destroy me is when Kenta says “this show was so tiring and tough sometimes, but when i look back, all i can remember are the good times, the best times.” GODDAMMIT IM TEARING UP BADLY RN JUST THINKING ABOUT THAT BIT.

3. Summer Of Evolution this is where the lines between the rankings get a little bit blurred, because i love these top three equally for the most part, but i had to choose a number two (i absolutely know what my number one is), and when i really think about it, SoE just gets edged out by my number two, but barely. i think what i love the most about this show is that this, more than any of the other shows, really portrays these characters as high school kids. and that’s not just because part of the story is set in the school and it’s actually showing the school sometimes, but coz they’re going through and portraying teenage experiences and emotions. most of the other shows portray the team in matches, so we’re seeing them more as volleyball players than teenagers or students, but we get to finally see that here, and it’s really refreshing. other than that, im gonna try to just list some of my highlights and favorites again coz i dont wanna keep going too long:

im so glad to finally have girls on the show, and not just in a “YAY FEMINISM! GIRL POWER! WHOO!” kind of way. kiyoko has always felt like an inextricable part of the team for me, so it was bittersweet to have such a great Karasuno cast but without a Kiyoko, so i was REALLY happy to finally get her here! and for a first time actor ever, Shizune was so awesome! she absolutely has that gentle strength that Kiyoko has, and the way she’s been written in absolutely does feel like she’s always been there. i do wish she got more to do with the third year boys, but all in all, it’s SO good to have an actual Kiyoko who absolutely looks like she came out of the manga.

im also just so DAMN happy about Yachi and her portrayal here. i think ami saito is so dang perfect, and yachi is such a fun addition that fits right in with the chaotic fun of Karasuno. one thing that i REALLY love, though, is how she gets to just act. before Haisute, my only experience of female characters and actors on a 2.5D stage is with Uraraka (and two or three other female students) in BNHA and Elizabeth in Kuroshitsuji, and those characters are your typical cutesy girls, and their movements and body language are so typically girly, you know what i mean, those softer arms and smaller movements, looser fingers, these little “Kyaa~” things, those things. but Kiyoko, Yachi and Saeko arent like that, so that’s not how they’re portrayed here. Ami as Yachi is just as loud and expressive and active as the Karasuno boys, bar actually playing in a match. also, her chemistry with Kenta is SO GOOD. i dont really ship YachiHina, i think they’re cute friends, but BOY DID THESE TWO MAKE ME RETHINK THAT. ami’s Yachi with Kenta’s Hinata made me think “YOU KNOW WHAT I WOULD LIKE TO SEE THESE TWO GO ON A CHAPERONED DATE.” they’re adorable. a particular fave of mine is when hinata climbs a tree to help a baby bird back into its nest and he asks Yachi if she wants to climb up too, and also after Yachi finishes making the Hinata poster, she jumps onto the back of Hinata’s bike and they ride off-stage together. PLEASE IT’S SO CUTE.

also: SAEKO NEE-SAN PLEASE STEP ON ME.

OH HI FUKURODANI. they are such good chaos boys, i love them. i dont have much to say about them here just yet, but WOW im so glad to have them onstage at last.

NEKOMA IS BACK THANK GAWD I LOVE NEKOMA. of all the teams portrayed, i think nekoma is the one that feels the most connected together (AHA!). like, even when they have a new character and/or cast member, the new ones never really stand out as new, they feel like they’ve always been there. this play really showcases the teams at their most casual so we dont get to see as much of their excellent teamwork and connection as we do in past and future shows, but you really get a sense of their family dynamic and just GOD I LOVE THEM SO MUCH, and honestly dont get me started on ShoriTaka, i will literally never stop

shout-out to Tatsuya Kageyama, he had big shoes to fill not just in terms of character but also as an actor, since this is his first show ever. much like with KT and Naoki as DaiSuga, it does feel like he plays a similar enough Kageyama without just mimicing Tacchu. this is also the right Kags arc to introduce a new Kageyama actor with as well, since there’s a big change after that loss to Aoba Josai and Oikawa, so i think the writing of the show also absolutely helped Kage-chan ease into his role, and helped the audience ease into this new Kageyama. overall, i think he did an awesome job, and we’re really fortunate to have had two awesome Kageyamas before gen 1/1.5 changed to gen 2.

i also just noticed/realized that the backstage video for SoE starts with the introduction of Kage-chan and Fucchi as new cast members, and ends with the farewell to Ken-chan and Hiroki as graduating members, and i know that’s just natural coz the first time the Karasuno cast met the two new members was at the photoshoot for visuals, but also what a nice little circle of life there.

COMING INTO THE HOMESTRETCH NOW, if you’ve made it this far, thank you SO MUCH, im sorry, i really just have a tendency to ramble, and like i said, i dont really have anyone or an opportunity to talk this deep about these shows to, so thanks so much for your time.

2. Karasuno, Revival! WHEW okay, so idk if this is Unpopular Opinion or controversial coz objectively it is the best show so far, and i’ve put it only at number 2. BUT LISTEN: before i saw Tokyo Battle, this was absolutely my number 1 favorite. the Dateko match is so good and so fun to watch, and honestly, that rap battle gives me so much life im almost immortal now. i LOVE that they also got to show ikejiri (THANK YOU KENTA SUGA) and ken-chan as daichi got his moments because of it, and it gave us “katou tou shinakya, katenai!” as an iconic quote and theme for the show, we got a fantastic moment for Asahi that was paid off from the previous show, also honestly “otchita kyougo, tobenai garasu” is just gonna be stuck in your head forever for a while. we also got Kousuke and Allen’s excellent IwaOi back, bringing with them their “Iwa-chan, are you my mom” dynamic (and gawd the cackle i let out when Iwa yeets a volleyball at Oikawa, or that turn and yell that makes Oikawa yelp as he exits off stage lkasdjf), which is always a plus. but! BUT!! best thING FOR ME???? NEKOMA, BABY!! like im sorry, im biased, but i fuggin LOVE nekoma, kuroo is my favorite character in the entire series, and Haisute really gave them a fantastic story and dynamic, because again, there’s so much you can do on stage that you sometimes cant do in anime or manga, so they were really able to highlight Nekoma’s famous teamwork, especially when centered around Kenma. more on that later, but like. it was just such a JOY to watch Karasuno, still kind of scattered puzzle pieces at this point trying to figure out how to best go together to create one big picture, go up against the smooth teamwork of Nekoma, and learn and grow from it. also they honestly have the best team theme music and team dance, fite me. also thank you Haisute for making KuroDai so painfully real lakdsfj

1. Tokyo Battle okay okaY OKAY OKAY OKAY. i think there are some people who actually like this the least coz it’s just too different from the rest of the shows that came before it - no Karasuno, less projections, different music style, aesthetically different stage, etc. B U T. aside from me just being biased because Nekoma are my favorite team, i actually think many of those differences are what makes this show my favorite one. first of all, the music is LIT AF. the themes for each team are so distinct, they really help play up the animal motifs that are played up the most in this show than in any of the others. secondly, THAT CHOREOGRAPHY THO. good gawd. HIDALI said “it’s our last Haisute, let’s go out with a bang” and they really fuggin did. Fukurodani absolutely is TOKYO PARTY TIME, they got to really play up their party birds schtick and i love it. Nohebi i cannot HELP but love because i love snakes, but also, with Nohebi’s cast, you can tell the choreographers were so happy to finally have an actual technical dancer. they had yuu fukuzawa doing the most and then some in playing up the snake theme, and it’s literally so hypnotic to watch his pops, locks and isolations. he’s also just such an AWESOME daisho, and it helps that nohebi are written to be cunning and sneaky. i also love that he and Kuroo seem to actually have a lot of untold history, and i kind of wish we could get a bit more elaboration on that, coz Yuu’s and Shori’s chemistry as frenemy team captains is SO GOOD. and then of course. NEKOMA, BABY!! so okay. kenma absolutely should be the lead of this show, and he is, BUT he’s also, to a certain extent, inextricable from Kuroo and the rest of the team, so that you dont always get that feeling of Kenma being in the spotlight the same way Hinata is (for understandable reasons since Nekoma arent even really the main characters of the story as a whole), and i think that’s important because, again, Nekoma is all about that teamwork and connection. like, Kenma is the lead because he thinks for Nekoma, and Nekoma acts accordingly, instead of how it is usually where the story is showing Hinata’s perspective alone. it also feels like that in terms of the actors. like, technically Takato is zachou, and he is, but also several times in the curtain call speeches, the cast members refer to or mention both Takato and Shori together. even Takato says that when he had spoken to Kenta about how nervous he was about taking up the zachou mantle from him, Kenta had said “if it’s you and shori, you’ll be fine.” they are a unit, and it really comes across in their portrayals of Kuroo and Kenma as well, and even if you love nothing else about this show, you literally cannot help but love that about them. i think the show does a great job revolving the Nekoma team dynamic around that too without making it the ONLY thing that keeps Nekoma together. the star of the show is absolutely the theme of “connection” (more than the other theme of promises), and if you’ve seen the show and you dont cry at the “Tsunage” section as Nekoma wins the match against Nohebi, then are you really watching the show lmao.

OKAY OKAY I’VE REALLY RAMBLED ON, and if you made it all the way here, THANK YOU AND IM SORRY. but also, there’s still a lot of things i wanna talk about that i didnt talk about here coz im mostly a scatterbrain and live half my life radiating BDE - Bokuto Dumbass Energy. so if you’re also ridiculously obsessed with these shows and wanna talk about it, my inbox is open. someone come hyperfixate with me while i make SO MANY MORE GIFSETS OHMYGOD ALL THE GIFSETS geezas crust when i get to Tokyo Battle i will be insufferable.

#engeki haikyuu #haikyuu #haisute #hyper projection engeki haikyuu #haikyuu stage play #long post #REALLY LONG POST IM SO SORRY #Mango Goes To Jail #NO REALLY IT'S LONG

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qwertyfingers · 3 years

Note

Not to be too forward but please drop your TNG watch order.

okay tng is. complex. here’s how i’d do it I think. I’m jumping about a lot, and I’m also struggling to remember a lot of it because my first watch was 7 years ago and my rewatch w friends we just did Sherlock Holmes and then went straight into chronological order. so this is like, combo of a handful of eps I remember being plot important and just stuff that makes me laugh.

Elementary, My Dear Data (S2E3) and Ship In A Bottle (S6E12). a) introduces you perfectly to the concept of holodeck episodes, which will be important later b) DaForge married gay energy off the charts c) Picard is really fun. the only failing of this as a start is the tragic lack of Guinan

ALL of the Q eps. Speedrun the Qcard nonsense and get a lot of the overall show plot

Encounter at Farpoint (S1E1 and S1E2)

Hide and Q (S1E10) - unnervingly babyfaced Riker. you could skip this one but it lays some good basis for who the Q continuum are, but it’s kind of fun

Q Who (S2E16) - borg introduction! absolute must watch. The insanity of ‘to learn about you is frankly provocative… but you’re next of kin to chaos’ as a line alone, let alone the voice Patrick Stewart gives to it. Iconic episode.

Deja Q (S3E13) - Q getting turned into a human as punishment for being a naughty boy. V funny, must watch

QPid (S4E20 babeyyyyy) - MUST WATCH one of thee funniest episodes and experiencing the QCard speedrun from farpoint to qpid is a very special kind of brainworms

True Q (S6E6) - this one is skippable tbh, but it is pretty fond and I’m personally fond of running a full Q supercut

Tapestry (S6E15) - this one isn’t as fun as most Q eps but it is VERY TNG-ish and therefore a must watch. If you’ll forgive the pun, it really gets at the heart of Picard’s character

All Good Things (S7E25 and S7E26) - as with most Star Trek finales it’s not the best. You don’t have to watch this here but it can be a fun bookend for the Q speedrun

You could also go watch DS9’s Q-Less (S1E6) if you’d like to see Q get punched in the face, it’s really very satisfying

You kind of have to watch The Best of Both Worlds (S3E26 and S4E1). If you’ve seen TNG before, you don’t need to worry about when you watch it. If you haven’t seen any TNG yet, watch it here.

Darmok (S5E2) - THEE most star trek of all star trek’s. hmu if you ever want me to rant about Darmok I have a whole badly-structured personal essay about it ready to go at all times

Disaster (S5E5) - Geordi and Crusher teamup is really fun, and ‘executive officer in charge of radishes’ is the best line in all 7 seasons of TNG

Schisms (S6E5) - you could just watch from the opening until Data’s poetry recital ngl. The ep is decent and I’d personally watch it all but this ep is mostly about Data’s poetry.

Sub Rosa (S7E14) - Crusher fucks a ghost. iconic behaviour

Dixon Hill eps! They’re fun and silly and much like watching TOS’ A Piece of The Action

The Big Goodbye (S1E12)

Manhunt (S2E19) - Lwxana. I’d do anything for Lwxana

Clues (S4E14) - Guinan as Gloria is so much fun I love her and she should have got a full episode!!!!!

The Measure of a Man (S2E9) - important Federation and Data lore. Very emotional.

Yesterday’s Enterprise (S3E16) - Tasha’a back!!!!!!!! Just a very cool ep imo

Hero Worship (S5E11) - Extremely good Data ep, good content about Federation attitude to mental illness

Datalore (S1E12) - another important Data ep, and Lore is laways fun

The Offspring (S3E16) - Data wants to be a dad!!!

I, Borg (S5 E23) - HUGH!!! IT’S ALL ABOUT HUGH!!!!!!!!! (I like to watch this right after The Offspring because it’s direct parallels of geordi and data just wanting to take care of people)

Brothers (S4E18) - more Data (And Lore) content

Descent (S6E26 and S7E1) - not required watching, but Lore is fun and evil

Fistful of Datas (S6E7) - EXTREMELY SILLY GOOD FUN ALLROUND. CAN NEVER GO WRONG W ACOWBOY EP

Sarek (S3E23) - I can’t remember the plot I just know Sarek shows up in a lavender robe and has mad chemistry with Picard. I’m pretty sure they mind meld really hard??? Lord help me the old men you put on this spaceship to do politics are exploring eachothers’ minds in the most intimate manner possible <3

Unification (S5E7 and S5E8) - Spock attempts to re-unify Romulus and Vulcan. Iconic 2-parter, but definitely the kind of episode that benefits from watching with a friend so you can add commentary

if you like Romulan episodes you could watch the full Sela arc before this one (The Mind’s Eye S4E24, Redemption S4E26/S5E1, Unification)

Face of The Enemy (S6E14) - I can’t remember the entire plot but I’m pretty sure it was good and I love a good Romulan ep

The Host (S4E23) - Trill introduction!!!! So good.

The Game (S5E6) - profoundly stupid but worth it for how funny the graphics for the game are

Cause and Effect (S5E18) - just a pretty cool one

Time’s Arrow (S5E26 and S6E1) - One of TNG’s strongest plots imo

The Inner Light (S5E25) - another banger plot; Picard gets hit by a psychic probe and lives an entire life in a history that has already happened. there’s a really good Spones fic based on this episode and I could read an au like this for any ship I swear

Relics (S6E4) - Scotty!!!! It’s fun

Chain of Command (S6E10 and S6E11) - another one of TNG’s strongest plots. The origin of the ‘there are FOUR lights’ meme.

Birthright (S6E16 and S6E17) - this is an infamous double parter but all I actually remember is Julian Bashir appearing and meeting Data

Ensign Ro’s intro ep Ensign Ro (S5E03) i LOVE her

The Next Phase (S5E24) - cool ep where Ro and Geordi get stuck out of phase and are invisible from the crew, pretty fun

and the end of her arc with Preemptive Strike (S7E24)

I personally love Barclay and just choose to live in a universe where the misogyny wasn’t happening and he was just a weird little man, but if he bothers you, you can skip his arc. Don’t skip Genesis tho it’s good

Hollow Pursuits (S3E21)

The Nth Degree (S4E19)

Realm of Fear (S6E2)

Genesis (S7E19) - perfectly batshit star trek fake science. I love it

Masks (S7E17) - extremely silly and therefore fantastic

after this point I’d go back and watch in order all the way through, or look up a watch order for eps that are actually important plot-wise :’)

#st tng #long post #mine #tv

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makeste · 4 years

Text

not a cavalcade of Katsuki panels

damn, anon. you stone cold came for me with that last part. and just fyi to all onlookers, this was before I had posted the headcanons ask proving this exact point lmao.

but a challenge has been issued now! so I will do my best to pick a variety of impartial panels featuring a veritable medley of characters. not sure I can really provide much in the way of insightful analysis of symbolism and metaphors and stuff, but I can certainly type a lot of words about the pretty pictures, and about how cool people look when they’re standing around all serious surrounded by clouds of billowing smoke.

why I like it: I figured we’d start off strong. no point in holding back. can the other panels possibly even hope to compete. maybe. we’ll see.

why I like it: because, you see, he punched a giant robot, and it exploded. you see that, there? and the text was all “SMAASH” in humongous comic book letters, and it was pretty cool. also Deku is very tiny and the robot is very big. and just to clarify, most of the time if a tiny fifteen-year-old child tries to punch an 80-foot robot, it’s not actually going to go all that well, and the robot probably will not explode. but in this case it did! and so this is a very novel and unexpected outcome, which makes it all the more visually striking, which is a very good thing to be when you are trying to show off the brand new superpower which your protagonist just inherited, and letting people see it in action for the very first time.

why I like it: so you may have noticed we just skipped a whoooole bunch of chapters lol. this is because there are almost 300 of them, and so I’m going to have to use a bit of discretion. anyway so this is a gorgeous panel. just, everything about it. the lighting; the expressions; Shouto’s hesitation; and his mom facing away, not looking back yet, and us not yet knowing how she’ll react. and the fact that they’re visually separated by as much distance as possible -- at opposite ends of a two-page spread -- and yet they’re so close, closer than they’ve been in years. mm. anyway it’s pretty.

why I like it: first of all because there’s nothing like seeing a deserving character get punched in the fucking face, and few characters IMO have been as deserving as Stain. and second because this is Deku, showing up to save the day out of nowhere at the last minute, because excuse you, but he’s a motherfuckin’ hero. sorry to interrupt your evening plans of stabbing a kid while lecturing him about why, philosophically, he deserves to die. but I’ve got a package here for a Mister Stain. it’s from Mister Smaassh, with two A’s and three S’s.

why I like it: fyi, anon said nothing about a cavalcade of BakuDeku panels. you didn’t think I’d let that loophole go to waste, did you? but nonetheless I will try to restrain myself until we get to the second ground beta fight. anyway, I like this panel because All Might’s canonically 7′2″ self looks about twelve feet tall here, and he is just TOWERING over these two boys, who’ve been tasked with somehow outwitting him during this curiously sadistic final exam. and it’s just an interesting perspective, because we know they both look up to him, and here they are physically looking way, way up, up, up at him.

why I like it: now this is how you do a villain entrance. I love absolutely everything about this. the sheer scale of destruction, and the way he’s just sort of casually hanging out there in the middle of the panel almost dwarfed by all this dust and smoke and carnage, and yet is unquestionably the focus of the page. the way that you can’t actually see his face, not yet. not until the end of the chapter. the way the clouds are drifting so calmly and peacefully in the night sky in stark contrast to the horrific events that are about to take place on the ground. this panel gives me literal chills, especially when I think about All for One’s creepy theme music playing in the background.

why I like it: this panel is so iconic to me that it’s one of the first ones I immediately knew I had to go and find when I got this ask. this entire fight is perfection from start to finish, and there are other panels that are more artistically striking if I’m being honest (in particular, the ones where he’s half-transformed with his face perfectly split down the middle between Muscle Might and Skinny Steve). but there’s just something about his determination in this panel, though. something about the fire in his eyes, and the way he clenches his fist. “my heart is still the heart of the Symbol of Peace.” I remember being sooooo fucking anxious when his true form was revealed, wondering if this was it, if the people watching were going to turn on him, if he was going to lose both the fight and their faith. turns out I was wrong on both accounts. basically what I am trying to tell you guys is that this panel was and is still the most badass thing I’ve ever seen.

why I like it: because he’s just a frail old man doing what he can to protect the last flickering embers of the thing that enables him to fight on. there’s something so fucking desperate and yet so determined about this image. he knows it’s futile, but still he persists.

why I like it: damn it was hard to find a “you’re next” panel with just the right angle I like best. this is probably as close as it gets, but I kind of wish Deku was somehow visible in this image as well. but at any rate this is an amazing moment, and All Might is dramatic af for basically no reason but IT’S BADASS. “no I’m not going to actually look where I’m pointing. it’s cooler this way.” or was it because he wasn’t sure if he could keep the emotion off of his face if he actually turned and looked? in this moment of knowing that it was finally over for him, that he would never be the Symbol again, and knowing that he had no choice but to move on and entrust that burden to the next generation? damn.

why I like it: I... fucking... okay, here’s a fun fact. did you know that I still get emotional over this panel almost a full two years after reading it?? obviously a good 84% of it is the context -- All Might losing his power; Deku being forced to take up the mantle before he feels ready; All Might feeling responsible for him; and both of them being so desperately grateful to have each other in that moment. but don’t underestimate that remaining 16% either though! this is just an extremely well-drawn hug, on top of everything else. All Might pressing Deku’s head to his shoulder with his fingers laced in his hair is some mighty fine fiercely protective hug tropes there, you guys. and the way Deku is clinging to his shirt so tightly his knuckles have probably gone white?? while he cries?? while both of them cry? ON THE BEACH? WITH THE WAVES LAPPING SOFTLY AT THE SHORE IN THE PEACEFUL NIGHT AIR?? jesus fucking christ. this hug contains more emotions than I am capable of carrying inside me at once. I just sort of have to let them flow in and out little by little until they finally subside.

why I like it: you bet I skipped right from Kamino straight to Deku VS Kacchan Part 2. no regrets. anyway, so these two panels are an absolutely gorgeous one-two punch. so much has changed from the days when they were innocent little kids marching off into the woods to have adventures. they’ve changed. their relationship has changed. and yet, at the end of the day, Izuku is still willing to follow Katsuki even without being given any kind of explanation. and Katsuki still seeks out Izuku when he’s on the verge of having a spectacular emotional breakdown. because he doesn’t know who else to turn to. and because despite everything, there is trust there still, on some deep, fundamental level neither of them fully understands or knows how to acknowledge. anyway, so these two panels just give me a ton of feels all about the passage of time and how everything changes and how you can’t get back what’s lost, but also sometimes if you look deep enough you find that parts of it were never fully gone.

why I like it: because in a striking display of dramatic main character energy, these boys decided to stage their life-changing destiny-affirming rival fight on the coolest possible stage in the middle of the goddamn night. and then Katsuki made it even better by producing WAY MORE SMOKE than his attack by all rights should have produced! and then they went and crouched down all symmetrically so as to more poetically make intense eye contact at each other. I really like panels with smoke and/or dust clearing dramatically. there are like four more of them coming up on this list. what can I say. it’s cinematic.

why I like it: I actually had this one as my icon for a while. it’s rare imo to see an action panel that’s so balanced and has so much going on and is so clean and easy to read. both of their poses are so dynamic. I like the way the arc of Izuku’s kick is drawn, and I love the way you can clearly see that Katsuki propelled himself backwards with his quirk in order to dodge it. it’s just a really cool little panel that for me perfectly sums up the general feel of this fight, and its awesome choreography.

why I like it: actually you know what, before I go any further, let me skip ahead a bit and add three more panels with this same energy.

I just really, really love these rare moments when all differences between them are momentarily forgotten and they’re just two teenage boys caught up in the intense pressure of an awkward social situation. the one enemy neither of them is the least bit equipped to handle. anyways Horikoshi clearly enjoys it too because he seems to delight in drawing it over and over and over.

why I like it: because it’s more billowing smoke and dust. because it’s Endeavor, the guy we all swore we would never ever root for, and then 160 chapters later Horikoshi pulls this shit without an ounce of shame. because it’s All Might’s pose, but tweaked juuuuuust enough so that Enji can avoid copyright claims. because he knew that pose well enough to know which arm not to use. because Endeavor is a profoundly flawed human being, wholly incapable of filling the void All Might left behind. and yet he still tries. because it’s better than nothing, and because it’s all he can do. it’s the one thing he can do, his sole redeeming virtue. he tries. he doesn’t give up. anyway so yeah, Horikoshi didn’t have to take the single most unlikable person in the entire manga and give him the world’s most controversial and openly scorned redemption arc. but he did! and I think it’s one of the best things about this entire manga.

why I like it: because nothing in BnHA is just black and white!! it’s messy and layered and complex, just like in the real world. Shouto despised his dad for almost his entire life. with good reason! Enji was abusive and selfish and treated his son more like a prized possession than a person. we as readers are fully aware of all of this, and we sympathize with Shouto 100%, and that’s completely by design. Horikoshi is well aware of this. so for him to still give us this little moment, where Shouto is so relieved that Enji survived that he drops to the floor and presses his face against his hands in this little prayer gesture -- whatever you think it might mean -- is just so fucking powerful, and again speaks to his commitment to refusing to let anything in this series be completely clear-cut and unambiguous. I love that the characterization of Shouto and Natsu hating their dad exists side by side with the equally authentic characterization of them being terrified that they’re about to watch him die. because those two things aren’t contradictory! sometimes that’s just how it is. anyway so this is a beautiful moment of nuance that instantly adds so much to this relationship with just a single panel.

why I like it: for once the symbolism is so obvious that even I can’t fail to miss it! Izuku’s face half in light and half in shadow as he thinks about the power bestowed on him. “All for One’s power.” anyway so in my mind Izuku having AFO could not be any more fucking foreshadowed if he was wearing a freaking t-shirt with the Musketeers saying on it and the background was peppered with little Sistine Chapel-esque images of AFO giving his quirk to his brother lmao. but regardless of how it does end up playing out, this is nicely done.

why I like it: I wasn’t sure whether I should include this image, given that I just made a whole separate post about it a few days ago. but I just really like it, okay. this is one of the all-time great entrances in the series. Bakugou being perched on that pole for absolutely no reason other than to add visual interest. Todoroki’s hair blowing dramatically in the wind. Katsuki’s frayed pant hems and characteristically asymmetrical facial expression. the fact that you just know both of them spent the ride home with their faces pressed to the windows of their taxi cab hoping desperately for an opportunity to break in their brand new licenses, and then lo and behold. that’s amazing you guys. it’s almost like you’re main characters or something.

why I like it: they did great.

why I like it: because I lost my fucking shit at this fucking reveal and can you even blame me?? we knew coming in how much trouble Endeavor and Hawks had dealing with just one of these Noumus, and then Horikoshi goes and divulges that the villains have at least A DOZEN MORE waiting on standby. including Hood right there in the foreground, which is a fantastic touch! this panel, for me, almost instantaneously established the League as a legitimate threat once again, and gave me the kind of spine-tingly evil vibes I hadn’t felt since the Kamino arc. and while the payoff might not quite have lived up to my expectations, the Mirko fight at least was more than worth it.

why I like it: BILLOWING SMOKE AND DUST CLOUDS. you just see this vast landscape of destruction that Tomura has oh-so-casually wrought, and this once-powerful enemy utterly defeated on his hands and knees bowing before him. and it’s just like, oh. Tomura just became a fucking king, didn’t he. he finally stepped up and became the main villain. really the main villain, not just an awkward fumbling NEET whose adopted dad is not-so-secretly pulling all the strings. he did this himself. he went out and conquered and Awakened and won himself a fucking army. and he’s just standing there so cool and casual in the aftermath of it all. and then he goes “oh wait, you guys have money right, that means you can buy us the good sushi.” yes, Tomura. yes.

why I like it: um because this panel is fucking amazing?? hello?? do I really need to explain this one. the detail is jaw-dropping. he’s got the little scars which are either from the head wound that caused his death, or from his Noumufication. his expression is fucking heartbreaking, and the transition from Kumo to Kuro is so subtle and seamless, and yet it distinctly is both of them. this panel is gorgeous and fucking haunting and almost made me gasp when I first saw it.

why I like it: the decision to have the night sky take up so much of the space in the panel was [chef kiss]. nothing says existential like the night sky on a cold winter’s night.

why I like it: this is the best panel in the entire fucking series.

why I like it: dude. showing his actual family holding onto him with their hands in the same spot as the severed fashion!hands was a stroke of genius in and of itself. but combining that with the emotional tension of them desperately trying to hold him back and protect him from AFO?? that’s just so fucking smooth it’s almost inhuman. just how much meaning can you cram into a single image?? sometimes I wonder just how far in advance Horikoshi plans these things.

why I like it: guess I’m just a big fat sucker for panels of Tomura calmly standing around in the ruins of his own senseless destruction. the sense of scale on this one is really great, too. and yet again, those dust clouds. gotta love it.

why I like it: because Tomura literally appears out of nowhere, like he’s ripping a hole through the fabric of time and space. it’s so fucking sudden and he looks evil as FUCK, and Deku and Kacchan are totally caught off-guard, and it is scary. this is one of those panels that made me say “holy shit” out loud. in fact I practically screamed it. and the angles are all funky and weird, and the sky is all BLACK FOR NO REASON, and it really just feels like Tomura could reach right over and just MURDER THEM like it was nothing. just like that. this panel is so incredibly effective at conveying how hopelessly outclassed the boys are. they’re not even in his league, and it’s honestly terrifying.

and on that happy note, we have come to the end of my list of favorite panels! and I gotta say, it’s really gratifying that a good deal of them are from this year alone. I said it in another post a few days ago, but imo the overall quality of the series has been insanely high as of late, and it honestly just blows my mind whenever I stop to think about it. the art is still this good six years into the game. the story is still this good. we are spoiled goddammit.

#bnha #boku no hero academia #midoriya izuku #bakugou katsuki #all might #endeavor #todoroki shouto #shigaraki tomura #horikoshi kouhei #bnha spoilers #mha spoilers #makeste reads bnha #asks #anon asks

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a-deadly-serenade · 3 years

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overall this season was pretty decent. i have some thots whats new so im gonna share them below the cut if anyone’s interested :)

so!! first off i’ll say that there were a lot of things i did really enjoy from season 4!

the action was super fun as always!! i loved all the crazy enemies and callbacks! the skeleton fight and all those little goblins they kept killing throughout were a nice touch ;) sypha’s use of her powers is INSANE her ice-chainsaw?? her WALL of fire?? electric balls?? come on. and the animation was NICE. i really wanna know who did most of the fight scenes bcuz the style is so different and it just POPS but in a really good way?

my favorite fight has to be ofc when everyone is REUNITED yes im basic. but the THEME song going off and well, im a whore for sotn references and i CAME when i saw the leap stone ref w the winged cape or when alucard turned into a hoard of batss AND THEN HIS WOLF FORM OOOOHH BABY!!! actually episode 9 is just a straight banger.

STRIGAAA. STRIGA. oh mama i was sweating during that fight. mad kudos to her va for them growlsss

carmilla vs isaac was a lot of fun and i loved the visuals but my hype was instantly ruined when i saw her kill herself 😭but thats smth i’ll complain about later.

not all the lines were bangers, some of sypha’s swearing seemed even a bit too much at times, and it was especially jarring to be having a face-to-face death-math with literal Death and hes acting like a naughty little 5 year old thats just learnt to swear. maybe cut back on the fuck-isms? just a bit? BUT when they hit they did GOOD. “the fuck what now?” yes

ISAAC. you weren’t in this season as much but man do u still shine through. i loved his introduction back in the town where he has his night creatures digging graves and rebuilding the city 😭 and then the conversation he shares w his flyman?? obsessed.

Hector chopping his finger off and giving lenore and carmilla a good ol FUCK YOU!! as he helps isaac. we love to see it

Trevor and Sypha’s “I love you!” “I know.” <3

DEATHHHHHHHHHH!!!!!!!

oh! alucard actually having a story & purpose in the plot? :) luv it love to see it. that being said... the Plot.

its... ok? it’s kind of split up into 3/4 parts, as the story progresses, one eventually merges with several of the others kind of? cohesively? while leaving the other to sort itself out.

now, i didnt have too many qualms with it, it was pretty straight forward. dracula is going to be resurrected and we have sypha and trevor looking in on it, while alucard helps the nearby village and hector and isaac go on about bringing on their inevitable showdown. however, the way the story was paced and some of the decisions they made... werent so great.

st. germain for example, brought the ENTIRE momentum from the last few episodes to a halt. you have sypha and trevor fighting through heaps and heaps of monsters only to find themselves back in Targoviste where they meet the mysterious Zamfir!! and Alucard!! he’s been asked to help save this village!! all jam-packed with crazy action and animation that leaves you fired up!! and then episode 5 comes to a screeching halt and we spend nearly the entire thing on st. germain’s backstory and explaining his motives for the rest of the season

like. imma be real with you chief: he didnt need to be here lol. you could have just left varney as the main vamp in charge of bringing back big daddy drac and he could reveal to his.. idk henchmen or something that he’s death. but u gotta fill them ten 20 minute slots somehow!! he just fell so flat and unfortunately, a lot of the side-characters suffer from this this season.

i enjoyed great and zamfir, i love their desgins esp, but they really could have been fleshed out more. zamfir is shown as nothing but a spoiled brat the majority of the time she’s on screen but they wait till she’s about to die to try and turn her character around? huh? greta is given a bit more screentime but this sudden confession of feelings in the last episode felt so... huh?? why couldnt she just be dedicated to her people and show that u can love someone w/out necessarily being their partnr? i thot that was her whole thing; taking care of her people. it’s like. where did this come from. they cant have known each other more than a week at most dog 😭

it sucks they dedicated to much time to scenes that didnt really need to be there where we could have gotten this proper development, like maybe have a scene zamfir and sypha connect over struggles they’ve dealt with in the past and that has her open up about how traumatizing dracula’s attack on her city was. u could have expanded upon her role in the court and WHY she worshipped the monarchy so much instead of making it a throwaway gag about her being “crazy”. but why have that when we could instead spend the first 5 minutes of said episode watching a monotonous back-and-forth b/w varney and that big burly russian vampire who’s name im sure mor than 98% of the audience cant even remember?

just a lot of fat that needed to be trimmed so that the actual MEAT of the story could be slow cooked to perfection. people really arent kidding when they say less is more.

another big problem i had was there... i dont even know what to call it, re-humanization? redemption? of Lenore. like lmk if im wrong but she manipulated hector, yeah? coerced sex to slip on that ring that binds him to her?? orr whatever weird shit warren’s into. but the way they interacted, ESPECIALLY in their first major scene together was sooo uncomfortable to watch lol at first i thought perhaps hector was only playing along because well. hes enslaved to do her and carmilla’s bidding. but no, he actually LIKES her. he spares her when isaac comes around, he says that he wants to keep her as his own. and in the meantime, lenore finds time to complain to a man that’s been beaten and enslaved how upset it makes her that carmilla got angry at her 😭 or says thats she tired of isaac keeping tabs on her and wants to escape this ‘cage’. to aman thats literally been imprisoned since youve known him 😭her death is seen as peaceful, calm, they even try and tug at ur heartstrings by swelling this sad, dramatic music as the sun rises. really? LENORE?

and carmilla’s death happened WAYY too early imo. she was the villain for practically 3 seasons and this is how she goes? isaac couldnt get more than a stab at her? his night creatures couldnt take a nibble? HECTOR couldnt even be given a chance to do somethng like come on

the resolution was... strange? it was cute!! and happy!! but i dunno if they really needed to have lisa and vlad coming back, but, like i said; it was cute! definitely not the ending i was expecting.

i’m glad that they put their focus back on what made the show so much fun and that was the FIGHTS. they definitely helped add some much needed spice to things when scenes started to drag, but im a gal that really luvs a good story and even though reviews were raving that this season helped closed the lid on all the themes theyd been exploring, i just didnt really see that. which isnt necessarily a BAD thing, i knew i wasnt gonna find some deep introspective themes in this hack n slash horror-fantasy, its just what can turn somethng like this from an ok show to a GREAT one.

in the end, im glad they stopped at this one and im curious to see if they really DO go ahead on making spin-offs. bcuz unfortunately, i will always be down for som new castlevania content

#cv4 #this is REALLY long #and BRIMMING with spoilers #so read at ur own discretion #otherwise ty for spending ur valuable time to hear what a random sob like me has to say <3

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roodllle · 3 years

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Year in Review - Animal Crossing New Horizons

I started writing this review/criticism in May of 2020 but decided to update it as the year went along and post it on the anniversary of NH’s release. I would like to preface that this is mostly going to be full of questions of criticisms, I love this game. I have not been able to put it down since I got it on March 20th. My first AC game was NL and then I played HHD. I was ecstatic when they announced NH at E3 2019 and kept trying to find other games to fit in my AC shaped hole in my heart but I wasn’t able to fill it till this game came out. I feel like the pace of the game is great with how you build up to unlocking terraforming and 5 stars, and I feel like the updates are well timed especially with how crazy 2020 was for everybody. That being said there were some things that irked me.

Some of the points I will bring up came from other people/commenters I have seen on here, Discord, Reddit, and Twitter that I also agree with. Some other points are from Youtubers such as ShayMay and ChuyPlays. And others are from me.

With that out of the way, let’s get on with the review. Warning, I guess, don’t expect this to be an essay, this is just a patchwork quilt made up of thoughts.

Terraforming

I wish cliffs/tiers had a smaller level? Like how we’re able to make stepping stones for our rivers if we don’t want to put a bridge down/use our vaulting pole. I just wish there was a cliff alternative.

Another cliff alternative would be if we could put bridges between cliffs. I think we’ve all been there where we see this picture

thought ‘we can do that!!” then realized it was photoshopped

When we go into terraforming, I wish a grid showed up on our island. It would make it much easier to avoid hitting the wrong square when I’m trying to change a river.

Having us be able to “close” a waterfall from a lower level but not create a new on at the same spot.

Also the fact we can add a 4th tier but can’t put anything on it is just strange to me. I know we have to have a limit to how high we can go, but at least let me put nature stuff, such as trees/flowers/bushes, on top of it instead of just a flat piece of land.

Houses

Why no ceiling items? Find it odd they added a bunch of stuff in HHD and didn’t add that to the new mainline game

There’s no reason I can think of to why we can’t access our storage when we’re crafting inside our house.

Buildings

Dodo Airlines

The Dodo Islands right now are very boring and barely use them. I have enough money and materials to not go farming and save up all my NMTs for when I go villager hunting, which has also become a rarity. I think it would be a good idea to make some islands seasoned themed. Have them be all rare, but have an island where it’s fall and has maple leaves falling, a cherry blossom one, one with snowflakes. I wouldn’t recommend they make Holiday themed ones, but having seasonal ones would be nice.

When I mess up a dodo code or accidentally hit ‘make a bridge’ instead of incline, etc. why do I have to restart the ENTIRE conversation instead of the characters just being “oh? did you mean “x” or “would you like to retype it?” like is it that hard??

Resident Services

As much as I love Isabelle this game has made me very indifferent towards her. I think they gave her a role that didn’t need to exist. They could have either let us roam around without any warnings to who was roaming around our island, in the campsite, or any weather updates. Just have us rely on our villagers, the TV, and our eyeballs. OR they could have given us a social media like app and/or a weather app. Instead, they gave us Isabelle that only announces something once a month.

Nook’s Cranny

This might just be me but can they add a little DIY area in the store? Maybe just make to where you can only customize things?? This is more out of convenience than an actual problem

Speaking of customization, since you can make medicine but also buy can we do the same for the custom kits and bait. Like make it where we can buy bait and also make our own custom kits? I just think it’s weird that they give us either/or for medicine but not for the other 2 that I honestly use way more than medicine.

Why do the Able Sisters get to have all of the colors of an item in their shop but Nook’s Cranny can’t? And why can’t we just be able to customize all items that have multiple looks/colors? Example, why can’t I just be able to change the wood type for the antique set instead of having to buy each one? I get that the furniture catalog is already small, but that’s not my fault. They’ve decided to not add past furniture sets into NH.

Able Sisters

Let us multi select clothes instead of it just being how much we can wear. idc if it’ll just put those clothes in our personal storage and then we’ll have to run home and put it in that storage, I just hate having to walk back in and out every time I want a dress in multi colors. ALSO tell us if we already bought it, like a little storage icon or something

Why can’t we hang any article of clothing on the back wall, why do we have to either make it or have the OG qr designer come to our island?

Why can’t we have the transparent option when designing clothes? I think it would make many designer’s lives easier instead of having to make 8 versions of the same outfit.

NPCs

I have played this game almost every day since it came out, minus 2 days. I have also been able to make friends on discord that help with trading/cataloging/etc. I have all of Saharah’s, Kicks’, Label’s, and Redd’s items. I have all of the fish/bug models I want and have no desire to “catch them all”. I haven’t talked to Wisp in months because I have most of the items and his idea of “expensive” is 10k bells. The only NPC I actively look forward to is Celeste because even though I now have all of her DIYs, she still gives out star fragments, regular large or horoscope, when I talk to her.

What I’m wondering is if they’re planning on doing anything else with these characters. Before I speak further I’m going to weed out characters that I am actually fine with. CJ and Flick will always be there if I want a bug/fish model, I understand that Saharah/Kicks/Redd have a ton of stuff to get and w/o the help of my discord friends, I probably wouldn’t have gotten everything till late 2021.

So that leaves Label and Wisp. I understand Wisp is there for beginners, but now that I’m at a point where I am a bell millionaire and have most of the Nook’s items cataloged, there is no reason for me to talk to him. I wish Nintendo had put in a system where depending on the person who Wisp is talking to, it determines how much money you have in your bank account/looks at your catalog, Wisp’s item’s worth goes up.

As for Label...I never saw her as viable. I also thought the tickets were dumb and you don’t even have to talk to her to have her items show up in the shop the next day. I think it would be great if when you bought all of her items, she decided to join the Able’s sisters in their shop like in NL and then have Gracie show up in her place for the weekly NPC.

Where is Blanca? Or Brewster? Or Shrunk, Katrina, Gracie, or Kapp’n and his family? I understand we will probably never see characters like Harriet or Pete because they have been replaced by a new system, but what is the excuse for these other characters? I’m hoping they show up in year 2 of NH but...we’ll see.

Villagers

I think having your first villagers living in basic homes is a good idea but one that quickly gets annoying. I found Sherb while villager hunting for the 1st time and have had him ever since, but his house is stuck at basic lazy setup. Instead of me going back and forth on whether or not i should trust somebody enough to hold Sherb, get somebody else out, then get him to move back to my island, You can have it to where you let them leave, then just wait till he comes to the campsite to visit and reinvite him. You get his actual house and he still remembers you. This could also go for you accidentally letting somebody go or letting somebody go then regretting it. Also it’d be fun to see some old villagers again.

I was curious and looked back on past games to see how many new villagers were released each game and NH has been the least amount. NL released 112 new villagers in total while NH has released 8. I’m hoping they might release more down the line but, hella disappointing imo. Along with the Sanrio update and adding those characters to the game, I am more hopeful that they’ll be adding new characters!

Having an “event” of sorts where you visit a villager’s house and they’re looking inside their closet. They look at you in surprise when you walk in and sheepishly explain that they were going through their clothes/items. They then decide to ask you for help since they can’t decide what to get rid of/what to keep and think you have a good eye for that sort of thing. Basically, a way to get rid of any clothes/items your villager somehow received bc I guess Isabelle scolding them isn’t enough.

A big problem I feel like everybody has is the villager dialogue. Yes they added sub personality types for each personality but they are not perfectly cut in half, ex. are the Sisterly types where there are 4 B types and 20 A types, like?? How I have “fixed” this problem is by having one of each personality type on my island so I always have different conversations with my villagers, but I understand not a lot of people do that. Some people just want normal/peppy types on their island bc they’re cute as hell, I get it. I know it would be...difficult to come up with unique dialogue for all 399 villagers, including Sanrio, but....you could at least for the “gimmicky” villagers. Some examples of these villagers are Ribbot and Sprocket, Lucky and Ankha, the super hero squad, and Kabuki.

Quality Life stuff

Why cant we sit AND wish on stars? And I don’t mean the sit emote; why can’t I sit on a bench and wish on stars?

It sucks when I’m about to hit my rocks or just do a lot of dig work and then my shovel breaks in the middle of it. To show the tool is about to break, cracks should start to form on the handle and get deeper/longer as you keep using it, starting when you have 5 uses left. You can also add an auditory element by making the tool sound like its struggling when you are using it. Net/Shovel/Axe/Fishing Pole can have cracks show up on the handle, Slingshot can have crack show up at the bottom of the 2 spokes while having 1 at the top of the handle. And the watering can have cracks at the base of the can.

If our inventory is full when I dig up a flower, why can’t I replace it with another flower to bury? And if I can dig up an item at an diagonal item, I should be able to bury it again at the same angle.

Other

Having more...liveliness?? on the island, idk how else to say it. Example is whenever you travel by plane there's a chemtrail in the sky afterwards, maybe just seeing other planes go by throughout the day. Maybe you can get a hint Redd or Gulliver will be visiting you tomorrow if you see their boats beyond the horizon, Redd’s just crusin’ and the Gulls’ boats looking messed up. On a week where you don't have a new camper, maybe have an old villager visit. That leads me too

I wish villager’s doors could count as “exterior decorating” and we can just put any ornamental on there instead having to hope that your villager will put the wreath on their own door.

Conclusion

If you read this whole thing holy shit, thanks!! Go treat yourself on my part lol If you disagreed with me or whatever feel free to chat with me about it!

#roodle speaks #animal crossing new horizons #acnh #animal crossing #ac #acnl #animal crossing new leaf #qtiepie

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nuoc7mia · 3 years

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hi so I actually made this post months ago when I was fist reading Tokyo revengers (thank you Mandy), but I just finished this post today :3 most of this post isn’t rlly insightful--I'm either just screaming or rehashing takes that most people here have already made

warnings ofc for major manga spoilers although I also haven’t caught up on the last five-ten chapters:

look ik current!mikey could easily kill me, but he’s so cute:

rlly makes you wonder what happened when you look back after reading more recent chapters ahaha :’D but anyways, give him his flag!!!

(again I wrote this in June--I contradict myself later in this word dump LOL)

this moment was just so funny to me I'm sorry LMAO (’love & peace’)

hngjksnfgs I love this panel so much :((( sometimes with all of the action going on and how they act or are drawn, I forget that they’re just middle schoolers trying to navigate through life. and here’s mikey who has the weight of the entire gang--literal lives--on his shoulders, and is constantly depended on by the members as this ray of shining light. people literally are filled with relief when they see him during fights bc THE mikey is here to take over and he HAS to win the match, right? which is kind of interesting now that I think about it, because there’s also takemichi, who’s mentally 27 and still struggling to carry the weight of his loved ones’ lives on his shoulders. if a 27-year-old can’t be responsible for the lives of others--if I, a 19-year-old, can’t cope with the weight of my own--then how could we expect mikey to be strong with everything that happened around him added onto the weight of the gang? looking back now, I think what happened to mikey in the future makes sense, as odd/cheesy/out-of-the-blue as it originally seemed in my head.

nothing new but I fucking hate kisaki overall and I'm so glad he never got a redemption arc because there was nothing about him that could be saved

(this was an extremely harsh take but again I'm never forgetting what he did to everyone just bc he was pining over a girl from elementary school)

this panel ALSO messed me up, esp after reading some more recent chapters :( I think takemichi said once that he liked talking to mikey the most because he always feels at peace with him and described his eyes to be this calm sea (which almost reminds me of giyuu and his 11th form: dead calm) (I also might be remembering wrong bc I can’t find the chapter I saw it on). but it feels so double-sided if that makes sense? like with that peace comes a never-ending emptiness because he’s constantly consumed by whatever darkness he has in him (sorry for another kny comparison but it feels similar to muichirou before his whole arc), and so he looks so detached and empty. it’s actually kind of jarring at times when the panel zooms into his eyes because you really feel like you’re going to drown in them, but the way it’s cross-hatched is unsettling--like it’s more chaotic and fuzzy inside his mind. + if you compare the dullness in his eyes with the clarity of the other characters, especially takemichi, it’s as if he knows that there’s no future for him, or at least no future with the others. I ended up crying when he was grabbing onto takemichi and asking to be saved, because that’s the first time that we see any sort of light/reflection in his eyes (of hope, honestly), as well as the first time that he reaches out to have someone shoulder his own burdens + truly be vulnerable + depend on someone else rather than letting others depend on him.

(this rant is the result of me hate-reading the comments after every chapter on *******):

sometimes idk what some ppl want from takemichi LOL. actually, no, I do know exactly what they want: a strong mc who they can experience the story through and who solves the problem with the physical manifestation of their strength (the typical shounen protag). but that’s not the point of tokyo revengers imo, and if you’re expecting that, I think you’re missing the whole story ????? like the power comes from the fact that he’s an average person who continues to fight despite the knowledge that he has, the weaknesses that he’s constantly forced to reckon with, and the general helplessness + hopelessness that he feels. he just wants to protect the ppl who he cares for, and that desire trumps physical power or charisma. THAT’S what makes him strong and that’s ultimately what changes the course of things in the story (because we already have powers like mikey who still fall into darkness despite his physical strength). obviously it wouldn’t hurt to make takemichi more assertive in different ways and not see him get absolutely pummeled LOL, but that’s also how wakui chose to enforce his themes

also I'd like to make some more literal points:

1. the manga itself is really long, but when you think about the time frame, there’s not actually much time for takemichi to achieve everything he wants and grow stronger, esp with all of the plot twists that are thrown at him.

2. his main goal was never to physically grow stronger, but just to prevent hina’s death (and later Mikey’s). it was always to talk someone out of doing something or preventing a major event from occurring, which doesn’t ACTUALLY need power to be achieved

(ofc he rarely, if ever, achieves to make it happen, but the effort counts n is there)

3. the dude is constantly carrying the weight of his friends’ deaths on his shoulders SDHFSLD LEAVE HIM ALONE ;; i’d just shut down if I were in his shoes and try to forget that toman was ever a thing

4. mentally speaking, the guy’s 27 LMAO the last time he really fought was back in middle school, which means he has absolutely little to none of those skills left

once again, I have nothing insightful to offer; I simply like the way this panel was drawn

spouting nonsense out of my butt with this one: ngl it took me a while to get used to this art style? like I thought it was UGLY LMAOOO. but when I did, I really came to appreciate how the mangaka colors things in and uses lines to create movement on each page. for instance, here, you can FEEL the energy of toman not just from the speech and the action, but with the lines that wakui chooses to leave uncolored on the members’ uniforms and hair + how the trees are shaded (which is vertical and for me personally it adds a lot more pressure/force, like they’re bursting with energy). everyone and everything feels so alive !!! but at the same time, their art is so clean... SO FREAKING CLEAN. I just love it o<--<

stop it....... STOP IT......... if I don’t get my 100% happy ending I will bawl. (yes I'm aware that this will probably/definitely not happy and yes I have tissues ready for the final arc)

also timeskip!kazutora, inupi, and chifuyu all in one place........ goodbye!

on a side note: I think I'm just gonna be a manga only at this rate bc I tried watching the first episode and got impatient waiting for all of the big action skjdfskjdh but maybe it was bc I wasn’t in the best mood / head-space at the time LOL

(I've let this sit in my head a bit longer and yeah, manga only <3)

I needed to end this photo dump with this exact panel because I had to put my phone down and mentally take a walk after seeing inupi in heels.

honorable mention goes to ponytail!baji and toman founder!baji bc they’re both engrained in my mind forever. likewise with high school!chifuyu ;; he looks like he jumped out of a shoujo manga or some kind of slice-of-life

#moon babbles #moon reads tokyo revengers #tokyo revengers spoilers #if you actually managed to read that all then I'll love you till the end of time (to kingdom come as red velvet beautifully sings)#I swear I'll catch up soon ;; I'm just burnt out after cramming ti all in and distracted with the other series that I wanna start/catch up o #rlly freaking pysched tho esp after seeing the reactions in the Tokyo rev discord LOL #I probably should let this sit for a bit longer before posting #but I don't want this sitting in my drafts for any longer and my head is swimming from this messy format

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