#rottmnt hamato sho

[sweeneydino]

Burger.

Empty ver.

Always love it when I see people making pre-mutation(and even pre-moviestar) Lou act a lot like Leo. It's literally my favorite thing. Like father, like son- wait-

[hunters-trashblog]

just a wip

[turtleblogatlast]

I’ve gone on and on about how Leo wants to be who Splinter finds is the ideal person (which just so happens to be Splinter’s ideal version of himself) but I have yet to really touch upon how Donnie is the one who most directly parallels Splinter himself to an honestly shocking degree, Raph’s taking from Splinter’s teachings and parenting has resulted in an unhealthy mixup in the different dynamics of a family versus a team, and Mikey is the one who is simultaneously the most focused on family and the most intrinsically himself which both leads to his better grasp of mystics and honestly what just might be the healthiest dynamic with Splinter.

[randomrottmntscreenshots]

[insanity-apathy]

I don’t know what’s worse.

The fact that Yoshi clearly did not think the shredder was real. Meaning he slowly came to the realization that his family had been killing themselves over nothing, that he lost his family to nothing, lost his mother to nothing but a fairytale, and now here was his grandfather expecting him to do the same. He spent years thinking his family destroyed themselves over nothing more than a hallucination or a family history so warped from the truth it could never possibly be real. He spent his entire life trying to get as far away from that as possible.

Or the fact that he suddenly was faced with the horrific reality that it was real. That he could lose his children to this.

That his family expected him to sacrifice his children to this.

[taizi]

Hi, not sure if you're still taking prompts, but I love your Human Splinter AU and was wondering how that would change his relationship with Raph. It seems like while he still has trauma, he doesn't have to deal with the dysphoria of suddenly having a rat body, and that make's parenting a little easier. Does that make things a little easier on Raph too?

x

There is a suspicious amount of giggling coming in the direction of the living room, when Yoshi is entirely positive all four turtles went down for their nap half an hour ago. 

He peeks into the room and finds Raphael, laying on his front, kicking his tiny feet in the air, pouring over the comic book Hala’s daughter gave him. He doesn’t seem to notice Yoshi in the hall, as absorbed as he is. 

His little turtles have keen senses. Yoshi thinks they’ll be incredible when they’re older. He also thinks he’ll treasure this—these early years, when everything is brand-new and precious, when his babies are clumsy and earnest and wide-eyed—when he can still creep up behind Raphael on silent feet and scoop him into his arms and surprise him into a squawk and then ringing peals of high, sweet laughter. 

“What is this? What could this be?” Yoshi says, sing-song. “A little turtle running amok? Evading naptime? Breaching our contract?”

“Papa,” Raphael says, smiling toothily. He was the last of the four to begin speaking and sometimes he still has nonverbal days. Every time he says anything it’s like winning a goddamn prize.  

Yoshi finds himself smiling back without making any conscious decision to. 

“What are you up to, apple pie?” he asks. “Must be big, exciting things. Loop me in.” 

Raphael waves his arms and declares gleefully, “Superheroes!”

Ah, yes. We’re still on that, Yoshi thinks, careful not to let Raphael see his expression of distaste as he stoops to pick up what turns out to be a Fantastic Four comic. 

It’s one thing for his boys to find an old Jupiter Jim movie on cable TV and run around the house shooting imaginary blasters at imaginary aliens for four consecutive days afterwards. This hero thing is something else.

And he knows just who to blame.

Grandpa Sho found out about his great-grandchildren the way the rest of the world did—through the tabloids. 

Apparently the pediatrician Yoshi had reached out to had decided the hefty NDA she’d signed was no more than a fancy piece of stationery, and the siren call of TMZ was too tempting to ignore. 

Yoshi set his lawyers upon the asshole’s practice in the manner of a hunter releasing a pack of particularly bloodthirsty foxhounds, but the damage was done. The secret was out.

Naturally, the media ate it all up. Hala was an order of magnitude more pissed off about it than the uselessly shell-shocked Yoshi was, because as much as she might pretend otherwise, those turtles were basically her nephews. Her daughter had become their honorary big sister within about five minutes of meeting them in the first place. Hala was fully prepared to take this whole thing personally. 

She told Yoshi not to read any articles, to stay off the Internet. It didn’t stop the barrage of e-mails and phone calls. It didn’t stop Yoshi from refusing to leave his house for an entire week because of the paparazzi parked outside. 

And it didn’t stop Grandpa Sho from showing up on his doorstep. Apparently that bridge hadn’t been as thoroughly burned as Yoshi believed. The first thing he thought, when he saw his grandpa, was you look so old. It settled with a pang in the pit of his stomach. 

The second thing—embarrassingly—was also what came out of his mouth. He hadn’t seen his grandpa in years, and the last time they spoke was in anger, but in some ways Yoshi was still his child. 

“How do you fix a cold?” he blurted, right there on the doorstep. “He’s all stuffy and miserable and he won’t stop crying and he hates everything.”

Sho would have been well within his rights to be passive-aggressive, or petty, or even outright angry. Yoshi certainly would have been in his shoes. But Sho was better at putting duty before his own feelings, so he only nodded, and let himself inside.

“You sound exactly like your mother did when you were a baby,” he said, as if it wasn’t painful to say. “Not to worry. I know all the tricks.”

He did do a bit of a double-take when he saw the shape of Yoshi’s distraught toddler, but the surprise faded from his face quickly. He had always believed in all that mystic mumbo-jumbo that Yoshi had only recently learned firsthand was actually not mumbo-jumbo, after all. He took in the green skin and half-shells gracefully and ordered the inconsolable Michelangelo a lukewarm bubble-bath. 

It became a whole thing, because the boys were as thick as thieves on a good day, and absolutely ready to fight god at the barest hint that they might be separated on a bad one. The bathroom ended up minorly flooded, but his kids were happy. They loved baths. They were swimming around each other in circles until even fussy Michelangelo was smiling. Sharing the moment with Sho—the two of them half-soaked and weary and bursting with affection for the rambunctious little monsters in their care—felt healing.

Grandpa Sho stayed for a few days. It was a relief to have him there, an extra set of hands. Someone Yoshi could trust, because despite everything else they had become to each other, they were still family. 

The turtles were curious about him, this familiar stranger in their midst. They started absorbing Japanese within the first hour of his visit, even though Yoshi largely spoke in English. It was—nice. It reminded Yoshi of being a child himself, trailing after his jiji like a duckling.

And then one night, he let Sho tuck the boys into bed while he washed the dishes from dinner. He wandered into the nursery in the middle of a familiar story. A story that had followed Yoshi through life like a ghost, that echoed in almost all of his trauma-fueled nightmares. 

The story of their clan and their duty. 

Yoshi must have blacked out. He thinks he might have had an out-of-body experience. He remembers ripping the turtles out of Sho’s arms and backing away to the other side of the room and the pained way Sho’s face folded—hurt, guilt, decades-old grief. 

“Don’t you dare,” Yoshi said, a whisper, because he was too furious and heartsick and terrified to speak any louder. He’d clutched his babies as tight as he could without hurting them, unreasonably afraid someone might reach out of thin air and snatch them away. 

“Anata wa hitori janai,” his mother had said, the last thing she ever said. It was important but it felt like such a lie. Yoshi was alone. He’d always been alone. His sons were already better off than he was—there were four of them. He would make it his life’s mission to ensure they got to keep each other. 

Then Grandpa Sho had surprised the hell out of him by saying, “I’m sorry.” He said it again in Japanese, full and formal, and Yoshi was shaken out of his stupor by sheer disbelief. “I only wanted—I only meant that they are Hamato. They are family. Whether or not you teach them what I have taught you, they will belong.”

He left not long after that, two weeks ago now. They haven’t spoken since.

And now Yoshi’s oldest son is full of half-formed ideas about heroics—concepts like ‘the greater good’ and ‘defeating evil’ that would go completely over his head, except that it’s the same sort of thing his favorite cartoon characters say. 

“Hiijiji said our family is made of heroes,” Raphael says brightly. “So I’ll be one, too! And I’ll protect Leo and Donnie and Mikey when the bad guy comes.”

Yoshi can’t even speak for a moment. He has to wrestle with the lump in his throat for long enough that Raphael gets distracted and starts pawing at his hair.

His kids are so good. He can’t get over it. They were created to be super-soldiers, but all Yoshi sees are little goofballs with colorful personalities and giant hearts made of solid gold. He’s begun teaching them ninjutsu, in effort to curb some of their inexhaustible energy, and they’ve taken to it like ducks (or turtles) to water. Their brains are developing faster than those of human children their age—Donatello has the makings of an outright genius, and Leonardo is clever enough to talk circles around Yoshi in his sleep. 

If they decided to become heroes, there isn’t a doubt in Yoshi’s mind that they could do it. And they’d be the best. 

Raphael is all of six years old and the only things he should be preoccupied with are his siblings stealing his toys and that new Jupiter Jim DVD April promised to bring over this weekend. He shouldn’t be worried about the bad guy. 

But now he’s got it into his head that he has this huge responsibility. He’s bigger and stronger than his siblings, so it falls on him to look after them. They clamber around on him like he’s their own personal jungle-gym, and he oversees bedtime rituals and boo-boos, and holds their hands when they reach out to him like it’s his job. 

He doesn’t seem to mind that there is no big brother to do the same for him but he’s six. He wants someone to hold his hand, too. 

Yoshi is keeping an eye on it. The last thing he wants is for Raphael to grow up too fast. 

You can depend on me, he wants to say. It’s not all on your tiny little shoulders. That’s my job. It’s what I’m here for. 

He doesn’t think Raphael is old enough to understand that in its entirety. So instead, when he’s sure he can speak without a wobble in his voice, Yoshi says, “There better be room for me in all these plans. I’m a hero, too, you know—you’ve seen me on TV!”

His son claps his hands together, brimming with delight. The turtles don’t really know what it means that their father is a famous actor, but they get so excited when they see Lou Jitsu on screen. They quote his movies a lot, it’s becoming a whole thing, and it’s so cute Yoshi might die. 

“You’ll help fight the bad guy?” Raphael asks, like it’s the absolute best idea he’s ever heard. 

“There’s not even gonna be any bad guy left for you, firebug,” Yoshi tells him. “I’m gonna beat him so quick you’ll barely see it. He’s just gonna be a big blur and you’ll wonder what the heck that was and then it’ll be over. And then we’ll go out for ice cream and forget all about it.”

He says it playfully and it makes Raphael giggle, but inwardly it takes the form of a prayer. 

If there has to be a war, let it be Yoshi’s. Let his children be children for as long as they can.

“And hiijiji can come, too!” Raphael adds. 

Yoshi is learning how to pick his battles. Maybe he doesn’t want to fight this battle anyway. Maybe he can begin to peel his fingers open from the fists he curled them into when he was a child. Maybe he can start to let it go. 

With Raphael gazing up at him like this, like Yoshi really is a superhero, Yoshi thinks he can do just about anything.

“Okay,” he says. It doesn’t even cost him to say it. “Jiji can come, too.”

[hotsoupthemusical]

Lou's relationship w his granddad is really complex. We Saw That they did have a great relationship when Lou was little and that Sho has good intentions but he's very controlling.

Whether implicitly or explicitly, being told that the greatest thing you can do, the most helpful thing you can do, for your family/the entire world is to die would be a really damaging message to take in as a child. Not to mention that Lou didn't even think the Shredder was a real thing, so why should he wait around nurturing //what he wrongly thought was// his family's delusion?

Lou is a cycle-breaker in his family nd he tried to do that by disconnecting instead of intrenching himself in the clan like the other members did. Lou is a true rebel //fyi pompadours are associated w delinquency in Japan//

What is so interesting about Sho and Lou's relationship is that they're both right and both wrong nd you can understand where both are coming from. They also both love each other but don't really LIKE one another. It's so complicated nd painful.

Lou cutting Sho off seemed to be a last resort choice. After his whole life hearing his granddad harp on about becoming a martyr like other Hamatos nd refusing to support him, Lou was finally at his breaking point. It's clear Lou was upset at doing that nd would rather him nd Sho get along but both were too stubborn in their viewpoints. ALSO it WAS Sho who said that "it was [Lou's] last chance" to save their relationship, not Lou, nd Sho the one who solidified their estrangement by saying "Goodbye, Yoshi". It wasn't all Lou.

YES YES YES!

Especially the last part! Sure Lou might have pushed himself away, but imagine yourself in his shoes and tell me you wouldn't do the same.

[quickswift]

Finally decided to share this! It's some cover art for my fanfic story The Story of Hamato Sho. Where Patriarch of the Hamato Clan, Hamato Sho is old and running out of time. The Foot clan are closing in around the globe and every day there are less and less Hamato. There is nothing Sho can do in his old age but run, and hide, that is until he discovers his grandson is not dead, and there are 4 new members in the Hamato Bloodline.

Can read it here https://archiveofourown.org/works/42130968/chapters/105775521

[ave-aria]

Oh interesting. Rewatching the ROTTMNT series finale, and I didn’t realize before, but the Hamato family scroll, and Karai’s sword, both have the same aesthetic style.

Both red, dark red, and gold - my screenshots aren’t good but they even both have a fine, dark red cloud pattern on the red parts.

I wonder if the scroll was written by Karai herself...

[characcoon]

Commissioned by @angrysheeproject !

"Young hot grandpa Sho", these words specifically.

[umhuhwellthen]

Rise!Venus and Rise!Jennika

Míng Huì and Kimie color palettes

I did trashcan in Míng Huì's turtle form but I didn't like how it came out...so I switched to human.

Expressions and palettes from this challenge

Please click for better quality!!!

[bambiraptorx]

Thank you for answering my ask! I love everything you wrote, it was so fun to read!!

Sho casually visiting (because if he acts different now, then he's gotta acknowledge the loss and that hurts too much so he sorta acts like nothing happened) The Park. Conversely, Yoshi being highly reactive about it. He doesn't understand how Sho also isn't overcome with intense emotion when he sees That Park. Yoshi thinks Sho acts so callous and distant concerning Atsuko while Sho thinks Yoshi is unnecessarily irritable and snappy. Hamato sacrafice, that's what we do. Like "dude, all I did was mention your mom, it's not a big deal" and Yoshi's like "IT'S EVERYTHING."

Yoshi's classmates kindly invite him to yozakura with them and he just stares at them and is like "I'd rather die 😐" and they're like "shit, ok, damn, we just asked 😟" Since he doesn't give context, they just think he has a weird hate for cherry blossoms

I think to some extent Sho was much more entrenched in the ideas that you don't mourn the people you lost because they were following the Hamato way. He's much more focused on doing one's duty and being prepared for the potential return of Shredder, and it kinda makes me think that Atsuko wasn't the first person Sho lost in a similar manner. He's so intentionally nonreactive in that scene, letting her say here goodbyes and without speaking or moving. He doesn't like it either but thinks it has to be done.

And that's where he and Yoshi's relationship starts falling apart, because Yoshi didn't see his mother's sacrifice as something that had to happen, while Sho did. Yoshi grieves for a mother who's dead, while Sho mourns a daughter who had to leave for the sake of duty.

[sunflowhamato]

ROTTMNT Curiosities Part.4

The difficult part of the series was fitting the entire plot into 11 minutes for one episode, there were great things that were eliminated for this reason, the general opinion (from high ranks) was that action shows lasted 22 minutes to sell toys, while comedies got ratings

The soundtrack of the series is not much, so it is likely that an official soundtrack will not come out Some episodes were broadcast out of order

Even if you don't have a conceptual art book,

If they were Animal Crossing villagers. Leo would be a cheetah, Raph something cute and furry, Mikey something fierce like a badger, Donnie an immortal jellyfish

Big Mama is a mix of Headey's role as Ma-Ma in the movie Dredd and Mary Poppins

Russ imagines that Splinter had some kind of naming ceremony for them and made their own birth certificates, or some kind of formal Hamato Clan indoctrination scroll.

Stockboy's design was based on Egghead Jr

Splinter's mother's Guardian's job was probably to make sure the Foot Clan didn't get the Dark Armor teapot.

The words Hypno says in The Clothes Don't Make the Turtle are the surnames of those who worked on the series

Russ intended Don Suave to look like a young Ricardo Montalbán

In the chapter of The Hidden City Job, Don Suave says “Machismo”, however the writers were looking for a word of “exaggerated masculinity”, but that was interpreted in other ways, that is why it was changed in Spanish (Russ apologized for the confusion)

Russ appears in two episodes in Mascot Melee and Breaking Purple

In Pizza Puffs when Leo comes in sick with the baker, Ben (Leo) was asked to do 2 takes with what he would say, then he was asked not to read the script and say what he remembered. The result was sicker and stranger

If you have Google Home you can set Rise alarms (All written by Josh Riley Brown) Say “Hey Google, set a Donatello alarm for a minute” to try (This is years old, so I don't know if it works yet)

Carol is April's neighbor (she is not her mother)

Originally in "Shadow of Evil", Draxum was about to execute April and Splinter, and also Donnie and Mikey had a rock-paper-scissors fight to see who would be next to fight Splinter (This in homage to TMNT movie 1990)

The boys appeared in “Always Be Brownies”, this was discarded to give April the lead role.

It is up to each Hamato member to look after Shredder's return. It was Grandpa Sho's turn when he was young, but unfortunately Splinter's mother died under his watch.

None of the Foot recruits have a name.

A chapter had been thought of where it was told how Mikey and Raph were close as children

Cassandra was not planned to be Casey, that came up throughout the series

As for the boys' design, it is shadows that are seen, not black pants

There were no plans to do a crossover with Usagi, but the idea of one in the future has not been ruled out

The ideas of making and ending the series through IDW comic would be easy to do

[aroacedaddytalksshit]

Rottmnt Splinter Age Analysis:

I think Splinter is in his early to mid 40’s during the show and movie. This is how I came to that conclusion.

I’d say Yoshi left his grandfather to pursue acting in America in his late teens, probably shortly after graduating. We see this in his character design during the memory where he leaves. I say late teens and not early twenties also because he says he wished he had payed better attention to his grandfather’s “stories” and not “training” as might be expected if he had started a clan education (beyond ninjitsu training) to prevent the return of the Shredder, which assumably would intensify after graduation

Given his mastery of ninjitsu and combat, it is not unrealistic to assume Yoshi was spotted and cast quite quickly after arriving in America.

From the show, we know Lou Jitsu starred in at least 10 movies (this includes his J.I.T.S.U instructional video), so he acted for approximately 10 years as far as we know.

I say 10 movies in 10 years as straight action movies before cgi had a relatively quick turnaround for production to screen and this would have been the 90’s to early 2000’s but movies with an early career Bruce Lee & Jackie Chan style. Bruce Lee was actively acting for 32 years and made 37 feature films, plus 20 television appearances. So a film a year is being generous given that Yoshi probably did a lot of things for real and not as choreographed stunts, cutting down shooting time and prep.

So that gives us an approximate age of late 20’s / early 30’s for when Big Mama kidnaps him. She probably had him fighting for at least a couple months before his escape given the fact that he was reigning champ but got tired and turned to pacifism. So I’d say at most he was in the Nexus for a year.

We know that the kidnapping by Barry and mutation / lab explosion happened 13/14 years prior to the show’s timeline as Draxum sings so in the show

So this leads me to say Splinter is in his early to mid 40’s during the show

Now I say all this in lead up to my actual thesis point:

40’s is pretty young to have serious back issues (without pre-existing disabilities/heath issues), let alone one that can immobilize him one moment then be totally fine the next (with some realignment)

So I have two possible explanations for Splinter’s back problems:

#1 — Stunt injuries. He was an action hero with a decent career of high intensity fighting movies. Even without injuries on set, stunt work takes a toll on the body

#2 — (the far more sad & angsty reason) Being mutated into a rat has shortened his lifespan. Rats only live 2-3 years on average, so the mutation may have had an effect on his speed of aging

His (presumably) premature greying could also be a sign of the fast aging as greying hair rate has been proven to not be influenced by stress and is purely genetic. He is a grey rat with white hair in the more human places despite having black hair as a human. Additionally, Asians are know to start greying in their late 30’s on average (later than white people but earlier than black people). Grandpa Sho had white hair in flashbacks in the show, but would have been in his 60’s at least when Yoshi left. So I admit it could also be argued that the greying is genetic depending on what age you think Hamatos started their families

Anyways, thank you for reading my analysis rant 😅

I put moderate research in and double checked facts concerning my points, but take this with a grain of salt lol

[torturedblue]

In honor of 5 years of ROTTMNT, I present: Things I would love to see in Rise season 3+ *inserts Fairly Odd Parents 'If I had one' meme*

Part one of a list of ideas the previous shows have done that I’d love to see their version of if we get any more seasons 🤞🏽 (Part 2)

The Pulverizer. Dude was hilarious in 2012 and to take it even further, the idea of Rise Donnie also having to be the one to deal with the guy honestly seems so funny. Hopefully their version would have a happier ending tho...

TigerClaw. Do I even need to explain? He's my favorite 2012 villain and honestly the coolest one and clearly the Rise guys would think so too with all their tiger quips lol. And it would be nice to have a really serious villain that’s also not Shredder/Kraang level dangerous but still more of a challenge for the turtles. Since Draxum joined the light side Big Mama’s really the only one left

Bebop and Rocksteady of course. 2012 and 2016 Bop & Rock are so funny I think they'd be even funnier in Rise considering it’s the funniest TMNT show

Spike. Rise Raph deserves a pet.

Usagi. Genuinely wondering how Rise would portray him—and with this Leo being so different than the 2003 and 2012 characters, if and how they might still become close friends. I’m now too much of a leosagi shipper fr, probably mainly because I just love their friendship in 2003, also I think bc he's always an adult in the 03 and 12 versions, plus they barley got to know each other in 12, so overall it’s just an idea that doesn’t really click with me. Not to mention l'm so damn asexual I think I just love to see such a good friendship satay that way. But considering how serious Usagi's character always is I'd like to see if they'd change that in Rise to match their style or keep him the same way. If he is more serious it’d be an interesting contrast to Rise Leo’s constant joking and silliness

A musical episode bc honestly come on they would've killed it. And they're all just too musical theatre to not indulge in it at least once. Especially the Broadway baby disaster twins

Dropping the "Rise of the" in the title since after the season 2 finale and movie they have officially… arisen. Since the whole point starting off was these turtles aren't as trained or shaped etc, now that they are it would be cool for them to officially become the TMNT again. Not to mention they finally said the name in the movie so it would really top it off

A cure for the ooze. Draxum presumably could make his own 'retromutagen' like in 2012 and it'd be interesting to see a plot where all these mutants around New York could actually get back to their normal lives if they wanted to. Especially since Draxum had his reformation arc he really should be undoing his mess lol.

A Raph and Donnie episode

A Raph and Mikey episode

Huh despite being leader and the oldest Raph really got the least amount of solo/duo episodes

How they met April bc we need the story around that. Gd we're just missing so much background context from the show getting cut short

How they found the lair. 2012's Lone Rat and Cubs was such an amazing episode and it was awesome seeing what it was like for them before finding a home. In 2003's first episode we also see them find their new permanent home, and having the same backstory for Rise Splinter and the boys could be so touching. Especially being on the run from Big Mama and Draxum. We caught that glimpse of him still in a Liu Jitsu costume as a rat and living in a box. I’d love to see between that point and whenever they moved in to their home. I also think it would be a good reminder of how much Splinter was really struggling both during childhood, while he was starring in those movie yet Sho was still trying to get him back into Hamato business, and then his time in captivity after

An explanation behind why Yoshi is called Splinter, we never got our explanation in Rise… or 2012 either now that I think about it. Even 2003's reason kind of felt like a stretch, even though it was a cute story behind Splinter's owner Yoshi losing his girlfriend. I can’t remember if Bayverse explained it and I haven’t seen the original show, but I think each version has had a different reason they give

Fungus Humongous. One of my favorite 2012 episodes that would be awesome translated to the Rise boys. We know Donnie's hallucinated fear could be beach balls and Mikey's would prob be the Gumbus or some kind of ghost. Raph's could be Mrs. Cuddles, although he did conquer that fear. I wonder what Leo's would be… I always found it interesting he didn't have any special fears like his bros. But there is something about Leo strikes me as the kind of guy who doesn't have those irrational fears or gets scared easily, so seeing an episode where they could give him an advantage could be cool. Although, since this would be after the movie he could see Kraang, or him losing his family, and his insecurities with leadership would definitely be a realistic factor. It'd probably work well as another Halloween episode

Bishop; I think in the movie the fact that female Kraang stayed back was going to introduce him. I think a lot of people know him more famously from 2012 show ofc, but my favorite use of him was definitely 2003. Dude was unhinged and a whole ass machine and seeing the Rise boys face off against him would be so cool. Not to mention he gave us the 2003 Rat King episode, another one of my favorites

Spirit Quest type episode. They have such cool mystic powers and ninpo abilities and seeing them meditate and experimenting with them would be so cool. Not to mention the costumesssss I mean how bad ass would they look in some of the 2012 get ups

Turtles in space and the Triceratons. I've recently seen by other Rise fans that the triceratons might be been hinted to from a shot in the movie with a triceratops skull in the Kraang’s ship and apparently were being worked on by the creators. 2003 and 2012 each did these plots in different ways so I wonder if Rise would approach it as a season long thing or maybe just a fun arc. Either way these guys were made to go to space and seeing them freak out over actually getting to be like Jupiter Jim would be awesome. And again, getting to see their space outfits!

What kinda stuff do y’all wanna see from future seasons from rottmnt?