#same techniques are used in execution like

[tamayula-hl]

I've received several DMs that say things like:

"That artist in the fandom quit because you copied her art style."

"You’re the one who killed her motivation."

"I can’t believe more people aren’t calling you out."

"You should go back to your original style."

In response to these messages, I’d like to take a moment to carefully explain the history of my art style and how it has evolved over time.

The first image has already been shared on my side blog—it's a sex-themed gag comic I drew around 2013. (It was originally posted on DeviantArt, timestamped Jun 20, 2013.)

The second is a one-page sexual comedy I drew in 2020. It was also uploaded to my Pixiv account (under a different username) on October 2, 2020. I prefer not to publicly share that account, but if you’d like to confirm the timestamp, feel free to DM me.

As you can see, I’ve been drawing this type of work—“silly NSFW comics in a Japanese manga style,” using “pastel, soft colour palettes” and “short, one-page formats”—long before I ever joined the Hogwarts Legacy fandom.

In other words, drawing “sexual content in a comedic tone,” using “a cute art style to depict sweet but dumb couples,” and creating “self-contained comics with clear setups and punchlines” has always been a core part of my creative identity.

However, when I first got into Hogwarts Legacy—a story set in Victorian-era Britain—I wanted to try drawing in a style that better matched the mood of the world: something more subdued and atmospheric. At the same time, I saw another artist already succeeding in the fandom with a soft pastel, manga-inspired style similar to mine. I felt afraid of being compared to them, and anxious about my own lack of skill being exposed. Because of that, I distanced myself from my original style for a while and tried my hand at more realistic rendering and serious, moody art (up until around December 2024).

But earlier this year, that artist released a sexual comedy comic that received a huge positive reaction on Twitter. The execution was so polished that I was genuinely stunned—and deeply drawn to it.

The way it teased sexual content, balanced comedy and cuteness, and managed to stay tasteful despite the theme... it was all incredibly refined. And honestly, I couldn’t help but admire that success. I found myself thinking, “I want to create something that people love just as much.”

So I reached out to the artist via DM and asked, “Would it be okay if I tried making a comic like the one you just posted?” They kindly gave me permission, and I publicly tweeted about it at the time—with a reply from them confirming it.

Since then, starting in late January, I’ve returned to the style that suits me best: lighthearted, pastel-coloured NSFW comics. It’s something I’ve drawn many times in past fandoms—it brings me joy, feels natural, and puts far less strain on me creatively.

I hope people can understand that while I was definitely inspired by that artist, the core of my current work is still rooted in my own long-standing preferences and artistic journey.

That said, I won’t deny that I was heavily inspired by certain stylistic techniques found in her work—such as pencil-like line art, colour-coded speech bubbles, handwritten-style fonts, and her delicate balance of sexuality and cuteness.

I’ve learned a lot from her art, and I truly respect her as an artist. While I’ve never intentionally copied her stories or compositions, I do recognise that her refined techniques have influenced me.

I also feel guilt over the possibility that returning to my original style may have unintentionally hurt her feelings. Even though she explicitly gave me permission to draw “silly NSFW comics like hers,” I now wonder if she might have had more complicated feelings beneath the surface. I wish I had been more sensitive to that.

If my lack of maturity ended up casting a shadow over her creative spirit, I deeply and sincerely apologise.

However, it is extremely painful and upsetting to be publicly labelled as “someone who copied her entire style and drove her to quit.”

I see my current work as a result of evolving my old style by integrating what I’ve learned from others. Still, I acknowledge my tendency to be easily influenced by others’ art and my past failure to show enough consideration for her feelings. That’s why moving forward, I will do my best to avoid looking at the fandom timeline altogether—to prevent myself from unintentionally absorbing or echoing the styles of others.

Additionally, if she ever directly contacts me and says, “Please don’t use certain elements in this fandom—like coloured speech bubbles, handwritten fonts, or pencil-textured lines,” I would accept that request with sincerity and stop using those elements.

A quick note about my future creative plans: The “bad boy × good girl” dynamic in my Sebastian × Sakurako stories—and certain Studio Ghibli-inspired motifs I love as a Japanese artist—are not derived from her work. They reflect my own long-standing interests.

(In fact, the concept of Sakurako—a studious, straight-laced original character—was born shortly after the release of Hogwarts Legacy, well before I ever discovered her work. In November of last year, I sent her a DM to explain that, by pure coincidence, my Sebastian × Sakurako dynamic happened to resemble the “bad boy × good girl” trope her pairing also explored. I didn’t directly ask for permission, but she generously responded by saying I shouldn’t worry and that I should feel free to draw what I like.)

So I want to clarify that what I create is not imitation, but a genuine expression of what I love and want to draw.

From here on out, I hope to keep facing my style with honesty, and to continue creating with greater care and thoughtfulness.

Thank you so much for reading this far.

[gayofthefae]

People acting like Will and Mike's garage conversation didn't telegraph that they would get together but I knew that Tao and Elle in Heartstopper would get together in scene 1 before we even met her because they made a point that he was the one who still got her apple juice.

It's so a thing.

Also the thought of those first episode last episode things actually predicting it accurately by having no Milkvan content and just the little Byler hint and then Byler together lmao.

[vampiiraaa]

all steve wants to do is wash eddie's hair. not because it's dirty or anything, even though it probably is, it's more of a tactile thing. before they made it official, it was what he often caught himself staring at. longing for. steve just wants to appreciate it so badly. run his fingers through it, tell its owner how badly he loves it. how badly he loves him. so a few months into their relationship he finally asks if he can just commit a night to 'eddie hair time'.

eddie would do just about anything for steve, and who's he to turn down a bath with the hottest guy in town? especially when he still spends a good amount of time shocked that steve actually is his boyfriend now. so one sunday they settle into steve's huge bathtub and make a moment of it. between steve's absolute obsession with setting eddie's curls correctly and eddie inevitably flipping his wet hair back into steve's face- it's actually pretty fun.

so eddie pretty quickly asks to do the same for steve. steve brushes him off at first, citing his commitment to his famous hair routine. to be honest, steve is a little scared by the idea. by how vulnerable it feels. to opening himself up to being cared for so delicately. of course, he could do that for eddie, but accepting it for himself was a different story. eddie was beautiful, he deserved to have someone worsip him. steve didn't really feel like he deserved that in return. but eddie wants his turn, loving his man, so he pouts a little until steve agrees.

steve is prepared for eddie to be absolutely ridiculous about it (and slightly worried eddie's gonna use his 3-in-1 shampoo/conditioner/body wash). but eddie isn't quite what he expected. he never really has been after all. and when it comes to hairwashing, there isn't any stupid prank or shitty shampoo. instead, eddie perfectly executes steve's hair routine. he uses every product and every technique he's seen. he does it gently, too, taking every moment to care for steve the way he deserves. when steve asks how he knows every step of his routine, eddie's answer is straightforward.

'i always pay attention to you sunshine, y'know i could watch you do anything'

steve has never felt more loved.

from then on, once a month, they make time to wash each other's hair.

[mv1simp]

The Take ♥️

Trainer! Max Verstappen x Midsize!Reader

I wanna put you in seven positions for seventy minutes, you'll get it babe (take you down, I really wanna take you down)

Everyone knows Max Verstappen hates having to workout out constantly. If it wasn't for his physically demanding career as a F1 driver, his choice of a workout would involve a weekly padel game with his mates and FIFA on his PS5. His trainer tries something different and gets Max to be the instructor for once - to you, a sweet and naive girl whose jerk boyfriend told her to lose weight. Max couldn't resist using a hands on method to help you get your confidence back.

Content includes: 18+ MDNI, smut, dark max girlies rejoice we’re back in action, naive! Chubby! reader, dubcon, explicit cheating but reader’s boyfriend is an absolute jerk hehe, size kink, WC 2.7k

Rupert, Redbull's physical trainer that had been delegated to none other than the legendary champion driver Max Verstappen, was at his wit’s end with his client. With his 4 world championships, Max was very familiar with the intense workout routine an F1 driver needed to maintain. It was just, well, he was just sick of the same repetitive timetable over and over again. And his physical trainer could see the results reflecting in Max’s pre season testing, seeing how Max’s numbers were admittedly very good, they were not as high as they’d been in the past.

Everything Rupert had tried to brainstorm to inspire Max had fallen short. From different workout locations (Monaco is only so big, after all), to the most unique exercise techniques he had googled (Brazilian cold water immersive Pilates did not resonate with Max) - everything had come up short. At his wit’s end, Rupert decided to throw a last ditch resort at Max - training you.

You’re a pretty, pure hearted twenty something marketing executive in Monaco, with a narcissistic boyfriend who thinks he’s a top shot with the new money he’s raking in from making a new app. Such a top shot that he feels entitled to hire a personal trainer for his sweet girlfriend, demanding you look like a perfect Insta model. That’s what every man in Monaco wants! he says patronisingly to you, gaslighting you into attending the training. That’s why he reached out to Rupert, a very famous trainer - who consequently dumps you onto Max, stating that he needed a two week holiday from the Dutchman and he could take over his new client. You’ll survive, it’s the off season, he says to Max with a deadpan expression as he waves goodbye.

Max is pissed, of course. What the fuck was Rupert thinking, making a four time world champion F1 driver, multimillionaire, and just general degenerate gamer train some random goldigger chick? He’s rolling his eyes as he walks into his usual gym, where Rupert had told you to turn up. He’s ready to tell you to fuck off, all Mad Max and all, because no way was he wasting his time-

And then he lays eyes on you, and his heartbeat stutters. In front of him, oblivious to the predatory stares of men around her, is the cutest little thing he’s ever seen. You’re dressed in a matching workout set, tugging at the edge of your tight shorts a little self consciously, looking around with innocent wide doe eyes. Fucking hell, Rupert had most certainly not mentioned his new client had the body of a pornstar, all luscious tits and ass and chubby cheeks, and a face that looked like an angel. Max couldn’t wait to sink his big, bad teeth into the sweet looking lamb who stumbled right into his toned arms.

Smirking devilishly, he introduces himself as your new trainer. You gasp, eyes widening cutely, feeling butterflies swirl in your tummy at the tall, handsome and muscular blonde in front of you. Shall we get started? he murmurs, a gorgeous smile on his face and pretty blue eyes intently locked on you. I have to say, I’m surprised you signed up for such an intensive course, he says in an incredibly attractive, deep Dutch accent. You look like you’re in…great shape, if you don’t mind me saying, he adds, observant gaze flicking down to take in your curves. You flush, not minding the attention at all from such a hot trainer!

That’s so sweet of you to say! You say, blushing cutely and looking down, completely missing how Max’s heated gaze glances down your tight crop top, his taller height perfect to get an eyeful of your tempting cleavage. You tell him that actually, it wasn’t your idea, but your boyfriends’s…he thinks I’m too fat, you say with a pout.

What, Max says with a scowl that he quickly smooths when you peer up anxiously at the sudden spike in his mood. Honey was definitely a better way to win over something as sweet and innocent looking as you than poison. Well, ignore whatever your boyfriend wants. You’re here only for your own fitness and confidence, okay?

You beam up at him, nodding enthusiastically. God, Max couldn’t wait to have you for himself. Your boyfriend sounded like an absolute pathetic loser, telling someone as perfect and beautiful as you to change her body. Doesn’t matter, because it made it all the easier for Max to win you over. And he’d make sure to have his fun while doing it.

He’d started all your regular sessions with him with a good pre workout stretch, of course. Taking you into a side room to shield you from the hungry eyes of the other male gym goers, because only Max deserved to see your pretty body bent over for him. It didn’t stop others from walking past the glass door multiple times to ogle you, much to Max’s annoyance. But you remained clueless, twisting yourself in whatever position Max ordered you too like a good student.

And Max was such a nice instructor. He showered you with praise over the tiniest thing, making you blush up a storm, enjoying his reassuring and comforting voice. He was so different to your mean boyfriend! Max’s large hands settled on your soft body, helping position you perfectly, as he huskily whispered in your ear for you to bend forward, all the way like that, good girl. Can you touch your toes for me?

And when you can’t quite get there, he places a strong hand across your lower back to give you that extra push. His hand sometimes drifts lower, to your plump ass, giving it a reassuring squeeze as he instructs you. You gasp, and when he pretends to be none the wiser and ask you what’s wrong, schatje? in such a gentle tone, calling you darling in Dutch, you shyly stammer that you’re kinda sensitive down there…your boyfriend had said he wasn’t going to touch you until you lost weight!

Max’s brain temporarily short circuits at this information. Your idiotic boyfriend wasn’t fucking you every chance that he got? And judging by the way you’re shyly looking away and rubbing your thighs together, it had been a very long time since you’d been properly handled by anyone. Max would bet his multi story yacht that even when you had been sleeping with your boyfriend, he wasn’t making you cum. Leaving you so sexually frustrated that Max just feeling up your lush ass was getting you all hot and bothered. How cute, the Dutchman thinks, unable to hide the devious grin on his face at the new information.

He guided you back into position, his strong hips digging into yours from the back. The full wall mirror in front of you given Max a delicious view of your tits practically spilling out of your top as you lean forward. Good thing your ass is so fat he can easily hide his impressive semi erection behind it, he thinks cheekily. He can’t resist leaning forward and grinding himself against you, just for a second, leaving you gasping and looking behind you with a confused expression - only to find Max innocently looking at you. Something wrong, schatje? he says so sweetly that you feel embarrassed for even wondering what he was doing behind you.

He’ll have to do something about all the hungry states from the other gym goers though - he can’t have them even thinking about something which belongs to him. He glares at anyone who dares look at you through the glass doors, but he needs a more permanent solution.

So for the next session he invites you to his house, where he has a mini gym on his penthouse balcony. You’re unsure at first, but after Max tells you it’s just so hard for him to focus on your sessions at the gym, with the way everyone is always asking him for an autograph or a selfie…you say yes immediately, because you’d never want to make it harder for him when he’d been such a caring trainer! Soon enough he has you all to himself in his outdoor gym, wearing another one of your cute workout sets. Except he wanted to see more of your pretty body, so the next day he hands you a PR package - asking if you wanted to try on the gift from one of his sponsors. You beam at his thoughtful gesture, quickly getting changed into the slutty outfit he’s hand selected.

Max smirks wickedly as he helps stretch you out again, this time with your thighs bent up almost to your flushed face. The blue booty shorts are so tiny they’re practically underwear, slipping into your tanned asscheeks and giving you a cameltoe, much to your embarrassment. You squirm as Max’s keen gaze goes right to your pussy brushing up against his abs - separated only by a thin layer of spandex. Because of course, Max worked out shirtless at home - it’s far too warm! Getting better but still not flexible enough, sweetheart Max says with a disapproving tone that has you scrambling for his approval. Here, let me help you.

He pushes down on your thighs with his huge hands. Your tits almost spill out of the tiny cropped singlet he has you in when he buries his face into them. M-Max! you stammer, asking what he was doing, was it really needed, but he just reassures you that it absolutely was. After all, you didn’t want to pull a muscle and stop being able to exercise for two weeks, right? His deep voice is muffled against your plush tits as he pressed in deeper, making you squirm some more when his lips brush against your hard nipples.

He helps you cool down afterwards too, like the dedicated coach he is. You’re so grateful for all the deep muscle relaxation techniques he knows, moaning blissfully as you lay sprawled underneath him as he massages your sore body. He started with your legs and arms, and then your tense abs, and then one strong palm squeezing your lush tits and the other cupping your pussy through your sports set. You were always embarrassingly wet after your workouts, with all the close proximity to Max, and prayed he didn’t notice how soaked your shorts had become as he rubbed his palm encouragingly against your cunny. You couldn’t stop the contended moans as you arched into his skilled hands, finding the tension draining from your muscles completely.

Soon you’re over at Max’s everyday, working out longer and longer. To your delight, Max asks if you’d mind helping him with his workout! You’re so eager to return the favour after he’s been so considerate, taking time out of his busy schedule just to train you. All you had to do was sit on his back as he did push ups-

You insist that there was no way he could do that, you were way too heavy, what if he hurt himself? All it takes is one cocky smirk from him to convince you, and you climb onto his back, gasping in amazement as his muscular back flexes when he easily starts during push ups. You’re completely distracted by how attractive he looks, so much more broader and stronger than your own boyfriend who couldn’t even lift you up! You feel a bit guilty thinking that but don’t get time to think about it - because next you’re helping Max with his hip thrusts. You squeal as his impressive legs thrust you into the air with a bounce, making your sensitive pussy land on his rock hard cock each time. You stabilise yourself with hands on his abs, running over the taut, sweaty muscle, so enamoured with the sight that you don’t notice Max’s blue gaze fixed on your jiggling tits with each bounce. Mmmh-Ah! H-how many more do you have to do, Max? you say breathlessly, feeling yourself start to get more and more turned on with each thrust of his hips. You felt so dirty, practically dripping through your booty shorts onto his lower abs, feeling all horny while he was just trying to work out!

Just a few more, he says vaguely, grasping onto your thick asscheeks to steady you as he continues meanly grinding his angry, hard cock into your soft cunny. You end up cumming through your shorts, desperately biting down on your lips to keep silent but failing to suppress your slutty moans. You were so cute and naive that you had no clue Max was just dry jumping you to orgasm. Training your perfect body to respond to his, just how he wanted it.

He left you in your post orgasmic bliss on his outdoor couch to cool down as he ventured inside. He’d been planning on jerking off his raging erection in the shower, not wanting to scare you off with his impressive load. But when he caught sight of the protein powder on his kitchen counter top, he couldn’t resist. All it took was a couple pumps and the image of you riding him with your bouncing tits for him to cum, filling a good half of the glass he tops off with a protein smoothie. When he hands you his homemade drink, you thank him with wide doe eyes. You’re such a thoughtful trainer, Max! you say sincerely, eagerly drinking his gift. Mmmh, it tastes amazing, what ingredients did you use? He winks and tells you it’s a top secret world class athlete recipe.

Max is completely addicted to feeding you his thick load and has you equally addicted, asking shyly if he’d make you another one of his smoothies after each session. He figured he has you enamoured enough with him to take things to the next level when you start asking for seconds. The thing is, schatje, since I eat so much protein and supplements, my sperm is super high in nutrients…but it’s not safe for you to take so much protein directly as a girl! So that’s why I had to put it in your drink, okay? You nod with wide eyes, your jaw dropped open in shock as Max unties his shorts to show you his huge swollen cock that’s been feeding you for days. You dazedly ask if maybe you should be getting “fed” from your boyfriend instead, you weren’t sure if he’d be mad if he found out-

Max cuts off your worries immediately, promising you that only his cum would be able to provide you with what you needed. In fact, you shouldn't be going anywhere near your boyfriend's weak release. You nod quickly, wanting to show Max what a good student you were, completely willing to obey him. And when he asks if you'd help him out in making your smoothie today, since his hand was kinda tired after so many days, you eagerly say yes! Soon you're snuggled up by his side, letting him guide both your hands up and down his cock. You're in awe of how big and hot his shaft looks, you'd never seen one that size. You swallow back drool in your mouth, already craving your daily treat, and when Max slyly suggests that you could just drink directly from the source? you're on him in seconds. Dutifully sucking and jerking him off, making him hiss and grab your hair as he thrusts in deep and cums with a deep moan. He makes you stick out your tongue afterwards to make sure you didn't waste even a drop.

Good girl. Let's do your cool down massage in the shower today, hmm? It's so fucking hot out. Max's praise fills you with heady warmth and you giddily agree, letting him guide you into his luxurious shower to cool down, stripping out of your skimpy workout set.

Too bad you ended up doing a lot more cardio than cooling down behind the steamed glass. Max grins devilishly as you both watch his cock go in and out of your creamy pussy together, every thrust making you scream his name and hold onto him desperately. After all, fucking up against the bathroom wall was a much more effective workout, right?

[tobiasdrake]

Which DBZ antagonist do you like the most?

Boring opinion, I know, but I gotta give it up for the Obvious Choice.

And I'm not just saying that because I haven't had a chance to talk about him yet.

Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.

Fucking based.

From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.

He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.

By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.

Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.

But once it's done, he has to face the music. He's not getting out of this alive.

In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.

This is Frieza.

Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.

The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.

What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.

We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.

The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.

This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.

He later executes Vegeta this same way.

Done with you.

All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.

Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.

Speaking of cool techniques, I've always been partial to this move from his Third Form.

The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.

I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.

But that's just me.

In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.

He even invented the Kienzan, independently of Krillin.

Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.

Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.

The only partner who's ever even dirtied his skin was his dad.

And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?

Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.

Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?

This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."

He is correct.

Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.

So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.

Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.

Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.

What he's saying is more like, "My power is so great that I can't properly contain it."

Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.

Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.

Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.

He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.

But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:

He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"

It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.

But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.

So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.

But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.

This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.

He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.

In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.

This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.

He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.

And he is Dragon Ball's greatest villain.

[alchemistc]

Welp, looks like I'm not done with the make them communicate series.

"I don't think this is working," Buck says, and sits in the silence of his words long enough to see the panic in Tommy's gaze. He waves his hands, shakes his head.

It was a stupid argument, really. A little thing that grew into a bigger thing until they were bringing up past grievances big and small and then Tommy had just ...shut the fuck down. Still and quiet in his seat, arms crossed, ass apparently surgically attached to that chair, so tense Buck could see the seams in Tommy's shirt fighting for their lives.

"That's not - I don't mean us. I'm still, like, so mad at you right now but I'm not - this isn't." Buck pauses. Takes a breath. Steadies himself with his weight braced on his palms. Tommy's arms have become somehow more crossed. "We're working. Badly, at the moment, but we'll figure it out. I just meant - Tommy do you need a break?"

He'd been clingy as hell, all those months ago. He could remember the panic every time Tommy got that "making a break for it" look on his eyes. He could remember the anger in his voice when he'd made Tommy swear not to leave in the middle of a conversation.

Tommy blows out a breath through his nose that makes Buck wonder if he'd been holding it.

"Yes," he says, grimacing like he hates to fucking admit it.

Buck's voice is a little fried. He still feels like yelling. He's still so pissed.

He'd caught Tommy smoking a cigarette, after the funeral. Could still remember the way he'd smiled around the filter when Buck's nose scrunched up at the smell. He hates the act itself, but it had looked...

Well, it had looked.

Buck's pretty sure Tommy had spent the early hours of the morning, once Buck had successfully managed to make him believe he could sleep, leaned over the kitchen sink slowly dismantling the rest of the pack stick by stick.

Buck has no idea what Tommy's calming techniques are. They should -

They should talk about that.

"Five minutes," Tommy says, already shaking weight out of his limbs, curling out of his seat. "I'm - five minutes. Time me."

He's already halfway toward the back door, which gives Buck a little comfort. Front door would have kept him on edge until he could actually see Tommy's face again. Back door means if Tommy's making a break for it he's gonna have to jump the fence.

"I'm not gonna time you," Buck snips, because he's still - he's not a violent man but sometimes Tommy drives him so damn crazy.

Buck paces. Does a mental inventory of his baking supplies. Thinks about Tommy's clothes, still waiting to be put in the dryer. Remembers this whole thing had started because Tommy made some dumb joke about how he hadn't expected to be sharing a closet with Buck and Eddie when Buck handed him a shirt Eddie'd left the last time he'd stayed over.

Tommy wasn't even being an ass, that time.

And. Okay. So, yeah, what he and Eddie have isn't, like, not co-dependent and a little strange to outsiders. He knows that. But it's still a sore subject with them. And Tommy's doing a much better job taking Buck at face value than Buck is believing that Tommy believes him.

It had just been a joke. A poorly executed one, but just a joke.

Tommy's back in four minutes and twenty-two seconds. Not that Buck was timing him.

Buck's a little surprised when Tommy walks right past his chair to stand across from Buck.

It seems like it's a struggle for Tommy to look at him. He does, though. Buck hates the spooked look in his eyes enough to feel some of the ire trickle from his spine.

"My father yelled a lot," Tommy says, and Buck rolls his tongue over his teeth. Clenches his jaw because he so rarely gets anything like this from Tommy and if he makes a single noise Tommy will clam right the fuck back up. "I learned a long time ago the easiest way to deal with that was to shut the fuck up and listen. Most of my adult life the same principle applied."

Buck's still annoyed with Tommy, but it would be incredibly easy to shift all that anger straight into everyone who's ever made Tommy feel small even once in his entire life. Starting with himself and working his way backwards to Dick Kinard.

("His name is John, Evan, that's not even close to a derivative.")

"I know you can't always help it. But. If we could - yell less. That would help."

Buck holds up a fist. Raises a single finger from it, just to see Tommy's watery grin.

"Can I go back to not-yelling at you now?"

"We could start framing our arguments as lively debates," Tommy jokes, because he can never quite help making light of things, and it's a trait Buck adores and despises in equal measure. Tommy catches him rolling his jaw, and sobers. "Return to our regularly scheduled programming."

"Tommy, I swear to -."

[zutarawasrobbed]

ALTA Live Action Season 1 Initial Thoughts (Spoilers)

I just finished the season, and holy shit!

Quick things that need to be addressed/debunked:

“Sokka is no longer sexist���

I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.

In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.

Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.

“Aang doesn’t run away like the original!”

That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.

“Katara doesn’t talk about her mom anymore like the original”

This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.

Plot:

The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.

Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.

Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.

Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.

This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.

This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.

Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.

I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.

Kuruk is given respect! I loved that.

June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.

The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.

They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.

They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.

There’s a lot more but these are my initial thoughts. Will probably post more later.

Shipping:

Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.

They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.

Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.

Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.

Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.

The scarf scene. I will not be elaborating further. If you know, you know.

Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.

Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.

[nariism]

*ੈ✩ LAST WORDS OF A SHOOTING STAR

pair. itadori yuji x reader

synopsis. in the 3 days following the shibuya incident, itadori yuji emerges as a husk of his former self. with his immediate execution resumed, you both grapple with the feelings you have for each other and come to terms with his impending death.

content. hurt/comfort (lots of comfort, thank art because i was gonna be mean about this and they convinced me not to), slightly canon divergent (taking place between shibuya and the culling games), fluff and minor angst, yuta is the best wingman

wc. ~4.4k

NOVEMBER 1 2018

You imagine that your face was rather ghastly when you received the news.

"Execution?" You repeated, the word tasting bitter on your tongue. No, that was the wrong description. It tasted of death—like iron and the depths of Hell filling your mouth until you were gurgling on it.

Unlike the rest of the Jujutsu Sorcerers from Tokyo, you had been ordered to stay back with Shoko in case of an emergency. You remember your exile from battle had left a similar rotten flavour in your mouth.

You vanished off the face of the earth after the incident was over. Most probably presumed you died in the aftermath. Devoured by a curse, they would say and shake their heads. You were always troublesome. And then they would move on with the rest of the world, all the same.

Lives were only temporary in the world of curses. Focus on who you can save, not who is already gone. They'll only end up a curse in your sleep. What a horrible notion to have.

The truth is that you'd been whisked away with Yuta, who seemed to be scheming a plan of his own. Perhaps as a middle finger to the higher ups he hated so much, or perhaps just for his own selfish reasons. You wouldn't know until he was finished carrying it through—he's too good at keeping secrets.

He wanted your reverse cursed technique, you knew that much for sure, even though he could do it himself. You were useful by his side, fitting into his plot in a way you could not in Shibuya. Feeling some sort of obligation and satisfaction, you followed him like a lost puppy.

And now here you are, seated by a dimming fire in the abandoned part of the city. Yuta was too clever for his own good. You suppose Gojo taught him some things well. This was their plan after all.

Yuji was safe, if only for this moment in time.

"Now with Gojo gone, it would have been easy for the higher ups to send assassins your way."

Ruthless and truthful, you flinch, but Yuji does not. He remains perfectly still in your hold, with your hands rotating his face around to get a better look at his wounds. You pour your cursed energy into him, hoping to breathe life back into his eyes, but they stay dull and empty.

"We'll find a way to stop this," you assure, reaching over to take a sanitizing wipe to clean an open cut. Yuta was too rough on him, but it was at least believable that Yuji was dead. He doesn't even recoil from the alcohol stinging his flesh, too engrossed in his own thoughts.

"Why?" He asks weakly. You gawk at him, but then it melts away into a softness that finally makes him blink up at you. "I'm evil."

"You're not evil, Yuji."

"I am. I killed those people. I did." His voice comes flat and defeated, nothing like the one you used to listen to over dinner while he reenacted shitty western films.

You never realize what you'll miss until it's gone. It's hollow, the ache in your heart.

"You don't understand. How could you? All this blood on my hands—"

"It was Sukuna," you quickly refute.

"And Sukuna only lives because I do!"

His voice raises at you, causing the flames behind you to flicker and crack. It's enough for Yuta to step in, acting as a barrier between your tense bodies. Yuji seems to shrink at this, realizing his emotions have run amok and that he has yelled at you.

You only stare back at him in bewilderment, like a frightened animal. Your upperclassman shakes his head.

"Enough of this. We need to start making plans."

You lay awake that night, alone and anxious. Yuta has taken the first shift of watching and patrolling while the two of you rest, though hesitant to leave you alone. He told you it’s another reason he dragged you along: having three people to rotate shifts instead of just two would be easier on your bodies and minds. The city is not what it used to be, now overrun with curses of all grades.

You reassured him it would be fine, that you would fall asleep quickly and so would Yuji—his body has to run out of steam eventually, right? Oh, what a fool you were.

The tension is so heavy that it's awkward, even though you're sleeping on opposite ends of the tunnel.

"Sleep," you demand as if you were Inumaki, like you have the power to curse him.

His eyes flutter open. Even in the firelight, you don't see any shine in them, seeming as if they had been extinguished of life. "Why don't you?"

"I can't until you do."

"That's stupid," he tells you.

It's not the first time you've argued like this. Back when the world felt right, you would sneak in through his dorm window well into the hours of the night. Platonic, you had convinced yourself. You snuck into his bed seeking companionship as a friend. That's the lie you gorged on.

A piece of you knew, and you're sure he did too, that the way your hands explored his arms was unnatural for two friends, and that friends wouldn't sneak into each other's rooms like this with such severe punishment on the line.

It was safe in his arms, with the dull hum of his television running an old horror film in the background. You didn't have to think about much other than his warmth when you sat between his legs with your back to his chest. Or when his arm was draped over your shoulder and you were pressed into his side—actually, you think you preferred this one though you felt sorry for his sore arm.

You would bicker about dumb, pointless things. Which movie is better, or which character deserved to be mutilated more. It would go on for so long that Megumi would bang his fist on their shared wall to get the two of you to shut up.

There was no curse strong enough to change time itself, so you keep your thoughts and memories to yourself when you respond.

"You'll be too tired to function on your shift," you reason.

"You both will be fine without me." Better off without me, you know he means. You've gotten good at reading between his lines.

You slowly sit up in your sleeping bag, eyes never leaving Yuji. He seems so frail right now, even though he looks more adult than he ever has before.

"Human Earthworm 4 was better than 2," you suddenly say. His eyes peer open again in confusion.

"Huh? 2 was way better."

"I liked the love story in 4," you argue, slowly getting out of your bag to shuffle to his side of the concrete tunnel. He looks at you as if you've said something outlandish, too preoccupied with his thoughts to wonder why you've come so close.

"2 had the best special effects though."

Your body shifts under his blanket.

"But 4 had a happier ending." (As far as 'happy' goes in the Human Earthworm series, at least.)

His arm falls around your waist as it has a hundred times, pulling you into his chest.

"Whatever," he huffs. The next topic comes fast and you're thrown into a full blown conversation with him. If you concentrate enough, you can imagine your bodies being tangled together in his bed, safe and sound.

Concrete and fire and the stench of curses melt away until he's all you can focus on.

"You have weird taste in movies," he concludes with his eyes drifting shut.

NOVEMBER 2 2018

You think you know how to fix broken people until you find that they are more than skin and bones. 

You learn one thing after the Shibuya Incident: there are wounds residing within Yuji just as much as there are marking his flesh.

Yuta, you realize, had left the two of you alone to sleep and has protected you all night. You'll make it up to him, you reason. Yuji deserved to sleep.

When you wake up to his sleeping face, you think his cuts are healing nicely. But then his expression twists up in terror—a nightmare, if he even had enough energy left in him to conjure up dreams. He murmurs in his sleep, shakes his head a few times and thrashes around so much you're surprised you slept through the night by his side.

"Sukuna," he's whispering. Sukuna, Sukuna, Sukuna. King of Curses. The second voice tormenting him that lives in his own brain like a parasite. You bury yourself into his chest and hold him as tight as you can. He relaxes, body releasing its rigid form, but the murmurs continue.

He is shattered beyond repair. No amount of cursed energy could fix that, even if you tried.

You had once watched Yuji electrocute himself trying to set up the janky old television in his dorm room.

He fell back onto the floor with a loud crash, head hitting the wood so hard you thought he might have a concussion. It caused such a racket that Megumi came running into the room asking what happened, demon dog ready behind him in case of an ambush.

You rushed to the floor, discarding all the food you had settled in your lap and crumbled beside him to scoop him into your arms.

"Yuji!" You called him. People rarely used his first name. You felt special, like you knew him better than others did and for some reason that was a privilege. "Are you okay?"

He laughed in your arms, seeming unfazed by the fact that electricity had run through every vein in his body. "I'm fine, see? My finger just slipped."

You and Megumi both sighed in relief, though you always thought it was strange when you reflected on it. Yuji was a funny guy, yes. He was equal parts humour and destruction but not a klutz. Mistakes happen, so you let it slide until now, but some part of you was nagging to ask.

"That day," you start while rolling up your sleeping bag. "You electrocuted yourself. Remember?"

He looks at you funny over his shoulder. Yuta has already started cracking open cans of food for breakfast, embers of your dead fire cracking.

"Hmm, yeah. I remember. Why?"

"I just thought..." you trail off. "Well, Sukuna makes you tough to a lot of things. I'm surprised small electric shocks aren't one of them."

Sukuna. A name you'd been avoiding since this morning. Sickening silence settles between you. It's so heavy that you pause in your cleaning to look at him, brow raised.

"Yeah," he coughs. "Well, maybe I exaggerated."

"Huh?" You sound annoyed now. "You scared us half to death!"

Yuji only falters in his own chores. When he looks at you again, there's a longing in his gaze that you don't know how you could have missed. Or perhaps it was never there until now.

"It was nice to have you fawning over me," he admits.

The day goes on and all you feel is a terrible grief.

You become painfully aware of each millimeter the sun glides across the sky, from one horizon to the other. Time slips through your fingers fast as sand.

Horrifically, you can't find anything to talk about to fill the emptiness—Nobara and Megumi feel off the table considering the extent of their injuries. You don't even dare to breathe Gojo's name, let alone speak of him so boldly as Yuta is.

You're afraid that Yuji will spiral again, confused and unwilling to cooperate with his judgement clouded by loss. It's not your fault, you would say. It is, he would argue. It would do neither of you good, so you idle around while he and Yuta devise plans to tiptoe around the higher ups.

A part of you knows that if either of you told him to submit and die, he would. He's already teetering on the edge of self-destruction.

On the outside, he seems perfectly indifferent. Gaze steady, face stone and unchanging as he speaks. He's doomed, ill-fated, someone full of misfortune. He looks so lonely that the air itself parts for him where he stands.

To shoulder so much responsibility, so much death, maybe he truly is alone. Some fraction of him, at least—a piece of himself only he would ever understand.

Your hand snakes into his without a second thought. You don't know why you did it, nor do you have any reasoning that he doesn't yank away from you. His hand trembles, and it's then that you realize his whole body is wracked with tremors that don't match his distant disposition.

The second thing you learn is this: when Yuji self-destructs, he does it from the inside-out.

Itadori Yuji loves chocolate cake.

He loves all food, really, acting like your friend group's personal food dumpster whenever any of you were full. But chocolate cake you knew he had a sweet tooth for.

You used to bring it with you to his dorm, stopping by the convenience stores on the way home to grab a pre-packaged slice from the fridge for him to eat.

"You're making a mess," you would tell him with a frown, using your thumb to wipe up frosting from the corner of his mouth. You would lick the pad of your finger clean after that, and he would watch almost in a trance.

It's the reason why you stop on one of your patrols, poking through the fridge section of a convenience store. The power has been out for a long time in this part of the city, all the food is already room temperature, but you figure this is fine as long as it smells okay.

The way Yuji's face lights up when he sees you is all it takes for the worry to go away.

It briefly feels as though nothing has ever gone wrong—that after this slice of cake the two of you will tumble back onto his mattress and turn on another showing of Titanic. (He groaned about it once, saying he got KO'd too many times during this film. You only laughed in confusion.)

At the end of the day, you know those days will never come back to you, lost forever in the wind.

Fire dances before you and you watch, enchanted by the flames. You remember last night, how not even the firelight could make Yuji look the same as he did before. You turn your head to look at him, to see if it's any different tonight, just for your cheek to be caught in his palm.

His thumb traces your lip, the way you used to do to him. You recognize the pull of his finger against your flesh, the swipe of it to get frosting off, but he still seems dissatisfied.

"What?" You ask.

"It didn't come off," he mutters, leaning in dangerously close to observe. Heat rises all the way to your cheeks and makes your hairs stand on end. His touch is like molten lava. You wonder if it has something to do with the monster living inside of him.

"I can't see it," you whine without a mirror.

He draws a little closer, until he's inches from your face. "Let me..."

You've suddenly been dropped into cold, unknown waters. This is all unfamiliar. He's rushing this, as if making up for all the time the two of you lost pretending you were only friends. As if he can cram all the things he's wanted to tell you into one night.

Recoiling away, you find yourself hesitating. If he kisses you, this all becomes too real. It's an acknowledgment of his impending death. That the thread of his life is finer and further stretched than yours is.

An unpleasant thought rings through your mind. What if I become a curse on him?

"This only ends badly for us," you whisper, but the conviction is missing from your voice.

He doesn't care. At least, it doesn't look like he does. Who knows what he's thinking right now?

"Who cares?" He says. "We're Jujutsu Sorcerers. Everything bad happens to us no matter what."

You don't have any rebuttal to that, no argument that forms in your mind that could challenge his words. He was right. Only disaster befalls Sorcerers. Disaster and grief.

For a while you had forgotten, living these idyllic months watching the days pass by. You feel like you wasted that precious time worrying about stupid things, like what to have for breakfast or what kind of snacks you should pick up for movie night.

(It ended up being popcorn every time. He liked to piss off Sukuna with it, saying the King of Curses would never get to experience the pleasure of picking out kernels from his teeth. You scoffed but bought it anyway.)

Another thought crosses your mind: Yuji is more fit to be in a rom-com, or a television series where the good guys always win. Not this tragedy. Not this massacre.

You wonder if he's ever felt the same way. If he ever wished he could reach into the sky and turn the sun back to a time before he even knew what a curse was.

If you’d met each other under different circumstances, would this have been a different story? The thought makes your heart ache, a part of you so deep that even if you reached into your chest and plucked it, you'd still wail.

"Can I?" He asks you, eager but quiet. Had this been a few months ago, you imagine that he would have had this spark in his eye. That his lips would be crashing into yours with no inhibition.

But Yuji has always been selfless, you think he always will be. He doesn't want to drag you down if you don't want to—an out, they call it. An escape route just before he careens into a ditch.

Hope has drained from every inch of his expression. This is his loneliness talking.

Despite the dread that licks up your spine, you cup his face. You swear he jolts slightly beneath your touch, as if you've reached out to strike him down. A retribution he believes he deserves.

He kisses you like it's his last day on earth. 

You learn one last thing: Itadori Yuji tastes familiarly of death.

Yuta decides to leave you alone for a second night in a row. His presence is so crushing that you know he's alive, but he stalks off somewhere else, leaving just you and Yuji huddled by the pitiful fire you've built.

He once claimed himself jokingly to be a love expert, and then ran off to Kenya for so long that you lost track of how much time passed. You wish you'd asked him before he left what he meant, but at the time it seemed irrelevant. Insignificant. The name Itadori Yuji had not yet been impressed into your heart like a seal.

You're busy setting up the sleeping bags, this time pushing them flush together. They're so close you can barely see the seam between them. Yuji stands on the other side of the fire, watching.

It reminds him of all the times you'd ever scolded him for not making his bed in the morning. I'm gonna crawl back in tonight anyway, he said. Who cares if it's messy?

Idiot, you would call him. But there was no malice behind it. He treated it like a pet name, a badge of honour to be your idiot.

Life felt so simple back then. He was full of determination and life and stuck to his morals as best he could. When he wavered he would text you to come over so you could fall asleep on his chest and suffocate any other thoughts out of his head.

"I've never felt so powerful before," he admits quietly.  You turn to look at him, curious. "Like I could do anything in the world."

There's a negative connotation to that, you know. He could do anything. The world would crumble at his feet and there he would stand, laughing at it all. It isn't his will, not even slightly, but the demon taking refuge in his body would love to see the blood pool.

"Like I could just... reach out and—"

"Yuji!" You hiss, lurching forward to take his hand into yours and retreat from the flame. The skin is already pink and blistering, scorched by the embers. You twist his wrist around, observing where the fire licked the deepest, and pour your energy into him.

When you look up to see if he's crying, or at least grimacing in pain, you find only his smiling face—warm and adoring. For a second it feels like the world isn't burning around you.

It was nice to have you fawning over me.

You wipe that stupid smirk off his face, leaning in to smear a kiss along the scar on his lip.

"Idiot," you say, and he laughs for the first time in so long that it sounds foreign in your ears.

(He doesn't fall asleep that night. He would rather savour the sound of your soft snores, memorize the form of your body in his hold, and try his hardest to burn this into his brain.

So be it if you come to curse him one day. He would welcome you with open arms.)

NOVEMBER 3 2018

The day comes when Megumi sneaks into your hideout, asking for help.

His sister, he explains. He needs help saving Tsumiki. For some reason, resentment boils in your stomach, but then it's snuffed just as fast.

Two days and two nights you've spent pretending Japan isn't collapsing, content with sitting idly by as curses overran Tokyo. You're sure Megumi thought you to be cowards, that you were all hiding under this bridge to wait out the hellstorm that was raining down on your homes.

It was true to some extent. Once Yuji stepped out into battle again, that was that. You're not sure things would ever be the same again, though you suppose you lost the privilege of routine days ago.

"Let me come too," you urge. Three pairs of eyes land on you.

"No," Yuji pushes. "It's dangerous."

"I can fight!"

"You can't," he pauses, then corrects himself, "You won't."

Awkward silence settles over your encampment. Yuta stirs, standing to hold you steady by the shoulders.

"If we need help... if one of us is hurt, we'll need you unharmed. Do you understand?"

Ah, ever so wise, your upperclassman. So easy to persuade you. There's a reason why he's the chosen one only second to Gojo.

You swallow the bile that fights up your throat. "What if you don't come back?"

Yuji steps in this time, knocking away Yuta to hold you by the face. Get a grip, this means. Pull yourself together, don't you dare fall apart in front of me.

"We will."

You once considered telling him how you felt, letting it eat away at you until Nobara groaned in disgust.

“If Itadori starts dating before I do, I’ll puke.”

You remember that you laughed, thinking she was so dramatic. You loved that about her. “I think you would do worse.”

She glared at you, foot lightly kicking at your shin under the table. Still, she made sure to push equal amounts of rice to your side of the plate. “I might burn a village down,” she huffed, placing her chin on her palm.

“You’re fine. Even if I told him how I feel, I don’t think he’d accept.”

“Huh?” Nobara sounded genuinely confused, raising a brow at you. “What makes you think that?”

You didn't know how to answer that. Maybe you were just afraid that you had misinterpreted everything, that the way he held you was protective in a familial manner and that he would slam his door in your face when you tried.

Looking back on it, you can imagine him in the next room ranting about the same things to Megumi.

“He still has posters of Jennifer Lawrence on his wall,” you argued weakly while shoveling rice into your spoon. She watched you take your bite with her lips parted in disbelief.

You wish you had told him, then. Not that it would have changed where you both ended up.

You watch as they pack up their things.

Megumi's demon dog keeps you quiet company, tail thrashing against the ground as you slick back its fur. They talk around the dying flames, devising plan after plan. None seem safe. None would be.

Yuta and Megumi leave first, taking the lead in front of the pack. His dog melts into the shadows and disappears, leaving you sitting alone.

"I want to take you back, but..." Yuji glances over his shoulder toward his death sentence. "Will you make it okay on your own?"

You get up slowly, as if to draw out the time he stands before you. A thousand questions run through your head: what if you never see him again? What if this kills him, not by body, but by his already damaged soul?

He must sense the racing of your mind, so he leans in to engulf you in his arms. In an instant, memories of those days spent lounging in his bed, shoveling your food onto his plate, and purposefully talking louder to tease Megumi come flooding.

A year you would never forget. You're sure it'll become a curse if you dwell, so you tell him: "I'll make it. You go on, they need you."

I need you, too. Stay. If only it were so simple.

He smiles at you, warm like the sun that's hidden behind the barrier. Itadori Yuji looks like a ghost of his former self, battle-worn and covered in scars where his skin used to be smooth. He kisses you again for good measure, making sure he remembers the way you sigh into his mouth.

When he pulls away, there's life gleaming in his eyes.

"Let's watch Human Earthworm 5 when I come back."

Your thumb brushes the corner of his lip. You open your mouth to speak, to finally tell him the truth after all this time. You'd rather not die regretting you never said it, after all.

But you stop.

"I prefer Titanic," you confess. He shakes his head and kisses your forehead. Then he’s gone, taking all the warmth with him.

You'll make up for lost time one day. It won’t be today. You can tell him all about your feelings when he comes back to you.

© ALABOADOA 2023 — please do not translate or post my works to other platforms.

[thebroccolination]

THE SUBLIMELY MARVELOUS WRITING IN THAMEPO

I just watched episode twelve and maaaaan, this series is playing its writing game on a completely separate plane, holy shit.

MAKING ME CRY OVER MICK?

All those little flashbacks to when he was helping them??? IN EPISODE TWELVE?

THIS SERIES IS SO WELL-WRITTEN IT MAKES MY CELLS EXPLODE.

The technique this series has repeatedly used where it shows you a scene and then later cuts back to the same scene through someone else’s perspective is always so fucking brilliantly executed. It never feels like a cheap trick or cheating because the show uses its framing so well you really are just seeing everything through one perspective until the show allows you to see more through another person’s eyes. I have such a writer crush on this series.

I couldn’t watch live yesterday because of work and I wanted to give it the mental space it deserves so I got up early before work and watched it with breakfast and a kitty on my lap and now I’m on the train to work and I’m just blown away.

GMMTV mainly makes half-baked, quickly slapped-together fluff without a clear vision in order to promote actors who then promote things to get money from fans (and every bland, calculating interview I see with Tha just reinforces that impression), so when we get heartfelt series like Be My Favorite or ThamePo where it’s so clear that the writing was a priority and time was devoted to making the script as good as it could be? That the creators didn’t care how long it took to make these series as long as they felt they were following through with a creative vision that felt true and honest and passionate to them—that’s special.

From the very first episode, the script of ThamePo has been as close to perfect as it could be. And from the preview for the finale next week, I think they’ll stick the landing in a way so emotionally satisfying, it’ll cement ThamePo as the best-written series GMMTV has made yet.

[holysh1ft]

i think loass is not the savior a lot of us were hoping it would be, especially those who wanted to shift away from the toxic positivity teachings that can come out of loatt. there is value in changing your thoughts, in shifting your awareness. but if it was as simple as affirming 10k times, we’d all be millionaires, i.e, there’d be less questioning, struggling, etc.

the law above all laws is the law of being: you manifest who and what you’re conscious of being—who you are. therefore, all other laws—attraction or assumption—are calling you to shift who you are at your core. for some folks, this is as simple as switching your thought patterns. for others, it’s your emotions. for some, it’s knowing how reality operates and being one decisive, stubborn mofo.

whatever allows you to persist (i.e., continue to stay true to) that new identity of being is what will create those bigger shifts in your life, so you can get out of trying techniques to see “what works” and you become the technique because you’re a new identity.

different people will require different approaches and modalities to help them change, and what you do to accomplish that doesn’t matter as long as you, in the words of joe dispenza, break the habit of being yourself. or, in more neville language, you let the old man die.

it’s really all the same stuff because there’s only one being here, and yet there’s infinite individualized points of consciousness and therefore infinite individualized experiences that will require different switches and tweaks and revelations to actualize the destiny intended for them (you) of knowing thyself as god.

i don’t think it’s about whether or not you’re doing the technique right as much as “is this technique helping you become and sustain who you really want to be?” and if the answer is no, to hell with it. you judge the technique/paradigm, but i think so many, myself included, are creating the experience of letting the technique and the illusion of “right execution” judge them as worthy of having what they want.

techniques and methods do not manifest. even awareness alone does not manifest or everything you’ve ever thought of would have manifested. what manifests/shifts is identity. so, the only thing that really matters is are you who you want to be and are the current tools, paradigms, and teachers you’re learning from helping you become who you want to be? and this is how you take your power back.

it was never about manifesting like neville or shifting like shiftblr user no. 57 or like youtuber loa star who manifested their dream life. because you don’t have the same identity as neville or shiftblr user no. 57 or youtube loa star. you have the currently identity of YOU. what do they need to become someone new?

[room-surprise]

EXTERNAL INFLUENCES IN DUNGEON MESHI: INDIAN PHILOSOPHY

(SPOILERS FOR DUNGEON MESHI BELOW)

We know that Ryoko Kui spent considerable time at the beginning of working on Dungeon Meshi doing research and planning the series. Kui constantly references real world culture, history and mythology, but she also occasionally references real-world philosophy.

The story of Dungeon Meshi is full of philosophical questions about the joy and privilege of being alive, the inevitability of death and loss, the importance of taking care of yourself and your loved ones, and the purpose and true nature of desire. Kui explores these issues through the plot, the characters, and even the fundamental building blocks that make up her fictional fantasy world. Though it’s impossible to say without Kui making a statement on the issue, I believe Dungeon Meshi reflects many elements of ancient Indian philosophy and religion.

It’s possible that Kui just finds these ideas interesting to write about, but doesn’t have any personal affiliation with either religion, however I would not be at all surprised if I learned that Kui is a Buddhist, or has personal experience with Buddhism, since it’s one of the major religions in Japan.

I could write many essays trying to explain these extremely complex concepts, and I know that my understanding of them is imperfect, but I’ll do my best to explain them in as simple a way as possible to illustrate how these ideas may have influenced Kui’s work.

HINDUISM

Hinduism is the third-largest religion in the world and originates in India. The term Hinduism is a huge umbrella that encompasses many diverse systems of thought, but they have some shared theological elements, and share many ancient texts and myths.

According to Classical Hindu belief, there are four core goals in human life, and they are the pursuit of dharma, artha, kama, and moksha.

Dharma is the natural order of the universe, and also one’s obligation to carry out their part in it. It is the pursuit and execution of one’s inherent nature and true calling, playing one’s role in the cosmic order.

Artha is the resources needed for an individual’s material well-being. A central premise of Hindu philosophy is that every person should live a joyous, pleasurable and fulfilling life, where every person's needs are acknowledged and fulfilled. A person's needs can only be fulfilled when sufficient means are available.

Kama is sensory, emotional, and aesthetic pleasure. Often misinterpreted to only mean “sexual desire”, kama is any kind of enjoyment derived from one or more of the five senses, including things like having sex, eating, listening to music, or admiring a painting. The pursuit of kama is considered an essential part of healthy human life, as long as it is in balance with the pursuit of the three other goals.

Moksha is peace, release, nirvana, and ultimate enlightenment. Moksha is freedom from ignorance through self-knowledge and true understanding of the universe, and the end of the inevitable suffering caused by the struggle of being alive. When one has reached true enlightenment, has nothing more to learn or understand about the universe, and has let go of all earthly desires, they have attained moksha, and they will not be reborn again. In Hinduism’s ancient texts, moksha is seen as achievable through the same techniques used to practice dharma, for example self-reflection and self-control. Moksha is sometimes described as self-discipline that is so perfect that it becomes unconscious behavior.

The core conflict of Hinduism is the eternal struggle between the material and immaterial world. It is often said that all of the material world is “an illusion,” and what this means is that all good and bad things will inevitably end, because the material world is finite. On the one hand, this is sad, because everything good in life will one day cease to exist, but on the other hand, this is reassuring, because all of the bad things will eventually end as well, and if one can accept this, they will be at peace.

The central debate of Hinduism is, which is more important: Satisfying your needs as a living thing, having a good life as a productive member of society, serving yourself, your family, and the world by participating in it the way nature intended? Or is it rejecting desire and attachment, discovering the true nature of existence, realizing the impermanence of material things, and that one can only escape the suffering that comes from the struggle of life by accepting that death and loss are inevitable?

There is no set answer to this question, and most believers of Hinduism tend to strike a balance between the two extremes simply because that’s what happens when a person leads a normal, average life, however there are also those who believe that pursuing extremes will lead to ultimate enlightenment and final release as well.

BUDDHISM

Buddhism is an Indian religion and philosophical tradition that originated in the 5th century BCE, based on teachings attributed to religious teacher the Buddha. It is the world's fourth-largest religion and though it began in India, it has spread throughout all of Asia and has played a major role in Asian culture and spirituality, eventually spreading to the West beginning in the 20th century.

Buddhism is partially derived from the same worldview and philosophical belief system as Hinduism, and the main difference is that the Buddha taught that there is a “middle way” that all people should strive to attain, and that the excesses of asceticism (total self-denial) or hedonism (total self-indulgence) practiced by some Hindus could not lead a person to moksha/enlightenment/release from suffering.

Buddhism teaches that the primary source of suffering in life is caused by misperception or ignorance of two truths; nothing is permanent, and there is no individual self.

Buddhists believe that dukkha (suffering) is an innate characteristic of life, and it is manifested in trying to “have” or “keep” things, due to fear of loss and suffering. Dukkha is caused by desire. Dukkha can be ended by ceasing to feel desire through achieving enlightenment and understanding that everything is a temporary illusion.

There are many, many other differences between Hinduism and Buddhism, but these elements are the ones that I think are most relevant to Kui’s work.

Extreme hedonism involves seeking sensual pleasure without any limits. This could just be indulging in what people would consider “normal” pleasures, like food, sex, drugs and the arts, but it can also involve doing things which are considered socially repugnant, either literally or by taking part in symbolic rituals that represent these acts. Some examples are holding religious meetings in forbidden places, consuming forbidden substances (including human flesh), using human bones as tools, or engaging in sex with partners who are considered socially unacceptable (unclean, wrong gender, too young, too old, related to the practitioner). Again, these acts may be done literally or symbolically.

Extreme ascetic practices involve anything that torments the physical body, and some examples are meditation without breathing, the total suppression of bodily movement, refusing to lay down, tearing out the hair, going naked, wearing rough and painful clothing, laying on a mat of thorns, or starving oneself.

HOW THIS CONNECTS TO DUNGEON MESHI

Kui’s most emphasized message in Dungeon Meshi is that being alive is a fleeting, temporary experience that once lost, cannot truly be regained, and is therefore precious in its rarity. Kui also tells us that to be alive means to desire things, that one cannot exist without the other, that desire is essential for life. This reflects the four core goals of human life in Hinduism and Buddhism, but also could be a criticism of some aspects of these philosophies.

I think Kui’s story shows the logical functionality of the four core goals: only characters who properly take care of themselves, and who accept the risk of suffering are able to thrive and experience joy. I think Kui agrees with the Buddhist stance that neither extreme hedonism nor extreme self-denial can lead to enlightenment and ultimate bliss… But I also think that Kui may be saying that ultimate bliss is an illusion, and that the greatest bliss can only be found while a person is still alive, experiencing both loss and desire as a living being.

Kui tells us living things should strive to remain alive, no matter how difficult living may be sometimes, because taking part in life is inherently valuable. All joy and happiness comes from being alive and sharing that precious, limited life with the people around you, and knowing that happiness is finite and must be savored.

Dungeon Meshi tells us souls exist, but never tells us where they go or what happens after death. I think this is very intentional, because Kui doesn’t want readers to think that the characters can just give up and be happy in their next life, or in an afterlife.

There is resurrection in Dungeon Meshi, but thematically there are really no true “second chances.” Although in-universe society views revival as an unambiguous good and moral imperative, Kui repeatedly reminds us of its unnatural and dangerous nature. Although reviving Falin is a central goal of the story, it is only when Laios and Marcille are able to let go of her that the revival finally works… And after the manga’s ending, Kui tells us Falin leaves Laios and Marcille behind to travel the world alone, which essentially makes her dead to them anyway, since she is absent from their lives.

At the same time, Kui tells us that trying to prevent death, or avoid all suffering and loss is a foolish quest that will never end in happiness, because loss and suffering are inevitable and must someday be endured as part of the cycle of life. Happiness cannot exist without suffering, just like the joy of eating requires the existence of hunger, and even starvation.

Kui equates eating with desire itself, using it as a metaphor to describe anything a living creature might want, Kui also views the literal act of eating as the deepest, most fundamental desire of a living thing, the desire that all other desires are built on top of. If a living thing doesn’t eat, it will not have the energy necessary to engage with any other part of life. Toshiro, Mithrun, and Kabru are all examples of this in the story: They don’t take care of themselves and they actively avoid eating, and as a result they suffer from weakness, and struggle to realize their other desires.

Kui suggests that the key difference between being alive or dead is whether or not someone experiences desire. If you are alive, even if you feel empty and cannot identify your desires like Mithrun, you still have desires because you would be dead without them. The living body desires to breathe, to eat, to sleep, even if a person has become numb, or rejected those desires either to punish themselves, or out of a lack of self-love.

Sometimes, we have to do things which are painful and unpleasant, in order to enjoy the good things that make us happy. I believe Kui is telling us that giving up, falling into despair, and refusing to participate in life is not a viable solution either.

The demon only learns to experience desire by entering into and existing in the material, finite world. This experience intoxicates the demon, and it becomes addicted to feeling both the suffering of desire, and the satisfaction of having it fulfilled. This unnatural situation is what endangers the Dungeon Meshi world, and it’s only by purging the demon of this ability to desire that the world can be saved. The demon is like a corrupted Buddha that must give up its desires in order to return to the peaceful existence it had before it was corrupted.

The demon curses Laios to never achieve his greatest desires at the end of the manga, which manifests in several ways, such as losing his monstrous form, Falin choosing to leave after she’s revived, and being unable to get close to monsters because they are afraid of him. In some ways you could compare Laios to a Bodhisattva, a person who tries to aid others in finding nirvana/moksha, even if it prolongs their own suffering and prevents them from finding personal release. Laios gives the demon peace, but Laios himself will never be able to satisfy his desires, and must eventually come to accept his loss and move on with his life.

(This is an excerpt from Chapter 3 of my Real World Cultural and Linguistic influences in Dungeon Meshi essay.)

[holyblonded]

Sometimes estrella is such a good defender that she tackles someone in instinct which will Irene or marta or Becky proud but if you tell her to do it again, she can't

— estrella has zero recollection of half the defensive plays she pulls off. one second, she’s upfield pressing high, and the next, she’s somehow the last line of defense, executing a perfectly timed tackle that would make irene, marta, or becky tear up with pride.

— the best (worst) part is that she doesn’t even know how she does it.

— after one particularly outrageous challenge where she tracks back 30 yards, slides in cleanly, and wins the ball without even looking, becky pulls her aside, eyes shining. “estrella, that was textbook. absolutely perfect. do it again.”

— estrella blinks at her. “do what again?”

— becky gestures wildly. “the tackle! that was insane!”

— estrella stares. “oh. yeah, no. that was luck.”

— irene watches estrella body someone off the ball with the force of a veteran center-back and immediately looks at marta like we are claiming her. she is one of us now.

— but when they try to break down her technique, estrella is just like “i don’t know, i just saw the ball and took it. instinct, i guess?”

— “instinct?” marta repeats, half in disbelief, half in admiration. “that was a world-class tackle.”

— estrella shrugs. “cool. tell me if i do it again.”

— the problem is, she never does it when you ask her to.

— irene, frustrated, tries to get estrella to replicate a specific sequence in training. estrella, however, trips over her own feet attempting the same movement.

— “you are lying,” irene accuses.

— “i’m really not,” estrella insists. “i think my body just operates on autopilot sometimes.”

— everyone eventually just accepts that estrella has defensive superpowers that only activate at random. irene, marta, and becky remain in awe.

— meanwhile, estrella remains completely oblivious to her defensive excellence, more focused on her next attack, until she suddenly finds herself stopping a counterattack and has no idea how she got there.

[tsumuus]

hello! i hope ypu are doing well and taking care of yourself, you be open to doing your “love languages” promt with tenya iida as acts of service or quality time (if it isnt available of course)! i wish you all the best

₊✩‧₊˚ tenya iida + prompt 1 ˚₊✩‧₊

₊✩‧₊˚ quality time ˚₊✩‧₊

Being in a relationship with Tenya Iida meant that time was precious. His schedule as a hero-in-training and later as a professional hero was packed with responsibilities, but that didn’t stop him from dedicating quality time to you. Iida knew that your love language was quality time, and he made sure to show his affection by being fully present whenever you were together.

Mornings often started with a quiet routine. Though Iida had a disciplined nature, he adjusted his strict schedule to include breakfast with you. On days when he didn’t have early patrols, the two of you would prepare breakfast together. You’d mix pancake batter while he brewed the coffee, the scent of freshly ground beans filling the kitchen. As the pancakes sizzled, Iida would talk to you about his plans for the day, listening intently when you shared yours.

“Do you think you’ll be home early tonight?” you asked as you poured the batter into the pan.

Iida smiled, watching the pancakes form perfectly round circles. “I’ll make sure of it. I’ve scheduled my reports so that I can finish by six. We can have dinner together. How does that sound?”

“Perfect,” you replied, returning his smile.

In the afternoons, Iida would take you out for walks in the park. He knew how much you enjoyed the peace and quiet of nature, so he made it a point to explore different parks around the city. He held your hand as you walked along the winding paths, occasionally stopping to admire a particularly vibrant patch of flowers or to sit on a bench and watch the world go by. These walks were never rushed. Iida made sure to match your pace, allowing you to savor every moment together.

“I’m glad we’re doing this,” you said softly, leaning your head against his shoulder as you walked. “It’s nice to just… be with you.”

“I feel the same,” Iida replied, giving your hand a gentle squeeze. “No matter how busy things get, I want to make sure we always have time for this. For us.”

Sometimes, Iida would bring you to his agency's training grounds, not for a workout but to share a part of his world with you. He’d show you around, explaining how each piece of equipment worked and how it contributed to his training. There were moments when he’d demonstrate a technique, his serious expression softening whenever he caught you watching with admiration.

“Do you ever get tired?” you asked one day, watching him flawlessly execute a series of kicks.

Iida paused, wiping the sweat from his brow before walking over to you. “Of training? Sometimes. But knowing that you’re here with me makes it easier. You give me strength, you know.”

You blushed at his words, feeling your heart swell with affection. “You’re amazing, Tenya. But don’t push yourself too hard, okay? I want you to be safe.”

He nodded, his expression earnest. “I promise I won’t. Your concern means the world to me.”

Evenings were reserved for quiet, intimate moments at home. After a long day, Iida loved nothing more than settling down on the couch with you. He’d let you pick a movie, though he often ended up watching you more than the screen.

On weekends, when both of you had more time, Iida planned day trips to nearby towns or historical sites. He knew you loved learning about new places, so he took pleasure in researching destinations that would pique your interest. The two of you would spend hours wandering through quaint streets, exploring museums, or enjoying a meal at a local café.

“This place is incredible,” you said, taking in the architecture of a small, historical town.

“I thought you’d like it,” Iida replied, smiling as he watched your eyes light up with excitement. “I wanted to surprise you.”

“You always do,” you said, leaning into him as you walked. “Thank you for making time for this, for us. I know how busy you are.”

Iida stopped walking and turned to face you, taking both of your hands in his. “You’re my priority,” he said softly. “No matter how busy I am, I’ll always make time for you. I love you.”

“I love you too, Tenya,” you whispered, feeling a deep sense of contentment as you shared a tender kiss.

But perhaps what made your relationship with Iida so special was the way he made even the smallest moments feel significant. Whether it was studying together in the library, cooking dinner side by side, or simply sitting in comfortable silence as you read a book and he went over hero reports, Iida made sure that you always felt his love. He knew that quality time was what made you feel most connected to him, and he embraced it wholeheartedly.

In return, you made sure that Iida knew how much you appreciated the effort he put into spending time with you. The way he made you feel important, valued, and loved filled you with warmth and a deep sense of gratitude. And though Iida was always busy, he never let you forget that you were his priority.

a/n i love iida so much you don’t even know

₊✩‧₊˚ 555 follower event ! ˚₊✩‧₊

main masterlist

[thatswhatsushesaid]

re: my tags about jgy and qin su in my reblog of that "does your blorbo have ptsd" tumblr poll, can we revisit that excruciating conversation in the jinlintai treasure room in cql? because one of my least favourite reads on jgy's expression and body language here is that he's being "creepy." and to be clear, i'm not trying to say you're wrong to draw those inferences here, because his behaviour is deeply, deeply unsettling, and i also find this scene hard to watch and to read in the novel. but i think if that's where your examination of him begins and ends here, you're doing yourself--and zhu zanjin's exquisite performance--a disservice.

so the 'creepy' bit is preceded by what jgy says to qin su while she has her back turned, and i find his words heartbreakingly sincere and very reflective of a man who has spent his life forced to feel shame and embarrassment over his mother, who he loves dearly and who he watched suffer right up until the moment of her death:

there are a few more very poignant lines in there about his mother and the depth of his gratitude to qin su (these show up in the novel, too), but i think the above encapsulates the same message. then the atmosphere shifts, and so does jgy's expression when he talks about jin rusong and how his death would have been inevitable--essential, even. this is also where i most often see him described as acting like a creep, and i have two separate responses to this that i don't really have the time to get into right now, but which have both doylist and watsonian components to them so 👀 you can probably make some guesses about what my arguments would be. if there's enough interest, i might come back to this later and put together a separate post about it, idk. anyway, i'm not going to get into the 'is he a creep' argument here because tl;dr no, i don't think he is, and also--

i find jgy's expressions here to be more indicative of a man who is, shall we say, Not His Best Self At The Moment 🫠 rather than a man who is intentionally trying to make a wife who, by her own admission, he has treated very well for the entirety of their marriage, uncomfortable. his attention isn't even on qin su or the hell that she is experiencing right now--because he is re-experiencing his own hell. because he, too, is traumatized by this knowledge! he's just had a decade and change to develop some deeply unhealthy coping mechanisms and masking techniques to hide it.

at this point qin su whips around and slaps him, which i know everyone likes to gif and fistbump and holler about in a positive way, but given there is no one in this scene who isn't enduring profound trauma in this moment, i, uh. you know. won't be doing that. i will focus on his face journey in the expressions that follow because they are just so

dissociating

dissociating

dissociating

/executive function switch is flipped in his superbly wrinkly brain, and then "qin su :) we still have so many guests to attend at the discussion conference :)"

a-yao? sir?? hello??? also i do not have the quote from the novel directly in front of me, but iirc he says something very similar here to what he does in the novel, which i'll have to paraphrase: that this revelation is only bothering qin su so much because she is actively thinking about it! it's only thoughts, you see! just don't think about it! haven't they actually been very happy all this time, while only one of them had to live with this knowledge and could not share it with anyone?

to which i can only respond with abject, horrified shock because, like. have you, jin guangyao? been happy and unperturbed by this devastating knowledge? because i think the answer is a pretty definitive no.

anyway i just wanted to quickly keymash my thoughts on this before they fled my brain completely but tl;dr yes, while jgy would not use this language to describe himself, he's absolutely got ptsd specifically around his marriage to his own half-sister, and their son.

---

this post has been added to my dreamwidth meta archive here: https://thatswhatsushewrote.dreamwidth.org/10607.html

[risuola]

Please hear me out!

i’ve been thinking about this for a while, and I wanted to write it myself but I can’t write for shit 😭 Here’s my idea, reader (she/her) is close friends with Satoru and Suguru. She takes Suguru’s place instead, and Suguru ends up not going insane, and decides to stick around in Jujutsu High. But because the reader takes his place in this story, she spirals and abandons the idea of being morally good. (She’s a sensitive softie at heart 🥹 the cruel reality of being a sorcerer really took a toll on her). She commits so many crimes that the higher ups urge the strongest duo to finally execute her after dismissing her for nearly a decade. She dies in their hands, and doesn’t get a proper burial. Kenjaku takes her body and uses it as vessel. When Shibuya arc finally unfolds, she shows up right in front of Satoru and Suguru, alive and well. Soon reveals that it’s Kenjaku who has full control of her body. Of course their guilts eats them alive, and the reader (more like kenjaku) rubs salt on their wounds by taunting them about how she’s a great vessel and also a waste that she had to die so soon.

LOST CAUSE — F. READER x GOJO SATORU + GETO SUGURU, but there’s no romance whatsoever, guest appearance of Kenjaku

cw: an au where SatoSugu have another close friend; spoilers for Hidden Inventory/Premature Death arc and the very beginning of Shibuya arc, so much angst and the usual that comes with JJK – blood, hurt, tears and depression : D also, possibly inaccurate references to the original plot, reader's death — 5,5k words

a/n: I’m hearing you out dear! Thank you for the conception, it certainly fulfilled my need to write long and angsty <3

It was stupid. All of it was stupid. Why? Which decisions led you to where you now stood, all of your mind and body filled with devastation as you stilled in time – above the piles of little corpses, disfigured and permanently contorted in a grimace of dread and suffering. A stench of blood and burned bodies irritated your nostrils, your eyes were teary from all the smoke that still was filling the air and as you looked down at your hands, they were covered in blood and purple goo. Sticky. Repulsive. And the screams. In the dead silence of your surroundings, your head was still filled with an echo of those, who were now dead at your feet. Those, who you were unable to save. The imagery of them running, begging, dying carved itself into your mind. Why were you here, again?

* * *

“Hey, y/n, you’ve lost some weight. Are you alright?”, Satoru asked, playing with pencil that just a moment ago he asked you to throw at him. A showcase of his new skills, the techniques he’s been perfecting for the last year after encountering Toji Fushiguro. You forced a smile, squinting from the blinding sun of the summer at its peak.

“Yeah, sure,” you replied, patting Suguru’s shoulder, because his attentive eyes were scanning you already for any sign of disorder; you could hear his analytic brain cranking up, his golden pupils drilling holes in your head. “I’m good, it’s just too hot you know?”

“Wanna go grab some ice cream later?”

“Always.” No, you didn’t wanna go grab ice cream with them. You didn’t wanna grab anything with anyone for that matter and already you had come up with some half-baked excuse to sell later to your two best friends.

You, Shoko, Gojo and Geto were all in the same year in Jujutsu high. You joined them a little late, but quickly found yourself inside the love triangle with the two boys. You called it love, but it truly was nothing more than just a bonding friendship that you wished will last forever; a really close one and you couldn’t imagine your world without their chaos. They were like brothers to you, the ones you’ve never had and Ieiri was like a sister, but she was smart enough to keep her distance from the mess of SatoSugu. You were not as bright in that matter, but for two years, you couldn’t appreciate enough the yin and yang that they created, the casual bickers and deep talks late at night, the cuddles and pinches, the pats and smacks, the tears and laughs, sleepovers, sleepless nights and everything between. You loved them, you couldn’t think of your future without them.

That’s until not that long ago. Few months, maybe. You felt like you’ve been spiraling slowly into something that could only be named depression, because if not that, then what else? Why would you randomly tear up nowadays, zoning out completely in the midst of sentences. Why would you spend nights, blankly staring at the ceiling instead of sleeping, isolating yourself from your friends more and more? And why would you still hear that? The screams, the pleads of hysteric, the soul-tearing sounds of pain and frighten that you’ve been carrying inside your brain since that one mission.

Everything went wrong then, and you were alone. Shoko stayed at the campus, working her way towards becoming a doctor and you, Satoru and Suguru were assigned only to solo missions since the plasma vessel failure. You were strong, it was stated that your year was exceptional, that all of you have a chance to become special grades soon, but you hated that. Being strong came with a burden that you were not ready to take, and when you realized that, most of it was already heaving on your shoulders.

When you got to that school, it was already too late and it wasn’t your fault. You rushed there as soon as you were assigned with the job, but when you dropped the curtain and looked at the building, there was already smoke coming from the window holes, that some time earlier had glass in them. And when you kicked your way inside the little indoor sports arena, the view struck you in ways you couldn’t possibly prepare yourself for and certainly, you couldn’t process it as well. The school was primary, those people were just kids, but the curses pay no mind to age of their victims. This one was particularly playful – or rather, eagerly violent – spreading hellfire around, burning these children alive one by one, causing chaos, suffering and bloodshed. When you finished exorcising it, it was over. For the curse, for your job and for the lives of all of those children. None survived. Not even one.

Not always we can save everyone, Suguru always told you, rationalizing the sacrifices sorcerers have to make and you tried to repeat that in your head when you got out. You tried to play it over the screams, but eventually, the soft tone of your friend’s voice got lost in the catastrophic cacophony of sorrow, sizzling skin and burning death. And that, maybe wouldn’t be enough for you to lose your mind. Maybe you could recover from that, but soon after the incident you witnessed the group of people that stood behind the assault. A band of grown humans, men and women, who were convinced some of those children were possessed by devils or some other shit, so in all hypocrisy known to race, they hired a curse user to fight fire with fire. Quite literally. Those people were so blinded by their fear of unknown that they sacrificed lives of dozens of little children, they shattered so many innocent lives only because they believed in something absurd. And then, they tried to push the blame on you, on sorcerers despite the fact they hired one to do the dirty job. And then, they killed the user, fearing him too. When you’ve got to see the body of a sorcerer that you’ve never got to meet, or at least you thought so, you realized that probably, you wouldn’t recognize him anyway. You’ve seen corpses barely reminiscing of humans, twisted and broken as curses often chose the most petrifying, violent ways of killing, but this? This was something you’ve never seen before – a cruel, ruthless exhibition of pure hate, evidence of deliberate torture, the picture painted in stabs, burns and bruises. All of which, caused by people, who frankly, showed no remorse nor regret as their faces were painted in pride, origin of which you failed to notice.

Those humans. Used jujutsu to commit mass murder only to blame it on your people and kill them. Animals. No. Worse. Much worse.

“Y/n, please, let’s talk it through,” Suguru tried to reason, as you stood up against the two of your friends, in the middle of Shibuya’s scramble crossing. People were passing next to the three of you, unbothered by the way your worlds were colliding right here, in the busiest part of Tokyo. People didn’t care of others, they wouldn’t react if someone next to them would get stabbed to death, only caring about their own shoes to not get them stained in the dirt of blood.

“Don’t be stupid, it’s not who you are,” Satoru raised his tone, but all you felt was nothing. The emotions you’ve seen on his face were real, you knew it. Satoru wears his heart on his shoulder, he pours everything he feels into the words he aims at people that are close to his soul, and you were no exception, but at this moment, you felt nothing. “I know you couldn’t do that.”

“Couldn’t I?”, you asked, thinking back on the last Friday, during which you executed those same people that used jujutsu sorcerers to wipe the floors of that primary school. To wipe the blood and burned bodies. You remember how they knelt before you, how the women cried begging for their lives, yelping that they have children, families and yet, those same children and families were nowhere in their mind when they ordered a mass murder in the primary school. “And why would that be exactly? Because you two think so?”

“Y/n, I get it,” Geto stepped forward, but stopped as you glanced at him. “I really do. You know me, we talked about it. It was hard for me too after Riko, I know what you’re going through.”

“I know Suguru.”

“I thought you keep his side, y/n,” Gojo threw his hands in the air, helplessly trying to find the words to dress his mind with. “I thought you believe in doing good with your powers. That people won’t understand so we shouldn’t look at them and just do what we do. Wasn’t that what you’ve told me?”

“I did, yes,” you gave it a nod and exhaled. “But it changed. Yes, they won’t understand. Anything that they can’t comprehend is pure evil for them and yet they believe in such absurd like gods. They will use us to do their dirty works and then blame us for it, because they cannot understand a single thing. And then, they will kill us, one by one and we, the strongest, cannot do nothing about it. We’ll have to go through life through the corpses of our friends. People don’t deserve what we do for them.”

“Y/n, please, let’s talk about it. Let’s get back to school-“ Geto tried, but you cut him off.

“You two, get back to school. I know I have a sentence already, there’s no point for me to get back there only to get executed. And frankly, I don’t want to get back there, to take part in what they teach us is right when we die for those people. We give our lives for them and they have no idea,” you said, taking a step back. You could tell the lights will soon switch. “Look around, Satoru, Suguru. They crawl around us unaware of our sacrifice and yet, even if they are so fragile a single blow can kill them, they think we deserve to be killed. I’m not gonna take part in this anymore. I’m sorry.”

“We can’t let you go, you know that, we-“

“Then attack me. I’m sure any of you can take me down. I’d rather die by your hands, than on a job of protecting them.”

You turned your back on them, and Satoru raised his hand, pointing at your silhouette, blue already on his mind as his cursed energy gathered in front of his fingers. Suguru’s curses sprawled out of their dimension, but none of them pursued with the attack, unable to do that. They couldn’t kill you. You were too dear to them. They loved you too much to take your life like this. So they let you go, and soon enough, they lost the sight of you in the crowd.

* * *

Nine years. It's been almost a decade and many things changed. You changed your ways completely, making a point of protecting sorcerers from people, even if that meant killing them, but care for humans was something you’ve lost many years ago, having it slowly replaced by disgust. Your once soft heart turned hard and dark and all the good in you vanished as you time after time solidified your beliefs that humans are simply not worth saving, therefore there was no need to keep them alive the moment they became useless. Over those years, you used those people to your benefit, raising money and gathering intel and then, the second their use to you has become nonexistent, so were them. Blood burned permanent stains on your hands but screams of hurt didn’t phase you at all. Have you become a monster? You might have. But for the lives of sorcerers, it was worth it.

It’s been almost a decade since you’ve been dismissed from jujutsu community for crimes, that over those years piled up rapidly and during this time, both Satoru and Suguru tried to stay out of this, whilst Yaga turned a blind eye to the corrupted path one of his students went down by. The now principal felt responsible for not doing enough, for not saying enough, for not noticing soon enough and though the rest of his students, now teachers in Jujutsu high told him that some things were inevitable, it wasn’t that easy to switch off the thinking. Same went for both the strongest, but for years, they waited in hopes for something to change.

That was until you killed someone seemingly important. A politician of sorts, high government pawn that you learned was funding a unit of so-called sorcerer killers, ones that modelled after Toji Fushiguro in cold blood were meant to take down a menace that jujutsu users were, as if it was them who were the ones to fear. Opposite to little no-one’s deaths, this one was loud, this one was medial and this one, Yaga couldn’t let slip. So, an order was given.

Kill on sight.

Almost ten years, and yet Satoru still couldn’t believe what happened. Whilst young, the three of you were almost inseparable and you, out of the whole group, were the most sensitive person he knew. You were soft and full of smiles, kind above all else and yet, you were strong enough to hold back the tears he knew were threatening to roll down your cheeks on many occasions. You were soothing, an oasis that was easily able to turn any darkness into light, and what Satoru couldn’t forgive himself was that once that same darkness started devouring you, he didn’t notice. Too focused on his own missions, on lighthearted shenanigans, on perfecting his usage of limitless and six eyes, he had no idea about your state of mind and when he realized, you have already been sentenced. Suguru didn’t notice either. Or maybe didn’t want to notice, because you talked through many nights about the doubts you both had. He knew about the utter devastation that was slowly consuming your soul but hoped you’ll overcome it, because you always were a sunshine, and a sunshine couldn’t die down to shadows. Turned out, this shadow was pitch black and no light made its way through it.

“Y/n,” they called you and the beautiful music that their voices created brought back memories of your youth. Ten years, almost, had passed since you’ve seen your best friends the last time, and with curiosity sparkling through your system, you turned to face them.

“Satoru, Suguru,” addressing them, your lips curved up slightly in a manner of soft joy. Your heart fluttered at the sight; your pulse raised just as it would for person who’s just seen the love of their life. “Long time no see.”

“It’s not as pleasurable as we would like it to be, y/n,” Suguru sighed and you took a moment to absorb the view.

Both of them changed. Suguru, still tall and broad, seemingly even buffier than he was before stood there with his hair now longer and partially knotted and partially left loose on his back. His facial features sharpened, jaw got more edge to it, eyes turned more narrow and focused, but still, some softness remained from what you remembered and probably he would seem even more familiar if not for the tough expression he had going on. Satoru, right next to him, became even taller. His white hair was now pointing up, kept by a white wrap that completely covered his eyes – something that he probably adapted during the time of usage of his six eyes. Not much of his face you could see, but with ease you noticed his features matured. Both were dressed in uniforms that you could only tie to their unbreakable bond with Jujutsu high.

“You’re now teachers, the two of you, huh?”, you asked, smiling softly, but keeping their moves in mind. “I’ve heard this year’s students are exceptional, now it makes sense. Good they have such amazing senseis.”

“You could have been one of the teachers too,” Gojo snapped.

“How could I teach anyone something I don’t believe in?” a chuckle rumbled deep in your chest as you thought of the image. Abstraction of it made you amused. “How’s Shoko? Is she a doctor now?

“She is,” Geto muttered, unsure why is he answering your questions. “Yaga is the principal.”

“Oh, is he? Look at him, climbing up that ladder,” you laughed, “so, it’s on his orders that you two are here?”

“You killed a fucking politician, y/n,” Satoru spoke, sounding calm but you could tell his blood was boiling. Both of his hands hidden in his pockets were visibly clenched in fists and even though you couldn’t see his eyes, you knew his brows were furrowed. “Almost a decade we allowed you to do whatever you tried to do, but this time, higher ups stepped in. The sentence is decided, we cannot let you pursue your goals further.”

“And why are you both here? I’m sure just one amazing special grade would be enough,” there was a certain amount of poison in your words, though it wasn’t directed at your friends and both of them knew it. “Are the higher ups so desperate to get me off the board because it’s them who give green lights to those assholes that kill us? Did you know that that pathetic politician I’ve killed was in midst of creating an army of little Toji Fushiguros? How do you think he even knew about the dude, huh?”

“An army of Toji?”

“Yeah, remember that guy, that cut both of you into slices? Yea, that one. And who’s giving away the cursed tools to said army? Well, it’s not me and I assume not any of you as well.”

 “Y/n,” Suguru made his way to the side in what seemed like an attempt on surrounding you, because in that same moment, Satoru began shifting to the other side. “I agree with you. People don’t deserve what we do. But no one else can do it. You’re killing those whom we swore to protect.”

“Tell me, Suguru… how many bodies of our friends did Shoko cut open?” you asked and the question made the dark-haired man tsk. It was the truth that hurt the most, he hated how precisely it hit the spot. “How many of our allies were spread across her metal table after Haibara was there? Well, half of Haibara?”

“That’s not the point,” Satoru scoffed and with an exhale, he raised his hand up to loosen up the bandages around his eyes. “We die just as people die. Sorcerers are not above death. You know that, right?”

“We’re not above that, but we are above people and we risk our lives, which we just like them have only one of, for them. And they fuckingstep on it. If I have to pick who’s gonna die from a curse, why would I pick a sorcerer, when a loss of a mere human will be much less tangible than the loss of one of us?”

“Because they cannot protect themselves from curses, and we can.” Geto replied and in a whiff, you felt the appearance of his curses around him. Both him and Gojo were getting ready for a fight, so you had to get ready as well.

“But can we really protect ourselves from them?”, you glared back at him; your tone calm but laced with icicles that pierced through Suguru’s mind as he struggled to see you inside of you.

All of the softness he had always equated you with dissolved into something he couldn’t quite place. Image of you killing someone just for the sake of killing somehow couldn’t materialize inside his mind and it pained him, breaking his heart to think that he will be the reason of your death. And it’s true that probably, just one of them would be enough for that fight, but there was no way they would be able to chose and no one else could do it. You were the strongest, you grew into a special grade quickly after leaving and your technique proved to have no flaws or holes. You were a threat above abilities of others, stepping down only to the two of your friends, if not being equal to them.

“Let’s do it quickly, Suguru,” Satoru sighed, tucking his wraps into one of his pockets.

“Oh, where’s your playful attitude, Satoru?”, you teased, but somehow it hurt you as well. It was your friend you were talking to. Both of them, that came here to kill you and only way for you to get out of it was to kill them.

And killing them, turned out, you couldn’t do. Even hurting them came with difficulty not physically, but mentally. But you fought them both at the same time, keeping a defensive stance, searching for an opening to vanish. From them, you wished to run away, to not make them take the burden of your death because you could see it in their eyes, you were just as dear to them still, as they were to you. But they left you no opening to run away, so you fought. Using everything you’ve got to immobilize them, because instead of taking their lives, that would give you more time.

The way you stood against them, with your cursed technique of energy manipulation, it gave them the hardest time since Toji, and considering they were both taking part in the fight now, ten years after and significantly stronger, just showed how much work you’ve put into your own development. And with pride you noticed, how strong both of your friends became as well. You countered all of their attacks, slashed away the curses and blocked the blues and reds, albeit it really was a matter of time and you knew that. And so, you pushed through, materializing in your hands weapons made from pure, solidified cursed energy, using swords and needles and creating armor around your body that effectively, shielded you from any attack. Your weapon was different from cursed tools. It was made only from energy, strong and unbendable, changing shapes and forms as you deemed it necessary, allowing you to use it in close combat and on long distances. Any curses Suguru summoned stood no chance against what you wielded, but the sheer amount of them was just short of overwhelming you. On top of that, Satoru’s constant offensive, his fists saturated in limitless abilities, the sheer strength of both bodies that were attacking you, slowly rendered you weaker. And it didn’t surprise you.

The end has come when one of the curses stopped you mid-way, engaging in a fight that distracted you enough for a hollow purple to reach your body. The blast threw you away as your body pierced through three buildings straight, through thick concrete bocks and hard steel reinforcements like it was tearing through wet paper and it’s only thanks to the full body coverage of your cursed technique, that it didn’t kill you on the spot. But it hurt. All of your body felt broken once you finally stopped, back pressed against the wall that still cracked underneath the impact of your frame hitting it. Blood covered your vision and a cough shook your body with painful wave overtaking your entire nervous system.

“So that’s the infamous hollow purple, huh?”, you muttered, leaning your head back against the cold solid behind you. There wasn’t much in your body that wouldn’t be fractured at least, you could tell without a mistake that your heart was still beating only because of the cursed energy that still circled throughout your frame.

Both men appeared in front of you, jumping from above – Suguru coming from one of his flying curses and Satoru, probably just teleported here.

“I’m sorry, y/n,” Gojo whispered, squatting in front of you and Geto followed his motion to level his vision with yours.

“’ts alright, ‘toru,” you muttered, feeling the dizziness taking the best of you. After the hit you took, you were certain not even a genius like Shoko could save you. “Sugu… both so strong.”

Exchanging a quick glance, both sorcerers sat down, on your sides, paying no mind to the puddle of blood underneath you. They took your hands, so small in comparison to theirs, now red and wounded severely, but the pain you couldn’t feel much of anymore.

“I’m sorry I didn’t take this mission for you. Back in our days. It was meant to be mine, but I was training,” Satoru confessed, squeezing lightly the fractured bones in your palm, reminiscing of the day that was the beginning of your end. The elementary. That day engraved itself in his memory as one of many days that seemingly mattered nothing. Yaga told him about the issue, the curse and fire in school for the youngest, but he brushed it off, focusing all of his mind on perfecting the last touches of his technique. He still remembers how sensei was mumbling profanities, but couldn’t care less because he was that close from teleporting.

“’ts okay, ‘toru.”

“I’m sorry I wasn’t there either,” Suguru added, his voice barely a whisper as you leaned your head against his shoulder, desperate to ease the heaviness. What Geto remembered from the day in question was that he had an issue with his own technique. Little difficulty, as he was absorbing one of the special grade curses he just caught. It wasn’t severe, it wasn’t even that important, he could have fix this on another time and take the god damn mission, but instead, he declined. “I thought if I don’t take the job, Satoru will, but turned out, it got to you.”

“Sugu, ‘ts ok.”

“Remember how we used to sneak out the dorms to get ice cream in the middle of the night?”, Satoru changed the topic completely – a defensive mechanism to lighten up the mood, to prevent him from crying. And you hummed in response, lowering your heavy lids.

“And how Satoru got drunk after three sips of a beer? That’s when we all knew he’s the lightest head in the history,” Suguru added and faded images of how Gojo discovered that he cannot drink to save his life rushed to the front of your mind.

You had no idea how long it took, was it few minutes or merely few seconds, but you listened to both men rambling above your head, reminiscing of your school days and everything that you did together. Of every prank you witnessed that they took on poor first years, of every little mischief and menace they performed, following Satoru’s lead, because it’s always him who stood tall in the name of chaos. You were humming softer and softer, quieter and quieter.

Until you were not.

“And then we put those cupcakes in Nanami’s bed and-“

“Satoru,” Geto cut him softly, looking down at your stilled frame. At your frozen chest and softened features, sensing no more heartbeat. And Gojo turned his eyes towards you as well, taking in the last picture of you, who he loved as his little sister, even though there was no age gap between you and him. And then they both cried in silence, spending another hour with your dead body before gathering you and taking home.

* * *

October 31, 2018

21:18

Only word that could describe what was happening in Shibuya at this moment would be chaos. Pure disorder, people frightened and running, some unconscious on the ground and some other hiding from what was happening in the Shibuya station. Most of them couldn’t see it but felt the terror, saw the blood, smelled the death in the middle of which, two men were standing.

Both Satoru and Suguru, when they came down here to fight whatever the hell was attacking people, couldn’t move; their heads void of any logical thoughts as memories rushed to the fronts of their minds. Stunned to the core and frozen, they looked into the eyes of the person in front of them, distrusting their own vision. The person that wore the familiar look of you, the energy of you and what seemed like – the same cursed technique, and voice, and face, and hair, and everything. Not one thing betrayed trickery or deception as there you stood, facing them both with a smile on your face – one of those soft ones that had melted their hearts on the spot a decade before. Your features relaxed, genuine, borderline joyous as you breathed the air around them once again.

“What…?”, Suguru snapped first, forcing his own body to move and smacking his friend’s shoulder. “How?”

“Who the hell are you…?”, Satoru whispered, voice stuck in his throat as all of the information that his senses were receiving contradicted with what his soul was telling him.

“Aah? It’s been few months, but do you not recognize me anymore?”, your voice flew through your mouth, the very same gentle and bright tone they used to fall asleep to. “It’s hurting my feelings.”

“Cut it,” Gojo snapped, now putting more pressure on his vocal cords, a groan escaping his throat in effect. “Cut the bullshit, you’re not her. You cannot be her. Y/n is-“

“Dead? Yeah, that purple really messed me up,” you chuckled, shrugging your shoulders slightly and stepping forward. “I have to admit, restoring the body wasn’t the easiest of all.”

“Reveal yourself,” Geto took the defensive stance, ready to pursue with attack if needed and his curses floating behind him on standby. “You’re not fooling us.”

“Ah, how stubborn,” another laugh brightened your face, only now more menacing, more teasing as your dainty fingers reached up to gather the lose hair out of your forehead, revealing a line of thin stitches across your skin there. “See, you really did me a favor by burying her body oh-so traditionally. Isn’t that the procedure to burn every deceased sorcerer?” your mouth was moving, spilling the words interlaced with taunt as the, what looked like, thread was pulled out of the horizontal line above your eyebrows and soon after, grabbed by the hair, the top of your head was lifted, revealing the terrifying image of a brain. With mouth of its own.

“What did you do to her?!”

“Oh, I just took what you two threw away,” you replied, slowly putting the upper skull part down on its place, matching the lines as the thread went through the holes by itself, securing the head together. “And I have to thank you for your little sentiment. If not for that, I wouldn’t have my perfect vessel. Ah, but it’s sad, isn’t it? Such a young, pretty girl had to die so early, and more so, killed by her own best friends. What a waste to jujutsu community, don’t you think?”

Both the boys stood there in shock, guilt eating them alive as the salt and acid was being rubbed into the wounds that just opened. The scabs of the past were ripped away, revealing the gushing pain and Satoru growled in anger, realizing that once again, he might have been responsible for what happened to you. This time, Suguru kept up with him in terms of fury, feeling his own blood boiling in his veins, unable to watch your body being possessed like this, used like a toy.

“Y/n, I know you’re there-“ Gojo called, but got stopped quickly by another pilfering laugh.

“Oh, but she’s not. Her soul is long gone and dead. You made sure to have her soul dead, and you have to know I nearly teared up reviewing her memories when I took the body. Such a poignant story, oh, so heartbreaking.” The teasing had no end as more and more poisonous venom spilled through your mouth, contradicting the carefree and joyful tone of your voice.

“What makes you believe that even if you take her body, you can win here? We’ve defeated her already,” Suguru narrowed his eyes.

“Oh, you’ve won but that’s because she let you two won. Wasn’t that surprising how easily you finished her? A special grade? How she didn’t even try to dodge the hollow purple, like the little curse that she was fighting with was really that much of a struggle? Oh, don’t be silly, you two. It wouldn’t be that easy if she tried.”

“We won’t let you-“

“You must understand your situation. What you’re standing in is a special grade cursed object. A prison realm, and to say it simply, you’ve already lost,” you pointed at the floor, from where the four corners of a cube stretched into a mass of flesh, with an eye – giant and bleeding, staring at its target, as the next stage of sealing began before either of sorcerers reacted. “And what’s more interesting, the prison realm can seal only one person at the time, but with the incredible technique of my current host, I was able to fuel its capacity to two occupants, by manipulating the cursed energy it used. Marvelous!”

The cursed object began enveloping both men, rendering them helpless and immobile, as their cursed energy became unavailable for their use.

“We’ll save you, y/n, you hear me?”, Satoru yelled in unison with his friend and the lone tear rolled down your face, before your hand reached up wiping it in amusement.

“Gate close.”

[literaryvein-reblogs]

Writing an oc that's a streamer?

Writing Notes: Streamer Characters

Live Streamer

Also livestreamer or online streamer

Someone who makes videos that show them playing computer games, talking about products, or doing other activities, and streams them (i.e., puts them on the internet) at the same time as they are being made.

An individual who broadcasts real-time video content over the internet, engaging with an audience through online platforms.

Transmits live or on-demand audio or video content while users listen or watch.

Livestreams are deployed over various platforms, including social media platforms like YouTube Live, Facebook Live, Twitter, Instagram Live, and TikTok, as well as through professional business services, such as Kaltura and Dacast.

Unlike pre-recorded videos, live streams occur in the moment, allowing viewers to interact with the streamer through chat functions and other interactive features.

This immediacy creates a dynamic and engaging experience for both the streamer and the audience.

Live streamers cover a wide range of content:

playing video games,

hosting talk shows,

conducting interviews,

cooking,

crafting, and

live vlogging daily activities.

The versatility of live streaming content means that streamers can find their niche and build a community around shared interests.

Successful live streamers often cultivate a loyal following by maintaining a consistent streaming schedule, engaging directly with their viewers, and creating a sense of community.

What your Character does as a Live Streamer

Content Creation: Live streamers plan, prepare, and execute engaging live broadcasts. They choose topics or activities that resonate with their audience, maintain a consistent streaming schedule, and ensure that their content is entertaining and relevant to their viewers.

Audience Interaction: Interacting with viewers in real-time is a key responsibility. Streamers engage through live chat, responding to comments, questions, and feedback during the stream. They foster a sense of community by acknowledging and involving their audience, using interactive features like polls, Q&A sessions, and shout-outs to enhance viewer engagement.

Technical Management: Managing technical aspects is crucial to a successful stream. This includes setting up and maintaining streaming equipment such as cameras, microphones, lighting, and streaming software. Streamers must ensure a stable internet connection, troubleshoot technical issues promptly, and optimize stream quality to deliver a seamless viewing experience.

Monetization: Monetizing their channels is an important aspect for many streamers. This can involve receiving viewer donations, earning subscriptions (e.g., Twitch subscriptions), securing sponsorships and partnerships with brands, and generating revenue through advertising. Streamers may also leverage merchandise sales, affiliate marketing, or exclusive content to diversify their income streams.

Community Building: Building and nurturing a community around their content is essential. Streamers cultivate a loyal following by creating a welcoming environment, engaging with viewers regularly, and participating in community events or collaborations. They may also moderate chat and ensure a positive and inclusive atmosphere during streams.

Continuous Improvement: Successful streamers constantly strive to improve their content and grow their audience. They analyze viewer analytics to understand audience preferences and trends, experiment with new content formats or streaming techniques, and stay updated with industry trends and platform changes to maintain relevance and competitiveness in the streaming space.

What Type of Live Streamer is your Character?

Live streamers can be categorized into various types based on the content they stream and the communities they engage with. Here are some common types:

Gaming Streamers: Gaming streamers focus on playing and broadcasting video games live to their audience. They may specialize in specific genres such as first-person shooters, role-playing games, or multiplayer online battle arenas (MOBAs). Gaming streamers entertain viewers with their gameplay skills, commentary, and interactions with their audience through live chat.

IRL (In Real Life) Streamers: IRL streamers share their real-life experiences and activities in real-time. They broadcast everyday activities such as traveling, exploring new places, attending events, or participating in challenges. IRL streamers often engage their audience by interacting with them while showcasing their daily routines or special events happening in their lives.

Talk Show and Podcast Streamers: Talk show and podcast streamers host live discussions, interviews, or debates on various topics of interest. They invite guests or panelists to join their streams, engaging with them and their audience through insightful conversations and debates. Talk show streamers may cover topics ranging from politics and current events to pop culture and entertainment.

Creative Streamers: Creative streamers focus on showcasing their artistic talents and skills live. They create art, music, crafts, or digital designs while interacting with their audience. Creative streamers often provide tutorials, share their creative process, and take viewer suggestions or requests for their next project.

Music Streamers: Music streamers perform live music sessions, DJ sets, or music production sessions for their audience. They may cover popular songs, perform original compositions, or engage in interactive music creation with their viewers. Music streamers often use platforms that allow them to receive song requests and interact with their audience in real-time.

Fitness and Sports Streamers: Fitness and sports streamers broadcast live workouts, training sessions, or sports events. They provide exercise routines, fitness tips, and motivation to their audience while demonstrating exercises or participating in sports activities. Fitness streamers may also engage in challenges or competitions with their viewers.

Educational Streamers: Educational streamers conduct live tutorials, lectures, or workshops on topics such as science, technology, languages, or academic subjects. They share knowledge, answer viewer questions in real-time, and provide interactive learning experiences through demonstrations or experiments.

Cooking Streamers: Cooking streamers broadcast live cooking sessions where they prepare recipes, share cooking tips, and engage with their audience while demonstrating culinary techniques. They may also take viewer suggestions for recipes or cooking challenges, creating a community around food and culinary arts.

What Would your Character's Workplace Look Like?

The workplace of a live streamer is typically centered around creating a conducive environment for broadcasting engaging and interactive content.

Unlike traditional office settings, live streamers often work from home or a dedicated studio space that they have set up for streaming purposes.

This space is vital for maintaining control over the streaming setup and creating a comfortable atmosphere conducive to content creation.

At home, live streamers often have a designated area or room where they set up their streaming equipment.

This might include a high-quality camera, microphone, lighting rigs, and a powerful computer or gaming console capable of handling streaming software and gameplay simultaneously.

The setup is tailored to their specific streaming needs, ensuring optimal audiovisual quality and reliability during broadcasts.

Beyond the physical setup, the digital workspace of a live streamer involves managing streaming software, interacting with viewers through chat functions, and monitoring analytics in real-time.

This requires multitasking skills to engage with the audience while focusing on gameplay, discussion topics, or other content being streamed.

Streamers also use this digital space to collaborate with moderators, manage community interactions, and coordinate special events or collaborations with other content creators.

Some Streaming Strategies your Character Could Use

Makes their livestream unique

Focuses on their livestream audience’s needs

Surprises their livestream audience

Promotes their livestream

Interacts with their viewers

Tells viewers what to do at the end of a livestream (e.g., see more content, attend an event)

Sources: 1 2 3 4 5 ⚜ More: Writing Notes & References

Hope this helps with your writing!