#save me from the new things

[a-ikus]

peanut butter sandwich save me

[bacchuschucklefuck]

january month of yuugi

[ulteri0rm0tives]

It's actually so heartbreaking that in the temperance ending Johnny just.. leaves. Gets all these calls, maybe even texts, from people who don't know the extent of what happened. Who are accusing him, that are mad at him. Especially in the frame of reference that this was V's last wish. That it was V who gave the body up. That it was V who wanted this, wanted to save Johnny, Johnny essentially powerless to stop them ('just scared for ya').

And the thing is.. Johnny just lets everyone. Lets them make their own conclusions, lets them be mad at him. Lets them blame him. Lets them think, that after the love of his life the person who's ever wholly understood or cared about him the most like no other ever could had 'died', that it's his fault, that he could do that to them... Or just lets them think the worst of V as their final lasting impression or mark on this world. Doesn't try to defend himself nor V. He just leaves. Just takes it.

And you would think. You would think the one he would at least tell is Kerry. That the one to actually understand the most would be Kerry. I don't think any of the other love interests could get the whole engram situation like him, they don't have that personal history or connection to the code on the relic like he did after all. Kerry knew Johnny. Enough at least. But Johnny doesn't tell him, and Kerry just thinks V ghosted off on him and Johnny just lets him think that. And it just makes you wonder.. why would Johnny do that? Why would he do any of this?

[marinsdoodles]

rewatching the old fop, and these screenshots were super cute, i wanted to quickly draw them out.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[your-unfriendlyghost]

dudeeee I just met the best horse in the universe I need to be convinced not to buy her-

[egberts]

best part of reusing/saving gift bags and wrapping stuff from year to year is that when going through my stash to find a bag it's always astounding to see how cheap they used to be 3, 5, 7, even 15 years ago

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[sparklingdemon]

i know sorrow's quote was in referral to blue but i feel like it could also be applied to leaf/green herself and abandon lonliness: i am's new ending from a meta standpoint if you think abt it hard enough……….

i mean. did we not see OP try to rewrite history in order to prevent the tragedy of lonliness and leaf rotting in hell? do we dare to forget - to erase what she did to lonliness? can she be forgiven now that it never happened in the first place...?

[burningcheese-merchant]

cmon burningcheese headcanon generator 3000. I know you got some more in there so SPIT IT OUT ALREADY!!!

Should I change my blog name to that, I wonder ��

Rough day today so I'm going to answer this particular ask in an attempt at self-soothing because BurningCheese makes me happy haha

For Valentine's Day, Burning Spice likes to show off his surprising way with words by writing Golden Cheese poetry. Even today, after knowing him for so long (and knowing he's not dumb, far from it), she still can't help but feel astonished by the silver tongue he hides in his mouth. He's been doing this since long before they ever got together (he started when she began tolerating him enough to allow him near her outside of their usual sparring sessions lol) and he's never missed a day. Even when she still hated him, she was never able to refuse (both because he knew to play to her love of gifts, and because he wouldn't leave her alone until she took the damn envelope lol)... Nowadays she almost acts like a schoolgirl with a crush, in how excited she is to see what he writes her next. She keeps them all safe in an everything-proof box and it's one of her favorite things to receive from him (like so haha)

Likes To Bite x Likes Being Bitten (and it goes both ways lol. GC just waits until they're alone to give him a nibble. He loves it so fucking much you have no idea)

BS's main love language is physical touch, which he gives GC in spades. A hand on her shoulder, an arm around her waist, grabbing her and yanking her away from whatever she's doing and into an inescapable hug, holding her in his lap, smothering her with kisses, adult fun time (wink wink)... He simply cannot keep his hands off of her, nor does he want to, nor will he ever. (this also extends to fighting. They still spar all the time, for fun. Old habits die hard)

BS is extremely clingy at bedtime, he will grab onto GC and fall asleep and not let her go no matter what (he won't wake up either, he sleeps like the dead... Unless she tries to get up to drink water or something, then he's awake and grumbling and fussing like a spoiled baby until she's back in his indestructible cage of an embrace)

GC doesn't like spicy food at all. She indulges BS when he wants her to try food from his homeland because that's what lovers do for each other (and she's too proud to chicken out), but... goodness, those people are insane. They think this amount of spice in a dish is acceptable??? BS just thinks it's really funny to watch her sputter and her face turn red when she eats a mouthful of vindaloo lol (although he secretly hopes that any children they have do not inherit her spice intolerance)

BS helps GC preen or otherwise tend to her wings when necessary. She used to ask her attendants to help, now he's the only one who's allowed to (they've come a long way since this haha)

They're both very jealous and not jealous at the same time, if that makes any sense. Neither doubts the other's loyalty or devotion, not one bit. Buuuuut alsooooooo they don't like when anyone else tries anything with the other lol. Someone even LOOKS at GC Like That and BS is either getting in their face to intimidate them or being overly touchy with GC to establish dominance lol. (GC usually doesn't need to step in if the reverse happens, BS will just tell other women to fuck off point-blank. But if they don't listen, then it's HER turn to be overly touchy to establish dominance lol. Also, lots of mean girl insults. That's what you get for trying something with her man)

BS proposed to GC on the same cliff where he tore up her wings. Very macabre and tasteless on the surface, admittedly, but he saw it as undoing the dark, unfortunate significance that place held. Making new, happy memories to replace the old, unhappy ones, ykwim? (She understood what was meant by them being there when it happened, she was actually very touched)

BS is GC's new throne. Being significantly smaller than him means she fits really snug in his lap. An extra throne was not built for him after they married because GC said that he's allowed to sit in hers and she'll just sit in his lap when he does lol

GC tastes rich and a bit salty; BS tastes very hot and spicy. His is actually the only spice she can tolerate (and thinks is delicious)

Something kid-related just because: GC named their son, BS named their daughter. But you probably could've guessed that on your own haha

[fortune-maiden]

Thinking about Shao Yuanyuan and her wildcard potential and it hit me today... just how much does she know? Does she live in a time loop similar to Lu Guang or does she hop in and out of the past like Cheng Xiaoshi? Does she know that Cheng Xiaoshi also has a death node?

It suddenly occurred to me to that the Shao Yuanyuan we likely saw during the fire in Ep 4, was either a time leaping SYY from the future or at least one who had information from her future self to know to be in Bridon at this point in time and also a Shao Yuanyuan who might have just realized Cheng Xiaoshi had awakened his own powers.

Given her meeting with Cheng Xiaoshi in Ep 6 where she acts like Cheng Xiaoshi should be aware of how this all works, I suspect that it's because the version of Shao Yuanyuan from Ep 4 arranged this meeting because she encountered Cheng Xiaoshi during the fire and thus knew he would show up in Bridon and go searching for them through Wang Qing. She needed to set up that meeting so she could tell Cheng Xiaoshi face to face not to pursue her anymore (and make things more complicated).

I also think that was her second attempt at doing so - the first being to go back years earlier to tell the Qiao family not to let him go to Bridon. But the future refused to change so she found another opportunity to try again.

And based on Lu Guang's comments it sounds like she would have also failed again in the original timeline. It's not clear how her conversation with CXS went last time (if there was one) but at the very least she might not have had time to make CXS promise not to chase after her anymore, and that would have likely sealed his fate. If anything, a sudden interrupted meeting like that might have even encouraged him further.

And this is all coming from a Shao Yuanyuan from an unknown point in the future...

Anyway this is a lot of words to say where in time is Shao Yuanyuan?

And what the heck does the timeline look like from her perspective?

[sainz100]

Max & Daniel at the 2018 Jumbo Race Days at Zandvoort

[rexonalapis]

it is very telling that average genshin players cannot comprehend seeing an actual mature, qualified leader that is actually good at taking her job seriously after meeting archons who either is still childish, clowning whimsically, or straight up incompetent.

[pup-pee]

the whimsey took me. blame these guys whove had a hold on me since whenever i watched the cartoon as a kid

anywaysssss harpoon mermaid au ^_^ ((if yk that 1 manga ykok))

[kinokoshoujoart]

oops all rock (springtime edition)

i’ll be able to draw digitally again soon! ;w; in the meantime i’ve been scribbling a lot on paper…

could not wait for Soon, so i resorted to coloring it using the markup tool in default iphone photos app (don’t do that ever again)

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.