I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved.
Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.
Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)
As for the rest of it, let's take it point by point.
Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)
Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.
Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)
Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.
There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)
The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"
Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).
But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."
So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.
...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)
First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:
Only Complain To Someone Who Can Actually Do Something About Your Problem
So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.
So: write to corporate.
In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.
The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].
"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."
This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.
Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.
And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)
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LOCKED AND LOADED [Yandere!Wanderer x Reader]
Prompt: The world is about to end. How will you grieve when you're forced to be with a miserable man until the last second? [Dedicated To: @mixed-kester for the Alone Together Event]
Content Tags: yandere!scaramouche "fluff" oneshot (yes, there are no other parts:]), major persona 3 spoilers but you DON’T need to know the game before reading this since everything is explained, improper use of a S.E.E.S evoker /j, Scaramouche is so normal about you, UNRELIABLE NARRATOR, major character death/s–
V. Acceptance.
"Where the hell are you, (Y/n)?"
Standing near what should have been the front doors of his university was a short man with dark purple hair. He leaned precariously against them, his head tilted upward as if the sickly green moon's ominous pull was nothing to be afraid of. Gekkoukan University's nearby dorms– fraternity and sorority houses included– are not usually this silent. Instead of people, coffins were aligned perpendicular to the ground.
The wanderer glanced at his watch with mild interest. He had been waiting for a while now. Your guest hoisted himself up, circling the ground with the tip of his shoe. The baseline of his attitude had always defaulted to irritability and passive-aggressiveness. The vertically aligned hour-and-minute hands do not placate it. The timing itself makes it worse.
It's December 31st, 2009, 12 AM– the Dark Hour.
With a harsh sneer, he pocketed his hands. You usually have the door to the Velvet Room open to him whenever. What's the big deal? Were you seriously THAT mad at him? Really? He didn't do anything to warrant this "pettiness". He had never known silence as much as this moment.
You should've accounted for the hostility that proceeds on the "off-chance" he did arrive early.
His tone darkened, his bloodied hands gripping his S.E.E.S evoker tightly.
"If you don’t show up, I will cleanse the world of human emotion all by myself"
You shook from afar, afraid of how he wouldn't hesitate to make his threat a reality. He had already taken so much– you were beyond mad at him. You were terrified. Wronged. Abused. You didn't want to step into the light. Much worse, step into his shadow.
The worst thing evil can do is to turn you into one of them.
He clutched the bloodied yellow scarf in his hands tightly.
Why did this happen?
How did things END up like this?
IV. Depression.
You took a deep breath and charged forward.
You don't trust [Wanderer] ever since Ryoji told him about the impending apocalypse.
Seldom do you leave the Velvet Room. You weren't hiding in the Velvet room months before the end of the world was imminent. When April had only reached its fourth day, there was nothing you wanted more than to spend time outside. So ignominiously innocent. You did not know who [Wanderer] was and how much effect he would have on your life at the time. You were just tired of the ongoing stream of uneventfulness.
And now here you are, berating the protagonist in full.
"[Wanderer], why is Ryoji missing?! US ATTENDANTS CAN'T FIND TRACK HIM ANYWHERE!!!"
With a fistful of his university uniform, you yanked him by the collar. Your eyes were livid as you reeled your composure. This wasn't what you had in mind when you were "isekai"d into a video game. Out of any game, why did it have to be Persona 3? And out of anyone that could be a protagonist, why did it have to be HIM?!
You thought this would be a grand affair... Whatever they spun in anime back when your reality existed were pure lies. Where are the scenic views? The mountains? The grasslands? This plane of existence you're forced to sit through for eternity was far from the RPG fantasy people would hope for. No closer you could ever be to paradise.
In fact, this man is threatening to ruin said paradise.
[Wanderer] pulled your hands away forcefully. His glare was not that different from yours. "Why do you care about him so much?"
"Oh, I don't know! Maybe it's because his death means forgetting everything?!" You clenched your empty fists. "You know damn well what happens if he dies! You'll lose all the help you can get to stopping the Fall!"
Such a heavy weight on your shoulders but the protagonist doesn't care. This may be a turn-based game– but it wasn't based on you. If it was, you wouldn't be screaming your heart out at him! You wouldn't be an NPC. Hell, you'd probably be a better protagonist than him.
You closed your eyes, took a deep breath, and sighed every stress out of your system.
"Listen—" You rubbed your temple. "You need to start forming bonds. Social links. Support system. Confidants. Whatever you want to call it. You were supposed to have the answer by now as to what life is for."
[Wanderer] remained silent throughout your spiels. His facial expression alone was enough to infer immense disinterest. You were mindlessly doing your job. There will be no tirade or physical aggression that can convince him that you believe in your assertions with full conviction.
"Do you want to see him?"
"Yes! Of course. Knowing you, you're—"
"Tempted to kill him because you think I want the world to end?"
"Obviously."
That's where you're wrong.
A nihilistic man can have other reasons to commit murder.
"But if he's missing, you can forget about him, right?"
"What on earth are you talking about?!"
[Wanderer] turned around. "Meet me later, you know the time."
"I'll show you where Ryoji is."
III. Bargaining.
XX/09/2009
He doesn't recall the time he was brought into this world like you had.
Puppets are malleable. Memories are easy to overwrite when your body is held together by white wood and "khemia". His past evades him.
Maybe it's better this way.
He took you to Chagall Café. Although it was your first time out in a long while, he had no qualms about ignoring your questions. He feigned deafness as you asked about the news, his college life, friends, or anything related to what was happening in 2009. And he even ignored your humble request to buy the cheapest coffee for you. Instead, he bought you a chocolate frappe.
"For Elizabeth's cutest little sibling." He said, sarcastically copying Elizabeth's tone as he sharply handed the drink. "Wouldn't want everyone's darling to get a caffeine addiction."
Thanks, asshat.
Of all his offensive behavior— he really spent more money just to insult you. You shook your head and accepted it. It's the most expensive one on the menu too. What dedication to being a hater. But before you could open your wallet, he shot your payment down.
"Just take it." He smirked. "Look at you, paying me back for treating you poorly. Are you a masochist?"
You immediately shoved your money back in. "You still bought me a free drink, so really, who's the loser here? Prick."
[Wanderer] laughed heartily before he pulled out his battered codal, which had underlined texts for provisions he deemed important. There was a momentary softness in his gaze that disappeared in an instant.
But that's the only conversation he planned on having that evening. He did mention he'll drag you out in his study session so you weren't too shocked by it. Instead, you sat and awkwardly people-watched. The world you came from and this one were identical. You got through your old 2009 just fine— it's just that Tatsumi Port Island was not a real location from your original Japan.
Your memories about the video game Persona aren't very clear since you reincarnated in the game, but the red band [Wanderer] wore on his sleeve affirmed that he is the leader of S.E.E.S. It's nice to know that someone like him has the potential to become a leader.
[Wanderer] appeared wholly immersed in his studies.
…
Maybe he wouldn't notice if you looked around—
…?!
He immediately grabbed your hand. You yelped slightly as you noticed the iron grip he had.
"Where are you going?"
Don't leave him.
He squeezed just a bit more tightly.
"W-What the— I'm just going to the bathroom." You felt a shiver down your spine as you shared his gaze. There's a dull coldness to it you couldn't quite place, as if he had been a witness to injustice, sevenfold.
You quietly sat back down. He still hasn't let go of your hand.
"Good riddance." He muttered.
"If it isn't [Wanderer]!"
You turned around, yanking your hand away.
It's Ryoji.
You stood up, gawking.
"W-Woah, are you okay?" Ryoji asked, hurriedly approaching you. While you were frozen in place, [Wanderer] looked at his empty hand, feeling your warmth escape his fingertips.
G-Good… he's still alive.
You thought [Wanderer] killed him.
[Wanderer] is the wildcard, and that's a terrifying factor to consider. He hasn't shown any interest in humanity. Knowing his past has not increased any hope on your end. Everyone else in his eyes are insignificant insects.
He has the power to end Ryoji.
He has the power to end this world.
Locked and loaded.
Ryoji's eyes softened. "Wait, I think I know a beautiful face like yours from somewhere… You must be [Wanderer]'s attendant, (Y/n), right?"
You blinked.
"Wait, how did you…"
He chuckled, taking and placing a soft kiss on your gloved hands.
"I have my ways." Ryoji winked.
"Don't touch them." [Wanderer] sneered.
Ryoji stood up straight, unfazed by his threatening tone. You took a moment to examine his appearance. He had a lot of white clothing and a big yellow scarf around his neck. Just below his left eye is a mole. On the surface, he appeared quite human, but everyone seated at this table was aware of his true nature.
He is the 13th arcana. The appraiser.
You and [Wanderer] have every right to be wary.
"I'm Ryoji Mochizuki. It's nice to be officially introduced to you, Mx. (Y/n)."
"Ryoji Mochizuki…" You tasted the syllables.
"Oh? Who knew hearing my name from your lips makes it sound so wonderful."
"C-Cut it out, you don't mean that." You said, a little flustered.
[Wanderer]'s gaze fixated on you, stewing in his concoction of envy and misery. His fists were clenched beneath the table, knuckles turning white. With narrowed eyes, he watched as you continued engaging in conversation with Ryoji. His laughter was grating his ears. He couldn't bear the sight of you engaging with another man, especially someone as flirtatious as him.
Ryoji, sensing [Wanderer]'s distress, shot him a casual glance. To top the look, he paired it with a knowing smirk. He made mental notes of the man's clenched jaw and tensed shoulders.
"You seem a little on edge, [Wanderer]. Finals coming up?" He feigned innocence.
"It's December, and I'm not on edge." He scoffed, trying not to make his gritted teeth evident. "Don't you own a calendar? Finals are in March. To think a pea-brain like you managed to transfer to Gekkan…"
"Right, right." Ryoji smiled, closing his eyes. "Then it must be my proposal you're thinking of."
You stiffened; [Wanderer] did not.
"Ryoji—"
"I know, Mx. (Y/n)." He started. "I know you're not too keen on the idea of killing me. My existence is the affirmation of the Fall. None of you— sorry, I forgot (Y/n) is from the Velvet room— I meant none of them will live till Spring… Or perhaps it's more accurate to say they'll forfeit the will to live."
…
"… I-I'm sorry." Ryoji buried his face in his yellow scarf. There's a certain tremble in his voice that truly emphasizes his sorrow. "Just as all living things die, the flow of time cannot be hindered. But there's comfort in killing me. If you do… you won't have to suffer for the coming days."
If [Wanderer] kills Ryoji, Tartarus, the Dark Hour— the burden of everyone's memories will all disappear.
But [Wanderer] can retain his.
He's not originally from this world after all…
However, should he let him live, the rest of S.E.E.S's life will continue until everyone's inevitable demise.
"Yeah, yeah. Whatever."
[Wanderer] rolled his eyes, diverting his eyes back to his notes. "Everyone will die soon, who cares? I've heard your spiel several times already. You need to get more entertaining material."
"[Wanderer]!" You scolded him.
Your eyes widened in disbelief at [Wanderer]'s unwittingly casual jabs at the apocalypse. You wanted to ask him if he was even listening, but the truth will disappoint you. A cold sweat formed on your brow.
Ryoji's smile crooked into a hopeless one.
"You depend on (Y/n) too much."
[Wanderer] froze. "What did you say…?"
"You have a group of people around you, eager to establish a bond— eager to be friends with you. You have met Junpei, Yukari, Mitsuru, Akihiko, Fuuka, and many others– but you don't consider any of them as your friends." Ryoji shook his head. "Instead, you spend your time with just (Y/n). Never anyone else. Just them. To the point that I think it's unhealthy."
"I don't care for humans." He replied immediately.
"You're human too, [Wanderer]." Ryoji shot back. "You're made of blood, bones, and flesh."
[Wanderer] fell silent. What Ryoji said was true, and yet…
"Am I?" He laughed.
The sound was hollow and mechanical. Deprived of genuine mirth. It did not sound forced, yet his eyes were dull.
…
Perhaps he lived as a puppet for so long that the idea of being human has yet to reach him.
Ryoji shifted, uncomfortably glancing between you two. The tension was palpable despite the cafe's peaceful ambiance. Ryoji cleared his throat softly.
"I should leave…" He trailed off, voice slightly wavering. His eyes darted around, scrambling for words to say. "But, um, before I leave, I just want to say again that you need to give it some more thought, [Wanderer]... It's a big deal… Just…"
Ryoji sighed. "Remember to make your choice to spare or kill me by December 31st. I'm glad you're having fun but don't get too distracted with (Y/n). I'll be waiting."
That being said, his footsteps reverberated loudly in the otherwise still room as he turned and headed for the door. He dared to turn back as he grabbed for the doorknob and saw you two sharing a look that he couldn't determine if it was one of contemplation or displeasure. He hurried out and the cafe door shut behind him.
"Happy?" [Wanderer] bitterly asked.
You paused for a moment… then grinned.
"Tsk, what are you laughing at, worm?"
"Nothing, nothing!" You shrugged. "I just thought that for a guy with a stick up his ass, you're cute when you're jealous."
That riled [Wanderer] up in an instant.
You do not know the full extent of his envy's filth.
"I am NOT—" He stopped, realizing how counterproductive it would be. "Whatever. I don't care."
"Uhuh?"
"Shut up and finish your damn chocolate!"
II. Anger.
Before you know it, it's April.
"Seriously, you three, I'm bored as fuck! Can't I just take a stroll outside?" You yelled, waving the heavy persona compendium in the air as your sisters ignored you.
It hasn't been long since you reincarnated, so your right to go outside isn't as liberal. Given the impending threat of an apocalypse, the Velvet Room attendants are especially overprotective.
"(Y/n), dear sibling, watch your mouth! You mustn't let Igor or Nameless hear you speak so vulgarly."
Taking a good look at your new "siblings", you've noticed how almost everyone was present. Margaret sat elegantly on the sofa while Theodore & Elizabeth were doing their best to calm you down. It's almost rare to have all three in one place. The three oldest were busy-bodies who had more eccentric matters they devoted their attention to. Including rapping and dancing, though neither performances are good for your senses.
"If boredom plagues you, then you should try teasing Theodore." Elizabeth yawned. "He's easy pickings."
"Sister!" Theodore pouted. "Shouldn't (Y/n) focus on studying how fusing works? It would be a better use of their time…"
"The day (Y/n)'s new wildcard learns the value of social links might just be the day miserly politicians become generous." Elizabeth shrugged.
You paled, tugging her sleeve. "Oh fuck… Am I screwed?"
She gave you a lopsided smile. "I may be your new sibling but that does not mean I am obliged to resolve your problems, (Y/n). Learn to solve this on your own."
Theodore coughed.
"Please, stop scaring them, sister Elizabeth. It's not their fault this new guest is a cruel arbiter. I fear there will not be a second of groundless joy in store for them…"
"You're not helping me relax either! Motherfucker. Can't you two speak normally?"
"Settle down, all of you."
The four of you stood straight as Igor tilted his chin up. Though you've gotten used to his bloodshot gaze, it had a way of prickling your skin this time around. With his signature smile, he closed his eyes and snapped his fingers.
"Our guest is about to enter."
"W-Wait, RIGHT NOW?!?"
Before you could react, the room transformed into what appeared to be a large elevator. The walls were barred and creaking noises began to subtly make their presence. A floating door materialized, and soon, opened.
Dark purple hair and eyes, short frame, soft face.
"…Hmm?"
You blinked.
"Wait, no way…"
You know him.
Of course, you know him.
"Everyone, meet [Wanderer]."
You decided that you two should reintroduce yourselves and forget that the past ever happened.
For now, you had been gifted with a vital role: being the protagonist's attendant.
According to your Igor, your role is to assist your guest in fusing personas. He had chosen you specifically in advance as you are his "anima/animus figure". Initially, that job was for Elizabeth. However, your beliefs, your intuition, your emotions— they're in perfect tune with [Wanderer]. Igor expects you to facilitate their spiritual and psychological growth and implore them to interact more with others.
Which, based on that alone, sounds like this puppet just hired an unpaid therapist.
"What do you want?"
"Well…"
Since you became [Wanderer]'s attendant, you've started to have thicker skin. He will always make his crankiness known each visit. You're slightly grateful for it, for how else would you know patience otherwise? Though his personality rubs you the wrong way, his strength does have merits you cannot ignore. Even Belladona, the Velvet Room's devout singer, had sung praises for his mettle. There was one line that struck you about her song, something about him being like a puppet with a beating heart unbeknownst to himself…
Which is why you thought you might as well try to see if you could convince him to take you out sometimes.
"What, like a date?" [Wanderer] scoffed then smirked, a light blush on his face. "Are you really that desperate?"
"No, eww—" You rolled your eyes. "I meant it literally. Igor and the others wouldn't let me go outside unless I'm with someone they trust."
He looked away and covered his mouth, his shoulders trembling slightly.
"Like a child?"
"Yeah, yeah, shut the fuck up." You deadpanned, your pride slightly chipped. "Like a child or whatever you want to see it, as long as it gets me out of here. I just want to see the world before it all…"
You paused.
Better not to bring it up. You're not sure if Igor told him yet.
[Wanderer] raised an eyebrow. "What's in it for me?"
You shrugged. "Is money not enough?"
He paused.
…
"You've got to be kidding me— Fine, what else do you want?"
His eyelids lowered, hissing slightly. "Evil expects evil from others, huh? I wasn't trying to think of anything more, but now that I think about it…"
"Oh, great."
"… I can take your request," he pointed at you. "But only if you join me in the library. Anywhere else, especially loud places like clubs, I'll send your ass back."
That's a no-brainer.
"Deal!"
Though you've missed the peculiar sight, [Wanderer] had a small smile on his face as you shook hands. The two of you had become nearly inseparable since then.
Worryingly, he's closer to you than other humans.
The only relationship he needed was with you.
And with what little time this world has left, you hope you could have a last cup of coffee with him…
I. Denial.
Your reality crumbled. What a START.
Your family, friends... all gone. No one was left. You convince yourself you "deserved" this punishment for smoking a life away with dreadful workloads, no matter how untrue it was. When the world burnt down, you were sent into a darkness you had not known before.
The person in charge of your reincarnation process told you that for the next few minutes, you and a selected companion will see your lives flash before your eyes in a void— and it will not necessarily be a comforting sight.
But you woke up relaxed. In an abyss filled with broken mirrors meant to depict your character to pieces, you donned a plain expression. There was not an inch of you that grieved for what was lost. Similarly, you had no care for how you were being transmigrated to another realm. Though you had grown accustomed to this isolation, humanity always struggled with silence. There was ringing on your fingers. When you unclasped your hands, you saw a pointed shard. Curiously, you clenched it. But no matter the tightness of your grip, no blood came out.
Your breath fogged up the glass. You wondered why that Memokeeper told you that you deserve to live on. You thought your life was rather unremarkable.
Makes sense. You thought to yourself. I'd rather pride myself on a boring life with integrity than an ambitious yet fraudulent one.
「Assignments. Commute. Study. Review. Assignments. Commute. Study. Review. Was that all your life was...? Then tell me, little (Y/n), why does the mirror in front of you appear distorted?」
And so, you gazed forward. Your reflection stood tall, larger than your life, and it beckoned you to come closer. This "(Y/n) (L/n)" had the opposite of a Cheshire grin- perhaps a caricature- perhaps an accurate depiction. Wearied of yourself and wearied of the sycophantic students around you. How unhappy are you to see yourself as someone like this? Are these the emotions you wish to be preserved? Is this the memory you want your world to be remembered by?
「These memories must be corrupted. Someone must be tampering with them. I do not think you lived a miserable life.」
I can't answer your questions either. But I think that reflection is who I am, because sometimes...
"I wish I had never been born at all."
Your lips were parted, but no sound came out. You resonated with those words, but they did not come from you. The voice was dark, hopeless, and alone.
When you were being sent off, you thought no one was around to greet you. There was another man. He had short hair and purple eyes- an incredibly rare sight in your world. This man seemed to be gazing at his reflection as well. You needn't know how he saw himself. The emptiness in his eyes did not differ from yours. He, too, was masking isolation as independence with an intense fragility. The dread he inflicted upon you was the closest you've ever gotten to facing your own perceived "weakness".
His memories were a mixbag. Some were filled with domestic bliss, but the anger in his heart triumphed more. He had friends but thought himself betrayed. His heart was constructed through a system of evasions, and he was a specialist in self-deception. This man knew little of emotions but had an abundance of it. It's no wonder he refused to sacrifice the artistry of his vengeance against humanity. You can sympathize with how he could not attach himself to those around him. He was burdened with malicious knowledge. Fakes. Lies. Insincerities. A class of his own.
However, he had a sin you cannot empathize with. A trait you can read that you're certain he had never noticed about himself.
He was a sickeningly beautiful man with a peculiar innocence.
He looked like a man who truly did not live in the real world.
This man did not feel real to you. He felt made-up. Fictional. His aura of flawlessness appalled you. Though you shared the same sentiments, you thought him dimensionless.
Yet this is supposedly your first meeting.
「Is it? Where have you seen him before? Can't you remember, dear (Y/n)?」
No. No, I can't.
「... What a shame. Worry no more, little (Y/n). Close your eyes. When you wake up, you will meet your new reality— new realm— new family.」
You nodded and agreed to a higher existence you did not believe in. Unlike others, you were a little bit more incapable of trusting a living soul. But there's no other choice.
Life is ordinarily far from anyone's control in the first place. Why bother fighting? If following can make her fuck off, it doesn't matter.
Nothing matters.
Wait…
Is that…
Scaramouche?
Before you closed your eyes and accepted your fate, you could've sworn...
He looked at you with a crooked grin.
「Thou art I... And I am thou...
Thou hast established a new bond...
Thou shalt be blessed when creating
Personas of the Universe Arcana..."」
"Hmm. Strange… Is that truly the order of the story?"
A woman stared at you.
Not (Y/n) (L/n).
YOU.
BEHIND.
THE.
SCREEN.
She smiled wryly.
Hate might empower you for a short while, but it comes at the cost of consuming you whole. Should a shard or any surface reflect [Wanderer]'s face, he would understand what he had become. However, it's too late. He had made his choice and stomped away any remorse he could have. When all is said and done, he alone will spread the ashes. He alone will stand. A blank slate.
[Wanderer] spent his life looking for scapegoats and ended up removing his responsibility.
Betrayals?
What a sad, sad puppet.
What a poor excuse to justify an entire apocalypse.
A poor excuse of a man.
"THE ARCANA IS THE MEANS BY WHICH ALL IS REVEALED." She muttered softly. "And you have been reading your story in REVERSE. Perhaps this is the only way this world can attain SALVATION. The chronological order is not a slice of life. You did not have a disagreement and decided to start your relationship over again. Life is far more WICKED."
"Read it again, but from DENIAL to ACCEPTANCE. The proper way to GRIEVE DEATH."
With great reluctance, she took the five cards laid on the table and placed them in an upright position.
"Let's see if you'd rather ACCEPT the truth or live in DENIAL."
Mixed-Kester can now message Wanderer [prior to 12/31/2009]
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