🦮 fill this empty space (ask game)
(link to the summary)
This turned out to be... longer than a snippet, and like the summary, angstier than I expected. It's been that kind of week ig! But there's a promising ending because I needed one :)
It had been a warm summer day when the old Marinette died.
The new Marinette woke up surrounded by golden light, soft, green grass, and the soft murmurings of a stream in northern France. It was perhaps the best way for her rebirth to happen, in a calm, relaxing environment far from the place she somehow knew was home.
She met her family there. They already knew her, and called her "maman," or "ma femme," or "my lady."
Marinette was no one's lady. She never had been, but according to video evidence and the testimony of her husband and children and best friend, that was one of the many roles her past self had filled.
Marinette did not know how to fill any of those old roles anymore. But because of the secret, magical way she'd chosen to lose her memories, she couldn't let anyone know this fact. She had to study years worth of business lessons in mere weeks, preparing for her return to Paris and the international company she would soon be in charge of running again.
At least her past self had accounted for this new Marinette's incompetence. But no one else seemed to see that she wasn't the same woman she had been once, back when a kwami lived in her purse and villains of the day (and year) kept plaguing Paris.
Adrien, the man past-Marinette had married, professed to still be in love with her. He saw some of the differences between the new Marinette and the old one, but claimed they weren't nearly as big as Marinette thought they were. And he chose to spend most of his time around her, so maybe he was right. He whispered praises for each small thing she did, both when they were alone and in public; took the time to learn her new habits; made her fresh coffee for when she woke up two hours after he did; stayed out of her bed to help her feel comfortable.
Marinette could see why her past self had loved him. It was something both halves of her were beginning to share, a love for this man who found a way to bring joy to her life even when it had been turned upside down.
But it didn't change the fact that the new Marinette was not the same woman he'd married. That fact was written into the vows Adrien and the past Marinette had exchanged; the way they had split up their chores; the daily schedule that Adrien still remembered while the new Marinette did not.
To Marinette, this new self of hers was nothing more than a facade made to cover the void her past self had left behind. She was thirty years old and as empty inside as a newborn baby, with no memories to guide her through this unfamiliar world.
Marinette was an icon, the magazines said. A paragon of virtue in an age of corruption, one half of both Paris' favorite couples, a woman who managed to be a world-famous CEO and an attentive mother at the same time.
That wasn't the new Marinette's reality. She didn't even know her children's middle names, though she was learning their favorite desserts, sports, and hobbies.
Most days, it was like learning a foreign language, and it felt just as isolating when she got something wrong or tried to remember something she thought she knew but actually didn't. Sometimes, this new life of hers was crushing, a drain on her already empty self, taking the last bit of Marinette out of her.
But not always.
As out of place as Marinette felt in her own life, the people in it still felt right somehow. They'd been there for her when she woke up; they were there to hug and comfort her when she cried in the night, to help teach her about her own life and tell her about theirs, and to listen when she said she felt different. They loved her, that much was clear, and they promised to love her no matter which Marinette she was; the old one with all her memories or the new one just fumbling through life.
And somehow, even though she claimed not to feel anything more for them than for other strangers at first, Marinette still loved them back. Their presence soothed the ache she felt in her chest, the one she felt when she couldn't remember, and she found herself more than missing them when they weren't there. She looked forward to hearing about their day, to learning their middle names; she held on to the facts they told her about themselves like sweet gifts of gold and honey, like they were all she needed to survive, to fill the empty space her memories had left behind.
The new Marinette was not the old one, and she never would be.
But maybe that was okay. The new Marinette had her own space, too; it began here, in this remote, rural town near the seashore, and it would expand back to Paris, to the place where the old Marinette had lived.
Marinette's home had always been her family, the people she loved. That was something she knew without having to remember it, and something she was more sure of every day.
So she studied the journals her past self had written, re-learned how to design, baked bread beside Adrien, sang songs with her children and stayed by their side. If her mind was an empty slate, then she was going to fill it with love, the same love she'd chosen before and was choosing again.
And someday, this new Marinette would feel whole again.
Thanks for the ask! I hope you enjoyed <3
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HELLO WIFI nightly thoughts anon again, first of all wish you to enjoy your vacation! Then I love reading so much about Marine and Arlecchino it was soo sweet ! I'd like to know more about Marine story if possible, you mentionned she can't see and has artificial skin, is she a puppet similar to Scaramouche and got broken or was she created blind ?
ohohoho you're encouraging meeeeeeee eheheheheheeheh :]
Marine is sort of like Scaramouche in that she's an artificial creation of an archon- she's specifically referred to as a "doll" at several points rather than a puppet
she's a creation of Focalors specifically to help guide Furina and keep her company (and on the right path), since Focalors knew that false godhood is a very long and lonely process, and thus Marine has a kind and motherly nature even if she doesn't completely understand it which often make young children and Melusine feel safe and protected around her. Focalors specifically made her without sight, since she wanted Marine to embody the phrase "justice is blind", and ever since then Marine has been looking after Furina and helping her and Neuvillette run Fontaine, which is why i said she's considered third in Fontaine's hierarchy
a few things about Marine's body specifically:
-she has visible ball joints like a porcelain doll, and her skin has the texture of porcelain as well
-the areas around her joints are decorated with wave-like engravings
-the energy used to power her comes from Pneuma-Ousia reactions inside her body
-her heart is made of the purest chunk of Condessence Crystal and is extremely important. if her heart is sufficiently damaged, Marine will shut down. it can be replaced, but crystals of such high purity and size are extremely hard to find
-because of what she's made of, Marine's body can crack and limbs can break off, but those can be repaired
-Marine can't see anything, not even light, and her lack of a need for sleep means she takes many nighttime walks
-does not have a Vision, her affinity with Hydro is natural thanks to Focalors
-her Arkhe is Ousia
-she rarely opens her eyes since her irises and pupils are completely white and she thinks humans might find it frightening
-she is waterproof and spends a lot of her limited free time underwater :]
Marine is the one who taught Furina how to fight (just in case!) and uses a rapier that's part of her parasol (the umbrella part is actually water that's being held in place). she was also fairly lonely due to Furina pushing her away and most of Fontaine's citizens finding her dependable but unnerving but has made more friends since Fontaine became more accepting and less formal over the years- she and Navia are close and Neuvillette is basically her best friend for life, while Wriothesley holds her in high regard because she occasionally does work for the Fortress. Marine's usually calm and gentle, but she's unafraid to become violent if anyone threatens her loved ones, and is very proficient at using her sword
and yes, Arlecchino knows. she's one of the only people who knows of Marine's nature, other than Furina and Neuvillette
(please ask me more about Arlecchino and Marine i go insane about them every day)
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Hi, Novel! I noticed on my most recent rewatch that each of the girls tends to use slightly different pronouns when referring to their future selves. Erin uses mostly "you" or "she", KJ uses almost only "she" (a couple of "I"s when she was trying to tell Mac that she thinks she's gay), Tiffany uses "we" a whole lot, and Mac constantly uses "I". Do you have any thoughts on this? I have many feelings about it, but I can't words very well.
For me, it’s a really fascinating way of showing without telling how these girls view the future. Erin flatly refuses to believe she will become Adult!Erin; she’s disappointed by every step that version of her has taken, so she distances from it as much as she can. Adult!Erin is another person with whom to interact or remember; she isn’t Erin. Even when she starts to like her, Erin sees her as a separate person; “god, please let there be four of us”. She never entirely feels like they’re the same person.
KJ is the same. She’s avoiding being boxed in by her potential future, right down to literally running away from it, so that version of her is Another KJ. The difference is, she isn’t disappointed by that woman, exactly; she’s equal parts entranced (film school, a great eye, a director) and terrified (kissing a girl, how does she know, how do I know). So she speaks of her in cautious ways, like you might speak of an older sister—learning from her without being ready to be her. (The “I” is really deliberate here; she knows that she IS gay, she’s making peace with that, that part does belong to them both already, even if it scares her.)
Tiff uses “we” constantly because she is, at least at first, really pleased with most of what she sees. Yeah, she’s still in Stony Stream, and her hair is strange, and she’s dating a loser, but she went to MIT. She was valedictorian. She’s clearly a genius, and she’s a cool genius. By the time she gets really frustrated with Adult!Tiff’s failings, she’s already locked into the mindset that they are the same person. She’s trying to use “we” to coax the grown version of herself back to what she views as the light. (Plus, Tiff is easily the one of them to best understand time travel and its implications—it’s why she goes on to invent it. So for her, yeah, it’s we. It always was going to be, even in 2019.)
And Mac. Mac has no other version. No mirror to look into and be delighted or disgusted. She only has herself, and her brother’s memories, and flowers on a gravesite. There’s no “she” because by 1999, “she” is long dead. Mac isn’t. Mac is still very much alive: angry and scared and dealing with her feelings. There is no “we”; there never was. She doesn’t get that opportunity. And if you want to be really brutal about it: Mac probably never felt like she could be anything other than “I” even before time travel. She protects herself so completely that she doesn’t know how to let someone else in. She has herself to rely on, no one else. The only time she references herself, thinking she has a future before Dylan tells her the truth, she still says I…because, for her, anyone she would become is the escape she’s dreamed of her whole life. I did it. I got out. Until, of course, she finds out she doesn’t.
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I was just thinking of how fun it is when female characters are allowed to really viscerally enjoy power.
I'm thinking especially of cases when the character's power doesn't come from some MacGuffin, or a malevolent, psychologically damaging power like the Dark Side, or even an external source at all. I just really like the trope of female characters who are powerful because they're both talented and have put work into refining talent into skill, and who clearly enjoy using their very legitimate skill for their own ends, whatever the ends may be.
I was thinking of examples, and the first ones to come to mind were Korra and Kuvira from Legend of Korra, who I love both individually and as a ship. But part of the reason I enjoy both characters so much, hero and villain, is how much they enjoy being world-class benders.
Lots of people in that show are rightly confident about their power or abilities. But there's confidence and then there's the sheer enjoyment they have at being powerful benders who can and will wipe the earth with their foes, and it's just super enjoyable in this specific way I don't often see.
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