#she’s standing on a box

[an-albino-pinetree]

Warnings: Selfship, suggestive/spicy humour, FreakshowCarnival!Jax

[solidwater-arts]

[ID: A digital drawing of Pearl, Etho and Tango peeking from behind a wall. Pearl is standing up, leaning away from the wall as if coming from behind it. She has red and blue scales, gills, and fins.

Etho is leaning to his left to peek, extending his left leg for balance. He has a bright green eye with black sclera, and a bright red eye with dark red sclera. He also has pointed ears and phantom wings.

Tango is crouching behind the wall and peeking, with his hands on the wall. His hair is drawn as fire, and he has a thin long tail that ends in a tuff of hair, also drawn as fire. He has pointed ears that look charred at the tips.

The wall says "pet!", and the letters are aligned with the character they represent. /End ID]

PET postal woooooo

I never draw cartoony stuff and I took a lot of inspiration from @/cherrifire's style, as you can probably tell. Very happy with this one

[startagainaprologue]

get called out by the fucking baby

[ornitharts]

[eliounora]

in this light you’re mine

[Image ID: Fanart of Zelda and Midna from The Legend of Zelda: Twilight Princess. Zelda and Midna are standing side by side against a dark background, Zelda with her back to the viewer and Midna facing the viewer. Their arms are linked and they are looking at each other intensely, their foreheads almost touching. Both of them look determined, Midna has a small smile on her face while Zelda looks serious. There are little light blue stars around their faces. /End ID.]

[catastrothy]

height difference in couples good. this too is yuri

[milkywayes]

[RECHARGE]

[vermilionangel]

[akairokara]

also this fucking guy. Imagine having a work bestie who gets falsely accused of murdering his wife and u decide to work ur ass off to find the real culprit bc yall have some kind of manly soulmate bond (gay). turns out he basically wants to die and sees it as his punishment so he hides the crucial evidence from u until he’s fucking EXECUTED??

[the-eclectic-wonderer]

Yes, of course I have a thing for the rich lady that sets up elaborate games to hunt and eat people for sport. She’s British she’s posh she’s old she’s commanding and she’s morally revolting. How the hell am I supposed not to have a thing for her

[plumeriacosmos]

im excited for s3 and im really looking forward to polin’s love story, but im like really really excited to see how they handle the height gap between polin LMAO. like just imagining the blocking and everything is making me giggle lowkey

[flyingfazfoxes]

Hat Thieves

Freddy may be the head himbo hauncho, but he is such an easy mark for mischief.

[artbygaia]

Crescent Blades 🌙

@ataleofcrowns

[queen0fm0nsterz]

thinking about the Lady again and she actually is the Character Ever.

Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.

But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.

And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.

(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)

These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?

That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.

(I wonder if that would make her envious of her younger counterpart in a different context?)

Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.

A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.

I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.

This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.

I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.

But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?

It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.

Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.

You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.

In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.

The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.

Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.

The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.

The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.

... For the most part. Until Six comes around.

[musubiki]

The one day Mochi is cocky enough to say he’s not strong enough to bench her and then he DOES. Both of them are thinking about ███████████████ but will never admit it.

absolutely killer that at multiple points both of them were thinking about it but neither of them do anything about it

[quietwingsinthesky]

in the amelia pond au, amelia’s aunt does still send her to therapy between doctor adventures, but since amelia is now secure in the fact that he’s Definitely Real since both rory and mels have also met him and because she lost a tooth last week from tripping on the stairs of the tardis, she doesn’t bite any therapists this time around. and besides, her therapist is a very funny lady. she reminds amelia of her doctor, with how her voice will flip and jump in volume and accent and tone on a whim, with how she’ll talk to amelia like they’re conspiring together. she keeps the pictures amelia draws of the doctor and their adventures for her, even hangs one or two on the walls. she listens very intently to every detail, which no adults in amelia’s life do save the doctor himself and river song, whenever she’s around. and best of all, whenever she tells amelia’s aunt that amelia is doing just fine, don’t you worry, she’ll grow out of this, she winks at amelia so that amelia will know her therapist is only playing along to wave away her aunt’s suspicion.

it is a little odd, though, that she insists on only being called Missy. but amelia is quite used to odd by now.