the revelation that claudia’s rebirth was such a twisted and horrible moment, with louis dragging her like she was a thing, a stranger who neither of them knew but he kept saying over and over “our daughter, our beautiful little daughter” to lestat, really solidified the way she was never the main character of her own story. she was always an accessory to some or the other of louis’ whims: his guilt, his loneliness, his conflict of being a killer, his rocky relationship with lestat. there was love there, love from both her fathers, but it was never enough. lestat saw her too much as a wretched mirror held up to his own self, and louis was always too steeped in his own feelings to care enough about hers. claudia’s story truly was the greatest tragedy in this tale, treated horribly by every man around her, even her fathers, relentlessly exploited and brutally ignored, always second and never first. the only one who loved her the way she deserved to be loved was madeleine, and the moment she truly had her, her happiness was torn from her. and just before she died, she got to see someone actually choose her in her entirety, not for what she can be but for who she is, and it still wasn’t enough. she still burned alive in the sunlight. the love was there, but it wasn’t enough to save her.
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Tim Drake is the person who sings good in the shower, and outside of it probably sounds terrible
- quote from my wife yesterday
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sometimes you just gotta go back to basics: a guy wrapped in a blanket with his feet in a tub of hot water as he groans, "I think I'b hih... getting sick-"
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I'm not gonna screenshot it bc 1/it really doesn't matter that much and 2/the person who made the comment is a kid but: a while ago I made a comic that's supposed to be a genuine study and reinterpretation of someone else's sprite comic (made in the spirit of authenticity too - to recreate the vibes of the sprite comics from that era, iirc very specifically because it's funny) and I got a comment on that comic's post that's like "glow up"
which is a compliment obvs. and the commenter probably didn't mean anything by it, it's a common expression. but I've been trying to find a way to gracefully put that comment away ever since it appeared lol
I just very much don't want my art to be taken as trying to one-up someone else's art when that's not the piece's intention. especially when the piece that inspired my art is perceived as "low effort" or "shitpost" or stuff like that. I did mention in the tags of that post that my considering it a study is entirely genuine, and I can legitimately write pages about the cool stuff I find in it other than and inherent in the haha funneys, but that's not for you guys that's for me. I just think that approaching art competition-first like that is a miserable way to do it, and (tipping into overthinking here if the whole tiny-comment-got-stuck-in-my-brain-for-almost-a-month part hasn't given that away yet lol) I really don't want that to be the takeaway from my own art. at least generally. if I actually think the source material is trash and what I'm doing is genuinely categorically better I'd just come out and say it lmao
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How do you feel about the fact that Bellatrix was Voldemort’s concubine/lover?
This ask prompted a real coleslaw of emotions.
Top level, I can't take the Cursed Child seriously as canon. I'm a purist about text to begin with — no word of God or adaptation can change what you put in the original books, and if the author wanted the text to be different, they had their shot — but, even if not, the Cursed Child is bad. Like, it's My Immortal type bad. It's the kind of bad that makes you glad it didn't come out closer to the original books + movies, or it could have had a Game of Thrones-type cratering effect on discussion and fandom. The Albus/Scorpius dynamic is cute — everything else about it sucks. It is a no-fly zone for good ideas. The Golden Trio are all twisted into funhouse mirrors, Voldemort has a daughter, and most perversely, the absolutely horrific mutilation of Cedric Diggory's character (in no world did that boy become a Death Eater! he was KIND AND DECENT! and he DIED ANYWAY! that was THE FUCKING POINT!!!!!!!).
Second layer: let's say that Bellatrix/Voldemort is canon and explored beyond the writers going "whoops gotta find a working womb for Voldemort's kid." That's a really interesting dynamic. It's a horrible dynamic! It's a motherfucker of an age gap to begin with, and it would have started when she was in her late teens to early twenties! Plus, she was married. To another man. So that would have to be explained? Because she obviously wasn't always so mindlessly devoted to Voldemort that she couldn't entertain connections with others? But that's not to say that I'm against it as a narrative decision. Tom Riddle is (captain obvious moment incoming) a Bad, Bad Man, and the idea of him seducing a younger woman is actually an understandable extension of his connection with his followers that's not explored in the books. Because, like: the Death Eaters are a cult! Riddle runs a death cult. Cults use sex to manipulate members. One of the oldest tricks in the book.
Third layer: this could be a kind of interesting move for Riddle, who as a villain is never developed all that much, and doesn't have much in the way of humanizing qualities. Because Riddle is anti-love as such. He doesn't believe in it, and if you believe Dumbledore, he's not capable of it. (I don't really love this take on the character, but I think that Riddle thinks this is the case, and Dumbledore is so grizzled and jaded by the years that he believes him. Dumbledore's great failure with Tom was never seeing past the person Tom wanted him to see — or, rather, looking at Tom and seeing Grindlewald when he should have seen Harry.) So for him to harbor enough affection for Bellatrix to take her as his (only?) lover, when he doesn't seem to need it to convince her to join him (and he doesn't really need her support, anyway) creates a wrinkle in the Story of Voldemort as we're told. It suggests that either Tom or Dumbledore (or both) is lying about his capacity for love— or at least his capacity for human attachment. And that Tom isn't so unique as either of them would like to believe.
Also, it adds a wrinkle to Bellatrix's character, too: even if they met when she was an adult, there's manipulation happening there that's clearly one-sided and unequal. or at least, there probably is. and if it's consensual, or if she aggressively pursued him— that's interesting, too. my point being: this isn't a bad idea, necessarily. it's a bad idea because i don't think the writers of the Cursed Child thought about any of that when they were trying to find a womb for the Voldebaby.
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