Tom Iceman Kazansky did not snap his teeth at another man in that locker room to be seen as the normal one in IceMav
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“I can’t hear. The darkness is speaking. Where is the lamb chop?”
-Andy 8/25/2023 11:30pm
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andrew graves is my beloved sex symbol, walking red flag of a man who’s got a sister complex and i cherish him for it but, SINCE WE’RE APPRECIATING NEMLEI’S WORK CAN WE PLEASE TALK MORE ABOUT ‘BECAUSE LIFE WITH ME IS SO DIZZYING AND INTOXICATING’ YULE FROM NO GOOD NOELLE?
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what is it with antis coming in the tag and announcing that they look down on people for shipping coffincest and saying how they love the game but cant stand the incest. like wow !!! do you want a medal for seeing yourself as morally superior to other based on your preferences in fiction ?!!
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I log into tumblr for the first time in a month
The first post tumblr recommends to me is a jc bashing post
I sigh and block this person and close tumblr
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“Lick her? I barely know her!” -Andy, drunk
12/31/2022 11:35pm
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raggedy andy from the 1977 raggedy ann and andy movie: a musical adventure
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my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.
Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.
- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.
- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.
- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.
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