#simple tutorial

[perhapspenelope]

daily doodle dump (I’ll see what day we’re on tomorrow)

‼️✨DRAW YOUR OWN DUCKS TODAY✨‼️

[anonbeadraws]

I made a Room Building tutorial! Lemme know if it helps! 🧡

Tip me here| Commission info here!

[bbb-bbbbbbb]

reveal of my gordon hlvrai costume project, now that about half of it is done! this is cardstock and glue and tape and more glue and paint and velcro. and 2 gloves (one hand-sewn)

i got started sometime in early-mid fall, but i committed to making it work with cardstock in january- it was originally meant to be a sizing test before construction with eva foam over the summer. then i realized how expensive thatd be, too much pressure for a form of craft ive never practiced. im pretty amazed with how its come together, even with the large seams! during that whole time when it was unpainted (started painting two weeks ago) there was no way to tell

[journey-to-the-attic]

"karasu search how 2 cheer human up"

"karasu search difference between sad human and zoning out human"

"karasu search how long is it safe for humans to zone out for?"

(+ a longer look at each scene:)

[nudjismo]

⠀⠀⠀⠀̣݊🤍 ࣭ٜ࣪ ◌゚ ⠀⠀twt links

( 1 )

(http://xn--4hbaa82xababavdd4070feae402tfaf566fgaaaaagaaa14247glak.xn--6iiaaaa)

( 2 )

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( 3 )

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( 4 )

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( 5 )

(xn--hddaarbb8ucc9kdd5427eeae147daaafafa.xn--6iiaa)

[kaiju-krew]

draw lizard✏️

-

i hope this isn’t too Draw The Rest Of The Fucking Owl 😭 i feel like i’m awful at explaining these kinda things but i hope this might help someone a lil bit. i’m working on one for his full body too, but wanted to cover expressions here since i get asked about them a lot!

[lovjbini]

✩ CARRD INSPO by LOVJBINI // © elroseria

like or reblog if you useㅤෆㅤ2024.

✎﹏ please, put “ © elroseria – tutorial by @lovjbini ” in the description if you use our tutorial!

CLICK HERE FOR TUTORIAL

[atsubie]

🥖 𝓨𝗈 𝗍𝖾𝗇í𝖺 𝗎𝗇𝖺 𝖾𝗌𝗉𝖾𝗋𝖺𝗇𝗓𝖺 ᭪ᬻ𓏸𓈒ﾟ⃝

𝅄 ི۪۪۪ ֯ ּ ֗ ۫ 𝖤𝗇 𝖾𝗅 𝖿𝗈𝗇𝖽𝗈 𝖽𝖾 𝗆𝗂 𝖺𝗅𝗆𝖺 𝅘𝅥𝅮♪ ˟̫ː᜴ 🍰

[ooliecat]

Can I ask How do you color and render your art? I frickin love the way you choose colors esp for lighting and bounce light, it's really pretty

thanks so much :) this took a little bit because i'm not a teacher. but hope you can understand some concepts i put out.

I'm going to go over mostly on how I shade/render. Picking out initial base colors is something that just comes with practice, preference, and from someone more eloquent.

The top is what 'not' to do. The bottom is generally what i do.

below is another example

i could do more. i meant to do more. but every other tip/tutorial i tried doing seemed like i was teaching abc's. I realized i don't know exactly what was being asked. I do have a few general tips though.

my process usually goes: Sketch, lineart, coloring, filtering/post processing.

'Post processing' can be a lot of things like; Painting over the drawing(fixing errors or adding details), or adding a noise filter, adding an overlaying photo. And/or changing the colors with gradient maps.

If you use a program that supports gradient maps then use them. they can be your best friend. Especially when colors don't look cohesive or just how you want them to.

Experiment with layer modes. At the moment I'm really into Pin-Light and Luminosity. Like I said, experiment. This is included in post-processing.

Use more than one shading color for each section. Go darker, go lighter while using that color picking method. Ex: It's usually darker under the neck than the side of the face. So use a darker color than the face.

if anythings confusing or you'd like something more specific then you're more than welcome to ask.

[transamus]

A sudoku for u all.

[mi-manzana]

͏͏ ͏ ͏͏ ͏ ͏ ͏͏ ͏ ͏ ͏͏ ͏ ͏ ͏͏ ͏͏ ͏ ͏͏ ͏𓊆❥ིꨩ𓊇 ͏͏ ͏ ͏͏ ͏mini ͏͏ ͏♫ ͏♫ ͏♫ ͏ 𝚃𝚄𝚃𝙾𝚁𝙸𝙰𝙻 ͏͏ ͏ ͏͏ ͏🍰 ͏͏ ͏

un pequeño tutorial solicitado por una semillita de manzana dulce ✩ ✉️

͏ ͏͏ ͏

son dos maneras súper fáciles de hacer pngs a imágenes simples, solo se necesita tener estas dos aplicaciones, ibispaint y picsart 𓆉︎ abajito voy a dejar el link del apk de picsart pro que es el que necesitarían para borrar el fondo con esa opción !!

͏ ͏͏ ͏✩ ͏ ͏͏ ͏✩ ͏ ͏͏ ͏picsart

[hyper-cryptic]

Something I made to help someone that I thought would be helpful for other people!

[leodanbrock]

prompt: something for the silly ol' rat man? [template tutorial insp] [fan vids: ♡ ♡ ♡]

[azuhrasims]

Have you ever wanted to download that one amazing build from the Gallery only to be shocked by how many packs that creator used? Do you want to download that Sims 4 build, but you're afraid of what will be missing if you don't own those packs?

Its actually pretty easy to check. From the build information screen in the Gallery, click the pack icon you would like to know about. That will bring up an information page about the pack/content. From the pack information page, click the button in the lower right corner that says "Show Used Items."

Find out if the creator is someone like me, building the build I'm showing here, who grabs one shiny candlestick from a whole expansion pack and that's all there is in the build. This build would be safe to download if you don't own Lovestruck.

*Please note it does NOT show if the creator used Debug or LiveEdit objects from this screen, so there may be more missing than what is shown.*

[iamespecter]

Do you have any personal tips on drawing and rendering wrinkles and folds for your painting? I’ve seen so much of your work and it just fascinates me every time!

Have a slug my amigo 🐌

Thank you for the slug :3 Now I'm no teacher, but this is usually my thought process when drawing "wrinkles" on a fabric

1st): I like to add one of those "bumps" on the edge of the fabric to emphasize that yes, there are wrinkles there. it pretty much helps the eyes process the idea of wrinkles being present, and it helps making it feel like figure's plausible to exist on a 3D space.

2nd): triangles, loops and zigzag-ing patterns. when I make wrinkles on fabrics, my brain automatically looks for places where "tension" would begin, and then fold everything. This means areas like joints, elbows, armpits, knees, etc. Triangles are a go-to if you want to make tighter fabrics, zigzags are more so for looser clothing depending.

When I draw tighter clothing, I also tend to draw the figure in detail first --ex. if I want to draw a tight shirt, I draw the torso in detail first-- and then adding wrinkles on where they would form after that. References definitely help a lot.

There's also the fact that I always imagine wrinkles to be two areas having a tug of war, but there's no winners

the unaffected areas of wrinkles are also ALWAYS darker (even if ever so slightly), because the wrinkles itself are more exposed to light than the rest of the fabric, except of course, on certain lighting placements. (like the light being shone directly onto the unaffected area)

(this is a commission I'm working on)

Hopefully what I've put here is comprehensible and not overwhelming, I tried my best to explain it as much as possible lol

[tcustodisart]

i just found you and i love the look of your art!! would you be open to sharing what you do for lineart? i've been trying to make mine more distinct without making it just a black/colored outline LMAO

I'll try to explain it as simple as I can because my process is very chaotic dkfhgds

The most important thing: I do almost everything with just one brush. Idk if its really that versatile or I can make it look so different by changing the size/applying different pressure with hand, but it's been my favorite brush for like... 2-3 years. This is the set this brush is from (its for photoshop, the brush in question is the 4th one).

I start with the sketch, I like and feel most comfortable working on big canvases with big brush sizes. Idk, gives the sketch some softness.

I put the sketch layer's opacity to 20-30% (usually its random). And proceed to apply lines that should be the most visible, I don't line every line from the sketch here.

This step is super chaotic and tbh i don't think it files into the definition of lineart, but it's what I do. Apply shadows, smaller details. It's usually rinse and repeat process where I make a line, erase it a little bit until I'm satisfied with the way it looks.

Fourth step is just my way of emulating the organic feel of traditional art. I leave the sketch under, I never hide it or delete it. It stays at that 20-30% opacity, I just erase some lines that "don't fit".

And that's pretty much it. I tried to simplify it for this "tutorial" but in reality there's a lot of merging layers, erasing, drawing over, forgetting what was on what layer so I merge some more. It's not a great thing if you do everything cleanly layer by layer and put the coloring layer under the drawing.The way I would color it would be a chaotic mess of mixing layers set to multiply/darken/sometimes normal to aim for something that would vaguely resemble gauche paint.