#so apparently SOMEONE in the writers’ room was a Shakespeare fan

[eyrieofsynapses]

Hey, Leverage peeps. Y’know how Sophie is introduced playing Lady Macbeth in Shakespeare’s Macbeth? I (re)read the play recently for a class (yes, I'm a literature nerd who voluntarily takes classes involving Shakespeare, sue me), and it got me thinking.

Because, guys… there's definitely meaning behind that choice. Lady Macbeth's character is an ambitious and manipulative woman who pulls her husband's strings to gain power, only to be consumed be guilt. Sound familiar? Yeah. There’s a lot of parallels.

I'm guessing many of you haven't read the play, so I'll explain the bare bones of what you need to know for the meta. Macbeth is a play about a general/nobleman named, of course, Macbeth. At the beginning, he encounters three witches—they're the origin of the "double, double toil and trouble / fire burn and cauldron bubble" phrase—who prophesize that Macbeth will become king. Macbeth describes his encounter to his wife, Lady Macbeth, who coerces him into murdering the current King Duncan. They work together to kill Duncan, and Macbeth ascends to the throne. He has numerous other people killed to keep his throne safe.

(Trigger warning for suicide mention! Skip to the next paragraph if you don't want to read.) Both he and Lady Macbeth are consumed by guilt as the play goes on, though, and she goes more or less insane and eventually commits suicide. (Trigger warning over.)

If you've ever heard of "out, out, damned spot," that's Lady Macbeth agonizing over the metaphorical blood she can't get off her hands.

So, how does this work with Sophie? Here's the thing. Lady Macbeth is known as one of the characters, if not the character, that coined the "dangerously ambitious woman" trope. She's determined to secure Macbeth's position on the throne, mostly for the power it'll gain her as Queen, and she pulls his strings over and over to get him to murder his way there.

Sophie is, of course, a grifter. Her entire skillset is designed to manipulate people—oftentimes rich and powerful men—to get what she wants. She isn't necessarily ambitious so much as obsessed with stealing artwork and other valuables, but she enjoys the downfall of most of her marks. She luxuriates in the power of making people do what she wants them to.

And yet Lady Macbeth does eventually succumb to the guilt of everything she's done… just as Sophie comes to recognize and regret the pain she's wrought. Remember The King George Job?

"Nate: I know what you're thinking, but it's not the same thing.

Sophie: Oh, no. Of course it's not. I stole from one rich man to sell to another rich man.

Nate: No one got hurt.

Sophie: That I know of. How do I know that innocent children were never used to shift my merchandise?"

(transcript)

In the same scene, she also says this:

"Listen, I know I grifted from filthy-rich wankers who hardly ever missed the money, of being taken for a ride. But this, this whole Moreau business has got me thinking. Keller steals from the rich, too, and a little girl ends up in detainment for it."

She comes to recognize her past wrongdoings via the work she does with the crew, and at the same time begins to redeem herself for it. That prevents her from becoming consumed by guilt as Lady Macbeth does. The theme, however, remains consistent.

It's also fascinating that Sophie refers to Nate as a "white knight, black king" in the very same episode as her initial (awful) performance as Lady Macbeth. White is often associated with purity and innocence, thus implying a “pure knight.” Macbeth himself is a noble and well-respected "knight" (technically general and nobleman, but it follows the same concept) before Lady Macbeth coerces him into murdering King Duncan. This parallels neatly with Nate as a “pure knight,” or an “honest man” (as Macbeth was before the play began).

Then, of course, we have "black king." Black is a color frequently associated with sin, darkness, etc., and thus Macbeth could be seen as a "black king" himself: someone who has done great wrongs to reach his position of power. He’s turned into that “black king” by Lady Macbeth. Nate, meanwhile, is called the "black" chess king. He is metaphorically “corrupted”—arguably, by Sophie and the crew. (Of course, in Nate’s case, the “corruption” is a good thing and leads him to become a better person. But the parallel itself still stands.)

Chess is about strategy, manipulation, and cleverness. Sophie and Lady Macbeth are both very good at manipulating people into doing what they want them to for power's sake. Nate is often referred to as the master chess player, where "chess" is the metaphor for cons. Yet realistically, Sophie is the best at playing "chess" with people. Not to mention that the king is, in many ways, not a powerful piece. It can only move one square at a time, and if it's captured, its side loses. The queen is the most powerful piece on the chessboard. And here's Sophie, referring to Nate as a chess piece.

(There's something to be said here about how Sophie manipulates Nate both for his own good but also to her advantage, specifically in The First David Job and The Second David Job. But for the sake of keeping this meta at a reasonable length, I’ll leave it for now.)

"But Synapse!" I hear you cry. "Sophie's really bad at the Lady Macbeth speech in the first episode, but she's fantastic in the last one! If she became a better person, wouldn't it be the other way around?"

Fair point, friend, and it's something I've been trying to figure out myself. Here's my proposal:

I'm not an actor, but from what I understand, acting requires you to deeply empathize with your character. Conning isn't dissimilar, but in a way, Sophie knows that when she cons, it is not her. She's hiding everything she is for the sake of deception.

Regular acting, on the other hand, requires you to be exposed about yourself and who you are. You have to be willing to be vulnerable for your audience. And Sophie truly does not know how to be vulnerable, or indeed who she is at all. Of all the characters on Leverage, she's always been the most mysterious about her past and her true depths.

In The Nigerian Job, Sophie claims she's gone to a civilian life and dropped her grifting. She's questioning the very thing that she loves to do, uncertain of herself and where she's going with her life. Her ambition and drive have been, if not lost, undermined. We know that Sophie is a paradoxically compassionate and maternal person just as much as she is a master of the con. When she joins up with the crew, she near-immediately falls into a momfriend role to Parker, Hardison, and Eliot, and she’s an exceptional teacher.

Perhaps she struggles to find kinship in Lady Macbeth's motivation in that first episode. She can't act what she doesn't understand. Plus, she has no outlet for the side of her that desperately wants to do good, and maybe that’s showing through in her inability to embrace being bad.

But in The Long Goodbye Job, Sophie aces her performance when she's doing it for a con. Yet at that time she is arguably far less like Lady Macbeth than she is in the first episode. So what changes? What about the con makes it so much easier?

I'd say it's a few things. Firstly, Sophie's newfound stability. She knows who she is, and she knows that she is not Lady Macbeth. Her desire to teach and support others has a) been discovered and b) is being fulfilled. She's found that her love for manipulation is most satisfying when directed at people who are maliciously uncaring and contradictory to her own morals. Thus, the ways her personality overlaps with Lady Macbeth's can't be destabilized by Sophie's internal war over how much she really is like Lady Macbeth. She knows who she is, and she knows what parts of Lady Macbeth she can relate to and what parts she has to truly act out.

Moreover, she's acting for a con: she knows the character she's playing does not truly represent herself. Her mask is complete, rather than requiring pieces of herself to be exposed.

Compare Sophie's performance in The Nigerian Job to the part of Lady Macbeth's soliloquy she's attempting to recite (yes, I'll explain the bits of the soliloquy that I reference, don't worry):

"Sophie: Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst! Make thick my blood;

Sophie: Stop up the access and passage to remorse, that no… (she hesitates and restarts her line) That no compunctious visitings of nature"

(transcript)

Versus the original soliloquy:

"Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty! make thick my blood, Stop up th’ access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between Th’ effect and it! Come to my woman’s breasts, And take my milk for gall, your murd’ring ministers, Wherever in your sightless substances You wait on nature’s mischief!"

(Macbeth, Act I, Scene V, lines 45-55; I’ve bolded the lines Sophie recites)

Note where Sophie trips up: she loses the word "cruelty" from "of direst cruelty" first, and then she hesitates on the lines "stop up the access and passage to remorse / that no compunctious visitings of nature / shake my fell purpose". If the latter line is gobbledygook to you, it basically means "stop me from feeling guilty so my guilt can't get in the way of my awful plans."

So where is Sophie hesitating? On the maliciousness of Lady Macbeth, and on her desire to feel no remorse. And what do we know about Sophie? That she is a) still inherently kind, and b) that she does feel remorse for the pain she's caused—or at least that she learns to feel it over the course of the show.

By the way, it's interesting that Lady Macbeth's bit about "take my milk for gall" is excluded too, because it's sort of like her saying "turn any motherly feelings/kindness I feel into cruelty." Compare that against Sophie's maternal attitude. It's probably not massively significant, given that there wasn’t a need for more than a couple lines for the writing of the show, but I find it interesting.

Now, compare this to Sophie's performance in The Long Goodbye Job:

"Sophie (wonderfully): Come, you spirits that tend on mortal thoughts, fill me from the crown to the toe, top-full of direst cruelty. Make thick my blood. Stop up the access and passage to remorse."

(transcript)

She's completely on-point. I'd say this is both because she's doing it for a con and doesn't feel internal conflict over it, but also because the marks deserve no mercy. The Black Book is full of people who have done awful things in the name of greed. Why should she feel guilt over dethroning them?

TL;DR: Sophie plays a character who simultaneously parallels and contradicts her. Lady Macbeth is manipulative and ambitious, much like Sophie, but also cruel and malicious, which is not very Sophie-like. Yet Lady Macbeth does eventually go crazy from guilt and remorse—and Sophie also has to learn how to deal with her guilt.

This is why Sophie struggles so much in her first performance: she’s questioning her identity in relationship to her similarities with Lady Macbeth. At the end, however, she’s become confident in who she is. She’s also learned to use her skills to destroy those who take advantage of their power to hurt others, rather than good men like King Duncan.

In fact, she’s dethroning people who are greedy for power… people who are not so dissimilar to Macbeth and Lady Macbeth themselves. Sophie has become their antithesis.

Damn, but this show is good.

[beautifulsnake2162020]

Ikevamp headcanons after watching Hamilton

Quick disclaimer: Yes I know this is a show about people who had owned slaves and slavery is bad. Having said that there's a reason why we suspend disbelief for a couple of hours and just allow ourselves to be swept into the story. I also love Phantom of the Opera but I also am aware that this is a story that involves an abusive and toxic relationship. The point is that I am aware that there are problems that needs to be discussed, but I still love the music, the story and the shows okay. This is just fan content not meant to be taken seriously and is just for fun. Okay? Now let's proceed.

I'll be doing Will and Arthur first since I'm currently doing Shakespeare's route and was inspired to do this after MC watches Romeo and Juliet with Vincent and I was wondering how Will would react to watching Hamilton. And Arthur is here because he is my husband/main lover. I might do Mozart and Napoleon next.

SPOILER ALERT: For anyone who hasn't seen the Disney Plus version of Hamilton, there might be some spoilers here (unless you already saw the show or know the story that is).

General Scenario:

You don't know how but Le Comte was able to get the filmed version of Hamilton, a musical which you've told Sebastian that you've been dying to see but was never able to because tickets were always sold out and entering the lottery was going to be a little too expensive for someone who lives in Japan and who doesn't exactly have the money or the time to simply fly to New York if in case she won. You were also excited because apparently Le Comte was able to modify the 21st century tech room that you use for your online classes and was able to get a wide screen and high quality surround sound which made you appreciate his efforts. A part of you was also curious as to how the other residents would react. You were scared that some of them might take offense, especially Napoleon who knew one of the characters in the show in real life. Would they react weirdly for seeing people different from them portray people that they knew? You were also wondering if they might even appreciate some of the 21st century slang that you and Sebastian would sometimes slip back into whenever it was just the two of you alone. After talking it out with everyone and explaining a few more things (like how its probably going to be different since it is a series of captured pictures-or at least that's your closest analogy- being played super fast with the synchronized sound of the actors- or what you were almost tempted to call "Techno Magic") during a dinner in which Shakespeare had decided to be present in, they were actually interested in what this show is about. Napoleon convinced you that he's fine and actually someone else playing Lafayette might even help with the suspension of disbelief since its been awhile since he has last met him anyway. Will even mentioned that while he has read and heard about stories from America, this is probably going to be the first story or production he's going to see from it. The only one who showed any hesitation - to no one's surprise - was Mozart, since he is attached to the kind of music he is familiar with (aren't we all?). But after prodding from both Jean, Le Comte and you giving him the puppy eyes, he finally relents. The day comes when everyone was once again free and for practicality everyone decided to have a meal first so that they won't be hungry during the show and also for you, Le Comte, and Sebastian to explain a few things everyone else may need to know to truly appreciate the show (like how the Presidential system and elections worked during the setting, what the word "Rewind" means, what is beatboxing, etc). So finally everyone gathered into the tech room after the meal, the lights were dimmed and once everyone was settled, you hit play. And as self-predicted of you, you find yourself crying in the end.

William Shakespeare (I'm still doing his route so please don't hate me if I get him wrong. Also no spoilers please).

- He was a bit shocked at first by how exactly up close you could see the facial expressions of the actors as well as the various ways it would cut to another person. He could now understand why you struggled with trying to explain how its played in a theatre but not exactly like the theatrical experience. But as you saw in your periphery, by the time Philippa Soo sings her first line, Will had already adjusted and allowed himself to be an audience and shut off his director and actor mindset (for the most part at least).

- While he didn't specialize in musicals, he found himself paying attention to the story of "the ten dollar founding father without a father." He knows how music could help both the actors and the audience in succumbing to their emotions in a scene and to suspend disbelief from reality. In his productions the words are not overwhelmed by any score but rather complemented to bring out the emotion he wants to evoke and for actors to show. Since many parts of the show has been influenced by the spoken word style without completely removing it from being sung, he has become enlightened with how powerful a show can be when it is done right.

- He not only enjoyed the story (especially the flow of it) and the production (especially some of the more technical details that the other residents hadn't noticed as far as a stage production is concerned), he loved that even the ensemble members had good acting and some of the onstage humor. One of the meta things he enjoyed was the obvious reference to his most superstitious work.

- Once you've seen how he loves analyzing the technical details of the production, you excitedly tell him about a special member of the ensemble who is known as "The bullet" among fans of the show. You could see him being enlightened as he watches the show with you again (this time with just the two of you) and he now sees "the bullet" and the way she interacts with the characters in a whole different light. He was so impressed with this idea that he may have adapted it into one of his new original plays (its not a copy paste of Hamilton's "bullet" but he definitely adapted assigning a member of the ensemble to have a special role that may not be significant at first, but he heavily notes that this member would have to be unique in interacting with any of the other characters).

- He didn't know what to expect from a 21st Century production but he found himself impressed with the prose and writing of various raps and songs. His favorite from Act 1 in terms of rhyme schemes was "Right Hand Man" and from Act 2 it was Jefferson's rap in "Washington by your side". And after settling down a bit his favorite emotional parts were "History has its eyes on you", "Hurricane", and "It's quiet uptown".

- He was impressed with how the double roles was given and how it actually is true for both of their roles in both acts. Ambiguity is one of his favorite things to have in a work, and he gives props to Lin for all the ambiguity he later realizes was in several parts of the show. If he and Arthur had been a little bit more closer, they probably would have bonded over the ambiguity Hamilton's comma in his letter to Angelica (see kids, grammar matters).

- A part of his brain wonders how the real life Hamilton would react to this and if him and Burr would still be enemies. But after some thinking he decides its not worth his efforts of asking anyone to bring them back since a wonderful production of their life has already been made even if it may not necessarily reflect who they truly are. He of all people knew what it's like to be inspired by great figures, it was fortunate that Lin Manuel Miranda decided to make a show about them before he had the chance to.

- You explain that in America Hamilton is one of the lesser known founding fathers of their nation and how it may be because his political opponents later on became Presidents and therefore was able to form the narrative. He becomes inspired by it and begins to search out people or stories who are hidden gems who may not be historically famous but had much more interesting stories than some of the ones he has heard of.

- Afterwards once you are sure that he has gotten comfortable enough with the genre you show him various videos of people rapping to his works and his reactions range from impressed to amused to "that's not what I mean when I wrote that" and you had to calm him down and explain that they can't hear him anyway after he started giving serious critiques on what the text means.

Arthur Conan Doyle

- While he was knowledgeable about many things, America's founding fathers was not one of them. He along with the other residents have gotten used to any rumors or exaggerated accounts of their lives and you and Sebastian have already warned that this is just a fictionalized production of the real person. As a writer of some historical fiction books he argued that he of all people was aware that any work based on history will speak more about the creators rather than the actual people they are writing about most of the time. He was nevertheless interested as to why you have become fascinated with the treasury secretary (and maybe it was with a twinge of jealousy that you began to expressly show admiration to another man even if he wasn't among the residents in the mansion). After all unlike many other residents of the mansion, on the surface it seemed that Hamilton was similar to Theo who mainly played a supporting but crucial role to his brother. He was thankful that you didn't hold it against him and was comforted that you were in a similar place. You even told him that the only thing you really knew about Hamilton before listening to the soundtrack and watching "Animatics" was that he was in the ten dollar American bill.

- And as someone who has delved into writing historical fictions, this was probably one of the most entertaining productions about a historical figure he has seen. He's going to be honest with you in that at first he was wondering if revealing Burr shot Hamilton in the opening was going to hinder him from enjoying the show; but he was pleasantly surprised that this was not the case at all. As a matter of fact it now made him want to find out who the real Hamilton was (although a part of him doubts if the real Hamilton had any regrets at all). According to him, this is why as a fictionalized historical work, the show is a success because it makes you want to find out more about the events and figures of the story (even if it means looking at darker realities that they did). And while the real Hamilton may be a lot different from what was shown, with all the things he went through and all the things he has done (for better or worse), he now wonders why exactly Le Comte hadn't approached him since he seems to be no better or worse than the average resident ("He and Newt could probably discuss mathematics all day."). You then explained that his political rivals (Jefferson and Madison from the show, and Monroe who wasn't shown in the musical) had later on become Presidents and was able to shape the narrative away from Hamilton. "Ron Chernow made Hamilton's biography because he was the lesser known founding father who was fading into obscurity among Americans and Lin read the book and recognized the story of someone who has risen through his writings. And to Lin that was also the story of hiphop." While he wasn't involved in politics as much as Hamilton was, Arthur had enough experience to know what it feels like to have those kinds of people in power. He also knows just how powerful it is to be in "the room where it happened" and how sometimes the real decisions weren't being made in an office but rather in either a private party or the right bar when people in power had their guard down and were more susceptible to being influenced.

- He could relate a lot with Hamilton on many things that he's only comfortable allowing either you or Theo to see. From being just so much more aware of death's inevitability coming for every living thing to survivor's guilt even though a part of him knows its irrational (but sometimes the emotional nonsense just overtakes our perspectives and actions). It's why he could understand Hamilton's need to write as much as he can before he dies. It's why for a time in his human life he had deviated from writing about Holmes and ventured into other genres. He could also relate to the need to prove what type of person he was, and how to go beyond his tragedies to serve people in their own ways. Hamilton did it as a soldier and the creator of America's financial system. And he is doing it as an informally practicing doctor and as a writer. It's a need that he's trying to mitigate since you've repeatedly told him that he doesn't need to prove anything to you or to anyone and to write whatever he pleases. But he also can't deny that it's still somewhere lodged in the back of his head.

- Just like William Shakespeare, in terms of the wordplay found in rap and the ambiguity present in the show and how those things were executed made him amazed and momentarily speechless. He was especially fanboying about "The comma after dearest" and how this essentially shows how important grammar was. It went to the extent that afterwards whenever he would write to you he would address you either as "My dearest, Y/N" or "My darling, Y/N" with special emphasis on the comma (sometimes you could see how there's more ink in the comma than some of the actual words. That's how much he wants to emphasize that you hold the title of dearest or darling). And you excitedly share with him some of the trivia knowledge of the show (like how in real life it was Angelica who originally made the comma mistake by writing to Hamilton as "My dear, sir" in one of her letters and it was Hamilton who was asking her what the comma means and even replied with "Ma chere, soeur") and how Angelica really did reference the Icarus metaphor in one of her letters to Eliza. And even though he wasn't a major musical nerd (he sang for fun), he would now join you in watching Howard Ho's Hamilton videos musically analyzing Hamilton (and would probably try to find a way to use this knowledge to annoy Mozart in some way).

- Speaking of music: Maybe it's because he's biased in his love for you but aside from Sebastian he's probably the one who has no qualms about the hiphop genre and was immediately into the various wordplays that rapping allowed. And because of this his favorite characters in terms of rapping are the ones played by Daveed Diggs (probably more than Hamilton himself even though you've explained that Lin is the one who wrote the whole thing). He even adapts to how Daveed as Jefferson would say Isaac's third law and incorporated it into his "let's tease Newton" kit. That's when you know he really loves Daveed Diggs ("Every action has an equal opposite -" "WILL YOU PLEASE STOP SAYING IT THAT WAY?! I didn't mind the first few times but this is ridiculous Arthur" "It must be nice, it must be nice to have a Newton on your side"). And his favorite character emotionally was Angelica (her raps in Schuyler Sisters and Satisfied may have helped).

- Speaking of the Schuyler Sisters, after watching it with you another time (this time with just the two of you) one of his favorite things to say is that you've got the best of all three sisters within you (Angelica's wittiness and intelligence, Eliza's cares for the more important things in life, and Peggy's humor) with the sexiness of Maria Reynolds. But because he sees all 4 of them in you he has the benefit of not needing to choose among them. Having said that there will be a period wherein he teases you if he makes you "Helpless" or "Satisfied" (and you respond either by kissing him or singing "That would be enough").

- Whenever you would sing as one of the Schuyler sisters he will join you as any of the male characters the moment he masters the soundtrack and could even sing it without the music. His favorite rap songs are "Guns and Ships", "Washington on your side", and of course "Satisfied". He also really loves "Non-stop", "the 10 duel commandments", and "The room where it happened". But his favorite sequence is from "the Winter's Ball" all the way to "Wait for it". Since it has romance, a shocking revelation, and gives insight to the perspective of the antagonist. He's also one of the first people to attempt to learn the choreography whenever he's in one of his mental blocks in writing. Of course he makes sure not to injure himself.

- He posts song lyrics to keep himself motivated in his times of mental block "There's a million things I haven't done. But just you wait" and "I'm not throwing away my shot" frequently appear around his desk.

-And whenever he's feeling low or insecure, just like Eliza you remind him to "Look around, Look around, how lucky we are to be alive right now."

[cultofbeatles]

parts of love me do! the beatles progress by michael braun that stuck out to me:

first would like to say that michael braun was an american writer who traveled with the beatles. that’s how he knows them.

paul: ask ringo what kind of music he likes.

ringo: i like all sorts of music - especially shakespeare.

like that when royal people was entering the building for a show the fans were only screaming, “we want the beatles.”

ringo saying his ambition is “to be happy.”

“security is the only thing i want. money to do nothing with, money to have in case you wanted to do something.” - paul mccartney. the gemini.

john’s ambition to “write a musical” breaks my heart because i remember reading that paul wrote about wanting to write a musical with john and now current paul is writing for a musical :,)

“the thing i'm afraid of is growing old. i hate that. you get old and you've missed it somehow. the old always resent the young and vice versa.” -John lennon

think we can all agree john would of been the coolest old person.

michael noticing that paul’s features are much more harder in person despite how delicate he looks in photos.

someone showing john and paul a photo of them smiling and paul saying “lots of teeth in that picture.” while john says “we like to get our teeth into things.”

boys at beatles concerts having their hands over their ears.

paul saying he perfected a disguise so well that george once told him to go away when he asked for an autograph.

john constantly over sleeping is the biggest mood.

what’s not a mood is john saying, “anyway women should be obscene and not heard.”

a series of events: a girl asking john a question, john ignoring her, paul shouting across the room at “in a voice you use to an errant child” ordering john to answer them, and then john finally answering their question.

paul being on the phone asking the others what days of the week they have off, and john shouting random days of the week off to confuse ringo (who is trying his best to answer correctly).

paul saying that one of his friends has poor taste in movies and picks the dumbest shit to watch. we've all been there.

john, ringo, and paul joking over the right way to tie a scarf.

john: “uh, i need another drink, baby.” *paul gets up to order him a drink*

john noticing the radio was turned off while ringo and paul deny doing it. but john says he saw ringo turn it off earlier. 

“tension is mounting.” “tension all shipping.”

deep talks about how people say the beatles are “genuine” and the beatles admitting they're not.

john saying girls mastubrate while they perform on stage.

paul admitting they're all in the masturbating days too.

“why?” says john (responding to paul’s statemnt that people have to like the royal family), i didn't like them even when i was little. i disliked having to stand, which sometimes i didn't.” king shit. shun the system. 

john saying that letters from fans that start with, “you probably won't read this..” they ignore them. sorry we’re insecure and anxious JOHN.

john also saying he hopes that when he tells julian to do something julian would do the opposite. that he wants him to make mistakes, rebel, and be his own person. 

wanna hear the most cancer, water sign shit ringo has ever said? here:

“i don’t like talking. it’s how i'm built. some people gab all day and some people play it smogo. i dont mind talking or smiling, it’s just i don't do it very much. i haven't got a smiling face or a talking mouth.”

paul asking a priest why the churches are so big when there’s people starving. the priest ignored him.

fans throwing stones at the beatles hotel window and paul telling them to stop because they're talking to australia. the whole of australia they're talking to apparently.

“..ringo and george are putting on makeup.” love a good beauty guru.

“my one dream is seeing the four boys in their dressing room. no journalists, no fans, no theater people - just the boys.” - brian epstein 

a photographer saying, “george, could you look more interested?”

the countess of westmorland coming to see the beatles perform and wanting to talk to them afterwards, no one wanting to go but paul goes alone, he comes back telling them to come see her because “she's not an old hag at all...she’s kinda cute.”

john spending big money on cynthia.

“well, i've had a very tiring day making lots of people happy. i’m going to bed.” - paul mccartney. the gemini.

“i love the beatles, especially george’s hairy legs.”

newspaper asking george to write a column for them and he just talks about how attractive girls are.

john and paul sharing a room in paris and sleeping in til three in the afternoon.

paul ordering cheese sandwiches and putting ketchup on it...

jane asher going IN on paul and dragging him:

“...it’s just that he's so insecure. for instance, he keeps saying he's not interested in the future, but he must be because he says it so often. the trouble is, he wants fans’ adulation and mine too. he's so selfish; it’s his biggest fault...” QUEEN. DRAG HIM.

a fan telling ringo that they're about to die, ringo replying with “don't do that” and rolling up the car window.

john putting his boots on the hotel bed and when the hotel official asked him not to he said, “don't worry, we’ll buy the bed.”

george constantly complaining about hotel food.

a police man get crowded by girls because he touched a beatle.

someone buying cynthia a bouquet of flowers. it was me. i time traveled to do that. love you cynthia. 

ed sullivan saying george better be feeling better for the show or else he’ll have to put a wig on.

interviewer: “what’s the biggest threat to your careers - the h-bomb or dandruff?”

ringo: “the h-bomb - we've already got dandruff.”

interviewer: “when do you rehearse?”

john: “we don't.” paul: “yeah, of course we do.”

john: “paul does. we don't.”

an interviewer calling the beatles “monstrous.”

interviewer: “why the beatles? why beatlemania?”

john: “why not?”

if you're wondering why george is hardly mentioned is cause he was either sleeping or at a club lmao.

[surveys-at-your-service]

Survey #361

“the world is a vampire, sent to drain”

Have you ever been through a phase of thinking emo guys were hot? A phase? Hunny, they're still hot lmao. Have you ever dated someone that could play an instrument? Yeah. Juan could play guitar, and Girt played I think the tuba in band. What’s so horrible about wearing leggings like pants? I've actually never understood why people freak about this. Like so long as they're not sheer and fit you fine, why exactly is this a problem...? Weirdest picture you’ve ever taken of yourself? Oh dear. When someone claims to be suicidal, do you take them seriously? FUCK you if you don't. Honest to god, fuck you. This is NOT something you just don't even blink at. Even if it's surprising to hear from that person, you take that shit seriously and try to talk to them about it. Ever been kicked out of anywhere? Colleen's house. Ever had Skittles vodka? No, but that shit sounds good. Ever punched someone in the face? No. If you haven’t, do you want to now? Uh, I'll pass. Do you truly HATE anyone? No one I know personally, but people like rapists, pedophiles, etc., I sure as hell do hate them. Most historical/famous landmark/building you’ve been to in your country? No clue. Favorite flavor for most things? Strawberry, watermelon, or blue raspberry, depending on what the thing is. Ever taken pictures in a photobooth? Who with? Yeah: Summer, Jason, and I'm pretty sure Sara and I did? What is the closest book to you? It's a full collection of Poe's poetry that Mom got me. Are you reading it or someone else? I'm not right now. I may eventually. Milkshakes or Sundaes? Hm, I gotta go with milkshakes. Do you like watermelons more or cherries? I'm not a fan of either, but I'd definitely pick watermelons over cherries. Who was the last person you ate with? My family and I went to Ichiban (a Japanese steakhouse that we have here where they cook directly in front of you) yesterday to celebrate Nicole's graduation. Do you prefer broccoli or asparagus? Broccoli. I hate asparagus. Do you have any bug bites? No. Do you have any flowers in your room? No. Do you know anyone that owns horses? Loosely, anyway. It's a family I took pictures for, and I still have the mother on Facebook. When you were little, did you ever go to feed the ducks? Yes, I LOVED doing that. Don't feed ducks bread, by the way. Have you seen any of the seven wonders of the world in person? No. Have you ever won anything out of one of those crane machines? Yeah. Can you remember being taught how to ride a bike? Was it hard for you? Yeah. I don't THINK it was too hard. Did you get carded the last time you ordered an alcoholic drink? No. Do you know anyone who uses medical marijuana? No, it's not legal here. Do you know anyone who’s died in childbirth? No. Which was the worst phase in your life? 2016 was. Towards the end of '15 was the breakup, and through aaaaaaall of 2016, I was just dead inside and totally useless. Every day I wanted to be dead. Can you remember your last dream? I had a nightmare some stupid kids were fucking with my snake Venus, so I was trying to protect her. Do you ever use Snapchat? No, I don't have one. What’s your favorite musical? I don't like musicals. What happened at the last party you went to? Summer prepared some little Halloween treat bags for us guests, we watched a horror movie, and everyone but me smoked some weed. Are you more comfortable sitting or lying down? I would assume everyone is more comfortable lying down... Have you ever been a fan of N*Sync? Yeah, as a kiddo. Favorite kind of cake: Red velvet, yum yum. What is your middle name? Marie. TV shows and anime you watch regularly: None. Do you want to have a big family in the future? Just a big family of pets with a spouse. What was the last thing you did that gave you a rush? Oh boy, I couldn't tell ya. Is Vegas one of your must-see places? No. Pet rat: yay or nay? YAY!! I've had many, but I don't think I'll get any more. I've just had bad luck with them, save for one that died of cancer at an old age. Would you call yourself a writer? Written any stories lately? Yeah. I haven't really written any big RP posts of the late, but I did recently write a poem. Are needles something that you’re afraid of? Okay, so this is super weird. Tattoos and piercings? No problem. Little prick, getting blood drawn, that sorta little stuff, no problem. I am, however, NOT a fan of big needles, which used to not be an issue. It's actually kinda recent, and it's why I'm nervous about my second Covid shot coming up, aha... What was the last unexpected hug you gave/received? I really haven't had an unexpected hug since Jason asked for one before he left my house after our final talk. Who was the last person you held hands with? Either my niece or nephew. Have you ever been in a parade before? If so, was it on TV? No. Do you have a fear of rollercoasters? If so, were you ever forced to go on one? If you don’t, what is your favorite rollercoaster? I have a big fear of them, yeah. Post a picture of you from a recent time. Don't feel like it. Who was the last person to give you some of their food? Miss Tobey let me try one of her dumplings yesterday when we were at Ichiban for dinner. The last person you met, what was your first impression of them? I actually didn't quite like her. Have you ever been to a football game? Yeah, because my sister was a cheerleader. Do you like the snow or rain better? Snowwww. Have you ever faked sick? Yeah. What is your blood-type? A-. Have you ever eaten a bug? Not knowingly. The last time you were in the fridge, what were you looking for? Salsa. Mom got these veggie chips at the store and they apparently taste better with salsa, which it did. They weren't great, though. Are you listening to anything at the moment? It's Gab Smolders' turn for me to watch her Resident Evil 8 upload, haha. I'm literally watching three different people (Mark, John Wolfe, and her) play it. Can you take a bra off with one hand? I haven't tried, I think? I doubt I could, given that I'm not exactly small. Do you have an innie or an outie bellybutton? Innie. Can you crack your neck? NOOOOO AND DO NOT DO IT AROUND ME YOURSELF. Are you donating your organs? Yeah; what am I gonna use 'em for? It just seems like a waste otherwise. They're just gonna decay. When was the last time you talked to you mom? Before she left with Tobey to go to the store. Do you like pumpkin pie? NO. I don't like pie, and I hate pumpkin. Do you own your own computer? Yeah. Did you ever have to share a room with one of your siblings? Yeah; growing up, my little sister and I did. Is there any piece of technology you want to buy? I REALLY want a PS4. Did you ever have a night light when you were a kid? Yeah. What TV show had you hooked from the very first episode? Meerkat Manor, 100%. I had to know that Shakespeare was okay. What is your least favorite Sour Patch Kids color? Orange or red, can't pick. Have you ever seen the movie Matilda? YES! I love that movie. What is the weirdest chant you have ever heard? Uh, idk. How are you feeling? Annoyed and hurt as fuck because shit Miss Tobey says without thinking for a single goddamn second. I'm honestly beyond sick of this woman. Do you know anyone with a unibrow? I don't think so. Doughy or saucy pizza? Doughy. Do you have anything that’s limited edition? Yeah. Do you have an air freshener in your bathroom? If so, what scent? I... think we do? If so though, I just don't notice it. The bathroom doesn't smell like anything in particular. Do you like Jalapeno Cheetos? Oh man, I forgot about those! Love 'em. Are you a fan of salads? Yeah, they're fine. I have to be in the mood for one, though. What’s one random thing that you don’t like? Uhhh carrots. What’s one random thing that you like? Shrimp. Do you like chicken noodle soup? I don't. Is it easy for you to accept loss? NOPE. I'm the absolute worst with it. You just got a free plane ticket to anywhere. You have to depart right now. Where are you gonna go? I really wanna see Sara, so take me to Illinois. Do you know anyone with the same birthday as you? No, but a former best friend had her birthday the day before mine. Is there someone you just can’t imagine your life without? Not anymore, honestly. After Jason, I stopped that "I can't live without you" mindset. Truth is I'm going to lose people through life, and I'm not attaching my ability to happily exist to anyone. Are you wearing a ring? Two. Have your friends ever stopped by your house just to say hi? In the past, yeah. Do you like Chinese food? Not really. I only ever get pork fried rice and eggrolls from Chinese restaurants. Have you done any shopping for something in specific recently? No. Do you still live in your hometown? No. What was the reason behind the last time you stayed up all night? I don't recall, honestly. I haven't done that in a very long time. Have you ever had a UFO sighting or a sighting of strange lights in the sky? A very strange light, yes. Have you ever seen your mom or dad drunk? Yes to both. Seeing Mom drunk is very, very rare though. My dad was an alcoholic when I was growing up, so I saw him drunk plenty. Do your parents vote? Mom does, idk about Dad. Who’s the most romantic person you ever went out with? Jason. What restaurant has the best fries? Nowhere has anything on Bojangle's, y'all. Have you ever had a surprise party thrown for you? No.

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND June 28, 2019  -  YESTERDAY, ANNABELLE COMES HOME, MAIDEN

I’m going to do things a little different again this week, because while I normally would begin with the bigger movie of the weekend, I actually have a lot of stuff about ANNABELLE COMES HOME (New Line/WB) over at The Beat, as you can see below, so instead, I’m going to put a little more focus on Danny Boyle’s YESTERDAY (Universal), because... well, read on...

It’s not often a movie comes along that combines all of my favorite things into a completely unexpected movie that works, but Yesterday, written by Love, Actually’s Richard Curtis and directed by Danny Boyle, does just that. It takes a fairly high concept premise of a world without knowledge of the Beatles and their music and turns it into a hilarious comedy about fame and love and plenty of other things.  Maybe that’s to be expected when it comes from a writer who has helped define British comedy and one of my favorite directors, but that doesn’t always mean that it will always work.

We meet Himesh Patel’s Jack Malik as he’s doing his regular busking around Sussex at any gig his best friend and manager Ellie (Lily James) can get for him, but it’s not going well and Jack is ready to give up. One night, after coming back from one such bad gig, the lights go out across the globe for 12 seconds and in that 12 seconds, Jack’s bike is hit by a bus. He ends up in the hospital with two missing teeth but when he gets out he starts playing “Yesterday” on an acoustic guitar bought for him as a gift by Ellie, and realizes that none of his friends realize who the Beatles are. Jack immediately realizes that it’s up to him to preserve the songs so he tries to remember them and incorporates them into his shows, at which point he suddenly starts getting more attention.

The first thing about Yesterday that’s immediately apparent is the talent and charm of Himesh Patel who really carries the film and has you constantly rooting for him. I’ve long been a fan of Lily James, especially after her turn in Edgar Wright’s Baby Driver, but I feel like the role of Ellie allows her to be more of herself than some of her other ones.

There are quite a few other levels to the humor, the first one being when Ed Sheeran, played by the real Ed Sheeran, contacts Jack Malik about his music and becomes involved in his story. The next level is when Kate McKinnon enters the picture as Sheeran’s manager who wants to turn Jack into a money-making superstar ala Sheeran. Sheeran ably makes fun of himself and his own talent as a singer/songwriter, but McKinnon takes her character so far into the world of sleaze that she’s hysterical (especially to someone who has worked in the music biz and has seen this first-hand). It’s also good to mention Joel Fry as Jack’s bumbleheaded friend/roadie Rocky and Sanjeev Bhaskar and Meera Syal as his parents, all who bring even more laughs to the movie.

Probably the most interesting turn is when Ellie is ready to say bye to Jack as he heads off to L.A., and she suddenly realizes that she’s in love with him though those feelings aren’t reciprocated. As Jack tries to navigate the music business with his sleazy new manager, he realizes that he has to go to Liverpool if he wants to remember the last of the Beatles songs, and once there, he reconnects with Ellie as they try to sort out their feelings.

That’s all I’m going to say because the last act is so full of surprises that really helps bring the whole thing home. And then on top of all that, you have the music of the Beatles, which still gives me goosebumps as performed by the talented Patel. (Once I buy this soundtrack, it will be the second record this year I’ve bought of an actor performing classic pop/rock songs and selling them as well as the original artist(s).)

I don’t think you have to be a Beatles fan to appreciate what Curtis and Boyle done with this premise, and maybe it’s because I’ve been in Ellie’s shoes, falling in love with a friend who just sees me as a friend that I really connected with the romantic angle of the film, one that really pays off.

Yesterday is just wonderful, and it’s easily one of my favorite movies of the year.

Rating: 9/10

Interview with Writer Richard Curtis over at The Beat

Getting back to Annabelle Comes Home, I’m sure that New Line’s latest entry into the ConjuringVerse is going to prove popular, especially with Vera Farmiga and Patrick Wilson back as Larraine and Ed Warren. It’s screenwriter Gary Dauberman’s directorial debut and it stars the amazing McKenna Grace (Gifted) as the Warrens’ daughter Judy, as it shows what happens when the Annabelle doll is released in the artifact room, drawing a gaggle of malevolent spirits to the Warren home as Judy and her babysitter (and friends) fight them off and try to figure out how to stop them.

My Review over at The Beat

Interview with Writer/Director Gary Dauberman at The Beat.

LIMITED RELEASES

Another movie I’m really excited for people to finally see, one which I saw way back in January around when it premiered at Sundance is Alex Holmes’ doc MAIDEN (Sony Pictures Classics), which tells the amazing story about how Tracy Edwards put together an all-woman sailing team to race in the 1989 Whitbread Round the World Race despite all the odds against them. I loved this movie, not only because it’s an amazing story but also I’m a sailing enthusiast who sadly has not been able to get out and go sailing as much as I’ve hoped. But Edwards’ story and what she and hew crew 

Over a year since it premiered at the Sundance Film Festival, Star Wars: The Force Awakens star Daisy Ridley stars as OPHELIA (IFC Films) in Claire McCarthy’s reimagining of Shakespeare’s Hamletwith Ophelia taking center stage as the lady-in-waiting to Queen Gertrude, played by Naomi Watts. George MacKay from Captain Fantastic plays Prince Hamlet, and the movie will open at the IFC Center as well as select theaters across the country.

Also opening at the IFC Center on Friday (and then in L.A. on July 12) is Jan Zabelle’s Three Peaks (Greenwich Entertainment), starring Alexander Fehling and Bérénice Bejo (The Artist). Fehling plays Aaron who wants to be a family with his girlfriend and her 8-year-old son in the Italian Dolomites, but has trouble gaining the boy’s acceptance.

Opening in select cities is Mitch Davis’ THE OTHER SIDE OF HEAVEN 2: FIRE OF FAITH (Artaffects), a sequel to the 2001 faith-based film which grossed $4.7 million.  Christopher Gorman returns as the missionary John H. Grober who returns to Tonga with his wife and five daughters, where they have a sixth child who is suffering an illness.

Opening at New York’s Film Forum is Lila Avilés’ The Chambermaid, set in a deluxe Mexico City hotel where chambermaid Eva spends her days making beds and dealing with needy clients, partially inspired by Sophie Calle’s The Hotel.

Opening at Film at Lincoln Center is James N. Kienitz Wilkins and Robin Schavoir’s experimental film The Plagiarists (KimStim) starring Lucy Kaminsky and Eamon Monaghan as a couple stranded by a snowstorm while visiting a friend in upstate New York and are put up for the night by a strange guy named Clip (Michael Payne from Parliament) only to discover that his hospitality was not what it seems. The filmmakers will be on hand for QnAs after the screenings Friday and Saturday night.

Opening at the Quad Friday is Eddie Mensore’s Mine 9 (EmphatiCinema/Levey Distribution)about nine coal miners in West Virginia trapped underground after a methane explosion.

Also opening at the Quad (and at the JCC Manhattan) is Avi Nesher’s Israeli film The Other Story (Strand Releasing) about two rebellious young women from Jerusalem who clash in unexpected ways.

From China comes Derek Tsang’s thriller Better Days (Well GO USA), opening Thursday in select cities, about a female student preparing for the important “gaokao” college entrance exam tests, who teams with a small-time criminal named Bei when she’s being bullied over a classmate who committed suicide. (NOTE: I just read that Better Days was pulled from Chinese release a few days ago, so I’m wondering if maybe it’s U.S. release will be delayed accordingly, as well.)

Alicia Vikander and Eva Green star in Swedish filmmaker Lisa Langseth’s English-language debut Euphoria (Freestyle Releasing) as two sisters travelling to a mystery destination in Europe. It also stars Charles Dance and Charlotte Rampling and opens in select cities.

Last, there’s Martin Owen’s Killers Anonymous (Grindstone Entertainment) about a support group for killers, which stars Gary Oldman, Jessica Alba and Suki Waterhouse. This is probably a mostly VOD movie that might be released into a few theaters.s

LOCAL FESTIVALS

I had to omit this section last week due to time constraints, but this weekend begins one of my favorite annual New York film festivals, and that is the New York Asian Film Festival, mostly taking place at Film at Lincoln Center and then the SVA Theater.  This is the 18thannual festival, dubbed “Still Too Young to Die,” and I have to admit that over the past few years, I’ve been somewhat neglect in my attendance and coverage of the festival. I hope to change that as there are definitely some things I’m hoping to catch. You have to remember that many of the films that play this festival NEVER receive U.S. distribution so NYAFF is the only chance to see some of them.

This year’s festival opens with Bernard Rose’s Samurai Marathon, a period piece set in the 1850s with an all-star cast and a Philip Glass score. This year’s centerpiece is

Eguchi Kan’s The Fable, adapting the Manga about a Yakuza hit man trying to lead a “normal life.” For a third year in a row, NYAFF has a competition for the Uncaged Award for Best Feature Film with seven films from different Asian countries in competition, many having their North American premieres:  Moon Sung-ho’s 5 Million Dollar Life, Kim Yoon-seok’s Another Child, Huang Chao-liang’s Han Dan, Nojiri Katsumi’s Lying to Mom, Kenneth Lim Dagatan’s Ma, Yi Ok-seop’s Maggie and Wu Nan’s Push and Shove.

Legendary martial arts choreographer and director Yuen Woo-ping will be receiving the Star Asia Lifetime Achievement Award, and they should be showing some of his best work at this year’s festival including Donnie Yen’s Iron Monkey, The Miracle Fighters and more.

This year’s festival will run until July 14, although the Closing Night film has yet to be announced.

STREAMING AND CABLE

Streaming on Netflix starting Friday is Paul Thomas Anderson’s musical short Anima, starring and scored by Radiohead’s Thom Yorke. 

REPERTORY

Before we get to the individual theaters, be aware that Spike Lee’s all-time classic Do the Right Thing will be receiving a 30th anniversary rerelease both in a new 4k digital restoration and in some cases, on an archival 35mm print. Check your local theaters to see if it’s playing near you, and if you haven’t seen it yet after 30 years, then you have no excuse not to go see it this week.

METROGRAPH (NYC):

When it comes to music docs, Les Blank is one of the pioneers and thankfully, Les Blank Films (along with Argot Pictures) is issuing two restorations of the ‘70s films he was involved with including Chulas Fronteras  (1976) and Del Mero Corazon  (1979) that look into the amazing music crossing the border between Mexico and Texas. Chulas, translated as “Beautiful Borders,” is a fascinating hour-long film that uses the music as a backdrop to show the everyday lives of those who live on the boarder. Del Mero (“Straight from the Heart”), co-directed with Maureen Gosling (who will be on hand Friday and Saturday night), Guillermo Hernandez & Chris Strachwitz is a shorter film mostly about the romantic songs from Mexico. Honestly, as someone who frequently has to listen to Mexican “mariachi” music on the subway while I’m trying to relax and listen to my own music, I wasn’t sure whether and if I’d connect with either film and while Chulas is definitely a stronger overall film, they both offer some great insights into the Tex-Mex music and musicians that have paved the way for others.

The Metrograph joins other New York arthouse in closing off Pride Month with Films of Pride and Protest: Stonewall at 50 with two series of films by various filmmakers documenting the groundbreaking rallies and protests that have helped the LGBTQ movement get to where it is today.

This week’s Late Nites at Metrograph  screening is the Safdie Brothers’ Heaven Knows What  (2015) while the Playtime: Family Matinees  offering is Charlie Chaplin’s The Kid (1921) in 35mm!

THE NEW BEVERLY (L.A.):

This week’s Weds. matinee is Alfred Hitchcock’s Topaz from 1969 – I guess the new Bev is still going through the movies of the late ‘60s, a running theme the last couple weeks. Weds and Thursday’s double feature is Krakatoa, East of Java and The Boston Strangler (from 1969 and 1968, continuing that theme); Friday and Saturday sees a double feature of Steve McQueen’s Bullitt (1968) and George Sheppard’s Pendulum (1969); and then the Sunday/Monday double feature is Liza Minnelli’s The Sterile Cuckoo (1969) with 3 in the Attic (1968; in 16mm, no less!). The weekend’s KIDDEE MATINEE is another Steve McQueen movie, The Reivers, also from 1969, and then the midnight movies are Tarantion’s Inglourious Basterds on Friday night and Arlo Guthrie’s Alice’s Restaurant(1969) on Saturday night. Chris Nolan’s Inception (not from 1968 or 1969!) will screen as a matinee on Monday and then next Wednesday’s matinee is the James Bond film From Russia With Love  (1963).

FILM FORUM (NYC):

On Friday, the Film Forum begins screening the Coen Brothers’ 1998 comedy classic The Big Lebowski for a week for no particular reason… but who needs a reason to catch up with Jeff Bridges’ The Dude and friends? It will also screen Elaine May’s classic bomb Ishtar, starring Warren Beatty and Dustin Hoffman, again for no particular reason. Maybe because it’s summer? This weekend’s Film Forum Jr. is the 1982 John Huston musical Annie, and then on Sunday, the Forum will screen Otto Preminger’s 1954 film  Carmen Jones, introduced by Donald Goble.

EGYPTIAN THEATRE (LA):

Cinematic Void presents a double feature of Ti West’s The House of the Devil(2009) and Wolf’s Hole (1987) on Thursday and then on Friday, the Egyptian goes further into the Czech New Wave with The Anarchic Cinema of Vera Chytilova, a double feature of Daisies (1966) and Fruit of Paradise (1970) as well as a couple shorts by the Czech director. The series continues on Sunday with a double feature of Panelstory and The Very Late Afternoon of a Faun. I honestly don’t know much about the Czech New Wave (or actually, nothing) but it certainly seems to be back in style. Also Sunday is a Barbara Stanwyk double feature as part of The Style of Sin, showing Ladies of Leisure (1930) and Baby Face (1933).

AERO  (LA):

Thursday, there’s a screening of the new The Doors: The Final Cutwith director Oliver Stone and Val Kilmer in person, and it isn’t sold out, as of this writing! Friday is a screening of Charles Shyer’s Irreconcilable Differences (1984) with special guests and then the weekend is all about one of my favorite filmmakers, Lynn Shelton! After a preview of her excellent new movie Sword of Trust on Saturday, there’s a TRIPLE feature of Your Sister’s Sister (2011) on 35mm, Touchy Feely (2013) and We Go Way Back (2006) on Saturday and then a triple feature of Humpday (2009) on 35mm and 2017’s Outside In.

QUAD CINEMA (NYC):

The Quad continues to show its 2k restoration of Greta Schiller and Robert Rosenberg’s Before Stonewall (1984) through the weekend

ROXY CINEMA (NYC)

On Wednesday, the Roxy is screening Humphrey Bogart’s classic Casablanca on a 35mm print, then Thursday, it’s showing the 2002 dark comedy The Rules of Attraction. Getting into the Pride spirit, Saturday sees a 35mm screening of the 2000 lesbian comedy But I’m a Cheerleader, presented in conjunction with Flaming Classics, as well as a 35mm print of the 1969 doc Portrait of Jason about black, gay sex worker Jason Holliday, which will screen one time on Saturday and Sunday.

IFC CENTER (NYC)

Waverly Midnights: Parental Guidance wraps up with Brian De Palma’s adaptation of Stephen King’s Carrie (1976), Weekend Classics: LoveMom and Dad is Ingmar Bergman’s Autumn Sonata (1978) while the Late Night Favorites: Spring concludes with David Lynch’s Mulholland Drive (2001). The IFC Center will be one of the theaters showing Spike Lee’s Do the Right Thing on an archival 35mm print, but only for the 7pm showtimes for the next week. Also in celebration of Stonewall (just a few blocks away), the IFC Center is premiering a 4k restoration of Frank Simon’s 1968 film The Queen (a Cannes selection), which looks at the 1967 Miss All-American Camp Beauty Pageant, organized by LGBTQ icon Flawless Sabrina with judges including Andy Warhol, Larry Rivers and Terry Southern. It will be shown with the 1967 short Queens at Heart.

BAM CINEMATEK (NYC):

On Thursday, BAM and FAB Flicks will show the 1961 musical classic West Side Story outdoors at the Brooklyn Plaza Medical Center. On Friday, BAM joins the celebration of Spike Lee’s Do the Right Thing with a 30thanniversary rerelease. The Beyond the Canon series continues on Saturday with a double feature of Dibril Diop Mambety’s 1973 film Touki Bouki with Jean-Luc Godard’s Breathless (1960)

MUSEUM OF THE MOVING IMAGE (NYC):

Astoria, Queens’ premiere arthouse continues its Grit and Glitter: Before and After Stonewall series this weekend with John Waters’ Multiple Maniacs (1970) on Friday, Sidney Lumet’s Dog Day Afternoon (1975)and Stephen Frears’ My Beautiful Laundrette (1985) on Saturday. Apichatpong Weerasethakul’s 2004 film Tropical Malady will screen on 35mm on both Saturday and Sunday. The See it Big! Action series will screen Pam Grier’s Coffy (1973) in 35mm on Saturday and Sunday.

FILM OF LINCOLN CENTER (NYC):

Lincoln Center’s 50thanniversary celebration continues with 50th Mixtape: Free Double Features with Agnes Varda’s Cléo from 5 to 7 (1962) and Jane Campion’s The Portrait of a Lady (1996) on Thursday night.

LANDMARK THEATRES NUART  (LA):

This Friday’s midnight movie is Hayao Miyazaki’s Princess Mononoke (1997)… subtitled!

Next week, it’s the extended 4thof July weekend and Sony’s seventh Spider-Man movie Spider-Man: Far from Home will go up against Ari Aster’s sophomore effort, Midsommar.

[christlovez]

A Study in Skulls, Sonnets, and Chess

Ello! I am only a beginner at theorizing for Sherlock and I’ve yet to read the books (gotta read asap) but found great fun in brainstorming. Hopefully this isn’t all a repeat of what the fandom’s been saying for months now!

(This post will later on revolve a bit around the Extended Mind Palace theory and/or meditative trance theory)

Quick briefing for sonnets before i get into it: There are some fans who noticed that John’s counting on of 57 texts in The Scandal in Belgravia was a reference to William Shakespeare’s Sonnet 57. 

Being your slave, what should I do but tend Upon the hours and times of your desire? I have no precious time at all to spend, Nor services to do, till you require. Nor dare I chide the world-without-end hour Whilst I, my sovereign, watch the clock for you, Nor think the bitterness of absence sour When you have bid your servant once adieu; Nor dare I question with my jealous thought Where you may be, or your affairs suppose, But, like a sad slave, stay and think of nought Save, where you are how happy you make those.    So true a fool is love that in your will,    Though you do any thing, he thinks no ill. 

Modernized verison: “Since I’m your slave, what else should I do but wait on the hours, and for the times when you’ll want me? I don’t have any valuable time to spend, or any services to do, until you need me. Nor do I dare complain about how agonizingly long the hours are while I watch the clock for you, my king, or how bitter your absence is after you’ve said goodbye to your servant. Nor do I dare ask jealous questions about where you might be, or speculate about your affairs, but like a sad slave I sit still and think about nothing except how happy you’re making whomever you’re with. Love makes a person such a faithful fool that no matter what you do to satisfy your desires, he doesn’t think you’ve done anything wrong.”

Sonnet 58:

That god forbid, that made me first your slave, I should in thought control your times of pleasure, Or at your hand th' account of hours to crave, Being your vassal bound to stay your leisure. O let me suffer, being at your beck, Th' imprisoned absence of your liberty; And patience tame to sufferance bide each check, Without accusing you of injury. Be where you list, your charter is so strong That you yourself may privilege your time To what you will; to you it doth belong Yourself to pardon of self-doing crime. I am to wait, though waiting so be hell, Not blame your pleasure, be it ill or well.

“Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Sonnet 57 is connected with Sonnet 58 which pursues the theme of the poet as a slave of the beloved.” - Wikipedia

Modernized version: ”Whatever god decided to make me your slave, may he never allow me to so much as think about having any control over when you see me, or asking you to account for how you’ve been passing the hours. I’m your slave, after all, and forced to wait until you have time for me. Oh, while I wait for your summons, let me suffer patiently the prison of this lengthy absence from you as you do whatever you want. And let me control my impatience and quietly endure each disappointment without accusing you of hurting me. Go wherever you want—you’re so privileged that you may decide to do whatever you like. You have the right to pardon yourself for any crime you commit. And I have to wait, even if it feels like hell, and not blame you for following your desire, whether it’s for good or bad.“

Sonnet 59:

Mary is said to have called/messaged John 59 times in The Six Thatchers because she’s going into labor.

John says this number, ‘59.‘

If there be nothing new, but that which is Hath been before, how are our brains beguil'd, Which, labouring for invention, bear amiss The second burthen of a former child! O, that record could with a backward look, Even of five hundred courses of the sun, Show me your image in some antique book, Since mind at first in character was done! That I might see what the old world could say To this composed wonder of your frame; Whether we are mended, or whe'r better they, Or whether revolution be the same. O! sure I am, the wits of former days To subjects worse have given admiring praise.

Modernized version: “If it’s true that there’s nothing new and everything that now exists existed in the past, then we are really fooling ourselves when we struggle to write something new, winding up, after much exhausting, painful labor, with a tired imitation of an imitation! If only I could look back into the records, even as far as five hundred years ago, and find a description of you in some old book, written when people were just beginning to put their thoughts in writing, so I could see what the old world would say about your amazingly beautiful body. Then I could see whether we’ve gotten better at writing or worse, or whether things have stayed the same as the world revolves. Oh, I’m sure the witty writers of the past have devoted praise and admiration to worse subjects than you.“

Sherlock in The Six Thatchers, explains to Mary that he knows 58 possible ways of diminishing variables and calculating the steps she would take. (despite the fact that he did not use this tactic to find her location after she fled to lure Ajay away. Tracer device n’ all) This mention of 58 comes after the mention of 59, which is also mentioned in The Six Thatchers episode.

Sonnet 59 is also connected to a picture seen in The Abominable Bride. The skull painting of the modern Sherlock world is blue with a rather simple plain background. In Sherlock’s mind palace, the painting is red and is a Victorian painting called All is Vanity. All is Vanity in real life is typically a more neutral brown than the reddish brown we see, and sometimes white. (The fabulous @cyntrix-gm helped me find this painting’s name)

Both the painting, and sonnet 59 refer to verses in the bible from the same book of Ecclesiastes. 

(Sonnet 59) If there be nothing new: Ecclesiastes 1.9: "The thing that hath been is that which shall be; and that which hath been done is that which shall be done; and there is no new thing under the sun."

In Scandal in Belgravia, Sherlock says, “The wheel turns, nothing is ever new.“ and Mycroft in The Sign of Three in Sherlock’s mind palace reminds, “What do we say about coincidence?” Sherlock responds “The universe is rarely so lazy.”

All is Vanity: Ecclesiastes 1:2 “Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity.“

John’s Chinese fortune cookie  says “There is nothing new under the sun. It has all been done before.” (credited post by @teaandforeshadowing)

This post by @lillabaloo displays a screenshot in which thewatsonbeekeepers explains that William Sherlock Scott Holmes’s real initials (WH) are connected in parallel to whom sonnets are addressed to.

His Last Vow had a deleted scene featuring Magnussen and a hospitalized Sherlock where a vase with a dark, withering rose and letter stood.  

(@cyntrix-gm found the rose symbolism) The symbolism of the withering rose: 

“The dark crimson rose has a meaning that has two sides. On one side it’s about sadness and mourning and death.  On another, it has a more joyous meaning - rebirth and love.  When someone you care about passes away, the dark crimson rose can express your feelings of mourning and sadness.” - website of Auntyflo on rose symbolism. 

Magnussen - “The struggling carnations are from Scotland Yard. The single rose is from.. ‘W’.. And the black wreaths? C-block Pentonville (prison). I’m not sure the intent was entirely kindly.”

(Fun fact: White carnations = pure love, good luck. Black wreaths = death. Many more shades of carnations appear in the scene, though white is the most common, next to pink. The pink carnation was said to have appeared because of the Virgin Mary’s tears, a symbol of a mother’s undying love- it’s no wonder it’s a Mother’s Day flower meant to say “I will never forget you“. It also is a flower of support. [Info from: Teleflora ... and Google])

Flip the letter upside down and increase contrast levels:

Invert the colors:

A chess piece with a skull on it and something that can be described as a lock(?) above it. The letter W has turned into a perfect blue M.

(Blue and red in the series has been used as a way to imply inverse or alterations, especially when it  comes to Sherlock’s poster, and sometimes locations within his mind palace. Curtains within John’s home [or therapist’s office?..that office changes a lot too, to be honest,] in season 4 turn red, when before they had been blue.)

Mary in the Abominable Bride opens a letter from Mycroft saying, “Immediately.” It’s from Mycroft because later, as she sneaks with Sherlock and John to catch the Emelia Ricoletti culprits, she admits that she works with Mycroft and that he summoned her.

A rose and letter from Mycroft after Sherlock is stabbed by Rosamund/Mary? Interesting.

In the modern letter it’s hard to tell whether the chess piece is a standard queen or bishop piece.

This brings us back to the controversy surrounding season 4 promotional pictures, which apparently were copyrighted and declared as ‘leaks’, because they reveal important spoiler information.

It’s not quite known what the spoiler is, but the implication is enough for mystery.

In this picture, we see two bishops upended along with pawns, flying towards the camera.

“The bishop’s predecessor in medieval chess, shatranj (originally chaturanga), was the alfil, meaning “elephant”, which could leap two squares along any diagonal, and could jump over an intervening piece.” - Wikipedia

We can now say that the letter’s chess piece is most likely a bishop, as it very well references to a reoccurring symbol: The elephant [in the room]. 

Symbolically or literally an elephant has been hidden in rooms, for example on Mrs. Hudson as a necklace, in the back of the 221B room, and within John’s blog and Sherlock’s best man speech using The Elephant in the Room as a good tale. The symbol can refer to an obvious issue that John and Sherlock choose to ignore, perhaps their feelings towards each other (if you’re a johnlocker).

If you want to further analyze, the remaining pieces standing on the board is two opposing knights, with Mycroft’s king and his two pawns.

Knights: “Colloquially it is sometimes referred to as a "horse", which is also the translation of the piece's name in several languages. Some languages refer to it as the "jumper", reflecting the knight's ability to move over pieces in its way.“ - Wikipedia

John may be the “jumper”, as Sherlock does refer to John’s jumpers an episode before, in The Sign of Three, when trying to deduce who is the next target of the Mayfly man. If the chess pieces are symbols of people, who if not John would be the knight? John’s presence in this picture raises slight question.

 With all this comes the question of: who is Mycroft’s knight? And why do John and Mycroft’s knight oppose one another?

Most of Sherlock’s chess pieces are strewn on the table in front of Mycroft, and Mycroft’s pieces across Sherlock’s side of the table.

Sherlock is either unable to beat his own brother (so close to checkmate), or he’s passing the game onto us in this picture.

Mycroft throughout the series has subtexted queen status.

John at Buckingham Palace, “Are we here to meet the Queen?”

Sherlock - “Apparently”

A painting of the young Queen Elizabeth II, “Queen Regent”  by Pietro Annigoni in 1954, hangs behind Mycroft in his office. It’s the only wall decorative in this Sherrinfordian office. 

Moriarty’s stealing of the crown jewels could be a reference to gaining control over Mycroft, perhaps through blackmail. We know they communicated inside and outside of Sherlock’s mind palace, at least.

Irene - “Jim Moriarty sends his love.”

Mycroft - “Yes, he’s been in touch. Seems desperate for my attention, which I’m sure can be arranged.”

“And honey, you should see me in a crown.” - Moriarty.

This symbolizes a lot that I’m unsure of. He breaks down a glass wall after writing “Get Sherlock” on it, which I suppose means his barriers keeping him back are no longer there, and he can now become queen. We still don’t know what Irene told him in the beginning of A Scandal in Belgravia, and what could have possibly kept him from killing John and Sherlock at the pool (unless someone does know, please hit me up!)

In the end, Mycroft holds the power of the British government. There’s no explanation for how, besides that Magnussen also held a lot of power and it was through blackmail.

But regardless, Mycroft is most likely queen on the chess board.

Back to the letter W/M in Sherlock’s hospital room, the W/M stands for someone/something.

It’s easier to assume it’s an M, with the chess piece insignia as reference for which way to read the seal. If it is M, and the one Sherlock plays chess/games against is Mycroft and Moriarty, especially as Moriarty in S4 is shown to have worked with him, and oddly has also had a connection with Mary Morstan before John and her ever met.. it can be safe to assume M stands for Mycroft.

Another idea of who it is could be Mary. She did visit Sherlock in the hospital, possibly as one of the first visitors. A rose very well mirrors her true name, Rosamund, as does the wallpaper behind Sherlock when she shot him.

Though this is an overly prepared and symbolic way of giving a ‘ get well’ or ‘don’t tell john’ letter. (If you believe the Extended Mind Palace theory starting from the reversed heart monitor in HLV, this can also mean M is still working behind the scenes while Sherlock is incapacitated)

S4′s connection of all the people who ever pulled the strings of Sherlock’s heart and gave him trouble, find their place and connection to Sherrinford or through Mycroft, the one supposed to be in control of Sherrinford. 

Or it may not be so complicated. It may simply be Moriarty’s last goodbye, but if so, who placed the letter and rose there?

Rewind to the skulls.

So many skulls.

Sherlock’s skull poster seems to always remain blue before The Abominable Bride (Correct me if I’m wrong please):

Alas, poor Victor.

Odd glass-ish ball on Mycroft’s desk possibly resembles a skull at certain angles.

Perfectly normal, unusually well-lit poster here.

Stop laughing at me, Mr. Skull. You’ve gone purple, and I’ve never heard of a pirate having a purple flag.

Blue, the shade of TD-12, Mary’s death scene, and lies. Fascinatingly vague information.

Skull picture is blacked out in TLD, while Sherlock is with Culverton at the hospital. Which brings me to realize.. 

If Sherlock is unconscious, who’s manning the mind palace?

Is him being unconscious in the hospital bed a thing of consciousness awareness? He may still be in the hospital outside of mind palace, after all. 

John is often wearing colors that match the Mind Palace skull paintings. John seemed to be subtextually connected with Sherlock’s skulls since the beginning of A Study in Pink where John says about the mantelpiece’s skull, “So I’m a replacement for your skull?” and Sherlock says, “Don’t worry, you’re doing fine.” Sherlock upon John’s first seeing the skull claims that it’s his ‘friend’ of a sort. In Sherlock’s mind palace, after HLV, John may be even more connected to the skulls.

The skull poster is also symmetrically aligned with John’s chair, just as the shifty orange lamp and smiley face is aligned with Sherlock’s chair. The room is rather deliberately a half-n-half of John and Sherlock, John’s side being more green, and Sherlock’s being more beige.

In narration, it always seems to matter who’s sitting on the right or left side of the flat. Clients must sit in the middle while John and Sherlock sit in their respected spots. Moriarty chooses to sit in John’s seat as an act of domination over their balance of things, which can lead us to assume that Sherlock offering his own chair is in an ode of respect towards John rather than Moriarty. Which leads me to believe the placement of the skull poster (and smiley face), is even more correlated with John’s place in the Mind Palace.

During Mary’s frankly unreal monologue at the end of The Final Problem, we see the skull picture again, purple/gray and appearing very dark, digital and coded. It’s a sign that things aren’t finish yet.

I may edit this bit later if I notice anything else.

Interesting post regarding the skull poster  by @the-7-percent-solution

(to those tagged, please let me know if you want me to uncredit!)

(Gradually migrating Sherlock posts from this blog to @all-is-v-57)

[peerless-soshi]

Tagged by @jpnpr - thank you so much for always tagging me in cute memes! :D Answering to this was fun. 

1. Which superpower would you like to have? I've always fascinated by invisibility. The possibility of disappearing and observing people without being noticed, wouldn’t it be fantastic? 

2. Do you like chores? Which one do you like most? Hmm... Not really. I consider myself to be a rather well-organized person so I do chores every day but I wouldn’t say that I particularly like any of them. I think I’m gonna pick baking but you know, only in the “you don’t have to do it and decide to bake something for yourself” kind of situation, hahaha XD

3. Which was your favourite subject at school? Polish, English and art classes 

4. What would you buy as the first thing, if you had infinite money? It has to be for yourself? All the books I would like to own, probably a console and games for it. My newest dream is the original Mr. Kittyhawk mascot from Romantically Apocalyptic series :) 

5. Sea, river or ocean? Sea, always and forever

6. Anime, sub or dub? (if you watch) Anime are almost never aired in Poland so I don’t have this problem, I always watch it with subs. 

7. Which language would you like to learn if you could? Japanese. I mean, I can - I own books and tons of exercises. I just don’t have enough time to regularly practice Japanese and it kinda sucks. 

8. If you wrote a song, what would it be about? Probably something philosophical, about the world and life? :D

9. Favourite flower? I like lilies of the valley a lot

10. What would you change first in your personality? I would like to be more open and talkative. There are people who make friends really easily and I... am not one of them. I feel that I may seem a little bit intimidating for other people? 

11. Which instrument would you like to play (one that you don’t already play)? I’m torn between guitar and violin. Sometimes I’m in the rocking mood and I dream about my own electrical guitar but then I hear soft classical music and end up thinking that violin is the most beautiful instrument on Earth.

12. What are your thoughts on Shakespeare? I love William Shakespeare from the bottom of my heart! Reading his plays was nothing but pleasure. I think that our culture and tumblr destroyed Shakespeare, making him too mainstream, and so it resulted in criticism from people who completely don’t understand neither his works nor the rules of theater. I love  Shakespeare and I’m always ready to talk about him, hahaha ;D

13. Favourite fictional character? I have so many, way too many. But Takasugi from Gintama and Ivlis from The Gray Garden will always hold a special place in my heart. Recently I fell for Hinata from Danganronpa, too. Apparently I’m falling for the fallen ones, huh?  

14. Least favourite fictional character? Hmmm... Again, I have many possible choices. I would pick Shinji from NGE or Miaka from Fushigi Yuugi. One of them (another rule - I tend to hate weak protagonists) 

15. Is there someone as your absolute role model? Do you wish to be exactly like this person? I can’t think about just one person... I am who I am today because of many role models, whether we’re talking about my family, friends, writers, famous people or even fictional characters or bloggers. But I do wish to be a person who can become one of many role models for somebody else, be another tiny block building someone’s path. 

16. What’s the worst personality trait one could have? Being two-faced. I can forgive mistakes but people who intentionally lie and manipulate? Never. 

17. Would you like to be a king/queen? Hahaha, yes, I would! I would take care of my people and help them as much as I can. 

18. What about prince/princess? I prefer being a queen. As a princess I still can help but I can’t make new laws and decide about my country’s future, right? 

19. Movies or series? Series. I think that long stories have an opportunity to make more interesting and likable characters, complicated plot, complex worlds. Movies show us everything very conventionally, many things remain implicated but not told. I become attached to long series and I can’t help it ^^ 

20. Anime or cartoon? Anime. Somehow I’ve never been a huge fan of cartoons. 

21. Which one is your favourite bird? Flamingos! Penguins are cute too. 

22. Would you rather lie or be lied to? Preferable neither of them xD I have no idea, it would all depend on my situation, if I/the other person would have good intentions, results of those lies etc. 

23. Cinema or watching at home? Watching at home.There are some movies which I prefer to watch in cinema, mainly because of special effects or stuff like that. But in the end I much rather sit in my room with popcorn and watch what I want and when I want. 

24. Your favourite game when you were little? I don’t remember, I liked many...