#so i'm getting it out of my system

[soosoosoup]

snowzone

[space-bowl]

Ep 7 Aftermath (given the planet didn't explode yet)

Part 2

[nouverx]

The thing I love the most about Alastor is that we can't truly know what to think of him, if he is being truly manipulative or if there's a genuine undertone behind any of his words, and that allows people to interpret him differently from one person to another. Like "oh he's being so sweet and supportive", to "no actually he's just saying what people want to hear because he's an evil manipulator". Maybe some fans are being too trustful, just like Charlie, and falling into his lies. BUT maybe there's a true genuine undertone to everything he says, maybe he can be a sweetie behind his evil mask. And maybe he'll turn out redeemable. Or not at all. Who knows?

His character could go in two completely different directions in the next seasons and we have no way of telling how he'll turn out. It's still fully open because he showed he can be awful and evil and manipulative, but since there's been very few hints here and there that he could get attached to the hotel, that means he could be sweet despite all that. The mystery and uncertainty is keeping us thinking and hoping and I LOVE that. He's such a unique and amazingly written character.

On a personal note, I think the two different directions his character could take should coexist. Yes, he's going to be a main villain in the future seasons and betray Charlie and the hotel, yes he's an evil manipulator, BUT he could also get attached to them and show redeemable qualities at the same time. For me it would make the heartbreak even greater and his character even more satisfying.

[akantorrr]

The Goldfish and The Kraken

Speedpaint and alternate versions under the cut :>

I really, REALLY could not decide if I liked the blue version more than the black and white ;w; I am suffering, they both look really gooddd

[originalaccountname]

Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

[poorly-drawn-mdzs]

Trials of Updog.

[First] Prev <–-> Next

[lavared]

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(More details under the cut)

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[...]

"...You know, the usual? Turning into a gross spider, brooding in the shadows, doing your mother's dirty work, crawling back to the swamps so you can finally leave us alone???"

"And why, pray tell, should I do something else when I can watch you make a spectacle of yourself instead?"

"What do you mean?"

"I'm talking about this new embarrassing habit of yours. You've been spending an awful lot of time hiding behind the trees to ogle poor unsuspecting lasses."

"I'm-I'm NOT! First off, how long have you been spying on me, exactly? No, wait- I don't really want to know that. And second, I'm not doing anything, and I'm definitely NOT ogling. I'm just standing guard."

"(Scoffs) Oh, are you really? I didn't know standing guard involved all this blushing and heavy sighing. We might have done it wrong all this time, I see."

"(Sighs)...Listen, believe what you will. The Commander asked us to keep watch, so I suggest you do the same, preferably twenty or eighty feet away from me, alright? Thanks."

"As your dear Commander wishes. But I suggest you close your mouth while on...duty. We already have a dog, we don't need another slobbery creature in our fun little party."

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[nimbus-bugs]

in my dreams we died in the reeds of a distant shore, and i thank all the gods in this wide universe that it was only a dream.

[tricksterlatte]

New story idea: We begin with the son of famous athlete Tom Brady, years after the NFL player himself went missing. Our protag, let’s call him Tom Brady Jr., is now a beloved sportsball player in his own right, but always lives in his father’s shadow. As a result, Tom Jr. resents him. One day, his home stadium and city are attacked by a space whale mid-match, and as a result he is isekai’d to another world.

There he finds out technology is mostly forbidden, and cultic religion reigns supreme, but football is still real! Everything is okay because ball is life. He meets new friends and overhears that a local girl, the daughter of Jesus the 84th, is about to embark on a race to become Jesus the 85th. So he tags along. They grow closer and closer with every passing day, forming a bond because they both understand growing up in your father’s shadow.

Then our football loving son finds out Tom Brady is this world’s evil space whale, who keeps destroying every city in his wake, though Tom Jr. has no clue why. After this, the Pope is assassinated and replaced by an incel Pope, who wants to marry Jesus the 85th so they can perish together. So they all kill the incel Pope, and later they kill him two more times just to be sure! Tom Jr. finds out Jesus the 85th will be dying for everyone’s sins and he doesn’t like that, but later finds out this will accomplish nothing in the long run. Their dads and friends prepared them for this! They kill the concept of sin, and also god, and a bunch of other gods, and now Jesus the 85th is just some girl again.

Unfortunately, Tom Brady Jr. was a Bible fanfic character all along, written into existence after the apocalypse wiped out computers and everything except football. As a result, he fades from existence, because god kinda kept him alive. He fades away, along with his samurai godfather, after jumping off the top of an airplane, and Jesus the 85th is left behind with her goth best friend, another football player who helped kill the pope with his favorite football, a furry, and her cousin.

Anyways I love Final Fantasy X.

[chimchiri]

It's Harrow and that other one

[5ummit]

Stucky used to be my comfort ship.

I used to think Steve and Bucky cared for each other so deeply and tragically that their love – even if only viewed as platonic – could not be denied by anyone. Not after Steve spent THREE whole movies, the entire Cap trilogy, proving how much Bucky meant to him over and over and over. Steve was willing to fight for him and die for him in every single movie. I used to think that even if Marvel gave Steve another love interest, even if he died in Endgame, it wouldn’t change or negate how devoted they were to each other. That they would still be friends “til the end of the line.”

Little did I know what awaited me in Endgame was a fate worse than death.

Steve left and in doing so rewrote everything we thought we knew about him and his relationship with Bucky. About who Steve is as a character entirely. It wasn’t just that he abandoned his supposed best friend, who he had been chasing and obsessing over for years. Who was there for him and looked after him ever since they were children. If Steve had left the Bucky he used to know in the 1940s for some love interest and a life without him, it would still be pretty out of character, but I would eventually get over it. 1940s!Bucky was confident, happy, and had family and friends who cared about him. Endgame!Bucky is not that Bucky.

Endgame!Bucky is broken and lost and just now learning how to be a person again. Endgame!Bucky has no friends and no family. Endgame!Bucky just spent the last 70 years of his life going from one fight to another, being brainwashed and tortured and manipulated and abused. Endgame!Bucky is clinging by a thread to the one and only thing he knows and values in this world: Steve.

This is the Bucky that Steve chose to leave.

If Steve was any kind of friend at all – if Steve was truly a hero and the morally upstanding person he’s portrayed as, a person worthy of wielding Mjolnir – he would know these things about Bucky, his best friend since childhood, and at the very least, would refuse to leave his side until Bucky had some sort of support network and seemed well-adjusted enough to handle it. But he doesn’t. Even in their farewell scene when Bucky (looking like a kicked puppy) says to him “I’m gonna miss you” Steve won’t even echo the sentiment. He just says “it’s gonna be okay,” as if he’s aware of the pain Bucky must be in and essentially tells him, “don’t worry, you’ll get over it.” And I’m not even going to get into the terrible way Steve treated his other best friend, Sam, by keeping him completely in the dark about his plans for absolutely no reason and abandoning him as well.

Marvel didn’t just make Steve act out of character in Endgame in an effort to no-homo him and create a ~surprise twist~. They didn’t just make him a bit selfish and a bad friend. They straight up made him a villain, and I will never ever forgive them for it.

[coquelicoq]

we get a lot of really great stuff in system collapse about murderbot's relationships with ART and ratthi, which makes sense, because it spends almost the entire book with them. but i also love how even though mensah isn't there for most of the story, other people keep reminding mb of her:

chapter 2, page 25: “From ART’s personnel file, she [Karime] was older than Mensah and she didn’t look like an intrepid space explorer, either, even in the protective environmental suit.”

2, 27: “It took Karime three seconds to process the abrupt statement. (She was almost as good at not looking annoyed as Mensah was.) She kept her expression neutral and patient.”

2, 28: “In the underground colony room, Karime lifted her brows. ‘Another occupied site?’ I thought she was being careful not to show too much reaction. It was the way Mensah would have played it.”

4, 70: “Iris looked at me and I saw her hesitate, because her hesitation looked a lot like Dr. Mensah’s hesitation. And I realized I really didn’t want to go down there.”

5, 104: "Iris has that same thing as Dr. Mensah, the thing where she’s able to look and sound calm under circumstances where shit is possibly about to go down.”

it's spent so much time with her and it knows her so well and respects her so much that she's the model against which it compares all other humans. it thinks about her when they're not together. it's protective of her. it has such total faith in her competence. it (non-romantically) loves her and doesn't want to not see her again. idk man, it just gets to me! and they were teammates (oh my god they were teammates!!)

bonus:

I said, aloud, "You have to be kidding me." (ch. 2, p. 28)

seven pages later, in reaction to the same thing:

Mensah had had time to review the feed video. She muttered, "Oh, you have to be kidding me." Yeah.

twinsies 🥰

[ex0rin]

Secretary Bucky & Guard Dog Rumlow | Reverse Winterbones What If… Captain Carter Fought the Hydra Stomper?

+BONUS

[angi-writes-filth]

An art student's ramble about Lobo from Puss In Boots

As y'all know I'm a visual artist so ofc I'm aware that a HUGE part of creating visual content is intentional. Like, chances are if you see something being made a certain way, there was thought behind it. There are references being made and/or this was done with a specific intent in mind.

So ofc the moment I saw THIS

I was like.... why?

Why why why?? Why the pose? Why is it so symmetric? Why the balance in all the scenes and his figure and design WHY??

(rambles about visuals, possibly grotesque imagery and talks about death, various gods, and tons of pictures BEWARE)

Then I realized HOW MANY REFERENCES to other Gods/omens of death The Wolf has??? Like:

Death. Straight up.

(I don't think I need to explain myself for this one...)

Kinda cool how they decided to include a more "scythe-looking weapon" at the end, only when Lobo decides to get serious. Kinda like he's becoming more "Grim Reaper-y" when he stops playing around. More on DW's choice of weapons for our edgy furry friend later honhonhon.

Big Bad Wolf

The universal, historical omen of death. Present in many stories like Little Red Riding Hood and The Three Little Pigs to name a few. Always the ultimate symbol of evil (fun fact: Most old bedtime stories we know today are passed from generation to generation; by the time these were created and put to use, it's most likely they were either made to warn children not to wander off into the woods for fear of being eaten predators, or for the risk of running into criminals shunned out of society and who normally retreated into the forests since they had no other place to live and couldn't leave the fiefs.)

Wolves are also predators that chase their preys, and exhaust them before going in for the kill. Much how like he does during the movie.

Also, it's possible Lobo isn't even the true form of Death in this universe. It may very well be the form he adapted to scare off Puss in particular; because canine v.s. kitties amirite?

(this could also be a huge stretch but the dark patch of fur on his face reminds some people of a bird, which could be interpreted as a crow. i personally think it's just a design element to attract more attention to the face/make his eyes stand out more but i included it cuz why not).

El Silbón/El Silbador

"El Silbón" (The Whistler; also known as "El Silbador" in Colombia) is a legend from Venezuelan origin of a young man condemned to carry the bones of his father, whom he himself killed.

It is said if his whistle is to be heard, the more far away it is, the closer you are to your death.

Could also explain why the hell the Wolf is Latino LMAO. (Hearing him talk full sentences in Spanish scared me to Death haha get it? d-death)

Charon's Obol

The bribe for Charon, the ferryman who carried the soul through the river that divides life and death.

Osiris

This was one of the things I found interesting the most lmao. Like, I knew that pose reminded me of something...

I've read many people attribute this to Anubis, but from my research, it's actually not. This pose was used in sarcophagus by Pharaohs to resemble the God of the Underworld and Judge of the Dead, Osiris. What Osiris holds to his chest are a crook and flail.

Wikipedia offers the following explanation:

Traditionally crossed over the chest when held, they probably represented the ruler as a shepherd whose beneficence is formidably tempered with might. In the interpretation of Toby Wilkinson, the flail used to goad livestock, was a symbol of the ruler's coercive power: as shepherd of his flock, the ruler encouraged his subjects as well as restrained them.

AND NOW WHAT I ACTUALLY WANTED TO TALK ABOUT!!!

Lobo's Symmetry

Okay this is a purely personal take, but am I the only one who found it incredibly interesting how balanced and symmetric his design is?

A rule of thumb when designing interesting-looking characters is to say fuck you to symmetry and balance. It usually works for a much more exciting silhouette and generates more visual interest. However, in Wolf's case, they made a ton of effort to make him look extremely symmetric.

His face doesn't have any distinct marks that separate one side from the other.

His cloak is a triangular shape that converges somewhat in the middle (the only element that breaks the overall perfect sillhouette).

And they went out of their way to divide the Grim Reaper's signature scythe into two: Which he usually holds to his sides, almost at the same height. Like, why would they? Why bother to do all that?

WELL WHY DON'T WE ASK OUR KINGS OF SIMMETRY THEMSELVES, HUH?

T h e E g y p t i a n s (insert papyrus font here)

Symmetry is usually seen as the ultimate form of perfection. It is unachievable by most human standards, so it is notably known for causing feelings of detachment to a figure, even if it is recognizably human.

If you had a person who was entirely, perfectly symmetrical on both sides of their face, changes are, the uncanny valley effect would be triggered. Try grabbing a picture of a person's face, flip one of its sides and connect it with the other....... Looks weird, right?

The uncanny valley effect is normally used to depict images of deities and the like, because it usually instills the most literal form of 'fear of God'. Something that is so perfect that, by its presence alone, it makes you feel awkward.

The same principle is used by architects in churches even today: The more other-wordly, detached but still recognizably human you get, the more a person is made to feel powerless and awkward. Thusly, easier to control.

In summary, Wolf's design is made to look as symmetric and balanced as possible because he's supposed to feel other-worldly, even before we find out who he is. He's supposed to resemble something unachievable by human standards because he's not human. He's supposed to look out of place because he's Death. Straight up.

Every aspect of Lobo's design is sooo carefully thought out I just LOVE IT. Like have you noticed how his eyes stop giving off light during the scene we find out he's actually DEATH???

I JUST-- I LOVE THE WORK DREAMWORKS PUT IN THIS CHARACTER. I LOVE HOW HE'S JUST SIX MINUTES INTO A 1 HOUR 40 MINUTES MOVIE AND HE SOMEHOW STILL STOLE THE SHOW. I LOVE HOW YOU SPEND EVERY MINUTE GLUED TO THE SCREEN, ABSOLUTELY TERRIFIED OF WHEN YOU'LL HEAR THAT STUPID WHISTLE NEXT.

Edit: I don't understand why, but Tumblr is fucking with the formatting and I've been trying to fix it, but I can't. It's genuinely upsetting me lmao but yeah. I promise it looks better when it's in my drafts but the moment I save it, it justttttt does whatever it wants. I'm so sorry! Edit: I THINK I FIXED IT GUYS say THANK YOU to fumbling with HTML, fucking everything right up to the point where the post itself doesn't know what to do and gives up with my ass like "OKAY OKAY I'LL FIX THIS MYSELF GOD"

[hrokkall]

Praise no power higher than your own code