#so that’s why most of the drawing I have that are traditional are in pencil

[blakbonnet]

ARTIST OF THE WEEK: @mistysblueboxstuff

this week's aotw features the lovely Andrea who has been gracing us with beautiful ofmd art since the show began, and some of you might also recognise her art in other fandoms like Good Omens. She agreed to answer some questions for me:

Which do you use to draw (app/digital or traditional)?

I mainly paint digitally and in Photoshop CS6

Fave brushes/pencils/mediums (links/screenshot?)

My favourite brushes are Greg Rutkowski's oil brushes for Photoshop (best $6 I've ever spent xD)

Your favourite piece you've drawn?

I have lots of favourite pieces so it's hard to choose, but this would be one of my favourites

Who's harder to draw: Ed or Stede?

I think Stede is harder to draw because faces with softer features tend to be more difficult to paint (especially if there's no facial hair involved xD) :')

One essential tip for beginner artists?

I think the most important thing when starting out as an artist is to just keep painting and never give up. It's easy to get discouraged when your art isn't turning out how you envision it, but I promise if you just keep at it, you'll get there! Paint what you love, paint from the heart, and the progress will kinda just sneak up on you. Don't be scared to experiment either, make silly art, bad art, whatever you feel like making. Also, this one is hard (and still is for me), but don't compare your art to other people's art. As someone much wiser than me once said: "Comparison is the thief of joy". So just focus on yourself and have fun ❤️

Why OFMD? 🥹

OFMD just sort of felt like something that'd be right up my alley, and i fell in love with it immediately. The characters, the settings, the humour, Ed and Stede's beautiful, yet oftentimes heartbreaking, relationship (who doesn't love some angst, though? xD) - it's hard not to adore this show!

[roubee]

Aaavfyagyavhugauhgahubjihhhhudgdij

[struno2841]

Goofy little sketchbook drawings

[raggedytiger]

how do you draw so.. raggedy ann..

aargh such high praise!! this ones especially for you!

for real thank you so much :D a few people have said this, esp since i've drawn ragatha. and to be honest i am pleased as punch. i've been watching that 1977 movie on repeat it's so beautiful.

if you wanted an actual answer, i don't know if i'm bright enough to be able to explain it, but i think its mainly a mix of medium and the way i draw fabric!

the raggedy ann & andy movie is traditional hand-drawn animation, ann herself being primarily animated by the one and only Tissa David. most of my character art is scanned in from pencil on paper and edited for higher contrast. this might be why, since that gives it a slightly sketchier finish, which raggedy ann definitely has (in comparison to like, recent ghibli movies).

as for fabric, i really like drawing fabric. it's so fun to make ragatha as soft and stitched and pillowy-looking as possible, especially compared to a kind of rubbery, stretchy-toy pomni. in my head, ragatha hugs pretty much replicate the feeling of being cosed up in bed.

earlier today me and a friend were at college on a bear-hunt online for this spread, which he found, and which is so fun and informative:

note the unironed dress, baggy shoulders, and hands like mittens a size too big! literally adorable.

i want to get my hands on the book that this came from because hoo boy there are some beautiful drawings from it i've seen dotted around niche animation blogs and forums.

anyway thank u so so much and if you were looking for an attempt at answering your question then i hope u have it ^_^ if not then anyone can feel free to ask/recommend/show me stuff about illustration & animation bc it is my study and i love to talk about it! if anyone wants the few other development pages of the raggedy ann & andy movie that i've managed to scoop together then do ask!! (& if anyone has links to more then u know what to do o_<)

[inkabelledesigns]

Belladonna Nightshade - Halloween Dark Fairy

Base Doll: G3 Twyla from Monster High Clothing Pattern: Dollightful's Asymmetrical Dress (read to the end, I have notes about this)

Happy Halloween everyone! Since becoming a doll customizer, my Halloween dolls are usually related to my favorite indie horror game, Bendy and the Ink Machine. However, seeing as I've completed two Bendy dolls already this year, I felt it was time to give myself a break and try something a bit different. My friends over in DollyAnna's Discord server wanted to do a collaboration, so we decided to all make some Dark Fairies for Halloween!

Belladonna Nightshade is a mischievous fae that loves to play tricks and tempt mortals. That said, she's easily bribed with a sweet treat or two, and will usually let you be if you have a little candy or pastry to give her. I haven't decided what I want to do with her yet in terms of a story, but there is a part of me that would love to have her in my Equinox story.

When you consider the fact that most of my other Halloween dolls are black and yellow, it's no surprise she ended up super colorful. XD Would you believe this is my first doll with rainbow hair? Yeah neither did I, but she is! Part of my style is having really colorful and vibrant dolls, it surprises a lot of people that I've never done a rainbow before, but honestly? I'm glad to have finally tackled one! I'm also glad to have worked with another G3. Twyla is very near and dear to my heart, and I was so psyched to work with her mold! You can't see it in any of these photos, but I used glow in the dark varnish on her eyes and neon markings, so that her eyes still glow like the original. I will say, this doll has a lot more acrylic paint than my others, just by the nature of I don't have any pencils in neon colors. It was nice to get the practice in, I feel more confident than I did before in my brush skills. It was also nice to have a doll with dark scleras for a change! I haven't done that since I made Dreamer, it's surprisingly fun to draw on!

I was inspired by a LOT of different things with this one, and I went back and forth on my concepts a lot. Black light skeleton make-up, butterflies, fairies with non-traditional wings, candy, jesters, these were all sources of inspiration, and I think most obviously of all, Dollightful herself. This wasn't intentional, but I ended up using a doll of one of her favorite characters, with a lot of saturated colors which we know she loves, and even her dress pattern! I've been wanting to make this garment for ages, and finally I had a reason to try it!

So those of you who know how this pattern works are probably asking "Kat, how did you make this fit a G3? This dress is supposed to fit a G1 Monster High doll!" Believe it or not, Requiem Arts has a method for easily adjusting G1 patterns to fit G3 bodies. It's as simple as scaling a pattern up to 104% and printing it that way. It's meant for her garments, but I don't see any reason why it wouldn't work for other doll patterns. So I tried it with Katherine's dress, and I'm happy to say it worked out just fine! I think I probably should have adjusted a bit more on the skirt though. This outfit is essentially two pieces, and the skirt with all the ruffles is a little tight around the booty, it could have used a little more sizing up. So if you own this pattern and want to try this yourself, do keep that in mind!

Do let me know what you think! I had so much fun working on Belladonna, she's so vibrant and fun, I wanna try more fairies like her someday. I also need to try using props more. I got these pumpkins and hay bales on sale, and it was fun using them to craft a little temporary set for photos.

[princessanonymous]

I love your platonic yandere vampire story!! One of the best that I have ever read ❤

So I'm just wondering what time period did the reader turn? If not modernt times, how would they react with the modern world (like in the 2000's)? Would the keep up with new technology, would they just not care, or would they be against it? And if they care, what would be their favorite thing about the modern world?

Once again, amazing work and i enjoy all of your stories <3

𝓝𝓮𝔀 𝓦𝓸𝓷𝓭𝓮𝓻𝓼 (Ask)

When Night Comes asks Platonic Yandere Vampire Story Chapter list

Hi, thx for the ask and sorry if it took some time! Btw, (Y/n) was turned during the Victorian Era. :)

┉┈◈◉◈┈┉

"You want what?" Her father's disbelief dripped slowly from his lips, his brows furrowed in confusion as he tried to comprehend his daughter's request.

Undeterred by his reaction, the girl nodded excitedly, her eyes sparkling with anticipation as she pointed at her phone, a strange and amusing contraption she had only received a year ago after years of pestering her parents.

"A tablet and a digital pencil," she explained, her voice filled with excitement as she gestured towards the screen of her phone.

"Is that another of those things you saw on that clock application of yours?" He guessed with a roll of his eyes. She huffed in response, feeling insulted by his dismissive attitude.

"TikTok," she corrected him, her voice laced with exasperation. "And I don't see why that would matter."

He raised an eyebrow and answered, "Oh it does not."

She calmed down slightly at his words, relieved, but then she watched as his eyes landed once again on the book he was reading before she entered the living room. She awaited his decision with bated breath until she grew impatient. With each passing minute of silence punctuated only by the sound of pages turning, her anticipation grew.

"Well?" she finally interjected, unable to contain her impatience any longer.

He lifted his head once again, feigning innocence. "Well, what?"

Her glare intensified, and she snapped, "What do you say? Can I have it?"

His eyebrows rose, then he laughed; "Oh, of course not.”

"Why?" she demanded, her voice sharp with indignation, visibly bristled by his categorical answer. The dismissal of her desires stung.

"Why would you want such a thing?" He asked a question of his own, his tone laced with condescension, while pointedly ignoring hers. "I taught you how to draw and paint," he continued, his emphasis on the word 'taught' dripping with arrogance. "These silly things are nothing compared to good, traditional academic art," he declared. 

His words carried the weight of superiority, as if her aspirations were frivolous and unworthy of consideration and she clenched her fists at that.

She now understood his reticence to it; her father prided himself as a connoisseur in fine arts. It was true that he had an appreciation for the arts, but only when they adhered to the strict confines of academic, structured, and figurative compositions. She still vividly remembered the first time he had encountered abstract art; the fury and disgust that flickered in his eyes had been unmistakable.

Her father's disdain for anything outside the realm of traditional art became painfully apparent when he abruptly ceased sponsoring any museum or gallery that dared to exhibit the works of artists like Wassily Kandinsky and those who followed in his footsteps. The ripple effect was significant; it sent shockwaves through the art community and made headlines across the globe. For generations, his ancestors, from Dorian I to Dorian IV — who were, in fact, all him — had been the most influential patrons of the finest museums, but his sudden withdrawal of support was unprecedented.

The abrupt departure from his ‘familial legacy’ left many puzzled and others outraged, but her father remained resolute in his disdain for what he deemed as 'frivolous experimentation' in the art world.

(Y/n), on the other hand, did not hate abstract art; she just didn’t really understand the meaning of it most of the time. It mostly looked like a mess of forms to her. She didn’t even particularly want to depict abstract things; she just wished to do art using a new medium, but she couldn't help but feel the weight of his disapproval pressing down upon her.

"It doesn’t have to be abstract. Digital art can be as good as anything we have in this house," she insisted, her voice laced with determination. But at his dubious look, she sputtered, the words tumbling out in a rush, "And I'll prove it to you!”

He chuckled dismissively, waving a hand in her direction before turning back to his book once again. “Of course, you shall do that," he agreed, his tone dripping with condescension, a clear dismissal of her ambitions.

She felt a surge of frustration bubble up within her, puffing her cheeks in defiance as she stormed off. She was not one to back down from a challenge, especially not when it came to proving her father wrong. 

[jccatstudios]

SoC Comic Adaptation and General FAQ

General

Who are you?

Hi, I'm Claire (she/they)! I'm currently studying to become a professional comic creator. I love drawing fashion, expressive characters, and anti-hero action.

Where else can I find your work?

You can find all my work on my website! I'm also on Instagram, Twitter, and Tumblr. You can find my fan art under the handle jccatstudios, and my original art under jcscottart (only on Instagram and Twitter).

How can I support your work?

Besides supporting my work through your lovely comments and reblogs, you can help monetarily support me on Ko-Fi. Your support helps fund my college education.

Six of Crows: A Comic Adaptation

Why are you doing this?

Ever since I read the duology, I always thought it would make a great graphic novel series. When my professor encouraged me to start a webcomic, I took the opportunity to make the comic I imagined into reality. I want to see the whole series illustrated through comics one day. If I got the chance to make the official adaptation, that would be one of my biggest dream projects. I'm also using this project as an opportunity to improve my skills before I graduate.

Will you post it on (insert webcomic platform)?

Probably not. Most online comic platforms are meant for scroll format, and I'm making a traditional format comic. Plus, I post on so many sites already, so I think adding another would take too much time out of actually creating the comic.

Will you draw the whole book/series?

I wish I could! Since I'm not doing this full-time or professionally, that's quite unlikely. It would take years to complete it full-time, who knows how long as a hobby. I'd love to add a six-volume SoC graphic novel series to my shelf, but that of course can't be done without some serious backing. I'm currently working on adapting Chapter 3.

Where's Chapter 1: Joost?

I never drew it! I started with Chapter 2: Inej because I wanted to draw the main characters first. The first chapter of the comic is the second chapter of the book. I name the comic chapters after the book chapters just to make it clear which part of the book they correspond to.

Can I repost your art, use your art for layouts/edits, etc?

Yes, you may with visible credit. If you use it for your profile layout, put my handle in your bio. If you're reposting it or using my art for edits/collages, put my handle in the description. As long as it's for personal use, you can use my art. Do not sell copies of my art, use it in merch, or use it for any sort of monetary gain. Do not use my art for prompting or generating images.

Can I use your character designs and headcanons in fanart, fanfic, etc?

Absolutely! Please tag me if you do. I don't need credit since I didn't create any of these characters, but I definitely want to see what you create. :D

How do you make the comic?

The comic is made with mostly traditional methods with some digital editing. I pencil and ink all of the pages on bristol board. I mainly use the G-pen nib for characters and technical pens for the backgrounds. Once I scan the pages, I do light adjustments to the line art and correct any mistakes. The gray tones come from a single sheet of ink wash adjusted to be lighter or darker. The bubbles and lettering are all digital.

If anything else comes up, I'll add it here! Feel free to send me an ask if you have a question that isn't on this post.

[theoreticaltranstherian]

ARTISTS! PICREW FOLKS! ECT!

I have a challenge.

I am going to, using my magical powers of description and poetic word choice, describe myself.

You should try to draw/make me based on what I describe and mention me in the post/reblog this post with the picture!

No pressure but if you see this and aren't an artist but know someone who may be, perhaps reblog and mention them? Just if you don't mind :)

However, do not (and I can't stress this enough) use AI art for this. I do not support the use of AI art at all and I do not want to interact with jt whatsoever

(it's gonna be in the third person bc I can write like that better)

(also sorry for my weird similies)

He stood there in front of the mirror, somehwat awkwardly, observing himself. He was 5'6 - no idea why he had that memorized, but oh well - and built like a tree. That is, if that tree was in fact not a tree but a stick with limbs. He had Fluffy red hair that fell to his shoulders when it was wet but rested normally a few inches above. How he hated that hair; Utterly untameable and never sat quite right. He had disproportionately long legs, not so much that it stood out normally, but if it was mentioned you could see it and when wearing skirts or shorts his long expanse of leg seemed to stretch on forever. He had very little muscle, and as he flexed experimentally in the mirror, he snorted - He looked like he was built with pencils. His shoulders and hips were the same width, that is to say quite narrow and somewhat awkwardly thin; it matched the rest of him, but he couldn't help but wish that he was bulkier. His neck was functional if not a little short. Attached to it, as with most humanoids, was his head. He wore thick rimmed round glasses both because they had to be with how thick his lenses were and they hid more of his face, which he was quite insecure about anyway. His ears were ever so slightly uneven, leading to his glasses never quite sitting right on his face and usually resting on his nose. Oh, his nose; the only thing he didn't despise about his face. Not that it was a specifically good nose - One of the nostrils were a bit bigger than the other and it was sort of small - but it looked the least weird out of all his facial features. Resting below his nose was a septum ring, the same black one he'd had on since he got the piercing only because he couldn't be bothered to change it. Continuing down past his lightly freckled face was his mouth, as was to be expected. He had pale lips to match his equally pale skin, the two only differentiated by a slight pink tinge on the former and the assumption that he was not in fact a snake and did have lips. He had eyebrows slightly darker than his hair, although to tell the truth he sometimes would use mascara to make them darker because of his fragile masculinity and his need to fit traditional male standards of appearance so as not to be misgendered. His face overall was the shape of one of those Japanese watermelons that had started to become squared but only very barely before escaping its clear plastic prison. He wasn't insecure about his height, but that didn't stop him from always wearing platforms; he just liked how they looked. He was currently wearing his favorite outfit, consisting of a black tank top that went a few inches up his neck, an olive and dark green striped button up not fulfilling its namesake over top, and some pale dark green cargo pants. He hated wearing jewelry, as it was just one more thing to lose, but he always had on a chain with a gold ring holding a small clock face; His partner had asked him out with it, and he kept it with him because he knew if he set it down in his dump of a room it would be lost to the ether the second he looked away. He also had his ears pierced, but rarely wore earrings and instead always had on a pair of headphones to help with the constant anxiety from noise. He had tried to wear headphones with earrings in the past but found it extremely uncomfortable. As he stepped back from the mirror, he realized his internal monolog was extremely monotonous, and decided to stop observing himself.

Thank you to @annotated-catastrophe for the original idea!!!!

[raspberryslushie]

Scrapbooking

Ft. Xiao, Kazuha, Itto, Cyno, Wanderer, Alhaitham, Albedo, Tighnari x gn!reader 

Warnings: Slightly OOC, a few grammar mistakes.

Xiao:

You first suggested the idea of keeping a scrapbook with him when confronted with the problem of your own mortality and the inevitability of fate that most of everyone had to learn to accept. Yet it wasn’t your own end that you were worried for, but rather how Xiao would handle it. Making an album of sorts like this was your way of memorializing all the moments you had together so that the two of you would be able to look back on them in future times.

He probably doesn’t like getting his own pictures taken, and would much rather turn the camera’s lens towards you, so if you either have to compensate by taking selfies with both of you instead, or play a few tricks and catching him by surprise.

Spending time with him doing activities more relaxing like cutting out little paper stars to decorate the pages would definitely be a new experience for Xiao. One time he tried to draw the two of you together but it turned out a little bit questionable ??? (you still pasted it in the book, though). 

When the qingxins begin to bloom, he would pick a few to press and dry for the book because the heart shaped leaves remind him of you. There would definitely be a few other kinds of flowers though, and when you asked why, Xiao would probably explain that they were the other yakshas’ favorites.

You found out that when Xiao thinks you’re not looking, he’d steal a few photos of you that you prepared to be pasted into the book for himself, so you always have to bring a few more pictures just in case.

Treasures the book and protects it with his life like it’s your child LMAO he may find it hard to admit, but really does care about the book especially since you put so much effort into it.

Kazuha:

Kazuha doesn’t mind doing something as domestic as making a scrapbook with you, and would probably suggest it first.

He definitely has a couple pages just full of leaves that he thought looked nice on his walks out.

Other times, you’d find new pages full of scraps of paper that Kazuha scribbled haikus down on, and they all share one thing in common: the subject is you.

Kazuha might begin collecting little rolls of decorative tape too, buying them from crafts stores back at inazuma. I imagine they’d have his signature leaf motifs and also the traditional inazuman ones on them. He’d probably find any excuse he has to use those tape rolls because of how colorful they are… like imagine little tanuki or foxes running across every page.

Contrary to some other people, Kazuha would have no problems taking photos with you, and would take a liking to bringing the camera along in all your travels. He’s very connected and in touch with the world around him, so being able to capture any moment he wishes is an appealing thought. Because of this, your scrapbook is going to be filled with photos of not just the two of you, but also stray cats on the streets, scenic views upon the Crux, firework shows in Inazuma….and the list goes on.

But of course, his favorite part of all of this is spending time decorating the pages with you! His favorite colors to use would of course be the colors of the leaves (they’re practically his brand at this point). If you happen to like those colors too, he’d be even giddier, gladly coloring in any blank spaces with colored pencils. Overall, Kazuha has a lot of time on his hands, but knows that his time is not eternal, so he treasures the book because it allows him to hold onto the past, reminding him when he forgets.

Itto:

Itto is definitely the type to go through all the trouble folding origami stars (especially with how clumsy he could be)…and then get sad when he realizes that they’re going to get crushed if he actually puts them in the book. So you also get him a little jar to put the stars in. Off-topic, but he probably also likes writing little wishes on the strips of paper before folding them into stars, so he gets really excited and thinks that the stars actually work whenever one of those wishes comes true. Who knows, maybe he’s right and there is a paper star god out there listening in on his wishes.

There would probably be a record of all the beetle duals that he has won and badly drawn images of his favorite beetles (like those posters in that one beetle event with Itto 💀).

And like his artwork, his handwriting probably isn’t the most outstanding, safe to say. Despite how enthusiastic Itto may be with the prospect of creating a scrapbook with you, there’s a slight learning curve when it comes to him. But in the end, it’s a good thing for him to try something new that doesn’t require so much energy to maintain. 

Unexpectedly, the book fills up extremely quickly with all kinds of photos (even a few blurry ones because Itto didn’t want to throw any of them out). But that’s all because his simple presence is enough to make the passing of time feel special.

Now that you’ve made one with him, he’s probably eager to share the craft with the rest of the gang too. Whether they pick up on it or not is a different story, but Shinobu is probably the most glad to finally have a way for Itto to sit down quietly.

Cyno:

Cyno might use the scrapbook to also store some of his limited edition tcg cards since he treasures them so much. You thought it was your shared scrapbook, but NO. It was all for Cyno and his card games 💀. All jokes aside though, he would agree to make a scrapbook with you without much hassle. He doesn’t have much free time on his hands between being the General Mahamatra and spending much of his breaks on winning Genius Invocation games, but he’ll somehow always have time for his lover.

Enjoys taking pictures a lot. During hangouts with his friends, he especially likes to photograph his victories…much to the “annoyance” of his colleagues. Still, not all the photos are of Tighnari or Kaveh malding. There are images of group get-togethers at fancy restaurants, birthdays gone by, and festivals spent with smiles. In this way, it shows that despite Cyno’s tough exterior, he does care a lot for his friends.

He probably has a stamp with his name on it with something strange like “CYNO CERTIFIED” and enjoys imprinting it on random pages that he makes. Especially on pages with your photos on them LMAO.

Other than that, he treats the scrapbook more like a photo album. He probably isn’t as heavy on the more artistic approaches to this kind of project, all that matters is that it serves its original purpose of containing your memories together.

Was eating and got tomato or whatever on a page. It's a treasured and framed piece of artwork now.

Alhaitham:

Alhaitham has probably already tried something like this before. Being that he is the scribe of the Academiya, recording the important moments in his life would only come as natural with the nature of his profession as well. However, he treats the whole thing as more of a duty and job that he must do rather than a simple past time. 

He probably has an assortment of pens and inks, so you can expect all kinds of scriptures written down in the book. Alhaitham himself isn’t picky, and most were likely simple gifts from occasions such as his birthday, so he’s even alright with you keeping a few (he’s keeping the set you gave him though–no take backs).

Sometimes you might find him reading the book like it’s some advanced piece of literature. Don’t mind him he’s just lost in his thoughts analyzing every single page. If it makes him happy, so be it.

Takes a photo of the two of you and fashions a bookmark out of it. It's his uncontested favorite now, and specially reserved for the scrapbook.

Loves watching you decorate the book, and especially loves watching you treat his photos like they’re some ancient artifact. It makes him feel all special and pampered inside.

Once he’s done with the first book, he starts another, and then another, and another… It only makes sense to keep the series updated as time goes on, but sometimes you wonder if the grind is getting to him LKAJSF;SA

Albedo:

THE artist. This man’s illustrations are PEAK. He’s one for perfection, striving to capture the world not only digitally with a Kamera but also by hand. In fact, he prefers to do it this way because the process of creating something with his own hands is more memorable to him.

One time he got distracted in the middle of an illustration of Sumeru’s fungi that you asked him to draw and gave them faces??/ that looked strangely like the two of you??? To this day you have no idea what was going on in his mind when he suddenly changed the drawing from scientific to horrific /j but its a unique addition to the book so that’s that ig

But of course, that doesn’t mean Albedo’s photographs are any less beautiful. 

The angles, scenes, framing, and even the filters that were applied were perfected. Sometimes you wonder what his profession would be if he wasn't currently under the Knights of Favonius.

Worries and applies a TON of varnish onto a few pages of the scrapbook. That way the art and photos would last longer.

Takes extremely good care of the book and makes extra caution when he realizes that it may be in danger of Klee (he has all his best work in there man).

Wouldn't tell you it, but he's super proud of having made the book with you, and loves looking over it in his free time as an energy booster LMAO.

Tighnari:

Just like Albedo, I feel that Tighnari would be pretty decent at this kind of activity. With the journaling that must come with his work as a forest ranger, his attention to detail is extremely keen. Not to mention the fact that drawing and taking pictures would be much more familiar to him as well. 

Tighnari would definitely prefer glue sticks to liquid glue, the reason being that there may have once been a small accident resulting in a bottle of runny adhesive spilling all over his fluffy tail. 

He might’ve screamed like a little kid and acted a little grumpier than usual for a whole week.

But with a lot of reassurance from you that all the “bad glue” had been sealed and locked up (“to never see the light of day ever again”), he was willing to try again. 

Unlike Cyno who’s pretty barebones with his work, I think Tighnari would like to dress up the pages that he decorates a bit more. Not too much to the point that it’s overbearing, but a couple ribbons and stickers would do.

The stickers in question are all of little squirrels and birds. THEY'RE sO CUTE KJJDDJLKD

Makes the squirrels stare at the pictures of flowers he took because it's more "accurate that way". In the same manner, he also likes putting stickers of birds around you like you're a Disney princess of some sort.

IM THIS CLSOE TO ENDING IT ALL YOU GUYS DONT UNDERSTAND...... .. . . i kept clicking control z bc its closer than delete and its in my muscle memory and uh control z deletes the whole post haha kjrjkr i had to rewrite it 4 times but thankfully we coolin now lets GOO

[ribbonetteart]

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I was confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be, working against my usual style, rendering a background, so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

[glitchtricks94]

Demon Slayer Drabbles!: Upper Moons 5 and 6 with a Darling That Draws Them!

I KNOW I HAVE A SMUT IN THE WORKS BUT Y'ALL ARE GONNA BE ON HOLD. I got this idea while talking with @vampcubus, lovely person btw, love them lots, so here we are. Also Gyutaro brainrot is real. We got two men, just finished writing them, gonna post and pass out, please enjoy the fluff. Read beneath the cut, because it's late and my usual style is escaping me at the moment. Anyways, with that out of the way, kick back, relax and enjoy~ -Glitchtricks

Gyutaro

He doesn't understand why you were stealing so many glances at him while scribbling in that blank book he stole for you to use, the scratching of the pencil lead against the paper filling the room, drawing Gyutaro from his meditation to focus on your tinier frame. Amber eyes lock with yours and Gyutaro raises a brow seeing you blush brightly and shyly look back at what you're working on, the scraping sounds intensifying in the silence of the demon's den. He got to his feet, dragging himself to your side. You were awfully weird for a human, a lot unlike the traditional artists of the land, you worked more with lead and that book rather than paint. It was odd, but Gyutaro figured he wasn't in any position to judge, you did decide to be his after all. "Oi, what're you doin', human, eh?" The demon croaked out, trying to look over your shoulder to see just what you were scribbling, his carved eyes catching sight of what looked to be a tuft of hair before you yanked the book to your chest. "Hey, let me see that!" The demon growled. "I-It's embarrassing!" You whined, Gyutaro rolling his eyes at you. "Aren't we partners or lovers or somethin'? The fuck you hidin' that's so bad? Can't be worse than me." "Don't talk about yourself like that." "Just gimme the damn book." Gyutaro growled, snatching you sketchbook from you as you let out a yelp. The upper moon didn't care much for your protests as he started flicking through the pages, flowers, people, and buildings of all sorts filling the pages, until he noticed a pattern emerging, little sketches of himself beginning to appear in the buildings; imagery of his hunts with Daki, him grinning maniacally while clutching his flesh laden kama in his hands, and then full pages of just him making various expressions, the most frequent being of him smiling, little hearts doodled next to the carefully made portraits of him. Gyutaro was quick to fall silent, his heart clenching in his chest as he shoved the book back into your hands, not wanting to believe what he just saw. You meekly looked up at him, face dusted red. "Uhm...I-" "Why am I in there?" "Wha-" "You heard me." Gyutaro growled, baring his teeth threateningly. "Why the fuck am I in there?!" "Because I like to draw you..." You murmured, feeling disappointment bubble in your chest. "You look so incredible, and unique, a-and since we love each other I thought you would mind?" "I-I don't- I just- I can't- Ugh, fuckin' damn it..." Gyutaro let out a sigh, his shoulders sagging more than normal. "Do...do you want me to pose or some shit...?" You perked up, looking at your beloved with those sparkling eyes that never failed to make his heart pound. "Would you mind...?" You asked hopefully, you demonic darling shaking his head no and getting to his feet. "Just tell me what to do, 'kay?" Fuck, you loved this man.

Gyokko

Gyokko adored that you were like him, an artist, a visionary, and all while being a sublime beauty in and of yourself; a muse of unprecedented measures! And oh, how cutely you scrawl away in that little sketchbook he had gifted you, Gyokko practically buzzed in delight. You were perched in the center of his coiled, serpentine tail, his smooth fish like scales scraping your skin comfortingly as you worked away at another portrait of your eccentric lover. Gyokko adored watching you sketch, especially depictions of him, the demon letting out excited chitters seeing your beautiful pencilwork. He'd model for you, pose, be the muse you adored so much. He'd also offer surprisingly excellent critiques for you to use and incorporate into your work. He expected the same from you, of course! He was an artist as well, and since you were one like him, he held you opinions far higher than anyone else's. That took a little getting used to for you, as his...art was often rather grotesque and stomach churning, the screams of his victims nor the fact that they seemed stitched together helped the matter. You powered through though, making Gyokko the happiest demon alive with your praises and suggestions, always making use of them for inspiration. "Oh, my muse, you captured me so well in this!" Gyokko cooed to you, a blush creeping up to your cheeks seeing how pleased your beloved was. "Ah, I'm glad you think so, I've been trying to practice with more lighting techniques." You replied softly, the lead of your pencil scraping soothingly against the rough paper, Gyokko's hand soon enveloping your own to guide you. "Care to let me help, my sweet muse?" He asked softly, grinning wide when you nodded. Gyokko was always eager to indulge in his craft, and always hungry to indulge in yours. Fuckin' hell I can't quite characterize I need to watch Swordsmith Village.

[blakbonnet]

ARTIST OF THE WEEK @merryfinches ♥️

This week's aotw is Kylie who has bewitched us body and soul with her lovely art and even lovelier personality. Always there with a kind word, just all round a stellar human being, and someone who makes my day better anytime I see her on the dash. She was also game for answering a few questions:

Which do you use to draw (app/digital or traditional)?

I use Procreate on my iPad! I like being able to put it on my bag and draw anywhere - I don’t have as much time to draw as I want, so I do it in bits and pieces whenever I get the chance.

I love sketching with coloured pencils in my sketchbook too, I LOVE digital art, but there’s nothing like the texture of pencil and paper!

Fave brushes/pencils/mediums (links/screenshot?)

These are the ones I use most. The top 3 are all standard Procreate brushes. Chalk is my go-to for sketching and line art, and lightbrush and lightpen for highlights. I used Gingerbread Inker for colouring - it’s a free brush I picked up from somewhere, but I can’t find where!

Your favourite piece you've drawn?

Oooooooh, I don’t know! It’s easy to look back at basically every drawing and see the flaws, but this one of Ed and Stede in their inn is special to me, because I think it’s the first time I felt like I’d developed a comfortable style after messing around trying to draw them for months with… varying degrees of success.

And I’m really proud of the comic I drew of Ed having a nightmare, because i find comics so hard to draw and I’m in awe of everyone who does it!

Who's harder to draw: Ed or Stede?

Aaaaah, they both have challenges, but Stede I think? I prefer drawing his left side because of the way his hair swishes differently on both sides, and that side is easier. And he has a very particularly-shaped nose that can be really hard sometimes! Unless I’m drawing Ed’s leathers, in which case it’s him 😆

One essential tip for beginner artists?

There will be a point where you look at all your art so far and think “oh these are terrible, what am I even doing?” But that’s GOOD because it means you’re improving! And I’m sorry but that never stops - you will be improving forever! Nobody I know is ever really satisfied with their own art, and your art style is like your handwriting - it’s unique to you.

Also, get a sketchbook and a pencil, make mistakes, practice drawing your own hands and feet, screenshots, your cat, anything basically. And remember it’s supposed to be fun 🥰

Why OFMD? 🥹

Because it’s the fucking BEST! 😎

No seriously, I guess I like drawing Ed and Stede so much because they’re everything. Love, sex, tenderness, fun, cuteness, heartache and joy. Two souls who are so insecure and alone, and then they have someone who GETS them, who loves everything about them. They’re just wonderful.

[hollycircling]

would you consider dropping some tips on how you color? your art always has such a nice feeling to it

Thank you so much, and yes, absolutely! 

So... I have been agonizing over how to answer this question for over a week because I tend to make a lot of my major decisions based on what looks and feels good to me in the moment. It’s sort of hard to explain. Then I started getting philosophical with it (“how does one color? How do I explain aesthetic?”), and I started rambling, and had to cut the answer way, way, way down lol.

But here’s what I can help with right now. I think the most important part of how I color is my tools and what they allow me to do. These are currently my favorite brushes to use: 

From top to bottom, I use Kyle T’s Gouache for just about everything. A lot of my recent pieces are done entirely in that– I love the chunky texture and how the pressure mimics traditional gouache. It’s great for children’s book illustrations, and filling linework, and realistic portraits. She is my soft wife and I love her. 

I practically never use the default hard round. Ignore that. 

The roller brush is another one I use for painting. It was my go-to before KT’s gouache, so you’ll find it a lot in my older work (and as a big texture thing in my current works). The “Sampled Tip” below that one I usually use for children’s book styled illustrations. It’s like a really dense, waxy crayon, so it’s fun for textured lines and details.

I always paint in my own shadows and highlights, but I like to use the soft round if I want to blow the shadow or highlight out. It’s for extra large areas.

And finally my pencil. I use it for sketching as well as linework, if I plan on doing a linework-centric piece. I don’t think there’s much of a difference between the two there… one is probably smoother than the other. 

______________

The reason why I like textured, pressure-sensitive brushes so much is because they’re important to how I paint. When I blend, I don’t use a blender brush or a smudge tool. What I do is layer two colors– lightly– then use the eyedropper to select the color between them and continue painting with it. That’s probably the key to most of my work. I’ve gotten pretty fast at it, so I’m constantly selecting colors from the painting and reusing it throughout my painting. 

I still use the color-wheel to hand-pick what I think will look best, though. This is probably going to be a really frustrating answer, but I choose color palettes based on basic color/lighting theory combined with personal aesthetic preference. It can take some studying (of both theory and other artists’ work). If you’re ever looking for a really great reference on the former subjects, I highly recommend Color and Light by James Gurny. Even if you’re not into watercolor or dinosaurs or realism, the guy is a master at explaining all that different stuff in depth. 

Shape and negative space are also pretty important to me, but that's a whole other thing. And as a side-note, I recommend following more children’s book illustrators. Their work may look simple, but a lot of intention goes into how they use color, shape, space, and texture. 

Also, on texture, I hand-draw most of mine. I love to add little scratches and drops and splashes when the painting is almost over. It's one of my favorite things to do :')

____

Now, the other most important tip:

Once I’m happy with the sketch/linework, and once I’ve laid down the basic colors of my piece, I do a Really Terrible Thing. I become a graphic designer’s worst nightmare and collapse everything onto one layer. 

Then I paint directly on top of it, linework and all.

I do this for a lot of reasons, but mostly because 1) my tiny brain is overwhelmed by the clutter of too many layers, and 2) it forces me to approach a piece as if it was traditional media– a process which I find a lot more comfortable and rewarding. I paint right on top of the base colors, and right on top of the linework, effectively redoing and cleaning up what I already have there. Even if I'm working with a blank background, I'll paint a new blank one on top because it gives the feeling of a more unified piece, if that makes sense.

Basically, I approach my drawings as if I’m using traditional media. I like chunky brushes, utilizing (what I personally think are) interesting color combinations and textures, and smashing everything down onto one page so I can just paint. 

Anyway, please let me know if there’s anything specific you’d like me to go into detail on, any pieces of mine you’d like to know how exactly I went about it, etc etc etc. I’m happy to answer ^^

[il-predestinato]

Interview with Charles Leclerc from Sportweek (La Gazetta dello Sport): “I play the piano, I love art, I want to fly. And I dreamed of Ferrari” (published January 7, 2023).

What is fashion for you?

Charles: “A way of expressing oneself without speaking. I realized this when I started travelling all over the world, thanks to F1, visiting countries and cities I didn't know before.

“I realized that dressing well had a different meaning according to different cultures and traditions. That's when fashion really started to interest me, I would say from 2017, even though I've always liked it.”

What was the next step?

Charles: “I started attending fashion shows, then I became a testimonial for Giorgio Armani and then I came more and more into contact with this environment.”

You also take great care over the graphics of your racing helmets. Which design do you like the most?

Charles: “Probably the one used in France (2022), with the reproduction on the two halves of the photographs of my father Hervé and Jules Bianchi.”

Ferrari is red, but for your 488 Pista you chose a different colour.

Charles: “At that time I was using a matte black helmet with the Monégasque flag going from the front to the back. So I decided to order the car exactly the same. I still like it very much.”

What did you think when you saw yourself in a Ferrari suit for the first time?

Charles: “It was a very big emotion, because it was my childhood dream to get into F1 and race for the Prancing Horse, even though at that time I was not yet an official Ferrari driver (only FDA).”

Do you have any good-luck charms you don't part with?

Charles: “I had some as a kid. My grandmother always used to sew a cross inside my overalls, under the sponsors' logos, but that tradition has disappeared since she is no longer here…”

How do you express your creativity?

Charles: “Mainly through music. I play the piano and invent my own pieces. I will never be as good with a pencil at drawing.”

How do you choose the clothes you wear every day?

Charles: “There's a very classic part of me, which seeks simplicity and comfort, and another more creative part that leads me to play around with streetwear.

“I let myself be guided by the mood of the day, by how I feel, because dressing is a way of making something clear with one's image.”

Will we see a clothing line of your own like Hamilton did?

Charles: “I had started the project, but I stopped. Maybe in the future.”

Do you ever talk about fashion with Lewis Hamilton?

Charles: “Sometimes we discuss the brands we like. He really has good taste and a lot of courage to show off the strangest looks when he comes to the circuits.”

Favourite colours or colours you would never wear?

Charles: “These days I prefer grey, beige and white. I'm not a big fan of fuchsia, in the sense that I wouldn't see myself dressed all in fuchsia, but I've worn that too.”

How do you feel about walking the catwalk?

Charles: “I'm not comfortable. Too many stares on me. But I like to watch the show and observe the more unusual garments. I was at the Ferrari Style show in Milan last year and before that at Armani.”

Try describing the feeling of driving an F1 car to someone who does not know racing. Valentino Rossi, when he tested the Ferrari, said: It is faster than I thought.

Charles: “A nice definition, because it is difficult for a normal person to think about the speed of a F1 car. I always make the comparison with the Rollercoaster. It's like being up there, but keeping everything under control.”

Why are you happy racing?

Charles: “For the adrenaline and because on the track I feel free.”

Do you like motorbikes?

Charles: “I have one motorbike, customised, which I bought in Bali when I went there on a trip with my best friends. We rented it on the spot and I wanted to take it with me to Monte Carlo, even though it was a mess to get it registered to ride there.”

Why that particular motorbike?

Charles: ��Because of the memories it holds. I had just arrived in F1 and I decided to take all my closest friends on holiday, for the first time outside Europe. We had a great time.”

Do you still think of getting a flying license?

Charles: “I've already had a few lessons, I'm now at 11 to 13 hours of flying, let's say I have the basics. I had to stop, I hope to start again in 2023. There is a lot of theory to study and I obviously like the practice more.”

How was the feeling?

Charles: “Excellent. I like the stall tests, because there's adrenaline, but also checking the plane in general. And to say that I've always been afraid of flying...”

What do you mean?

Charles: “Even though I've taken planes countless times in my life, I wasn't calm. Now, knowing what pilots do and all the options there are in case of unexpected events, has reassured me.”

Even today you are karting like when you were a kid. Would it be nice to discover a new Leclerc?

Charles: “I would like to help talented young people, who don't have the means, to emerge and make their dreams come true. However, it is a project that takes time and which I therefore see as possible only in the future.”

What does it mean to be the hero of so many very young people?

Charles: “Every time I come to Maranello, outside the Ferrari factory there are always kids waiting for me. In recent years, F1 has regained popularity, also thanks to Netflix. It's nice to see a child's eyes light up when we make a photo. A small gesture is enough, which does not cost effort, to give joy to others.”

Do you feel like an example to follow?

Charles: “I try to be myself, behaving well, if this can then serve as an inspiration for those who observe me, I'm happy about it.”

Translation by vetteleclerc.

[maelstroumwaterfall]

Night wing dragonet

I drew this not a long while ago, for about a month or two. I kinda lost my inspiration for drawing after getting all my unfinished and finished drawing deleted :,> But sometimes I just wanna to force myself to draw again like now so I'll probably post a new drawing on this weekends ( if my sis will be able to come againg and take a photo :,>)

It's turned out to be a random dragonet in the end, but at first ir actually had to be dragonet Frederick but I denied that idea.

The reason is that I at first had a scenario where Fred gets oner of his eyes blinded while studying at Hogwarts, it had to be a some kind of "a person risks their life for a person they love" huh, typical thing in short

In this case, Frederick would get almost all his face.. well.. like.. burned by acids or something :| in case to protect the most powerful witch at Hogwarts

So why I refused the idea? Well.. I decided that his story is already kinda :,> so I just removed it from his story but will keep the scenario in my head as just an idea I could possibly draw or write a short story about

I'm actually considering drawing something with Frederick and Merula. Just something cute or romantic. Or something for arbormagic syndrome.. My big sis shared the markers she got for her birthday, I almost don't draw with markers and if I draw in traditional I in 90% situations use only a pencil and an eraser but it's good to try something new :)

Anyway, thank you for reading! I like sharing my thoughts and just ideas with people but guess it's too boring to just make post about so I'll be just writing my thoughts and ideas under the posts with drawings or fanfics.

Ty again (I would use a heart emoji but I don't know how to do that on the laptop :,>), hope you're having a good day!

[lestappenforever]

I love Lestappen dynamic. I love how similar and different these two are at the same time. they literally complement each other perfectly.

I kinda see Max as a person who has found one thing for himself and is only moving in that direction. yes, he has other interests, but they are not that much.... pronounced? his love of racing and cars is just overwhelming (take one look at his garage or how he spent his summer break or how much time he spends in sim). it's like he doesn't know there's something else exists but in fact he doesn't really need it. moving in one direction is satisfactory for him.

when otherwise Charles is very open to new experiences. his experimentation with music, golf, football, other sports and even fashion (heck I'm not even mentioning the fact that he can draw with a pencil and has taken plane flying lessons) make him very versatile. i believe that this is a man who had a huge amount of opportunities in front of him and just chose what he was interested in. he has huge potential and from personal experience i know that people like this need to do different things to keep from trivialising burnout.

these two are so different off the track but when they get on the race – wow. their driving style is very similar, they take every chance, they are both number one. (by the way, that's why I think it would be VERY interesting to see them both on a red bull car. the car is built for the preferences and style of the pilot and on this basis it can be said that Charles would feel pretty comfortable in red bull. but two numbers one and in a team with Max – it's just scary. they can take each other out and can not coincide with their own ambitions. the number one driver plays for himself, number two – for the team. but for both of them the second option is alien.)

Max is driven by rationality, he's a very down-to-earth person, while Charles is all about heart and dreams. he values tradition, he really is a people pleaser when Max doesn't give a fuck. and that's how they will always complement and help each other. Charles would open Max up to new experiences and show him that you can enjoy yourself even if you are bad at something. while Max could help Charles realise that chasing some dreams at the moment is not wise (yes, I mean winning the championship with Ferrari. no hope for coming years).

despite all this, they have the same goal - to win. And to beat each other. in a proper battle (like Bahrain 2022, still one of the most beautiful races when the cars were actually dancing around each other (like these idiots for years ffs)). and their love of racing is what will really keep them together for the next how long..... 15, 20 years like Max said? The fact that he doesn't even see it as a possibility, he's sure of it... well help, I'm drowning in Lestappen.

maybe it all sounds stupid I don't know I just wanted to share its 6 in the morning I didn't sleep I was reading demons roll the dice for a third time so yeah just thoughts about dynamics cause I can talk about it for hours but kinda tired of typing so

love ya cheers

Babe. Honey. Darling.

Just, this. Everything you said, a million times over. You've truly hit the nail right on the head.

Also, I love you and thank you so much for reading my work. ❤️