all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.
- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”
- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.
- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?
- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.
2K notes
·
View notes
i’ve seen a few people claim Philip stripped caleb’s jacket off his body after his death as some morbid memento, but we already have his memories on the matter and he had caleb’s jacket pre-fight and was wearing it when he first arrived.
even in his shadow form you can make out he’s wearing the coat.
Not to mention caleb is never seen wearing it in any of the memories on the isles
Nah, as much as i know people love finding new ways to make philip even more morbid, if the story holds any weight, and it probably does, it seems far more likely caleb left it back on earth with philip. There’s no evidence to suggest philip stole it or rid him of it, but that caleb ditched it when he left.
and when philip assumed a witch kidnapped his brother, he put it on, probably as a form of comfort and keeping his brother close at a time where he assumed the worst could have happened to him. Kinda in the same vein of how luz was wearing eda’s jacket to keep her close during their separation.
It seems to be quite an important object to him, being what looks like his only link left to caleb as he was on earth. With the thought he also grew his hair out to have a ponytail like his older brother it appears to be less like “Stealing” and way more like a sign of what was originally his admiration and love for his brother.
A strong desire to be close to him and be like him through his appearance, tho only the version of him that he remembers best, which was the one back on earth...not the one that left him for the isles,
(Which def fuels even more why he didn’t appreciate luz insulting it, because it was basically also insulting the brother he’s trying so hard to recreate, the one that didn’t leave him)
This isn’t even out of character that philip likes to keep mementos of his brother, he even seems to have taken his old childhood mask his brother made him to the isles judging by his memories. Tho i’m sure the jacket holds more significance because it was caleb’s first specifically.
I think it’s definitely easy now to accuse Philip of every bad thing ever, and his obsession with his brother screams serious attachment issues. But it doesn’t appear he had that jacket on originally for anything but genuine love and care for him, at first at least.
There’s no evidence to suggest caleb told philip he was leaving, or any evidence that he even tried to talk to his brother about what was going on with him. As far as we know, he left, and philip, from his pov, went out to save the person he considers his entire world from what he believes might kill and/or hurt him.
And if philip wasn’t the villian of the show, i think a lot more people would be willing to sympathize with that part of his character.
His relationship with his brother has both a lot of resentment for leaving him behind and alone, but also a lot of the original love and admiration for him he held for years.
But with the knowledge he only became a hunter because he felt he needed to fit in with society for survival purposes, combined with the fact caleb was his only family and caretaker...while only being a few years older then him at the very least....you can see how this probably fueled so many of his issues.
Wanted to make a post about this cause while he deserves the crap for the bad stuff he actually does, it’s at least worth mentioning at one point he was just a naïve child raised in a bad community who originally just wanted to keep the one person he loved the most....safe.
and at one point, that jacket was not some morbid prize he got for what he did, or something he seemingly stole, or him trying to steal his brother’s look, it was originally just something he wore....because he did love him.
And to this day, he still kept it.
3K notes
·
View notes
It’s always so heartbreaking to me that every time we see Owen display how he really feels about Luke in canon (the books, and Kenobi) Luke is never there to hear it.
When Owen faces down the inquisitor and declares that Luke IS his son, Luke is already way out of earshot (even though I do sort of consider the Kenobi show non-canon). When Owen talks to Beru after the argument with Luke on the day they die, telling her he feels bad about having to squash Luke’s dreams and wanting to find some way to make it up to him, he never hears it.
Owen’s relationship with Luke WAS complex, and it was rocky sometimes. I’ve always read this as Owen having difficulty being emotionally open, at least as far as the ANH novel and Kenobi show have shown. Owen loves Luke DEEPLY, right to his core. But he doesn’t know how to put that into words. He’s an awkward man! He’s been raised on nightmare hell planet where becoming too attached to someone might end up in them being killed or sold into slavery and you being miserable! Look at what happened to both of his mothers!
When someone you love dies, you look at all their actions with a new light and deeper introspection. Can you imagine the absolute world-shattering thoughts Luke must have had after Owen and Beru died?
Realising he was more deeply loved than he could have ever realised, even if Owen had a harder time showing it.
And Owen’s parental anxiety is shown in Kenobi! Owen Lars, one of the most dedicated fathers in the galaxy, probably died wondering if his son would ever know how much he really loved him.
Owen probably died with so, so many regrets. Owen probably died wondering if he deserved to raise Luke (which he DID) and if he had done enough to prepare his son for the world (HE DID).
Owen Lars has always been a heartbreaking character for me.
169 notes
·
View notes
And what do I do? I live. I try to make sense of life. I lean on my kitchen counter and get lost in the soup. I gaze at flowers and sunbeams and the cracking paint. I am in love and I am in pain and they are becoming less like lovers and more like friends. I like it that way; when I’m at the breakfast table, my head is quieter. I watch sunrises and I go insane, very quietly, over the twists and turns of poetry. I still smile when I cry. I am so loved, so fucking loved, and I hold the love carefully between my hands – like a present I’m still shocked to receive.
I stand in the grass and close my eyes; the trees laugh, softly, caressing the wind, and I am a life in a life full of little lives.
What is worship but a wordless cry – how good it is, how good it is, how good. How good is the laughter of friends and the sharp decoration of a pinecone? How good is the blue slide of sky, how good is my song, how good is a voice raised loud in joy?
And I live. I try to make sense of life. I cry in restaurant bathrooms. I dance. I pull my car over to take pictures of sunsets. I am in love. I tuck my pain into bed and kiss her forehead gently. Rage grabs my shoulder; I stare back. I am a life in a life full of little lives and I still don’t know how that happened. How good is it, to have people who your heart can rest with? How good is it, to see the stars? How good is it, to know I will cry again – I will wonder – I will let my heart be ripped clean and yet. And yet. I go on.
What is worship but a wordless cry?
I am glad to be alive.
261 notes
·
View notes