#someone else needs to write this
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whumperfultime · 1 year ago
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Hey idk what writer/artist/creative needs to hear this but: You can create the most garbage self-indulgent poorly made full-of-cliches awkward ugly piece of art on the entire planet and you're still allowed to be proud of it and share it with the world. In fact, I outright encourage you to be proud. You deserve it. I love you. Keep making things.
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megvmins · 11 months ago
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the best kisser awards (wind breaker edition)
warnings: spicy, mention of boobs but it's not specified, making out, hickeys
a/n: i'm probably going to write kissing/intimacy headcanons for all wind breaker characters but this is a little something that's been bouncing around in my head for days now. enjoy and lemme know what you think about it! 
notable mentions: 
KAJI: aggressive kisser. kisses like he won't see you for months as if you aren't joined at the hip. usually he crowds you against a wall and the few times your teeth knock together but kaji doesn't even register it as he licks into your mouth and bites your lover lip. somewhere in the middle of this intense make-out session the realization hits him and to hide his embarrassment his lips move down to your jaw and then neck where he sucks love bites with his ears burning bright red but he can't stop because the satisfaction of stepping away to see your absolutely dazed expression and purple-red marks down your neck to your collarbone is so worth it. 
UMEMIYA: he gives the most over-the-top big smack smooches ever and you can't change my mind. like hiragi can be minding his own business on top of the rooftop and you and ume are on the other side and he can hear when ume gives into his inner demons to just smother you with kisses. he's a big silly goof and he attempted few times to pull a cool move on you like holding your head up with two fingers because he read it in a book and he couldn't hold in his giggles at all. on the other side of the spectrum ��� eskimo kisses when he hugs you and hoists you higher so you're forced to look down at him and he ends up nuzzling his nose into yours. 
the big three under the cut!
#3 KIRYU: look me in the eyes and tell me this guys isn't the wolf in sheep's clothing. pulls you in for some cute and sweet kisses and suddenly his hand is on your chest just squeezing a boob. his only response to your surprise is a shrug of his shoulders and teasing smirk playing on his lips before he reconnects them with yours. just a big tease disguised as a cute little angel. just like kaji he ends up giving you hickeys – in the most conspicuous places and he has the audacity to smile at you innocently when you glare at him through a mirror while you attempt to cover them up.
#2 SUO: gentleman in the streets but a beast in the sheets. i believe he can be really intense once he gets more comfortable so he doesn't have to be so in control of his feelings but can let loose a bit. i can see a scenario of him being worn out from solving a lot of issues around the town and just coming to you with “can i kiss you?” like the gentleman he is but when you would naively think sure lemme give you a peck, instead he just puts his hands either side of your face and pulls you in for a deep and messy kiss that has you holding on to his shoulders for a dear life. afterwards he leaves you with a smile and kiss on the cheek like he didn't just make your legs feel like jello from a simple kiss.
#1 TOGAME: i am biased but hear me out. togame is such a teddy bear on the inside, truly a softie and when he's whipped he gets even more so. he'll just be staring at your face and constantly be thinking about giving you a smooch on your cheeks, nose, lips and forehead honestly anywhere. a lot of the times he doesn't mean for the innocent kisses to go into a heavy breathing make-out session but your lips are tempting him to keep coming for more and his mind goes blank and you have to literally pull on his hair for him to break away so you can breath as if your lips aren't sore from the onslaught. he only looks at you with half-lidded eyes and pulls you closer with a hand on the back of your neck.
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fisheito · 2 months ago
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this vision descended upon me while riding the bus
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neglectedsodium · 1 month ago
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Still find it really really funny that Suo showed the slightest reaction to not liking natto and the class immediately latched onto that and dog piled him. No hesitation, just immediate teasing.
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immanuelcouldnt · 4 months ago
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Experimenting a little.
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varganardi · 11 months ago
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Idk who needs to hear this, but
Whenever I see a self ship double, or a popular canon x f/o ship and feel sad/insecure about it, I like to imagine that it's an "alternate universe", meaning that it's just a different version of your f/o.
The real version? They're with you. They're yours, and love you only.
No one can change that fact.
They love you, so damn much.
No one else - nothing else - matters.
YOU are their canon partner.
"I am my f/o's canon and real partner" - say it, manifest it, because it's true.
It's real. 💕
[Pr0ship DNI. Please respect my boundaries]
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goodfish-bowl · 1 year ago
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Bunker in White
Danny Phantom x Supernatural Crossover
Masterpost
DP Crossover Angst Week Day 1 - GIW Experimentation
Summary: Sam and Dean take up a job to go investigate a government base that had been attacked by vampires.
Warnings: vague descriptions of blood and gore
Notes: hmmm, I have never written anything for Supernatural before, but I've seen a good portion of it (years ago). Probably takes place earlier in the show.
Word Count: 2044
AO3 Link
Sam and Dean had gotten this particular lead from Bobby, who in turn got it passed onto him from someone else, so it wasn’t a surprise this particular job was a mess. 
Apparently, a group of vampire’s had decided a weird, underground, government bunker would be the perfect hideout, resulting in a bloodbath between the government goons and the vamps. It was a large group too, which was a point of concern among the hunter’s who turned down the job. No one really knew who’d won inside between the vampires and the government, but Dean had placed his money on the vampires. He honestly doubted that some government agency with an obsession for the color white had any idea what they were up against, much less the correct tools for the job. Dean got proved wrong when they came across the first dead vampire. 
The bunker’s fluorescent lights were harsh against the darkness outside. The entire base still seemed to have power despite not being connected to any sort of power grid or system. It had made it an absolute pain in the ass to find, but at least that meant Sam and Dean didn’t have to wander around in the dark. The harsh lighting and bleached interior revealed a slaughter inside, staining the white walls with both vampire and human blood, leaving very little to imagination. The humans, all agents in once-white suits, looked to have been mauled by the vamps, while the dead vampires had holes blasted through them and were covered in green-tinged burns. Dean kicked one, trying to make sure it was actually dead. Yep, dead vamp, the whole place unfortunately smelled like it too. 
Sam had found one of the more physically intact agents with a large bazooka-like weapon next to him at the back of the hallway. Rummaging through the agency's pocket’s Sam tossed the ID card over for Dean to read over, while Sam picked up the weapon. 
Dean flipped open the wallet, and huffed when the agent was only referred to by a letter and position. No personal information whatsoever. 
“This asshole is apparently ‘Agent B, senior heavy weapon specialist of the Ghost Investigation Ward’, which means shit to me,” Dean complained. 
“‘Ghost Investigation Ward’? Is that supposed to be some sort of knockoff hunter’s group? Because points for vampire killing, less points for dying,” Sam added. “Either way, they were messing around with something supernatural, and had weapons that could blast straight through a vampire. Think we could find something here?”
Dean shrugged, “I’m down to take their weapons at the least. New tactics are always appreciated.”
Sam took the bazooka, and Dean picked up any other weapons of interest, from weighted nets, to more guns, storing them in piles to collect and ferry to the car later. The ID got them access to a couple more rooms, including a security camera and file room, which Sam said he was going back to later. The deeper they descended into the base, the more spaced out the bodies were, and the more violently the agents had seemed to fight, like they were protecting something. 
“Do you think they actually managed to catch a ghost here?” Sam tossed out. 
Dean snorted, “Doubt it. Sure, you can blast a hole through a vamp, but you can’t blast a hole through a ghost. Just trapping one is a pain, let alone moving it to the middle of bumfuck nowhere, Illinois.” 
Hydraulic doors hissed as the brothers entered the next level, only to pause from the sudden change in pattern. This one opened up into a laboratory, partitioned off by thick glass walls, rather than the collection of offices and storage the upper floors had been.  
Dean’s eyes narrowed at the carnage inside the laboratories. 
“What the hell were they taking apart that bleed fucking green?” Dean cursed.
Dean completely ignored the bodies of who he assumed had been the scientists. There were tons of vials of various liquids, most of them being that same saturated, radioactive green. There were also jars, lots of jars, of what he assumed were the bits and pieces of whatever creature bled green. 
“Doesn’t look like whatever they were dissecting was dead while they were taking apart,” Sam commented, pointing out the restraints on the bloodied autopsy table. 
“Fuck, that’s sick. At least kill whatever you're taking apart first.” 
Dean watched as Sam went over to a stack of papers, filing through them quickly with a grimace on his face.
 “Well, they seem to believe they caught a ghost, at least. They definitely caught something before the vampires wiped them out. The reports refer to it as Subject P-1.”
“Think it’s still here?” Dean asked. 
“Maybe. This report is a few days old, and we know the vampires attacked within that same time frame, so it’s possible that ‘P-1’ is either still here, dead here, or managed to escape in the crossfire,” Sam guessed.
“I suppose we’ll find out. We only got one more level to go.”
Dean left the lab, going down the elevator to the last level. There was nothing there, except for a singular glass cell with what looked like a blast door as its entrance, all shining with some sort of green energy. There seemed to be automated weapons and cameras all pointing at the cell, and Dean considered it a bit extreme. But also down there was the biggest collection of dead vampires they had found so far. 
The weapons in the room had obviously activated for whatever reason, considering the number of vampires with holes blown through them compared to the agents, of which there only seemed to be two, who looked more like they had also been caught in the crossfire of the weapons, rather than becoming vampire food like most of the guys upstairs.  
“Dean…” Sam shoved him, and pointed to the cell. There was…something inside. 
Dean walked over, shoving bodies out of the way with his foot to stand in front of the cell. The green… whatever it was, shone along the glass and hummed with energy, reminding Dean vaguely of an electrified fence. The inside of the cell was a mess but in a different way than outside. It reminded Dean of a few of the cells he had seen monsters hold people in before. It was dirty, and covered in blood, both red and that unknown green. There was no cot, or toilet, or any other sort of accommodation. 
The only thing in the cell was a small figure, dressed in nothing but tattered scrubs, and covered in its own blood balled up in the corner, head between its legs. Dean could only make out pale, emancipated legs and feet, and a mess of matted, black hair. 
“Is it alive?” Dean asked, tapping on the glass, which surprisingly didn’t zapped him.
Sam had a grimace on his face. “I…think.”
“Hey!” Dean shouted. 
No reaction. 
Dean pounded more heavily on the glass with his fist, “Hey! Are you alive?”
No reaction. 
“Are you P-1?” Sam asked instead. 
This got a reaction. The figure picked up their head, placing empty, hollow, and frighteningly blue eyes on Sam. They seemed to be a young boy, face pale and thin, deep bags under his eyes. His eyes were glassy and distant, looking through Sam rather than at him. 
“Well, that’s unnerving,” Dean muttered, giving Sam a look before shoving his shoulder. “Tell him to do something else.”
Sam frowned, thinking for a moment before saying anything. “P-1, state your status,” Sam commanded. 
The boy, P-1, remained silent.
“I don’t think it talks, Sammy,” Dean snorted. 
Sam sputtered indignantly. “What do you want me to do then? We know he’s P-1 now, and that he’s still somehow alive.”
“Well, we know he ain’t human, and that he’s whatever these goons have been picking apart. No clue what he is, but in that state, I doubt he can do much. The lights are one but no one seems to be home, Sammy,” Dean said. 
It was a harsh suggestion but, “We could just put him down and be done with it. The vamps are all dead, there’s nothing here except braindead P-1 over there.”
Sam, apparently, very much disagreed with that idea. “He’s a kid, Dean! And he’s been tortured for who knows how long. We’re not putting him down!”
Dean groaned. “Do you want to take him with us or something?!” Dean asked incredulously. 
Sam was silent, apparently thinking over the idea like it was a legitimate suggestion. 
“No,” Dean immediately denied. “Nope, no way, Sammy. We’re not adopting whatever-the-fuck that kid is. He’s not a dog. We have no idea what he’s capable of, let alone if he’s dangerous!” 
 “Then we keep an eye on him! You said it yourself, in that state, I doubt he can barely move. We could even put him in Bobby’s panic room if he acts up, but honestly,” Sam glanced over to the boy, “I doubt he would even notice.”
Dean hated the idea. He didn’t want the kid to potentially go ballistic, and there had to be some reason he was locked up in the first place. But he couldn’t think of any other reasons to leave the kid there. If anything, they could figure out what the kid was so that they knew how to defeat anything like him in the future. 
“Fine!” Dean relented. “But you’re taking care of him.”
Sam seemed to untense and turned back to the boy. “P-1, move to the door,” he ordered, before more quietly adding, “We’re getting you out of here, kid.”
The boy stood up, swaying on his legs, before approaching the door, standing just outside of it. Dean watched as Sam fidgeted with the door, before eventually having to pull another ID from one of the nearby agents to get the door open. Sam led the kid out, who didn’t have much of a reaction at all. Dean frowned at how small the kid was, now that he could get a better estimate literally standing next to him. He couldn’t be older than 12. 
“Okay, we’re leaving. We got some cool things and you’ve adopted a weird kid. We can confirm the vampires all died here too. Anything else we need to grab before we go back?” Dean huffed. 
“I’m going to see what I can pull from the record room on the way back. Could you take him back to the car?” Sam asked. 
Dean looked at the kid again. Yep. No one home at all. He doubted the kid even knew what was going on. At least he wouldn’t complain about Dean’s music choices. 
“Fine, but you take too long and I’m leaving your ass here,” Dean stated. “Come-on, P-1.”
Dean took the elevator back up the entrance, still careful to check around if they had missed anything still-alive, only to have silence. The kid barely made any noise as he moved, Dean decided he didn’t like that after the third time he jumped at the kid standing directly behind him. 
“I’m getting you a bell,” he grumbled. 
Back at the car, Dean tossed his looted weapons into the trunk, glancing at the kid before rummaging into his and Sam’s duffles for some spare clothes. It looked really suspicious to have a bloodied kid in a medical gown walking around. It would be oversized, but Dean grabbed a flannel, jeans, and a belt. Bobby would probably have something from when he and Sam were that small. 
“Hey, kid, P-1, put these on,” Dean held the clothes out to the kid, who didn’t react. 
Dean groaned. “Oh come on! This is why Sam’s your caretaker. I don’t know how to dress a kid!” 
Dean approached. “Gotta fucking command him like a dog,” he muttered. “P-1, arms up.”
The boy raised his arms, and Dean untied the medical gown letting it fall to the ground. Dean froze, bile building in the back of his throat, fighting the urge to throw up. Images of the jars and vials passed behind his eyes. No wonder the kid was mentally gone, Dean couldn’t see anyone surviving, let alone living long enough to walk out.
God, they needed to get the kid to Bobby. 
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imaginespazzi · 4 months ago
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Thinking of Doctor!Azzi who's in her first year of residency and having the worst day possible and, she swears she's done treating idiots who get themselves hurt for idiotic reasons and then just expects her to fix them up. But then, in walks a sheepish-looking 6'0 feet pretty blonde who is in fact an idiot who got herself hurt for idiotic reasons.
And well the thing is it's her civic duty really -Azzi swears she'd hand this case over to Dr. Watson if it wasn't for the damn Hippocratic oath she took- that's the only reason why an hour later, she's sitting by Paige's bedside pretending to do something medical (she's not doing jackshit) listening intently to the story of how Paige's friend, KK had dared her to try this stupid trick on their skateboards ("I don't ever, ever back down from dares Dr. Fudd you gotta understand, I had to") and that's how she'd ended up in Azzi's ER ("but hey it all worked out right? my hand might be broken but at least I've got the pretty doctor who's gonna fix my hand and my heart" "that was really bad" "and yet, you're blushing at it anyways").
Three hours and half a life story later -at two fucking am in the morning, way past after Azzi's shift has ended- it's Azzi who ends up on the other side of a dare. And she swears that her own inability to ever back down from a dare is the only reason Paige goes home that night with a phone number written on her cast-sling in purple sharpie. And Azzi swears, she absolutely does not check her phone every five seconds after Paige has left, waiting to see if she's texted her. And she definitely swears that she doesn't grin goofily (or do a silly little dance) when that text does come through ( "hey dr fudd i got a problem" "oh god" "think i might need a psych consult" "and why's that" "you see i met this girl at a hospital tonight and i can't stop thinking about her" "that's corny as fuck paige" "i know but you're still blushing aren't you dr fudd (;" "shut up")
Clearly whenever Azzi swears by anything? She's definitely lying.
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deoidesign · 1 year ago
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I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.
I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.
This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.
When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.
And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.
It's unsustainable and untenable, and it's also the expectation our audiences have.
If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.
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ohitslen · 2 years ago
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Intrusive thoughts
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benevolenterrancy · 1 year ago
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@hereticcryptid i'm late responding to this prompt, but have a continuation on baxia and hensheng wanting more cuddles than one would normally expect from a spiritual sword!
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gldnstrngs · 6 months ago
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yall… tom welling as merthurs son…
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lazylittledragon · 6 months ago
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Random thought/question: what would your Tavs/Durge and their significant others like... legit fight about? Not bicker, not argue, but actually get mad and say things they don't mean and have to cool off and talk about it later when calmer heads prevail and they're able to apologize without it sounding forced?
this is such a great question that i needed a whole 24 hours to think about it akdhdjhd
i think gale and cyra probably have small things blow out of proportion (because honestly. kids and work and Tired) and then a Lot of stuff they haven't talked about comes up and it ends with 'how the fuck did forgetting to change the bedsheets turn into This'
i actually feel like dorian and astarion are pretty good 90% of the time but sometimes one of them is in a bad place and is like 'i actually really need to be left alone with this thing right now and i don't want to talk about it' and maybe they're not always great at taking the hint
ashe and halsin have never had a fight ever
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beingmissbatty · 27 days ago
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I'll take your Steve Harrington as Sabrina Carpenter or Taylor Swift or Chappell Roan headcanons... and I raise you mine.
Steve Harrington as Kesha.
Give me a revamped tour for recession pop, reformed party king, Steve Harrington.
Start him off with "Take It Off" and "Blow" and "TiK ToK" and "Blah Blah Blah"; the life the crowd still expects him to live, only to follow it up with "Hate Me Harder"
Let him prance on that stage and belt out "YIPPEE-KI-YAY" and have former dealer Eddie (who didn't deal to people he knew, until Steve - who finally saw first hand what the party life was doing to him and they turned their lives around together) come out on stage to back him up in a metal edition of T-Pain's remix the minute the "hoes meet down at the trailer park" line graces the mic.
Let him sing "Backstabber" and "DELUSIONAL" to a livid Tommy Hagan in the crowd, years after Tommy (or honestly whatever other past love interest you want) left him when he decided to turn his life around and got "less fun", at a hometown show, while Eddie hangs off him - let him make pointed eye contact.
Give me Steve serenading Eddie to "Your Love Is My Drug" and "All I Need Is You" and "Finding You"
Let him finish with "Let 'Em Talk" with Corroded Coffin fully backing him up Jeff, Gareth, and Freak still confused as hell because this is NOT their music, but it's catchy as shit and seeing Steve and Eddie together and healthy makes them happy.
Hell, have him do it all in lingerie as a reference to the Tits Out Tour - have ALL of them in leather and lingerie if you want.
I just need someone else to see my vision, PLEASE.
xoxoxo, ~Batty 🃏🤘🏻🦇
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white-weasel · 11 days ago
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Thinking a lot about the implications that Bernard’s parents are/were physically abusive towards him… makes me ill
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strangersatellites · 2 years ago
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i’m not the biggest fan of soulmark au’s but hear me out.
au where your soulmate’s signature shows up on your hip on your sixteenth birthday.
most people are able to either read theirs clearly, or decipher what it says and then set off on a search for their other half.
when steve turns sixteen he’s anxiously awaiting his own when he’s met with the sight of a bat on his hip.
he spends years looking for a connection, something that might give him a clue.
it’s not until several years later when he moves away from home that he sees the bat.
he sees it scrawled across the bottom of a beautiful mural in the city and realizes his soulmate is an artist.
and an anonymous one at that.
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