#something about his suffering makes me happy

[niceandaccurategoodomensanalysis]

I was not able to find the source for this pic! If you know about it, please let me know in the comments or via direct! Thank you!

Religious trauma in Good Omens: Aziraphale's case

We talk about religious trauma and the state of constant psychological abuse and manipulation experienced by those who suffer it, using Aziraphale as an example.

DISCLAIMER

This post is about painful experiences and the different ways you can react to them. This may affect you in particular and be difficult or stressful to deal with.

Here I intend to speak to you about the trauma of Aziraphale. I use the singular not because it is a single event, but because it is a very specific type of trauma to which ours has been subjected continuously since the beginning of time: religious trauma.

WHAT IS RELIGIOUS TRAUMA

Religious trauma is a complex type of trauma that usually has its greatest impact during the period of development: a person grows up in a social context that is regulated according to the dictates of any sect, which greatly influences the way they approach reality and, above all, themselves.

Often, this trauma begins to affect the existence of the victim even before they begin to speak and thus have the capacity to articulate the memories associated with it. It is not necessarily this trauma that is marked by significant events: very often it is its impact on everyday life that literally conditions the people who experience it, placing them on a well-trodden path of conventions and moral imperatives from which they must not deviate.

We are all (obviously, given the fandom) familiar with the concept of original sin. When a person is brought up with the view that we are all born sinners because we have literally inherited that sin and must spend our lives making amends for what is in our nature, several things happen:

_we live with a constant sense of shame and fear of not making it, of not being enough; _we blindly trust those who raise us and show us the way, and we may not want to see the inherent hypocrisies and contradictions because that would bring us into conflict with reality; _as a result, we have an incredible fear of authority and will tend to respect hierarchies even when they do not make much sense to us, and also try not to question what we are told; _we want at all costs to be 'part of the herd' and conform to the group, so we will suppress anything that we feel is different and might cause us trouble.

Now let's consider that, growing up in such a context, we become aware that something is not quite right for us. It could be anything from realising that we have sexual urges, to being attracted to someone of the same sex, to feeling uncomfortable in our own bodies, and so on.

In response to all of this, we experience feelings of shame, self-loathing and a desire to repress that which takes us away from what is the right way to be.

All these things are cruelly represented in our beloved angel Aziraphale.

AZIRAPHALE'S TRAUMA

It is really difficult to talk about Aziraphale's pain, although it is probably the most obvious and easiest to explain in the series. Because it is tangible, it is realistic, many of us experience it all the time and can relate to it.

Aziraphale has won us over with his almost childlike tenderness and joy, with his tenderness for the little things, with his tendency to take to heart the well-being and happiness of every human being in front of him. He is pure, genuine, sensitive and always on the side of good. But behind his façade of a happy and enthusiastic little creature, there is a frightened, abused, insecure child full of shame and self-reproach. This will always condition his actions and will lead him to the painful and, as we shall see, inevitable epilogue in which he rejects Crowley's love to follow Metatron to Paradise.

TO DO WHAT IS RIGHT OR TO DO WHAT I MUST?

We immediately see how Aziraphale lives in a state of perpetual contradiction due to his strong sense of morality: in the series, the first thing we see of him is the moment when he gives Adam and Eve the flaming sword he received as guardian of the Eastern Gate, so that they would not be completely helpless in their escape from the Garden of Eden.

As well as entertaining Crowley (and winning his immediate admiration), the episode shows us from the outset that Aziraphale has a moral compass that always points in a very precise direction: the good of others. This will often lead him in the series to act on impulse, only to have to face the consequences of constituted authority, and create in him an everlasting sense of remorse: almost immediately he is asked by God himself to account for the sword, the very sword that was in danger of becoming an instrument of destruction in the hands of one of the Horsemen of the Apocalypse - except that it was then the key to preventing it.

Unable to fight his nature, Aziraphale finds himself repeating the same actions over and over again: in the miniseries about the life of Job, his tenacity to save innocent creatures at all costs leads him to confront Crowley head-on, discovering his plan to circumvent the orders he was given and not kill anyone. But the web of lies he and the demon have woven tightens around him as Gabriel, Michael and the other angels descend to give Job the good news that he will be able to have more children in exchange for those who have been killed.

Aziraphale is thus forced to make a choice: tell the truth, exposing Crowley's deception and leading to the presumed murder of Job's children, or lie, saving everyone but tarnishing himself with what he sees as an unforgivable guilt. Our angel, as we know, chooses to lie. This causes him tremendous pain and leads him to believe that his fate is sealed and that he must fall. Despite having made the right choice.

Fortunately, as we know, none of this happens. But the fear of doing the wrong thing is always with him.

NATURAL ENEMIES

Aziraphale never makes it a secret that he despises Crowley's demonic nature. Never.

It is painful to compare the admiring look he gives him in S2E1 when he meets him in his angelic version, intent on starting the nebula he has been working on since the beginning of time, with the veiled look of shock (not to say a little disgust) he gives him in S1E1 when they meet again as an angel and a demon, on the walls of the Garden of Eden.

However, as soon as it starts to rain and Crowley gets close to him, Aziraphale immediately takes him under his wing. Aziraphale is an angel, and as such he loves no matter what. It is his peculiar and almost poisonous trait that leads him to help and to forgive even those who have wronged him.

Aziraphale believes that Crowley should be forgiven and loved, but he cannot accept that he has feelings of love for him. This leads him to reflexively despise himself for what he feels, and to push Crowley away whenever he gets too close: think of the argument under the gazebo, or when, confronted with Crowley's suggestion that he take him for a ride after giving him the thermos of holy water, he tells him that he "runs too fast".

It is already obvious to us viewers, and to Aziraphale himself, that he has feelings for Crowley that go far beyond camaraderie, but he cannot let go of them: the fear of retribution and the contempt he feels for anything that is not angelic leads him once again to flounder in contradictions and adopt that yo-yo attitude that characterises all his interactions with Crowley.

THE FINAL TEMPTATION

Crowley is a demon sui generis: he is not really evil and does not mind harming others. In fact, if he can, he actively avoids doing so. However, he does enjoy temptation, and one of his favourite targets is our beloved angel. Still during the miniseries on the life of Job, we see Crowley's first successful temptation of Aziraphale: while the two are patiently waiting for the storm to pass in the cellar of the mansion, Crowley offers him a drink, but Aziraphale refuses, not wanting to succumb to the intoxication of the wine.

Crowley then suggests that he try some human food. The angel is initially disgusted, but makes no objection, and is so impressed by what he tastes that he devours the entire roast beef on the table. Crowley is delighted, and this gag of temptation for an invitation to dinner is repeated throughout the series. Whether the invitation comes from him or from Crowley, each time Aziraphale eats contentedly and our demon watches him eat with satisfaction.

Crowley can therefore be said to be initiating Aziraphale into the pleasures of the flesh, which he will indulge in to the fullest. Aziraphale is a hedonist who loves refined and special things: from antique books to bespoke clothing, passing records, tea and sushi. He loves the objects he surrounds himself with and treats them with care: remember the white gloves he wears before leafing through the only existing copy of Agnes Nutter's Prophecies!

Aziraphale delights in touching his surroundings, and we have already talked about how his predominant love language is physical contact. As much as he can control himself, he touches our demon every time he gets his hands on him. He cannot help it. He desires it, and while Aziraphale has not realised this for the better part of 6,000 years on Earth, in the last century he has come to acknowledge it openly.

This leads Aziraphale to experience another contradiction: he wants to have more physical contact with Crowley, but he cannot. Crowley is a demon, he is the enemy, he is everything he abhors, but the angel he was is always there, alive, before his eyes, and it is out of love for that angel that Aziraphale accepts Metatron's proposal, faced with the prospect of being able to take Crowley back to Paradise with him. So they could be together, in the sunlight, with the approval of God and all, in an angelic way.

But Crowley unexpectedly, desperately, refuses.

Our angel feels betrayed, but has no choice but to accept Crowley's will.

Here is the irreparable, the ultimate temptation our demon could offer: a kiss, a last desperate cry for love, a plea for help, a series of meanings too great to be expressed in words. Crowley grabs Aziraphale by the lapels and for a few very long seconds their lips meet.

Aziraphale has never experienced anything like this before (probably not even Crowley) and feelings stir inside him that he has never even been able to name. Feelings that frighten him, feelings that bring back his contempt for himself and his being far from angelic nature. Aziraphale desires Crowley, discovers that he wants to be kissed by a demon (as the writers of the show themselves have revealed to us), and all of this clashes with everything he has ever been. He has just witnessed the contempt of angels and demons for the love of Beelzebub and Gabriel, he has just risked extinction for helping the fugitive Archangel, and yet Crowley tempts him with a sweet and terrible kiss.

But Aziraphale is an angel, and as such he loves and forgives.

So he forgives Crowley.

But Crowley, by definition, is unforgivable: disappointed and embittered by his beloved's rejection, he leaves.

Aziraphale does not really want to go to Paradise, but his desire to be part of the herd, his need to be loved and accepted by his faction, drives him to go, to do what is right, what is expected of him as an angel.

As he gets into the lift and asks Metatron what his task will be, he discovers that he will have to deal with the very thing he had already averted in the past: the Second Coming, the Last Judgement. He realises his mistake, realises that he is trapped, and once again wonders if he should do what is right or what he must do.

This time, however, it wins what he must: after one last look at Crowley, watching from afar, Aziraphale climbs into the lift with Metatron that will take him to Paradise. His trauma is so deep and ingrained that it has removed any prospect of being worthy of love except in the light of divine approval.

Although leaving everything he loves - Crowley, Earth, the Library - causes him enormous pain, Aziraphale must return to Paradise and fulfil his destiny.

More infos at Religious trauma syndrome - Wikipedia

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[vellichorom]

I really like your headcanons for Cori and totally agree with them!

And if you don’t mind my asking, what did you dislike about the recent episodes of Chikn Nuggit? Because personally I dislike a lot of it too…the whole shift to lore has been kind of jarring for me and I also think things were resolved too easily.

THANK YOU SOOOO MUCH, THAT MAKES ME VERY HAPPY!

& OMG THANK YOU FOR ASKING because god i've been pissed. with one episode they made me hate that stupid yellow dog

HERE'S THE THING, RIGHT. i don't even mind the shift from slapstick shenanigans in youtube short format to something that illustrates a bit more lore. in FACT, i thought the way they were going about it was very interesting! having chikn realize his ultimate power & being due to a moment of vulnerability & having been manipulated some by bezel therein,

however,

this is all cheezborger's fault. for some fucking stupid reason

LET'S BACK UP A MINUTE. cheezborger got the girl! she's all excited about it & prioritizing her girlfriend above all, as i think we all do when we're excited; we make whatever we're excited our entire worldview for a bit, it happens!

chikn, at least from my perspective, sees this - sees that all of his friends are busy doing stuff without him or have their " significant other " where he does not - with cheezborger, his best most important friend, caught up in the moment, & he feels left out. he feels like a " third wheel " &- with all of his friends occupied with something or someone else, he's all alone & feels bad. i've been there a few times, i get it. in that moment of vulnerability does bezel take advantage & PUSH chikn to realize his power & potential, to control his friends or control the world & make things how he wants them to be.

suddenly the plot goes from " chikn suffering from third wheel grief " to " chikn coming to terms with the fact that he's a god & his powers have unintendedly warped his friends. we're taking all the nonsense seriously suddenly " okay. interesting. so chikn ascends to god form & starts fucking up the whole world because he believes that's what he's MEANT to do. the conclusion of his spiraling is realizing that he was meant to cause chaos & rip apart the world? ok. i think we jumped a bit far, how & when did he decide that

now we're leaning really hard into the ' i have to do this because it's my DESTINY ' trope. okay. did you come to this conclusion after deciding you don't need your friends? or realizing that you're the god of everything & therefore such menial things don't matter? did bezel coach you more than we see through the shorts? i don't remember there being an episode dedicated to chikn's sudden snap of character, thus we just never find out where that leap in logic came from.

so the world's ending but fwench fwy & iscream manage to trap chikn for 5 seconds. chee intervenes & tries to get through to him, despite all his bullshit ramblings of " go away i'm a god this is my destiny, " this WORKS. chee pulls him from his divine spiral & all's fine now.

except chikn, IN FRONT OF EVERYONE MIND YOU - NOT IN PRIVATE, blames cheezborger for it. he's like " you ditched me & that wasn't very nice, you need to make time for all your friends "

LIKE OH OKAY. BUZZFEED YOU JUST KILLED THE VIBE.

cheezborger's excitement for her new girlfriend might have been the tipping point & the technical catalyst of this all, but not at any fault of her own. she did not do this maliciously or purposefully & i hate the way chikn says she " ditched " him. no she did not you horrible mutt she politely declined your offers to hang out because she was busy with her girlfriend, & YES IT CAN BE UPSETTING WHEN YOUR FRIEND CAN'T HANG WITH YOU BECAUSE THEY GET CAUGHT UP IN SOMETHING THEY LIKE, BUT SHE DID NOT DITCH OR ABANDON YOU SHE JUST GOT BUSYYYY

it's circumstances. chee didn't do anything " wrong ", things just happened & chikn couldn't take being apart from his friend or not having what all his other friends had & downspiralled + got manipulated by bezel.

chee gets called out in PUBLIC for " ditching " chikn when she really didn't & this is turned into a big lesson about " managing all your friends " ( kiss my ass buzzfeed your usual social lessons aren't going to fly with this one ), in essence blaming chee for the apocalypse despite the initial start of the arc having gone unaddressed since the beginning.

OH & GET THIS, we blame chee for being excited but bezel, THE ONE PUSHING FOR TOTAL DESTRUCTION OF THE WORLD & ACTIVELY MANIPULATING CHIKN TO DO IT, gets a literal slap on the wrist chikn nor anybody else calls him out for being a gigantic prick, he's just like " i fowgive u let's be fwiends " & we leave it at that apparently. are you fucking for real. that straight up smells misogynistic & straight up shitty regardless. this COMING from the stupid little youtube shorts series all about validating everyone & equality & being kind to people too just feels a PARTICULAR kind of rancid.

& yeah whatever it's a rinkydink silly buzzfeed show where every character is named some woobified or joke rendition of a food product ( chikn nuggit, cheezborger, fwench fwy - so on ), BUT I FEEL LIKE THEY WERE DOING A VALUABLE SERVICE & DOING PRETTY GOOD FOR BEING A RINKYDINK SILLY YOUTUBE SHORTS SERIES !!!!! they had such good intentions & good lessons in mind...

& then this happens. it just puts SUCH a bad taste in my mouth now, you know? & it's honest to god so disappointing! & INFURIATING

that ending was a total BUST & relaying it back now, THE PLOT OF THAT ARC IS ALL OVER THE PLACE. it can't at all decide what the point of itself was & ended SO poorly. i'll forgive the pacing because this is a youtube shorts series MEANT to be done relatively quickly & chikn nuggit isn't necessarily a show you're going to expect a masterpiece of, right. it's endearingly imperfect

but god that ending. this entire arc. fuck it all man fuck that dog

oh wow i wrote down a lot but YEAH. VERY UPSETTING. hopefully this was an entertaining read or i just look insane to my friends

THANK YOU FOR ASKING! been LOOKING for an excuse to be upset on main

[leniisreallycool]

It's insane to me how so many people look at a cannibalistic serial killer deer demon and simultaneously think "ah yes, babygirl. Must torture." I don't know how I feel about being one of them

[chatdae]

Grace FUMBLED Ryan! BAD parenting to preach respect and then act contrarily (ie saying she wants him to feel safe, then not allowing him any autonomy). She should've let him leave and come back... or at least explained why she didn't want him to leave before deciding (ex: 'Homelander will kidnap you', etc). She needed to let him make the decision for himself... agh. AAAAA.

And now Butcher's no use because he's committed to being evil and can't offer ANYTHING good to Ryan!!! He was so right, they NEEDED to give Ryan more space... I know the external pressures seemed impossible, but dammit, Grace, this was no way to beat the odds!

(this is about The Boys season four)

[anxiously-sidequesting]

So I don't know if it was ever revealed how Duncan felt when we killed Malistaire all three times but I'm wondering if maybe some part of him could hate us for that too. Like you hear that and you go "but why. Malistaire was terrible and even Duncan knew that(?). Why would he hate you for getting rid of him."

But like I think it's so....... interesting in a very, very, very sad way how Duncan so easily latches onto anyone who directly feeds into his delusions of grandeur. And that's no fault of his own that he was manipulated by the nasty Schism but when you think about how desperately clung to the idea that Malistaire, easily one of the greatest necromancers any of us had ever heard of (at that time), somehow actually recognized Duncan's talents (even when canon supports that Duncan wasn't all that talented, at least no more than the next necromancer) and then praised him for it so often that Duncan believed that he would be the next Death Professor is. I mean ☹️

So like with that mindset I unfortunately feel like it would be quite easy to twist even Malistaire's death as something that's horrible and awful and all our fault. ESPECIALLY if the Schism was feeding into Duncan's already broken mind and shattered ego and was constantly telling him that everything bad that ever happened to him ever in his life was Our Fault. That's like a realistic conclusion that someone like Duncan could come to

And like, at this point in time, are Malistaire's crimes even a factor in how he thinks????? Was Duncan ever able to separate Malistaire's talent and skills and prowess from the terrible and awful things he did? If Duncan wasn't able to consciously tell that distinction in the first place I can't imagine it would be any better during the years he was being manipulated and isolated and lied to

Like in Duncan's mind it probably isn't, "maybe I shouldn't idolize a national criminal, or idolize anyone at all for that matter, and aspire to be like someone so harmful when I can recognize my own talent and build from there" it's probably more like, "you (the wizard) permanently got rid of a brilliant mind, an innocent person who just made a few mistakes, and someone who believed in me no matter what just so that you could be the better than me and loved by everyone else" and that's! very sad actually!

[sskk-manifesto]

Ep 5!!!

[yuuminni]

its just so incredibly funny to me that in a game with a literal Flowersland kingdom and Flowersland prince and Flowersland princess whose designs have flower crowns and everything. and they gave the "birds flock to them when they sing" cliche to some guy from Sandland who howls like a wolf.

[tardis--dreams]

On a scale from 1 to 10 how weird would it be to write a little thank you/goodbye card to a colleague you really like where you'd tell him you learned a lot from him and appreciate his support and had fun working with him? It's a 10, isn't it.

[blindedguilt]

//Was thinking about posting this on my alt, but since I figure I've spoken about this frequently enough on this blog and it's THE dedicated Leonard Space™️... //I'm throwing up and crying thinking about how leonard had never gotten to experience romantic or sexual attraction (or will ever GET to experience those things, unrequited or not) without complete dread and self-blame and guilt and how that must have been growing up with the hope and expectations of "Being in love must be so nice, I hope I'll be able feel that one day" and not ONLY having that hope gradually dwindle as he grew into the "expected marriageable age" watching those around him go on with their lives and attain those things in a way that seems so natural but is so foreign to him and the absolute sadness of the point the notion of "attraction" and "falling in love" turned to complete and abject horror and disgust when he realises that this is what his mind has decided is "Normal" for him, and all possibilities and aspirations he may have had of a child, teen, young adult, etc. up to that point of even the bare minimum is now a complete impossibility. //how it fully sets in he'll never experience love. never find his own family or someone to be interested in and care about in such a way or even feel attraction without that weight attached.... like idc, actual relationships are one thing but if ANYTHING you should at least be able to know the joy of falling in love if even for a SECOND without any strings (Disgust, guilt, self-hate, etc.) attached!!!! guys!!!!!!! //HE'S WAY TOO KIND AND GENTLE AND HANDSOME AND CARING AND HUMBLE AND A GENTLEMAN AND HANDSOME AND HIS VOICE IS WAY TOO SEXY FOR THIS SHIT, HE DOESN'T DESERVE THIS!!!!! LET HIM LOVE!!!!!!! HE'S SHOWN TO HAVE SO MUCH TO GIVE IN SO MANY DIFFERENT WAYS (Parental, familial, just being an empathetic person towards his "enemies" in general) AND YET HE DIES HAVING NEVER KNOWN IT...... WHY IS THIS HAPPENING TO HIM........... ouuugughhh.........

[note-boom]

Okay but when Ranpo told the audience that they were the angels and how the staged murder was about a reversal of roles, that was so Omniscient Reader's Viewpoint of it, I -

[volivolition]

what's the theme you're fucking going for here voliiii!!! what are you fucking getting at!!! what are you trying to say, what's the point??

[pastel-rights]

And then I finally end it off with some doodles of them… they make me feel things.

[crumbleclub]

henry emily my beloved. he's such a good character and i could talk abt it all day

[manofmanymons]

You ever think about how like

No matter how mad she is at him, how mean she is to him, or how much she wants him to go away, Kaito still wants nothing more than to protect Miu at all costs

And then part 6 happens, and Kaito's being a downright brat, but Dracmon—

They really are two halves of the same soul.

And I'm very happy that at least in the truthful route, Dracmon knows that Kaito cares for him just as much.

[theres-whump-in-that-nebula]

My dad at any given opportunity: “I used to have an as good or even better memory than [my name] and you know how good her memory is.”

I feel like this guy is competing with me by remembering how he was at my age — always has.

And (unrelated) if I criticize him or say anything at all with anything other than happiness or neutrality in my voice, his response is always “Sorry, but you have to understand I’m not feeling good right now. I’m trying to be a father to you; I wish I had a father at your age. I’m suffering. I have [this this and this] wrong with me; and THE ELDERS—“ Dad, Dad… you NEVER feel good; you know this and you’ve lied to me COUNTLESS times by saying you’d try to get help. Go to therapy for fuck’s sake.

“But Jehovah’s organization!” Fuck Jehovah’s organization. If Jehovah’s organization really cared about its members, you wouldn’t be so frightened of defaming its good name at the expense of your mental and PHYSICAL health. If Jehovah’s organization really cared for you, you wouldn’t be hiding your trauma from people who can help “because it’ll hurt Jehovah” like a wife who developed Stockholm syndrome from being beaten by her love-bombing husband.

[coffeeflavoredcookies]

I think it's very nice of Maggie to have written those last couple chapters specifically to make me happy (yes I just reread my fave moments)