#somewhat rant

[delusional-dingusnum2]

I see a lot if Microwaves say that El needs to be with Mike because the show is centered around Maple Syrup or because that’s how she has arcs ect.

So I ask;

What arc(s) has she ever had that she needed Mike to have it happen? Most, if not all of her arcs/character development is when she’s not with Mike. So why does she need Mike to progress forward? If anything, he’s holding her back, which I’m pretty sure he is.

[youcannotescapeyourdoom]

just watched the body's dad being openly racist what the fuck???

[here-there-everyfuckenwhere]

Hmmmmmmm

Feel free to explain your answer in the tags and rub for sample size

[meirimerens]

the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:

P2 Layers glyphs take from the mongolian script:

while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)

the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)

some of the sigils also look either in part or fully inspired by Phags Pa script letters...

some look closer to the mongolian or vagindra (buryat) script

looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):

shaped and reshaped...

[icarus-star]

(twt p✧rn link)

this is so charlie, he just loves your boobs :3

[sabellart]

merlin has awoken a childlike sense of wonder in me. i have momentarily forgotten The Horrors

[etrevil]

Despite how much I'm fuming at Fedya this chapter we gotta give him props for agreeing to thirdwheel skk until Chuuya himself shot Dazai down (literally and figuratively) in his confession lol

[stellocchia]

I've talked about this already in a reblog [LINK] but I do find it fascinating how every time, without a fail, when cTommy would start getting close to someone they would immediately register as a threat to cDream.

cWilbur is the most obvious one. He was cTommy's big brother, his protector, the person he arguably loved and relied on the most. And cDream was very very obviously jealous of said fact. And he'd been jealous from the beginning. And he tried to weasel his way into the big brother role from all the way back in og L'Manburg.

I will never get over the fact that he only ever tried to change cTommy's mind on even being in L'Manburg [LINK because this is fucking funny]. And then later in Pogtopia that he left a special gift basket which included his treasured crossbow as well as the book Tyrant and a bunch of other stuff to cTommy when he only gave Techno (Pogtopia's most skilled fighter) one single either gold or god apple. The fact that, despite saying he would help from the shadows only, he still very much fought the pet wars by cTommy's side. Or that, after confession he was actually on cSchlatt's side and being against cTommy going to retrieve his stuff from his old house in public, he still allowed him in private. And then spent the whole pre-war hanging with cTommy.

He was always trying to get in cTommy's good graces. To sorta take him from under cWilbur's nose. And it didn't work because cTommy has always been about as loyal as you can get, so he went with the best possible alternative and encouraged cWilbur's self-destructive behaviors until he did the job for him. And then he just never brought him back until he was certain that he was no longer a threat to his big brother role [LINK to Tommy literally saying that cWilbur was worse than cDream].

But cWilbur was so SO far from being the only threat to cDream's fragile attachment. And, in fact, I would argue he wasn't even the biggest threat in cDream's mind.

After all, cDream never put that much effort into getting rid of cWilbur. Partially because cWilbur was already spiraling and distancing himself from cTommy, but I also think that he just didn't respect him all that much as a rival. Though that's mostly speculation.

No, the biggest threat was always cTubbo. The best buddy, best friends forever. There is a reason why during exile, while the role he was trying to cover was more akin to cWilbur's role in cTommy's life, his wording wasn't. He never used the term "brothers" always "best friends".

There is a reason why he went through the trouble of utterly destroying cClingy relationship far more than he ever did for cCrime, by framing cTommy, by demanding harsher punishments at the trial, by taunting cTommy and escalating the situation over and over again. And then still by discouraging cTubbo from visiting and by lying to cTommy about cTubbo just discarding his 'my Tommy' compass. And then, when none of that worked, he went for the ultimate betrayal, because he knew it would hurt cTommy immensely if cTubbo gave up the disc he'd been given as an ultimate act of trust, and he knew that he could break cTubbo's trust in cTommy even more. And when EVEN THAT didn't work he straight-up went for murdering cTubbo because my man was fed up (at least if we assume that the staged finale didn't completely go according to plan, but if I go on a rant about how UTTERLY MORONIC the staged finale was here I'll never stop).

cTubbo was always cDream's biggest enemy, and it really goes to show how single-minded he was as a villain that cTubbo being his nemesis wasn't even about cTubbo.

Next level obsession there.

Of course, the two of them weren't the only threats, just the biggest. Bud cDream didn't stop at them. He tried to kill Ghostbur during exile just because his constant presence was too much of a comfort to cTommy and later on actually killed him to revive the version of cWilbur cTommy seemingly hated. He took two of MD's lives because he not only was willing to move in with cTommy, but also wasn't afraid to call cDream out on his bullshit which, if you rewatch that stream, seemed to really bother cDream. Also the fact that cTommy, as soon as he was offered an alternative to follow MD's orders and rules instead of cDream's took it with pretty much no hesitation probably didn't help cDream's dislike of MD. He also never revived cRanboo, and it is very possible that it's because he knew that he and cTommy were friends.

Murders aside, he also sabotaged cTommy's and cRanboo's communication more than once when he realized they were getting close. Which shows that he ether considered cRanboo only a minor threat or simply still useful, because had anyone else visited that much they would be dead.

He also immediately threatened to hurt cPhil when cTommy started relying on him post-prison break. And let's not forget that time cLazar was literally only going to visit with a present and cDream considered it such a big threat that he made cLazar take part in abusing cTommy so thoroughly that cTommy was sure not to want anything to do with him in the future. (also, kind of an interesting coincidence that cLazar was one of the unlucky two selected to be slaughtered for the sake of science...).

Every time cTommy has gotten especially close to anyone, cDream was always there, ready to intervene, ready to deal with the threat as swiftly as possible. Because ANYONE would have been a better choice for cTommy and he knew it. And he acted accordingly.

Curiously, the only one he never took action against was cTechno, though I do wonder if that was just because of how obviously doomed cBedrock bros were from the very start. cDream does know the extent of cTommy's loyalty very VERY well after all...

[dazaijustscrollsfic]

why are people shitting on the death? I mean I'm not a big fan of it either but I'm seeing people shit on the admins for scripting an egg death.

Scripted death happens in stories, dont shit on the admins???

It's an interactive story for the streamers, yes, but every interactive story has shit that must happen, and everything comes to an end eventually.

I'm mad, but at the end of today, it's a minecraft story. :shrug_emoji:

[presiding]

genuinely admire those who were optimistic for dishonored 3 but in this videogame industry climate and [insert a 4hr video essay about arkane's recent history here], honestly, not getting dh3 is good news

[lidoshka]

@feanorianweek Day 2: Maglor (plus one!)

Back then, Maglor was deeply frustrated about how easily his aunt Lalwendë seemed to play the clavichord

Nowadays Maglor is a master of this instrument plus several others, and looks at those old sessions with some bittersweet fondness.

+

@feanorianweek​ Día 2: Maglor (y acompañante!)

En aquel entonces Maglor esta profundamente frustrado por lo fácil que su tía Lalwendë parecía tocar el clavicordio.

En tiempos recientes Maglor es ya un maestro en este instrumento y muchos otros, y recuerda aquellas viejas lecciones con cariño un tanto agridulce.

[anghraine]

petty ranting about the LOTR movies

I've been in various fandoms where an ostensibly "faithful" adaptation was frequently held up as the One True Version of the text, the author's vision brought to life, the one nothing could ever compare to and the reason no others should ever be made, how is it possible to envision the characters or interpretations of them differently blah blah blah. (1995 P&P fandom is very frequently like this, sometimes Faith and Fear fans are, esp wrt The Borgias, etc.)

But I'm not sure I've ever seen an adaptation so uncritically adored by so many as the Jackson LOTR movies. I don't think any fandom is so insistent on an adaptation as people are insistent on the movies as the one true version of Middle-earth, even where they're radically different. Even when people agree with criticisms, it's been really noticeable that people often also add disclaimers about how they love the movies, they're perfect in almost every way, they're super faithful apart from this thing, of course the reason for [choice that was made] was understandable it's just that... etc.

And the thing is, I may hate some of the interpretations in other allegedly faithful adaptations. Like, speaking of the 1995 P&P, I dislike a lot about it and its influence on popular perception of what P&P is, of what adaptation should look like, of the brooding version of my fave hero Darcy, and so on. But I do understand why it's often held up as a faithful adaptation.

It uses a lot of the original text (though it can be subtly or glaringly different in execution), it's able to blur the lines between its own inventions and material from the text in a way that's often convinced audiences that things from the adaptation are actually in the novel, and it's more successful at doing this than any other Davies version of Austen IMO, it has a very convincing cast, blahblah. Like, I disagree that it is as faithful as it's reputed to be (by a long ways), but I get why it has that reputation, at least.

But I genuinely find Jackson's LOTR so different from the book! The movies certainly draw from it in significant ways, but dialogue is heavily altered or manufactured, motivations and characterization are simplified, altered, or just outright transformed into something entirely different, themes are shifted around, the structure is seriously changed (something Tolkien specifically did not want to happen), the relatively compact battles in the book are turned into big action set pieces taking up major swaths of screen time, a lot of the lore is heavily contracted, changed, or simply absent where it casts heavy shadows over the dynamics in the book, and oh yeah, they manage to be even more racist.

Some of this (not the racism) is defensible even if I don't personally agree w/ those defenses in a lot of cases. But there are a ton of differences between them! And you can talk about the films as their own thing cinematically and that's its own discussion. But the conflation of the movies with the actual things Tolkien actually wrote is even more widespread and absolute and annoying than with things like the 1995 P&P, with not half as much reason for it.

[chiisana-lion]

the thing about midori and yuzuru to me personally is that even how midori usually gets yuzuru's guard down by his very passionate attachment to him and his art, realistically speaking there's no way yuzuru wouldn't have to jump at least several dozen mental hoops to let himself get too close to someone whom he shouldn't have had any particular relation with initially. while i do love drawing them just hanging out a lot (enrichment!! i think itd be good for them both) a majority of the time it comes from a place where i think this guy would never let himself get too carried away and forgo any chance of making needless deeper interpersonal relationships and goddamn if im not going to study it

[apexious]

I love going crazy over both just dance and ace attorney right now because it means I'm literally thinking of an ace attorney au as we speak

[kaxtwenty]

I think the thing I like the most about Mandalorians is how much it sucks to be one.

Like, the older I get the more I understand Satine. A society that revolves around fighting and conquest as much Mandalorian society tends to probably sucks to live in.

Pretty much every major Mando character has this moment where they’re just like, “Why are we like this?” And it feels real in a way that few bits of SW lore ever come close to.

To gloss over it a bit. Nearly every planet they’ve inhabited has been glassed 1-12 times. The foundling system, while cool, has its roots in slavery and forced assimilation (which can still be seen in some cases). Pretty much every major clan or house are the descendants of people who were forced to assimilate to Mandalorian society (not even that far back in Clan Wren’s case). They fought so much that the original Mandalorian race, the Taung, went extinct.

And to top it all off the literal inception of their entire culture was when they saw a planet full of Kaiju and one guy decided they should subjugate and hunt them to extinction. Which is to say nothing of all the civil wars their whole feudalistic house/clan system practically encourages; along with the ever lingering question of how often do Mandos who aren't soldiers get to have full citizenship?

Hell, there was one time a Mandalorian straight up became a Jedi, ruled as Mand’alor only to have his kids steal his saber from the Jedi Temple and use it as a symbol of violence and supremacy.

I’ve always liked to think of Mandalorians as the sort of “wildcard” faction of Star Wars. They can be either the heroes or the villains and vary wildly in how they fulfill those roles, you never quite know what you’re gonna get with them on an individual level. But just about every one of them has had to confront their history and how it affects them now. And their views are often informed their upbringing and different experiences.

There's this constant through line of characters trying to reinvent what it means to be Mandalorian, all of them coming to their own conclusions, usually with the help of a Jedi or two.

Idk, I wouldn't say I'm an expert on Mandalorians or anything (I'm much more of a Jedi guy), but I got a lot of thoughts about them and how their current culture is informed by their history of imperialistic warfare.

"I think... I think I need something more than killing and fighting in my life." - Canderous Ordo

[enlighten3d]

(this is literally just an appreciation post for the watcher trope because its one of my favourite things of all time.)

listen ik the whole watcher thing gets quite a bit of hate in this fandom for being so overused, but personally i love it. i love it so much. just because of how versatile it is. i mean, just scroll through the watcher grian tag on ao3, and youll see hundreds of different interpretations of the same beings!

some have wings, some are humanoid, some are decidedly not, some are really fucking evil, some are just misunderstood, some actually do good, some are literal gods, some are just a group of people, some are like a cult, some are just random mysterious fuckers, some are just the explanation for anything weird, some are engaged in gang warfare with the listeners, etc etc etc ETC !!!!! so many different things, so many different narratives, based off one thing!!!

i have like four unfinished watcher!grian fics in my gdocs right now. i will probably not finish all of them. but sometimes i just think about how even between those four fics, the interpretations are so DIFFERENT. so, so, different. but its all from the same thing! the same vague concept from an 6-7 year old smp!! isnt that fucking amazing? what we, the fandom have done with it, and how far weve bent it, and just.

the whole watcher thing is one of my favourite bits of ANY fandom i have ever seen. the sheer creativity of fandom really does surprise me sometimes.