Tumgik
#sory for the length
angel-of-the-moons · 11 months
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Doppelgänger
Miguel x Fem!Reader
TW/CW: Angst, self-image issues, mentions of childhood trauma, addiction, our mans has had it rough as fuck™
A/N: Brought on by this post from @tarjapearce and the comments i made (I'm sorry i am a ho for some angst sometimes) I'm merging ATSV stuff with comic stuffs because NO WAY IS HIS MOVIE DESIGN LIKE THAT ON PURPOSE WITHOUT IT POSSIBLY COMING UP IN FUTURE MOVIES ASDFGHJKL
Taglist: @tojishugetiddies
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You came home and it was quiet. Quiet and dark; and already you knew something was up. You left Miguel sleeping so you could attend to some meetings and paperwork at your office, and pick up a few groceries.
Miguel had been acting strange the past few days. You'd asked him if it had something to do with work and he simply shrugged the question aside, like it was a small chip on one of his broad shoulders.
You'd asked him what was bothering him again, and he simply stared at the carpet, muttering something you didn't quite catch, and he went straight to bed.
You were so worried you'd even texted Gabriel on your walk home:
Hey, Gabe...
Heyyyy! If it ain't my favorite brother's girlfriend!
You couldn't help but roll your eyes with a soft snort. You only have one brother, Gabe.
No no, chica, I meant that you're my favorite of any girlfriends he's ever had. 😂
Gabe that sounds a little... Bad. 😬
Does it? Woops! Anyways, what's up? My big dumb, brick-house brother do something to make you mad?
No, Gabe... He's acting weird. Has been for the past few days, and he won't open up to me. I'm worried.
You could see the chat bubble pop up over and over again with '...' signifying that he was in the process of texting. With how many times it popped up and went away you were expecting a bible scripture's length of a text wall.
But what you got instead made your heart sink.
He saw our mom. She... She brought up Tyler.
Oh, god. You knew that Miguel and Conchata had a rocky relationship. Miguel had told you why. It was so bad, even just recalling everything, that you felt Miguel's pain like it was your own.
You also knew that Miguel's biological father, Tyler Stone, was the one that manipulated him, that used him, got him addicted to Rapture and almost killed him...
But it wasn't even the real dose of Rapture. It was simulated. Just another manipulation tactic. It was overhearing that conversation that Miguel found out the truth of his heritage, and you could tell that nugget of knowledge permanently chipped his sense of identity.
Even moreso when he confessed to you about Gabriela--
Your phone pinged.
They fought. It was... It was ugly. I... I didn't know about Tyler. God, chica, I didn't know. Dad was...
You felt your heart flop, knowing poor Gabriel was shielded by Miguel for so long so he didn't have to suffer like he did at the hands of their gaslighting and manipulative mother, his sadistic sperm donor... Miguel wanted nothing more than to protect Gabriel from that pain.
Your fingers flew fast on the little keyboard, a few spelling errors here and there;
God, Gabri im sory you had to fidn out that way
I know. It figures Miguel would have told you, before me, tho. He loves you.
He loves you too, Gabri. God, more than you know. He loves you.
I know. He was trying to keep me safe and out of Mom's drama.
No offense, Gabri, but if I ever see that woman I'm rearranging her face with a shovel.
OMG. I mean... After the things she said to Miggy, I... Kind of want her to at least feel consequences of her actions, y'know?
Oh, she will. Don't worry. Thanks for telling me this, Gabri.
Go cuddle my big brother and tell him I love him, k? Let me know how he's doing.
OMW home now, I'll text you when he's feeling better.
KK, see ya.
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Yeah. You knew for sure Miguel was still heartbroken when you came home after that.
You put the groceries away, a somber expression on your face as a million thoughts went through your head.
God, of course Conchata had to come see Gabriel at the same time Miguel was there. You wouldn't be surprised if either she could have tabs kept on him, just to... to try and lord her power over him somehow, like he was still that scared little boy, holding onto his baby brother, being his shield and buffer from their parents' fights.
That bitch had to have had a hand in Tyler using him the way that he did, that she had to have known about--
Your mind was knocked away from those dark thoughts when you heard glass shatter.
You dropped the bag of apples onto the ground, the fruits tumbling out and rolling across the floor as you made a mad dash to your bedroom.
Noting Miguel wasn't in there, you turned to the adjoining bathroom door, seeing faint light come down from below, small wafts of steam rolling out.
"Miguel?" You frantically called out, knocking on the door and leaning your ear against the smooth metal.
You could hear shuffling and the tinkling of glass shards, as well as the shower running; but no verbal reply.
You knocked on the door again, hurried and a little too hard, your fingers hovering over the control panel.
Before you could push a button, the door slid open.
Miguel was in nothing but a pair of boxers, leaning over your bathroom sink, his hands gripping the marble countertops, threatening to crack the material. Beads of water rolled down his muscular, tanned skin; droplets of water dripped from the ends of his thick, wavy chocolate locks, the natural curls more apparent thanks to the water.
That's when you noticed it. Your bathroom mirror, shattered into a hundred pieces, scattering the counter, floor, and in the sink.
Bright, scarlet droplets were on the floor, steadily building into small puddle from his right hand, his knuckles split, shards of the reflective material sticking out of it.
"I'll pay for it." His voice croaked out, unable to lift his eyes to meet your horrified gaze. "I just--"
"Oh, god! Miggy!" You breathed, reaching out, taking a step towards him, only to wince and hiss when the pieces of broken mirror stabbed the soft, delicate soles of your feet.
You gritted your teeth as the glass crunched, but you grabbed Miguel.
Instantly it was like a switch flipped inside of him, Miguel's head snapped up and he looked down at you, seeing the bloody footprints you now left on your tile.
He looked terrified at what he was seeing. How you just ignored the shards in your body in favor of frantically digging around one of the cabinets for your first aid kit.
"Bebita... I..." Miguel choked out.
When you found it, you killed the shower and stepped into the glass once again, pulling him into your room, and onto your bed, your feet leaving bloody prints as you walked, like macabre rose petals being left in your wake. Miguel had a large enough stride that he was careful to avoid getting any in his feet, but the smell of your blood permeated the air, it made him sick to his stomach. Not with disgust.
With guilt.
Of course, you checked him over first, plucking out the shards of glass from his knuckles and cleaning the cuts out with wound wash, ignoring the blood welling up onto the tile floor of your bedroom from.
You carefully roll his hand as you try to wrap the gauze around his knuckles. "Miggy, can you hold your--"
"I'm sorry." He interrupts.
You looked up at him, and only then do you see his face. Framed in his wet curls, his face was shadowed and haunted, his eyes dark and as tumultuous in a maelstrom of anxiety and fear.
You bring your hand to his cheek, caressing one of his sharp cheekbones with your thumb. "Baby, it's okay. It's just a mirror, I can--"
He shook his head, as if your touch to his face burned him like a hot iron.
He leaned over, grabbing your legs and pulling your feet into his lap so he can assess the damage, and return the favor of cleaning and dressing them.
"You're hurt because of me." He whispered sadly, dabbing the blood away.
"I'm hurt because of the glass, honey." You tell him gently, letting him apply the "honey" to the cuts in your feet, sealing them.
His massive hands encapsulated your ankles, his thumbs rubbing small circles as the rough pads caressed your skin. Like you were made of the delicate gossamer of a butterfly's wing.
He sits like that, not meeting your eyes. And god, did that hurt you so badly. You knew how important eye contact was with Miguel, he almost always went out of his way to keep eye contact when he was conversing with someone. Having him avoid your eyes... hurt.
Because you knew he was hurting.
"Miggy." You breathed. "Talk to me."
You move your feet from his lap and scoot closer to him, moving your face until he locked eyes with you again, and you could see the pain and the tears fill his own as he looked at you; his full, pouty lips trembling in an effort to hold his emotions at bay.
His shoulders dropped low, and Miguel leans forward until he was practically bent in half, clinging to you, burying his face in your chest as he fisted your shirt in his hands.
You rubbed his shoulder with one hand, biting your lip as he softly cried into your blouse, your other hand combing through his messy wet hair.
You stayed like that, for what felt like hours. You weren't sure how long it was exactly, with the blackout curtains drawn and the lights off. The only light that dimly illuminated the room was from your bathroom, and the open door.
He finally calmed enough to speak, to explain why he shattered the mirror.
"...I look like him." Miguel said, his heart in his voice, his soul stripped down and naked with raw pain.
"Mig--"
"God, I look like him. That... that cabrón." He hissed, tugging your shirt in his fists.
"I look like that bastard that... that made me into this." The self-contempt in his voice broke your heart.
You kiss the top of his head, murmuring against him. "No, you don't, baby."
"Yes, I do!" He snapped, pulling himself away from you and throwing himself to his feet. He paced like an angry tiger in a cage, waiting to swat at whatever keeper dared enter his enclosure. He didn't notice that he was stepping into the sticky, dried blood trails you left.
"I have his--his face. His fucking face--" He said, gripping his hair in his hands, tugging as he started to hyperventilate. "My fucking nose, my fucking cheeks, my fucking lips--they're all him! I'm not allowed to be me, every time I look in the mirror I see him! I can't ever get away from him! He's a part of me, he always will be! I fucking look like him!"
You get to your feet, ignoring the throbbing in your soles as you dared to reach out, to touch the pacing tiger.
Your hands smooth up his back, gently, softly; then back down until they wrapped around his mid-section.
You feel him, how tense he is, how his muscles flex at your touch almost like he's bracing himself for some kind of blow that simply will never come from you.
You rest your cheek against his back, feeling how hot his skin was burning.
"Baby. You don't look like him. You aren't him, and you never will be." You whisper.
You plant kisses wherever you could reach, not letting him go, feeling his body shake with each shuddering breath as your soft lips made contact.
"More importantly, Tyler will never be you."
"I--"
You cut him off. "Listen to me... Did Tyler figure out multi-dimensional travel, build a strike force of super-powered people from across the multiverse? Does Tyler, almost every day, work to keep dozens--no, hundreds--of universes safe from monsters?"
He didn't answer.
"And did Tyler Stone protect your baby brother from your mother all these years?"
No answer.
"You are Miguel-goddamn-O'Hara." You tell him. "I love you, with trauma, quirks and all. I love your little scritch-scratches you make, the way your bottom lip pokes out when you pout, your crooked teeth when you smile. I love your ridiculously large body, I love how you hug me. I love the little snores you make when you fall asleep at your desk, how you crinkle your nose when you're about to sneeze.."
You feel his hands slowly rise to touch your arms where they're almost-locked around his larger frame.
"I love how sweet and gentle you are. I love hearing you curse to yourself when you shock yourself with your soldering gun... I love listening to you bicker with Lyla, or complain about one of the other Spiders bugging you." You place more kisses after each sentence; hoping each one plants a seed of love beneath his skin, to bloom into a garden that he can admire and love, not hate for the very skin he was born with out of illegitimacy and infidelity.
"Tyler Stone is not you. He never will be. He will never be as good as you." You sigh against his skin, feeling the goosebumps form in the cold of your room, now that the adrenaline of his anxiety was beginning to fade, and his body became aware of the water that was slowly drying and cooling his skin.
"I love you, Miguel O'Hara. You and no-one else. Don't ever think for a second that you don't have your own identity because of your genes."
He slowly turns in your grasp, looking down at you with raw, unclothed emotion as his hand touches your cheek.
"You're more than that. You're you, and I wouldn't have you any other way." You say, your tone set and jaw tight; every word you spoke carrying a hefty weight of seriousness and honesty.
He smiles, almost sadly as you feel the rough pads of his thumb against your cheek, the little talon there poking you but not breaking the skin.
"...I..." He said, his voice stiff as he swallows the lump in his throat.
"I really will pay for your mirror, you know."
You grin up at him and turn your face so you can kiss the palm of his hand.
"I know you will, Miggy."
"But I am curious... I felt like you were going to keep going with the affirmations." He said, raising an eyebrow slowly.
"Well, the last one..."
"The last one?" Miguel tilted his head down at you quizzically.
You grin at him again, your teeth showing and eyes creasing as you barely manage to reach around him, swatting his ass playfully.
"I also love the fact you have the nicest ass I've ever seen on a man."
He couldn't contain the snort that came out of him, and he reached up to cover his whole face with his other hand.
"Mierda..."
You giggle as you step around him, giving a playful swat to his ass once again as you walk by.
"C'mon, Miguel O'Hara. You got a broken mirror to clean up."
His shoulders lifted as he watched you, his eyes softer than you've ever seen as he smiled.
Yeah. You were right.
He was Miguel O'Hara.
And he was certainly going to pay you back for the smacks to his ass.
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ladykissingfish · 1 year
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*Deidara walks into Sasori’s room wearing a new knee-length skirt, lace-up boots and one of Sasori’s flannel shirts as a top*
Deidara: 'Sori! I’m ready for our date, hm.
Sasori: *looks at his watch* Already? Good job, you’re getting better at being on time. Er, before we leave, though, I have a question for you.
Deidara: Yeah?
Sasori: I think … you look very pretty tonight. Your taste in clothes is exceptional. But … you know because you’re wearing what’s traditionally considered “feminine” clothing …
Deidara: Ah, are you embarrassed to go out with me like this? I’m sorry, I —
Sasori: No, no! I’m not embarrassed. Like I said, I think you’re very beautiful. But I was just wondering, because I’ve never asked you this … when we’re around other people, and they ask who you are to me, do you want me to introduce you as my boyfriend, or girlfriend? Or simply my partner? What pronouns do you wish me to use?
Deidara, smiling: Your boyfriend, hm. He/him/they.
Sasori: Boyfriend. Got it. *holds out his hand* Lets go, shall we?
Deidara: *takes his hand* By the way, what would you want me to call you, hm?
Sasori: “Husband” would be lovely to hear some day, but for now, boyfriend will do.
Deidara: *blushes* Sasori …
*the two share a kiss before leaving*
Hidan, having heard from the hallway:
*later*
Hidan: Oi, ‘Kuzu. 
Kakuzu: Mm?
Hidan: Say me and you was out somewhere, eating or something, and someone came up to you and pointed at me and asked what I am to you. What would ya tell ‘em?
Kakuzu: Well, brat, you’re so many things to me that it’s hard to pin down just one term.
Hidan: Aw, that’s sweet, old bastard! You —
Kakuzu, ticking items off on his fingers: My headache, my significant bother, the reason I take anti-anxiety medication, my ball and chain, the reason my wallet is always empty, my punishment for my sins, my —
Hidan:
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a-photo-of-a-cryptid · 8 months
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hello i would like to hear about your silly guys , uhhh. whoever you've got on your mind right now :3
UGH AHH SORY I DIDN'T GET TO THIS ASK RIGHT AWAY I WANTED TO DO ART FOR IT AND TRIED SOMETHING BUT I CAN'T CAUSE MY DRAWING PAD IS BROKEN!!
All that to say!! Thank you for the ask!! I will write a long ass rant below the cut!!
So the main OC on my mind lately has been Pinwheel from 'The Smile Hotel' an original storey of mine (rest in peace old smile hotel blog I will miss you)
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He's a silly goober for sure.
Some notes on his design and overall character because thats whats been in my head lately :333
he is an ASSHOLE!! AN ASSHOLE!!! But I love using deceiving shape language in designs, circle characters are generally warm and genuine, while pinwheel is quite the oppisite
He's gone through a couple of retcons, but this design is the one I'm most happy with at the moment, the full length cloak is too hard to work around
His eyes can emote like- a cartoonish amount, like being shapes such as starts or $'s when the situation calls for it
Removing the mouth from this design as it adds too much conflict for the vibe i'm going for with them
He's a ginger cat with some darker spots
Need to mess around with colours a bit to get the finished design
the poncho he is wearing does cover his head, and it is definitely not pretty underneath
He is the same species of creature as one of my other oc's 'bingle' who I made the below GIF of
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Bingle is the species form in like, the 'baby' form which looks like a regular cat until it doesn't,
He has the garfeild thing where you never know if he's talking or thinking but you can hear him and you can't make him go away
Got the liqiud cat biology and can squeeze and fit into impossible spaces, as long as he wants to
Augh thats a lot of writing!! Thank you for reading!!
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How to Identify Western Sword Ferns
Originally posted at my blog at https://rebeccalexa.com/how-to-identify-western-sword-ferns/. Click here to learn more about the How to Identify article series.
Name: Western sword fern (Polystichum munitum)
Range and typical habitat(s): West coast of North America from southern California to extreme southern Alaska, and inland to the western Rockies in Idaho; also introduced to a few places in the United Kingdom and Ireland. Widespread through conifer forests at low elevations; while it is most commonly part of the understory of these forests, it may sometimes be found in nearby open areas as an early succession pioneer after disturbance.
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Distinguishing physical characteristics (size, colors, overall shapes, detail shapes): This is a large fern, with individual fronds up to six feet long; the entire plant may be six or more feet across in very large specimens. The overall shape of younger plants may be a sort of “fountain” formation; with age and size some of the stems begin to droop downward, giving the overall plant more of a spherical or semi-spherical appearance. The leaves are a medium to medium-dark green; the spore-bearing sori on the underside are a rusty brown.
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Underside of leaves showing sori. By brewbooks, CCA-SA-2.0
Each frond consists of a single stem (rachis). This rachis is round, solid inside, and may have a deep furrow down the center. It is green with rust-brown flecks along its length. Individual leaves (pinnae) grow in an alternate pattern along the stem; alternate means that one grows on one side, and then the next on the other just a little further down the rachis, and then the next on the first side a little further down, etc.) Almost the entire rachis is covered in leaves, except for a few inches at the base. Several of these may grow out of the same root/rhizome system, clustered close together, with dead growth from previous years lying on the ground at the plant’s base.
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The sword fern is what’s known as single pinnate, meaning that there are leaves arranged in pairs along a single rachis, but those leaves are not further divided into smaller leaflets. Each leaf is lance-shaped with a pointed tip and finely serrated edges. The leaf has a main central vein, with smaller veins branching off of it in pairs, one on each side. On the underside of the leaf, the sori look like little brown fuzzy circles. They are arranged quite closely to each other in two rows, one row on either side of the central vein of the leaf. Each leaf varies from less than an inch to six inches long; the larger leaves are closer to the base of the stem, and get smaller toward the tip. The last few leaves near the tip may not be fully separated from each other. The leaves are attached to the rachis by very slender, short stems (petioles) at their base. The tips of some of the leaves may point away from the center/base of the plant, toward the end of the rachis.
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Other organisms it could be confused with and how to tell the difference: While western sword fern tends to be the most common Polystichum species in its range, there are a few other species of the genus that overlap. You’ll need to look at small details to tell the difference; for example, P. imbricans can be distinguished from P. munitum by examining the leaves in relation to the main stem. In P. imbricans, the leaves are actually rotated on their petioles so that they are perpendicular to the stem like rungs on a ladder, rather than growing “flat”:
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In addition to paying attention to small differences in things like leaf shape and arrangement, you also want to note where you saw the fern in question. Not every look-alike Polystichum species will be found in every part of western sword fern’s range; P. californicum, for example, only grows from southernmost British Columbia to central California. If you don’t have access to field guides, create a free account on iNaturalist. You can use the Explore function on the phone app or computer browser to see where people have logged observations of just about any species of living being you can think of; while it isn’t as exact as a formal range map, it’s a good substitute for casual use.
Finally, there are other ferns outside of the genus Polystichum that can also be confused with western sword fern. A good example is deer fern (Struthiopteris spicant). While it also has a cluster of individual fronds, each composed of a central rachis with pairs of leaves on either side, deer fern is smaller than western sword fern. A closer look shows that the leaves of deer fern are attached to the rachis by their entire bottom edge (sessile), rather than by a petiole:
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Also, deer ferns have specially adapted “fertile” leaves that look different from the rest; western sword ferns lack these. These consist of a dark, tall rachis that has thinner, more widely spaced leaves; these lift the sori higher above the rest of the plant so that the wind can more easily blow away the spores. Their resemblance to deer antlers gives this fern its name:
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A good quick guide that may help with distinguishing western sword fern from others in its range is Pacific Fern Finder by Glenn Keator. While it isn’t absolutely complete, it covers the more common species and is a dichotomous key that helps you narrow down your options by looking at various physical characteristics of the fern you’re trying to identify.
Anything else worth mentioning? Western sword ferns are not among the few species whose fiddleheads (young, curled-up fronds) are safe to eat. Reportedly the rhizomes have historically been used as a last-resort food source by some indigenous people. However, concerns about carcinogens mean this plant should not be considered a regular edible.
10000 Things of the PNW has a more detailed write-up of this species here.
Further reading:
Native Plants PNW: Western Sword Fern
OSU Extension’s Tourism Blog: Western Sword Fern
CalScape: Sword Fern
10000 Things of the Northwest: Polystichum imbricans (as a comparison to P. munitum)
Did you enjoy this post? Consider taking one of my online foraging and natural history classes, checking out my other articles, or picking up a paperback or ebook I’ve written! You can even buy me a coffee here!
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gamerbearmira · 1 year
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Porcelain skin
As the day wore on the hardened skin only spread further. they wouldn't be able to hide it much longer.
Mirabel didn't know what scared her more, what was happening won't stop or telling abulia. 
After another it was lunch and they were both getting hungry. 
Stopping Mirabel brought out the lunches she'd packed for both of them. Antonio finished eating quickly and started playing with his new animal friends that had come to join them. This made her happy it was a good distraction for him.
  For the next few minutes Mirabel just sat there eating watch Antonio run around till he fell
Antonio was able to catch himself, for the most part all except for his knee that slammed into the ground.
Mirabel shot up rushing over with some of her mama's food in hand.
Dropping down next to him Mirabel rapidly start asking questions Antonio are you ok, does it hurt, what happened 
The next words that Antonio spoke made her stomach drop
"Mira Mirabel i can't move my leg!" Fear was evident in his voice flipping antonio over and taking a look revealed that his knee was completely fine the reason why was obvious and much worse
The hard glass-like skin had grown to completely cover the joint making the leg unmoveable. 
Inside Mirabel was terrified but she didn't let it show that would only make Antonio more scared. 
With her support She got him on his feet problem was that with only one leg Antonio was forced to jump around well holding on to her kind like how people with crunch moved well at least that's what she'd read no one ever need crutches in the encanto
Lucky for theme a solution quickly protected itself parce Antonio new jaguar friend crochet down indicating for Antonio to get on his back 
Lifting Antonio up Mirabel succeed in getting him on parce back
Packing up there lunch Mirabel could only think of what she was going to do
quickly coming a decision she desired to tell abulala what was happening after dinner tonight 
If it was just herself she could handle what was going on but she wouldn't risk Antonio.
no matter what happened to her she would make sure Antonio was safe. 
Hi there couple of things first I'm back from vacation seconds I thought I would send in something I have been working on hope you like it 
Also if you have any tips to improve my writing and lengthen my chapter that would be greatly appreciated
Sorry one more thing that picture you made gave my an idea may I use it don't worry I will give you credit also I may not use it just thought I'd ask I didn't want to steal your work
-----
Ok one. AMAZING❗❗ Love it so far. As for tips ummmm, I would say? Maybe add some more dialogue, or even descriptions when you don't want talking. AND AND. Something I do a lot: explore characters point of views. You know, write it from their eyes, that's what I do; it explores what they're thinking and it helps add more length <33
ALSO I AM SO SORY FOR NOT SEEING THIS SOONER. I don't get notified of submissions, and I often answer asks from my notifications board, so I often don't see things like this u til I actually go to the inbox itself. Sorry <333
And yes❗❗ You can use my art, I don't mind as long as you credit me. Even if you don't end up using, I don't mind.
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itsmarjudgelove · 2 years
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A Sue-Naminohira Katana
Signed Sashū ju Munetoshi saku and dated Tenbun 10 (1541)
Nagasa [length]: 70 cm
Sori [curvature]: 2.5 cm
Motohaba [bottom width]: 3.4 cm
Sakihaba [top width]: 2 cm
Motokasane [bottom thickness]: 6.5 mm
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Sugata [configuration]: Shinogi-zukuri, iori-mune, deep sori, elongated chu-kissaki (4.2 cm)
Kitae [forging pattern]: ko-mokume hada which tends to masame.
Hamon [tempering pattern]: Suguha which tends to ko-midare with a wide habuchi. Ashi, yo, sunagashi.
Boshi [point tempering pattern]: Kaen.
Nakago [tang]: Kurijiri, three mekugi-ana
Horimono [carving]: bo-hi with tsure-hi on both sides
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Koshirae [montatura]: The sword is accompanied by a good antique koshirae with high level fittings.
Munetoshi is an exponent of the Sue-Naminohira school, a group of sword-makers of the Yamato tradition from Satsuma province. The Naminohira school was founded by Masakuni, a Yamato native, in the Nanbokucho period. During the Muromachi period, swordsmiths of this school began to blend with traits from the Yamashiro and Bizen traditions; we normally refer to these swordsmen as Sue-Naminohira.
The blade is massive, rather long and with deep sori. The jigane is clearly visible, with activities that are not frequently found in sworsmiths from this school.
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asheepinhellsclothing · 10 months
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Plap plap plap. :) -Zira
@prince-of-pleasures
Send "Plap Plap Plap" for my muse's reaction to yours telling them to get pregnant during sex.
Soris tensed under the incubus, his thighs trembling as his hands twisted in the silk sheets below him.
"...Zira...!" He whined as they growled in his ear, his hole tightening around their length. The last hour at least had been spent meticulously pulling Soris apart, bit by bit, until every nerve felt frayed and every movement made him sink further and further into desperation.
They ground into him, slow and torturous, Soris' own cock aching and leaking onto the sheets. His hole was stretched tight around Zira's thick cock, and Soris knew they weren't anywhere near their full size yet. He wanted badly to move, to touch himself, something but Zira had a firm hand on the small of his back, forcing him to arch and holding his wrists there. He was helpless, he felt like he would go insane, and then they started talking about breeding him.
It wasn't possible, at least, he didn't think so, but the words were enough to force a sob from his throat. "Please....!" He groaned, muffled against the mattress. "Please! Breed me! Need it!"
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kultofathena · 8 months
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BattleBlades – Sengoku Bushō Shinken
The Sengoku Bushō Shinken from BattleBlades got its inspiration from the immaculately detailed Tachi swords of earlier periods of Japanese history. This Shinken sword represents a weapon of high ranking samurai and therefore more impressive what it comes to fine adornment than more ordinary katana  It is made of well tempered and sharp 1095 high carbon steel and functions as a katana though it has a very deep sori curve to the blade in the tachi style. The blade is clay tempered in the traditional manner to possess a differentially-tempered blade with a hardened edge and a shock absorbing core and spine and this tempering is self evident on the blade as a vibrant wave-like hamon that has had its beauty brought into its full brilliance with a fine finishing polish of the blade.
The sword has a hilt with components crafted from well-cast antiqued brass and its wooden grip core is inlaid with panels of black lacquered rayskin which is overlaid with well-knotted tsuka ito cord. The wood scabbard is crafted from smoothly polished wood with a clear and glossy lacquered finish. The sageo is knotted from brown silk cord to match the sword grip and likewise features fine antiqued brass detailing to pair itself to its sword. Silk sword bag and a manufacturers production certificate of authenticity are included.
In the text below you can read more about the history of the Sengoku period and some more details about the BattleBlades Busho Shinken Sword
The Sengoku period was one of the most warfilled eras in feudal Japan, lasting for 136 long years. In this period of Japanese history there were high ranking samurai and officers called the Sengoku Bushō that also acted as bodyguards for the rulers as they needed constant protection from the assassins of opposing states. Quite often, the weapons the Sengoku Bushō carried were more decorative and expensive, in order to address their higher ranking status. For this reason we decided to decorate this sword with antique finished brass details; gorgeous embellished harnesses fitted on the saya and kashira as well as a flower patterned fuchi and koiguchi.
The Sengoku Bushō Shinken sword originally got its idea from the Tachi swords of earlier periods of Japanese history. We wanted to keep the effective Koshi Sori-like deep curvature of the blade most common to Tachi, along with some of its other elements as well, e.g. the harnesses on the scabbard and the Tachi style koshirae. This handforged 1095 steel hybrid though is to be carried like a katana, as well as drawn and fought with the style and techniques developed for katana in the Sengoku period.
This sword has the deepest Sori (curvature) yet of all of our swords ensuring maximum cutting power and efficiency with less force. The wide full length bo-hi (blood groove) continues all the way to the Yokote line, which separates the rest of the nagasa from our appealing trademark; the O-kissaki tip. The wide bo-hi lightens and stiffens the blade, providing effortless handling. Flaming, vivid and extremely visible; the sanbon-suki style hamon is unlike in other swords we have produced. In contrast to the imposing nagasa and gorgeous flaming hamon line, we added a simplified brass habaki.
Even though the tsuka has many distinctive characteristics from the Muromachi era Tachi sword, like the tsuba and kabuto gane style antique finished kashira, the tsuka shape itself is a bit more katana-like. Delicate Rikko (hourglass) shape along with Tsumami Maki wrapping guarantees a firm and secure grip when wielding the weapon. The length of the tsuka on the other hand is similar to a Tachi; meant for a more spaced out two hand grip. When gripping the sword with two hands, the customized antique finished brass menuki fit perfectly into the palm securing a firm grasp. The dark brown Ito is secured with customized flower patterned antique plated brass fuchi and kashira, both beautifully framing the black rayskin peeking from underneath the Ito. Regardless of the decorative elements on this sword, we can guarantee that the balance this Shinken Sword is right on the spot and set for heavy tameshigiri.
The Sengoku Bushō Shinken scabbard is truly a masterpiece; curved to the maximum, fully unique and unlike anything seen before. The impressive brass fittings on the sword being a cherry on top of the cake. Thanks to the perfectly fitted seppa plate/s and koiguchi, the sword truly snaps into and out of its saya, leaving absolutely zero gap between the parts. The high grade dark brown silk Sageo is secured on the saya with a buffalo horn kurigata. The black buffalo horn kurigata adds a nice contrast to the lacquered light brown hardwood saya. The natural knots in the hardwood give the sword a distinctive and luxurious look. The antique brass semegane and sayajiri (cap) at the end of the saya, characteristical to Tachi, bring the whole design together. 
​As always, this Shinken Sword is guaranteed BattleBlades quality and comes with an embroidered BattleBlades silk sword bag as well as a serial numbered certificate. 
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Soris could feel himself sinking deeper the longer Zira was inside of him. He returned their kisses eagerly, desperate now for the high he knew it would bring. It was hard, given how deeply they filled him, but he arched back as much as he could to meet their lips, tongue lapping at the heat of their mouth.
He groaned, almost pained, as they began to move, his cock quickly filling out again in their grasp. He was leaking steadily again, coating their fist, making it easy for their claw to slip inside the cleft at his tip. The extra stimulation had him tightening around their length, though with his hole so thoroughly stretched it was a meager offering.
It had been a long time since anyone had made Soris feel so charged, and the last had been his Master. And even He had not managed it so quickly, Soris almost dizzy with need, his hips twitching as he tried to rock with their thrusts.
@asheepinhellsclothing
Zira chuckled and broke the kiss. A line of saliva traveled between them, broken only when they licked their lips and gazed at their guest through heavily lidded eyes, pupils lust-blown and burning with desire.
"I see why your master favors you," they smiled softly. "You take me surprisingly well.
Their thrusts become quicker, harsher, and they let out a groan, teeth bared only centimeters from Soris' face.
"You're tight," they breathe. "So tight... It's taking everything I have to hold back."
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airborn-potato · 1 year
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Golden Eye's
Chapter 2
Seven could only stare at the creature in wide eyed fascination as they let the creature hold their hand. It couldn't talk but it could write, it could communicate. A sense of excitement coursed through Seven as they spoke again
"I'm Seven, who are you?"
The creature responded with a head tilt and a slow shake of its head. It could communicate, it could understand, but it had no name. This made Seven sad. Their name may have only been a number in their numerical code in the system, but they had still chosen it for themselves.
Seven opened their mouths to speak again but was met by a sharp pain in their throat and a long harsh cough. Seven jerked their hand back to pound on their chest, doubling over . After about a minute the cough had reduced itself to shakey shudders as they sat back up in their cage. They looked back at the creature while trying to will back the tear threatening to spill. It had pressed itself against the cage and was trying to extend its arm through the bars to grab their hand. Seven obliged and extended their hand to meet the creatures.
::R yu ok::
The finger was shakey and the fingers holding theirs in place were trembling. Unable to speak, Seven gently gripped the wing and began to write on the scaled skin.
::Im ok Im sory::
The creature stared at its hand for a moment and wrote back to Seven.
::S o r y ?::
The curve of the question mark dragged the skin across Sevens palm creating a tickling sensation, drawing out a small smile and ripple of feathers.
::I scared u::
The creature didn't move as it processed what Seven had told it. Just as its hand moved to write a response a loud beep echoed through the room. Seven and the creature both flinched and pushed themselves against the far back of their cages as the doctor walked in.
A lithe male stepped into the room with two Lupi in tow. He wore a fitted lab coat and light blue scrubs. His black dress shoes lightly tapped the floor as he gracefully navigated the room and came to a stop in front of the cages. Kneeling down he peered into the cage with murky gray eyes, a sinister smile adorning his dark olive face. Shoulder length salt and pepper hair tied back showing off the part of his serpent tattoo that decorated his neck and back. A black lanyard hung from his neck with only a card on it. A photograph of him and his full name, Alder Jinn.
Rising once again, he stepped back, allowing the red Lupus to access the creature's cage. Using its key, the Lupus opened the cage and reached in to grab it, earning a low growl in return. Ignoring the threat, the hand passed through the bars and was met with sharp pain. The creature had bitten the Lupus hand and shaking it like a rag doll, while the Lupus howled in pain. The creature tore through the flesh and would have broken the bone if the second Lupus hadn't lifted its cage. Holding the cage high above its head, the Lupus turned and threw it against the floor as hard as it could. Seven let out a piercing shriek as the cage plummeted and hit the floor, leaving the creature unmoving.
Seven was numb for a moment, the Lupus hurt it, the first person they'd spoken too in weeks. They moved closer to the bars and let out a low growl. The Lupus let out a growl of its own, the tension in the air rising as the three stared each other down. Unfortunately before Seven could act upon their threat a sharp prick on their wing. Pulling their wings close they turned and faced the source, the doctor holding some kind of white gun.
Seven didn't get much further than that as the drug began to kick in. Their limbs became weights as their eyes began to shut. Falling face first in the cage, the last thing they remember is the creature's unconscious form. The unmoving golden creature that had somehow become Seven's only company. Though flickered through their mind some were apologies, others were telling them to fight the darkness clouding the edges of their vision. But the drug did its job, making Seven too lethargic to hold onto those thoughts and they slipped into unconsciousness.
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insanostyle1231 · 2 years
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writing down that isaac idea i had bc im cringe
the rest of the post will be worded in like a rambling fashion with some "woobify" speech so if reading cringespeak isnt to your taste then sory :(
for like a physical description i would say hes very tall, a bit taller than arthur himself, and has somewhat shaggy stringy hair of similar length to default arthur with some short stubble. hes got hazel eyes instead of arthur's bright blue and has slightly softer features i.e he has his mothers nose and generally looks a bit younger since hes 26, and hes got some acne as well
in terms of physical ability hes very fit and strong (a la arthur) but hes also slightly clumsy, very good at recovering though. he is also ~wiggly ~, as in can get through most crevices and is very agile which most enemies dont really expect from a guy that looks like that. that wiggliness also makes him a grade-a escape artist in most/ a lot of situations (may or may not be related to how he survived)
hes also never killed anyone ever, hes just a petty thief, hes got guns on his belt sure but thats only for the cougars and wolves and whatever else is around. very averse to killing people
personality wise he is So Silly. hes a real joy with a sweet smile, perhaps hes emotionally a little stunted but hes a good sport with a heart of gold. hes decently smart but that doesnt stop him from being a little naive, hes also grossly overconfident (endearing)
his mount would be a big female clydesdale named "buddy" that he stole off of a celtic immigrant, the horse wasnt quick to liking him either but its working out. (clydesdales are one of the biggest horses in the celtic regions and they look bomb as fuck) (also a little reference to arthur having some welsh in him) buddy's got a light-tan/creamy coat with white accents and darker tan spotting over some areas of the body. she also has chronic sniffles and sneezes (this is just a reference to my cat. whom has chronic sniffles and sneezes all over the place) (i dont even know if horses can have the chronic sniffles but they can now)
i want to keep his childhood more ambiguous, like theres implications and stuff and things that are pretty basic, like him knowing his father was an outlaw and could never stay over for too long
but he doesnt know arthur's nor eliza's last names and he only introduces himself as isaac until maybe jack gets to the bottom of things
(i say doesnt know elizas last name because we dont either., and i would perhaps wanna mention the eliza bloom missing poster in edmund lowrey jr.'s basement and while it probably isnt the eliza arthur had isaac with, bloom IS a pretty awesome last name you gotta admit)
i think it would be cool if isaac had a somewhat brotherly relationship with jack since theyre technically cousins
i will draw him i swear. i swear i will and i will make him awesome
edit: i forgot to mention the ends od his hair in the back are pointed to the side bc i think it looked awesome and he'd have had long hair beforehand that was draped over the shoulders
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mus-brunneis · 2 years
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[groom] for Soris (ASheepInHellsClothing)
@asheepinhellsclothing
[ groom ]  your muse adjusting mine’s appearance , such as straightening a tie , fixing their hair , or buttoning their shirt for them , etc . 
"I swear, it always seems to have a will of its own..." Ace muttered, not at all confident that this could still be saved.
You'd think that of the two of them, Soris would be the one struggling the most with their hair. Or should it be called wool, in his case? Regardless, it was a lot more curly and fluffy than her straight hair. And yet, it was hers that seemed unmanageable today.
It was likely a result of her cutting it short on her own without aid, that her locks of variable lengths jumped up in seemingly random directions and would not remain straightened down, no matter how many times one combed them in place.
While Soris would make his attempts at taming the monster that was on her head, Ace began working on fixing her bowtie, without being able to see herself in a mirror or other reflective surface. Needless to say, she was as good at tying her bowtie as she was at cutting her own hair. That is to say, it looked just as haphazardly done. Soris would have his work cut out for him, getting her prepped and ready for the upcoming formal event.
"If all else fails I suppose I could wear a hat?"
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bumblerhizal-art · 5 months
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Writing Patterns
Rules: list the first line of your last 10 (posted) fics and see if there's a pattern!
Thanks for tagging me @shivunin ! Tagging back anyone who sees this and wants to participate but most especially You, dear reader
The Laws of Etiquette: Hand Kisses and Light Fingers (BG3/DND, PC & PC gift fic) Ellyrian and Guida sat in the lavishly decorated parlor room of the Eelsmouth estate. =
Duncan's Newest Recruits (Dragon Age) Seren took her first step off the dock on the far side of Lake Calenhad. =
The Matrimonial Joy of Paperwork (Dragon Age, Novhen x Zevran) It was another late start. =
Stone That Walks the Earth: A Priestess of the Grave (DND) In a small village tucked away in fortress walls carved into the mountains of the Spine of the World, one Mohsgruna Ironcap was born. =
Rites of Passage (Dragon Age) "Novhen! Wake up!" =
To Aid and Abet (Dragon Age) Soris followed his troublemaking cousins, Novhen and Shianni, through the winding streets of Denerim's human districts. =
Growing On Scorched Ground (Dragon Age) The all-consuming smell of smoke crawled into Soris’s nose. =
First Fang (Dragon Age, background Novhen x Morrigan) The baby was crying again. =
Diminishing Returns (Legend of Zelda) Gorman collapsed in Hyrule Field under the cruel summer sun. =
Blood Lotus (Dragon Age, Surana x Zevran) In front of Seren Surana blossomed a patch of impossibly deep red and violet flowers standing ethereally on the shallow shores of Lake Calenhad.
My observations:
I don't tend to often start a fic with dialogue. The one example where I do here is Rites of Passage (a City Elf Origins rewrite), and that's just because I wanted to keep it beginning with Shianni forcing Novhen awake before he was ready. It's a solid establishment of their relationship
Most of these begin with an attempt to set the scene by engaging the senses, whether it be through the smell of smoke or as many visual cues as I can cram in without rambling on too much
There's a good variety of first sentence lengths, but the data seems to lean more towards longer sentences. Probably to cram more descriptions in
Shivunin is right. It's hard to dissect your own writing like this 😅
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pawbeanies · 6 months
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PAW PUPPYYYYYY seein as every1 is talkin about your hairrrr its made me wabna play with your hair sooo so baaaaddd!!!! all hair lengths are good hair playing lengths >:3 !!!! i bet its sooo niceys and fun to play with i wanna make lil braids in it an put flowers innnn!! lil kitty an puppy playin hair salonn~~~~~
~🌾🌼
KITTYYYYY HIII hellooo... tail wagging get OVER here n we can !!! i have been told my hair is very nice to touch and play with so i hope you would enjoy... tail wagging tail wagging
but also like. i get really comfy and fall asleep easily if people play with my hair fjsjf ...i would just fall asleep so much if you played with it i am sory...
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narutoshopofficial · 7 months
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Katana Samurai sword
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The katana is a traditional Japanese sword characterized by its distinctive curved, slender blade and long grip designed for two-handed use. Renowned for its exceptional sharpness, durability, and elegant design, the katana holds a significant cultural and historical significance in Japan and beyond.
History and Evolution
The katana's roots can be traced back to the feudal era of Japan, where it emerged as the primary weapon of the samurai, the warrior class that served the feudal lords, known as daimyo, during the medieval period. Initially developed during the Muromachi period (1336–1573), the katana evolved from its predecessor, the tachi, which was worn edge-downward and primarily used for cavalry combat. Unlike the tachi, the katana was worn edge-upward, allowing for quick and decisive draws in close-quarters combat.
Design and Construction
The hallmark of the katana is its curved, single-edged blade, which is typically around 60–80 centimeters (24–31 inches) in length. This curvature, known as "sori," enhances the cutting efficiency of the blade by concentrating force upon impact and reducing resistance during the slashing motion. The blade is forged from a specialized steel known as tamahagane, which is created through a laborious process involving smelting iron sand in a tatara furnace. The resulting steel is then repeatedly folded, hammered, and quenched to achieve the desired balance of hardness and flexibility.
The katana's hilt, or "tsuka," is typically wrapped in a material called "tsukamaki," traditionally made from silk or cotton cords, which not only provides a secure grip but also enhances the sword's aesthetic appeal. The guard, or "tsuba," serves to protect the wielder's hand during combat and is often intricately decorated with symbolic motifs or clan insignias.
Cultural Significance
Beyond its practical utility as a weapon, the katana holds deep cultural significance in Japanese society. For centuries, it has been revered as a symbol of honor, loyalty, and martial prowess, embodying the principles of Bushido, the samurai code of conduct. Samurai warriors considered their swords to be extensions of their souls, and the forging and maintenance of a katana were regarded as sacred rituals imbued with spiritual significance.
Legacy and Influence
Despite the decline of the samurai class and the modernization of Japan, the katana's legacy endures to this day. It continues to captivate enthusiasts, martial artists, and historians worldwide, inspiring countless works of art, literature, and cinema. The katana's iconic silhouette and timeless design have also influenced the development of contemporary swords and blades, with many modern artisans and swordsmiths seeking to replicate its form and function.
In conclusion, the katana stands as a testament to the ingenuity, craftsmanship, and martial tradition of Japan. Its enduring legacy serves as a reminder of the rich cultural heritage and warrior ethos that shaped the history of the Land of the Rising Sun. Whether admired for its exquisite beauty or respected for its deadly efficacy, the katana remains an enduring symbol of Japanese martial prowess and honor.
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fademirrored · 1 year
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beta: Hero of Ferelden
“Every time ya say energetic, it sounds like ya mean exhausting. D'ya know that?”
Darrick “Dare” Tabris Warden-Commander. Arl of Amaranthine. Hero of Ferelden. City elf.
Male. He/Him/His. Pansexual, polyamorous. 7 Drakonis, 9:11 Dragon. Denerim, Ferelden. Rogue; duel wield. Ranger, duelist, shadow.
FC: Luke Pasqualino, circa The Musketeers (minus the facial hair) Eyes: Very bright green, large. Hair: Very dark brown, nearly black. Always long, usually unevenly trimmed but elaborately styled. Skin: Bronze-ish tan. Freckles in the summer. Lot of callouses. Height: 5'2" Build: Lean, efficiently muscled; glass canon. Flexible. Leggy and wiry. Notable Details: Numerous small nicks on hands and fingers. Various small, inconsequential scars. Broad, jagged scar wrapping around his left forearm. Post-Origins, burns along his palms and up his forearms. Post-Awakening, missing half of his right ear. Voice: Wheatley from Portal 2.
Positive Traits: Very personable. Clever, witty, curious, opinionated, and quick to learn. Independent; basically immune to the Bystander Effect. Good at putting his thoughts into words. Playful and upbeat, good at reading the room and reacting accordingly. Incredibly loyal, once his loyalty has been earned. Negative Traits: Slightly manipulative, even if he means well. Reluctant to admit when he’s wrong; incredibly stubborn. Incredibly nosy; if you think you’re having a private conversation and Dare is around, no you are not. Low on impulse control, and often has difficulty focusing. Impatient. Judgmental and good at poking sensitive areas. Loyalty, while strong, is incredibly difficult to earn; holds much of the world at a friendly arm’s length. Limited regard for people who haven’t been invited into his inner circle; if left unchecked, ‘me and mine’ takes precedence over ‘the good of the many.’ Neutral Traits: Energetic, sarcastic, talkative, extroverted. Dislikes silence or being on his own. Very casual about sex and physical contact, be it intimate or platonic. Optimist vs. Pessimist: Pessimist, but cheerfully so. Quirks: Never sits like a normal person. Not always great at explaining when his thought process rabbit-holes. Spends chunks of the Blight being taught how to read by Wynne, Alistair, and Leliana.
Religion: Agnostic. Believes something is out there, but it’s probably laughing at them all. Likes: Dogs. Horses. Stories, hearing them or telling them. Expensive trinkets. Getting the opportunity to show someone up. Doting on people. People in general, in a ‘that’s so quaint’ way. Pork, especially ham. Well-prepared rabbit. Apples and apple-related sweets. Biscuits. Chocolate. Not a picky eater, but very fond of decadent foods. Dislikes: Feeling stupid; being patronized or condescended to. Nobility in general, human nobility in particular. Being bossed around or told what to do. People assuming they know him and/or trying to get something from him. Favorite Colors: Lime green. Lemon yellow. Raspberry red/pink. Hobbies: Card games. Whittling. Storytelling and story collecting. Dog training. Being a Nosy Nancy. Recreational lock-picking.
Family: Adaia (mother, deceased). Cyrion (father). Shianni, Soris (cousins). Dog: Clegane. Other Critters: Fang; semi-social wolf. Belle; horse, acquired post-Awakening. Romance: Zevran. Friends: Alistair. Leliana. Morrigan. Anders. Oghren, but more so during Awakening. Nathaniel, but friendship was very slow to grow; cautious of nobility. Note: Didn’t especially fail to get along with any of the other companions and was happy to spend time with them (especially fond of getting Velanna to tell him stories), but didn’t quite consider them friends in exactly the same way as those listed above. *everything in this sectioncan of course be tweaked or disregarded entirely for specific threads, if you’d rather.
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