Steve had died in that interrogation room under Starcourt and now, he was stuck haunting Robin Buckley who might as well be his shortest heartbreak and long-lost twin.
The problem was she couldn't see or touch him.
No, she could hear him just fine, but physical contact was just impossible.
Steve, however, didn't care much so long as he had someone there to listen to his daily monologues. It was fun.
They bickered most of the time and while Robin always seemed sad that she couldn't hug him whenever he told her about his parents or how lonely he used to be before her, Steve was just happy with what he got.
Because even in death, he wasn't alone, and that was enough of a gift to him.
Then, the day his funeral was held, Steve was thankful that he had convinced Robin to attend considering it was how he reunited with the kids.
They all saw him.
A thing that Steve would never take for granted.
Robin didn't know what to do when they flocked around her and bombarded her with question after question, demanding to know why she was the one who got the privilege of being haunted by Steve.
"A privilege?" Robin burst into a laugh, giving them a ridiculous look.
"Of course, to think you've been haunted and actually having real conversations with a ghost every day is a revolutionary step into the spiritual science field," Dustin narrowed his eyes. "And I am very disappointed in you, Ms. Robin Buckley, for not telling me right away!"
"Just say you're jealous that Steve doesn't haunt you." Max rolled her eyes.
"You say it as if you're not jealous yourself!" Mike scowled at her.
"No, I'm not, you delusional nerd!" Max scowled back.
"Hey!"
"C'mon guys, don't fight," Lucas frowned and sighed in exasperation.
Noticing the odd looks from other people at the cemetery, Robin herded the kids into Steve's car that he had given her as a keepsake.
Once they were safely away from prying eyes, Robin clapped her hands to gather everyone's attention.
"Children!" She then continued under their curious gazes. "Steve-o here said he really appreciates that you munchkins care so much about him. But sadly, he can't leave my side. Like literally can't so if any of you want to see him, you can always seek me out whenever you see fit."
"Why are you saying all of this?" Mike squinted at her.
"Because Steve can't talk to us, obviously." Dustin responded haughtily, earning an eye roll from the other boy.
"Bingo!" Robin did a fist bump with Dustin.
Then, she held up a finger at them. "And before you ask, I can't see him. Or touch him."
She watched the kids look at the passenger seat before nodding at her.
It must be Steve who confirmed the truth, she thought.
As they went back to discussing Steve's incorporeal state, Robin had a feeling that she had unknowingly adopted a gaggle of troublesome ducklings who were going to give her grey hair very very soon.
"C'mon Robbie, it's a Halloween party," Steve begged. "Let's go have some fun! Don't your heart ache to watch your bestest friend rotting in sorrow while eating pumpkins?"
"First of all, I've never ever met anyone who uses 'heart' and 'ache' like that," Robin blew at her freshly painted nails.
"Well, now I'm your first. Didn't people always say special always come late?"
"I don't even want to correct you on all of that," Robin huffed quietly at Steve's goofy chuckle. "And no, Dingus, you don't eat pumpkins. Or if you do, I don't care."
"Please, Robbie, I just wanna have fun," Steve sighed dolefully. "It's been a long time ago since I went to a party." He sighed again and even sniffled a little.
When Robin groaned, a big grin stretched on his lips.
"Just this time." She narrowed her eyes at him, or precisely speaking, at the spot where she assumed he was sitting.
Sometimes, when she made a wrong guess, Steve would just move over to where her gaze stopped and continue talking her ears off.
"I promise you're gonna have so much fun, Robbie." Steve ruffled her hair even if his hand always passed right through her. It was still one of his hard-to-get-rid-of habits anyway.
By the time they arrived, the party was already full-blown and swarmed with people.
As Robin struggled her way through the crowd, Steve just walked beside her with barely any difficulties.
He bet she would curse him so much if she saw how comfortable he looked right now.
But then, his little moment of joy was cut short when he bumped into someone whose lips literally knocked against his.
As cliché as it might sound, he certainly felt the electricity running through his body from that single accidental kiss.
And belatedly, a realization dawned on him.
He had bumped right into someone.
He, a ghost, had bodily collided with a living human.
Shocked, Steve stepped back and was at a loss for what to do next.
Then, a shaky voice shook him out of his trance.
"Harrington?"
Staring into those scared Bambi's eyes, Steve clenched his jaw and forced himself to not panic.
"Munson."
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An art student's ramble about Lobo from Puss In Boots
As y'all know I'm a visual artist so ofc I'm aware that a HUGE part of creating visual content is intentional. Like, chances are if you see something being made a certain way, there was thought behind it. There are references being made and/or this was done with a specific intent in mind.
So ofc the moment I saw THIS
I was like.... why?
Why why why?? Why the pose? Why is it so symmetric? Why the balance in all the scenes and his figure and design WHY??
(rambles about visuals, possibly grotesque imagery and talks about death, various gods, and tons of pictures BEWARE)
Then I realized HOW MANY REFERENCES to other Gods/omens of death The Wolf has??? Like:
Death. Straight up.
(I don't think I need to explain myself for this one...)
Kinda cool how they decided to include a more "scythe-looking weapon" at the end, only when Lobo decides to get serious. Kinda like he's becoming more "Grim Reaper-y" when he stops playing around. More on DW's choice of weapons for our edgy furry friend later honhonhon.
Big Bad Wolf
The universal, historical omen of death. Present in many stories like Little Red Riding Hood and The Three Little Pigs to name a few. Always the ultimate symbol of evil (fun fact: Most old bedtime stories we know today are passed from generation to generation; by the time these were created and put to use, it's most likely they were either made to warn children not to wander off into the woods for fear of being eaten predators, or for the risk of running into criminals shunned out of society and who normally retreated into the forests since they had no other place to live and couldn't leave the fiefs.)
Wolves are also predators that chase their preys, and exhaust them before going in for the kill. Much how like he does during the movie.
Also, it's possible Lobo isn't even the true form of Death in this universe. It may very well be the form he adapted to scare off Puss in particular; because canine v.s. kitties amirite?
(this could also be a huge stretch but the dark patch of fur on his face reminds some people of a bird, which could be interpreted as a crow. i personally think it's just a design element to attract more attention to the face/make his eyes stand out more but i included it cuz why not).
El Silbón/El Silbador
"El Silbón" (The Whistler; also known as "El Silbador" in Colombia) is a legend from Venezuelan origin of a young man condemned to carry the bones of his father, whom he himself killed.
It is said if his whistle is to be heard, the more far away it is, the closer you are to your death.
Could also explain why the hell the Wolf is Latino LMAO. (Hearing him talk full sentences in Spanish scared me to Death haha get it? d-death)
Charon's Obol
The bribe for Charon, the ferryman who carried the soul through the river that divides life and death.
Osiris
This was one of the things I found interesting the most lmao. Like, I knew that pose reminded me of something...
I've read many people attribute this to Anubis, but from my research, it's actually not. This pose was used in sarcophagus by Pharaohs to resemble the God of the Underworld and Judge of the Dead, Osiris. What Osiris holds to his chest are a crook and flail.
Wikipedia offers the following explanation:
Traditionally crossed over the chest when held, they probably represented the ruler as a shepherd whose beneficence is formidably tempered with might.
In the interpretation of Toby Wilkinson, the flail used to goad livestock, was a symbol of the ruler's coercive power: as shepherd of his flock, the ruler encouraged his subjects as well as restrained them.
AND NOW WHAT I ACTUALLY WANTED TO TALK ABOUT!!!
Lobo's Symmetry
Okay this is a purely personal take, but am I the only one who found it incredibly interesting how balanced and symmetric his design is?
A rule of thumb when designing interesting-looking characters is to say fuck you to symmetry and balance. It usually works for a much more exciting silhouette and generates more visual interest. However, in Wolf's case, they made a ton of effort to make him look extremely symmetric.
His face doesn't have any distinct marks that separate one side from the other.
His cloak is a triangular shape that converges somewhat in the middle (the only element that breaks the overall perfect sillhouette).
And they went out of their way to divide the Grim Reaper's signature scythe into two: Which he usually holds to his sides, almost at the same height. Like, why would they? Why bother to do all that?
WELL WHY DON'T WE ASK OUR KINGS OF SIMMETRY THEMSELVES, HUH?
T h e E g y p t i a n s (insert papyrus font here)
Symmetry is usually seen as the ultimate form of perfection. It is unachievable by most human standards, so it is notably known for causing feelings of detachment to a figure, even if it is recognizably human.
If you had a person who was entirely, perfectly symmetrical on both sides of their face, changes are, the uncanny valley effect would be triggered. Try grabbing a picture of a person's face, flip one of its sides and connect it with the other....... Looks weird, right?
The uncanny valley effect is normally used to depict images of deities and the like, because it usually instills the most literal form of 'fear of God'. Something that is so perfect that, by its presence alone, it makes you feel awkward.
The same principle is used by architects in churches even today: The more other-wordly, detached but still recognizably human you get, the more a person is made to feel powerless and awkward. Thusly, easier to control.
In summary, Wolf's design is made to look as symmetric and balanced as possible because he's supposed to feel other-worldly, even before we find out who he is. He's supposed to resemble something unachievable by human standards because he's not human. He's supposed to look out of place because he's Death. Straight up.
Every aspect of Lobo's design is sooo carefully thought out I just LOVE IT. Like have you noticed how his eyes stop giving off light during the scene we find out he's actually DEATH???
I JUST-- I LOVE THE WORK DREAMWORKS PUT IN THIS CHARACTER. I LOVE HOW HE'S JUST SIX MINUTES INTO A 1 HOUR 40 MINUTES MOVIE AND HE SOMEHOW STILL STOLE THE SHOW. I LOVE HOW YOU SPEND EVERY MINUTE GLUED TO THE SCREEN, ABSOLUTELY TERRIFIED OF WHEN YOU'LL HEAR THAT STUPID WHISTLE NEXT.
Edit: I don't understand why, but Tumblr is fucking with the formatting and I've been trying to fix it, but I can't. It's genuinely upsetting me lmao but yeah. I promise it looks better when it's in my drafts but the moment I save it, it justttttt does whatever it wants. I'm so sorry!
Edit: I THINK I FIXED IT GUYS say THANK YOU to fumbling with HTML, fucking everything right up to the point where the post itself doesn't know what to do and gives up with my ass like "OKAY OKAY I'LL FIX THIS MYSELF GOD"
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