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[psi-hate]

[alteredbeast]

i dont check my dms very often. you can tag me on gfm posts and i will reblog them. askbox is closed bc i cant keep up with messages. sorry!!!

hi im jon welcome to my rotten stinky little page. enjoy your stay

he/they pronouns (tme transmasc nonbinary)

20 years on this planet

white/filipino

this is just kinda whatever ^_^ i post art wips on here sometimes and more finished stuff on @amydrium (art tag is just #my art)

some of my interests include: 3d modeling, art (oil painting, digital, fibers... a lot), games (my major!), tech, and horror. my big Thing right now is elden ring and dragon age

mutuals/followers can ask for discord or just message me! i am always open to talking to people

i won't give you a long list of a DNI, but i don't want bigots of any kind interacting. i block liberally but in particular, if you make being pro-ED/ana, a "proshipper," a "transandrophobia/misandry truther", or zionism a big part of your blog... take your business elsewhere i am not interested lol.

blog is 16+. im a big horror guy so sometimes i reblog gore/blood/nudity what have you (tagged of course)

[eyepatchdate]

Three short stories were posted on the official Swansong website, providing more information on its main characters. Originally posted on 6/20/2022 at “news.vampire-swansong.com”, this was the entry that feature Galeb, his origin story and his sire, Tavernier.

***

“Justice. You must understand, Galeb, that there’s no better motivation for our kind than the righting of wrongs.” Tavernier’s elbows rested on the ship’s balustrade, his chin perched on his interlaced fingers as he looked not as his progeny, but at the restless sea, and tried to make sense of where the darkness of the water gave way to the sky. The stars above were scant and the moon absent behind thick clouds, forcing Tavernier into the very human gesture of screwing up his eyes to see a little better. Of course, it did nothing. Light proved elusive beyond the lamps hanging and placed on the ship, their flames protected but still caught in the stiff wind.

“Whether it’s seeking vengeance for wrongs done to us, or making amends for sins we witnessed but did nothing about in our lives. Think of everything you’ve ever lost and what you could gain, in your mind and your heart, by preventing others from falling to the same ill fates.” Tavernier remained locked in position, finally certain he could spot the horizon, though it may have been a trick of the light.

“There was I, thinking the answer was blood.” Galeb leaned next to his sire, but unlike the elder vampire, Galeb’s back was to the sea and his gaze cast purely to Tavernier. He was examining the old creature’s form, from the blonde, bound hair on his head, resisting the breeze, to his arched nose, his tight shoulders, his narrow waist, his feet poised on the planks in their soft leather shoes. “You’re immovable, you know? Like a statue carved from…”

“Yes?” Tavernier’s mouth twitched a little, concealing a smile.

“… ah, I don’t have the words. I’ll opt for a pale wood.”

Tavernier let out a laugh and stood straight. “Wooden. Yes. You wouldn’t be the first to describe me that way. But I believe it’s more complimentary to be described as a rare gem, or carved from alabaster. You know?” He clapped Galeb on the shoulder and walked the deck with his childe, the two unaffected by the churning sea not far beneath them.

“Allow me to reserve for you the finer compliments, to be delivered at a time where you rightly deserve them. For a deed,” Galeb gestured with one hand out to the right, “or a misdeed,” his left hand reached out in the opposite direction, before he dropped both to his waist. “I’ve known you for a score of years, and you are still unknowable. You patronize, but you don’t direct. You advise, but I never gather you have any motives of your own…”

“And so this is why you ask again about motivation?” Jean-Baptiste Tavernier grinned at his undead offspring. “Well as I’ve told you many times, the righting of wrongs…”

“I am not some angel to go about delivering vengeance on behalf of the helpless, my friend. And nor have I seen you performing such heroic deeds, so clearly as motivations go,” Galeb spoke the words clearly, but found himself trailing off, “you must be lacking…” There were wrongs in need of righting, but he was too far removed from them to address them in any meaningful way.

Just over ten years prior, Galeb had first made Tavernier’s acquaintance, the two becoming associates and business partners. Galeb wasn’t blindsided by Tavernier’s eventual admission of undeath; he knew there was something mysterious and dangerous about the merchant explorer, but the vital parts he was missing were the ones regarding blood drinking and ungodly powers. The night-time existence was one he was more prepared to handle, having only encountered Jean-Baptiste Tavernier — in all their time together — in the hours after dusk. But when Tavernier, after five years of knowing him, offered him what he called “the gift of an eternity to explore, learn, and change the world,” Galeb wasn’t thinking about the curses that came with such an existence.

Galeb accepted the gift, but found it left him bitter and empty. Where immediately Tavernier tried to turn his childe toward growth and influence at best, or at worst, avenging slights against him, Galeb was unable to see unlife through either lens. He swiftly detached himself from humankind and living concerns, and closer to his sire, courting interest from other Kindred in the ports they visited, but ignoring the overtures of mortal politics and wealth. He was content to expand his mercantile empire and fill his pockets with the profits, but the day-to-day interested him far less than the night-to-night. And so, as they came to cross the sea on one of their many voyages together, Galeb had asked Tavernier again for motivation. And again, Tavernier directed him toward justice.

“Why is it that you repeatedly peddle this line?” Galeb’s buoyant demeanor had slipped, his expression blank, his words low. “What is it you want from me? I hear you frustratedly describe to others like us that I won’t be drawn on the matters of mortals, that you expected more of me upon my Embrace, and that my merely furnishing us both with fortune is insufficient. Do I disappoint you, sire?” He spat the last word.

“Do not call me that.” Tavernier held up his left hand, his right steadying his balance against the mast as the ship’s crew darted about, trying to control the vessel as it overcame a swell. For the first time in a long while, Tavernier looked unsteady on his feet, and he couldn’t meet his childe’s gaze. “You see me that way, but I see us as equals, as friends, peers, lovers. I’m not your commander. It’s not my place to be disappointed in you.” He lifted his face to study Galeb. “I am in awe of you. We’re told that a fledgling Kindred requires a mentor’s steady hand. In our clan, in particular, great importance is placed on lineage and the relationship between creator and creation. But here you are, Galeb, already prepared to step aside from the trivialities of the living and embrace the world of the dead. Your mind works differently to others. Sometimes you flourish, sometimes you lay as if you were a corpse, in need of affirmation before you can continue. And I believe I know what you need to become whole.”

Galeb forced a roll of his eyes and walked close to his sire, holding him tightly in his arms. “And you say what I need is justice. That if I were to adopt your view, I’d better understand my place in this world?”

Tavernier kissed Galeb on the lips and counted to ten before pulling away. “Set yourself a cause among the living, stand up for what is right among them, and yes, you’ll grip onto this world with firmness instead of just sailing on the tides from vampire court to vampire court. There must be an injustice you want answered. Now you have the power to address it!”

Galeb stroked Jean-Baptiste’s cheek before backing away. “There is. Of course there is.” He took Tavernier’s previous position at the balustrade, looking out to sea as the ship mounted a wave and crashed into the churn, sending sailors tumbling with shouts and nervous laughter. It was starting to rain. “But I maintain blood is the motivation, regardless of how you dress it in terms like ‘vengeance’ and ‘justice.’”

***

“Hektor, it’s been too long.” Galeb strode through the vampire’s antechamber and clasped the thick-set Brujah’s hand in a tight grip. Galeb had only arrived at Cyprus’s shore the night before, but whenever visiting a domain, it was his belief that early introductions made for better exchanges.

Hektor chuckled loudly as he pulled Galeb in close and patted him hard, three times, in the center of his back. “I received your message, though not long ago! As soon as I heard Galeb Bazory was sailing his way down the Mediterranean, and would be pulling into port on my island, well… I prepared for your arrival with what limited time I had! I’m frankly surprised you didn’t outpace the messenger!”

The two laughed and each took a mortal by the arm, placed in the hall by Hektor in the style of posed statues, ordered to not move until a Kindred came to claim them. Galeb’s prey had a dry trickle of urine down his leg, while Hektor’s struggled to move from having been held in place for so long. “I appreciate your grace in offering me a meal. I hadn’t wished to hunt in your domain, and Hunger stings after such a long voyage. I have to be very careful around my crew, Hektor.” Galeb’s fangs became visible in his mouth, thin and sharp. “They’re too well-trained and far too expensive to replace in every port just because I have an appetite.”

The two compatriots fed from their vessels, both man and woman stiffening and groaning, first in pleasure and then in distress, as the Prince of Cyprus and the visiting Galeb Bazory took their fill, and more besides. The air filled with the sound of the victims’ panting, hurried breaths, before Galeb dropped his mortal gently to the pillowed floor. Hektor however, didn’t relent. By the time he dropped the young woman, her chest had stopped rising and falling with breath.

The rotund Brujah wiped the gore from his mouth and dragged fingers through his knotted gray beard, forcing blood to spatter the tiles. “In my family, we consider it improper to leave a meal half-finished,” Hektor smiled through his thick facial hair, “but of course, you’re not of my family, are you, Galeb? Do you ever wonder how I know your preferences for feeding?”

Galeb stared at the fallen woman. Not the first dead body he’d witnessed, and unlikely to be the last. “No, I can’t say it’s ever troubled me. I doubt you’d be a Prince if you weren’t well-versed in knowing your guests ahead of their arrival.”

“Ah, well, on that matter you are correct. Praxis is a many-splendored thing, but does come with its share of demands… But you’re not here to engage me in political discussion, are you?” Hektor clapped his hands together loudly, drawing Galeb’s attention from the corpse on the floor. “Don’t worry about her. Someone will come to clean up the mess.”

The young Ventrue shook his head. Tavernier made clear to him early on in their new relationship that some Kindred valued life more cheaply than others. Galeb had long convinced himself he would see mortals as little more than feeding stock, but still; when presented with the unfeeling way with which Hektor fed from and dumped his bodies, and the rumors of the Brujah’s habit of tossing them off Cyprus’s cliffs, leaving families forever in the dark as to their relatives’ fates, Galeb clenches his teeth. There was a difference between vampires like he and Hektor, and it wasn’t — as Tavernier liked to say — due to lineage. This was a question of morality, and what brought Galeb to this island in the Mediterranean.

Galeb was in no mood to continue dwelling on the monstrosity of his host. “If my messenger arrived here, you’ll know my reasons for visiting, and that my stay will not be overlong. I promised high payment for good information. So tell me, Hektor: is the information good?” Galeb pulled a purse from his belt and threw it directly into Hektor’s cupped hands. The Brujah didn’t check the contents, but did squeeze the small pouch before giving a nod… which swiftly evolved into a shake of the head.

“Galeb, boy. You should blame that rogue, Jean-Baptiste Tavernier, for all this. You’ve sailed a long way and I’m sad to say I do not have the information you seek.” Hektor shrugged stiffly. “Only news you do not wish to hear.”

Galeb’s jaw once again clenched, and he ground his fangs together. He felt his hands balling into fists. Another very mortal gesture. Interesting how proximity to my mortal life makes me behave in mortal ways, he thought to himself before making an effort to temper his temper and ask for more information. “Please do not think me rude, Hektor, but get to the damn point. Fair or foul, I wanted to know the location of my mother and my brother in Constantinople. I doubt very much that you discovered nothing, so tell me what it is you know.”

Galeb had departed Constantinople as a youth, and not of his own volition. His mother, once named Jeannette de Bazory, served as an honored concubine in Sultan Ahmed III’s court in Constantinople. It was a good life for her, and a wondrous existence for the young Galeb, or Şehzade Süleyman, as his father named him. He enjoyed the luxuries of the court, the doting of dozens of beautiful, caring, intelligent women, and the love of a mother who adored him.

And then his father fell from power, and the young Galeb conspired, in foolish and naive ways, to have Ahmed restored. His mother, discovering this, and suspecting others might have done the same, sent her resisting son away from Constantinople before the Janissaries could capture him and murder him for treason. He’d not seen his family since, had never again set foot in Constantinople, and had resisted the urge to discover their fates.

But then came Jean-Baptiste Tavernier, with his talk of wrongs being righted, of justice being done, of vengeance for past ills. Again and again, Tavernier drummed into Galeb’s head that he would find purpose and satisfaction were he to revisit the past and see to it that injustices were answered. So, finally, Galeb agreed to sail for Constantinople and find his family.

“Answer me, Hektor. What became of them?” Galeb leaned forward, close enough to touch the bulbous vampire.

Hektor imitated an appearance of sadness. Galeb knew it was false as soon as he saw it on the Brujah’s face. Hektor had never looked anything other than angry or jubilant in the time he’d known him. Sorrow didn’t seem to appear in his register. “My poor boy… Ahh, Galeb. I’m sorry. I hate to be the bearer of such tidings, but I present you with the unfortunate truth that your mother was killed not long after you left the Holy City, and your brother was imprisoned. His fate is not confirmed, but it’s likely he expired in the cells and his body disposed of as that of a peasant or criminal. Always… tragic, when that happens to children.” Hektor offered his hands in condolence.

Galeb didn’t take them. He looked away from Hektor and out through an archway in the wall, where he could see the sea beneath the moonlight. “I… I cannot blame you for this, though I feel a rage stirring within me. They were not your responsibility, but mine, and I have been gone too long.”

Hektor laughed, much to Galeb’s annoyance. “And they say Ventrue are without emotion! Ah, Galeb. My boy. I truly am sorry you travelled all this way for such bad news. Still, you are welcome to remain here for as long as you desire it. I am always happy to host you, and your diamonds are always welcome in my court.” The implication was clear. You can stay, but you’ll be paying for it.

Galeb stood sharply, and once again clasped Hektor’s hand. “No, I will not be staying. Though my family may be dead, my journey remains incomplete. Tavernier says I need this to complete myself, or further my growth, or…” Galeb lifted his hand to his head and pressed his wrist to his temple. What was the point of this? How is this supposed to help me? What do you want from me, Jean-Baptiste? As Galeb contemplated, he felt that familiar roar inside his heart. That old voice, wanting to lash out.

Galeb locked eyes with Hektor.

“Can you see that ship out there in the bay, Hektor?” Galeb walked over to the archway, pointing into the distance.

The Prince moved to join him, sucking at some of the pieces of skin still wedged between his teeth. “Which one?”

Galeb didn’t answer. Instead, he moved back a step, and rammed his shoulder into the Brujah’s back, sending him tumbling through the archway and down the side of the building.

The drop wouldn’t kill the Prince. It wouldn’t even hurt him significantly, if rumors of his age were to be believed. But random and sudden acts of violence like this? Galeb found them to be very useful in curtailing the Beast. Even with his increasing distance from mortality, Galeb felt it better to unleash on a monster like Hektor than some undeserving mortal.

With vampires like Hektor, another purse filled with diamonds would be enough to make up for the poor manners.

***

Constantinople. Galeb recognized the streets, the sounds of a hundred accents, and when he forced himself to take a breath, he recognized the smells.

In particular, he recognized the odor of blood.

Currently, Galeb was covered in the tacky fluid, occasionally licking around his mouth or sucking some of it from his hands. He stared through a crimson mask at a Janissary he knew was named Ibrahim, the disarmed man cowering before the vampire. “Please understand, I’ve not lost control.” Galeb kicked the man’s sword far away, lodging the blade into the back of one of the Janissary’s fallen bodyguards. “This is exactly what I’m supposed to be doing.”

The Janissary nodded feverishly, his eyes wide, his one good hand held up in surrender.

“I’m not berserk. I’m not in a rage. I’m delivering justice in place of injustice. I find the entire concept ludicrous, honestly, but Jean-Baptiste says this is what I need to do, so…” Galeb thrust his dagger into the Janissary’s stomach and provoked a scream from the terrified man. “I’m not going to lie to you. You’ll die here. But how quickly you pass on to the next life comes down to your answers to my questions.”

The Janissary didn’t respond with anything intelligible, instead gurgling in pain.

Galeb wasn’t feeling sympathetic, squatting down and leaning over the man as he twisted the blade. “When I lived here, my name was Şehzade Süleyman. I was one of the Sultan’s many bastards. It’s possible you remember me.”

Galeb gritted his teeth. He wasn’t a sadist, but there was that growl again, deep inside him. All this blood spilled, and he hadn’t fallen to his hands and knees to lap it up yet. He needed to maintain control to get the answers he sought.

“Even if you don’t, these are the facts: you and your cohorts ousted my father and made him place his nephew on the throne. By rights, that throne should have been mine, but I care little for rulership over your kind. What I care for more, is the fate of my father, who I’ve found died incarcerated; my mother, who smuggled me from this place and was subsequently butchered by you, and your friends; and my brother, Mustafa. It’s his whereabouts I need to discover, to ensure wrongs are righted.” Galeb extracted the dagger, and as it left the Janissary’s body, a small fountain of blood followed, which swiftly formed a spreading puddle on and around the old man. “So tell me. Where did you put him?”

The Janissary’s eyes were shut, but they opened as Galeb struck him across the face. “Yes! Yes! Mustafa! He’s imprisoned in the Topkapı Palace! Please! Please have mercy…”

The vampire considered his next move. End this traitor’s life. Drink deep and leave him as a drained husk. Leave him in agonizing pain… “I’m not a cruel man, but I am who I am tonight, because of men like you. And frankly,” Galeb surveyed the blood leaking from the Janissary’s body, “I doubt you’re my type.”

Galeb gripped the man’s jaw and stared into his wide eyes. “You will not remember my face, my name, or what I asked. Know that you’re dying, call out for help, but forget your attacker.”

The Janissary slowly nodded as Galeb stood and walked away, the dying man’s mind completely altered, left only with a blank space where the vampire once stood. Galeb licked the blood from his dagger and winced, before spitting it to the floor. “Definitely not my type.”

***

Seven throats were cut in the palace as Galeb made his way to the dungeons. The fledgling Ventrue was coated near head to foot in blood, and stood on one side of the bars separating him from his mortal brothers and cousins. It appeared the new Sultan was keen on locking away any potential claimants to the throne, but desired to keep them alive, in case he required their support. The prisoners awake to see Galeb gasped and let out moans of fear. Words like “demon” and “monster” reached his ears from their trembling lips.

“I’m not here to harm any of you. I’m here for Mustafa.”

Some of the prisoners gathered to hide the soft young man, who closely resembled the more severe Galeb. Others pointed him out in fear of what might happen if they refused to follow Galeb’s command.

Galeb fell to one knee and passed his dagger through the bars toward Mustafa, who let the blade drop to the stones. There was no recognition in Mustafa’s eyes toward his brother, whether due to their time apart, or the blood caked over him. “Mustafa. You do not need to know who I am, but know I’ve killed the men who killed our mother, and I will do my best to ensure you one day come to power, as… It would be justice.” Galeb’s voice lowered. “This blade opened the throats of your enemies. Keep it close and do not hesitate to use it to protect your own family, when you escape this place. I should have used it long ago to protect my own.”

Without receiving a response, Galeb rose and turned on his heel, quickly leaving the prison. He only found one guard in his path, who made no effort to tackle the vampire when she saw the monster before him.

***

Emerging from the Bosphorus, the blood streaking and washed from his skin, Galeb let out a roar, giving his Beast voice for the first time since arriving in Constantinople. As he trudged ashore and in the direction of his ship, he thought of the life he’d once lived, the eternity ahead of him, and his connection to Kindred, kine, and the world. He reflected on his relationship with his sire, how scared his brother looked, how those Janissaries screamed…

As he climbed the side of his ship, making his way up to the deck, Galeb muttered to himself, looking for the last time at Constantinople. “I was right, Tavernier… It wasn’t ‘justice’ that would make me grow. It wasn’t ‘righting wrongs.’ The motivation for all our kind is simply blood.”

Swansong short story #1: Blood

Archived from the official Vampire the Masquerade: Swansong website.

Three short stories were posted on the official Swansong website, providing more information on its main characters. Originally posted on 6/20/2022 at "news.vampire-swansong.com", this was the entry that feature Galeb, his origin story and his sire, Tavernier.

***

“Justice. You must understand, Galeb, that there’s no better motivation for our kind than the righting of wrongs.” Tavernier’s elbows rested on the ship’s balustrade, his chin perched on his interlaced fingers as he looked not as his progeny, but at the restless sea, and tried to make sense of where the darkness of the water gave way to the sky. The stars above were scant and the moon absent behind thick clouds, forcing Tavernier into the very human gesture of screwing up his eyes to see a little better. Of course, it did nothing. Light proved elusive beyond the lamps hanging and placed on the ship, their flames protected but still caught in the stiff wind.

“Whether it’s seeking vengeance for wrongs done to us, or making amends for sins we witnessed but did nothing about in our lives. Think of everything you’ve ever lost and what you could gain, in your mind and your heart, by preventing others from falling to the same ill fates.” Tavernier remained locked in position, finally certain he could spot the horizon, though it may have been a trick of the light.

“There was I, thinking the answer was blood.” Galeb leaned next to his sire, but unlike the elder vampire, Galeb’s back was to the sea and his gaze cast purely to Tavernier. He was examining the old creature’s form, from the blonde, bound hair on his head, resisting the breeze, to his arched nose, his tight shoulders, his narrow waist, his feet poised on the planks in their soft leather shoes. “You’re immovable, you know? Like a statue carved from…”

“Yes?” Tavernier’s mouth twitched a little, concealing a smile.

“... ah, I don’t have the words. I’ll opt for a pale wood.”

Tavernier let out a laugh and stood straight. “Wooden. Yes. You wouldn’t be the first to describe me that way. But I believe it’s more complimentary to be described as a rare gem, or carved from alabaster. You know?” He clapped Galeb on the shoulder and walked the deck with his childe, the two unaffected by the churning sea not far beneath them.

“Allow me to reserve for you the finer compliments, to be delivered at a time where you rightly deserve them. For a deed,” Galeb gestured with one hand out to the right, “or a misdeed,” his left hand reached out in the opposite direction, before he dropped both to his waist. “I’ve known you for a score of years, and you are still unknowable. You patronize, but you don’t direct. You advise, but I never gather you have any motives of your own…”

“And so this is why you ask again about motivation?” Jean-Baptiste Tavernier grinned at his undead offspring. “Well as I’ve told you many times, the righting of wrongs…”

“I am not some angel to go about delivering vengeance on behalf of the helpless, my friend. And nor have I seen you performing such heroic deeds, so clearly as motivations go,” Galeb spoke the words clearly, but found himself trailing off, “you must be lacking...” There were wrongs in need of righting, but he was too far removed from them to address them in any meaningful way.

Just over ten years prior, Galeb had first made Tavernier’s acquaintance, the two becoming associates and business partners. Galeb wasn’t blindsided by Tavernier’s eventual admission of undeath; he knew there was something mysterious and dangerous about the merchant explorer, but the vital parts he was missing were the ones regarding blood drinking and ungodly powers. The night-time existence was one he was more prepared to handle, having only encountered Jean-Baptiste Tavernier — in all their time together — in the hours after dusk. But when Tavernier, after five years of knowing him, offered him what he called “the gift of an eternity to explore, learn, and change the world,” Galeb wasn’t thinking about the curses that came with such an existence.

Galeb accepted the gift, but found it left him bitter and empty. Where immediately Tavernier tried to turn his childe toward growth and influence at best, or at worst, avenging slights against him, Galeb was unable to see unlife through either lens. He swiftly detached himself from humankind and living concerns, and closer to his sire, courting interest from other Kindred in the ports they visited, but ignoring the overtures of mortal politics and wealth. He was content to expand his mercantile empire and fill his pockets with the profits, but the day-to-day interested him far less than the night-to-night. And so, as they came to cross the sea on one of their many voyages together, Galeb had asked Tavernier again for motivation. And again, Tavernier directed him toward justice.

“Why is it that you repeatedly peddle this line?” Galeb’s buoyant demeanor had slipped, his expression blank, his words low. “What is it you want from me? I hear you frustratedly describe to others like us that I won’t be drawn on the matters of mortals, that you expected more of me upon my Embrace, and that my merely furnishing us both with fortune is insufficient. Do I disappoint you, sire?” He spat the last word.

“Do not call me that.” Tavernier held up his left hand, his right steadying his balance against the mast as the ship’s crew darted about, trying to control the vessel as it overcame a swell. For the first time in a long while, Tavernier looked unsteady on his feet, and he couldn’t meet his childe’s gaze. “You see me that way, but I see us as equals, as friends, peers, lovers. I’m not your commander. It’s not my place to be disappointed in you.” He lifted his face to study Galeb. “I am in awe of you. We’re told that a fledgling Kindred requires a mentor’s steady hand. In our clan, in particular, great importance is placed on lineage and the relationship between creator and creation. But here you are, Galeb, already prepared to step aside from the trivialities of the living and embrace the world of the dead. Your mind works differently to others. Sometimes you flourish, sometimes you lay as if you were a corpse, in need of affirmation before you can continue. And I believe I know what you need to become whole.”

Galeb forced a roll of his eyes and walked close to his sire, holding him tightly in his arms. “And you say what I need is justice. That if I were to adopt your view, I'd better understand my place in this world?”

Tavernier kissed Galeb on the lips and counted to ten before pulling away. “Set yourself a cause among the living, stand up for what is right among them, and yes, you’ll grip onto this world with firmness instead of just sailing on the tides from vampire court to vampire court. There must be an injustice you want answered. Now you have the power to address it!”

Galeb stroked Jean-Baptiste’s cheek before backing away. “There is. Of course there is.” He took Tavernier’s previous position at the balustrade, looking out to sea as the ship mounted a wave and crashed into the churn, sending sailors tumbling with shouts and nervous laughter. It was starting to rain. “But I maintain blood is the motivation, regardless of how you dress it in terms like ‘vengeance’ and ‘justice.’”

***

“Hektor, it’s been too long.” Galeb strode through the vampire’s antechamber and clasped the thick-set Brujah’s hand in a tight grip. Galeb had only arrived at Cyprus’s shore the night before, but whenever visiting a domain, it was his belief that early introductions made for better exchanges.

Hektor chuckled loudly as he pulled Galeb in close and patted him hard, three times, in the center of his back. “I received your message, though not long ago! As soon as I heard Galeb Bazory was sailing his way down the Mediterranean, and would be pulling into port on my island, well… I prepared for your arrival with what limited time I had! I’m frankly surprised you didn’t outpace the messenger!”

The two laughed and each took a mortal by the arm, placed in the hall by Hektor in the style of posed statues, ordered to not move until a Kindred came to claim them. Galeb’s prey had a dry trickle of urine down his leg, while Hektor’s struggled to move from having been held in place for so long. “I appreciate your grace in offering me a meal. I hadn’t wished to hunt in your domain, and Hunger stings after such a long voyage. I have to be very careful around my crew, Hektor.” Galeb’s fangs became visible in his mouth, thin and sharp. “They’re too well-trained and far too expensive to replace in every port just because I have an appetite.”

The two compatriots fed from their vessels, both man and woman stiffening and groaning, first in pleasure and then in distress, as the Prince of Cyprus and the visiting Galeb Bazory took their fill, and more besides. The air filled with the sound of the victims’ panting, hurried breaths, before Galeb dropped his mortal gently to the pillowed floor. Hektor however, didn’t relent. By the time he dropped the young woman, her chest had stopped rising and falling with breath.

The rotund Brujah wiped the gore from his mouth and dragged fingers through his knotted gray beard, forcing blood to spatter the tiles. “In my family, we consider it improper to leave a meal half-finished,” Hektor smiled through his thick facial hair, “but of course, you’re not of my family, are you, Galeb? Do you ever wonder how I know your preferences for feeding?”

Galeb stared at the fallen woman. Not the first dead body he’d witnessed, and unlikely to be the last. “No, I can’t say it’s ever troubled me. I doubt you’d be a Prince if you weren’t well-versed in knowing your guests ahead of their arrival.”

“Ah, well, on that matter you are correct. Praxis is a many-splendored thing, but does come with its share of demands… But you’re not here to engage me in political discussion, are you?” Hektor clapped his hands together loudly, drawing Galeb’s attention from the corpse on the floor. “Don’t worry about her. Someone will come to clean up the mess.”

The young Ventrue shook his head. Tavernier made clear to him early on in their new relationship that some Kindred valued life more cheaply than others. Galeb had long convinced himself he would see mortals as little more than feeding stock, but still; when presented with the unfeeling way with which Hektor fed from and dumped his bodies, and the rumors of the Brujah’s habit of tossing them off Cyprus’s cliffs, leaving families forever in the dark as to their relatives’ fates, Galeb clenches his teeth. There was a difference between vampires like he and Hektor, and it wasn’t — as Tavernier liked to say — due to lineage. This was a question of morality, and what brought Galeb to this island in the Mediterranean.

Galeb was in no mood to continue dwelling on the monstrosity of his host. “If my messenger arrived here, you’ll know my reasons for visiting, and that my stay will not be overlong. I promised high payment for good information. So tell me, Hektor: is the information good?” Galeb pulled a purse from his belt and threw it directly into Hektor’s cupped hands. The Brujah didn’t check the contents, but did squeeze the small pouch before giving a nod… which swiftly evolved into a shake of the head.

“Galeb, boy. You should blame that rogue, Jean-Baptiste Tavernier, for all this. You’ve sailed a long way and I’m sad to say I do not have the information you seek.” Hektor shrugged stiffly. “Only news you do not wish to hear.”

Galeb’s jaw once again clenched, and he ground his fangs together. He felt his hands balling into fists. Another very mortal gesture. Interesting how proximity to my mortal life makes me behave in mortal ways, he thought to himself before making an effort to temper his temper and ask for more information. “Please do not think me rude, Hektor, but get to the damn point. Fair or foul, I wanted to know the location of my mother and my brother in Constantinople. I doubt very much that you discovered nothing, so tell me what it is you know.”

Galeb had departed Constantinople as a youth, and not of his own volition. His mother, once named Jeannette de Bazory, served as an honored concubine in Sultan Ahmed III’s court in Constantinople. It was a good life for her, and a wondrous existence for the young Galeb, or Şehzade Süleyman, as his father named him. He enjoyed the luxuries of the court, the doting of dozens of beautiful, caring, intelligent women, and the love of a mother who adored him.

And then his father fell from power, and the young Galeb conspired, in foolish and naive ways, to have Ahmed restored. His mother, discovering this, and suspecting others might have done the same, sent her resisting son away from Constantinople before the Janissaries could capture him and murder him for treason. He’d not seen his family since, had never again set foot in Constantinople, and had resisted the urge to discover their fates.

But then came Jean-Baptiste Tavernier, with his talk of wrongs being righted, of justice being done, of vengeance for past ills. Again and again, Tavernier drummed into Galeb’s head that he would find purpose and satisfaction were he to revisit the past and see to it that injustices were answered. So, finally, Galeb agreed to sail for Constantinople and find his family.

“Answer me, Hektor. What became of them?” Galeb leaned forward, close enough to touch the bulbous vampire.

Hektor imitated an appearance of sadness. Galeb knew it was false as soon as he saw it on the Brujah’s face. Hektor had never looked anything other than angry or jubilant in the time he’d known him. Sorrow didn’t seem to appear in his register. “My poor boy… Ahh, Galeb. I’m sorry. I hate to be the bearer of such tidings, but I present you with the unfortunate truth that your mother was killed not long after you left the Holy City, and your brother was imprisoned. His fate is not confirmed, but it’s likely he expired in the cells and his body disposed of as that of a peasant or criminal. Always… tragic, when that happens to children.” Hektor offered his hands in condolence.

Galeb didn’t take them. He looked away from Hektor and out through an archway in the wall, where he could see the sea beneath the moonlight. “I… I cannot blame you for this, though I feel a rage stirring within me. They were not your responsibility, but mine, and I have been gone too long.”

Hektor laughed, much to Galeb’s annoyance. “And they say Ventrue are without emotion! Ah, Galeb. My boy. I truly am sorry you travelled all this way for such bad news. Still, you are welcome to remain here for as long as you desire it. I am always happy to host you, and your diamonds are always welcome in my court.” The implication was clear. You can stay, but you’ll be paying for it.

Galeb stood sharply, and once again clasped Hektor’s hand. “No, I will not be staying. Though my family may be dead, my journey remains incomplete. Tavernier says I need this to complete myself, or further my growth, or…” Galeb lifted his hand to his head and pressed his wrist to his temple. What was the point of this? How is this supposed to help me? What do you want from me, Jean-Baptiste? As Galeb contemplated, he felt that familiar roar inside his heart. That old voice, wanting to lash out.

Galeb locked eyes with Hektor.

“Can you see that ship out there in the bay, Hektor?” Galeb walked over to the archway, pointing into the distance.

The Prince moved to join him, sucking at some of the pieces of skin still wedged between his teeth. “Which one?”

Galeb didn’t answer. Instead, he moved back a step, and rammed his shoulder into the Brujah’s back, sending him tumbling through the archway and down the side of the building.

The drop wouldn’t kill the Prince. It wouldn’t even hurt him significantly, if rumors of his age were to be believed. But random and sudden acts of violence like this? Galeb found them to be very useful in curtailing the Beast. Even with his increasing distance from mortality, Galeb felt it better to unleash on a monster like Hektor than some undeserving mortal.

With vampires like Hektor, another purse filled with diamonds would be enough to make up for the poor manners.

***

Constantinople. Galeb recognized the streets, the sounds of a hundred accents, and when he forced himself to take a breath, he recognized the smells.

In particular, he recognized the odor of blood.

Currently, Galeb was covered in the tacky fluid, occasionally licking around his mouth or sucking some of it from his hands. He stared through a crimson mask at a Janissary he knew was named Ibrahim, the disarmed man cowering before the vampire. “Please understand, I’ve not lost control.” Galeb kicked the man’s sword far away, lodging the blade into the back of one of the Janissary’s fallen bodyguards. “This is exactly what I’m supposed to be doing.”

The Janissary nodded feverishly, his eyes wide, his one good hand held up in surrender.

“I’m not berserk. I’m not in a rage. I’m delivering justice in place of injustice. I find the entire concept ludicrous, honestly, but Jean-Baptiste says this is what I need to do, so…” Galeb thrust his dagger into the Janissary’s stomach and provoked a scream from the terrified man. “I’m not going to lie to you. You’ll die here. But how quickly you pass on to the next life comes down to your answers to my questions.”

The Janissary didn’t respond with anything intelligible, instead gurgling in pain.

Galeb wasn’t feeling sympathetic, squatting down and leaning over the man as he twisted the blade. “When I lived here, my name was Şehzade Süleyman. I was one of the Sultan’s many bastards. It’s possible you remember me.”

Galeb gritted his teeth. He wasn’t a sadist, but there was that growl again, deep inside him. All this blood spilled, and he hadn’t fallen to his hands and knees to lap it up yet. He needed to maintain control to get the answers he sought.

“Even if you don’t, these are the facts: you and your cohorts ousted my father and made him place his nephew on the throne. By rights, that throne should have been mine, but I care little for rulership over your kind. What I care for more, is the fate of my father, who I’ve found died incarcerated; my mother, who smuggled me from this place and was subsequently butchered by you, and your friends; and my brother, Mustafa. It’s his whereabouts I need to discover, to ensure wrongs are righted.” Galeb extracted the dagger, and as it left the Janissary’s body, a small fountain of blood followed, which swiftly formed a spreading puddle on and around the old man. “So tell me. Where did you put him?”

The Janissary’s eyes were shut, but they opened as Galeb struck him across the face. “Yes! Yes! Mustafa! He’s imprisoned in the Topkapı Palace! Please! Please have mercy…”

The vampire considered his next move. End this traitor’s life. Drink deep and leave him as a drained husk. Leave him in agonizing pain… “I’m not a cruel man, but I am who I am tonight, because of men like you. And frankly,” Galeb surveyed the blood leaking from the Janissary’s body, “I doubt you’re my type.”

Galeb gripped the man’s jaw and stared into his wide eyes. “You will not remember my face, my name, or what I asked. Know that you’re dying, call out for help, but forget your attacker.”

The Janissary slowly nodded as Galeb stood and walked away, the dying man’s mind completely altered, left only with a blank space where the vampire once stood. Galeb licked the blood from his dagger and winced, before spitting it to the floor. “Definitely not my type.”

***

Seven throats were cut in the palace as Galeb made his way to the dungeons. The fledgling Ventrue was coated near head to foot in blood, and stood on one side of the bars separating him from his mortal brothers and cousins. It appeared the new Sultan was keen on locking away any potential claimants to the throne, but desired to keep them alive, in case he required their support. The prisoners awake to see Galeb gasped and let out moans of fear. Words like “demon” and “monster” reached his ears from their trembling lips.

“I’m not here to harm any of you. I’m here for Mustafa.”

Some of the prisoners gathered to hide the soft young man, who closely resembled the more severe Galeb. Others pointed him out in fear of what might happen if they refused to follow Galeb’s command.

Galeb fell to one knee and passed his dagger through the bars toward Mustafa, who let the blade drop to the stones. There was no recognition in Mustafa’s eyes toward his brother, whether due to their time apart, or the blood caked over him. “Mustafa. You do not need to know who I am, but know I’ve killed the men who killed our mother, and I will do my best to ensure you one day come to power, as… It would be justice.” Galeb’s voice lowered. “This blade opened the throats of your enemies. Keep it close and do not hesitate to use it to protect your own family, when you escape this place. I should have used it long ago to protect my own.”

Without receiving a response, Galeb rose and turned on his heel, quickly leaving the prison. He only found one guard in his path, who made no effort to tackle the vampire when she saw the monster before him.

***

Emerging from the Bosphorus, the blood streaking and washed from his skin, Galeb let out a roar, giving his Beast voice for the first time since arriving in Constantinople. As he trudged ashore and in the direction of his ship, he thought of the life he’d once lived, the eternity ahead of him, and his connection to Kindred, kine, and the world. He reflected on his relationship with his sire, how scared his brother looked, how those Janissaries screamed…

As he climbed the side of his ship, making his way up to the deck, Galeb muttered to himself, looking for the last time at Constantinople. “I was right, Tavernier… It wasn’t ‘justice’ that would make me grow. It wasn’t ‘righting wrongs.’ The motivation for all our kind is simply blood.”

[potofsoup]

Happy July 4th, everyone, and good luck to the UK voters out there!

Wow it's Year 11 of doing these!! Here's the AO3 link to the past 10 years, and here's the tumblr link.

Reminder that this is a long game -- some of the judges making decisions were appointed back in the 80s. Many of the cases that were decided this round were from Trump's term. So it's going to take long-term, consistent voting over a decade to start tipping things in the other direction. (Which I talked about in 2018 re: Trump shenanigans and 2022 re: Dobbs).

A lot has been done by the Biden administration (I'm assuming most folks have seen this post by boreal-sea with their very helpful sources), and much of that will be overturned by Trump, especially if he gets the Senate, and especially now that he would have a blank check for anything "official". So let's make sure that doesn't happen.

And even if Trump does get elected, your decisions down-ballot might effect control of the House or Senate, or might make it easier to vote next time, plus the whole plethora of state and local issues. It's Republican state attorney generals who are challenging climate regulations, for example.

Plus, when you really get down to it, only one of the candidates plans on pardoning himself and all his friends if he wins, and attacking the government if he loses. Maybe that guy shouldn't be the President.

If you're new to voting, remember to check voter registration deadlines! I'm a permanent vote-by-mail voter and it's so nice. :)

Transcript under the readmore

Page 1: Sam and Bucky meet up with Steve for a picnic. Steve: Thought you guys were still in Sudan? Bucky: I’m forcing Sam to take a break.

Sam collapses onto the picnic blanket. Sam: Oof, it just never stops, does it? Steve: Nope.

Bucky hands Sam an orange popsicle. Bucky: Eat and relax for a bit, Sam. Sam: Thanks.

Page 2: Bucky asks Steve: How are things state-side? Steve responds: HORRIBLE. Bucky: I thought you’ve been tentatively hopeful about what Biden has been able to achieve? Steve: I was! Student loans, child care, climate regulations, infrastructure, labor, trans rights … he’s quietly done a lot through regulatory improvements and congress bills. But now all people will talk about is how he’s OLD. And then there’s the Supreme Court’s decisions … Chevron and immunity… Steve puts his head in his hands, while Sam and Bucky look on with some concern.

Page 3: Bucky hands Steve a blue/raspberry popsicle: Steve, take a deep breath, and a popsicle. Sam: Sounds like we missed a lot. What’s going on? How bad is it? Steve: Pretty bad. The Supreme Court has made some decisions that give the Court and the President A LOT of discretionary power. Sam: Yikes, that doesn’t sound good. Steve: Well, the Chevron thing means that judges with life-term appointments can override policies made by government agencies. And now it’ll be harder to hold a President accountable because he will have immunity for any “official” actions.

Page 4: Sam: So if the President tries to, say, overturn a democratic election result, he’ll be allowed to as long as it’s in his job description? Steve: I don’t think threatening state electors is “official” business, but that will be decided by federal judges. Who get their jobs by approval from both the President and the Senate. Bucky: Yeesh. No wonder you’re stressed. Any good news? Steve: Well, thanks the Biden and the razor-thin Senate majority, the newer bills don’t rely on the Chevron deference. Still not great but not catastrophic. Sam, squirting ketchup on his hot dog: So what I’m hearing is that it’s now more important than ever to have a President and a Senate who you can trust to appoint fair judges, pass bills, and not commit crimes.

Page 5: Steve: Plus all of the state level offices, now that more and more deciding power has been thrown back to the states — abortion, LGBTQ rights, voting access… Bucky: Hey, at least this is a big election year so we can actually do something! Steve, with his arms crossed, looking surly: Except that all people want to talk about is how Biden is “too old” and “not doing enough,” as if that is on par with Trump’s desire to dismantle basic rights! As if the candidate who doesn’t embody ALL their ideals is not worth voting for! Bucky interrupts with a smart and a loud “PFFT.”

Page 6: Bucky: Um, Steve. YOU were like that in 1940. Sam, nudging Bucky: “Oh, this I gotta hear. Spill, Barnes.” In sepia, Steve is pacing around their apartment while Bucky is sitting and reading a newspaper. Steve: I can’t believe he’s running for a 3rd term! we need a fresh candidate to vote for! This is hardly a choice at all! AND he refuses to engage in Europe! All of Europe under fascist control and we’re just twiddling our thumbs? He’s letting millions die through his inaction! Bucky: Most people don’t want another war, Steve. If he came out for it, he would lose. Steve, indignant: But Buck, it’s your Polish relative who are in danger! Bucky, closing his newspaper and looking at Steve: Yeah, and between FDR and Willkes, I trust FDR to help if he could.

Page 7: Steve, in sepia, looking away: Should he be encouraged to do more? Maybe I should vote for Browder. The Communists have historically be Anti-Fascist.

Sam interrupts off-screen: Waitaminute! STEVE was going to PROTEST-VOTE? Steve: We were in a Blue State, Sam! Sam: But what about the down ballot races?! Steve: RELAX, I did my due diligence down-ballot. I wanted a senate that’s more progressive than the President.Voted LaGuardia for Mayor, too. Steve hesitates: Then, when I got to the President… I realized that the Best case scenario would be that my vote did nothing, versus if it actually spoiled the election. And when I asked myself who I could trust to work with my Senator… well, FDR had a good record with Labor. (sepia shot of young Steve voting) Bucky interrupts: Hold on, Steve.

Page 8: Bucky, eating a cookie, arching an eyebrow: You didn’t vote for Browder? Why didn’t you tell me? Steve: And have you say “I told you so” for the next century? Bucky: Heh.

Steve, with hand on his chin: What’s weird was that, despite everything, I still felt HORRIBLE when I ticked that box. Sam: Sounds like you built up the meaning of that vote far too much in your head. Logically, we know that a single box can’t represent all of the complexity of a whole system, but the desperately WANT it to. Just look at how people have built up so much around the term “Zionis” that it’s made productive conversations difficult.

Page 9: Sam and Steve speak in the background while Bucky reaches into the cooler and pulls out a box. Steve: Sigh. And that’s something that goes beyond the election. Sam: Which is why we need to vote, AND do other things. Bucky, looking at Steve and Sam: Like how Steve works to push organizations on the local level? Or like all the work you do as Captain America? Sam: Exactly. Vote AND.

Sam looks at Bucky fondly: Like how you vote AND make me and Steve take breaks. Bucky, looking stern because he can’t handle compliments: Shush, Sam.

Bucky holds up a cake that has the number “107” on it: It’s time for cake. Happy Birthday, Steve.

[salemoleander]

Untamed Beasts Trilogy webweave

Created as a gift for a friend in the MCYT Recursive Exchange 2025 @mcytrecursive, recursing the Untamed Beasts series by @whisperwritingstuff !

// Sources under readmore // Webweave on Ao3 //

What is a webweave? Previous art: Third Life | Void Falling | Attempt 33 | Limited Life | Nightingale | solving counting sheep | Hunger au | catching signals that sound in the dark

Panel 1 (Grian / nothing you can say): girl help textpost/ @wizardpotions ◆ Projections (Rome 2007) / Jenny Holzer ◆ Excerpt from Kitchen Hymns / Pádraig Ó Tuama via @beguines ◆ Schrodinger’s Wood / Maskull Lasserre ◆ Zittend mannelijk naakt, met geheven arm / David Humbert de Superville ◆ Leonids / Heather Danforth ◆ Every Teenagers #4 / everyteenagerforfree ◆ Neighborhood Watch sign / @hazard-symbols-that-fuck-hard ◆ Excerpt from on Sunday mornings I dream of koi fish / Ahana Chakraborty ◆ Free Will radio buttons / @screenshotsofdespair ◆ Untitled (A gift for…) / Lois Van Baarle ◆ Plaque Series / Jenny Holzer via @requiem-on-water ◆ Excerpt from What Good is Heaven / Raye Hendrix via @geryone ◆ Excerpt from Unravel / Tolu Oloruntoba via @geryone ◆ Rays / Anastasia Trusova via @boycritter ◆ tiny cuts. / @dappermouth ◆ Untitled (that bright glaring moon) / @incendavery ◆ can we merge souls, or… / @cannibalchicken ◆ Amethyst scepters / @nouveaucrystals ◆ Excerpt from The Accident / Anne de Marcken via @luthienne ◆ sometimes when I’m reaping textpost / via @girlmostlikely

Panel 2 (Cub / walk with my legs): Plaques Series / Jenny Holzer via @requiem-on-water ◆ let’s do something unethical textpost / @probuccalfat ◆ Danger sign / @anthropophage (Deactivated) ◆ the frost / mitski via @wovi ◆ Excerpts from Hansel / Richard Siken via @aridante ◆ Untitled / Pep Carrió ◆ Untitled / @ghost-honeyy (Deactivated) ◆ The Shore / Barry McGlashan via @huariqueje ◆ two guys who sleep textpost / @byjove ◆ scared animal textpost / @iregularlyevadetaxes ◆ holding up a fictional guy tweet / caranthirs via @mossy-aro ◆ Excerpt from Dig / Bryan Borland via @geryone ◆ Untitled (Meet me here) / @hillhomed ◆ “Tortured” bubble from Tis Time for Torture, Princess / via @vforvalensa ◆ Whos side are you on chat screenshot / @theonionsound ◆ Scriptum V / Rima Day ◆ 20 Inflammatory Essays / Jenny Holzer ◆ love when a dynamic is like. textpost / @willowcrowned ◆ Their Third comic / @its-arson-time ◆ Same old mistakes sign / @mutant-what-not

Panel 3 (Scar / find yourself, let me find you): A good thing you can do textpost / @nohoperadio ◆ Collage of: Phenomenon / Remedios Varo /// Lovecraft in Brooklyn / The Mountain Goats / @mountainqoats ◆ The Best Thing About A Poem / Max Lavergne ◆ Pandemonium / Kim Jakobsson via @pankurios-templeovarts ◆ loving humiliating haunting worshipping gnawing diagram / @dostoyevsky-official ◆ eat one of you eventually textpost / @1-beadyeyes ◆ I’m not ashamed to say tweet / silicone_angel via unbotheredmuse (Deactivated) ◆ Untitled (Geryon was a monster) / @kitmillsdraws ◆ Exponatus / Konstantin Korobov via @antonio-m ◆ Etruscan ring ◆ Shibari study / @tegelsteg ◆ i’d devour you whole if you let me / @castletemprwine ◆ My roommates and I textpost / @solidseater ◆ ohhh big stretch textpost / ne0scythian ◆ The Big Comet / Antonio Tonelli via @myfairynuffstuff ◆ Redacted / Dale Dunning ◆ Excerpt from This is How You Lose the Time War / Amal El-Mohtar, Max Gladstone via @metamorphesque ◆ Plaques Series / Jenny Holzer ◆ Pressure / @susitseart

[blorb-el]

happy pride as a present here is a non-exhaustive compilation of ways precrisis clark has carted bruce around from the 50s to the 80s. sources and artists under readmore

[row 1] it's the early days, perhaps they're not comfortable yet with pda: wf 108, 1960, pencils dick sprang, inks sheldon moldoff well they sure got over that fast: wf 118, 1961, artists same as prev strong arms to show off husband and son: wf 135, 1963, artists same as prev

[row 2] belt hold: wf 80, 1956, pencils dick sprang, inks stan kaye cheek to cheek: wf 251, 1978, pencils george tuska, inks vince colletta, colors jerry serpe burrito: wf 172, 1967, pencils curt swan, inks george klein

[row 3] kitten scruffed: justice league of america 144, 1977, pencils dick dillin, inks frank mclaughlin, colors anthony tollin third wheeling: justice league of america 144, same as above like a sack of groceries: wf 257, 1979, pencils dick dillin, inks frank mclaughlin, colors gene d'angelo

[row 4] bridal, manila bruce style: wf 128, 1962, pencils and ink by jim mooney bridal batman style: wf 281, 1982, pencils irv novick, inks frank chiaramonte, colors carl gafford instinctive bridal catch: wf 266, 1981, pencils rich buckler, inks bob smith, colors gene d'angelo

[row 5] clarks hand is Where: wf 267, 1981, pencils rich buckler, inks dick giordano, colors gene d'angelo bruce has been mind controlled and given superpowers and they're.....'wrestling': wf 109, 1960, pencils curt swan, inks stan kaye piggyback ride: wf 224, 1974, pencils dick dillin, inks vince colletta [should be noted that this one is in an elseworlds...kind of, however this is indeed bruce and clark, as opposed to bruce jr. and clark jr., their sons who look exactly like them]

[row 6] this is just like picking up a kitty cat: wf 253, 1978, kurt schaffenberger, inks frank chiaramonte, colors gene d'angelo disgruntled burrito: wf 251, 1978, pencils george tuska, inks vince colletta, colors jerry serpe i have to hold you closely it's aerodynamic: wf 277, 1982, pencils don heck, inks romeo tanghal, colors gene d'angelo

[row 7] their toesies are in sync: wf 266, 1981, same as row 4 picture 3 kinda gone beyond burritoing into kidnapping: wf 272, 1981, pencils rich buckler, inks joe giella, colors gene d'angelo clark kneeing bruce: wf 266, same as the first one in this row

[row 8] bruce rolling over midflight in order to look clark in the eyes as he talks about running away from a mysterious ~feeling: wf 285, pencils rich buckler, inks sam de la rosa, colors gene d'angelo wrapping up his disgruntled husband in his cape like a blankie: wf 245, 1977, pencils curt swan, inks murphy anderson, colors jerry serpe

[row 9] actually this is a costume swap and bruce is carrying clark: wf 71, 1954, pencils curt swan, inks stan kaye carting off his civilian husband and son: wf 243, 1977, pencils curt swan, inks al milgrom, colors jerry serpe

bonus for clicking on the readmore; depowered clark getting... carried??? by bruce. they have beards because they are in caveman times but also they're on an alien planet don't worry about it. wf 138, 1963, pencils and inks by jim mooney

[inkhorhusk]

Hey man you got a lil something on your back there-

(Rambles and og art under readmore)

It's not done but I cannot render 8 legs tonight without my back failing me. Will probably post the full version to my bluesky when it's done (will link in an edit)

Anyway, this is Tentacles (pronounced same as Achilles) <3 Bought from @sm-baby earlier today and I love them so much. Me and my emotional support giant octopus parasite and his emotional support aggressive human food source <3

O.g art below vvv

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss.

Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws.

My old enemy the Madonna Whore complex you strike again!

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[datapacks]

Snapshot 25w02a

Mostly just summarizing this from the article on minecraft.net, but:

New pigs. There are now cold and warm pigs!

New "pink petals" style blocks, for leaves on the ground as well as a new "wildflower" yellow flower.

Leaf piles can be made from smelting leaves, and can be used as a fuel source.

All leaf blocks now generate particles under them.

Yes that includes, for some reason, spruce leaves. They all also share a texture, tinted differently based on biome tint, seemingly.

The new pigs babies are based on the parents, not the biome.

Lodestones have a new crafting recipe, using iron instead of netherite! This makes them much more obtainable.

New sounds for iron blocks.

Zombified Piglins nerfed for farms heavily, must be killed by players.

Farm animals can spawn in badlands!

Bubble columns more optimized.

The pale gardens are now larger, and can generate woodland mansions!

Creakings can be nametagged, making them persist during the day! Apparently, if they're stuck with a player, they will still despawn, as well as if they get too far away from their heart, but still a nice change. Nametagged creakings are still resistant to damage and such too.

Creaking Hearts now have a new texture during the day.

The creaking heart & eye blossoms now use fixed time, as opposed to being effected by the weather / dimension brightness.

These are all the changes that most players will be excited about, but I'm going to put the more technical stuff that I usually focus on in a readmore so I can get this out sooner!

THE PIGS ARE DATA-DRIVEN. YOU CAN ADD YOUR OWN PIGS.

Tamed animals can now be owned by other entities than players.

Text components now use SNBT instead of JSON. This might have some neat ramifications, but we'll see. Might make text components more powerful, like variable text in books.

Fill / Clone / Setblock commands can now surpress block updates, giving massive new options to builders who use commands.

New "weapon" item component, makes making weapons easier than before, + shield negating can be applied to any item now with this data change.

"potion_duration_scale" component, which heavily hints that we may finally be getting data-driven potions very soon. This is basically how the game would normally handle "extend this potion, make it shorter if its a splash potion, shorter even more if its a tipped arrow"

"tool" component, allows players to specify whether a tool should be able to break blocks in creative mode, like how swords cannot.

[aidenwaites]

ABSOLUTELY

The thing about Bonnie, Clyde, and other members of the Barrow gang is that many of them were first pegged as criminals when they were teenagers- the collection of the crimes themselves ranged from petty theft to car burglary. From the point of the first arrest onward, it's a very common story between them that they ended up in this cycle of arrest-escape-arrest. And for Clyde at least, it didn't seem to make a difference if he finished his sentence or not. After he stole his first car at age 17 (a rental car that, upon return, the rental agency apparently didn't want to press charges), every time a stolen car was reported in West Dallas, he'd be brought in for questioning. Enough so that it cost him any attempts at holding down a job.

This is the late 1920s, the economy is on the brink, and the Texas prison system exists in a time of its own kind of turmoil. Production is down, money is being lost, escapees and escape attempts are high, and crime itself is rising. The public opinion of the justice system is very low. It passes between general managers who don't want to take the role. "Spot killings" aren't uncommon, in which an inmate is killed by guards and the death is passed off as due to an escape attempt. Brutality, overcrowding, overworking on the prison farms, every kind of awful conditions a prison could have.

While imprisoned together, Clyde at the age of 21 and Ralph Fults at the age of 19, Clyde witnesses guards provoke, then beat, Fults. In Fults' biography, this seems to be the moment that Clyde begins to really feel a sense of indignation and injustice towards the system, and then two begin plotting together. Fults, it should be noted, wasn't as phased- he'd already been disillusioned somewhere around the age of 16, when he was living in a reformatory school and given upwards of 30 lashes with a weapon referred to as "the bat," a heavy strip of leather soaked in oil, as a punishment for whispering to another boy during a church service.

Clyde's first murder happens in prison, when he kills a fellow inmate for repeatedly assaulting him. Another inmate who was already bearing a longer sentence took the fall for Clyde.

Ralph and Clyde have a plan that once they're free of the Eastham Prison Farm, they'll return to break other inmates out. It's a promise they eventually follow through on. Clyde at some point has another inmate cut toes off of his foot so that he can be sent to a medical facility and won't have to return to Eastham's fields, a story not uncommon to Eastham.

The crime-spree era/public enemy era of Bonnie and Clyde, the time leading up to their deaths, is largely made up of existing on the run for days or weeks at a time. The robberies they commit are, in actuality, fairly small. It's the early 1930s, the nation is in the heart of the depression, the public's view of the government is extremely distrustful and wary. A journalist had been working to publish an exposé on the awful conditions of the prison system by this point. Criminals of the likes of the Barrow gang are becoming something of celebrities for the general public- for the gang themselves, their lives are nothing but staying on the run. President Herbert Hoover is in a bad place publicly and the FBI, not yet called as such, is in need of a win. Crimes are committed and attributed to notorious criminals without any real proof, and it isn't until years later that all of those timelines are really straightened out.

Clyde Barrow holds true to his goal of returning to Eastham to help fellow inmates escape. In the attempt, a guard is killed (though not by Clyde), and a target is painted on Bonnie and Clyde's backs. The public opinion on them shifts after the death of a grocery store clerk during one of their hits.

The ambush of Bonnie and Clyde, aged 23 and 25, is considered a major win by the FBI- their car, dubbed the "death car," remained in FBI possession and on display for many years. Raymond Hamilton- another associate of theirs- is executed at the age of 21, in part for a murder he could not have committed. Clyde's brother, Buck, dies of gunshot wounds sustained during a shootout. Those who lived past this point, such as Blanche Barrow (who was half-blind from injuries sustained during this time), Ralph Fults, and family of Bonnie and Clyde reported that even up to the 80s, long after they'd completed sentences for any criminal charges, they regularly recieved phone calls from Texas police to let them know they were keeping tabs on them. This quote from Blanche Barrow's memoir/biography, edited and written in part by John Neal Phillips, sums it all up pretty well.

The thing about Bonnie and Clyde is the more you learn about Bonnie and Clyde (and the rest of their acquaintances) the more it becomes a story about the state of law enforcement in the midwest during the great depression, the abuse of inmates, and the public image of the fbi

[shirecorn]

Spot the typo, win the prize!

I let yall loose on pics of every single bug so far, and prizes go to every single mispelling and typo you can find in their scientific names.

Example:

Type in the scientific name into a search bar, and use a scientific source to check the spelling. Do not use google ai, scroll past it for a real source. If there's no "did you mean" when you first type it in, then it's probably spelled correctly.

When you spot a mistake, reply or message me!

There is at least one that I know of, but haven't corrected, so there's a guaranteed winner no matter what. And there's probably way more than that!

PRIZES, you will choose one per typo:

2 stickers of existing bugs mailed to you

A new bug drawn for you (please choose this i love bugs)

A quick 10 min drawing commission of whatever you want

The sheets will be under a readmore so that people can still play bug guesser without being spoiled.

sometimes my r's look like v's. not a typo but if its really confusing I will fix it.

[lightlysources]

If tumblr shuts down, an indie roleplayers network to find your rp partners elsewhere

So, I want us, as a community, to be prepared in case this site shuts down. Is it going to shut down? We don't know. The staff layoffs, according to people who have worked on tumblr previously, seem to indicate that something is happening with management, which could be them selling the site, or wanting to shut it down. (sources: x, x.)

Maybe (probably?) the site will continue to exist and the list never needs to be utilised. But at least I personally would feel a lot better about every "oh no tumblr will shut down" rumour if I knew I could find my rp partners elsewhere. I've long since made backup accounts on pillowfort (and cohost before they shut down), but currently the most viable options seem to be wafrn and goblin. @leneemusing has tested out wafrn here. I had no trouble with account creation on any of these sites.

I've made a form here, for any indie roleplayer to submit their tumblr username and a backup account link.

A .doc with the list is here.

Reblog to spread the word, send me an ask if you have questions, etc.

I don't have any rules for this - any indie roleplayer can have their information on the list. Some further thoughts under the readmore.

First of all, if you're early, I know you can tell who I am in the rpc by the urls that are on the list lol. I block a lot of people from my rp blogs (though not from my resource blog). If you've blocked me, or I've blocked you, you can still use the list. I'm not going to care! Similarly, it doesn't matter here, whether our roleplay rules match, what content your write and whether I agree with it, if you've had a callout posted about you, etc. I'm not going to look into any of that with the list, I'm only going to make sure the links you provide work. This is a list for people to find each other in the case of tumblr shutting down. I don't feel like it's my place to restrict who can be on that list.

Why not discord? I won't include discord handles because I think a part of the indie rpc relies on us being on a social site. How would we find people? Use memes or aesthetic posts? Discord servers are not public spaces the way tumblr is. If you want to host a similar list for people's discord handles, you can. You can copy and paste from my list/form to do it if you like, even.

If tumblr does shut down, and therefore this post no longer exists, I will probably make a discord server only for the purpose of maintaining the list, though. It would not be a server for socialising - I don't have the spoons to admin that, and those already exist.

[anarchotolkienist]

you’re attacking that neopagan kind of birthstone post about druid plants, but could you please elaborate or at least clarify the explicit trope that is being used that has been historically weaponized?

I used to spend about a good third of my time on this godforsaken website attacking that idea, but sure, I'll do it again. This will be a bit of an effortpost, so I'll stick it under the readmore

There is a notion of 'celts' or Gaels as being magicial and somehow deeply in touch with nature and connected to pre-Christian worldviews that the people who decided to make up the "Celtic tree astrology" used. This is also why Buffy used Irish Gaelic as the language of the demons, why Warhammer uses Gaelic as Elvish, why garbled Scottish Gaelic is used by Wiccans as the basis for their new religious construct, why people call themselves Druids to go an say chants in bad Welsh in Stonehenge, or Tursachan Chalanais, or wherever, etc etc. This stuff is everywhere in popular culture today, by far the dominant view of Celtic language speaking peoples. Made up neopagan nonsense is the only thing you find if you go looking for Gaelic folklore, unless you know where to look, and so on and so on. I could multiply examples Endless, and in fact have throughout the lifespan of this blog, and probably will continue to.

To make a long history extremely brief (you can ask me for sources on specifics, or ask me to expand if you're interested), this is directly rooted in a mediaeval legalistic discussion in Catholic justifications for the expansionist policies of the Normans, especially in Ireland, who against the vigourous protestation of the Church in Ireland claimed that the Gaelic Irish were practically Pagan in practice and that conquest against fellow Christians was justified to bring them in like with the Church. That this was nonsense I hope I don't need to state. Similar discourses about the Gaels in Scotland exist at the same time, as is clear from the earliest sources we have postdating the Gaelic kingdom of Alba becoming Scotland discussing the 'coastal Scots' - who speak Ynglis (early Scots) and are civilised - and the 'forest Scots' (who speak 'Scottis' (Middle Gaelic) and have all the hallmarks of barbarity. This discourse of Gaelic savagery remains in place fairly unchanged as the Scottish and then British crowns try various methods for integrating Gaeldom under the developing early state, provoking constant conflict and unrest, support certain clans and chiefs against others and generally massively upset and destabilise life among the Gaels both in Scotland and Ireland. This campaign, which is material in root but has a superstructure of Gaelic savagery and threat justifying it develops through attempts at assimilation, more or less failed colonial schemes in Leòdhas and Ìle, the splitting of the Gaelic Irish from the Gaelic Scots through legal means and the genocide of the Irish Gaels in Ulster, eventually culminates in the total ban on Gaelic culture, ethnic cleansing and permanent military occupation of large swathes of Northern Scotland, and the destruction of the clan system and therefore of Gaelic independence from the Scottish and British state, following the last rising in 1745-6.

What's relevant here is that the attitude of Gaelic barbarity, standing lower on the civilisational ladder than the Anglo Saxons of the Lowlands and of England, was continuously present as a justification for all these things. This package included associations with the natural world, with paganisms, with emotion, and etc. This set of things then become picked up on by the developing antiquarian movement and early national romantics of the 18th century, when the Gaels stop being a serious military threat to the comfortable lives of the Anglo nobility and developing bourgeoise who ran the state following the ethnic cleansing after Culloden and permanent occupation of the Highlands (again, ongoing to this day). They could then, as happened with other colonised peoples, be picked up on and romanticised instead, made into a noble savage, these perceived traits which before had made them undesirable now making them a sad but romantic relic of an inexorably disappearing past. It is no surprise that Sir Walter Scott (a curse upon him and all his kin) could make Gaels the romantic leads of his pseudohistorical epics at the exact same time that Gaels were being driven from their traditional lands in their millions and lost all traditional land rights. These moves are related. This tradition is what's picked up on by Gardner when he decides to use mangled versions of Gaelic Catholic practice (primarily) as collected by the Gaelic folklorist Alasdair MacIlleMhìcheil as the coating for Wicca, the most influential neo-pagan "religion" to claim a 'Celtic' root and the base of a lot of oncoming nonsense like that Celtic Tree Astrology horseshit that started this whole thing, and give it a pagan coat of paint while also adding some half-understood Dharmic concepts (three-fold law anyone?) and a spice of deeply racist Western Esotericism to the mix. That's why shit like that is directly harmful, not just historically but in the present total blotting out of actually existing culture of Celtic language speakers and their extremely precarious communities today.

If you want to read more, I especially recommend Dr. Silke Stroh's work Gaelic Scotland in the Colonial Imaginary, Dr. Aonghas MacCoinnich's book Plantation and Civility in the North-Atlantic World, the edited collection Mio-rún Mór nan Gall on Lowland-Highland divide, the Gaelic writer known in English as Ian Crichton Smith's essay A real people in a real place on these impacts on Gaelic speaking communities in the 20th century, Dr. Donnchadh Sneddons essay on Gaelic racial ideas present in Howard and Lovecrafts writings, and Dr. James Hunter's The Making of the Crofting Community for a focus on the clearings of Gaels after the land thefts of the late 18th and early 19th century.

@grimdr an do chaill mi dad cudromach, an canadh tu?

[acorviart]

Europe VAT laws not changing any time soon, recent. If understand FAQ well, mean shipping to Europe impossible for several years minimum?

That's correct, I won't be shipping to the EU for the foreseeable future due to some import packaging regulations that either have already been implemented or are planning to be implemented in the future.

Note that this is for EU countries only—I can ship to all other non-EU countries like Switzerland, except for the UK due to the UK's own convoluted VAT system.

The only workaround I can offer for EU folks is that you can have a friend or family that lives in a non-EU country place an order to deliver to their address, and then they are able to ship that order to you marked as a gift. Not an option for everyone, I know.

Longer explanation under the readmore for those curious:

As it stands now, each EU country has its own system and fees that I can't keep up with (for example, France would cost me 80 euros per year), I'd need to individually register and report to each country, some require reporting and tracking of what sources of packaging I use, I believe? It's all very complicated, and it makes my head spin just trying to figure out what the requirements actually are, so that's why I stopped shipping to the EU entirely out of an abundance of caution. I also just don't get enough sales to the EU to justify the headache, I'd probably actually lose money paying all the fees. Actually, while I was looking up details while writing this post, apparently there's a new PPWR that's going to replace the old EU Packaging Directive? This is why I can't handle this (ಥ﹏ಥ)

As for why this doesn't seem to be affecting all companies—corporations can obviously afford their own professionals whose entire job is to handle this stuff, and the requirements are also different for large vs small volumes. Meanwhile, a lot of other small or 1-person businesses straight up don't know about these requirements, because it's not like there's a memo passed around about updates to international shipping law. It's also even more confusing because some packages are slipping by without any issue, probably in part due to how the regulations are still new and still being implemented, so I assume it's kind of a mess.

I know of a few people who are willingly taking the risk and shipping to the EU anyway and have had no consequences (for now at least), but I'm not risking the fines ¯\_(ツ)_/¯

Now for the UK, their VAT system doesn't have anything to do with packaging, but what it does require is similar registration with the government, and I'm required to collect and pay the VAT myself. No thanks!

TLDR; laws hard. laws also expensive. too stupid to figure out and too fearful of fines. no ship to countries

fun story: someone also once emailed me this long diatribe about how they think I'm shit at research and that I'm just making all this up (specifically just to screw with europeans or something, I guess?), so I sent them a few links to the literal official government websites where I got my info (like that UK one), and they never responded. lol

[doctorbunny]

MILGRAM x Karatez Interrogation Questions Part II

As like last time, images/Japanese text will be under the readmore at the bottom That said, the quality of most of the card images is a lot lower, if you find better ones, please reply/DM me, it'll help the wiki too [Link to Part 1 of the collab here]

If you could go to the future, what would you do?

Haruka: I want to know if I'll be happy

Yuno: Maybe I'll take a quick peek to see if my family are doing alright

Fuuta: What the- Are you a dumb kid or something? Don't ask me about stuff that isn't real

Muu: If you can do things like travel through space easily I think maybe I'd like to go

Shidou: I'd like to try and see the new advancements in medical science. I wonder, will death be a thing of the distant past to the world of the future?

Mahiru: I think I want to see what my future husband looks like But then wouldn't I just be spoiling the surprise for myself?

Kazui: I don't really have anything particular in mind. I'd try my best to find somewhere nice to live and get comfortable.

Amane: Nothing would change, I would live each day properly.

Mikoto: I'd memorise a bunch of future events and then return to present day I might get famous as a fortune teller! Pretty smart, don't you think?

Kotoko: I'd bring back as much technology as I could steal. Because there's something I have to do.

未来に行けるとしたら何をする？

ハルカ：ぼくがしあわせになっているか しりたいです

[Image Source: K-Books twitter] ユノ：家族が元気でやってるか ちょっと覗いてこようかな

[2nd image source: mercari] フウタ：はぁ？ガキかよ そんなありえねぇこと聞いてくじゃねぇよ

ムウ：宇宙旅行とか簡単にいけるようになってるかな いってみたい

[Image Source: @oboetemasuka]

シドウ：医学の進歩を見てみたいものです。 未来の世界では、死は遠ざかっているのでしょうか。

[Image Source: I can't be certain but I'm pretty sure based on the abysmal censorship attempt its mercari]

マヒル：未来の旦那さんの顔を見たいかな でも見ちゃったらネタバレかなぁ？

[Source: also @oboetemasuka]

カズイ：別に何もないかな 住みやすい場所探して馴染めるように効力するよ

(Yes, I did have to decipher the text from these two poorly censored images, and yes the one on the right is upside down lol) [Image Source: found on mercari I'm not sure if the listings are still up.]

アマネ：何も変わりません 日々を正しく生きるのみです

[Amane achieves the best image quality award, making up for the crusty cropped jpeg we had to excavate for part one]

ミコト：未来の出来事を記憶して今の時代に帰ってきた 予言者として有名人になっちゃうとか！ すっごい賢くない？

コトコ：技術を盗めるだけ盗んで帰ってくる。 私にはやるべきことがあるから。

[Image Source: K-Books twitter]

apologies this isn't as well sourced as I'd like, but a lot of these images are from since delisted sales unsourced images were taken from the milgram wiki and I couldn't find the source from reverse image search

[salemoleander]

lost in the dark (Hunger AU) webweave

Created as a tribute to the absolutely incredible fic @definitelynotshouting is writing, up to the current plot beat!

// Sources under readmore //

What is a webweave? Previous art: Third Life | Void Falling | Attempt 33 | Martyn | Limited Life | Nightingale Chapter 1 | Chapter 2 | singing songs to the secrets behind my eye | A Hundred Things We Had Not Dreamed Of | solving counting sheep

Pt. 1: Flutter / Valerie Hammond ◆ Sanssouci Palace + The Black Ice Cream Song edit / @mountainqoats ◆ Excerpt from The Average Fourth Grader is a Better Poet Than You (And Me Too) / Hannah Gamble via @blackberryjambaby ◆ of course i bite textpost / @valtsv ◆ Lie Down / Ellen Jenkins ◆ 27 / Daniil Kharms trans. Matvei Yankelevich ◆ Embrace my Soul / Sergio Borga ◆ Color Changing Magic Potion / DirksenCraft ◆ Fragile Bird / @cocoabats ◆ Holding Onto Black Metal / Debra Baxter ◆ Excerpt from III. The Child / Quinn Newell via @voicedwords ◆ Crawler Pot / Rose Schmits ◆ Metamorph / Gunnel Watkins ◆ Untitled eye / Henrik Aa Uldalen ◆ tumblr guide for chad twitter users (real) / @arahir ◆ the best way to solve problems tweet / @wolfpupy

Pt. 2: Reoccurring Nightmare comic / @deep-dark-fears ◆ Knotted Serpentine / Hannah Russell ◆ Garden + Blues in Dallas edit / @mountainqoats ◆ The Watching Moth / Cady Shaye Poorman ◆ NOCTURNAL Series 11 of 20 / Santiago Caruso ◆ Watching Moth / Cady Shaye Poorman ◆ Afterglow / Pei Wang ◆ Sun in an Empty Room + The Young Thousands edit / @mountainqoats ◆ Study for "Mathematics," "The Sciences" / Kenyon Cox ◆ Hard to Swallow / Debra Baxter ◆ Molly Brodak / Molly Brodak via @kafk-a ◆ 02112022, S.T. / @ryebreadgf ◆ Woman with Red Hood / Alice Pike Barney ◆ Come On, Motherfucker, You Survived! / @selfhealingmoments ◆ Excerpt from The Blind Assassin / Margaret Atwood via @flowerytale ◆ Heirloom II / Cindy Rizza

Pt. 3: Excerpt from The Love Song of J. Alfred Prufrock / T.S. Eliot ◆ i love you. i can't tell you / @/tturing (OP altered, original contents linked) ◆ Hope is the Thing - Sunset Flight / Erica Wagner ◆ Poppies + Nova Scotia edit / @mountainqoats ◆ Untitled (open/end) / Debra Baxter ◆ Excerpt from Alive at the End of the World / Saeed Jones via @geryone ◆ Weeping (Lamentacia) / Dezider Toth via @amare-habeo ◆ NOCTURNAL Series 7 of 20 / Santiago Caruso ◆ Fridge Funerary Epitaph / @catilinas ◆ Untitled (Trail of eyes) / @julialepetit ◆ Stained Glass Hellebore, California Poppy, + Poppy / Jessica Saunders ◆ 世界の声が聞こえるとき (When the voice of the world is heard) / Tomohiro Inaba ◆ Still from Don't make me do this again gif / @cibastion ◆ Excerpt from So I Locked Myself Inside a Star for Twenty Years / Jeremy Radin ◆ Excerpt from Invisible Monsters / Chuck Palahniuk via @quotespile ◆ Potion Bottles / Edited from Panel 1 Source