#stargate tweets

[toboddly]

stargate sg-1 tweets part 8

part 1 / part 2 / part 3 / part 4 / part 5 / part 6 / part 7

[sourfall]

Elizabeth Weir + tweets 1/934

[badstargateimagines]

Imagine

Stargate Sg-1 beach episode

[nonsensicalvulpes]

me and @malunk just think hes neat

[scotianostra]

Happy birthday Robert Carlyle, born in Maryhill, Glasgow April 14th 1961.

Bobby was brought up in Glasgow, the son of Elizabeth, a bus company employee, and Joseph Carlyle, a painter and decorator. His mother left when Carlyle was four years old and his dad looked after him from then. He left school at the age of 16 without any qualifications and worked for his father as a painter and decorator; however, he continued his education by attending night classes at Cardonald College in Glasgow.

Carlyle became involved in drama at the Glasgow Arts Centre at the age of 21 (having been inspired by reading Arthur Miller's The Crucible), and subsequently graduated from the Royal Scottish Academy of Music and Drama. In 1991, he and four friends founded a theatre company, Raindog (named after Tom Waits' album "Rain Dog," one of Carlyle's favorites) (a company dedicated to innovative work then, which is now primarily involved in television and film work), and guest starred in The Bill. The same year he starred in his first movie, Riff-Raff, directed by Ken Loach.

I first noticed Carlyle in the excellent ITV series Cracker, as murderer Albert "Albie" Kinsella, it wasn't long after this he had a series of his own with Hamish McBeth, the dope smoking village bobby in a quiet Scottish town on the west coast, the series ran for three seasons from 1995 to 1997.

Since then Robert Carlyle has been able to pick and choose his roles, his films include, The World is Not Enough, Plunkett & Macleane, Ravenous, 28 Weeks later and of course as Francis "Franco" Begbie in the two Trainspotting films.

On the small screen we have seen him in as the title role in Adolf : The Rise of Evil, Human Trafficking and The Last Enemy on this side of the Atlantic, in the US he has starred in the TV movie 24, SGU Stargate Universe and the continuing Once Upon a Time..

The third season of British political thriller-drama COBRA is due on our screens in the coming months

Recently we saw the TV series of the popular film, The Full Monty, which surprised me of how good it was. In February Carlyle commented on X/Titter about a Simpsons episode Ae Bonny Romance, which aired last December. In one scene, audiences are shown an airline called “Planespotting”, with the plane including a picture of Carlyle’s character Begbie on its tail! Robbert tweeted "My life is complete.." As well as the nod, the episode featured the voices of actors Karen Gillan, David Tennant and Paul Higgins.

Robbiewas lastsen in the movvie, The Performance about an American Jew and gifted tap dancer while on tour in Europe, Harold and the rest of his troupe are scouted by a German attaché who leads the troupe to an exclusive performance for Hitler himself. Next up is a mini-series Toxic Town about the tragic toxic waste case in the East Midlands and three mothers fighting for the justice for the rates of upper limb defects in babies born in Corby were subsequently found to be three times higher than those of children born.

[weclassybouquetfun]

I'm seeing all of these headlines from critics about how ridiculous FAST X as if they are just learning what the Fast and Furious films are. They are ridiculous. And? So? Your point being? Are you going to write that Looney Toons cartoons are silly?

22 years, 10 films, countless implausible moments.

You're going to say the franchise is stupid because you have people driving through skyscrapers or parachuting with cars or even surfing on a car but you say nothing about how we're supposed to believe Paul Walker as an LAPD cop when no LAPD cop in the history of the force has ever looked like that?!

This is the real stretch of imagination.

FAST X. The X stands for X-TREME SPOILERS

THE GOOD -I like a bit of fan service and the franchise keeps doling out heaping helpings of it. We got Letty back, Han back, Owen Shaw, Deckard Shaw, Elena back (briefly), whoever the hell Lucas Black and Bow Wow played in TOKYO DRIFT, Hobbs back and now the gal - Gisele.

Their babies are no longer babies.

At this pace I can't even feel bad that John Cena's Jakob died because we didn't see his body. For all we know he could have jumped out the car when it exploded! We see Han's body and he still returned from the dead so...I'm just saying don't count your dead characters before they hatch.

-I loved that they tied this story into Fast Five because that film was my entry into the Fast and Furious films so I remember that one distinctly enough that I could appreciate how they re-did scenes to add the idea that Dante was in their orbit then.

-Following THE SUICIDE SQUAD's lead and relegating Scott Eastwood to bit player. This feels like they were just trying to help him retain his SAG-AFTRA health insurance.

-The twist with Alan Ritchson's character. They intro him giving a wall of exposition about how the "cult with cars" win everyone over and then we see him won over and I think, "Exactly. As it should be." But no! Mans was luring Dom into a false sense of security. Dom was probably too blinded by that tan Ritchson was sporting for some reason.

-Paul Walker's daughter Meadow having a small role. Wouldn't be la familia without her.

-Jason Momoa was having so much fun and he certainly made for an entertaining villain. I'm all in for a villain who wears nail polish and space buns. And I liked how they actually used his photos from his BAYWATCH: HAWAII and STARGATE ATLANTIS years instead of photoshopping it.

THE BAD -Momoa IMO didn't find a good balance between unhinged lunacy and camp. I wish he was able to blend the menacing aspects of the character into his character when he was being more flamboyant. I think an actor who pulled that balance off perfectly was Chris Pine in SMOKIN' ACES.

-I can turn my brain off, I want to be entertained. If I wanted to logic police these films I'd just tweet Neil DeGrasse Tyson and ask his opinion. That said, bad writing is bad writing and this film had some awful writing. The script was written by Justin Lin, Dan Mazeau (Wrath of Titans) and Zach Dean (The Tomorrow War). I like to think Justin Lin knew some parts of the script was absolute dog piss and quit because he didn't want to have to massage a performance out of his actors using those words.

Justin Lin when handing in the final draft to Universal.

-The CGI was so bad! Regressively so. It was like they were using 2001 technology in some of the big scenes.

THE REST A cliffhanger? Editors exist for a reason. You're telling me I am going to have to sit through another 2 hours watching Letty, Cipher and Gisele on their sub adventure through Antarctica, Deckard saving his mum, Dante acting like he's on RuPaul's Drag Race, Roman with the weak jokes (Tyrese isn't as funny as he thinks he is), then a race to hurriedly find a way to give Brie Larson something substantive to do and because everyone comes back, we will see the return of Mr. Nobody (Kurt Russell) and then shoehorn back in Rita Moreno to close out the film with another speech about family?

[shittykawagirl97]

1899 and Black Silence: plagiarism or not plagiarism?

The funniest thing on the internet right now is the accusation of plagiarism towards 1899, and I say it sarcastically.

Yesterday my boyfriend sent me the Reddit post about Mary Cagnin accusing 1899 and Netflix of plagiarism, not only because I am a fan of the series but because I am studying Communications and contemporary media for creative industries at university.

After I approached the news as a fan, I recollect my emotions –plagiarism is a huge deal for someone in my field of study – and I approached it with analytical eyes.

First of all, I went to read Mary Cagnin's tweets. While reading them, they seemed based on true accusations but the thing that didn't add up was the fact that she approached the situation in a very strange way: if I will ever notice that a worldwide TV show was based on my work without my consent, fuck all, I'm going to call my lawyer and put down that show whatever it takes. It was strange for me that she didn't do that and just decided to post it on Twitter.

At this point, I had only one thing to do, go and read Black Silence to see what were the similarities myself. Spoiler from here on.

1) The pyramid. There is a pyramid in both shows but that's where the similarities stop. The pyramid in 1899 is a device to control the end of the simulation, in which the characters find themselves. In the comic, the pyramid is a monolith nearer Kubrick's 2001: A space Odessy monolith than 1899's black pyramid.

2) The triangles in the eyes of the character. Yes, this point is very similar, I have to say it, but it's totally different altogether. In Black Silence, the triangles appear when the character becomes entirely subjugated to the Black pyramid voices, they start to lose control of who they are and do. In 1899 the pyramid only flashes in the eyes of the character only for a few seconds when the simulation tries to wake them up, tries to make them feel that something is wrong with where they are. (I interpreted it this way.)

3) Multinational crew and space setting. Both works have these, such as Star Trek, Doctor Who, Battlestar Galactica, Stargate, and whatever sci-fi tv show you can think about. They are two fucking tropes that everyone who writes science fiction use, I'm writing a thesis about Star Trek and how its multinational crew in space was a social shock in 1966's America and 1976's Italy. Repeat after me: "USING SIMILAR TROPES IS NOT PLAGIARISM", even so in this context.

Black Silence's crew is multinational but they were selected based on individual fields of expertise and they communicate in the same language because they need to communicate for the good of the mission. In 1899 the crew is multinational for chance, at least at the start of the show. They board a ship to go to America and the languages they know are the ones they needed during their life. Multinationalism and multilingualism in 1899 are a disadvantage for everyone and everything, it studies the language barriers and what they implicate in the society.

As I said before, almost every sci-fi tv show has a space setting. Did we have to call plagiarism on everyone? No, because it's only a setting that anyone can use whenever he/she/them wants. If we want to point fingers at all costs: 1899's final is so much more similar to the ending of the USA version of Life on Mars (2008) than Black Silence.

4) The deaths. Now, what can I say about this? That Black Silence death remembers me more of Doctor Who's "42" (3x07) death than 1899? The suicides in the comic are real for the character, they die at that moment and do not come back. In 1899 they are literally deleting strings of a program, they moving files to the waste bin: the simulation has finished and they are deleting all the data to start again.

5) The symbols. In 1899 the triangles are comparable to machine code, it's a language used to communicate while being in a simulation. The Black Silence symbols aren't explained and personally, I thought of Doctor Who's "The Impossible Planet" (2x08) when I saw them drawn.

In conclusion, no, 1899 is not copied off Black Silence. Do they have similar tropes and aesthetic choices? Yes, but that's not plagiarism. Or is the comic creator's distress caused by the show. There are a lot of stories based on spaceships, whit multinational crews and can I skip how many times the triangle and the pyramids are used in sci-fi? Just to mention one movie, Stargate (1994) where the spaceship is a pyramid that came to Earth a lot of time ago, aliens possess human bodies and the triangle is the symbol of the Earth.

You can't stay on social media and believe everything you read as true without searching for information on that topic.

I don't really know why the author tweeted about this. I have my theories, but they are that and nothing more. What really scares me about the situation is the people's reactions.

You can't spread hate like it's salt on fried potatoes.

You have an entire universe in your hand every single day, use it with caution, please. On the other side of your screen there are still real people with emotions.

[galactic-pirates]

Oh boy. Ok episode 9 where do I start?

Spoiler alert as always.

Ok let’s start with the positive.

Data’s line and delivery of “I hope we die quickly” was hilarious.

I loved how Seven was the first to fight back and get a phaser with an elbow to the head.

Raffi going “not a chance” and striding forward shooting because she wouldn’t leave Seven was totally badass, and warmed my shipper heart.

As for everything else…

Oh boy.

In my theorising I said maybe the changelings wanted Jack to do his mind control whoo whoo, and form a ‘collective’ as a way to bring totalitarian order/control the federation which the changelings want.

But actual Borg? Actual Borg passed down because of Picard? That was a crack theory that I thought we were all laughing about. For once I take no pleasure in having saw this coming a little bit. ESPECIALLY to be honest because there is no explanation just a “the changelings were working with the Borg all along” erm how? Why? What do they get out of it? How did they even find the Borg given that clearly…

This season has a huge problem with time and relative distance. I know space is vast and all but for them to be jetting around to all the various places those places must be within half a light year or less. I mean I looked this up when I was comparing hyperspace travel times for Stargate and warp 9 is like 2 light years a day.

Make it make sense.

So for Jack to get to the Borg in a shuttle which I am guessing was probably not warp 9? In a matter of a couple of hours it seemed, the Borg were basically hiding out for a decade in the heart of federation space? I know Jack said “transwarp portal?” but that sounded more like a question so I guess the Borg could have warped into that nebula. But I don’t know I thought they were supposed to require some proximity. I swear what was a thing re: transmitters on Voyager. I could be mistaken though I guess.

Also what the hell with the “Borg haven’t been seen in 10 years?” I guess the friend Jurati led Borg don’t count? I mean ok separate collective but it would have only been one extra sentence to explain that and then we wouldn’t be going “continuity? I don’t know you”.

At least I guess they explained how Jack could control the younger crew members due to the implanted Borg DNA. But that raises some major questions about the transporters. Pulaski was so right not to trust them because if they can materialise people with different DNA… I mean I know this wasn’t done with Federation approval but for that capacity to even exist within the technology… I watched SNW and that has Number One being arrested for being Illyrian (genetic modifications) and then the StarFleet transporters can alter genetic code. I mean ok yeah it’s a couple of hundred years later but I don’t know feels hinky. Wouldn’t people have got sick or died? I mean tampering with DNA seems super dangerous. I get that it’s all handwaved science because it’s science FICTION but it should still seem plausible.

I just don’t get it. It’s just so weird from start to finish. Like are all XB’s modded like Picard? Have none of them reproduced in the past 30 years? Why mod Picard like that anyway? The Borg don’t reproduce like that. I think I am trying to make sense of something that is just so strange.

Anyway I am momentarily amused that my pet theory that the Borg came from contamination from the killer robots in the season 1 finale, could have further weight as that’s when Picard’s brain exploded. Could it be contact through the open space portal to killer robots was trying to transmit/receive and basically getting an error message which fried his brain?

Aaaand back to episode 9. So Shaw’s probably not dead. I mean he might be but from some of the tweets I read I am doubtful. I would like him to be dead. “Redemption through death” is a time honoured trope. I don’t know if it was invented by Darth Vader in Return of the Jedi, or just popularised, but it is a big thing. Shaw was a bastard who I wanted to throw out an airlock. In his final moment finally giving Seven the respect she deserved after his petty bullying abuse of power. That’s Redemption though death.

I am concerned though that if they given Seven and Raffi anything to do in the finale, it might be dragging Shaw to SickBay to revive him. Cortical stimulation etc. forget the fact that the Galaxy is on fire. Shaw probably wouldn’t even be grateful and instead lecture Seven on priorities again. In that case he would be right as risking their lives to bring Shaw back would be insane given the state of things. Especially as I don’t think it’s guaranteed that people can be brought back. Not killing Shaw when there is only a handful of seconds to think, is very different from deliberate choice over and over when he’s technically already dead.

Speaking of that scene though I get they wanted to isolate the TNG crew so they could be heroes, but Raffi stunned the last attacker. They couldn’t wait 2 seconds for Raffi and Seven to join them in the escape shuttle? Instead they left them behind to be killed. I mean that is basically what happened.

Make it make sense.

I dislike that the ‘face’ of the Borg control on the Titan is an alien, and the most obviously an alien. It feels like they didn’t make it one of the LaForges because obviously they will get saved and it’s to keep the impression of victims rather than the enemy. Also let the enemy be alien rather than human as that’s very othering. Humans are good guys right? /sarcasm. I mean it is so rare to see a non-human (unless it’s a Vulcan but that is quite rare too) sit in the Captain’s chair so of course it happens when they are the bad guy.

Fireworks in space. How does that work? I mean there is no oxygen. Technically this means all the glorious explosions of ships probably shouldn’t happen either? Clearly I am willing to overlook it in some cases but those fireworks did look weird. Dodgy CGI or…?

I am sure I am forgetting lots of points.

I think I have said a few times that this season has had a pacing problem. Never more so has that been true than now. As a writer I can tell you that on the story beats list this would be the doorway of no return which separates Act 2 from Act 3. That means there should be 25% of the story left approximately. So paced properly this episode should have been number 7, and possibly given everything they crammed in 6+7 expanded. That’s probably why we got such a glossed over “the changelings have been working with the Borg this whole time” with no explanation or curiousity as to why or how. I really can’t see how they can wrap this up with any degree of satisfaction within one single episode.

You know at the end of this ramble I am still stuck on how the crack “Borg baby” theory turned out to be true. I mean that was like the most “yeeeah it’s not going to be that” level of stupid and then they actually went there. Crack theory = canon and I still can’t believe it. I mean to be fair Trek did have the lizard baby episode on Voyager, so there is precedence for insanity, but that was a single episode, easily ignored and forgotten - not built up to over a 10 episode season establishing lore that anything that comes after will have to live with.

Is that what they call irredeemably jumping the shark?

As for the Enterprise-D I am picturing Geordi as the dad tinkering in his garage repairing his classic car on weekends now. Mostly though I am stunned that they went to the trouble/expense of replicating the bridge set and it will be used for all of one episode.

Oh! Hahahaha. So that’s where the lighting budget went? Finally something that makes sense.

[geekysteven]

[Image description Tweet from ACABspocky "When someone tries to tell you to choose between Star Trek and Star Wars" Attached image is Teal'c from Stargate SG-1 saying "In my culture, I would be well within my rights to dismember you."]

Source

[shipping-isnt-morality]

Hello, I'm desperate. I JUST got into the Pacific Rim fandom and apparently there's a whole lot-o people who talk about a fanfics by a person called CleanWhiteRoom, but i CAN'T find them ANYWHERE!!! I stumbled across the archive tumblr which led me to cleanwhiteroom net but it isn't letting me download the zip file. I don't know what they're about, but everyone talking about them has me in NEED of all of their Pacific Rim fics. Then I saw your old twitter tweet and now I'm here

breaks my inactivity because I have BEEN YOU, my friend, and you and everyone absolutely deserves to experience CWR

The source I’m most aware of is the CWR archive! She’s done an incredible job making a drive folder of pretty much all their work:

Hit me up again if you’re not able to access that tho and I’ll try to think of something!!

(A little note, also: Designations is incredible and so is all the spin-off things, but if you enjoy it, don’t let not knowing Stargate stop you from reading Force Over Distance. I didn’t, I read the whole massive thing, and it was Easily one of the best things I’ve ever read and works perfectly well as a stand-alone novel; it includes all the background you really need.)

[toboddly]

stargate sg-1 tweets part 6 ft. daniel's rapidly declining mental health

part 1 / part 2 / part 3 / part 4 / part 5

[sourfall]

Elizabeth Weir + tweets 2/934

[the-unofficial-village-idiot]

Venn diagram with dr. rush stargate on one side, frank shameless on the other, and rick sanchez in the middle send tweet

[shannoneichorn]

I know no one wants to cross platforms, but I've got some Stargate folks here who might want to know that I'm live tweeting SG-1 episodes on Mastodon.

"Rules of Engagement" starts here.

"Forever in a Day" starts here.

Highlights:

Okay, I really respect that the writers acknowledged that Daniel has completed the goal he set out on. You'd think something that monumentous would get wrapped into the plot of a season finale or mid-season 2-parter, so there's some comfort for fans (assuming you watched it as it aired) that the character isn't leaving the show.

I really would have liked for there to feel like more risk of that, but Daniel is acting so far outside his normal MO, it feels like a mere crisis of the week, and I think that's a disservice to Sha're (as is her character's oversimplification in the episode so far).

Movie Sha're was curious, rebellious, and brave. TV Sha're is kind of flat TV wife with an accent. The flatness could have been used to emphasize the loss of her autonomy and personality when she became a host, but it's especially hard to show that contrast when lively Sha're was on screen about 6 years prior.

It's hard to believe Daniel might actually leave, because we all know there's nothing for him to go toward. What's he going to do, find a dig to join when he could be out face-to-face with alien civilizations? No one has said that,  but you know every single person in Cheyenne Mountain understands it.

Except Daniel.

Jack literally says this 5 seconds later.  Lol.

"Past and Present" starts here.

"Foothold" starts here.

[sakebytheriver]

If you got a chance to make your dream film with an unlimited budget/resources what would it be?

Oh God what a question, I have so many big ideas for stuff I'd want to make, most of which are not movies/films but TV shows instead, like the crazy complicated high concept sitcom dissection series I've been drafting, or the numerous ideas for reboots or continuations for already existing properties I have like a queer poc lead reboot of Firefly that I've only created character bios for, or the original prequel TV series I have a pilot outlined for Vala Mal Doran from Stargate SG1 about her time before she joins the team but after she's no longer the host of a Goa'uld, or the live action reboot of American Dragon Jake Long that exists purely in my head, and I have an idea for a Joker style stand alone tragic romance movie for Mr. Freeze and Nora, that I've completely outlined and have started writing a screenplay for

But I think if someone were to approach me today with this offer, there's one movie I'd make in a heartbeat. I have finished screenplay about two high school seniors, a second generation Chinese boy named Jin and a darkskin black girl who just moved to the area named Shirley, falling in love in the 1960s in that liminal space where school integration had just started, but interracial marriage was still illegal federally in San Fransisco Chinatown. It's a period piece romance filled with all the tropes of the genre with many lingering shots on their hands with their fingers almost touching but not quite, a scene with their own version of prom and another scene on a ferris wheel where they talk about running away together, a bubbly lesbian best friend character that acts as their wingman, the forbidden/secret romance they develop etc etc.

I love the characters in that script so much, I have such an emotional attachment to them and to their story, it's a bittersweet story that I personally think the phrase "two ships passing in the night" was invented for (do not judge me but the song The One by Taylor Swift was literally such a big inspo for their romance, there were days while I was writing this screenplay that I just put that song on repeat to get me in the zone because that song was literally written for these characters and if I was to make this movie that song would HAVE to be included it is literally their song I'd make it into their theme song).

I wrote the screenplay after being inspired by this tweet

And I even incorporated those pictures into the story, having Shirley and Jin take pictures in a photobooth at a fair and then the end of the movie has a closeup on their pictures that fades into the real life pictures of couples from that time as the last frame of the movie.

Now, I'm going to talk about Jin and Shirley as characters because they are my babies and you should know about them.

Jin is the second son of Chinese immigrant parents who own a laundromat. His older brother is the disowned family disappointment whose failures loom over Jin's every action. Jin's parents want him to become a doctor, but he's the loner character archetypr that always has a book in his hand and he even has a journal always on him that he writes quotes down into that touch him in some emotional kind of way. Jin is Shirley's manic pixie dream girl and he is very happy being so. Shirley tells him he should be a writer one day and he laughs her off thinking it's an absolutely ridiculous idea because he'd always been told by his parents that he was going to be a doctor and that he had to make money and that he could never end up like his brother, but she doubles down basically telling him it's obvious that writing would make him happy and the first thing Jin ever wrote was a sonnet for Shirley. And throughout their relationship he is always writing her poems and notes and little things that he slips in her locker or her books or into her hands at the end of the day after he's walked her home, because he always walks her home, because he always asks her at the end of the day if he can walk her home and at the end of their story he promises that for her, he will never stop writing.

And Shirley, my sweet, soft-spoken Shirley, she's the oldest child and about to be the first in her family to go to college. She's a math genius that I may or may not have taken some inspiration from the West Computers of NASA to write her character. She's the logical left-brained counterpart to Jin's manic pixie dream girl energy, she even tells Jin outright that it would be a bad idea for them to be together, but then she's the one to kiss him first after he saves her from a group of bullies. There are a lot of references to princesses and damsels in distress and princes and knights in shining armor, with Shirley telling Jin he is not her prince or her savior and she absolutely doesn't need him to be and him saying of course he isn't but if there's a time when he can take a punch for her he will every time. Shirley starts the film shutting out her emotions and focusing instead on the logical side of things, but as she slowly starts to fall in love with Jin she opens herself up to her feelings and emotions, and just as she inspired him to become a writer he inspires her to use her mathematical genius to become a programmer, (since at the time it was a relatively new career that seemed to be the career that the female computers were starting to move towards instead). Also Shirley has a very strong relationship with her family, it's a lot more loving and supportive than Jin's, but she still keeps their relationship a secret from them out of fear that this could be the thing that takes all of that away. She has a scene with her little brother when he walks in on her and Jin kissing, that is like the biggest turning point in terms of her journey with her emotions. In the end, she's the one to walk away first, but she's also the one that makes sure the two of them will never let go of each other in some way or another.

Anyways, I've probably rambled on about this movie for long enough and I doubt this film will ever be made and if it is it'll be years before that ever happens. I really wrote this script because I have always wanted to write a movie where an East Asian man is the handsome charming love interest and a darkskin black woman is the soft instantly loved beautiful main character in a romance movie, because these two groups of people almost never see themselves in those roles and they have never both been in those roles in the same movie which I personally think is a crime. This film will probably be my Magnum Opus if one day I have the money and ability to make it, because I love it so much and I would make sure that that love is in every single frame. The genre and the story itself is kind of cliche and played out and it's nothing like EEAAO or the big Blockbuster superhero movies with big effects and high concept sequences and storylines, but it's something soft and sweet and meant for people to see something new and different in a genre so familiar and done to death that is meant to make you feel like you've just been given a tiny glimpse at this one moment in the lives of two people who could have existed in the past with an emotional journey that I ultimately want to leave the audience with a sense of bittersweet longing and maybe one day it will

[coldgoldlazarus]

Arknights Endfield is the Stargate Atlantis to Arknights' Stargate SG1, send tweet