#starseed pilgrim | Explore Tumblr Posts and Blogs

kindleln · 4 years

Text

Itch.io bundle for racial justice and equality part 3!

Time Stone

A very short pixelated point and click puzzle game about a girl named Elle trapped in her professors house locked in by an evil wizard that kidnapped him to find the location of the mythic time stone. When I say short it took me like 15 minutes at most. Good for a quick bit of fun.

Curse of the Crescent Isle DX

A rather straight forward pixel platformer with the gimmick you can pick up and ride the enemies. You play as the King or Queen if the Crescent Isle where all your subjects have been cursed into a inhuman form by an evil wizard. I’m notoriously bad at platformers but had fun, beat it over two days but someone better at platformers would probably finish sooner. Kinda reminds me of the straight to video Return of Jeffar for some reason.

Autumn

A very pretty game but I could not for the life of me figure out the puzzles. Like I lacked the basic ability to fathom them and couldn’t find any help online. Maybe you’ll do a better job than me

Parallax

A black an white first person puzzle game that reminds me a bit of simplified Portal but the portals are preplaced. Everything is black or white and you go between two I guess dimensions, one primarily white and the other black to solve puzzles to get to the goal and to the next level. Pretty fun.

Lingotopia

A polygonal game that’s meant to help you learn languages by going around and talking to the mildly terrifying residents and learning vocabulary words. I can’t say I recommend it as a supplement for like doulingo or a class but maybe if you have some prior knowledge of the language and they have the one you want to learn? There’s quite a few.

Village Monsters

A little farming-social-RPG where you’re the only human in a village of friendly monsters. It’s largely unfinished and apparently will be in fall so I’ll come back to it then. So far it looks very cute with a style that reminds me of a mini game thingy from one of the Professor Layton games called London Life. Anyway.

Hairdash

A game that reminds me of street fighter though I’ve never played that. A bunch of enemies appear and you go left and right to attack them. The point seems to be to last as long as you can.

Wish Upon a Star

A puzzle game raising and lowering platforms in a 3D space and follows a blue haired child’s dreams to go to space. Short and cute finished it in one sit down.

RYB

A puzzle game where you color shapes red yellow or blue, and later other colors, based on clues. I really had fun with this one. Very soothing and pretty short despite the amount of puzzles.

Cats are Liquid: A Light in the Dark

An platformer where you play as a glowing white orb of a cat that can turn into liquid to fit through small spaces. Her owner locked her in a strange never ending room and the story is told by writing on the walls that give voice to the cat’s fears and anxieties. I like the sound track and the minimalist colors and the story hit hard, but that ending!

Cats are Liquid: A Better Place

There was a content warning on the game page so I was worried honestly. The cat is no longer glowing and is searching worlds she made with her friends. Bright flashing light warning on this one. I think I like the first one more honestly and I have a theory this is actually a prequel to the first game. Anyway I played them back to back and my wrist hurts and the ending left me feeling empty.

Where is Cat?

An adorable game made by actual children. Plays as a Where’s Waldo looking for a black cat and other objects in different rooms of a house. Very cute short and simple.

Octodad

Oh my gosh it’s Octodad. I haven’t seen this guy since high school! A guy who sat next to me at lunch would play this some times and I’d look over at it. like a creep. Well anyway you play as an octopus masquerading as a human man and move around with janky physics as you are and octopus pretending to be a human. Octodad has a loving wife and two kids from whom he must keep his cephalopodic secret but doing chores and stuff. It’s fun

Octodad Dadliest Catch

Loved it. It was fun and funny even though I had trouble with some areas like getting stuck in the playground area for like half an hour, but it’s as excellent as I thought it would be staring over that guys shoulder as he played this one as well. Also it’s funny how much of a graphics upgrade from the first game this has.

Starseed Pilgrim

I had a hard time figuring this one out. I think you’re supposed to grow the sky from colored blocks but I’m unsure. I suggest checking it out, perhaps I just couldn’t figure it out.

Four Sided Fantasy

A platformer where you control a woman and a man who can go through the left side of the screen to the right and go down to end up at the top and has a vhs/vcr vibe. It’s a neat mechanic. This game is very pretty and kinda minimalistic with an equally pretty soundtrack. It can get pretty mind bending though and I do not understand the ending I guess it’s an endless loop scenario or something.

Ollie and Bollie: Out Door Estate

A short little game where you play as little dudes Ollie and Bollie as they do little chores like rebuilding a shed or round up sheep with apples. It’s cute but Bollie’s AI kept stealing tires and you walk so slowwww. Took like 20 minutes to finish.

7 notes · View notes

gothamcityneedsme · 5 years

Text

Objectively none of the games i like are good games for their gameplay--not even the ones i like playing. But, that's because i dont look for gameplay when it comes to a game. There's things i want and don't, but I'm not overly looking for something engaging or innovative. Im too busy seeing games as ways to tell stories to really be looking at gameplay properly.

#shitpost #and there's different facets to gameplay of course #all im really saying is that i won't ever play starseed pilgrim #or really most games vaunted for their gameplay by people who *are* gameplay-focused

5 notes · View notes

chetshah · 5 years

Photo

#escape #spiritual #journey #starseed #awakening #nature #naturephotography #roadtrip #pilgrim #home #mountains #clouds #shotoniphone #nofilter #whatdoyousee #instatravel (at Tibet Autonomous Region) https://www.instagram.com/p/B0zj0Wnn6TN/?igshid=cndqkuqw68j5

#escape #spiritual #journey #starseed #awakening #nature #naturephotography #roadtrip #pilgrim #home #mountains #clouds #shotoniphone #nofilter #whatdoyousee #instatravel

0 notes

blubberquark · 4 years

Text

Why Puzzle Platformers?

Why are there so many puzzle platformers? Was everybody simply copying Braid, hoping for the same level of success? And more importantly, now that Braid has been out for over a decade, why are people still making them?

If you make games, you already know why there are so many puzzle platformers, but I haven’t found a comprehensive answer to this question anywhere I can conveniently link to.

There are different ways to read that question:

Why are people adding puzzles to platformer games?

Why are there so many commercial indie puzzle platformers?

Why weren’t the same puzzles presented in an abstract, more puzzle-focused way?

Why are people adding puzzles to platformer games?

When it comes to jam games or small shareware projects, we should first ask “Why platformers, puzzle or not?” Part of the answer is probably “because platformers are easy to make with GameMaker“. Another part of the answer is “Because in a platformer, the player character interacts with the level, items, and NPCs, but these do not, for the most part, interact with each other, which makes a platformer comparably easy to implement (compared to an RTS game) and design (compared to RPG games), and platformers don’t need many extradiegetic UI elements.“

But beyond that, when you can add other mechanics to games, why puzzles?

The two obvious candidates to add to games are combat/stealth, and puzzles.

You can could also add multiple-choice dialogue, inventory, RPG elements (quests, skill points, classes), or procedural generation to any sidescrolling game, but none of these cannot carry a game on their own when you tack them on to a platformer. If the dialogue is actually substantial enough to carry a game on its own, the 2D platforming may stick out as “tacked-on” instead.

Strategy or economy (building, trading, tactics and management) are better served by a mouse-based UI. Dialogue-heavy or text-based games usually don’t have platforming sections, but platformer games can have some dialogue. In both cases, the pacing and movement of a platformer undercuts these game mechanics, and a different UI would be a better fit.

You can give your platformer a theme like horror, romance, science fiction, or medieval fantasy.

Puzzles are something you can add into a platformer game, either in between difficult platforming sections, or in combination with them. You can even alternate between stealth/combat and puzzles. Puzzles can be easy or difficult, and you can use them to break up levels or slow down the pace of an action platformer, or centre your whole game around them.

It takes some skill to design a puzzle mechanic that stands on its own, but it’s much easier to design an simple and easy one-off puzzle that you can throw into a platformer level. Easy puzzles are easy to balance: They have a binary win condition and an intended solution, but often no explicit failure state.

If adding another mechanic to a platformer makes it a puzzle platformer, is Speer a puzzle platformer? Is Super Meat Boy a puzzle platformer because you sometimes have to push buttons and the levels are self-contained? Is Outer Bounds a puzzle platformer? It’s not a bright line, but many action games that are lumped with “puzzle platformers” are still about jumping and running, but with a move set that isn’t 100% copied from Mario Bros.

If the main appeal of a game lies in the platforming, then as long as it’s solvable and doesn’t get in the way, it’s a good puzzle. Puzzles in platforming games can present their own platforming challenges, and rely on a slightly different kind of platforming execution skill, instead of puzzle-solving as a core aesthetic and source of difficulty. Players can be forced to traverse the same terrain back and forth along different paths. This can squeeze more gameplay out of fewer designed levels. Combined with traditional platforming obstacles like enemies to avoid, spike pits, moving platforms, one-way platforms, this can lead to more varied and difficult platforming challenges. Instead of getting in the way or breaking up the platforming bits, puzzle mechanics can go hand-in-hand with the platforming, without presenting a challenge in terms of puzzle solving, but only in terms of executing the solution.

Why are there so many commercial indie puzzle platformers?

For commercial games, the answer is more complicated. Maybe the premise of the question is not even true. Trine, Fez, Limbo, and And Yet It Moves all can in one way or another be described as “puzzle platformers”, but no two of them are in the same genre. If you cast a wider net, you get games like Mushroom 11, Owlboy, The Cave, Starseed Pilgrim, and Gunpoint.

Like “Action Adventure”, the phrase “puzzle platformer” has become a catch-all term for sidescroller games that aren’t punishingly difficult.

Of course, many commercial long-form games are classical puzzle platformers. Braid, Vessel, Closure, The Swapper, and Snapshot. These games are about puzzles, not about platforming.

Many smaller games like WarpSwap, ElecHead, Ministry of Synthesis, or LegBreaker are just exploring one puzzle mechanic to exhaustion in a series of one-room puzzles. Larger or long-form games often expand their repertoire of mechanics to create puzzles based on different mechanics held together by common themes or a story, or they focus more on platforming.

Why weren’t the same puzzles presented in an abstract, more puzzle-focused way?

Simple Controls and User Interface

If you see a puzzle platformer, you don’t need to figure out the controls or UI first, you can just pick up the controller and start running around. In their simplest form, the controls for a puzzle platformer are four directional buttons plus one for jumping and one for interacting the with puzzle mechanic, but more complex controls schemes are common.

The controls make writing a puzzle platformer for a game jam much easier than a mouse-driven puzzle game: You just need to check six keyboard buttons. If you are making a big commercial title, ease of implementation in terms of programming is not really a factor: After a day or two at most you’ll have implemented whatever mouse picking, widgets and UI elements you need. What’s much more time consuming is figuring out where to put the buttons so they don’t obscure the scene, or how to communicate which objects are clickable. Getting user interfaces right requires playtesting and iteration. A puzzle platformer might only need a context-based prompt that says “press X to interact“ or “walk into a boulder to push it“.

Game Feel, Embodiment and Characterisation

Another benefit of puzzle platformers over abstract puzzle presentation is game feel. The player controls the player character, and feels like a the player character existing inside the space of the level, increasing immersion compared to the feeling of a person sitting at a computer thinking about a crossword puzzle.

Many big-name 2D puzzle platformers like Braid and Snapshot have a rather zoomed-in view that focuses the level player character and the immediate surroundings, instead of showing the whole level. This allows the game to present important characters, items or places in great detail, and lets the camera pan to frame the most important parts of a scene. Animated movement in a two-dimensional space can give weight and character to the player character, and connect the gameplay to a story. NPCs can live inside a level, next to their home, their things, and their friends.

Imagine the same thing in a tower defence, or a racing game: You’re walking around in a level, and suddenly you meet an NPC, you’re having a conversation, and then you go on your merry way. Characters and environmental storytelling are not unique to platformers, but it’s more difficult to pull off in a game without a player character existing in the world with the NPCs. Puzzle platformers keep all options open.

Of course, this is not the only way to connect characterisation and puzzle gameplay, and it can be done in abstract games. Just in the most recent Ludum Dare, I played the game Interstellar Connection, a puzzle game with a rather abstract, disembodied presentation, in which the characterisation was delivered through dialogue. (I should briefly remark on two aspects of Interstellar Connection here, even though it has very little to do with the rest of this post. First, the game is at its heart a bunch of mazes that can be solved by backtracking. Every puzzle is equivalent to a maze graph, but the presentation makes use of a quirk of human cognition to prevent you from seeing the solution the way you would see the solution in a small maze. Second, I don’t think this mechanic can support a long-form game. If it weren’t for Ludum Dare, this would have been a forgettable minigame, not the main meat of the game, motivated and contextualised by the plot.)

Characters living inside a world could also be achieved with isometric graphics, first- or third-person 3D, or in a text-based game, but they don’t work well in self-contained or grid-based puzzle levels. We’ll get back to other aspects of more open level design later.

Puzzle Design

In a puzzle platformer, you have a player character, and you can have different kinds of obstacles, like pits filled with spikes, ledges, and doors. In a top-down platformer, you can of course also have doors, but you won’t have the same dynamics of gravity with falling down, of dropping things. It’s easier to get down from a ledge, or to drop something than to lift it.

With a visible and embodied player character instead of an abstract cursor, every puzzle can be complicated by combining manipulation of the puzzle environment with traversal of the level:

The level has an “obvious” solution, but the real challenge is navigating the environment to get there.

The challenge is to manipulate the environment to open a path for the player to jump to the right place to implement the solution.

The level has a “red herring” solution that solves the main puzzle but leaves the player trapped behind an obstacle, unable to progress without undoing it.

Level Design, Progression

Multiple puzzles can be placed in the same platformer “level” or “room“. In a “pure” puzzle game, puzzles are self-contained, with a beginning and an end, a starting state and an explicit solution condition. In a platformer, the goal can be implicit: You want to go from left to right and traverse the obstacles.

If a puzzle has an obvious missing piece, it can be a prompt for the player to explore the surrounding areas, to look for a tool, or for a certain puzzle piece that is exactly shaped like the gap that needs to be filled in the puzzle.

Strange Keyworld is a puzzle platformer, almost a puzzle metroidvania. Every so often, instead of reasoning through the puzzle that is currently shown on the screen, you need to explore the adjacent rooms to find another piece and bring it over. Although the puzzles in Strange Keyworld are mostly self-contained, they are still embedded in the larger world.

Most levels in Braid are bigger than one screen, and they have more than one puzzle. Often the first order of business is to get your bearings and explore. Then you learn to traverse the level to get everywhere, identify and separate the different puzzles, and only then can you think about solving all the puzzles by manipulating time and level state to get everywhere.

An interesting twist on this happens in Recursed: Levels are always on one screen, 20x15 tiles... but you need to explore inside all the chests to see what the level actually looks like!

Of course, you could have the same kind of dynamic in an abstractly presented puzzle with a mouse-based UI, where you can zoom in and out, drag the viewport around, or enter doors (and Recursed-style chests) by double-clicking. Then you’d lose the sense of exploration and progression, and the challenge of traversing the space via platforming. Exploring a large level would be easy, but tedious. You would need to program (as the developer) and then learn (as the payer) a new user interface, or you can just move a player character in a world. This ties back into the very first point: Platformers don’t need many extradiegetic UI elements.

tl;dr “Puzzle Platformers” are actually a bunch of genres in a trenchcoat. Character-focused 2D side-scrolling graphics are compatible with many different mechanics and game designs. Character-focused 2D platforming can counterbalance the abstractness of puzzle games.

#game design #puzzle platformer #puzzle game

4 notes · View notes

fleecy · 6 years

Text

i’ll be streaming starseed pilgrim in a few minutes, i’m at twitch.tv/fleecyleece in case anyone is interesting in watching a very calm 2d gardening in the void kind of game

2 notes · View notes

droqen · 7 years

Text

Sequestered Authorities

This is the third entry in a series haphazardly built on this idea of Authoritativeness in games. (It started here.)

Last week, I talked about designing for player expression. In very short, "To design a game for expressive play, reward a broad spectrum of play."

Secret Boxes

Screw Your Walking Simulators is an article from Joel Goodwin (Electron Dance) that discusses throughout the idea of a 'secret box', calling upon click-and-see games like Windosill and the GROW series.

Another way to say 'click-and-see' is 'trial-and-error'. In almost all games of this sort, there is a single way to solve each puzzle.

When I put it this way, these games are highly authoritative -- the only way to achieve victory is to perform a specific set of actions, possibly in a specific order.

But to a new player, especially one blind to the authoritative mechanics or particular unfussed about winning, the apparent authority is extremely low.

Invisible authority isn't authority.

GROW CUBE starts up with 10 buttons to click on, and each provides a reward: a pleasurable bundle of sensory feedback and increased systemic knowledge.

When you can't tell which choice is the correct one and are rewarded anyway, authority appears low regardless of how high it might mechanically be.

Starseed Pilgrim's authoritativeness / expressiveness.

My best-known game Starseed Pilgrim has fairly distinct authority (a 'winning strategy') but that starts out invisible. You don't need to know all the tricks to perform at a moderate level, and you don't need to perform at higher than a moderate level to be rewarded in the early parts of the game, and you don't know that the later parts of the game exist.

So: the authority feels low because you're rewarded for a relatively broad spectrum of action, therefore player expressiveness ('freedom' might have been a better word but it's too late now...) feels high.

Lost

I forgot where I was going with this one. That's cool. I'm used to this feeling, of not knowing where I'm going... it's been a little weird, writing the last 2 blog posts with a clear sense of purpose...

Nice, but weird.

Anyway, here we are at the end.

I've developed a new sort of axis for describing games & I'll happily use it in conversation, especially when talking about what games I like.

Here's some more Low Authority Games I really like:

Corrypt

Wilmot's Warehouse

Please make more for me.

Droqen's Everyday Disclaimer

Someone has probably described the phenomena discussed in this article already. I'm terrible at research -- forgetting the research and pretending I'm the first person to discover something is the only thing that gets me through writing articles like this. So, like, if you know about a stunningly similar theory, or this other place where they actually define the word I'm trying to define but they define it a different way and it's already "taken", absolutely feel free to tell me all about it. I'd just feel weird if I didn't publicly display some sort of self-awareness. Thanks for reading!

2 notes · View notes

littledesertsparrow-blog · 7 years

Note

20 and 21

Taliyah is alight with giggles, pressing her hand to her lips to stifle the oncoming laughter that threatens to boil over.

“Rin is… not much of a shopper. She constantly wants cute clothes and a style that reflects how she feels on the inside. But… she’s self-conscious. Rin hates shopping and trying on clothes and causes a bit of a scene if she’s been doing it for too long. She’s prone to psyching herself out and finding clothes that she so desperately thinks are cute, but doesn’t believe look good on her. It’s… kind of mentally exhausting to go shopping with Rin. For everyone involved.”

Taliyah bites the edge of her nail, working it between her teeth as she thinks. “But she doesn’t really play too many games, either. When she was younger, Rin had a Gameboy that she towed around constantly, but she only ever played the basics - Pokemon, Kirby… some Mario here and there, but those were really it. She wouldn’t consider herself a gamer and neither would I. She loves a lot of game franchises, but… hmm… let’s say, she’d rather dabble more in Earthbound lore than play Earthbound itself.”

[Taliyah, I’m on like Chapter 5 of Mother 3, that’s exotic in my tastes for games.]

“Yes, but you’ve been stuck on Chapter 5 for months now. You haven’t even played it because you don’t know where to go. Aside from Mother 3, what’s the last exotic game you’ve played?”

[Uhh… well, a friend bought me Starseed Pilgrim a few months back.]

“Yes, and you had to close out of everything you’ve been working on just to get to your desktop to see the name of the game. You couldn’t even remember what it was called. E-either way, Rin is neither a shopper nor a gamer.”

[Okay, okay fine. I get it. Next question Tali, please.]

“Fine, fine. Ohh… well, um, I think it’s no surprise that Rin is fairly pessimistic on a regular basis. I think she’s just kind of swarmed herself in it. Her Ryuzaki muse was constantly worried about her, but that was in her heyday where she was much worse off mentally than I believe she is now. I try not to worry about it, because I’m sure that Rin will be okay. But… it’s worrying, sometimes, when she just wakes up and jumps straight to crying.”

[The doctor I’ve gone to since I was little refused to diagnose me with depression, but I know I have it. I’ve had it for years. It manifests in laziness, aggression and overall bad habits like irregular bathing and me staying up all night. I skipped my college class today because I slept in, even though I had like 17 hours of rest yesterday. I don’t like myself and I don’t like who I am.]

“This is my question, not yours to answer. A-anyways, now that she’s gotten a job I think she’ll be a little better off. Rin tends to think herself… worthless for having gotten fired a few months back. It’s been a hard slope that only increases as she spends the money she’s saved up, but she’s gotten herself another job so that’s a step in the right direction. She’s not entirely pessimistic, no - she has her moments of being too sure something will turn out okay, or having clarity and taking a realistic approach to a problem. It’s just… hard when she constantly berates herself.”

#ask the sparrow ;

1 note · View note

epicmeetsfail · 5 years

Photo

Have You Played… Starseed Pilgrim? https://ift.tt/2JogL4A July 03, 2019 at 02:54AM

#gaming

0 notes

marshvlovestv · 3 years

Text

I think I was a bit foolish going into Starseed Pilgrim expecting there to be a concrete goal. In my mind it was a puzzle game, even though the store page says absolutely nothing about puzzles. The store page says very little at all and professes it’s a game best experienced on one’s own, but you’ll forgive me if I try to give my brief interpretation.

The “goal” of this game, as it were, is to decipher the growth patterns of your many “seeds,” all their little quirks and interactions and the general rules of the world you’re in. All of this is not to determine their utility in some larger task; it’s just about the joy of experimentation and discovery.

Or maybe there is secretly an objective that I’m missing and I’m being doubly foolish right now by saying there isn’t one. You can collect keys, after all. God knows what, if anything, they open.

So basically, I have no idea if I’m playing this game correctly, but I still really like it.

#my bag of games #starseed pilgrim

1 note · View note

kaidra808gaming · 7 years

Text

BOB’s Gaming Masterpost

This is my attempt at compiling a list of all the games I have ever played, tried, owned, or currently do own.

9.03m

Animal Crossing: Wild World

Animal Crossing: City Folk

Animal Crossing: New Leaf

Animal Crossing: New Horizons

Anno 2070

ASTRONEER

Awesomenauts

Bad Rats

Banished

The Banner Saga

Bastion

BattleBlock Theater

Borderlands

Borderlands 2

Borderlands: The Pre-Sequel

Broforce

Call of Duty: Black Ops 3

Call of Duty: World at War

Castle Crashers

CastleMiner Z

Chantelise

Chaos on Deponia

Cities: Skylines

Contagion

Cook, Serve, Delicious!

Dark Souls

Dead Island

Dead Island Riptide

Demigod

Democracy 3

Deponia

Dishonored

Dragon Ball Xenoverse

Dungeon of the Endless

Dying Light

The Elder Scrolls 3: Morrowind

The Elder Scrolls 5: Skyrim

The Elder Scrolls 5: Skyrim SE

Endless Legend

Endless Space

Eufloria

Eufloria HD

Evoland

Fable - The Lost Chapters

Fallout 4

Fallout Shelter

Farming Simulator 2013

FEZ

Firewatch

From Dust

FTL: Faster Than Light

Gnomoria

Godus Wars

Goodbye Deponia

Grand Theft Auto 5

The Guild 2

The Guild 2 - Pirates

The Guild 2 - Renaissance

HunieCam Studio

ibb & obb

Just Cause

Just Cause 2

Kenshi

Kerbal Space Program

Kinetic Void

Kingdom: Classic

Kingdom: New Lands

Kingdoms of Amalur: Reckoning

Left for Dead

Life is Feudal: Your Own

The Long Dark

Lovers in a Dangerous Spacetime

Machinarium

Magicite

Mark of the Ninja

Metal Slug

Minecraft

Minecraft: Story Mode

Miner Wars 2081

Momodora: Reverie Under the Moonlight

Montaro

NightSky

Nimbus

Ori and the Blind Forest

Ori and the Blind Forest: Definitive Edition

Pixel Piracy

PixelJunk Eden

Plants vs. Zombies: GotY

Pokemon Red/Blue

Pokemon Yellow

Pokemon Gold/Silver

Pokemon Crystal

Pokemon Ruby/Sapphire

Pokemon Emerald

Pokemon Diamond/Pearl

Pokemon Heart Gold/Soul Silver

Pokemon Omega Ruby/Alpha Sapphire

Pokemon Ultra Sun/Ultra Moon

PokeMMO

The Polynomial

Project Zomboid

Proteus

Real Grinder

Recettear: An Item Shop’s Tale

Reus

Rise to Ruins

Risk of Rain

Roguelands

Saints Row 2

Saints Row 3

Saints Row 4

Saints Row: Gat out of Hell

Sang-Froid - Tales of Werewolves

Secret of the Magic Crystal

The Secret World

The Settlers 7: Paths to a Kingdom

Shelter 1

Shelter 2

Sid Meier’s Civilization 5

The Sims 2

Slime Rancher

Solar 2

Space Engineers

Starbound

Stardew Valley

Starseed Pilgrim

Tales form the Borderlands

Teeworlds

Terraria

Tomb Raider

Torchlight 2

Tripple Town

Under the Ocean

Universe Sandbox

Viridi

Voodoo Garden

Warhammer 40,000 GotY

Warhammer 40,000 Dawn of War - Dark Crusade

Warhammer 40,000 Dawn of War - Soulstorm

Warhammer 40,000 Dawn of War - Winter Assault

Warhammer 40,000 Dawn of War 2

Warhammer 40,000 Dawn of War 2 - Chaos Rising

Warhammer 40,000 Dawn of War 2 - Retribution

The Witcher

The Witcher 2

The Witcher 3

#BOBsMasterpost #video games #gaming #games #BOBsGaming

4 notes · View notes