#street live

[yoshihiroyuki]

My street live set. Both the guitar and the amplifier are rattling.

[tikuo2007]

『Paul's Boutique前ストリートライブ with ZO-3 (Beastie Boys 模写)』

20221112

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[hydranomago]

▷ the Bugzy 「 Driving by Crazy Box 」

[k-i-l-l-e-r-b-e-e-6-9]

[goryhorroor]

horror sub-genres: campy

[inklore]

“in those moment alone, as my fingers trace freckles from cheek to collarbone, or as i watch the way starlight dances across skin, i marvel at how one can feel such intimacy, but also such great distance.”

colin really said yeah sex is great and all but what about love? what about yearning? what about feeling someones soul? what about looking into the eyes of someone and feeling seen, like you’re home. ahhh!!!

[11oh1]

[starcurtain]

One of my favorite things about the game's writing of Alhaitham and Kaveh:

The basic game text goes out of its way to convince us that the house is Alhaitham's--it is literally called "Alhaitham's Home" even during Kaveh's hangout.

But in-universe, we never see Alhaitham in his house unless Kaveh is there.

Throughout Sumeru's archon quests, we run into Alhaitham practically everywhere: in Port Ormos, in Aaru Village, in the Akademiya, at the Grand Bazaar. But never, despite the fact that the story wants to sell him as a homebody, in his own home. In fact, the only references we have to Alhaitham's house at all throughout the entire lead up of the archon quests are mentions of Kaveh.

Alhaitham doesn't suggest going there, doesn't ever go home himself (at least that we're explicitly told about) until the end of the archon quests, and has no cutscenes in his own house until Kaveh returns from the desert.

Then, all the sudden, Alhaitham literally can't wait to go home and walks off in the middle of a conversation.

From that point on, every time we're permitted to enter Alhaitham's house, in story quests, the hangout, and the event, it's either when he and Kaveh are together or with Kaveh alone.

Even during Alhaitham's birthday skit of all things, they went out of their way to tell us that Alhaitham's home, so of course Kaveh is there:

The map tag tells us the building is Alhaitham's Home, but the story reinforces a different idea:

It's Alhaitham's home when Kaveh is in it.

[whereifindsanity]

Hallelujah by Allie Sherlock & Fionn Whelan

[chaiaurchaandni]

palestinian art on the israeli apartheid wall

rick and morty, artist unknown

banksy, "escape," jerusalem

lushsux, bethlehem

lady liberty x handala (artist unknown)

+ more:

bonus: in gaza, by banksy

[midnightsslut]

religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.

taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.

the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.

when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.

side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?

the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.

the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.

ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.

[strongermonster]

one of the funniest news things in canada that always tickles me is the ongoing war between magic mushroom shops and the police.

this is the absolute height of humour to me right now

[texaschainsawmascara]

by Joe Simko