#taken from Avatar the Last Airbender

[chibi-pix]

I had come across this post with The Boulder and Toph and I had to do it, but with Pidge and Sendak. And, yes, utilizing Pidge being blind in an AU, but with a different outfit than I gave her in my MitD au series.  But. This felt perfect. Another option was using Haxus instead of Sendak, but I liked Sendak more since, in blind AU/s, Haxus is a good guy. 

Anyway, I hope y’all enjoyed this one! Until next time!

[diornies]

the worst friends in the world.

[muffinlance]

Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue

THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.

[emkini]

@spidey-loving-starkid said: Tomorrow Tomorrow Zuko

Color Palettes Here

[ID: An illustration of Prince Zuko from Avatar: The Last Airbender in dramatic lighting. He is shown from the shoulders up, looking at the viewer head-on. His expression is pensive and somewhat intense, and his eyes are glowing. The background is a Yin-Yang symbol, with the left side colored in oranges and reds to imply flames. He is dressed in his robe from the latter part of Book 3.] 

[cimmeria-writes]

for @kataang-week -- day 4: cultural exchange

(ID: a digital drawing of katara and aang from atla. they're wearing clothing from each other's cultures. katara is wearing a yellow chuba with red trim, an orange shirt, a chumpi belt, and boots. she has one necklace with small turquoise beads and one with large yellow beads. aang is wearing a parka with a thick fur hood and black-and-white geometric patterns, and dark blue pants. he also has mittens and large boots on. they're smiling at each other, with pink hearts floating between them.

[harleyification]

ALOK AU WHERE KORRA IS FROM THE FOGGY SWAMP TRIBE RATHER THAN EITHER OF THE POLES

[bbqhooligan]

"if you take One step backwards, One slip up, give me One reason to think you might hurt Aang, and you wont have to worry about your destiny anymore. because ill make sure your destiny ends. right then and there. permanently." was a crazy run

[ranilla-bean]

✨ The Mercy of Magpies 《喜鵲之恩》 ✨

3...2...1... takeoff! 🚀 @ash-and-starlight & @ranilla-bean here to launch our project for @zukkabigbang2024 🐦‍⬛🐦‍⬛

Rating: M Fandom: Avatar the Last Airbender Pairing: Sokka/Zuko Chapters: 2/15 Beta: @faux-fires

Tags: Alternate Universe - Space, Space Opera, Depictions of Violence, Minor Character Death, Dilf Zukka, War, Han solarpunk, loosely inspired by Red Cliff (dir. John Woo), Decolonisation, Ghosts, the narrative is haunted, Getting Together, Slow Burn, eventual sexual content (i prommy), BBL Ozzy, thematically relevant magpies, interplanetary old man yaoi saves the galaxy

Summary:

In the XXXth span of the galactic war against the Phoenix King, the Avatar, Master of the Four Elements, summoned his trusted advisor to his side… Avatar Aang, prosecutor of the long war against the Fire Nation, tasks General Sokka with the recruitment of a secret friend hidden on his old home planet Emptiness II, razed a century ago. There, Sokka finds an impossible community, where peoples from all quadrants of the galaxy have taken root—headed by the Phoenix King’s own son Zuko. As he comes to trust them, Sokka becomes invested in the community. But war is barrelling towards them, and he must harness the spark between himself and Zuko to save Emptiness II… and the rest of the galaxy.

check out the rest of the chapter 1 art here!

[illycanary]

Katara's Story Is A Tragedy and It's Not An Accident

I was a teenaged girl when Avatar: The Last Airbender aired on Nickelodeon—the group that the show’s creators unintentionally hit while they were aiming for the younger, maler demographic. Nevermind that we’re the reason the show’s popularity caught fire and has endured for two decades; we weren’t the audience Mike and Bryan wanted. And by golly, were they going to make sure we knew it. They’ve been making sure we know it with every snide comment and addendum they’ve made to the story for the last twenty years.

For many of us girls who were raised in the nineties and aughts, Katara was a breath of fresh air—a rare opportunity in a media market saturated with boys having grand adventures to see a young woman having her own adventure and expressing the same fears and frustrations we were often made to feel. 

We were told that we could be anything we wanted to be. That we were strong and smart and brimming with potential. That we were just as capable as the boys. That we were our brothers’ equals. But we were also told to wash dishes and fold laundry and tidy around the house while our brothers played outside. We were ignored when our male classmates picked teams for kickball and told to go play with the girls on the swings—the same girls we were taught to deride if we wanted to be taken seriously. We were lectured for the same immaturity that was expected of boys our age and older, and we were told to do better while also being told, “Boys will be boys.” Despite all the platitudes about equality and power, we saw our mothers straining under the weight of carrying both full-time careers and unequally divided family responsibilities. We sensed that we were being groomed for the same future. 

And we saw ourselves in Katara. 

Katara begins as a parentified teenaged girl: forced to take on responsibility for the daily care of people around her—including male figures who are capable of looking after themselves but are allowed to be immature enough to foist such labor onto her. She does thankless work for people who take her contributions for granted. She’s belittled by people who love her, but don’t understand her. She’s isolated from the world and denied opportunities to improve her talents. She's told what emotions she's allowed to feel and when to feel them. In essence, she was living our real-world fear: being trapped in someone else’s narrow, stultifying definition of femininity and motherhood. 

Then we watched Katara go through an incredible journey of self-determination and empowerment. Katara goes from being a powerless, fearful victim to being a protector, healer, advocate, and liberator to others who can’t do those things for themselves (a much truer and more fulfilling definition of nurturing and motherhood). It’s necessary in Katara’s growth cycle that she does this for others first because that is the realm she knows. She is given increasingly significant opportunities to speak up and fight on behalf of others, and that allows her to build those advocacy muscles gradually. But she still holds back her own emotional pain because everyone that she attempts to express such things to proves they either don't want to deal with it or they only want to manipulate her feelings for their own purposes. 

Katara continues to do much of the work we think of as traditionally maternal on behalf of her friends and family over the course of the story, but we do see that scale gradually shift. Sokka takes on more responsibility for managing the group’s supplies, and everyone helps around camp, but Katara continues to be the manager of everyone else’s emotions while simultaneously punching down her own. The scales finally seem to tip when Zuko joins the group. With Zuko, we see someone working alongside Katara doing the same tasks she is doing around camp for the first time. Zuko is also the only person who never expects anything of her and whose emotions she never has to manage because he’s actually more emotionally stable and mature than she is by that point. And then, Katara’s arc culminates in her finally getting the chance to fully seize her power, rewrite the story of the traumatic event that cast her into the role of parentified child, be her own protector, and freely express everything she’s kept locked away for the sake of letting everyone else feel comfortable around her. Then she fights alongside an equal partner she knows she can trust and depend on through the story's climax. And for the first time since her mother’s death, the girl who gives and gives and gives while getting nothing back watches someone sacrifice everything for her. But this time, she’s able to change the ending because her power is fully realized. The cycle was officially broken.

Katara’s character arc was catharsis at every step. If Katara could break the mold and recreate the ideas of womanhood and motherhood in her own image, so could we. We could be powerful. We could care for ourselves AND others when they need us—instead of caring for everyone all the time at our own expense. We could have balanced partnerships with give and take going both ways (“Tui and La, push and pull”), rather than the, “I give, they take,” model we were conditioned to expect. We could fight for and determine our own destiny—after all, wasn’t destiny a core theme of the story?

Yes. Destiny was the theme. But the lesson was that Katara didn’t get to determine hers. 

After Katara achieves her victory and completes her arc, the narrative steps in and smacks her back down to where she started. For reasons that are never explained or justified, Katara rewards the hero by giving into his romantic advances even though he has invalidated her emotions, violated her boundaries, lashed out at her for slights against him she never committed, idealized a false idol of her then browbeat her when she deviated from his narrative, and forced her to carry his emotions and put herself in danger when he willingly fails to control himself—even though he never apologizes, never learns his lesson, and never shows any inclination to do better. 

And do better he does not.

The more we dared to voice our own opinions on a character that was clearly meant to represent us, the more Mike and Bryan punished Katara for it.

Throughout the comics, Katara makes herself smaller and smaller and forfeits all rights to personal actualization and satisfaction in her relationship. She punches her feelings down when her partner neglects her and cries alone as he shows more affection and concern for literally every other girl’s feelings than hers. She becomes cowed by his outbursts and threats of violence. Instead of rising with the moon or resting in the warmth of the sun, she learns to stay in his shadow. She gives up her silly childish dreams of rebuilding her own dying culture’s traditions and advocating for other oppressed groups so that she can fulfill his wishes to rebuild his culture instead—by being his babymaker. Katara gave up everything she cared about and everything she fought to become for the whims of a man-child who never saw her as a person, only a possession.

Then, in her old age, we get to watch the fallout of his neglect—both toward her and her children who did not meet his expectations. By that point, the girl who would never turn her back on anyone who needed her was too far gone to even advocate for her own children in her own home. And even after he’s gone, Katara never dares to define herself again. She remains, for the next twenty-plus years of her life, nothing more than her husband's grieving widow. She was never recognized for her accomplishments, the battles she won, or the people she liberated. Even her own children and grandchildren have all but forgotten her. She ends her story exactly where it began: trapped in someone else’s narrow, stultifying definition of femininity and motherhood.

The story’s theme was destiny, remember? But this story’s target audience was little boys. Zuko gets to determine his own destiny as long as he works hard and earns it. Aang gets his destiny no matter what he does or doesn’t do to earn it. And Katara cannot change the destiny she was assigned by gender at birth, no matter how hard she fights for it or how many times over she earns it. 

Katara is Winston Smith, and the year is 1984. It doesn’t matter how hard you fight or what you accomplish, little girl. Big Brother is too big, too strong, and too powerful. You will never escape. You will never be free. Your victories are meaningless. So stay in your place, do what you’re told, and cry quietly so your tears don’t bother people who matter.

I will never get over it. Because I am Katara. And so are my friends, sisters, daughters, and nieces. But I am not content to live in Bryke's world.

I will never turn my back on people who need me. Including me.

[rjalker]

Dear people who aren't physically disabled who plan to write fantasy settings:

[ID: Several images taken from the Geordi La Forge yes and no meme format, with Geordi holding out a hand disapprovingly for the no section, then pointing in approval for the yes section.

The first image is the meme:

No: "Saying the existance of magic in your setting means there are no disabled people (this literally just means disabled people are killed. AKA eugenics)"

Yes: "Having disabled people who use magical mobility aids and other assistive devices. Realizing that someone is still disabled even if their prosthetic arm is made of magic instead of plastic."

This is followed by four more panels of yes section:

"Geordi la Forge is still literally disabled. His visor helping him does not erase his disability and make him magically abled."

"Toph from Avatar: The Last Airbender is still literally disabled even though her Earthbending helps her. It does not make her disability ~magically~ go away."

"Having your disability be accomodated does not mean the disability goes away. Having a prosthetic hand, even one that's made of magic, does not mean you're not disabled."

"Magical mobility aids do not mean disabled people don't exist. It just means they use magical mobility aids instead of plastic or metal ones. A limb made of magic is still a prosthetic even if it's made of the soul of the universe instead of plastic and metal."

Then another no panel: "'There's no disabled people beacuse magic'".

Then one last yes panel: "'Magic helps disabled people in a variety of ways'".

End ID.]

This also applies to science fiction; just because Luke Skywalker's prosthetic hand is super advanced doesn't mean it's no longer a prosthetic, or that he's not disabled. Same with Darth Vader - just because he has a suit that lets him breathe and walk around doesn't mean he's not disabled. (And Star Wars' propensity for making the villains visibly disabled while the heroes disabilities get covered up by super advanced prosthetics is a topic that deserves its own post, especially with how ableist some of the authors of the books are. Troy Denning is especially ableist)

Edit:

Because people keep being fucking obnoxious and ableist in the tags, yes,,, motherfuckers, if you refuse to have disabled people in your setting, that does make you fucking ableist. If you say that the magic is used to cure all disabled people and that's why they don't exist, that's fucking eugenics.

You cannot ""cure"", more like remove all disabilities without fucking eugenics. Magically automatically destroying disabled fetuses (a very fucking popular trope!) is eugenics.

The only way to fucking "cure" autism is to fucking kill all autistic people, also known as eugenics!

What about people with PTSD? Do you just fucking brainwash them so they aren't traumatized anymore?

Do you force all Deaf people to be able to hear? Do you force all blind people to be able to see? Do you force all anosmics to be able to smell?

Do you magically force everyone with a speech impediment to speak to your standards?

Do you force everyone born with bodily or facial differences to live up to your fucking standard of beauty?

You cannot fucking say "disablities don't exist in this universe because magic cures everything" without inherently saying that eugenics exists in your fucking universe.

Not all fucking disabilities need a cure. If you ""cured"" my autism I'd just be fucking dead. You'd literally just be changing me into what you think is fucking acceptable.

Stop fucking arguing in defence of ableists on my fucking post so you can pretend that eugenics has never been written about in magical settings when it is extremely fucking prevalent.

And while we're fucking at it, let your gods damned characters become disabled over the course of their story, and call them disabled within the fucking story. I don't care if they're a robot. I don't care if they have magic. Not all fucking damage can be fixed. Curses exist. Hardware can go out of fucking date and no longer be manufactured anywhere.

Let your characters become disabled and do not magically fucking cure them back to brand new every single time they get hurt. The only thing you accomplish by doing that is destroying any chance of ever having stakes.

No, "magical healing leaves scars on the mind from the memory of the injuries though!!!!" is not fucking good enough. Let your characters have scars. Let them become disabled. Stop being fucking ableist cowards.

Edit number fucking 2:

No, motherfuckers, you do not get to comment "if the disability was caused by magic it's not ableist to cure it with magic". You are the ableist this post is about. Shut the absolute fuck up, stop treating being disabled as the worst possible outcome, and just admit you're a fucking ableist. If you don't want your characters to become disabled, then don't fucking make them disabled.

[ID: The Garfield "you are not immune to propaganda" meme, now edited to read:

"If your first thought upon reading this post is, 'Oh, but it's okay to magically cure disabilities caused by magic!' Congrats…you are the exact sort of ableist jackass this post is about."

End ID.]

Edit number fucking 3:

Autistic people exist! People who are born with disabilities exist! You cannot create a setting where disabled people do not exist because we're all "cured" or "fixed" and not inherently say that you are killing disabled people as soon as they're born, or fucking aborting us as soon as you figure out we'd be born disabled! That's fucking eugenics!

There is no way to "cure" autism without eugenics! There is no way to "cure" people with body differences without eugenics! There is no way to make disabled people nonexistant in your setting without eugenics! Thinking you can and should "cure" and "fix" all disabilities IS EUGENICS!

Also:

[ID: A character shouting at the camera, now edited to read: "Shut up about Dungeons and Dragons! Shut up about Dungeons and Dragons! If the rules of Dungeons and Dragons are ableist, then fucking change them! It is your fucking personal responsability to be a better person than your bigoted society wants you to be!". End ID.]

[ID: White text on a dark brown background with white and black borders around the edges, that reads:

"I don't fucking know or care about Dungeons and Dragons.

This post is not about Dungeons and Dragons.

Do not fucking throw the rulebook of Dungeons and Dragons at me like it's some sort of 'Gotcha!'.

You will literally just be blocked like the rest of the ableist assholes who've already tried it.

If you play dungeons and dragons, it's your responsability to make your games not be ableist, even if it means breaking the rules.".

End ID.]

I do not fucking care what the ableist rules are in Dungeons of Dragons. Do not fucking throw ableist rules for a game I have never and will never play at me on a post I made so that people could learn how to make their settings less ableist. If the rules in Dungeons and Dragons are ableist, then fucking change them. If you don't want to change them, then stop fucking playing an ableist game.

Disabled people deserve to see ourselves represented in fiction just like everyone else, without any fucking requirements that we be "cured" or "fixed" before the story ends.

How the fuck would you feel if a trans and gay character's whole story revolved around going on a quest to become straight and cis, did so, and only then was allowed to live happily ever after?

Why do you fucking think suggesting people write stories about disabled people going on a quest to be cured because it's the only way they'll ever be happy is any less fucking offensive?

Also:

This post is NOT a place for you to talk about how disabled people in fiction should have the option of curing their disabilities. It's just not. That's the fucking default for this society. That is not a revolutionary concept. It's not novel. We fucking know this society wants us gone. A post about how disabled people deserve representation is not the place to talk about how "Well, actually, in fiction disabled people should be cured!" Like that's not the fucking universal default???????????

Edit #4:

Everyone needs to stop tagging this singing praise for Fullmetal Alchemist. A story that uses disability as a punishment and the characters are on a quest to cure their disabilities is not the amazing representation you're all claiming it is just because the character who is only disabled because of DIVINE PUNISHMENT uses prosthetics.

Read this post, and this one. Fullmetal Alchemist is a hell of a lot more ableist than you people are letting on.

guess what you can now find a PDF version of this post on the web archive.

Edit #5! August 23rd, 2023!

A) Everyone. Disabilities that can only exist in the magical setting are still disabilities.

Trying to cure the younger brother's magical disability of being a soul floating around in a magical suit of armour is, in fact, going on a quest to heal a disability!

It doesn't matter if the older brother doesn't want to get his limbs back when they're going on a quest to heal the younger brother's disability! Especially when they BOTH get magically healed at the end!

Magical disabilities that can only exist in that setting, but not real life, are still disabilities, and it's not okay to magically heal them either! What part of the Garfield meme on this post did you all choose to ignore?!

B) When you leave tags on a post you are reblogging, the original poster can see them! When you leave tags on this post, I can see them!

If you think this post is ""too aggressive"" then simply do not reblog it! Don't fucking tone police me on a post I've had to edit five times now due to the constant ableism people have been commenting since I made it!

I have been called the R slur by multiple people in response to this post! People have literally reblogged this post to defend eugenics abortions! You can't see these comments or replies anymore because I blocked the poster!

If you think minorities are being too aggressive by responding appropriately to bigotry, you're a bigot! And you should either not reblog the post at all, or at the very least, shut the fuck up and not tone police us!

Do not fucking put tags on this post complaining I'm being too aggressive! That's called tone policing and you're a bigot if you do it! Don't fucking do it on anyone else's posts either! They can see your tags too!

C) When I fucking say Harry Potter fans are banned from this post, yes, this means YOU!

Either stop supporting a billionaire who's literally using the profits from her bigoted shittily written books to fund REAL FUCKING GENOCIDE, or fuck off!

By continuing to support the Harry Potter series, you are literally giving JK Rowling free fucking advertising! You are encouraging more people to read the series and watch the movies, spending more money and giving her more fucking money with which to LITERALLY SHAPE A COUNTRY'S LAWS TO COMMIT GENOCIDE. She is literally fucking fighting to make being trans illegal! She is literally fucking fighting to have even more of autistic people's rights taken away!

You cannot fucking be a fan of the Harry Potter series in 2023 and call yourself an ally to all the minorities harmed by JK Rowling and the bigotry baked into her shitty series!

Read another book! The Web Archive has tons you can read for free! Literally every single book on gutenberg.org/ is free! Including audiobooks for some of them!

If you write Harry Potter fanfiction, simply fucking get rid of the names and identifiable features and start writing original fiction instead! It's literally free!

Not supporting a literal fucking genocidal billionaire costs LITERALLY NOTHING! And if you refuse to fucking stop supporting JK Rowling, which is what you are doing when you support the Harry Potter series and squeal over her OCs, you are not an ally to any fucking minority! No! Not even if you're trans yourself!

= = =

Edit again Nobember 28th 2023 because this comment is just. such a perfect example for all of you that think this doesn't happen.

butter-whore2 said, two hours before this edit:

kind of a fan of tumblr's slightly more algorithmically elements for reminding me of the hell's other people construct for themselves but this one hits like five of the boxes. How do people do this to themselves? it's such a bizarre way to act over media I genuinely do not believe is capable of stirring an emotional response the metaphysics of disability here are unintentionally really funny but disability is not a coherent ontological framework, it's a vague descriptor for literally thousands of different things none of which lend themselves to categorizing Moralizing over fiction is incredibly lame.

Liking harry potter is also incredibly lame, it's not morally wrong nor transphobic and you do not get to decide that lol. people literally do get "cured" of their disabilities all the time, many of them have a positive experience in doing so. this is not what eugenics is.

the anti abortion stuff lol

Literally how do you live like this? you guys don't even read real books I don't get it.

Archived version of the comment for posterity.

So yeah, lofl, block this fucker.

[ravenna-reid]

The Jade Ghost

Blue Spirit Zuko x Bloodbender Reader

This story is completely different to what I usually do, but I've been watching Avatar: The Last Airbender lately and really hope ya'll love Zuko as much as I do.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was insufferable. Zuko, the crowned prince of the fire nation, was now a fugitive and stuck in some sort of village begging for spare change on the ground with Uncle Iroh. If that wasn't embarrassing enough, those who decided to mock him and his uncle made it all the more worse, the deep, unsettling anger within him turning into an unhinged rage. So he waited.

And when the sun would set and the darkness came to help hide Zuko's doings, he adorned his blue mask. The oxtail sabers in each hand felt good, like he'd gained some sort of control over his situation. Then he'd prowl through the night as though he was a ghost. The Blue Spirit. Taking change and food from those that looked like they had enough, or taking revenge on those that had mocked him or his uncle. He'd swiftly managed to throw one of the men that spat at Iroh into a wooden barrel. Splinters decorated the floor as well as the change the man had taken from them earlier in the day. Zuko grabbed the gold pieces and slipped them into his pocket. As he turned down the street, an opulent looking home being his next target, a blurred figure metres before him quickly caught his attention.

Zuko ducked his head to the side, just missing a dagger as it found its home in the wooden beam beside his head. Zuko turned on his heel to see three hooded men coming his way, armed and ferocious. He was able to swiftly disarm the first thug, throwing him into the wall of a nearby home. The other two put up a better fight. Zuko was focused on pinning the second ones arms, given he happened to be an Earthbender, but focusing his attention on the man almost made him forget the third thug. As Zuko turned and expected the blow to his head, something glinted in the air. Flashed as quick as a light. A swoosh sound came after it and the third man hit the ground hard.

Zuko dealt a devastating strike to the Earthbender before training his attention onto another person. Someone new. Adorned in an emerald green robe, her hair was pulled back into a tight bun, a single gold chop stick running through it. Her face, however, was concealed. An immaculate mask that looked as though it was carved from jade sat on her face, a mask almost similar to Zuko's. Steady eyes watched the third man through the jade mask as she spun a long, gold staff between her fingers. Her eyes flickered up to Zuko though, and he barely caught what she said. "Behind you."

The Earthbender was on his feet and tore two large boulders from the pavement either side of him. Zuko slipped past each boulder as they were thrown at him. After that, Zuko's next movements were a blur as he, the two thugs, and the Jade Ghost all fought relentlessly. She seemed to be helping, so he let her help...for now.

The Earthbender managed to get his first hit of the night and knocked both Zuko and the Jade Ghost to the ground. Zuko was on his feet, ready to attack yet again, but then something happened. Something odd. Something Zuko couldn't explain.

The Earthbender's arms twitched before they tangled together. Then, with an agonising cry he dropped to the ground. Zuko's eyes cut over to the girl that laid beside him. Focus was evident in her eyes as she manoeuvred her hands in a fascinating way. Hand flat, resting in the centre of her face before she lowered her arm and moved it in a wave like formation. Zuko clutched onto his sabers. Felt his hot, laboured breath against his mask. The Earthbender suddenly fell unconscious...and then Zuko realised.

Bloodbending.

The Jade Ghost panted as she got to her feet and picked up her staff. Turning to run, she was met with the ocean blue dragon mask. He was tall, dressed in black, ready for a confrontation as he gripped onto his sabers. The Jade Ghost just stopped herself before bumping into him.

"Who are you?" He asked, tone severe.

"Hey, I'm not asking you questions. Am I?"

"I suggest you answer." He threatened.

"Listening, I've been watching you. You're not bad...you've helped a lot of my people whilst wearing your little mask. Like me. So how about this..."

She slipped down an alleyway and with the shake of his head, Zuko quickly followed. She didn't want a confrontation, not when the sun was soon to rise and she didn't see the man in the mask as a threat.

As she sprinted and took the chance to look over her shoulder, relief spread through her chest. The Blue Spirit wasn't there. But suddenly, he was jumping down from a nearby roof. He grabbed onto her as he dropped down, and the pair tumbled over the ground before coming to a stop. The Jade Ghost tried her staff before it was knocked from her hands. Then, she resorted to using hand-to-hand combat. The strikes were fast and precise, but Zuko was just as fast and precise as her. She slipped his arm behind his back and put him in a hold before he broke out and pinned her against the wall.

Masks centimetres from each other, he leant in to ask another question.

"That was bloodbending, wasn't it?"

"Wanna find out?" She hissed.

His determination faltered. They stood and watched each other, and Zuko felt something he couldn't ignore. What was it? Was he impressed? Was he admiring her? He almost wanted to hit his head against the wall.

Suddenly, a light, green dust was thrown into his face. An irritable itch began in his eyes as he quickly let go of her. And just like that, she slipped away into the night. Just like a ghost. As he tried to search for her, Zuko quickly became annoyed. Dumbfounded. Curious.

Zuko made it back to the sorry place him and his uncle were calling 'home' for a while, hiding his mask and sabers inside of a deep crevice in the house they were staying in.

"Where did you go?" Iroh asked, sipping his fourth cup of tea as he watched his nephew angrily enter the room. The sun was filtering into the room, it's beams warm and welcoming.

"I had to clear my head. Tell me uncle, do you know anything about the Jade Ghost?"

"The Jade Ghost? Hmm," His uncle stroked his beard as he sifted through his memories. "Nope, never heard of him."

"Her." Zuko corrected as he stared out the window and wondered where she went. Who she was. How she learnt to bloodbend.

"Until next time Jade Ghost."

[f1reladymai]

Aang getting so, uncharacteristically angry when Appa was taken by the sandbenders wasn’t just because of his love for his sky bison. Of course, that was a big part of it. Appa is more than just a pet to him, he’s his best friend and soulmate, someone who’s been around since Aang was very young and is meant to be a “companion for life”.

But, Aang ran away on a random Tuesday, got caught in a storm and it changed the whole trajectory of his life. He ran away because he was upset his life was changing so rapidly, he suddenly had all this responsibility at 12 years old that he wasn’t ready for but that doesn’t mean he wouldn’t have gone back. We don’t know what would have happened; he could have needed a few days to cool off, he could have seen the start of the war and stepped up (from what we know of Aang, there’s no way he would have ignored it for his own needs), but that didn’t happen.

He got caught in the ice for 100 years and when he woke up he discovered that not only was everyone he knew and loved were dead, but brutally murdered in an act of power. That everyone from his teachers, friends (children, like him) and animals, were gone. Not only that but his whole culture; traditions, foods, clothing, music… everything important was eradicated and possibly most of the documentation of the culture, too. He’s suddenly handed this new responsibility on top of being the Avatar, trying to uphold this culture (as literally the last airbender alive) and grieve at the same time.

And Aang grieves very privately, in fact, does he even give himself a chance? He discovered the horrible truth and his immediate response it so go have some fun, maybe because he knows if he thinks too hard about it and gives into the pain, he’ll turn into something he’s not, he’ll forget what the monks taught him and he can’t let that happen.

So he tries to channel all his grief and anger into being the Avatar, even if he still has his reservations, and by his side is Appa. The only thing keeping him tethered to his life 100 years ago and his culture. He’s been with him through everything, and will continue to be, like I said “companion for life”.

And then he’s gone, he’s taken, and all of a sudden Aang cannot keep the crushing weight of his loss at bay anymore and he… snaps, he loses control. He gives into the avatar state because not only is everything he knew and loved gone, taken from him for nothing more than political gain, but now his soulmate that represented everything he lost is gone, too and he doesn’t know what happened to him. Is he dead? Is he scared? Is he fed? Who knows.

Aang losing Appa with the final straw and his grief, something he was ignoring and refusing to deal with, was brought to the forefront when he lost Appa, making it impossible to ignore and if it wasn’t for us friends trying to ground him and remind him of who he was, who knows what would have happened.

[prying-pandora666]

Avatar Name Meanings!

Just for fun! Let’s take a look at the most cited meanings for ATLA names.

Aang - When his name is shown in written form, it is composed of the Chinese characters 安 (ān) meaning "peace, quiet" and 昂 (áng)meaning "raise, lift". A fitting name for an airbender who will save the world!

Katara - Taken from the Arabic word قطرة (qatra) meaning "raindrop, droplet". A gentle and poetic name for waterbender who is starting out.

Sokka - Derived from the Japanese phrase “sou ka”, meaning "I understand" or "Is that so?". A reference to both his skeptical and analytical nature, as well as his comic relief.

Toph - Toph was written as 北方拓芙, giving her name the meaning "expanding lotus". The name itself is not a genuine Chinese name, and may have been intended as a pun on the English word "tough". When combined with her last name Beifong, you get “lotus flower expanding northward”, a reference to Toph opening up and making friends, but also because she is from the Southern city of Gaoling and literally travels north with the Gaang.

Zuko - Fictional name written with different meanings in the show. His wanted poster uses 祖 (zǔ) from Chinese meaning "ancestor, forefather" combined with 寇 (kòu) meaning "bandit, robber". Likely meant to portray Zuko as a traitor to his family and people. However, it’s also written as 蘇 (sū) meaning "to regain consciousness" combined with 科 (kē) meaning "sort, class", which is probably the true meaning to his name referring to how Zuko will redeem the Fire Nation and royal family by redeeming himself.

Azula - Fictional name derived from Portuguese, Galician, and Spanish azul meaning "blue" (of Persian origin). A reference to her blue flames.

Want me to cover other ATLA names? Just ask!

(Psst want more ATLA? Check this out!)

[muffinlance]

hi! i'm sure this has been asked before but i didn't see a FAQ uhm, i just wanted to ask if it's ok if i bookbind a hardcover for Salvage? It would be just for me, not selling it or anything like that.

I'd just like to post pictures if you do give me a green light, just because bookbinding is one of my crafts and it takes time and stuff (i would ofc credit the story to you and post links).

I love your fics and og work, and i'd like to have Salvage as an actual book (totally understand if you say no tho)

Go for it, and definitely send pics!

[saylor-twift]

this is a bit random but one thing I love about the genshin community is how when wanderer came out, everybody collectively banded together to come up with beautiful names to give him. And they didn’t just choose the first thing they saw on google either, no, these people put thought and research into these names. It’s so ironic that this guy who’s so convinced that people only ‘like’ him for his utility, or see him as some sort of weapon for their own benefit, actually has thousands of people who love and adore him universes away.

some honorable mentions of names I’ve seen:

-Icarus (son of Daedalus in greek mythology who created the labyrinth to hold the minotaur. I don’t actually remember why they gave him this name, or the real meaning behind it, but I still like it)

-Kunimitsu (light of the world, contrast to his previous name kunikuzushi, roughly meaning conquerer or destroyer of nations)

-Shinji (Evangelion reference, I believe? If you haven’t seen the show, I won’t spoil, but there are so many connections and similarities between Shinji and Wanderer. Abandonded by creator/parent who they seek(ed) validation from but will likely never get it, taken in by someone named Katsuragi, etc.)

-Zuko (my own personal addition) another character (Avatar: The last airbender if you don’t know) that shares so many similarities with him. Very conflicted individuals who were shown from the beginning that things were going to be extra unfair and hard for them. Both have parental/creator figures that for a while they sought to please until they discovered their own paths and what they actually wanted, as well as siblings they despise and envy because they hold the position they so desperately wanted. (that is, if you consider the shogun puppet a sort of sister to wanderer/scaramouche)

-Fujin (Japanese mythological god of wind who appears next to Raijin, the god of thunder)

that’s all i got off of the top of my head, but i’d love to hear what names everyone else gave to/came up with for wanderer if you have any!

[tavernbrawls]

50 Fun things to do with OCs and/or characters you love!

Making a cohesive list so I don't forget, and so that others can use the same resource. Enjoy :)!

Make them a Pinterest board

Make Picrews of them

Answer OC templates and questionnaires

Paste and/or draw them over memes

Draw the squad

Create an Amazon/Etsy wishlist for them of things they'd like

Make a list of video games/shows they'd like

Crossover with other OCs/universes

Modern AU

Swap AU

Masc/femify them

Create them in character creations in video games

Pick out funny clothing for them

Make them a Spotify playlist

Create a fake text conversation between them and another OC

Make their zodiac sun, moon, and rising or chart their natal chart

Turn your OCs into animals

Save TikTok/Instagram/Youtube audios that reflect them

Depict their reactions to looking at themselves in the mirror

Fantasy AU

Spiderverse AU

Draw them in cosplay

Classpect them

Make them a phone/desktop background and/or theme

Create a kinlist for your OC

Draw them interacting with you or your friends

Act them out

Cosplay them

Fuse them with another OC

List out what traits them and others have in common

Make random quotes from them

Pick out Pokemon they'd like

Turn them into a magical girl

Create a tierlist based on what they like/dislike

Have your OCs play truth or dare together

Have your OCs play Dungeons and Dragons together

Have your OCs spin the bottle

Create or look through Halloween costumes for your OCs

Design what your OC would wear throughout the decades

Age your OC through a timeline

Height chart

Put your OCs in a grocery store

Let others draw them in Whiteboard Fox (when you google it you'll see a list of servers below! Just click one! (and remember to ss your progress in case someone clears the board!))

Create sprites of your OCs

Objection.lol case them

If they have a comic or animation, create blooper takes

Avatar: The Last Airbender AU

Describe their reactions to smoking and/or drinking for the first time

Expose their internet search history

Draw them into taken photos with IRL you

If you have any more suggestions add them into the comments or reblogs below, and I'll make another 50+!