#thank you rant over

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[angelcake10023]

Curious MK 💛 and the Man In The Red Scarf 🧣

This au is everything to me… be ready for me to not shut up about it.

If you want a little explanation on the au look under the cut

The au pretty much follows the beats of the movie with some twists to fit the world of LMK a bit better

Tang works at his College’s museum, doing tours on a lot of historical exhibits which heavily align with his special interests (lots of JTTW like stuff)

Pigsy is the local school teacher that takes his class to the museum every week- to learn obviously. Not cause he has a big crush on this pathetic museum nerd.

Anyway the museum is loosing interest and funding you know the gist, Tang somehow agrees to go on an expedition to flower fruit mountain to maybe find something worth putting on display. Probably something related to Sun Wukong

Tang is out of his element, but also this is his hyperfixation and he can tooootally find something of note surely. However what he doesn’t know is that a few certain spider henchmen in disguise have made their way onto his expedition crew and are hoping to find something powerful to bring back to their queen.

Once they get there they do a lot of fruitless searching, set up camp for the day, and an exhausted Tang is quickly ambushed by a newly awakened baby Monkey MK. He’s very curious about the bright color of Tang’s scarf and steals it when Tang takes it off to eat.

Tang has never seen or heard of this type of monkey on the mountain before, thinking he resembles Sun Wukong but thinking it ridiculous to think more of it. They play for a bit, Tang playfully wagering for his scarf back.

Anyway the expedition continues and they’re still unable to find anything and have to leave empty handed, (except for two pieces of a little monkey shaped rock.)

Mk ends up with Tang’s scarf as he’s leaving, deciding to secretly follow them back. Wholesome shenanigans ensue just like in the movie. Tang struggles being a dad to this monkey who’s attached himself to him, while also learning he might not really be normal monkey. Add in some Monkey power shenanigans hehe. Also some spider henchmen repeatedly trying and failing to capture Mk (comedically managing to also go unnoticed every time)

Of course in the climax, Tang is pretty worn down. He’s homeless, jobless, and a disappointment. He doesn’t think he can handle taking care of MK, and that’s when Sun Wukong shows up. He’s been keeping an eye on them and knows MK has mystic powers that are probably too much for a human to handle- so he’s willing to take him off Tang’s hands.

Tang reluctantly agrees, much to MK’s confusion and sadness. Trying to reach and grab onto him repeatedly as Tang holds back tears and begs Wukong to take him. Wukong does and Mk, who’s been struggling with any speech up to this point finally manages a soft and scratchy “no” just as Wukong’s cloud zips away with them both.

Tang immediately regrets it, his regret fueled after he talks with Pigsy. He made a mistake and he needs his kid back.

Unfortunately, The Spider Queen and co managed to ambush Wukong similar to the show and capture baby MK. Cue Tang, Pigsy, and Sandy teaming up to rescue the monkeys

Rescue ensues, Tang and Mk reunite wholesomely, Wukong is impressed by Tangs determination to save the kid despite his mortality. Wukong gives him some cool treasure junk that they can take back to the museum

The day is saved, Tang and MK are a family, and Tang finally got Pigsy’s flirting through his dense head lmaooooo

Dad Tang and Baby MK are so special to me… thank you for reading haha. Itll probably be fleshed out more in the future as well

[catastrxblues]

everything about coriolanus and sejanus is sick. because to sejanus, coryo was his everything. his best and only friend, his only companion, the only person in the academy who cared enough for him that he had even risked his life to bail him out of the arena. in district 12, when sejanus appeared in the brink of snow’s hopelessness and brought hope and familiarity to his life, coryo immediately embraced him, and then practically telling him that sejanus just saved him from committing suicide— which obviously only solidified sejanus’ belief that his best friend treasured him and loved him and cared for him unconditionally. (which i believe snow did, just to some extent).

but most of the times, to coryo, sejanus was just a friend. a friend that he tolerated every once in a while, a friend he resented lots of time because of his background, and a friend he really cared for, but not enough. never enough when the other choice was his country. and sejanus died not knowing that. he died without the knowledge that it was his best friend who betrayed him, and that he was still referred to as a “traitor” by him on an occasion with the dean.

and what’s so fucking sick is that coryo did care and mourn about it yes, but then he moved on and took on the ladder by taking pieces of what was left of his friend’s life with his blood on his hands and used it to his advantage.

he was taken in under the care of his dead friend’s family, loved and cared for, never had to worry about money anymore. ma and strabo plinth would never know that the reason their beloved son wasn’t alive, why their son wasn’t there anymore for his 19th birthday was because of his best friend they had just taken in. and no one would ever ever fucking find out.

and coryo. just. doesn’t. care. about. sejanus. anymore. in a snap. because now he has won, taking over panem one step at the time, and that has always been his biggest motivator. he might’ve cared for sejanus, like he cared for lucy gray, but that has never been enough. not when at the end of it all, the only person he has always been striving to save was himself and the glory of his family name and he ends up getting both. all’s well that ends well

[justaz]

arthur (prince of camelot) still has to study under a tutor bc yknow uther wants him to be very intelligent before becoming king or something bc its super important idk idc anyways merlin is doing chores in his chambers while arthur is squinting at a book and merlin eventually caves and asks him what he’s reading and arthur gruffly explains that its a collection of stories from greece that make absolutely no sense so merlin asks him to read them outloud to him. arthur of course teases him and calls him an idiot and asks how he could possibly help but does as he’s asked and reads the stories to merlin as he does his chores. merlin (being crushed under the weight of destiny and tormented by the prophecies that kilgharrah spews) understands the stories almost immediately and gets all excited and starts rambling about them with arthur. arthur is glad to have someone who understands so he can give something that reflects a hint of understanding to his tutor who accepts it and moves onto the next unit of education.

the thing is, arthur finds more stories in camelot’s library and brings them up to his room to read them aloud to merlin under the guise of completing his studies but really he just wants to watch as merlin’s eyes gleam when he understands whats happening and listen to him ramble on and on about them bc he’s gay. the stories stick with merlin though and he realizes that they’re cautionary tales, that the heroes who were told too much of their future doomed themself to fulfill them - that them fighting the prophecies led to their completion. merlin takes it to heart and gives a big “fuck you” to kilgharrah before forging his own fate and helping morgana with her magic and handing out an olive branch to mordred and now everyone can live happily and peacefully in an albion teeming with magic.

[triglycercule]

i think the creators in the undertale multiverse is SUCH a creative concept and even though it's fourth wall breaking it's so amazing that it deserves to break the fourth wall

everytime other medias and games or stories break the fourth wall it's either taken unseriously (like pinkie pie from mlp or family guy cutaways) or people shit on it for being out of place and just a deus ex machina or something (hi3 i will NEVER hate you for including the players in the final arc) but the undertale multiverse completely subverts that. actually the entire MULTIVERSE is BASED on the concept that people are willing to make media and art and writing and that is what keeps these ocs and worlds and creations going and alive

the utmv isn't even a real thing. like it's not a fandom that spawned from a book or a movie or a show or game or comic. ok well it technically is but the undertale fandom and the undertale AUs fandon are two different things i think. like undertale aus ofc came from undertale but that's a whole seperate branch of things and sometimes those aus have NOTHING to do with undertale (looking at you dreamtale. and others.)

but the fact that a whole seperate branch of a fandom was created just because people wanted to expand on one tiny game and had so much love for it that it spawned this clusterfuck of a fandom is just so amazing to me. i don't think any other fandom has THIS extensive of a multiverse with aus where the people holding the pencils and typing words are so heavily engrained into the lore (ink and error i will forever love you for being aware of creators I AM AWARE OF YOU TOO!!! I LOVE YOU!!!!)

in other fandoms there's a strict canon for medias but in the utmv a lot of aus are just a brief concept and maybe some charactization and that's it (dusttale ily 4 this. dusttale is peak fiction). and if you like the concept enough you can make another concept based on it. and if someone else likes your au enough they might make another au based on it or write headcanons for it. and it's so cool that this fandom is kinda self sustaining in a way. undertale's probably never gonna get another update or game and even though deltarune has its connections its a completely seperate thing. but somehow the fandom is alive and still pumping out tons of amazing content

and the fact that we control all of these character's actions is so daunting but also so cool. like these characters do these things because we basically script them to do. we as creators are the ones drawing the angst or writing the shit posts. if a character is self aware of the creators that's just because we MADE them aware. so are they really aware or are we just pretending that we are. if a character is powerful that's just because we made them powerful. if a character hates the creators we made them hate us. if a character destroys aus we make them do that. but they don't actually feel that way or do those things, that's just what we tell them to do and i think that's really cool

ive yapped a lot about this topic (i still have so much more to say) but i'll hold it back and just talk about one last thing and that's headcanons and interpretations. I LOVE PEOPLE'S INDIVIDUAL INTERPRETATIONS!!! I LOVE PEOPLE'S HEADCANONS FOR CHARACTERS!!! i love seeing how other people think the mtt (or other characters but i am a murder time trio fanatic) would interact or how they would act. i love seeing people's dumb comics of them bickering or making out (errrmmmmm) because it's all different. all these people came up with their own ideas and thoughts on how to expand these relatively basic concepts and it's all different because everyone's different and gone through different things <333

all in all i love you undertale multiverse. this fandom is one of the most unique i've ever had the joy of being in and i hope it never dies out (if it dies out what will happen to all of the amazing creations and worlds and people we've made 😕😕😕 ink will be sad. so pls don't die utmv)

[ganondoodle]

correct me if im wrong but im PRETTY sure that for something to be a proper sequel it needs more than literally just reusing the same world and character models and slightly altering their design or adding an ability (that they got somwhere in between which isnt shown nor elaborated on either while previous abilities or interests/knowledge vanish)

made the mistake of saying that really totk isnt a sequel bc it doesnt build on, nor expand nor elaborate nor continue anything from botw, its the same preset of basic things like ... world and character models and tells an entirely different story utterly disconnected from anything botw, which it not only acts like it never happened (aside from like one dialog which is not enough for me when everyone else has literally forgotten everything and tbh feels more like a reference thats actually a slap and laugh in your face) but often times actively contradicts it, like a different version of the same thing

which is called an alternative universe

half of the reasons why i despise totk is bc i wanted, expected and was TOLD its a sequel when it isnt, can you really blame me for being disappointed and frustrated when i was told its a sequel, which should build on established stuff, to a game and its lore i deeply cared about and then get an alternative universe game that has nothing to do with the one i cared about except wear its face and STILL get told its a sequel even just by simply reusing models

[cilil]

Ok class repeat after me:

It's ok to like evil and "problematic" characters.

They're not real, they haven't hurt anyone

Their victims are not real either, nobody is hurt

They're merely a vehicle for storytelling and entertainment

There is no need to tear other characters down to justify their actions

They're not you. Them being wrong or bad is not you being wrong or bad

There is no need to make up arbitrary rules and moral codes to justify your taste in fiction

Their fictional actions and morals have nothing to do with the real actions and morals of real people

The only hurt parties are the people affected by your negative and aggressive behavior

[uncanny-tranny]

I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.

I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.

Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.

[iamespecter]

I have a question. Feel free to respond privately and I won't ask further, what disappointed you about ruin? Sincerely, another skeptical and cautious fnaf fan from the very beginning of this fandom (thus why i get if you wanna respond privately, fnaf fans can be brutal :/)

To be completely honest? Ruin felt like an entire fanservice sandwich shoved down my throat forcefully

There's a lot of things that rubbed me the wrong way with Ruin, just the general vibe was so off and it emanated an aura of Steel Wool going "guys!!! look!!!!! we put EVERYTHING the fandom asked for, even if it would not make sense for the general plot!!!"

Which, is fine and all if done right, but it just feels like listening to feedback, without really addressing the series' main concerns. Like, putting a band-aid with your favorite cartoons on it over a bullet hole. Do you get what I'm saying about this?

Anyways so sorry about that small rant here's a stupid little doodle I made back then when I was still a Sai user (I think)

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[naffeclipse]

Just realizing that the fact that there exists an “Angel Eyes” Eclipse implies the existence of either a more foreboding or comically innocent version of him called “Devil Eyes”

oh, Lumi, you just unleashed something devasting

As entertaining as a detective Eclipse would be, innocent and way in over his head when it comes to dealing with a mob boss Y/N who just so happens to find him devilishly handsome and too clever for his own good, I'm thinking of something worse than a mob boss.

As a young rookie cop, you are attempting to put out so many fires in the city. The crime rate is abysmal. The politicians are running on fumes and bribes. The police force is barely hanging on through constant corruption. Animatronics are still considered inhuman, unalive, objects to be owned and used, and disposed of. You're hoping that the laws declaring animatronic rights will pass soon.

Murders happen every single day in a city racked with gangs, crime lords, and thieves. You and a few other officers are tasked with dealing with a particular crime scene. It's not unusual for a politician to get assassinated, but there's something particularly brutal about the killing that sits in your stomach wrong—there was blood everywhere.

Then another important person gets knocked off, the carnage grisly and crimson, then another, and another. You can't shake how savage the murders are.

High-ranking officials start having you and other cops stand as bodyguards, taking them where they need to go, standing outside their meeting doors and on the street of their homes at night.

The killings keep happening. You learn of police officers who were standing watch were gutted, too. Slained just as well as the intended target.

You do your job, but you don't like it. You became a cop to help the city. This wasn't what you had in mind, much less babysitting powerful and possibly corrupted individuals that you despise.

That's how you confront him.

Late one evening, sitting in a squad car with a fellow policeman, you two keep each other awake with small talk until you hear the faintest scream. You both take off, and you take the back of the house. When you enter the gauche kitchen, there's a cook animatronic knocked to the ground. You stop to speak to the poor robot, her optics fuzzy until you offer a helping hand and get her back onto her wheels.

Before you can send her somewhere safe, a cold shudder rolls down your spine, as if someone were walking on your grave. You whirl around to find a towering figure at the far end of the room, dark and threatening. Black optics with pinpricks of electric yellow peer at you in judgment. The devilish eyes startle your soul.

You yell out commands to stop but the animatronic—you realize—doesn't head and disappears deeper into the house.

You give chase. You hear a gunshot upstairs and a shout from your partner. When you reach the second landing, you lift your gun to take aim, but a large fist clamp around your own. You fire once, hitting nothing. You're thrown against the wall, dangling by the wrists under the looming killer. Sharp rays, burgundy and royal blue, circle his face plate, splattered in bright blood.

It's too late. It's too late for the politician, it's too late for your partner, and it's too late for you.

He takes your gun and drops it far away. His staggering height gives no hope that you can fight him off, and already, he has you pinned. You simply hope that it will be quick, painless, but your heart sinks when he lifts a hand to your throat. His optics glint. You close your eyes.

A cold, slick finger tilts your chin up. He commands you to look at him, and you aversely obey. The optics scan your face. You wonder if he takes a sick pleasure from causing harm. You loathe that he most likely finds fear in your eyes but you are determined to not make a sound.

"Officer," he says in a cold, dark voice that spears your heart. He studies the badge on your chest, reading your last name etched in brass. You clench your fists, still suspended by his one large hand.

"Who are you?" you demand.

He doesn't answer. He cocks his head with a flash of sharp teeth in a metallic grin. When he drops you, you nearly crumple to the ground. You're aware of the blood underneath your chin where he had touched you. When you try to reach for your handcuffs, he's already down the stairs and out the door, fleeing the murders. Trembling, you fumble for your gun, but you find the clip gone.

The killer animatronic left you alive.

[mangokabuto]

Proof of Usopp and Nami being Luffy’s vice/co captains? I would (genuinely!) love to see your thoughts and evidence, bc big agree

(Context:)

Hello anonymous tumblr-using friend!

As someone with a lot of knowledge of & a great passion for real-life historical piracy, I have VERY STRONG OPINIONS about how the Strawhat crew would fit into an actual golden age crew structure. When I said "I have proof" I was jokingly referring to my knowledge of historical piracy and how the characters slot into those trends, not any sort of "in-anime/manga proof" of Usopp and Nami being ""co-captains"" with Luffy, so if that's what you're here for then sorry lol.

BUT if you want to learn a little about golden age western-world piracy, (and my "au" of sorts for how each crewmate would be recognized in that context,) stick around! :)

(extremely long explanation under cut LMFAO)

First off, as i said in my heated/j tags, "captain" did not usually mean what Oda makes it mean in OP's world. I am ABSOLUTELY CERTAIN Oda is just as passionate about & did plenty of research about historical piracy, and is clearly pulling a little from wakō history, but mostly from golden-age western piracy (specifically mostly the post-spanish succession period, to my estimation).

That being said. Why he puts so much emphases on Captains and First Mates is BEYOND me, because irl they were not as important.

The captain WAS important, don't get me wrong, but they weren't the sole reigning commander of a ship. They were more like a figurehead, most of the time. This is a sortof flimsy metaphor, but think of Captains like the modern-day king or queen of England; They're hyped up as the #1 leader, they're an important charismatic face for the group, and they technically have last-say on important matters, but they are beholden to two other groups (like the cabinet and the prime minister).

During the golden age of piracy, most crews were commanded by a group of three people. These three people were usually the Captain, the Quartermaster, and the Bosun. Each filled a different role on the ship, and all three were democratically elected by the crew. In all important matters, the three would discuss together how to proceed/solve the current problem, and though the Captain COULD overrule the other two at any time, that typically got him handily shoved overboard via mutiny. By technicality there was a heirarchy of power between the three stations, (with Captain usually being the top dog, then the Quartermaster, then the Bosun just above the rest of the crew,) but in practice they held equal sway in decisions that would effect the entire crew.

HOWEVER, outside of "big crew-wide decision-making moments" where you needed to assemble the three leaders, they didn't always have to coordinate. Depending on what situation the crew was currently in, one of them would be de-facto in charge of the crew, and the other two would step back unless the one currently in charge did something that needed to be challenged, like they made a bad decision or (in a more extreme case) broke the articles.

The Captain was in charge during times of battle. The captain's primary role was as a fighter, performer, and military commander! If the crew was attacked or about to attack someone else, the Captain would immediately take charge. (Now, real pirates weren't actually violent in practice as frequently as pop culture would have you believe, but that's a whole other topic. The reason "performer" is listed in the Captain's "jobs" is that part of their responsibility as a captain worth their salt was to scare enemies into surrendering without a fight through theatrics and reputation.)

The Bosun was in charge when the Boat was damaged or needed upkeep. The Bosun was not always the greatest carpenter or shipwright in their own right (in fact, in larger crews, they usually weren't either of those things), but they would be the one to get together with the shipwright and worksmen and assess damage, organize repair teams, and keep the boat running as well as possible. The crew followed their lead during repairs, and they were the go-to authority on any matters concerning the physical boat.

The Quartermaster was in charge the rest of the time. The way the Bosun is in charge of the physical boat, the Quartermaster was in charge of the crew. They were responsible for enforcing the articles, dealing out discipline, and the crew's general well-being outside of battle. In that same way that a bosun didn't have to be a shipwright, a quartermaster wasn't usually a doctor or cook, but they worked closely with them. Being in charge outside times of battle meant that the Quartermaster was also in charge of headings and navigation, and more often than not they were the ship's navigator, or head navigation/deck officer if their crew was large enough to have more than one nav. They also usually handled the crew's finances/pay and cargo. Is this starting to sound familiar yet.

So. After establishing the roles. I don't think I have to persuade you that while Luffy is most definitely the Strawhat Captain, Nami is our Quartermaster and Usopp is our Bosun. At the VERY LEAST this is true on the Merry Go.

You could possibly persuade me that Franky takes Usopp's place as Bosun once they get the Thousand Sunny, but I would be hard to convince. (I could be persuaded that Usopp loses his position as bosun on the Sunny, but Franky does not behave like a bosun as much as a head carpenter, and Usopp functions like his carpenter's mate. It's almost like, post-timeskip, they don't have a bosun anymore, and Zoro fills the newly empty position on the leadership trio?)

Now, these roles are not concrete, and they didn't always make up the "management trio" on a pirate ship. Some very small crews just didn't have enough people that they needed to single out their three favorite guys; they could just all vote on important decisions together. Sometimes the management trio included the surgeon or the first mate instead of the bosun. There were many crews where the Quartermaster was considered the top-dog highest authority instead of the Captain at all times. Even during the golden age pirate crews varied greatly, but the Captain/Quartermaster/Bosun trio was most common.

As for the ship hierarchy, there was a trend you could rely on no matter who the "three leaders" were. Everyone was generally considered of equal importance on a crew, (hence the elected offices and avenue for mutiny,) but there was a chain of command of sorts? Or at least people who would be shown greater respect and responsibility based on what they provided for the crew:

Captain and/or Quartermaster

Bosun and/or Surgeon/Doctor, and sometimes the First Mate

Everybody else, including captain's other mates.

Speaking of Captain's Mates... On larger crews, every important role on the ship had a "mate," or an apprentice chosen by the person in question to replace them if they should die, or otherwise be out-of-commission. Quartermaster's Mate. Bosun's Mate. Doctor/Surgeon's Mate. Carpenter's Mate. Etc. However, the Captain had MULTIPLE MATES, because his job was front-line combat focused. Ergo, he could easily die and need a replacement. Quickly. And his replacement could need a sudden replacement! So, depending on the size of the crew, the captain could have anywhere from two to eight mates, who were ranked by number. That's why the captain's highest-ranking mate is called the First Mate. Because there was usually a Second Mate. And then some more of em.

The First Mate's job is to be a good ass fighter, and back the Captain up on whatever they're currently doing. They hype the Captain up and enforce the Captain's decisions, no matter what that decision is. This is why they were usually not put in the management trio on most crews, cause you could imagine. The conflict of interest. (There's supposed to be three of them so that no one member has too much sway. Which could be sabotaged if two of the three are captain and captain's favorite soldier LMFAO)

I have no idea why, in the world of One Piece, all of the emphasis seems to be on Captains as the end-all-be-all leaders of their ship and the First Mate as the second in command. Especially when Oda clearly KNOWS about the other roles, since he's written characters that fall into them like perfect puzzle pieces!

...Well, okay, I have some idea. This is a shonen series for teens and being the captain/king/etc is wish fulfillment, and wouldn't be as cool for the projecting readers if you were part of a leading council with two other mooks. But. I can still be salty about it LMFAO <3

[a-usernamelol]

it is always incredibly irking to me when I see a post with NPC characters and its like “for the (insert NPC) GIRLIES ❤️🥰💦” “For the LADIES 😘😍🥵”

Hi! 👋 Hello! 👋 GUY here! Gay trans MAN here!

Here’s some Ominis for EVERYONE because EVERYONE deserves their favorite character, and I’ll be posting pictures of other NPCs too ❤️

HAVE SOME FREE OMINIS BECAUSE YOU DESERVE IT NO MATTER WHO YOU ARE❤️ PEACE AND LOVE ON PLANET EARTH

[jash-updates]

Most normal energy drink consumer

[legosreallyarekissable]

PART 2 JAY'S FULL POTENTIAL ANALYZING RANTING TIME BECAUSE IM REWATCHING NINJAGO S1!!!

where do i start ahhh "Just remember. You are the best you." - Nya Then mf thought he was the mc, stood up, and got his full potential. That quote from nya says it all. I LOVE WHAT THIS EPISODE IS SAYING because it hints that Jay is pretty much insecure and therefore, lies to cover it up. Like really. Creating spinjitzu. In the episode we see Jay trying to impress Nya on multiple occasions and lying. Knowing Jay has been trying to impress her from the start, he's faking as he thinks Nya may not enjoy the "real" side of him. From my reading. He was constanly worried for the date, practicing the LIES he would say. Look me in the eyes and tell me he's not insecure in the slightest. FURTHER evidence/implication is when nya said "I like you best when you were you" and proceeed to kiss him. It wasn't about this kiss if you believe that you hate jay to the point you downgrade him as just a Twink /lh /hj The WORDS brang comfort to Jay even showing the effect as his snake form litterally broke away ( fairy tale ahhh ) So the thing that was holding Jay back was none other then himself. He thought he wasn't good enough or was unconfident of the version of himself, something along that lines. So hearing someone else, the person he loved, say it to him must've made him realize he could be just HIM! Which unlocked his full potential. Off topic but do you guys remember the scene he was getting beaten up at the resturant cause he was a snake 😭😭 for me its a little symbol of how he likely had people that put him down before ( bullies as you may say )

[guplia]

Can I just say how mad I feel because everyone is watching the leaked Ninjago eps and I can't because I'm (supposed to be) studying and when I'm done I'll still be on Skybound so by the time I get to the latest eps it will be long after the actual release date???