ummmm ive wanted to do one of these for a while now.. so lets do it
100 notes, and i clean my room
200 notes, and i do my work finally
300 notes, and i come out to more of my irl friends
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dont.. dont comment spam.. and like a max of 5 reblogs each to all of you. dont go taking more candy than that
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really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.
in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:
its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,
oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.
he shows so so much but at the same time reveals so little.
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Okay but… Learning that Arle’s curse regressed when she was with Clervie and wasn’t as bad just makes me wonder if that would happen with her s/o.
It’s not obvious at first, but the more time she spends with you, her curse lessens a bit in your presence. It might not completely regress, but maybe it becomes a lighter shade of grey, or maybe it recedes down her arms a bit. I just think it would be incredibly wholesome to be able to make her feel so calm and loved and happy again that her curse could improve in your company, if only even a little bit.
When she’s around the others nobody can tell, but when she comes home to you after a long day, wraps you up in her arms and lets out a sigh of release, her curse wanes as she becomes overwhelmed with peace.
AWW... so cute!! Arlecchino's curse had long covered far up her arm, a stark difference from when she was a child. She already accepted she wouldn't be able to see her lower arms and fingers return to their original color, but she had grown accustomed to it. Not to mention, you were never put off or scared by it, which was the most important part for her.
Arlecchino was a woman who always had her guard up, playing the role of a strict and unfeeling Father, carrying out her Harbinger duties, being the perfect diplomat. With her poised manner, it seemed like this was nothing to her. She even acted this way around you. But only you could see the very tiny holes in her act, when it was just the two of you. In the beginning, she wasn't very receptive to it, not because she was annoyed or anything, but because she simply never felt the things that you made her feel when you held her before. it was a foreign feeling. It was a feeling that was always said to be a hindrance. But when you kept putting your arms around her and nuzzling into her soft hair, she couldn't help but be swayed.
Obviously, she doesn't wear her heart on her sleeve, but, you can tell she appreciates your soothing company. You were probably cuddling with her one day when you noticed her arms seemed different, but you didn't comment on it because you just thought maybe it happens sometimes. But later on Arlie, ever the observant person, notices the ever so slightly receding of the curse. Naturally, she finds it odd, her curse hasn't regressed in so long, and she wants to find the cause. It doesn't take long for her to realize it fluctuates when she comes home to your arms after taking care of "business."
Of course, you feel very happy that you manage to have an effect on such a poker-faced woman. You have solid proof of how much she loves you! And it may not seem like much, but it's more than enough.
Another unrelated thought: When she says not to look into her eyes, because you may not like what you see. But reader isn't scared in the slightest and continues to stare right into them anyway. Arlecchino finds your boldness amusing but tells you not to be so reckless...
I think it's very cute, being able to be her solace after everything she's been through.
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3 of them!
The third and final part of turning me and my siblings into demon slayers: my brother! He’s the only one out of the three of us that exercises regularly and actually does martial arts so he gets to be the strongest :P he’s also the tallest, like 10 whole inches taller than both me and my sister but he’s actually the middle child! And he’s only a year and a half older than me :)
For his weapon I wanted something similar to a staff but also containing a blade, because he showed me some staff forms one time for his martial arts club and it was really cool :0 so I’m not sure how viable the twin-blade staff would actually be in battle or how it would be made (but if the sword smith village can make kanroji a whole whip out of a metal blade then I think they can definitely make a scabbard out of metal). The way it works is that when sheathed, the blade is a full staff, and either side individually can unsheathe to make a spear. It can also separate down the middle to become two swords, which is much more effective for traditional breathing styles. Shougen is the only one strong enough out of the siblings to fight effectively without the assistance of wisteria poison.
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Shea Fontana shared a little about the show staff's design decisions regarding characters that aren't made with dolls in mind, which I found rather interesting:
"When we introduce new characters that are not driven by franchise or pre-existing Monster High characters, our incredible designers (...) have a chance to push the monster-ness and lean into spooky fun designs. While fashion dolls need to follow some basic perimeters (often including more humanoid silhouettes and characteristics), these new animated characters can be some very monstrous monsters! From ooey-gooey bodies to dramatic wings to pumpkin heads, we look to heighten the freaky fab in these characters. We take cues from the mythologies of these monster types and work with cultural consultants to ensure that these new characters put even more of the "monster" into Monster High." (Typed out for ease of reading)
I figured something like this was the reason a lot of show exclusive characters seemed to stray farther from past mh design philosophies, but the confirmation is appreciated. So here's the reason some characters are much more monstrous than others, and we can expect to never see them on toy shelves.
Frankly, while I enjoy these designs that take more creative liberties, I do sometimes find they stand out quite a bit from the rest of the cast, in a way that makes you wonder what the in-universe reasoning is, and can be odd at times. I do ultimately enjoy seeing more creature aspects though, especially in the case of Mister Mothmanson and Miss Ziz.
Also, in the upper middle is someone we'll apparently meet tonight. Pumpkin Patch! Her design is adorable I love her already.
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