If you're still doing prompts for your guys...
How about used as bait? Make of that what you will! I would love to learn more about your OCs :D
-- @whumperofworlds
thank you very much for the prompt!!! i must say, i've never really written anything like this but omg. being used as bait/its a trap/kidnapping is truly an underrated trope, at least on this blog
i know i said i wouldn't write hurt/no comfort but HEAR ME OUT. this isnt no comfort. its SUSPENSE. i will most likely be writing a part 2 for this during the whumperless whump event so TRUST ME these boys will get comforted.
also bear with me, writing whumper stuff/situations like this isn't my strong suit and i feel like there are definitely plot holes at certain points.. (-。-;)
onto the fic!
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This was just Simon’s luck.
He really should be used to getting himself into these situations. This was the second time in only two months that he’d been harassed by Archie’s enemies.
They have just.. never taken it this far before. He’d never been kidnapped before.
Simon was starting to worry. From the way his arms were tied behind him, it was getting hard to take a full breath. He needed to force himself to calm down. Hyperventilating would only make things worse. He needed to analyze the situation at hand.
He was bound to a chair in the middle of a dusty, abandoned warehouse.
Well, at least, he thinks it’s a warehouse.
Truthfully, he’d been blindfolded and gagged since they shoved him into the back of the van and sped away from the city.
He only assumed it was a warehouse from the way the doors sounded as they were being opened and the echo of the chair being dragged toward him. Also, the air around him felt vacant and cold. It smelled of wet cement.
Also, there was the matter of his restraints. Sure, the rope around his wrists were itchy and his back was beginning to ache from the angle he was forced to sit at, but he silently chose to count his blessings.
His captors hadn’t hurt him, save for the initial bonk on the head to subdue him. No, he was relatively unscathed, which was.. odd.
Usually the lackeys tried to beat information about Archie out of him, to no avail of course. He found it strange that no one had come around to yell at him or intimidate him with half-empty threats. In fact, Simon was fairly sure he was completely alone in the building. He hadn’t heard the shuffling and breathing of bodies around him since they first tied him up. The whole situation was abnormal.
Still, he needed to focus on a way out, and therein lies the reason he was beginning to panic. When the guys first knocked him out, they took his phone, wallet, and every accessory he had on him, including the emergency signal bracelet he had to communicate with Archie.
Without it, Archie had no way of knowing where he was or that he was even in trouble. Considering the time of night, Archie would be on patrol. There was at least a chance that he’d get injured enough to pay a visit to Simon’s apartment, but even that could take hours.
Hours Simon wasn’t sure he had.
What game were these guys trying to play?
If they wanted information, they weren’t doing a very good job of getting it. If they wanted to kill him, they surely would have done so already. What was their goal?
Just when Simon was almost sure they had forgotten about him, the sound of a metal door scraping open reverberated throughout the building. He heard slow, deliberate footsteps make their way towards him, and then felt a calloused hand yank off his blindfold. He squinted.
The man bent at the waist to meet Simon’s gaze. “Rise and shine.”
His breath was uncomfortably warm, and if Simon could have told him to give him some personal space, he would have. Instead, he narrowed his eyes.
“Oh, someone doesn’t seem too happy,” The man sing-songed, harshly grabbing Simon by the chin and forcing his gaze up. “Don’t worry. I’m not going to hurt you. Not yet, at least.”
Simon swallowed convulsively against the gag.
“You’re probably wondering what we all plan on doing to you,” He said, motioning to the door off to the side of the building. Simon could only assume that that was where the rest of the men that kidnapped him were.
“Well, patience is a virtue, my friend. I promise that all will be answered. But until then, if you wish to see this through with your life, you’ll have to do a little something for me.” He explained, thumbing saliva away from where it was pooling down Simon’s chin.
He glared. We’ll see about that.
The man pulled out a camera.
“I have a guy on the inside, who will feed whatever I want directly into Vigil’s not-so-secret little broadcast channel. As soon as he knows his precious nurse is in trouble, he’ll come for you right away,” he chirped. “All I need from you is a video proving your wellbeing, just so the brat knows we haven’t killed you yet and knows to tread carefully. You’ll do that, won’t you?”
Simon blinked.
Did he really think he and his 4 other cronies would be able to handle a pissed-off Archie? Simon didn’t notice any of the tell-tale signs that they were hopped up on enhancers, so for all intents and purposes, it was just.. five regular humans against one livid superhuman.
Simon stifled a snort.
If a video was what the man wanted, a video was what he would get! He was practically giving Simon the keys to his freedom!
The man pointed his camera at Simon and grinned.
“All you have to say is that you’re uninjured, and that if he doesn’t come within one hour, that won’t remain the case. Nothing more, nothing less, got it?”
The man reached around Simon’s head and pulled off the gag, to which Simon gasped for air. He shot a glare at him, and saw the camera light flick on. He cleared his throat.
“Oh Vigil. Oh please come save me. I am uninjured and terrified and these men will hurt me if you are not here in one hour. Whatever will I do without my knight in shining armor,” He deadpanned, tone dripping in sarcasm. He hoped Archie would appreciate his joke.
The man scowled and replaced the gag, taking extra care to tie it even tighter, and disappeared into the side room. Simon was alone once again.
God, no one told him being kidnapped would be so boring.
He wasn’t sure how long he sat there. It could have been three minutes, it could have been thirty, but he felt a pang of relief when he heard a window breaking from outside.
Finally. Things could get moving.
He saw Archie’s blonde hair peeking over the sill of one of the high windows, and a soft smile spread across his face. Not that he had any doubt, but it felt nice to know someone would always come to rescue him.
When Archie pulled himself up and over, landing on the cement floor in a low crouch, Simon saw it.
Resting in the slit of the door he had seen earlier, was the end of a rifle.
It was with a sickening lurch of his stomach that Simon realized this whole thing was a trap.
Looking back, he had no idea how he hadn’t noticed earlier. Why else would they be trying to draw Archie to them?
He saw Archie rear up for a fight. He jerked against the restraints in the chair, but it was no use. Simon tried to scream. He tried to warn him, tell him to turn back and go, but no words would make it past the gag.
He watched as the tranquilizer dart stuck Archie right in the neck.
Archie froze. He locked eyes with Simon as if confirming his worst fears. Simon’s heart sank.
He saw Archie take a step. Then another, this one more unsteady. Finally, Archie’s eyes rolled back in his head and his knees buckled as he dropped into a heap on the cold floor.
When Simon saw the captors approach his body with boxes of medical instruments, he could only be silently grateful that Archie wasn’t awake to see the size of the needles.
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@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO
Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later
So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.
The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something!
...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.
And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that
Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.
I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.
When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3
And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3
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