Grima and Final Blows
The other day I mentioned that I had an essay about Grima to write that I'd been putting off, and between that and all the great essays my fellow Grimleal scholars have been putting out recently, I decided to sit down and finally get it done.
So here you go. An analysis of Grima's difficulties with directly killing people.
Okay, so I’ve been thinking about this for quite some time, because one of my favorite things to explore when it comes to Grima is the gap between their villain act, which they actively play up in front of others in both Awakening and FEH, and their true feelings, which are hinted at in Awakening (particularly through the Future Past DLC) and made even clearer in FEH— their own evil actions are repulsive to them, and they wish they could live normally among humans, but they don’t believe they have any choice but to be the monster that “the fell dragon, Grima” is supposed to be. They are committed to this “fell dragon” character, to putting on a show for everyone, and they are so good at it that it’s easy to overlook that they… uh… aren’t very good at killing anyone important. Not directly, anyway.
Sure, Grima is responsible for numerous deaths. But what is their actual kill count? Well, in Awakening’s main game… zero. (Unless you count Chrom, but, as we witness, that was not a voluntary act on their part; Validar took control of their body. You could also make the argument that Grima “claiming the sacrifice” at the Dragon’s Table counts, but the problem with that is, although it’s obvious that Grima accepts the life force of the Grimleal members as a sacrifice, it’s not at all clear whether or not Grima personally kills them. Although it’s possible that they did off screen, it’s also possible that Validar killed them, or that they were ordered to take their own lives; there’s no reason Grima would have had to lay a hand on them.) In the Future Past, it’s… one, maybe one and half (Naga’s spirit, and Tiki, but only in body. More on this later.)
And it’s not as though Fire Emblem shies away from showing villains directly murdering people, Even in Awakening itself, the intro to Chapter 9 shows Aversa killing a Plegian soldier for delivering an unsatisfactory report, so it wouldn’t have been out of place to let Grima stab a few NPCs as a show of brutality. Especially seeing as Grima is the evil dragon final boss. As early as Mystery of the Emblem, we can see Medeus killing his cleric hostages to restore his own health if you fail to rescue them before trying to defeat him, and as recently as Engage, we get a whole cutscene of Sombron eating Hyacinth. Fantasy violence my beloved <3
Anyway, the point is, Grima could have been written to be much more violent and I don’t think anyone would have complained. Instead, though, Grima repeatedly— and consistently across the series— tries to avoid engaging in direct combat.
Let’s start with what Grima does in the main game of Awakening. We know that Risen pursue Lucina into the past, because we see them fall out of the portal with her in Chapter 1. We also know that those Risen, as well as the others that are appearing throughout the land, are not being directly controlled by Grima, because later in Chapter 13, as the Shepherds are leaving Plegia after meeting with Validar, Aversa, and the Hierophant, they are pursued by more skilled Risen, and Frederick notes that “Either they are learning our ways, or someone is commanding them…” So… It seems that sending the Risen—with or without specific orders—to attack while Grima is not themself present is a favored tactic.
But what about when Grima is present? Take a look at the Endgame: Grima chapter. Yes, you eventually get to engage Grima in direct combat. But not immediately. What Grima does first is…
Grima attacks the Shepherds with dark spikes from a distance, reducing everyone’s hp to 1. Now, here’s what happens next: Grima attempts to possess their past self, Robin hears the voices of their friends and breaks free, Naga heals everyone back to full health, and then the fight against Grima begins… Except actually, the Shepherds have to get to Grima first, because they’re at the top of the map and they’re not budging. Naga warns them that “Grima’s servants will beset [them] to no end.” and she’s not kidding. Grimleal reinforcements will spawn infinitely, and they can hit pretty hard. Even with everyone starting at full health, it’s possible to lose units to these Grimleal soldiers if Grima isn’t defeated quickly. Can you imagine what would happen if Naga hadn’t healed the Shepherds first?
Well, I’d guess that they’d probably all die to the Grimleal without Grima having to face them up close. Which was probably what Grima was going for.
This isn’t the only time Grima tries the dark spikes trick, either. Grima attempts this exact same move in the Future Past 3 when they face Lucina, Severa, Laurent, and Gerome.
Grima announces “With the next blow, I will kill you.” and then demands that they hand over the Fire Emblem as well as the gemstone they hold. The threat is very real. But…
Given that at 1hp, a gust of wind could take the kids out, would it not have been easier and faster to kill them and just loot their bodies immediately? And yet Grima lets the kids have an extended discussion about sacrifice, and even suggests that Lucina would indeed buy a little more time by running… Again, I cannot stress enough that Grima should be able to finish them off in one hit at this point.
So the plan was almost certainly to back off and let the Risen do the actual killing, even though that would be a lot less efficient under the circumstances. And when Chrom and the Shepherds arrive, Grima immediately turns their attention to them, saying “If it’s a reunion you seek, my soldiers shall welcome you on my behalf.” Then they once again pick a spot at the back of the map and refuse to move from it, forcing the Shepherds to fight through the Risen in order to engage Grima in combat at all.
And sure, Grima has some excuses. “I was hoping not to have to flex any muscle,” they say right before the dark spikes attack, as if to justify why they didn’t do it sooner. And of course they taunt Lucina over having to choose to whether to run as her friends sacrifice themselves for her or to stay and fight and die with them. “I must say I shall enjoy this either way!” Yes, Grima, we get it, you’ve made it very clear that you’re an arrogant asshole.
But is arrogance really all there is to it? If we look at what Tiki tells Grima in the good ending of the Future Past, it looks as though Grima’s arrogance has brought their own downfall. “If you had left Mount Prism alone, Grima, you might have stood a chance. Instead, you have brought the Awakening right to your feet.” However, when you think about it… Is Tiki’s continued existence not in itself a result of Grima’s repeated pattern of not really wanting to land a finishing blow? The game states that Grima did in fact kill Tiki… but only in body, not in spirit. This is, according to Tiki, because Robin intervened.
Now, the question I have is… Is it really possible that Robin could have intervened both against Grima’s will and without them having any idea? Honestly, it’s hard to tell exactly how aware Grima is of Robin’s resistance, because they lie about it a lot, e.g. stating that Robin’s spirit perished in sending Chrom back to his own world, even though just moments later, Robin is once again overpowering them. So, keeping in mind that Grima is a liar, was Grima really arrogant to leave Tiki’s body in Ylisstol, and to not make sure that her spirit was fully destroyed? Or was Robin simply able to capitalize on Grima’s propensity towards backing off?
Because surely the only way Grima could be unaware that Robin had acted against them is if Robin hadn’t actually acted against them. I don’t think I believe that Grima really wanted Tiki gone. Naga, sure—longtime nemesis and all. But if Grima had truly cared about seeing Tiki’s existence destroyed… Well, I doubt Robin could have interfered that much.
But maybe it could still be a matter of arrogance. Maybe Grima just didn’t think Tiki’s spirit could do anything with Naga’s spirit gone, and thus didn't care to pay attention to her anymore once she seemed dead enough.
If that’s true, it doesn’t explain why Shadows of Valentia Grima exhibits the exact same habits when fighting Alm and Celica, despite never having been outside of the Thabes Labyrinth at this point in their life. As opposed to the various Terrors throughout the rest of the Labyrinth, which chase Alm (or Celica) down in the overworld to force a fight, Grima is immobile in their room, and will wait patiently there indefinitely until the player chooses to engage. You can even evacuate from the dungeon.
But if you do choose to fight Grima, it proceeds much like the battles against them in Awakening go. The main difference is that they actually will move from their starting position this time, if you position someone in their range. That still requires a fight against (proto-)Risen who are spawning in from the sides to stop your party’s advance.
So… Now it’s starting to look like Grima actively prefers this one particular trick… And it’s a fundamentally defensive maneuver, which makes perfect sense from SoV Grima’s standpoint (they were attacked out of nowhere, after all), but is not really an obvious standout strategy for Awakening Grima, whose taunts and threats suggest an aggression that would be better supported with a more offensive strategy… Consider, too, that Awakening Grima is in fact being even more defensive than their SoV iteration, since they don’t move towards you at all.
With all that in mind, it really, really looks like Grima doesn’t want to fight, especially in Awakening. Not that they don’t intend for the Shepherds to die—on the contrary, they’ve set everything up so that the Shepherds will eventually be overwhelmed—but that they don’t want to land the killing blow.
(And gee, I wonder what might be fueling their reluctance? Being controlled and made to kill your best friend by your own hand wouldn't be totally traumatic or anything, right?)
And then... Funny thing here, I’ve been procrastinating writing this essay for a long time. I originally started thinking about it shortly before the Depths of Despair banner was released in FEH, so imagine my surprise when I saw this characterization hold up in the writing of Fell Exalt Chrom’s Forging Bonds as well… The Grima there says that Chrom was the one to kill the rest of the Shepherds. Now, it’s pretty clear that it was through Grima controlling him, but that’s not the point. The point is that once again, Grima didn't have to do any direct killing.
Look, if it had only ever happened once, I could buy that maybe Grima was just underestimating their opponents, that maybe they thought they could get away without having to put very much work in. But for Grima to operate this way so many times, so consistently, and to their own detriment? No...
Grima doesn’t like direct combat. Grima has trouble even when it’s a fight they asked for.
And when you think about it, that makes their reaction to Robin choosing to land the final blow themself in the sacrifice ending all the more understandable.
“…YOU WOULD… NOT DARE!”
Because Grima would not dare. Grima has always preferred to let someone else land the final blow.
43 notes
·
View notes
can't sleep so have vampire Usopp drabble with sanuso~
Just imagine Usopp showing up after exploring some island on his own, bloodied, limping, leaving streaks of blood all over the place
Sanji left on ship watching duty, is cooking in the kitchen, idly checking with Haki every once in a while to make sure no one unfamiliar shows up
He notices Usopp coming but is right in the middle of something- making food for lunch when everyone returns, but also hashing out food supplies he'll need to buy once it's his turn to leave the ship
So when Usopp shows up, Sanji's distracted, maybe looking at his list, and maybe there's something like this:
"San...ji." There was some odd dragging sound. "Blood."
"Blood?" Sanji looked up from his list and nearly jumped out of his skin. "What the hell happened?!" He jumped the railing to land in front of Usopp, hands uselessly fluttering about his bloodied and broken body. He had to be standing just through pure willpower alone.
"Hun...gry."
Food. Right, yes, Sanji could do food. He could take Usopp up to the infirmary and bring him a plate.
Sanji settled on putting his hands on Usopp's shoulders. His skin was freezing through his shirt. "I've already made heaps for lunch, but I need to patch you up first. Just tell me what you want and I'll bring it to the infirmary."
"Wa...nt."
"Yeah,"-Sanji nodded, starting to get more concerned with the slow responses-"anything you want, Usopp."
"Any... thing?"
"Anything."
With a strength and speed Sanji wasn't expecting, Usopp slammed both of Sanji's wrists against the wall.
"Blood."
Before Sanji could say anything, before he could even take another breath, Usopp surged down to his neck and bit him.
Sanji was about ready to kick him away, regardless of Usopp's current state, and fuming about being caught up in some stupid prank, when he felt the first suck.
"H-Hey Usopp, are you..." serious? Conscious? Under some weird devil fruit power? Sanji didnt know what to ask first.
He never got the chance to figure it out either, as a wave of pure, toe-curling pleasure washed through him. In his surprise, he didn't have time to tone down the full blown moan that slipped his lips.
Usopp continued sucking, though his grip on Sanji's wrists had slackened. His own pleased groans were loud as he drank, the noises right next to Sanji's ear and making it burn with a growing heat.
Whatever this was, Sanji needed to stop it. As a man who needed to defend his love of women, and only women, he couldn't get worked up just by some stupid-
Hun... gry. Usopp had said. Blood.
That- there's no way. Sanji was far past not believing in legends and myths, and his old man was never one to pull his leg on that kind of stuff.
But even Sanji had thought, or maybe hoped, that vampires weren't real.
And for it to be Usopp- Usopp of all people. Sanji knocked his head back against the wall, tears falling freely as his lip wobbled.
"Fuck, fuck!"
The sucking stopped.
Usopp pulled away just enough to look up at Sanji. The way his head was angled, Sanji could see horrific looking bite marks all along his neck, shoulders, under his jaw, down his collar, and disappearing under his shirt.
He had to pause a moment, imagining Usopp having stumbled into a coven's territory. Alone. Probably looking for cool bugs or something else inconsequential, unknowing that he would die within moments.
Sanji hoped it was quick, at least. He hoped this coven wasn't like the one in his books; the ones who would draw it out for as long as possible. Usopp had been gone only a few hours and he must've hobbled to the ship on his own, which could've taken a while, and-
And Usopp was still staring at him, silent, eyes blank, and lips stained red with blood. Sanji's blood.
It hadn't been long since breakfast, but being killed and having all of the blood sucked out of him would probably work up a big appetite.
And, well, Sanji would never let a crewmate go hungry.
So, he put one hand to the back of Usopp's hair- his hair, not his hat, free of it's usual ponytail and covered in leaves and dirt and blood- and guided him back to his neck. Usopp made a questioning noise.
Sanji closed his eyes, let a shaky smile show on his face. He brought his other hand up to press Usopp closer.
"I did say anything, didn't I?"
Usopp didn't respond. After a moment, Sanji felt him lick at the bite marks he left behind- pinpricks compared to the wounds littering his own dark skin- and then, carefully, fit his mouth into those same marks. Once again, he began to drink, this time at a much slower pace.
Regardless of the speed or the gentleness, Sanji still had to fight not to give away how much he was truly enjoying this.
(and then the crew shows up lmao)
31 notes
·
View notes
With no hate to that previous post I just reblogged bc its valid in and of itself:
I get what they're saying, but it's actually *not* like Rick Riordan broke into your house and moved all of your furniture.
It's more like you *bought* furniture and installment services from Uncle Rick's Home Goods in 2008, a lovely niche shop focused on serving our underserved community of neurodivergents. And then, despite your furniture from that time still being exactly as it was when you bought it and billions of exact copies being for sale, when Uncle Rick said, "Hey guys, I'm going to make this same line of furniture out of completely different material, and Im adopting a new installation tactic, but it's going to stick to its general function and purpose," you giddily clapped your hands and said, "I can't wait to see the exact same thing made out of entirely different materials!" Forgetting, of course, that that is literally impossible.
And **then** you came home and found that Rick (whom you left the door open for!) moved all of your furniture slightly to the left. Also he replaced every item with near-identical copies.
"I liked it the way it was very much, thank you!" Then don't get the update, idiot. It is so optional to watch this show. You had to wait a week between every episode. You had to torrent every 40 minute video on a weekly basis, or drive to visit your one family member who won't give up Disney+ anyway. And when things started proving to be different, *you* made the conscious choice to see where things were going. Now you're mad and miffed that it wasn't as faithful an adaptation as The Lion King 2019 was to the original 💀. Coming from an AuDHDer, please understand that your neurodivergent rigidity can only be accommodated so much, my friend. Real people worked hard to make this. Different people from the book's production. *More* people than the book's production. And you know what's crazy is that, despite all of this, some of the tone of minor scenes may have changed, but nothing major truly did. We did it-- we got a faithful adaptation!! If it's not your cup of tea, if your mind's eye just cannot be topped, it's all good. Just say, "this seemed cooler in my head." But oh my god, I'm tired of the Rick slander. The overall crew slander. As if people didn't work their asses off to make this show happen at all. "Rick Riordan broke into my home--" you let him in. *You* watched the show; you let him in and consented to whatever the fuck he was going to do (which...wasn't even much).
If you are scared of coming home and finding your special interest moved slightly to the left, stop letting the author back in through your front door.
7 notes
·
View notes
I feel he shouldn't have been in the Dark Forest though not because he doesn't "deserve" it but for the same reasons you don't like Spottedleaf's Heart: his xenophobia is tacitly approved by the living Clans so it makes no sense dead Clan cats would all have the "right" views and condemn him. Not to mention how it ruins the "not disloyal" aspect of his character. by having him cackling about destroying ThunderClan along with the other Clans.
@halogenwarrior
See, even canonically, I would actually have him in the Dark Forest!
But not because of his xenophobia. Because of his spite.
I would put him there by a thin margin with StarClan. In fact, his xenophobia and aggression was a positive trait in the eyes of StarClan. But that's not his only trait.
He's disobedient (undermining Bluestar), irreverent of StarClan (training in the Dark Forest), and a bully. He's spiteful, so much so that he abandoned his own son when he felt like Bluefur 'corrupted' him.
I can even see it in my head. A trial going by a slim margin, a ruling JUST about to let him pass through, and then Snowfur comes up with Mosskit. And he SNAPS.
Calling this poor thing a half-clan creature, that Bluestar weakened the clan by not knowing her place, that she was even infecting StarClan itself with her code-breaking bloodline. That he expected better of Snowfur. His own malice and hubris, in the end, is what sends him to Hell with his demon buddies.
Or, even,
That he goes there of his own volition, when he realizes that StarClan does approve of Bluestar. That it isn't a StarClan just for him, it's a StarClan for her too. That he refuses to spend his afterlife playing second fiddle to her, like he did even while he was alive.
I'm even fond of the old, "Bluestar chases him out of StarClan" idea. That Thistleclaw, and a not-insignificant number of his buddies, leave when they see the values of StarClan changing. All because of Bluestar and her Kittypet.
89 notes
·
View notes