One thing BBC's Merlin should have done (and not the one you're thinking of)
Because somehow I am making a Merlin post in 2023
I love magic reveal fics and Lancelot lives fics and so on as much as the next person, but there is one idea that the more I think about it, the more sense it makes to do to the extent when I first watched Merlin, I genuinely was surprised when this didn’t happen:
Gaius dies.
(Explanation after the break)
Not exactly sounding like a fix-it, I know. And, though it might sound like it, this is not post about hating Gaius, and I will explain my reasons. But I’ll start with a little explanation on how it might go down.
I think the main reason this never happened in the show was because Gaius was someone Merlin could talk to regularly and easily about his magic within Camelot. It allowed the audience to understand what he was doing, and why, for the more magical aspects of the show, without having to run out to the forest every five minutes for chats with the dragon. So it would probably have to be combined with either Lancelot lives or Gwaine finds out or something, so that Merlin still has someone to discuss magic with and cover for him. I would imagine it would happen in The Secret Sharer episode (season 4), probably Agravaine kills Gaius before Gwaine can stop him. This gives time for Merlin to process both his mentor’s death and what it means for his role in Camelot, before the season finale.
So, why?
It makes Merlin the authority, rather than the student. Merlin has been studying magic for 6 or 7 years, by season 4. By anyone’s standard, he would probably know what he is talking about by that point. And it’s been shown in several episodes that he doesn’t need Gaius - such as the Goblin in S3, or figuring out how to trick the troll in S2. It wouldn’t be uncharacteristic for him to be able to explain something magical to a knight, or even Arthur. And in a show called Merlin, where Merlin is coming into his power and knowledge, it almost seems illogical to have him going to Gaius for absolutely everything, but he does, when he has Gaius to rely on.
It gives Merlin a reason to be openly respected. Despite the ‘I’m happy to be your servant until the day I die’ thing, Merlin should have got more esteem in the last seasons. Gaius gets a seat on the (big) round table in S5, for his knowledge on magical creatures and threats. If he’s dead, is Arthur just going to give up that seat and not have any questions about magic? No, he’s going to give it to Gaius’ apprentice and the person who has been helping him with research for years. This gives a reason for Merlin to become a more official advisor, have his thoughts listened to without being in the privacy of Arthur’s chambers. Basically, Merlin could have become the advisor to Arthur that Gaius was to Uther if Gaius was dead, but while Gaius is alive neither Arthur nor Merlin would have a reason to make that happen.
Gaius holds Arthur and Merlin back. Gaius is the sorcerer who turned his back on sorcerers, who protected a murderous king while watching thousands of innocents be murdered in the hopes of saving a few. He is a product of Uther’s rule, and is scared enough by what he’s seen that he continually advises against telling Arthur not just about Merlin’s magic, but a huge number of other magical events, and quite simply doesn’t give Arthur a chance to choose to be better. And as for Merlin, he continually advises him caution and restraint, even when it goes wrong (like with Morgana). If you take a comparison between Lancelot and Gaius, where Lancelot continually encourages him, going so far as to suggest he tells Arthur, Gaius continually cautions him not to. Neither of them care any less about Merlin, or want to see magic free less, it’s simply their character. Gaius is scared, looking back at Uther and the deaths that were, and too afraid Arthur is like his father to tell him that magic can be good. But Lancelot is hopeful, and sees Arthur as the man who gave him a knighthood when his father wouldn’t and looks forward to the future that could be. With Gaius gone, and someone like Lancelot or Gwaine advising Merlin as a friend, rather than a father-figure, there is so much more potential for the ‘golden age’ to actually happen in the show.
It fits with the themes of S4. One of the big themes to me in S4 is that Camelot truly becomes a kingdom of the younger generation. Compare Uther’s council in S1-3, to the Round Table in S5. The average age is significantly younger - Arthur goes from being the outlier as the young Prince in a room of old lords, to Gaius looking out of place as an old man in a room of young knights and Gwen. And it’s not just Camelot’s council. The primary villains progressively get younger too - from Nimueh and Morgause, who remember and object to the purge, to Morgana, whose hatred is more focused on her growing up in fear. Gaius is the only person with any significant role in season 5 who is of the older generation, and he does just genuinely seem out of place - someone who is very much Uther’s advisor in a kingdom otherwise completely run by Arthur.
To me, this just makes so much sense. The simple reason is that Merlin genuinely couldn’t have grown to be the advisor he should have been in season 5, or created the golden age the show promised us, because he couldn’t stop relying on Gaius while he was alive, and Gaius couldn’t step away and let Merlin take charge, but was also too scared by the deaths he’d seen to give Arthur the chance, choice, and information he needed to build the world he should have.
In summary, Gaius should have died and it could have dramatically improved the final season of the show.
Also, if you know any good fics for this I’d love to know. Scorch marks and embers by southfarthing on AO3 works on this premise, except Morgana finds out who Emrys is and basically taunts him for 90,000 words, and I really recommend checking it out because it’s amazing.
24 notes
·
View notes
Hi! Had an idea for the actor AU!
Thena got curious what kind of a training he does when he goes to the gym so she decided to ask him if she can come with him.
Maybe you can do some fluff and cute stuff? Like Gil showing her a few things and comes very close? And of course a bit of a little thirst for Thena, I mean those muscles duh!👀
It just came to my mind maybe you can write something nice wit this prompt? :)
"Uh," Thena looked around, her ponytail swinging, looped through the back of the hat on her head. "Wow."
She knew that Gil went to one of the pretty hardcore gyms for people in show business. Of course there were still different levels of practice, and everyone was welcome. But she recognised several action stars just from their backs as they carried on with their own workouts.
"It's okay," he chuckled, nodding his head for her to follow him in.
She was the one who had asked to tag along to his gym for his usual workout. She was considering changing gyms and personal trainers herself, since she - since working more and more with Gil - was apparently just...becoming someone expected to do stuntwork. And she enjoyed it, really. But if it didn't include Gil, she wouldn't be signing on for it for fun.
"Today's an off day, so my usual trainer isn't actually here," Gil said gently as he led them to an end of the weight racks reasonably far away from everyone. "I was just going to come and do some light lifting and maybe a little boxing work done."
Thena nodded, feeling sheepish surrounded by people all with a certain level of ferocity to them. They were all either training for something particular or just had a certain physique in need of maintenance.
"What do you usually do for your workouts?" Gil asked as he grabbed some weights for her first.
"Nothing like this," she murmured, still self-conscious as she pulled off her hat and accepted the weights from him. "It's more some light weights, leg stuff. Probably more cardio, than anything."
Gil just nodded, not wanting to make her feel uncomfortable about anything. Not that it would be possible for him. "That's a good routine to have."
Thena eyed him as he picked up his own weights--massive things that looked like she would have to two-hand them. His arms rippled as he picked them up. She dashed her eyes away, feeling silly for it. "I-I'm sure my usual stuff would be like a warm up for you."
"That's not true," he refuted, even as he started bicep curling with the massive weights in his hands. "We all have our own stuff. I'm terrible at cardio. You should see me when I get in the ring--I'm huffing and puffing, covered in sweat, it's not pretty."
Thena kept quiet about whether she thought that would be true or not. Maybe pretty wasn't the word, but she certainly thought it would be sexy...
Gil blew out a breath taking a break between his sets. He looked at her, easily lifting the weights he had given her. "Maybe you need heavier ones."
"Oh, no thank you," Thena laughed immediately, but Gil set his weights down with a shake of his head.
"No, really," he retrieved the next weight up. "You barely look like you're lifting anything. I know you don't want anything too hard, but there's such a thing as too easy, too."
Thena pouted at him as he exchanged her nice and light weights with slightly heavier ones. "But I like easy."
He chuckled, easily depositing her other ones on the rack before picking up his own again. Again, his muscles undulated under his skin from the movement. And again, Thena caught herself staring before forcing herself to look away. "Indulge me."
Oh, she was indulging, all right. Thena's eyes kept drifting over to Gil as he lifted beside her, focusing on himself and his movements, not imposing any need for conversation between them. He knew what he was doing. His arms looked massive as they moved, and as he switched movements with them, she could catch the ripple of his muscles in his chest under his shirt, in his shoulders, his back-
"Thena?"
"Hm?" she blinked, feeling herself blush. She had been caught staring, again (the evidence of her ogling him on the red carpet was bad enough).
"What training did you do when you were in that ballet movie?"
"Oh," she blinked. It had been a long time ago, fairly early on in her career. It was her first big dramatic role, and she had taken it quite seriously. She didn't think Gil had seen it. "I remember that. The training was fairly gruelling, as I recall. I went to an actual ballet academy for their expertise. They let me train with them to the extent I was able in the few months I had before we began filming."
"Hey, ballet is no joke," Gil grinned at her, some sweat starting to collect on his brow. He wore it well. "Dancing requires a lot of muscle, and even more control over them. I know better than to try and keep up with them."
"I know the feeling," Thena smiled, taking a break in her own lifting. "Trying to keep up with even the rudimentary practise they constructed for me was exhausting. I kept that in mind at all times when we were filming and I was allowed to take breaks as often as I pleased."
"It was a great movie, though," he smiled at her, and again, she felt herself blush.
"When did you have time to unearth that old thing?" she asked with a laugh in hopes of downplaying her fluster.
"Actually, it's one of the first movies of yours I saw," Gil confessed more quietly. He also set down his weights for it, swiping at his brow with a towel sitting out of his bag. "I can't remember how I came across it, but I saw it before I really knew who you were and stuff. I've always really liked it."
Thena smiled down at the ground as she set her weights aside as well. "I have fond memories of it. I still consider it my big break, of sorts."
"You got an award for it right?"
"A few," she admitted, although with a faint glow of pride to her as she said it. "Guild, the choice award, and even a globe."
"That's pretty damn impressive for your first big break," Gil chuckled, guiding them away from the handheld weights and towards the equipment. "I remember rooting for you for the globe. You wore that fancy black dress-"
"Stop it," she gave his chest a pat with the back of her hand.
"Fine," he accepted the friendly nudge with a laugh, patting the small of her back in a similar gesture. "What first?--rower or deadlifts?"
"Stairmaster," Thena responded cut and dry, already moving to the equipment that didn't require anything of her arms (already tired).
"What happened to wanting to see my routine in action?" Gil chuckled as he took up one of the machines directly across from her, able to talk to her without really having to shout.
"I can see you just fine," Thena huffed, starting her usual - agonising - climbing routine and shaking her head, letting her ponytail bounce behind her.
"I guess so," Gil raised a brow at her. She returned the expression playfully.
Thena nearly tripped on a step as Gil pulled up the bottom of his loose workout clothes to swipe at the sweat on his face. She stared down at her feet, attempting to banish the thought of his rock solid barrel chest and the hair around his bellybutton from her mind.
Gil happily turned his focus to his own workout, staring ahead of him and definitely not at the sway of her hips, or her legs in her skintight yogapants, or even the way her seductive little shoulders swayed with every step.
Just two people enjoying a casual, platonic workout together.
15 notes
·
View notes
I know I've already spoken a lot after @fulcrum-art-fox 's post (and by going on a tangent, too, I'm still sorry for that), but my mind remains stuck on Jillian (oops!) so here goes a bit more chaotic blabbering to go with what came earlier.
See, yes, there's a parallel between Jillian and the Holy Mother (and I had already touched upon it here and here as well), but what made me stop and think a little more was a passage I read recently in the Jansons' The picture history of painting:
"The Byzantine artist did not think of the Madonna as being at all like an ordinary, human mother. To him she was the Queen of Heaven, far removed from everyday life and beautiful beyond any man's imagination. And he has painted her the way he felt about her: not as a woman of flesh and blood but an ideal figure bathed in the golden light of heaven."
What stands out to me here is less the actual piece being examined (this, if you're curious) but the idea of being removed from everyday life, of being distant from the common people, being an ideal figure who isn't made of flesh and blood.
That's exactly what Jillian more or less sets out to do in s1 through the image she presents to the world.
But, contrary to the Madonna being painted by an artist following what the latter might feel about her, Jillian, the budding demiurge, creates this image for herself. The whites, the blue, the theatre of it all wouldn't be lost on a woman as intelligent as she is; her pregnancy was "a medical marvel", now she opens up the "world's first quantum portal"... Ava says doctor Salvius creates superpowers on the daily, but these feats could be seen as miracles... No wonder cardinal Duretti is invited to witness Jillian's triumph.
As this miracle-maker, this special specimen above the rest of humanity, there must be a (fabricated) distance in her dealings with people. She singles herself out when presenting her creation or revealing the footage of Beatrice destroying her security, she stands out from the crowd more as a pale, fearsome marble statue than as a normal human woman.
And, so distanced from others, she barely ever touches anyone else (barring Michael, of course) apart from a very light, almost reluctant tap to a subordinate's shoulder or a grip on Ava that is less about Ava herself and more about what advantages connecting her to the ark might ultimately present. Her touching Lilith for her temperature is likewise less about Lilith's well-being and more about Jillian's own plans for her, a touch with underlying, secret intent.
It's almost as if touch is repulsive to her regarding these other persons, a risk to her carefully curated image, whereas her contact with Michael is affectionate and genuine, unrestrained by the "sainthood" of the genius given how it happens far from the public eye, from anyone she might want/need to impress, amaze or enthrall.
I had talked about the femininity of s1 Jillian as it helps her pull on a show, but there's something about her specific brand of it that is icy, that pushes people away. All that white, that immaculate appearance as if to dare others to try soiling it; where the Virgin Mary is a loving mother to be adored, Jillian Salvius concocts the persona of a terrifying creature not to be provoked, bathed not "in the golden light of heaven" but in the blue light of relentless scientific ambition.
We already know this facade comes crumbling down by s2, but what's interesting is that, as @fulcrum-art-fox's post points out, the consequences of this comparison to the Holy Mother persist. Jillian is no longer bedecked in blue and white, but she pays the price paid by Mary, unable to take action in order to protect her son from what befalls him.
Suddenly, this woman who constructed her own intangibility, her own sort of "divinity" by not being available to be touched by others, finds herself in isolation in a way she had not predicted -- set apart even when she might not want to be, kept away from her own son and from those others which at first she had so carefully kept at bay.
Which again might inspire us to wonder whether any of this is punishment for her presumption. Did she want to create miracles, stand above the lot of common mortals? Well, here are the consequences: you do not play at being the holy mother without the suffering that comes with it.
Maybe it's the blasphemy of it -- or maybe it's just the result of a very human arrogance which she has every opportunity to regret.
I had mentioned before how all of these ties between Jillian and the Virgin actually enforce themes of Michael standing for a redeemer -- the story of Mary is pretty much the story of Jesus. However, the story of Jillian can hardly be expected to be the story of Michael alone in a show that is so thoughtful regarding its female characters, so the future of WN must have something intriguing in store for her. If her role as Michael's mother has ended, her newfound connection to the OCS surely points at a new path for doctor Salvius.
Her relationship to touch alone is already different; if season one saw her wary of it, even protected from it, season two has her actually be touched by someone else, breaking through her "godly" defences. Lilith threatens her, Kristian appeals to her in what is a repulsive action, asking her to overlook what was done to herself and to her son in favour of Adriel's so-called revelations. Whatever walls she had built around herself are revealed as the illusions they truly are as they no longer shield her from others.
But there are two other instances of touch we can't ignore, moments that draw her into something different; not aggression, not cynical beseeching, but something else: we are given a desperation on Jillian's part and a rare, perhaps much-needed support on Mother Superion's. These are new, authentic moments of connection that also shatter the barriers her previous persona had erected and they hint at the possibility of novel dynamics. Jillian is no longer isolated as per her own design, but approaching someone else, being welcomed in turn, yanked painfully down from her self-created pedestal to walk the Earth as a mortal woman and no longer as a white, unblemished icon.
With Michael gone (if so he remains), Jillian might be freed of the ties to the Virgin -- built through her own efforts -- to be her own woman, surrounded by these others who propose another mode of existing, almost like Ava understood the notion of helping others through the OCS as well. Her role in the story isn't over, cannot be over: who is she when she is not just a mother or just the embodiment of her company? Who is she when participating in community instead of elevated to an artificial position above the rest that endangered her own sense of humanity? Who is she without the myth of her own design?
We eagerly await for how these new developments concerning her unfold...
5 notes
·
View notes