#that was dishonest

[flootzavut]

if Henry was that keen on book accuracy for Geralt then I have to wonder why he chose to make Geralt monosyllabic in s1 which absolutely was his choice as confirmed by Joey in a post S1 video interview and by Henry himself in a print interview; the most likely scenario is that he thought he was gonna earn a shit ton of money doing Superman (and honestly I don't even blame him for that, you can't do big pretty boy action roles forever, at some point Hollywood is gonna stop calling or you're gonna injure yourself), but making out that he sacrificed himself on the altar of book accuracy is just silly.

[kragehund-est]

one of the things that gets me REALLY assmad is willful misinterpretation of other people's beliefs and arguments. i can 1000% disagree with you or have no stakes in the debate at hand, but if i see someone belligerently misinterpreting what you say, there's a good chance i'll go to bat for you anyway.

[txttletale]

🔥homestuck

you shouldn't read the fan version with the slurs removed. idk if that's unpopular in general but it's unpopular among the specific social circles i'm in. i just think doing so ends up just lying to you about what homestuck is, which is a very very context-bound snapshot of a specific sort of internet culture where people said retard and faggot a lot. like it just seems like an extension of the "making up a better version of homestuck that exists in your head" project that the mainstream homestuck fandom has been engaged with for like a decade now which i also think is a silly way to engage with art

[falmerbrook]

Been feeling down and having artblock so I wanted to draw something colorful and silly to try to get out of it

So have some My Little Morrowind: Friendship Betrayal is Magic

(and Sheo-Discord for funsies)

[popomerrygamz]

You know, since Hbomberguy’s latest video is trending…

This is a reminder that when you use the Dollmaker, you need to credit. It does not matter that it’s “recognizable” as the dollmaker or that “everyone knows anyways,” you need to credit. Anytime you load the dollmaker on the FF website, you are asked to acknowledge that the dollmaker is made for non commercial use, and that you should link to the dollsim credits if used. You are not able to use the dollmaker without that acknowledgment.

Please, please, please remember to credit the dollmaker. And if you see dollmaker sprites in the wild without credit, please remind them of the terms of the dollmaker!

[teaboot]

You're so genuine, how do you stay so true to you?

I think I just never considered the possibility of an alternative

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[stjohnstarling]

Full text of article as follows:

Tumblr and Wordpress are preparing to sell user data to Midjourney and OpenAI, according to a source with internal knowledge about the deals and internal documentation referring to the deals. 

The exact types of data from each platform going to each company are not spelled out in documentation we’ve reviewed, but internal communications reviewed by 404 Media make clear that deals between Automattic, the platforms’ parent company, and OpenAI and Midjourney are imminent.

The internal documentation details a messy and controversial process within Tumblr itself. One internal post made by Cyle Gage, a product manager at Tumblr, states that a query made to prepare data for OpenAI and Midjourney compiled a huge number of user posts that it wasn’t supposed to. It is not clear from Gage’s post whether this data has already been sent to OpenAI and Midjourney, or whether Gage was detailing a process for scrubbing the data before it was to be sent. 

Gage wrote: 

“the way the data was queried for the initial data dump to Midjourney/OpenAI means we compiled a list of all tumblr’s public post content between 2014 and 2023, but also unfortunately it included, and should not have included:

private posts on public blogs

posts on deleted or suspended blogs

unanswered asks (normally these are not public until they’re answered)

private answers (these only show up to the receiver and are not public)

posts that are marked ‘explicit’ / NSFW / ‘mature’ by our more modern standards (this may not be a big deal, I don’t know)

content from premium partner blogs (special brand blogs like Apple’s former music blog, for example, who spent money with us on an ad campaign) that may have creative that doesn’t belong to us, and we don’t have the rights to share with this-parties; this one is kinda unknown to me, what deals are in place historically and what they should prevent us from doing.”

Gage’s post makes clear that engineers are working on compiling a list of post IDs that should not have been included, and that password-protected posts, DMs, and media flagged as CSAM and other community guidelines violations were not included.

Automattic plans to launch a new setting on Wednesday that will allow users to opt-out of data sharing with third parties, including AI companies, according to the source, who spoke on the condition of anonymity, and internal documents. A new FAQ section we reviewed is titled “What happens when you opt out?” states that “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.” 

404 Media has asked Automattic how it accidentally compiled data that it shouldn’t share, and whether any of that content was shared with OpenAI. 404 Media asked Automattic about an imminent deal with Midjourney last week but did not hear back then, either. Instead of answering direct questions about these deals and the compiling of user data, Automattic sent a statement, which it posted publicly after this story was published, titled "Protecting User Choice." In it, Automattic promises that it's blocked AI crawlers from scraping its sites. The statement says, "We are also working directly with select AI companies as long as their plans align with what our community cares about: attribution, opt-outs, and control. Our partnerships will respect all opt-out settings. We also plan to take that a step further and regularly update any partners about people who newly opt out and ask that their content be removed from past sources and future training."

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?”

Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believepartners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.” Automattic did not respond to a question from 404 Media about whether it could guarantee that people who opt out will have their data deleted retroactively.

News about a deal between Tumblr and Midjourney has been rumored and speculated about on Tumblr for the last week. Someone claiming to be a former Tumblr employee announced in a Tumblr blog post that the platform was working on a deal with Midjourney, and the rumor made it onto Blind, an app for verified employees of companies to anonymously discuss their jobs. 404 Media has seen the Blind posts, in which what seems like an Automattic employee says, “I'm not sure why some of you are getting worked up or worried about this. It's totally legal, and sharing it publicly is perfectly fine since it's right there in the terms & conditions. So, go ahead and spread the word as much as you can with your friends and tech journalists, it's totally fine.”

Separately, 404 Media viewed a public, now-deleted post by Gage, the product manager, where he said that he was deleting all of his images off of Tumblr, and would be putting them on his personal website. A still-live postsays, “i've deleted my photography from tumblr and will be moving it slowly but surely over to cylegage.com, which i'm building into a photography portfolio that i can control end-to-end.” At one point last week, his personal website had a specific note stating that he did not consent to AI scraping of his images. Gage’s original post has been deleted, and his website is now a blank page that just reads “Cyle.” Gage did not respond to a request for comment from 404 Media. 

Several online platforms have made similar deals with AI companies recently, including Reddit, which entered into an AI content licensing deal with Google and said in its SEC filing last week that it’s “in the early stages of monetizing [its] user base” by training AI on users’ posts. Last year, Shutterstock signed a six year deal with OpenAI to provide training data.

OpenAI and Midjourney did not respond to requests for comment. 

Updated 4:05 p.m. EST with a statement from Automattic.

[fairuzfan]

When's the anti-pro-Palestinian movement going to admit they have an islamophobia/anti-Arab/anti-palestinian problem

[julijbee]

I present you with a hypothetical, it goes as follows:

A man sees the world only in shadows, and understands it only as so. If he stands close to another, their shadows eclipse. Does he believe the two shadows belong to the same thing? Does he believe to be close to something is to become it? Does he fear what moving apart from that shadow might do? Does he not know fully what he fears, in moving away, forgetting-or not understanding-what he is when he isn't a shadow of something else?

Is he a fool for this? Do you take him for a fool? Answer me.

[kitxels]

“um well if papyrus is from deltarune then why doesn’t he know what the sun is???” have you considered that maybe he’s….lying??? making a joke??? papyrus isn’t as naive as you think he is.

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[pigdemonart]

I think its really cute that Manuel gets the most love from comments! I think he deserves it, because even I have dubbed him as the Best Boy. But, Mani has mixed feelings about receiving praise and being considered the favorite. He’d sooner think people are lying to him than believe they actually like him that much. Because, why would they?

His view of himself comes from years of being stuck in the middle.

[saym0-0]

i love mechs x tma aus and i love jmart but i dont love jonny x martin,,, the dynamic is just so slightly off,, like,,,,,, i cant articulate it its just wrong 2 me,,,,,,,, okay actually the tags r vital to this one read those

[sourtomatola]

It think one of my fav thing about the FNAF fandom is the fact that Fazbear entertainment fits into any AU as the cooperate villian.

For example, If I were to tell you "In this Au, Fazbear entertainment makes candy instead, but they make sentient candy to torture and farm the candy from" Every last one of you out there would be like "They would."

If in this Au, the animatronic are slave of any kind (manual labor, factory workers, or any kind of exploited labor) everyone would nod their heads and just say "Yep, that's fazbear"

If in this Au, you tell me they are essentially caretakers of rare species, SCP's, cryptids, or anything other kind of mystical creatures, but are so bad at their jobs that most of the species they care for are constantly sick or dying, everyone would just solemnly swear its a Fazthing

[piratefishmama]

For one night only | part 1

“Huh?” Oh, how eloquent of him, truly, what a wordsmith. Steve only smiled wider, not a fake one either, it reached his eyes in a way that made them sparkle and Eddie couldn’t believe he’d just thought about a guys eyes sparkling when he smiled good lord how gay was he?!

“I’m Steve, I know you’re a metal guy, right? All that loud music do your hearing in, sweetheart?” Steve didn’t need to do homework on his clients, the company did that for him, but he did get access to the guys profile when he accepted the invite, the profile containing bits of information such as occupation, height, weight, age, etcetera.

He’d not even thought twice when the invite pinged into his inbox shortly after he’d switched his availability to SFW only, not for any particular reason. He just wasn’t feeling the need for sex. Wanted to be wined and dined, maybe flaunted, and pampered, an awards event with a gods honest rock star who might be accepting an award that night? Sounded perfect to him.

“S-sweet… Sweetheart?” He would later deny how high his voice got as he parroted that word, Christ, get it together, Munson! “Music… uh… loud, yep, yep loud music, that’d be it. Uhm… you uh… Steve, Steve Harrington. Right.” Hey, um, brain? How about you start working. Sound good? Steve didn’t remember him, he didn’t remember him, what a crushing blow, but… could he really claim to have expected anything less?

His high school crush not remembering his name, or who he was, or what he even looked like. Yeah, it was a little crushing, but Steve had always run in different circles. He’d never been cruel to him or the D&D gang, but he ran in the circles that had been cruel. Circles containing people now working in office 9-5’s or... as devastatingly handsome escorts, holy fuck.

A smile like that didn’t deserve to be judged by association, though. They weren’t in high school anymore. They weren’t in high school, and he was a rockstar. He did not have any reason to go all wibbly-kneed over the hottest man he had still ever seen. How was Steve still the hottest man he’d ever seen? He was a goddamn rockstar, he hung around celebrities every other week and here he was mooning over his high school crush again, when said high school crush didn’t even know who he was, again.

“Steve Harrington, that’s me. Are you going to let me in or are we going to go through everything in the hallway, I’m not fussed either way, but discretion is usually preferred in these circumstances.” Eddie had had his kinks listed in his profile, of course, but considering the SFW nature of the evening, he didn’t think he needed to worry about that blatant ‘Expeditionist’ kink among the others that he’d definitely looked once or twice at in interest. The security guards seemed to be fighting back smiles, professionalism an all that jazz.

“Y-yeah, yep, c’mon in Steve Harrington, into my hotel room, yep.” Jesus H Christ. He hung his head in shame as Steve let out the most charming of laughs and walked in when invited, the subtle breeze as he passed by carrying the scents of jasmine, bergamot, a note of amber undergrowth, and... God he didn’t even know but it smelled pricy and delightful. He shut the door to block out the subtle snort from the security guard on the left as he struggled to hold back his laugh, shoulders trembling as he fought to hold it back.

Shut up, Darrell.

“You seem kind of stuck on my name, should I be concerned?” Steve turned around, the backdrop of his window overlooking the city behind him, fuck, how was he still so handsome? What the shit was in the Harrington's DNA to create such a masterpiece?

“Uhm...” To tell him, or not to tell him, the band would probably blow it unless he could get to them and tell them to zip it, but... keeping it from him felt dishonest. Starting anything, even a loose acquaintanceship with an escort shouldn’t start with dishonesty, but... did he really not remember him at all?! “You... don’t remember me, do you?”

Steve tilted his head a little to the left, brows furrowing a little in thought “I’ve never accepted an invite from you before, have I?” Ouch. Alright then. A particularly vindictive little gremlin on his shoulder declared he should keep the connection a secret, see where dishonesty took them, but his little angel was thankfully much louder.

“N-no, no, uhm... we ah—we went to school together, Steve.” It was out there, in the space between them, Steve seemed surprised but didn’t answer, clearly trying to remember. “Super senior? Stood on tables and yelled at people in the cafeteria for conforming to the man? D&D club president...? Any of this ringing any bells?” Steve’s gaze dropped to the carpet, eyes searching, brows furrowed further. “It’s OK, man, it was a long—”

“No no, I... shit, I got knocked around a little in high school. The old man had me in boxing to make me a man, I guess. I wasn’t very good at it, so I uh... my memory isn’t what it should be, concussions an stuff, but... did we talk?” Oh, understanding dawned on him.

Steve used to just appear in the halls, looking like he’d gone toe to toe against a goddamn brick wall at random. Perfection painted in purples, blues, reds, and yellows but never not perfect.

“No... no we didn’t, it's OK...” and it was, it wasn’t Steve’s fault that his old man had been a douchebag. “Best place to start is fresh I guess!” He could be totally normal about this. He held out his hand “Eddie Munson.” Steve’s smile returned, radiant and kind as he reached over and took it. His hand larger, warmer, his grip strong and his fingers impossibly soft.

“Steve Harrington, nice to officially meet you, Eddie.”

Part 3