#that way has apparently gotten rejected. so like. clearly that's not his character.

[v-arbellanaris]

under the cut in case tags are broken but spoilers for the game & fandom crit

i rly think some of you are just rancid for no reason btw. like i just think if u look at a queer man LI who is a canonical victim of abuse - inc sexual abuse, and the story does not shy away from it & the ramifications of that - and a deep, rich, layered story about regaining autonomy and healing and personal liberty and trying to forgive yourself for all the horrible things that you did & were while you were abused (that you were a Real monster for) and all you have to say about it is "ugh another fucking white LI ofc you're all into him" like... idk. i dont think the problem is the fact that he's white. i think there's something wrong with YOU.

[teamsasukes]

ok in my opinion, many things are wrong with the idea that sakura viewed sasuke only as a prize to be won to boost her self-worth; that when it comes to sasuke, she's forever frozen in time as a 12-year-old girl who can't see beyond his good hair and great grades. this post is my attempt at thoroughly unpacking and refuting that notion

when we meet sakura in part 1, she is obsessed with societal standards and her admiration for sasuke is almost entirely rooted in that. he's the ideal future husband -- from an ancient clan, stoic, intelligent, skilled, and by sakura's own description, "cool" -- these are things that she has been conditioned to want! so this is the sasuke that she envisions, until...

until they get put on a team together, and sakura gradually comes to realize that perhaps sasuke is not what she's made him out to be in her mind. he talks about crying, about being afraid. he's paralyzed with fear in their first mission. naruto may very well be stronger and more capable than him! oh, and sasuke gets into silly fights with naruto all the time. none of that is "cool." suddenly he seems less like the ideal future husband and more like a real person with flaws and baggage of his own.

that sakura's view of sasuke changes is so apparent through how radically her behaviour around him shifts between the early formation of team 7 and the chunin exams (and any point after). sakura goes from being unable to listen to a bad word about sasuke (maybe even the ones that are deserved) to defying him when she deems fit. she even praises naruto at his expense, because societal views are not at the forefront of her mind when it comes to the two boys anymore -- they're just naruto and sasuke. they're her friends! she goes from calling kakashi out for bad-mouthing the uchiha clan because she's doesn't want to risk sasuke getting mad at her, to calling naruto out for a similar statement, not due to personal involvement in the equation, but simply because it's not right.

and people typically agree with me up to here. it's when we get to sakura cutting her hair in the forest of death that opinions diverge, and some people tend to think that sakura should have "gotten over" sasuke to propel her character development forward. i don't necessarily find this reading invalid -- it's certainly a more straightforward direction for her character to take. sakura's goal was sasuke, now sakura's goal is to be strong. the problem is that there was always more nuance to her goal of winning sasuke's heart than people afford it in fandom discussion, and similarly, i don't think that the progression needed to be as clear-cut as "sakura gets over sasuke" to still be meaningful. in this case, i feel like people's expectations about what should have happened following this scene might preclude them from seeing the growth that this moment did produce.

sakura cutting her hair in the forest of death is the critical point her arc built up to for all of part 1. sakura is insulted by the sound nin for pouring so much time into her appearance when her training is clearly not up to par, and she cuts her shiny and perfect hair in a declaration that she will no longer derive her self-worth from the validation that would come from romantic attachment (to sasuke, or anyone else). instead, it will be from standing shoulder-to-shoulder with (or even ahead of) her teammates in battle -- so that she can protect them rather than the other way around. then the flashbacks during her fight with ino make it explicit that sakura has wanted to become a skilled shinobi -- one who could match up to ino -- all along, but since that is not a socially acceptable goal from a girl, she instead declares them rivals over sasuke's heart. the boy is not important here (haha, it always sticks out to me that when she asks him out before the chunin exams, sakura is more bummed about sasuke's assessment of her skills than his rejection). she doesn't even think of sasuke while fighting ino, lol -- she grandstands about how only she can "get him," but that's for the purpose of riling up ino, so that there's no chance she'll go easy on sakura. sakura wants to know, definitively, that she can match up to ino. and she does.

in light of all of this, people often say sakura had "no reason" to like sasuke -- after all, i did spend the entire last paragraph establishing that sakura's pre-series crush on sasuke was an immature infatuation that had nothing to do with sasuke and everything to do with ino. but, again, team 7 spent months together on a team and sasuke and sakura became actual friends! he was a good teammate to both naruto and sakura, if a little rough around the edges. i don't think it's implausible for sakura to develop real feelings for sasuke during this time. and if that is not enough, if you need deeper, thematically fulfilling reasons -- well, i sort of object to that on principle. i think friendship, having fun with one another, being at ease around each other -- these are all perfectly good reasons to fall in love with someone. and you may say that naruto also fulfills this criteria, but if sakura was physically attracted to sasuke and not naruto -- well, i think that's fine too, and it certainly doesn't warrant any moral judgment. people say often that sakura should have ended up with lee or naruto -- the first of whom stated outright that he loved her because she was beautiful, and the latter who introduced her as a "pretty girl" -- but whether their feelings are shallow is not endlessly dissected. (it's not narusaku or leesaku i protest to here, just the double standard)

but for the record, i think kishimoto did write in enough for us to understand why sakura would fall for sasuke in particular. i discussed this in another post, but alongside ino, sasuke sparked the most significant character growth for sakura. he was the first to make her reevaluate her treatment of naruto (and by extension, her rose-tinted view of the world), he was the first (and only) of their teammates to express disappointment that she wasn't investing in her own skills, he figured out when she felt insecure and reminded her of the areas in which she was more proficient than the rest of the team. sakura's initial idealized view of sasuke does not endure for a number of reasons, one of which is that the real sasuke actually expects her to hold her own and sees potential in her. for sakura, whose main motivation as a character is to become stronger for her teammates, this must mean a great deal! we mostly lose track of this element of sasuke and sakura's dynamic in part 2, which is a shame, but when she cracks open the earth with only her fist, naruto and kakashi are utterly astonished, while sasuke just smiles -- like it is no surprise, like she's been capable of it all along -- so there is that, i guess.

(and for more on thematically fulfilling, see this post on what i think could have played out if sakura were not relegated to a side character in all but panel presence in part 2. but really, i find it so interesting that sasuke and sakura both repeatedly have a lot of trouble suppressing their compassion to do what is expected of them as shinobi. apart from sasuke, i think sakura is also the only character to express that human life has inherent value -- at least, she says something along those lines when she fights sasori.)

anyway, post-forest of death, sasuke version 1 has pretty much dissipated in sakura's mind -- the only place he ever existed -- and sakura's treatment of sasuke changes further. she stops intruding on his physical boundaries, stops flirting, stops asking him out -- she's there for him, but as a friend first. she hugs him in the hospital, but that's not necessarily a romantic gesture (she's physically affectionate by nature, which is why she ambushes naruto with a hug in the same manner at the end of the pain arc) and sasuke finds it comforting (signalled by many things, chief among which is that naruto leaves the room after observing sasuke's face). and yes, she confesses to being in love with him twice afterwards, years apart, but that is only because she is extremely stressed and panicked and wants him to stay for his own (and the second time around, add in naruto's) safety. her first confession is too centered on her own feelings, while the second is just woefully oblivious (through little fault of sakura's -- she doesn't know why sasuke is so intent on destroying the shinobi world), but neither of them come with the condition of sakura wanting sasuke to stay only so he can be with her. sakura wants sasuke to be safe! she wants him to be mentally sound! she lets him know that she cares about him!

i absolutely need to reiterate: at no point in part 2 does sakura display any sense of entitlement to sasuke. she always pleads with him to stay, rather than demanding anything of him. and even in the privacy of her own thoughts, sakura ponders bringing sasuke back in a few contexts: she wants sasuke to be okay, she is so sorry for burdening naruto, she needs to help naruto, and if sasuke comes back, they can all be a team again. romance does not even enter her mind. it is such a willfully egregious misread of the text to say that she only wanted sasuke back so they could be together.

moreover, it is honestly just nonsensical to me when people say sakura wanted sasuke as a prize, because it laughs in the face of her entire character arc and completely ignores why her pre-series crush existed at all. back then, sakura wanted sasuke as a status symbol. as of part 2, though, he is decidedly not what konoha's society would see as the ideal man. in the eyes of the state, he is a wanted criminal. sakura, meanwhile, is a student of the hokage, one of the most skilled medics in konoha at the ripe age of 16, and one of the most powerful shinobi of her generation (a feat achieved entirely through her own labour). she has stood next to her teammates in battle and helped take down a literal god. she does not need sasuke to feel fulfilled. nevertheless, she chooses, every day, to care about him, even though it would be infinitely easier not to. and if sakura wanted to haul around a status symbol in the form of a boyfriend, if only to bolster her already impressive profile (which she would not. that's the point!) -- naruto, konoha's new favourite traumatized teenager, is like. right there. but sakura loved naruto before he was proclaimed a hero by konoha, just like she continues to love sasuke even though he is very far from the coolest boy in their class.

my feelings on chapter 699 are... mixed, because the way things resolve for sasuke is just so sad, but what we see play out between him and sakura is: 1. sakura asks to come with him 2. sasuke is 100% comfortable saying no (how do the "sakura forced sasuke to be with her" truthers reconcile with that one, lol) 3. sakura appears mildly disappointed but like. she'll survive. that's it. then he thanks her, taps her on the forehead (but promises he'll see her soon, in an inversion of what that gesture meant from itachi), and we leave them in a pretty hopeful place, all things considered. there's room for reconciliation, for growth, for love. (and i don't want to hear about post-699 because i don't care. i don't consider it canon, and pretty much no one on tumblr does either, except to occasionally shit on ships they don't like)

this ended up being way too long, but i want to say: if you don't like sasusaku, that's your prerogative. i'm not here to change your mind. i certainly think they should have been written better in part 2 (but i'd argue that, like, 99% of those issues are just a natural consequence of sakura being continually sidelined by the narrative, rather than problems inherent to the relationship itself). regardless, i think too often people let their opinion of a ship impede character analysis. to claim that sakura relentlessly propositioned sasuke and that she saw him as a prize does such a huge disservice to how much she has grown and what she has accomplished over the course of the series.

[lemon-natalia]

Nona the Ninth Reaction - Chapter 17

only nearly 50% of the way through this book and we’re already on day four. and the description that ‘Hot Sauce draws her gun’ on this day is very ominous

‘That fucking shuttle’ Palamedes i am not as smart as you, i am both very concerned and totally clueless about what Palamedes realised about the shuttle. i guess my main theories are Pyrrha has either been taken/went willingly for some unknown reason to the Emperor’s shuttle, or she’s been taken into BoE custody for some reason??

from We Suffer’s perspective i guess it makes sense that she wants Nona to be Harrow, because despite their overall perspective on necromancy, having a Lyctor who could actually help them fight against the Houses could be incredibly helpful for BoE. at least i hope its that because Harrow did help kill an awful lot of planets in the last book, and i imagine some of BoE might want revenge

ohhhhmfg Pal and Cam’s situation is so tragic. Palamedes has technically survived but from his perspective he’s doing exactly what he rejected so firmly in GtN, killing her. this is just cruel 

and for all my theorising about Nona i didn’t consider what Pal suggests here, that Nona’s some kind of full soul merger of Harrow and Gideon. for starters i think its unlikely, given Nona has her similarities but is very different in many unique ways to both of them. and on a more personal level i just hope thats not the case because i like my character’s souls unmerged please and thank you

i wonder if Nona’s going to be able to do something about the RB eventually, given she seems to be able to understand it. also describing it as ‘low[ing] sadly, like a cow’ feels like a very pointed comparison given John apparently killed a whole bunch of cows a couple chapters ago. i mean i have no clue what the fuck it could mean or why but it feels significant 

i’m still very intrigued as to whose side the Angel is on. based on her story here she’s clearly not associated with the Houses, but that doesn’t necessarily mean she’s with BoE either. she’s kind to Nona and a good teacher to the kids seemingly but i still think she’s suspicious and don’t fully trust her 

the absolute irony of John’s motivations apparently being to save the Earth and everyone from climate change, only to years later be killing planets and using them for mining 

‘An interesting group, your family’ ohhh shit, first Hot Sauce and now the Angel seem to be taking note of the strangeness of Nona’s situation. and i’m curious whats up with Hot Sauce and the Angel’s relationship, what with her having already told Hot Sauce the survival advice she gives the rest, and Hot Sauce being so determined to look out for her. i wonder if Hot Sauce has confided in the Angel about Nona’s cut not healing, and thats why they seem suspicious of Nona’s family here

oooh is Nona’s drawing that seems to disturb the Angel an awful lot her drawing her dreams, of Gideon maybe?

oh the kid’s plan and swearing this oath is going to go so so badly. i feel like there’s no way they’re not gonna find out Nona’s related to necromancy sooner rather than later

wtf Hot Sauce is very ruthlessly practical about Born in the Morning’s dads being ‘baggage’. its  hard to believe she’s roughly the same age as Jeannemary was in GtN. like don’t get me wrong, Jeannemary went through an awful lot but she and Isaac were also ‘annoying teens’ in the way Hot Sauce really hasn’t gotten to be 

[ilikelookingatthings]

Some radiostatic theories

SO I like many who have watched read or come across hazbin hotel have gotten a mini fixation on the character Alistor, a red suspitious always smiling, radio deer cannibal serial killer, and Vox, a TV headed hynosis demon who is persuasive with his grin and is one of the overlords in the v club(including Valentino the moth man who runs a porn studio and Velveete who is a influencer fashion demon).

For me it's the draw of the t.v. killed the radio star vibes. They clearly used to be friends as vox is obsessed with him where Val brought him up to get under his skin, he has a old ripped picture of alistor and he had apparently asked alistor to join them before and was turned down... they clearly had big falling out.

There is alot of fun to play with. Some enjoy the one sided potential drama of vox being in love with alistor and that not being reciprocated because alistor might be somewhere on the acespectrum(not that alistor seems complete aware of that since he had no idea what Rosie meant when she called him a aceinthehole).

most who enjoy the one-sided view call it radiosilence.

Some enjoy the angst that is the pain of losing a friend when you don't return the romantic feelings. And that vox is the one at fault for leaving alistor behind by going with Val and Velveete and letting the chase of what's new creating a rift.

Some enjoy the idea of bitter ex boyfriends.

That the obsession isn't as one-sided as alistor didn't ignore vox's provocation.

Some make it about just romance being tye reason for the fall out...

....but honestly for me they give a kindof mister crabs, plankton energy. They are both in hell so are terrible people to some degree sp it would be a bit boring if the fall out was just about romance...a possible good opportunity to address unrequited love or the spectrum maybe but does feel kindof simple.

Especially considering the potential in rival best friends turn enemy old men have.

Friendship wise its already juicy for angst. Was it a misunderstanding? Lots of built up problems? Drifting apart as friends? A sense of betrayal on both ends?

Some people lean over one being more at fault than the other. A few lean to them both sucking. Some say jt was vix who didn't respect alistor just didn't like him back...others say it was alistor rejecting vox.

I would like to raise the theory that if vox DID have a crush on alistor...vox either didn't know he had it...or vox decided to not adress it because their friendship was more important to him and he could tell alistor didn't like him back romantically and that their fall out was from other issues in their friendship...like potentially love coukd be why vox felt more extremely hurt but I think it would be more interesting if vox's issue wasn't about unreturned feelings.

Like what if vox tried to distract himself to maje sure alistor wouldnt feel uncomfortable to make sure alistor didn't catch on to his crush and hence Valentino steps in who alistor might find worse in general?

And if it really was just a business partnership vox offered where he was just hurt his friend didn't join him on.

Makes me way more curious about their dynamic if their friendship was sincere but issues popped up.

What theories to others have that it might have played out? I'm just saying for someone who says he hates alistor why did he keep the side of the photo that has alistor on it and not himself?

What if alistor was the one with a crush but vox didn't realize is another interesting one since alistor is so pissed he seems to hate TV and other things involved vox despite how new media is interesting and alistor does know how to shoot a commercial and this way he does get vox's attention.

We've also seen alistor have a questionable triebd in mimsy...but did he really tell Mimsy to leave ciz he was upset...or does he care and doesn't want her involved with what he's doing now? And could that echo what he might have done with vox?

Heck it could be possible neither is aware of potential romanic feelings at all. Are in denial. One sided...betrayal because they had unrequited feelings that weren't returned...or feeling betrayed the other had romantic feelings whether they wanted to act on it or not.

Maybe it wasn't about romance and about how they handled friendship? Or just creative differences in how they handled things...competion driving them apart or how hell encouraged your worst self to come out. Heck they both could just have bruised pride somewhere that escalated.

[dabistits]

“New Order” in defense of the existing order

So, Horikoshi introduced the top American hero with a quirk that is basically an imperialism analogy, then killed her off and had her quirk stolen, then destroyed. It felt like an arc that should’ve done more with the stakes it introduced and the scale of importance (supposedly) of the characters involved, but mostly the plot was advanced a little and everything is mostly the same and each side gained a little and lost a little. But setting aside how a character and quirk apparently so important to the world of BNHA appeared and died in, like, five chapters, i’m pretty interested in discussing New Order and how it, as well as Star and Stripe, ties in to one of the overarching messages of BNHA. Let’s go at it point by point:

1. “New Order” is an imperialism analogy that is inextricable from the American context. The quirk belongs to an American hero, the text bubbles for the activation of New Order are overlaid with an American flag (even after Shigaraki gains possession of it), and its name seems derived from a concept that has been a frequent fixture of American actions abroad. It’s stated that the government oversees her quirk, and the panel shows specifically the Pentagon, aka the HQ of the Department of Defense, aka the government body which oversees the military. So New Order is overseen specifically by the national security branch of the government and the military.

The function of the quirk itself gives Star and Stripe control over any subject through name and touch, and I personally don’t think is too far a stretch to say that it’s fairly analogous to the political process of naming an enemy with the goal of putting boots on the ground for the occupation of a territory. You know, for the purpose of imposing a “New Order.” Of course, it is not a literal embodiment, it’s a symbolic one that draws meaning from the context of its introduction, namely its link to the American military.

By the way, this is not even getting into the political actions undertaken by Star and Stripe herself, who planned to exercise force in a foreign country without previous approval from her own government, leading to actions that would’ve gotten her hero license revoked had she survived, and requested as well as received the launch of intercontinental cruise missiles in Japanese airspace. Like, holy shit? lol

“But tumblr user dabistits, why would Horikoshi create a quirk that’s just imperialism incarnate, isn’t it much more likely he just made something that was cool and would raise the stakes of the story?”

Yes, sort of? I don’t necessarily think Horikoshi was thinking “I want this character to have imperialism as a quirk” as he was creating Star, but is it so farfetched that he referenced salient aspects of American culture to come up with the quirk? His designs of foreign heroes clearly tie back to their countries and include national/cultural references, and the USA showing up in Japanese pop culture media as a technologically-advanced and militarily-aggressive foe or ally is really, really common. Even pop media that isn’t necessarily critical of America kind of sees it as militaristic and overzealous, because ime the fact that American imperialism exists is just, like a fact of life everywhere else in the world. 

2. It’s interesting that Shigaraki wins the fight and kills Star and Stripe. It would be easy to read this as a repudiation of American imperialism, a Japanese rejection of American militarism, but that would be too simple. One of the most obvious counterpoints is that Shigaraki defeating Star is clearly bad in the story; it’s a moment of dread and tension, not of relief, which is natural given his role as a villain. Shigaraki, the narrative argues, would put New Order, this power stolen from an American, to even worse use than whatever the hell the USA has been doing with it.

imo neither character obtaining New Order is not really a bad decision to make. The historical response in Japan to growing 19th century Western interference was a gradual shift into Japanese nationalism, so it’s not altogether unproblematic to transfer New Order to a Japanese character (one who has global ambitions) and to be done with it. But in my feeling, BNHA is also not quite saying that it’s better if no one, or at least no government/aspiring tyrant, possess New Order.

3. There’s a more succinct reading to this arc, and it is simply “power belongs in the hands of the right people.” As much as I feel the imperialism analogy is pretty glaring and ought to be a negative correlation, BNHA’s narrative doesn’t really seem to see it that way.

For one, New Order is just not presented as very dangerous at all to international stability as long as Star and Stripe has it. Like, yes, of course it’s dangerous if you’re fighting her, but the only person fighting her is the supervillain of the series, so, like, only the supervillain needs to be afraid of the overpowered heroine overseen by the US Dept of Defense, and, I guess, no one else. Yes, this is in the same series where some kid was bullied for potentially becoming a villain due to his brainwashing quirk, where all countries are anxious enough about their own safety to retract aid from Japan after Star and Stripe’s defeat. And yet, in this kind of social climate, New Order is not viewed with any anxiety unless you are a villain.

BNHA fully acknowledges how potentially dangerous New Order is. The entire reason Shigaraki wants New Order is to (sighs) destroyyy the wooorld. And the narrative affirms that New Order could very much help him do that, which is why the situation is so dire when Shigaraki manages to obtain it. Star and Stripe and her buddies have to pull all the stops in order to make sure that Shigaraki will, at least, not be able to use New Order, and thus one of the most powerful quirks in the BNHA universe gets written out of the story without even existing 5 chapters. So, New Order can be dangerous; but for some reason, it is simply not necessary to address how dangerous it could be until it falls into Shigaraki’s hands, even though New Order canonically exists in a world that is paranoid towards powerful quirks.

Within the framework of the story, of course quirks are biological and mostly no one has any say in how powerful or dangerous or weak or inconsequential their quirk is. I’m not saying that the society Star and Stripe lives in should’ve put her down for having a powerful quirk (though, again, in the established setting, plenty of people should be wary of her quirk) because power is always immoral and no one should ever have power regardless of whether they do good or bad things with it. But I am saying that stories frequently legitimize power upheld through exploitative systemic means as long as the right person is behind them, and due to BNHA’s very conceit, strong biological superpowers and systemic power are often interlinked. 

This is why the imperialism analogy matters. Without it, this arc is just a struggle between a hero and a villain vying for control over a superpower that will help them either protect or destroy the world, and doubtlessly many people will read it this way. As a biologically-inherited quirk, New Order is morally neutral, it’s a tool that can be used for good or bad things; however, if we accept that New Order is analogous to imperialism or at least to military power, that having this quirk puts someone in a position of power because of the way BNHA’s setting values quirks, then this becomes a fight over who should have the power to protect their interests.

4. Taking the meaning of this arc to be “who systemic power should belong to” is the most fitting interpretation that slots in neatly with the rest of BNHA’s themes. Of course, this arc also accomplishes other things: it updates us on Shigaraki’s condition, it weakens Shigaraki by eliminating a number of AFO’s quirks, it parallels Deku vs Nagant, in which both ostensibly-powerful female characters are disposed of in order to demonstrate the protag and antag’s growth. Were those things worth it to introduce a supposedly internationally-important character and, in general, tease the potential involvement of the international community only to summarily shut them down within 5 chapters?

idk. But it happened, and the phenomenon of introducing and disposing of characters and plot points in rapid cycles is... not surprising.

Anyway, If you look beyond this arc as only a stepping stone to advance the plot, if you search for a thematic meaning you can tie back to the rest of the story, then for me? This is it: “systemic power belongs in the hands of the right people.”

This is an argument that BNHA presents repeatedly whenever confronted with systemic issues. Or, rather, it kind of vaguely hints at it, because the story is not even fully capable of saying whether anyone is really at fault for, for example, ordering the extrajudicial executions of criminals. It just tells you really strongly that there definitely are the right people out there, the right heroes, who will do what needs to be done when the time comes; therefore, there’s no need to interrogate the workings of a hero system that allowed a government body to summarily execute anyone it deemed to be a threat, and then to cover up their deaths.

I’ve been alluding to the Lady Nagant situation, so let’s just address that clearly. Izuku dispels her doubts by convincing her that HE, INDIVIDUALLY, is a good person. Even if it’s revealed later that she just respects him personally but doesn’t trust the heroes, still, the narrative concludes that the things Izuku said to her were enough to be weighed against the, frankly, administration-ending revelations she just introduced to the story. But Izuku doesn’t have to think or talk about what the HPSC has done, he doesn’t have to consider what it means that the entire institution which licensed pro heroes was involved in covering up the deaths of countless people, he doesn’t even have to consider whether a system like that should exist. He—and the narrative—simply assumes that the hero system should continue to exist anyway, and it’s good enough that he is part of it. Because Izuku is good. He’s the right person to become a hero. He can be trusted with systemic power. This is the same approach we have to Star and Stripe.

I don’t think Horikoshi is saying American imperialism is good. But I do think the way he approaches questions of systemic power influences the way he approached Star and Stripe and New Order. Without the belief that power, even incredible power on par with (or surpassing) calling an airstrike, is safe when placed in the hands of the “right” person, there should have been at least the slightest amount of concern about Star’s actions. A little something addressing how New Order falls under the jurisdiction of the Pentagon. Some mention of how scary it must be for the USA launch missiles at Japan?

If such doubts were present, I didn’t spot them; what I did see was the narrative acceptance that everything Star did and every call she made was necessary and therefore acceptable. And we, the readers, should trust the calls she makes. Because Star and Stripe is good, and she’s facing a bigger threat, and she’s the right person to exercise her degree of power.

All of this can be justified narratively, of course. It’s a story, and you can make up any degree of threat for your characters’ ends to justify the means. But what I’m asking here is why these ends, and why these means? Who does it help to believe that as long as the right people hold on to power, everyone else can rest easy?

5. The arc ends with New Order destroyed, which is probably just as well. The imperialism quirk ends up not staying with the Americans nor being taken by the Japanese (hero or villain). Again, it’s probably good that Horikoshi decided against letting a Japanese villain who wants to take over the world keep the imperialism quirk. I am also generally fond of the idea that no one should put the imperialism quirk under their control.

But ironically, something that feels like it should be the answer—that the power to do imperialism should be dismantled—feels more like an incidental addition to plot necessities than the result of a considered approach. New Order is destroyed because AFO would be overpowered otherwise; the HPSC gets taken down so no one will have to confront them about their crimes; there’s no one to investigate the #2 hero for his decisions. All the better if it means that the protagonists won’t have to wrestle with the consequences of other heroes’ actions, so they can continue to be the good ones. They don’t even have to be the good ones who ask tough questions or confront their superiors over wrongdoing. They can simply rest assured that they are good, and everything they do will be good, and power is safe in their hands.

[cassianandfenrysaremyboyos]

hey! I only recently started reading acotar (i'm on the third book) and I love love love Lucien, and I'm super excited at the prospect of him and Elain... actually they are the main reason I'm reading at this point but all I've seen on twt is about the other ship for Elain 😔 Is there any hope for Elain x Lucien in the later books?? I'm asking bc I don't want to get major spoilers but also I'm tired of getting my heart broken by non endgame ships lol

Welcome to the Lucien and Elucien train!! We're very happy to have to you! 😊💕

I wouldn't worry about what people are saying on twitter. Just because one part of the fandom is more vocal doesn't mean their ship is more popular or that it has more chance of happening in canon. Right now neither ship is canon. But absolutely there is hope for Elucien!!

First Elucien are mates. Sarah loves mates/soulmates. We've seen that with Feysand and Nessian, and I don't know if you've read Throne of Glass but the main ship in that series are also mates and the main ship in Sarah's other series, Crescent City also show signs of being soulmates. Sarah loves writing about that deep soulmate type of love! They might have to overcome obstacles but ultimately they choose each other.

Also Sarah has talked about how in her early planning she briefly considered making Nesta and lucien mates but quickly realised they wouldn't work together/would tear each other apart. If Sarah really wanted to write about a rejected mating bond she could have left Nesta and Lucien mates and had them reject the bond. But she didn't because she loves soulmates.

Sarah has also said this about Elucien "there was actually a great deal of tension, growth and healing to be found for both of them together" She's never said anything ever about the other ship as far as I know? Certainly nothing romantic.

There is so much potential for healing between Elain and Lucien. One of the things I love about Elucien is they have so much in common. They're both gentle souls. Some people might not realise that about Lucien, but he really is. Lucien is someone who is deeply traumatised from violence, you see it in the first book in the scene when the injured Faery is brought into the Spring Court manor and he's deeply distressed by it. It clearly triggers his ptsd from his own trauma, but it also shows us that Lucien is someone who can't stomach violence, at least not in the way some of the other characters do. And Elain, well at this stage, since we haven't really seen her development or gotten her pov yet, being a kind gentle heart is really her defining character trait. They're two characters who would cherish a peaceful life away from war and violence. Two characters with the potential to be so soft together, to provide each other with a safe space to be vulnerable, and show their weaknesses and talk about their trauma. And be comforted by the other and have the other understand. They have such complimentary personalities. Something the other ship doesn't have. Azriel is a torturer (I love Az btw so this isn't a critiscm just observations about his character) he is filled with a cold hard rage, something Elain hasn't seen from him/doesn't truely know about him. And currently he's most definitely not one to open up and share about his own trauma, which certaintly doesn't work for two characters making a healing journey together. Something Sarah, as shown above see's as important. Elain and Azriel are simply too different imo. And I know people can argue opposite's attract. But opposite's attract only applies to a certain point, with certain things. If two people are just fundementally different a relationship won't work between them long term.

Meanwhile Elain and Lucien have just enough differences that they're not too similar but have enough in common to mesh really well together.

And even their differences are complimentary. Lucien has a bit of bite and sass about him, and that's something I think Elain needs to help bring her out of her shell. Elain is someone who has been coddled and infantalised and sheltered, people don't challenge her or speak freely to her, they censor themselves around her. Very minor spoilers seeing as you're only up to the third book, but in the 5th book, Acosf there's a moment where Nesta snaps/swears at Elain, and Nesta immediately regrets it because you don't talk to sweet precious Elain like that. But Elain just laughs. Elain wants people to speak freely to her, to stop sheltering her and show her some sass and bite. And who's the perfect person to do that, our boy Lucien!! Again some minor spoilers but I love this comparison

Lucien in Acotar

Elain in Acosf

Look at this parallel between them *chefs kiss*

Like Sarah said these are two characters that will push growth in each other and challenge each other. In a way that Azriel and Elain don't. Azriel, and this is very apparent in Acosf, coddles Elain, he speaks for her, makes choices for her, wants to stops her from doing things, without ever thinking about or asking Elain what she wants. He does it to protect her but is disregarding her choice. Lucien on the other hand, and again some spoilers if you haven't reached the end of Acowar yet this is after the final battle

He's clearly worried about her but he doesn't let HIS worry/fear get in the way of HER agency.

"And I heard you made the killing blow" He sounds almost proud of her, like he would encourage her despite his own worry, and wants to see her strong and flourish.

What I also love in this scene is that again it shows how their both gentle hearts. "Well I never want to fight in another battle as long as I live" Lucien will fight and do what he needs to (and so will Elain if she has to). But Lucien isn't a warrior he would much rather never have to see war or battle ever again.

And then we have multiple references to Elain needing sunlight, needing to get outside, needing light to thrive. Again minor spoilers but there is also a scene in Acosf where Elain is wearing black and it's mentioned how she looks plain, overwhelmed, subdued by the colour, like it doesn't suit her at all. There are a lot of subtle references suggesting Elain doesn't quite truely belong in the Night Court, that it's not where she can thrive. And who is associated with two courts, Spring and Day, where Elain could thrive? Who is associated with fire and warmth and light? Who is the heir of the day court? You got it our boy Lucien. Elain needs light and Lucien is light!! Literally the name Lucien means light! Coincidence? I think not.

Another similarity between them is Lucien is a diplomat, someone who uses words and charm and communication to keep the peace between courts. And Elain is said by Feyre to be be able to convince people to do anything, to charm them, to excel in social settings. And she was the one who kept the peace between her family, was the bridge between her father, Nesta and Feyre. And Imagine if in the future Lucien takes on a role in the day court or (and I'm sorry Helion) for whatever reason becomes the High Lord of Day Court, Elain could be an amazing Lady of Day, would flourish and charm at court balls or social occassions. Not to mention they both have great hair and are always put together/dressed immaculately. Like they would be A PAIR!

Then there's the gifts Lucien gives Elain (again minor spoilers for Acofas and Acosf) which are so thoughtful. In Acofas he gives her magical gardening gloves knowing gardening is something she loves and that she doesn't have any. And in Acosf he gives her pearl earrings, and pearls are somehing that are mentioned in relation to Elain a couple of other times. But it's like Lucien has noticed they're something she likes? These are just minor things but it's interesting that Sarah included them in her writing. It's almost as if she's subtly trying to hint that Lucien notices things about Elain, and see's her in a way that perhaps other's don't?

Also there's that Elain is very traditional and adheres to a quite a traditional type of femininity and Lucien is a complete and utter gentleman, who absolutely respects Elain and her needs. The potential for them to have an old fashioned courting romance asdgjkgfsa my heart the softness!! I also think they're going to end up being the epitome of your lover is your best friend.

And lastly, in Acosf there is a bonus chapter from Az's pov which ends with Azriel's focus on another character, and I would say personally that this chapter very clearly sinks that other ship.

Anyway in conclusion Elucien are going to be the most beautiful, softest, sweetest, supportive, with some sass as well, ship. So don't worry my friend. And even in the very small chance they don't become canon we can still enjoy all of these things about them in fanon. They will be canon though lol

[dansantcaparet]

Aerith completely rejects Zack in the Lifestream (Maiden of the Planet): Zack: "Man, you know Aerith. Out of all the girls I've gotten along with, you truly are the best. After that mission, we could've stayed the way we were and might have been able to continue to go out with each other after I returned home. I hate Sephiroth. And I hate Shinra who's been hiding all the stuff they've been doing."

Aerith: "Someone who's gotten along with so many girls can never become a lover." Zack: "How mean. I'm nice to everyone." Aerith: "And that's your bad point. You're not simplistic and awkward like Cloud."

And...

Zack: "But whenever you feel lonely, call me Aerith." Aerith: "Only if I get really lonely. Goodnight, Zack."

So, how anyone can believe that Aerith still harbors feelings for Zack is beyond me. She states multiple times that she loves Cloud more than Zack and that she completely understands he is different from Zack. Actually, Aerith seems to prefer Cloud's type now that she is a mature woman, only being attracted to Zack when she was much younger and inexperienced. Throw in the fact that Aerith rejects Zack's advances in the Lifestream, and the evidence becomes so rock-solid, I really don't see why people continue to live in denial of the facts.

In the game, Aerith clearly states that her relationship with Zack was in the past and that they were NOT serious. From FFVII (at the playground): Cloud: "You were...serious?" Aerith: "No. But I liked him for awhile." Cloud: "I probably knew him. What was his name?" Aerith: "It doesn't really matter." That's a pretty strange attitude for someone who is still supposedly so hung up over her ex-boyfriend, isn't it? She clearly states that they weren't serious and then follows up by saying she doesn't really care if Cloud knows him. If Aerith were still hung up over Zack at this point, wouldn't she be dying to know some news about him? But, from this conversation alone, we learn that, not only are Aerith's feelings for Zack all in the past, she obviously considers her first love to have been a mere fleeting fancy and nothing more. This is confirmed in Maiden of the Planet when Zack is referred to as Aerith's "light taste of first love" and is also confirmed to be "now a very dear friend" and nothing more. This becomes even more apparent in the FFVII prequel, Crisis Core, where the affection level between Aerith and Zack is completely optional, Zack has multiple girlfriends, and Aerith has moved on without him by the end of the game.   Aerith did not act all that concerned when she found out that Zack had been missing for 5 years and was possibly dead. From FFVII (Gongaga): Aerith: "What a shock.... I didn't know Zack was from this town." Cloud: "You know him?" Aerith: "Didn't I tell you? He was my first love." Cloud: "......" Aerith: "Zack.... SOLDIER First Class. Same as Cloud." Cloud: "Strange, there aren't that many who make First Class, but I've never heard of him." Aerith: "That's all right. It's all in the past now. I was just worried because I heard he's been missing." Cloud: "Missing?" Aerith: "I think it was 5 years ago. He went out on a job, and never came back." "He loved women, a real lady's man. He probably found someone else." For someone who is supposedly still pining over her ex-boyfriend, Aerith sure took that news well. All she did was shrug it off, say that their relationship was all in the past, and assume that he had probably run off with another woman. Aerith later follows up this conversation by saying that she doesn't mind that she hasn't heard from him. I'm sorry, but I don't see any indication here of Aerith still being in love with Zack. Honestly, if she were, wouldn't she be going insane over the news that he has been missing for the past 5 years and no one has heard a peep from him? Instead, she acted as though it really didn't matter and you even have the in-game option of making Aerith tease Cloud for being jealous over Zack. Aerith states, more than once, that she understands that Cloud and Zack are different and she loves Cloud more anyways:

1. From FFVII (the date scene):

Aerith: "First off, it bothered me how you looked exactly alike. Two completely different people, but look exactly the same. The way you walk, gesture... I think I must have seen him again, in you... But you're different. Things are different..." First of all, please note that Aerith states that it bothered her that Cloud looked like Zack. She didn't say she was happy about it or even excited. Bothered.

Some definitions of bother: "to give trouble to; annoy; pester; worry" "to bewilder; confuse" So, Aerith was either worried about Cloud's resemblance to Zack or confused by it. Neither of these suggest that she was particularly happy about it. I am sure the "Zack-ness" of Cloud was what initially drew Aerith to him. However, Aerith learned very quickly that Cloud was nothing like Zack, hence her words "But you're different."

2. From Final Fantasy VII Dismantled, an official book which has sections that focus on the thoughts of the FFVII characters, there is a section that speaks of Aerith's feelings for Cloud. She states that she realizes that Cloud is nothing like Zack and that she loves Cloud more than Zack anyways:

"At first when I met Cloud, I believed he was similar to Zack. Little actions, the way he spoke... his kindness. But Cloud is Cloud. I, now undoubtedly, love Cloud much more than Zack. But Cloud is clueless." (FFVII Dismantled, Aerith's monologue in Gongaga, p. 159) This statement alone is enough to completely trump Zack x Aerith. I mean, Aerith blatantly states that she loves Cloud more than she ever loved Zack, which means she is over Zack and has moved on with Cloud. And this is from an official source, people, not some made up delusion that CloTis like to pawn off as truth. 3. From the official novella Maiden of the Planet, Aerith tells Zack that his "bad point" was that he was nice to everyone (in other words, he's a flirt). That and the fact that he wasn't "simplistic and awkward like Cloud". And so Aerith is stating she prefers Cloud's simplistic, awkward behavior to Zack's flirty, womanizing behavior. Aerith obviously prefers Cloud over Zack, and says so quite clearly. And... the ultimate nail in the coffin of this absurd theory: "She loved him [Cloud] much more than her first love."  You can't get much clearer than that! This is the second time that Aerith has confirmed in an official source that she loves Cloud far more than she ever loved Zack! RIP Zerith.... XD

[shihalyfie]

Daisuke’s background with his family

We don’t really know a lot about the Motomiya family compared to many of the others in the Adventure and 02 narrative, only getting a few glimpses here and there, and ultimately Daisuke (by his own self-admission) turns out to not really have any deep opinions or hangups about them, but it’s still interesting to see how it has an influence on his background!

We learn in 02 episode 14 that Daisuke and his family actually lived in Odaiba back in 1999, with Daisuke as a (probably honorary) member of the soccer club under Taichi, Sora, and Koushirou. It’s hinted here in Daisuke’s face, but the Adventure novels and Spring 2003 confirm that he was extremely frustrated at his inability to protect his family (with Jun “gently comforting” him), to the point where “becoming strong enough to protect everyone” became his motivation thereafter.

So, really, when it all comes down to it and serious things are happening, this is a family that does have a lot of love for each other -- Daisuke outright admits in the Character Complete File that it gets lonely when even one person’s out.

As it turns out, even the Motomiya parents have really dramatic personalities (the Animation Chronicle calls extra attention to Jun’s personality having been something she got from her mother), to the point where they suddenly get over-the-top excited when Ken comes over in 02 episode 35, and Daisuke’s irritated reaction makes it clear that this is expected behavior from them. (I promise you that Daisuke’s dad’s statement doesn’t come off as nearly as harsh or cruel in Japanese as it probably does in English here; it’s not any worse than him calling Daisuke a little silly.) In the end, Daisuke’s tendency to be over-the-top with all of his emotions and get ridiculously dramatic about everything is just something that came straight from his family.

Actually, when you think about it, Jun isn’t really that different from Daisuke either, right down to losing a ton of brain cells when things start involving a crush -- she’s only slightly more in-your-face about it (and only via goading Yamato on a “date” in 02 episode 7, but this is “date”, singular, basically just convincing him to spend a day with her and take her somewhere, not actually being in the illusion that he returns her feelings or expecting a long-term relationship). She’s simple-minded, airheaded, fantasizes about the idea of Yamato returning her feelings without ever actually doing anything conclusive about it, and then, the moment she realizes that Yamato’s taken, mopes about it for one in-universe day before immediately switching her affections to Shuu like nothing had happened. So, really: it runs in the family.

(This also means that Daisuke’s probably not in for that much trouble if a day ever comes in which it turns out he’s conclusively rejected by Hikari for real -- his current relationship with her is based off him never making any firm statement and thus her being able to smoothly dodge everything, but if things ever truly get conclusively to the point where things won’t pan out for him, it’s not hard to believe he’d actually get over it quickly after an initial bout of disappointment.)

In 02 episode 4, Daisuke makes an accusation of Jun for constantly talking badly about him, and, if the Animation Chronicle is to be believed, he’s not actually wrong -- apparently “spreading bad rumors about him wherever she goes” is a habit she has. Given what we learn about her and the siblings’ relationship later in the series, though, it’s unlikely she’s doing this out of conscious malice -- by “rumors”, basically just trash talking her little brother the same way a lot of people reading this post probably love trash talking their siblings when they’re out of earshot, much like her calling Daisuke “not cute at all” earlier in this same episode. It’s a world that Takeru and Yamato (who had only seen Jun at her “best” earlier in the episode) are completely unfamiliar with, and Daisuke’s attitude of “hating” her causes Yamato and Hikari to get upset at him, but many a Digimon fan commenting on this episode has pointed out that a lot of sibling relationships are more like this than the ones between the Ishida-Takaishi and Yagami siblings -- a lot more ostensibly “vitriolic” and not as unequivocally admiring.

On top of the fact that Daisuke and Jun aren’t in need of overcompensating with their relationship due to a rift like Yamato and Takeru, or one party having unhealthy repression problems and requiring extra care, Daisuke and Jun are also a whole six years apart, which is even given extra attention in the Animation Chronicle. Which means they’re not very close in perspective; Jun’s all the way in high school, dealing with a baby brother who’s still in elementary, and so it’s rather understandable that they’re not really going to see eye-to-eye very much.

We get an example of a “fight” between them in 02 episode 35, but...

Jun: I really envy you, Daisuke...All you do is eat, sleep, play and you don't think about anything else, do you? Daisuke: I think about lots of stuff! Jun: Lots of stuff like what? Daisuke: Like...Lots of complicated stuff. But if I think too much, my brain freezes so I need to take a break sometimes. Jun: I'm sure it's nothing serious. Daisuke: Shut up! What about you?

It’s not really a serious fight at all -- just a lot of banter, the sort that a lot of real-life siblings would attest to also having been in a lot of. Perhaps, just the natural result of having a household where everyone seems to have the same slightly rough-around-the-edges, somewhat messy, overly dramatic, simple-minded and straightforward personality -- which also means they end up bouncing off each other and getting a little “crowded” (Daisuke very clearly not following Jun’s warnings to not use her soap bottles written all over them in red pen in 02 episode 15). But for all Daisuke had used the strong word of “hate” to refer to their relationship back in 02 episode 4, it really just seems like he’d been his usual dramatic self about it, and it’s all banter and occasionally being quick to criticize. Moreover, whenever Jun criticizes him, he’s actually less angry about snapping back at her or getting genuinely offended or sad the way he might with anyone else -- all he does is just fling a few quips back and move on, and doesn’t take it all that personally, so you could say he’s conversely rather comfortable with this status quo of getting to bicker with her.

But, really, banter is just banter; even something as little as “Daisuke (seemingly) laughing to himself in the bathroom” is enough to make Jun worry that something’s wrong with him in 02 episode 15, and Daisuke’s father also personally thanks Natsuko for helping Daisuke out and waxes cheerfully about his son and friends having a fun Christmas party together. In fact, considering the context that Daisuke seemed to be pretty friendless prior to the series, the above scene carries the added implication that he’s probably pretty happy to see his son finally making some proper friends and going all the way to Tamachi to be part of a party.

And, eventually, as things get much more serious and the exact truth behind what Daisuke’s been up to is revealed to his family in 02 episode 50, they take this with the exact amount of grace and worry that a proper supportive family does.

Hence, why Daisuke can make a statement like this in 02 episode 49. Even if his family isn’t ostensibly full of hearts and affection, they’re supportive when it really comes down to it, and it’s not like Daisuke himself even really takes the surface bantering between himself and his sister all that seriously, so he doesn’t feel the need to ask for anything different -- and what he really wanted since that day three years ago was to be able to protect his family, and that’s exactly what he’s going to do now. Other than Hikari, the others had gotten “illusions” related to deep-seated issues involving their personal lives, but it’s not like he really would want it to be any different at home -- arguably it’d be outright weird to him if Jun suddenly got lovey-dovey with him or something -- and now he’s surrounded by supportive friends and his own partner. Sure, he has some tendencies towards being a bit on-edge and insecure every so often, but right now, in the midst of this very serious situation when something has to be done, and after a whole series’ worth of bonding with his new friends and gaining a sense of purpose, that’s more than enough for him.

[true-blue-megamind]

Fan Theory Thursday – The Not-So-Evil Overlord?

Shhh… Want to hear a secret?  Come closer... SPOILER ALERT!

Okay, this one delves a little deep into the imaginative side of Megamind fan theories, however I believe it holds enough interest and has enough support to be well worth discussing.  There is a supposition which I frankly love: our favorite blue alien was an Overlord of sorts before he briefly took control of Metro City, and he had good reasons to be so.  That might sound a little crazy, but bear with me.

This idea has appeared in several fan fictions, and essentially goes as follows: Megamind was more than a supervillain; he was also a crime boss, and he chose that path for the most unlikely of reasons. Bizarre though it may seem, his primary drive was bettering Metro City.  (And, yes, I’m aware of how contradictory that sounds.)  However, it’s logical when considered more closely.  By making himself the de facto ruler of the city’s underbelly, Megamind was able to control crime to an extent, probably even setting limits on certain activities, and guidelines for others.  In the majority of fan fictions using this concept, that includs things like reducing violent crime, setting purity standards and purchase limits for narcotics, and ensuring sex workers were neither underage nor abused.

I’ll be the first to admit that, on the surface at least, this seems like nothing more than fans seeking to justify or even moralize a beloved character, but research reveals that there is actually some support for this theory.  Firstly, there is the fact, touched upon previously in the Fan Theory post concerning the Warden, that Megamind was clearly already establishing control over other criminals at a young age.  While writing a truly wonderful blog article, Demishock actually went through the trouble of deciphering the newspaper clipping shown at the beginning of the film’s title sequence.  It contains, among other things, a reference to the fact that, although an elementary school age child, Megamind was feared and obeyed by other inmates at the prison where he grew up.  A quote from the Warden reads: “I've got experienced, hardened criminals in here who are afraid of him.” The article goes on to mention an incident which involved a few other inmates, adding that “the other prisoners refused to point fingers for fear of retaliation.”

It is quite possible that Megamind was already building and consolidating a base of power.

Next, there is the fact that the blue man seems to have lines he won’t cross, even as the self-proclaimed Evil Overlord. In one of the storyboards, when Megamind is approached by the Doom Syndicate, he clearly holds them in disdain, yet they are careful to placate him.  Obviously they have somewhat different standards.  When Agent Orange—who was later reimagined as Psycho-Delic before being cut from the film entirely—compares Megamind’s “inspirational” defeat of Metro Man to “a car crash on prom night,” the blue alien looks rather disgusted. Although they refer to celebrating his victory, it also seems the Doom Syndicate may be indirectly asking Megamind’s permission to go on a crime spree. While this may be because he is the new Overlord, it seems odd that other villains would immediately leap to the assumption such approval is necessary if they were accustomed to acting on their own. However, if they were already in the habit of requesting the blue alien’s sanction, their actions make more sense.

Whatever the case, it seems that, once again, Megamind and the Doom Syndicate may have very different ideas of what sorts of crimes are acceptable. The Destruction Worker refers to “really putting the screws to the city,” while Agent Orange adds his desire to “swim in the torment of the innocent.”  However, these suggestions don’t seem to match what we actually see Megamind doing.  In the movie, Megamind does, indeed, go on a crime spree, but none of it appears to be violent.  He certainly causes chaos, but no one seems to ever be injured.  In fact, in the DVD commentary, one of the creators even states outright that the supervillain never goes beyond vandalism and theft because he doesn’t really want to hurt anybody.  (Indeed, in the film it rather seems that, by being raised in jail, bullied, and constantly rejected, Megamind was pushed into supervillainy.) This, together with the previous evidence, paints an image of a man who has been forced to do some harsh things, but who nonetheless dislikes violence and, deep down, possesses a certain moral code, albeit a skewed one.  

There are, in fact, several other details that point toward Megamind being far from truly evil despite being a supervillain.  As I mentioned in Megamind and Identity, he displays several redeeming qualities, such as his largely friendly treatment of Minion, his respect for Roxanne’s intelligence, and his playful, affectionate game of fetch with the brainbots.  However, I won’t go into a long explanation about that here as it can be found in the aforementioned post.

Nonetheless, I don’t believe we can seriously expect that the former villain has never once hurt anyone in his life.  Keep in mind that, as discussed in the post How Strong is Megamind, the blue alien almost certainly had to fight in order to survive.  However, his unwillingness to attack citizens suggests that he only injured others when it was absolutely necessary.  Similarly, the aforementioned “news article” indicates that he may have limited his physically aggressive responses to other criminals only. (After all, the reference to prison inmates fearing him is the sole evidence of possible violence we have.)  I have seen it suggested here on Tumblr that he may have taken over Metro City in part because he believed that, if he didn’t, someone worse like the Doom Syndicate would.  It may even be possible that he was afraid of appearing soft and thus losing control over the criminal underworld.  

Of course, it has to be mentioned here that Megamind also fought with Metro Man, who certainly wasn’t a criminal.  However, there are two factors that I believe need to be considered.  The first is that it is very likely that Megamind didn’t expect he could truly harm his nemesis. This is evidenced by both the his apparent shock when Metro Man seems to actually be dead, and by his overt statement during the museum scene that he “didn’t think it would really work.”  The second is that, as young Metro Man was a bully, tormenting Megamind without provocation and encouraging other children to do the same, Megamind may have mentally placed him in the bad guy/threat category.

His lack of violence is not the only proof that Megamind had a better heart than most credited him for even when he was a supervillain. Keep in mind that he had a holographic disguise watch and a hoverbike.  Presumably, Megamind could have simply fled Metro City when Titan turned evil, but he didn’t.  Instead he went to Roxanne for help, stating that if they could not find the new villain’s weakness Titan would “destroy the whole city.”  And this was after Titan had tried to kill him.  Clearly, despite being a supervillain, Megamind cared enough about his home town to put his life in danger.

The final support for the Benevolent Overlord theory is less obvious: Megamind had to have been getting funds from somewhere even when Metro Man was still functioning as the Defender of Metro City. (Indeed, in some of the early concept art, the Evil Lair was imagined as a luxurious space boasting things like a huge library and a sleek laboratory.  Some fans still picture the living quarters in much the same way despite the creators stating that he built his inventions from whatever he could get his hands on.)  Near the beginning of the movie, Minion mentions a supplier in Romania, and presumably he and Megamind had to be getting food and other necessities somehow.  While it’s true that the blue villain was clearly not above thievery, we also know that his plots were always defeated by Metro Man, so it’s safe to assume that he rarely if ever got away with stealing anything before the former hero’s supposed “death.”  Of course, it also seems extremely unlikely, even laughable, that Megamind would have had a day job.  Where, then, did the money come from?  Many fans theorize that, as the local crime boss, he received a cut from all illegal activity. It certainly seems like the most probable explanation.  

Art by Kory Heinzen, found in The Art of Megamind by Richard von Busack

So why would Megamind build his technology and machines largely from scrap if he had a constant cash flow?  Given his concern for the city, several fan fictions have imagined the blue man secretly and anonymously donating a significant portion of his ill-gotten money to various charities and non-profits.  That idea is not directly supported by any evidence, but it does fit with what we know.  It’s also consistent with Megamind’s character: a feared supervillain who possesses a surprisingly good heart and, given his past, knows too well what it’s like to be thrown away by society.

So, was Megamind a crime boss as well as a supervillain?  Did he use that position to secretly better life in Metro City?  If so, is he still doing that now that he is the Defender of Metro City, thus curbing criminal activity from within as well as fighting it from without? (For the record, given that there is no apparent gang war happening during The Button of Doom, I would propose that the answer to the last question may be yes.)  These are certainly interesting ideas to consider, and the mere fact that this animated film offers enough details to argue the point is a testament to just how well-constructed the movie is.  I consider it yet more proof that the film Megamind is truly an underrated masterpiece.

[anne-with-an-evangelion]

When it comes to talking about DBH characters who get character growth/a redemption arc, Hank is the obvious person to bring up, and there’s the obvious fandom fixation on Gavin, but what about Adam Chapman? He has an arc in the game that sort of disappears in the fray when compared to other characters but he has the literal journey that everyone wants Gavin to have. But even in comparison to others I feel like Adam completely stands on his own as a good character with so much potential as far as his past, future and motivations.

When Kara, Luther and Alice first show up at Rose’s house, Adam is outside chopping wood and literally turns them away, saying his mom isn’t just too busy to talk to them - she doesn’t WANT to. Of course this isn’t the case and Rose invites everyone inside. And Adam is PISSED.

Also he’s wearing a shirt that says Average Casual Guy which is so funny

Adam is young, probably around twenty, he doesn’t seem to be away at college or anything, rather Rose says they just farm their own food to sell at the market and that’s how they scrape by. Sounds stressful, especially with a bunch of Androids living in their house. It’s obvious Adam doesn’t want them around and definitely doesn’t want any new deviants showing up, after the call for revolution that occurred with Markus’s Stratford Tower speech.

As the scene goes on, you get more information about the Chapman’s and the things they’ve been through. Rose is obviously an incredibly strong and compassionate person to be helping the Androids to this extent, but there’s no denying it’s putting her and Adam in danger. When Kara walks in on their right in the kitchen, Adam is telling Rose they need to stop getting involved, that it’s not safe, and he’s not going to back down about this issue anymore.

His outburst over this is pretty understandable, in the context of the game - even when Kara first shows up asking for Rose, Adam’s first question is, “What do you want with her?” Which I feel like isn’t just about whether Kara is an Android or not, but whether she’s someone there to bust them for having Androids in the house. And of course he’s right, because the cops come by like five minutes later to search the house. They are putting themselves in danger, and even though they’re doing the right thing, it must still be a strain on their family... and it’s clear they’ve fought about this many, many times.

So, yeah, his rejection of his mother’s desire to help the Androids comes from a place of fear for their safety, which is understandable to an extent. But he isn’t just afraid of deviants and doesn’t want to help them - he really seems to hate them, which shouldn’t be an understandable view to hold within the context of the game and the allegory of the Civil Rights Movement, and then the language he uses is like, yikes...

It’s not, I understand they’re in trouble but I’m upset you’re putting us in danger, it’s something else - and of course Adam is really mad, and maybe saying something he doesn’t necessarily mean, but this does seem to reflect his view of the Androids as a whole. At this time, Adam honestly doesn’t see them as being people, which probably makes it even harder for him to understand why Rose goes so far out of her way to help them.

I mean, she sets up trips across the river which have been obviously successful, she drives them to Jericho, she has some kind of contact with or understanding of the revolution leaders because she’s able to direct Kara on where to go, and though not much is explained, her brother (and Adam’s uncle) is obviously totally cool with Androids because he’s willing to help them too. She’s clearly been doing this for a while, or at least is proactive enough to take action and do whatever she has to. She’s even willing to take care of Alice once they get across the border. Literally the hero of DBH but I digress. Adam doesn’t think Androids are worthy of the rights they’re asking for, especially when compared to humans.

What follows this is one of the most intriguing lines in the scene (to me)

What does this mean?? We know his father passed away, and Rose says that ever since then, Adam just boils over sometimes. Maybe it happened suddenly, an accident possibly - or did he get sick? Were Androids involved somehow, like what happened with Cole? What was Rose’s husband’s opinion on Androids? Things have changed since he passed, for sure, but still. Did he hold that same “Androids aren’t alive” opinion that Adam is now expressing? Or is it just that Adam thinks if his dad were still here, he’d be able to solve this issue somehow? Maybe his dad was a politician who ran on pro-Android laws and after he died Adam has become disillusioned with his parents’ worldview ??? Maybe his father died helping Androids too and that’s why Adam rejects them so much. Or maybe his dad hated Androids so much he would have never allowed Rose to help them, and so they wouldn’t have gotten involved in the first place, in Adam’s mind. (Edited to say that apparently it’s canon that Adam’s father died of cancer though I can’t recall it specifically being said in the game, so that is definitely a sad addition to things☹️)

I’m literally just making shit up lol but I really do personally hesitate to give Adam some kind of super traumatic backstory or make him bigoted against Androids because the Black characters are already treated poorly enough in the game when it comes to those things. I’m inclined to think this is just a general outburst of missing his dad and wanting him to be there to ‘fix’ things or at least, maybe, mediate the conversation between Adam and Rose. Idk, it’s cool to speculate on, especially when other characters are given super deep dives into their literally nonexistent canon backstory, it definitely feels like there’s so much that’s unsaid here.

Obviously there’s a couple of different ways the gameplay can go after this - but one other thing I wanted to bring up was what happens if you end up with Kara at the border crossing and run into Rose and Adam there. After talking to Rose in the bathroom and making a plan to all go to her brother’s house, Kara talks to Adam outside-

He says he doesn’t agree with Markus’s methods (which is like.. ok.. a whole other conversation in itself)(EDIT: so apparently the answer is different if you choose the ‘pacifist’ route for Markus- Adam says that ‘seeing what Markus is doing made me realize you’re alive’ !!! Which is cool that it changes and def reflects something different about his character than if his response is always the same!) So anyway he now believes in Androids’ right to freedom and happiness. What made this come about?? Was it after interacting with Alice and Kara and Luther?? I have a theory that Rose knew Alice was an Android as soon as they showed up but just played along - maybe when Adam realized there were Android children mixed up in this too, he began to change his view on things, maybe see himself in them, or see things through his father’s eyes, wanting to protect his family and child. Maybe that’s the lens through which Adam begins to see it. It could be the peaceful pacifist revolution Markus is leading, if he is- but even if not, Adam still changes his mind.

Or, maybe after everything that’s happened, he just realizes he was being kind of an asshole about the whole thing and when it came down to it, a government that was literally going door to door searching for Androids and the people who might help them? That’s probably not the type of place Adam wants to live in. It’s definitely interesting to think about his motivations and what brought him to this point.

And even though it’s sad for Kara and Luther, I find the ending where Alice ends up with the Chapman’s really.. bittersweet-ly satisfying in a narrative way. Found family .... though of course it sounds like they were all planning on meeting at Rose’s brother’s house so they would have all been together anyway☹️

🥲I feel like I had so much more to say but yeah!! I think he’s such a cool interesting character and I love that he ends up on the side of the Androids in the end. And what happens after they escape safely??? Does he start helping deviants too like Rose does? Are they going to settle down and form a commune of sorts with the other Androids who escaped? I love the idea of that loss in Adam’s life being filled up with the addition of new people who care about him, and a little sister in Alice, since he seems to be an only child. The possibilities of it all...

Adam has a sad sort of story to his past, he dislikes Androids and then comes around, he has so much potential for what happens after the revolution - and he’s not the only one!!! There are so many characters in the game that deserve a closer look but I just love Adam..

[bookofmirth]

after rereading the series and finally finishing silver flames ( which i truly enjoyed, even when there were points which felt disappointing and a little incoherent ) i feel like i can finally pinpoint what is so jarring to me regarding this series. It just seems so disjointed, which becomes especially apparent after reading MaF and the immediately reading WaR.

We move from the first two novels of the series, which are coherent and clean, to WaR - which is hoenstly just a mess, something which was so blatant to me on the reread. during this time, it’s clear that sjm made several massive changes to link this book to the future spin offs, and also obviously changes her original plan to pair mor and azriel - which monumentally changes the way that the previous book is read, and the perception of their characters.

Even with FaS - setting up for cassian and nestas story, sjm completely changes direction between this release and silver flames. And all of that lead up with the Illyrian rebellions and cassians not being respected as a bastard, and his mission fighting for Illyrian female rights - amounts to absolutely nothing.

Don’t get me wrong, I really really enjoyed silver flames, and perhaps some of these ideas will crop up in azriels book and therefore won’t be wasted. But it just makes the series feel disjointed and leaves me at least, feeling unfulfilled.

Sjm is such a good author, in ToG the plot was expertly executed and when you reread the series, you can see hints and foreshadowing even back to book one. She knew exactly where she was going almost from the beginning, and each decision and plot point was used to create impact and build up to the ending. I don’t get that with acotar.

There is so so so much build, and almost no pay off - and I really got that sense in acosf, I loved it as a stand alone - but when we look at it through the perspective of the entire series, there were things which grated and a lot of things which I felt were built up to and nothing happened... Tomas, Cassians mother ( was so sure we would learn where she was buried at least ) the Illyrian rebellions and the Illyrians hatred and disrespect towards Cassian, Mor and Nestas relationship, CASSIAN AND MORS RELATIONSHIP ( I understand that the mor situation will be something which is focused upon primarily in azriels book, or hopefully her own, however their relationship involves Cassian as much as them both and I really wish Cassian had actually confronted the part he played in that whole situation - a part he played for 500 (!!!!) years. It’s a role which he was unable to relinquish in ACOWAR, and actively rejects Nesta to act as a buffer multiple times, seeing it as an obligation almost - and then in SF, pays it no attention at all. Feyre and Nestas relationship also isn’t really touched upon, as if that final act healed everything - what about that interrupted conversation in the library, when Nesta was cut off ? Why Nesta always favoured Elain, even Amren and Nesta - we still don’t really know what happened there... argh there’s just so much potential and so much set up, and it just seems forgotten about ? It makes the book seem disjointed and a bit of a let down.

Yesss I totally get what you mean here. ToG is honestly the superior series, and it’s because it has the cohesion that acotar doesn’t. Everything feels like it’s meant to be there, each character, each worldbuilding detail, their histories, everything just comes together in a wonderful way that just wrecked me when EoS came out and then was resolved perfectly in KoA.

Compared to that, acotar feels like sjm is figuring things out along the way and it is seriously driving me nuts. I’ve had multiple conversations with other people in Discords and they’ve said similar things. acotar at this point feels like sjm is just coming up with random ass ideas and throwing them in. No book in the series feels more like that than acowar. And it was that point where we knew that there would be more books, right? So combined with the fact that she pounded that book out and it got rather half-assed editing, you’re probably right that a lot of things were changed in order to set up the other books, even though it didn’t make sense with what she’d written before. 

I agree with you re: Mor and Az, and I feel like I’ve been seeing more people say that lately? That there is a feeling that they actually were supposed to be together and she changed her mind? I wrote a bunch of fics for them back in the day and they’ve gotten a bit more attention lately. But once acowar came out I was like, I’m gonna reread, and I’m gonna find all the clues, I’m gonna see where all this build-up was, and.... considering how often people say that sjm is so “good” at foreshadowing, I’m sorry, but not in this series. In ToG, yes, because she had a clear goal at the end! She knew where she was going and she stayed on that path. In acotar, idfk. Anyway my point is that I’ve reread the series a couple of times through since acowar came out and I’m still over here shrugging because up until that point, Mor and Az could be read in completely opposite ways. (Maybe it’s an Azriel thing, given the current discourse, idk.)

I will say, however, that we had clues that there was tension between them and I had noted that Az is quiet troubled and even pre-acomaf, I would not have been surprised by his extra in acosf. But all of that could have been addressed with Mor and Az still being together? We all had plenty of explanations at the time for the tension, and Mor being queer was like 1 of 100 of those explanations. 

If we look at Mor’s character through the books we have so far, I still see almost zero signs that she’s queer except for her literally saying “I like women and Rita’s has a lot of women and here’s my gay story”. Other than that, there is like..... nothing that feels organically queer about her!!! And I love her and I want her to be gay af!!!! But I wonder if my forgiveness of how acowar went down was more about my personal reaction than how well the story was actually done.

And the fact that, like you said, there is still no resolution to the fact that Cassian is supposedly a buffer between Mor and Azriel? Like???? We were all sitting here after acowar thinking “okay, well if she’s gay then someone knows. Someone has to know. She can’t just be gay and NO ONE WHO LOVES HER KNOWS.” 

Then in comes acosf with a big “fuck you, y’all thought” which just.... to me, it signals that her queerness was an afterthought. It’s still an afterthought because her queerness is limited to Mor and women blushing at her and Mor has her corner of the world in which she can be gay, but that gay never spills out into any other aspect of her life. It’s just conveniently isolated so that it doesn’t touch or affect other characters. 

In terms of continuity, acowar was such a huge shifting point in the series that people left in droves. It was a huge mess in the fandom. And then acofas was just fluff with no real point in pushing the story forward - even the Nesta stuff was a sneak peek, it had nothing to do with acofas itself. And now acosf comes in ignoring things she had set up previously, with almost zero nuanced discussion of the Cassian/Azriel/Mor thing, which means she still (?) doesn’t know what’s going on there. And I think that we did get some answers with Nesta’s reflection on her relationship with her mother, but the deal with the Illyrian rebellion was just in the way so let’s nix that, and then let’s focus on Eris (🤮) just because she feels like it even though she’s set up all these other characters whose stories need more. (Much like acowar, this paragraph is a MESS LOL)

And yes I KNOW that the series isn’t over, clearly, but she keeps setting things up and then letting them go nowhere, or making them seem important and then resolving them off-page, or changing character relationships (Mor and Az) but then having the characters involved act exactly the same, as if nothing had changed (by having the “buffer” situation still exist as a real thing).

I did enjoy the book, a lot, it was a fun read. But tbh we have so many arguments and disagreements within the fandom rn because things have been so left open to interpretation that we it’s not even a matter of “oh I saw this slightly differently”, it’s “WHAT book did these people even read???” That’s kinda weird, to me. There is reader response, and then there is what we have now, which is people having absolute opposite reactions to what they think happened in acosf. 

[cutegirlmayra]

I know you did a prompt a while ago about Amy having a fan and Sonic told him to basically get lost. So could you do something like that but make the guy feel more entitled to Amy and she owes him her love. And when she rejects him he gets really aggressive so it justifies Sonic being more aggressive in turn? I love how your depict protective Sonic soooo cute!

So, I have MANY jealous and protective Sonamy stories XD Shifting through them, I think you meant this one? (x) For future reference, if any of you lovely Anons want to maybe just... link?... the actual prompt I would be very much appreciative since I have over 900+ lol

(Preview prompt image provided by ArtsyAnnieRose (x) Please support the artist :)b)

As I mentioned when reviewing this Prompt on my youtube --> Pajama Blogs Ep. 1 Prompt Requests (x) Timecode: - 54:21 - I try and not do the same prompt twice, which means I like to rewrite things so that I don’t just keep making the same stories for different requests. So with this one, I’ve thought a lot about how to present it, and I think this will be fun! (Also, side note: I’m not making this cute and parody-like, I’ve changed my mind XD I have the right to do that! lol)

***TRIGGER WARNING***: (now you know it’s gonna get good.) I have subtly littered red flags throughout this story, if you have experienced stalking or manipulation strategies in your life please be aware they will be showing up in this fic. Due to the subtle nature of these traits, please be informed that I am in no way trying to downplay the danger of these situations, but showing that to the main character currently in these situations, her view of them is naïve and she sees no danger. Therefore, the gravity of the situation seems friendly and kind, but in no form am I saying these techniques are alright or acceptable. The ‘stranger’ character in this story is a creep, no matter how ‘charming’ or ‘sweet’ he may be portrayed in the innocent main character’s view. (If I write this correctly, hopefully, that message will be more clearer towards the end of the story.) I encourage any who recognize these toxic behaviors to please question your relationship with that individual and find safe, healthy relationships to pursue/keep instead. Whether your relationship with these kinds of people are platonic, friendship, or romantic in nature--please keep yourselves, families, friends, and other such loved ones safe. I will not be listing or detailing all occurrences of these moments within the story; however, with some psychology basics or google searching, you can find these common red flags or complexed manipulation strategies and how to better identify them.

Prompts are on shutdown! Do not send in any prompt requests at this time. Thank you!

Okay... let’s dive right in.

                                                 DIVE, DIVE, DIVE.

Note: This is another unconventional, more mature-themed story that I- well...

But my hope is that it’s still a story worth telling, so if you choose to, please enjoy.

Prompt:

Upon a rather dark and greying sky, as though the mentions of brief rainfall and storm weren’t apparent, many citizens in this bustling city were making their usual rounds around the mall. Carrying a thin jacket with an umbrella’s strap swinging at her side, Amy light-heartedly mused over a recent magazine’s article on the most eligible men, and read the chatty writer’s remarks on how Sonic The Hedgehog seemed to be away when the interviews for them were called.

She thought that so like Sonic, always away, but secretly just close enough to still keep tabs on what’s going on with the many locations in the world.

Eggman seemed to have a base everywhere, and while things had been pretty quiet as of late, she looked up from her magazine and once again wondered where in the wide, blue world he could be.

Was he bored? Off on another adventure? ... Napping? Eating? Was he eating enough?

She sighed with a dreamy look on her face, lost in her thoughts before a stranger flicked his wrist as he approached her, and a charging wind blasted in her direction. Blowing her back, it swiftly hit against her loosely closed umbrella, since Amy wanted to be prepared for any sudden downpour, and triggered it’s spring to further yank her back.

“Ah!” Amy tried to turn around to catch herself, the strap around her wrist forcing the sudden about-face as she grabbed her umbrella’s long steel pole to try and counter the pull.

“Woah!” the stranger that was passing her from the front suddenly stumbled at the sight and quickly rushed behind her, leaning over and grabbing where her hand was on the open umbrella as the wind suddenly stopped. His hand lingered by her side as though to brace with her and help, before noticing the wind stop and looking dumbfounded at the umbrella.

There was a silence as Amy felt the stranger was almost holding her, and turned to him with blinks, “Heh-heh... umm... Thank you.” her body was bent as she tried to use her heels against the pavement to counter-force the sudden rush of heavy wind, but with it’s immediate halt, she stepped forward and away from the strange, intimate moment to close her umbrella.

He stood more straighter, fixing himself up too before smiling kindly to her, “Does this happen to you often? Sudden, emmmm...” He swirled his palm-facing upwards hands around as he held the long, hummed note. “Bursts of photo-aesthetic air through your hair?”

Amy chuckled lightly, briefly looking back at him before continuing to fix her umbrella, worried it may be broken as the spring wasn’t going down well enough. Realizing it was probably jammed, she blew up some air to her bangs, figuring the worst, “Yeah, real convenient for a photoshoot. Maybe the photographer will settle for a water effect?” she gestured humorously up to the clouds, “All I need is a chair,” she teased, “Thanks again for the help. Really! You came out of nowhere!”

“Much like wind.” He joked back, putting his hands in his pockets, tilting his head to her. “You... wouldn’t mind if I take in the view of that shot, would you?”

“Huh?” she didn’t quite understand what he was making reference to.

He smiled as if realizing she didn’t get it and shook his head, “Nothing, nevermind. I’m clearly wasting your time,” he took out his own umbrella, looked at her a moment, then back to it. His long, brown and heavy jacket then flopped back to his side as he offered her it, “No offense, but I did just meet you. I would offer you my umbrella, but I’m worried I may never see it again. However, I have a solution,” He opened the umbrella and then gestured his hand to a restaurant near him. “So that we’re not strangers anymore, and I can trust you with something so dearly precious to me as an old, fifty cent umbrella I literally picked up from a second-hand store... might I entreat you to a meal?”

Amy smiled, relieved he was being so gentlemanly. “I wouldn’t mind at all!” she cheerily perked up, looking at her umbrella and tossing it in a garbage can. “I’m Amy,” She took his hand, curtseying. “Amy Rose.”

She did notice he was probably older than her, but he did a little bow and she realized she hadn’t notice his real height until his eyes matched her level. He held his eyes with her sights... and she wondered why he was pausing so long, “I know...” He finally whispered out, tilting his umbrella over her head, “You’re pretty famous, you know. Anyone would be lucky to help you out in a pinch. I’m Oscar, I work around here.”

Guiding her into the outdoor restaurant, he sat her at one of the white tables with it’s own umbrella on it and closed his, settling down on the opposite side of her. “Well, then! Do you mind this spot?”

“Oh, it’s my favorite, actually!” Amy chimed, knowing the location very well.

“Really?” He seemed a little less intrigued at that than Amy would have normally supposed someone would, but then after putting his umbrella away, leaned forward as though very attentive and putting his fingers together, his elbows on the wooden round table of white and letting his nose press down against his hands. He had gotten comfortable, and Amy, thinking this was his way of showing interest in what she meant, continued to sweetly respond.

“This is so funny, but I come here almost every Thursday and Friday for the new deals at my favorite store! I usually order the same thing too,... I really love ice cream.” Amy felt a strange new energy at meeting someone for the first time, and continued to feel refresh at this new-found friendship.

“Ice cream? No way! That’s my favorite too!” Oscar parted his fingers as though excited to hear this. “I have a sweet tooth. I know, I know, so silly of a man like me.”

“Oh, no! Not at all!” Amy waved her hands out, “What’s your favorite kind?”

“Well,...” He thought a moment, before smiling back to her and holding a wink, “I have an idea, you tell me yours first. I bet it’s probably very different.”

“I’m a simple girl, Vanilla is mostly my cup of tea. But... whenever I’m feeling adventurous, I go for it! Scoops of Vanilla and Chocolate with some random new flavor of mint or cookie flavored and then I top it with all sorts of stuff!”

He coughed as though shocked, “...That’s literally my favorite too!”

“What!?” Amy was excited to hear this, “I thought I was the only one that eccentric!”

“I know! That’s why I thought your answer would be completely different!” As Oscar continued to review Amy’s interests, he kept nodding along and reaffirming that they shared many similar interest and hobbies before the waiter appeared. “I love to chase certain thrills and excitements. I’m sure, being an adventurer, I figured that may be the reason why you place yourself in such perilous circumstances as well.”

“Your orders, lady? Sir?” The waiter asked, trying to kindly cut in as Oscar pulled out his wallet.

“Strawberry sunday with a hint of vanilla, you?” he looked back to her.

“Ha! That’s my Thursday order!” she giggled into her hand, “Same here, please!”

He shook his head, a little theatrically, “It’s almost like... where have you been all my life?”

“I mean, I know, right!? And you work around here! That’s so weird that I’ve never seen you before... where-”

“Ah, there’s really nothing interesting about me. I’m much more fascinated in the adventures you take. What with your friends always weighing you down and everything.” He basically ignored the waiter as he tried to ask any follow-up questions, and Amy just looked between the two and then smiled politely to the waiter, showing that that was all they were going to have.

“Weighing me down..? Oh no, without Sonic and the others, I couldn’t do anything as big as saving the world! We all need each other, you know?” She happily confirmed before he spoke again, sighing.

“I guess they would have you think that way, huh?” a offhanded comment that made Amy’s eyebrows furrow, but she just continued to speak about the wonderful traits and abilities of her friends, in which case, he kept shaking his head as though she was wrong.

“What?” She finally asked, “You don’t seem to like Sonic, Tails, or Knuckles...”

“I just think you could do with some different friends.” He shrugged, “Some that wouldn’t constantly leave you behind or undergrade your merit.” In that moment, the waiter came back to place down their orders.

“U-undergrade..?” She looked down a moment, “N-no, no one’s holding me back or anything. I choose how I help out, I can’t always keep up with Sonic and the others so-” she stopped a second and shook her head, getting frustrated, “I-I mean, I can go with them whenever I want!” she retorted, and noticing her shift in demeanor, he took some ice cream and then held out his hand.

“Oh no, no, no. I’m so sorry, I didn’t mean to imply you couldn’t keep up. I meant that you’re invaluable and they don’t treat you as such. But don’t worry, I’m here now, and I’ll show you how a true heroine should be treated. This meal is on me.” he gestured to her ice cream, “After this, I’ll show you some places that you probably haven’t been to before.”

“O-oh... T-That does sounds exciting!”

For a few weeks after that, Amy began to hang out with Oscar frequently. They would text back and forth, and she couldn’t help but smile when he always called her beautiful and made her feel so special. However, although the places they first went to weren’t so bad... he started showing her back alleyways with clubs and other ‘themed’ places that made her slightly uneasy.

She knew he was older than her, but would decline any invitation if he stated, “But I know a guy, he’ll let you in.” and continued to protest and remind him of her age.

That being said, the parks were lovely though!

He would often bring her little gifts and flowers too, stating that the next time she came with him, he’d bring some home-made food and had a habit of patting her head or brushing something off her hair if it landed on her. Though, Amy never noticed the ‘leaf’ that had fallen on her shoulder, or the ‘bug’ that was buzzing around her headband.

He also would usually lead her when they walked and talked, if they came to a corner, he would lightly put his hand to her back, until one time she mentioned his hand went just slightly lower than normal and he apologized profusely.

All was going very well, he even carried her bags and offered to take them home with her, but she insisted she would take the train and that he needn’t worry.

Finally, on a Friday when she was heading down for her sale, texting Oscar, a familiar wind picked up and almost brought up her dress.

“Oh, look out!” Oscar appeared and grabbed her dress, pushing it down. “Phew! Close one, aye?”

“W-where did you come from?” Amy adjusted her dress as he held his hands to the rim of her dress still, but when she looked up at him, he immediately released them.

“I suppose I just naturally come when you need me.” he scratched the back of his head, looking away as though shy. “I don’t know... sometimes, I can’t sit still, I get this feeling like you need me, and lo and behold!” He gestured to her, “You really do need someone looking after you twenty-four seven, huh?” he squatted down to look up at her, then his face turned to concern. “It’s a shame you don’t have anyone to look after you... especially in moments like this.”

“W-what are you talking about? I have Sonic!” Amy placed her Miles-Electric away and gestured for him to stand upright, but instead, he took her hands and placed them on his cheeks, acting cute but a lot younger than he actually was.

“But he didn’t save you, I did~” he whined, squishing her hands to his cheeks and rotating them around as she thought him slightly weird and took them away, pushing him back as he stumbled. “H-hey!”

“Oh, you! Sonic is just the same way! He can’t sit still when he senses someone needs him... hey, that reminds me of my article...” Amy remembered the magazine she was subscribed too, and looked over to see that within his usual trench coat, was a page of that article sticking out. “Ah!” She pointed to it, amazed, “You read ‘Famous Quips’ too!?!”

“Doesn’t everyone?” he seemed to speak quickly, before shoving the magazine back in deeper. “Ehem, kinda a girlie magazine... promise not to tell anyone? I don’t wanna lose my street-cred!”

She laughed, “You are like Sonic! Always acting so cool...” she shook her head and took his arm, what she had started doing since he offered it so many times, and they walked down the street.

He bought anything her eye rested on, which made her beg him to at least let her pay for food, as he mentioned a concert happening at the club he kept trying to get her to go to.

“Come on, you’ll love this band! We adore the same music too! I know a perfect spot in the back where no one will see us and the bouncer is my friend!” his voice was enthusiastic, nudging her every now and then with his elbow as she looked away and rolled her eyes. “You’re not a babe anymore, Amy! You’re gonna end up going to clubs eventually, might as well be with someone you know, right?”

“I don’t know...” Amy looked down,... and he gently stopped walking to look away from her.

“...Do you not trust me?”

“W-what?” Amy let go of his arm, “What do you mean? Of course I do!” she was very hurt by his accusation, “I mean, we’ve hung out so much, I just don’t really think clubbing is my thing...”

“You never want to do what I suggest.” He looked down, “I go to your favorite store with you and help you bargain hunt, I take you around the park... I’m just saying, the one time I want to go and do something, you keep saying no.” he folded his arms, and Amy began to panic that he was really offended by her.

“T-that’s not true, Oscar! I...” she looked away a moment, and he looked back at her.

“...Ah, I can’t stay mad at you.” He pulled her into a hug, holding her there. He took a deep breath, “I’m sorry, hey, let’s go get ice cream and talk about it later, okay? I’ll pay again.”

Her eyes shifted about, not sure what that was all about. “N-no, I’ll pay.” she tried to move away but kept an arm around her and led her on.

“I wouldn’t be considered a man if I let the woman pay!” he insisted, and ended up paying for the meal.

As it got late, he offered to carry her bags home again, and whined in a goofy way when she kept saying it was too late to have guests over, but maybe sometime.

“If you won’t see the concert with me, at least take me to your place sometime. It’s the least you could do for me.” He gave her the bags, then stroked her hair again, “You really shouldn’t be taking the train at night, you never know what sicko might be on it. You’re tough, Amy dear, but you’re still a girl and you know how you’re prone to cause problems.” he laughed, but that stung Amy’s pride a bit.

She held her bags and looked away a moment, “...Is that... how I come off to people?”

“Oh sure!” he then continued to stroke her head, “...You ... didn’t notice?”

“...That I look weak?” Amy shook her head and he instinctively removed his hand.

He held it in the air a moment, before letting it rest on Amy’s head again, as though realizing she wasn’t doing that to make him stop.

“No... the part where I... gave you a new nickname.” He smiled, tenderly and squatted down to her level again, keeping his hand on her head. “Amy dear. I think it’s cute!”

“...O-oh, I mean, I don’t really like how it could appear though.” Amy had a bead of sweat form and he abruptly got up, looking upset.

“Don’t like how it could appear!? What does that mean!?” He snapped.

She flinched at his sudden uproar, as he grabbed a bag from her, “I’ve been wanting to introduce the nickname to you all day! And that’s how you think about it!?” he looked as though he was going to either smash or rip the bag, but just looked furiously away from her, “I thought about it a lot, you know! It was suppose to mean something!”

Amy grew slightly afraid, but not taking this sudden mood-swing again, she opened her mouth to say something.

He interjected and looked dead in her face, “You really don’t trust me, do you, Amy?”

Thinking she didn’t want to hurt him, she shook her head, “I-I never said that!”

“Don’t yell at me,” he looked downhearted suddenly, even though she wasn’t raising her voice that much, not like he was.

“I’m not-”

“You are, and it’s really making me feel like you’re just... you don’t consider me a friend. I told you people usually reject me,... I was vulnerable to you!”

“Oscar, calm down a moment and-”

“You’re the one who’s not ‘calming down’ you can’t do a single thing I want to do! You’re being... selfish!” he flopped the bag down in front of her, startling her as he took off stomps and a hissy-fit.

Not able to process that sudden shift in behavior, Amy was lost to her thoughts and... slowly... proceeded to get the bag and head to the train station.

Numerous texts came flooding in that week as she hadn’t gone back to the plaza and mall, and she kept wondering how he knew she wasn’t there. They had hung out multiple times, maybe he was just expecting another hang out without actually asking this time...

Still, she felt somewhat obliged to text back: Sorry, I’ll see you Friday. This Thursday, I just felt sick.

Oscar: Do you need anything? Send me your address, I’ll bring you medicine and make you some food! I really am sorry if I scared you, I shouldn’t have done that. You’re beautiful and I’m just insecure. You know how I can be, just like you, I get really attached to people and just want to be accepted. I’m really sorry, please don’t not see me again! I promise I’ll get myself under control, we’ll do whatever you want to do this time! Honest!

Amy didn’t text back...

Oscar: The concert is next Friday, I won’t mention it again but... it would be really awesome if we could see Pop Pinkies together... I know it’s my favorite band and our favorite music is what they play so... just think about it at least, alright?

That Friday, Amy was wearing something that made her almost blend in with the crowd. Unlike her usual bubbly skip in the streets, she was hiding beneath her umbrella and coat, as though not wanting to be spotted.

A sudden burst of wind and she panicked, darting behind a corner and putting her umbrella away. “Dumb wind.” she mumbled, looking around to make sure Oscar wasn’t there...

The wind suddenly shifted as she poked her head out, “That’s odd, wind doesn’t usually change direction unless...” she turned and gasped as she saw Sonic, leaning his head towards her and looking confused.

“...Since when did you start taking the back-alley ways? Don’t you know that’s dangerous, Amy?” He blinked, furrowing his brow as he straightened up and folded his arms, “Heh, long time no-”

Amy’s mind was suddenly triggered by something Oscar had said, and she tuned out Sonic completely, her world going dark...

“I just think you could do with some different friends. Some that wouldn’t constantly leave you behind or undergrade your merit.”

“You’re tough, Amy dear, but you’re still a girl and you know how you’re prone to cause problems.“

“Is that... really how I appear to you?” Amy’s voice quaked as she spoke it, “Do I really look weak... even to you?”

Sonic was taken aback by the tears forming in her eyes, and immediately dropped the friendly banter, “Amy? What’s wrong? Weak?” he didn’t know where she got that notion from. “N-no, I-... Amy, is something wrong?” he moved forward to reach for her but pulled away, something Amy wasn’t used to as she really did--for a brief moment--think he was going to place his hand on her head.

Almost as if expecting that, she leaned her head in a strange way and then back, not sure why she did that.

He didn’t notice the action though, but she hugged herself, also remembering that after the light head pats was usually a strong and forceful embrace...

“...Amy?” she hadn’t responded to him, and now, Sonic was noticing a very clear change in Amy.

“N-no, of course you wouldn’t think that... I’m sorry, I really don’t... I don’t want to be around people right now.” she looked away, “I... I made someone feel really bad and I don’t know what to do.”

“Really? What did you do?” Sonic lifted his hand and she immediately looked at it, which made him pause. “...Umm... I was just gesturing... Amy...” His ears bent back, not sure why she looked so squarely at his hand. “Is everything okay?”

She really thought he was offering her hand, but she didn’t want to take it... not this time.

“I made a new friend, and he’s mad at me. I’m worried... if I hurt him again, he’ll really be in a bad emotional state, and it’ll be all my fault.” Amy put her umbrella up and started to walk away from Sonic, “I want to take a new route, I didn’t even want to come out today...”

“...Amy, you don’t control this new friend’s behavior, they do.” Sonic corrected her and walked beside her, focusing heavily on the signs of uncomfortability Amy was showing. “...What happened with this ‘new friend’ of yours?” He directly asked, and Amy relayed to him how she met him, then how he liked all the things she liked and agreed with everything in the beginning, how charming he was before the more time she spent with him, he seemed to change and start acting funny... but not in the good way.

“...He likes everything you like?” Sonic lowered his head a little, honing in on some things Amy briefly mentioned.

“Yeah, isn’t that crazy? He’s a guy but he totally loves sweet things and a popular girl’s magazine I enjoy.” Amy smiled, closing her eyes as though cheering up when thinking about it.

“...And he knew your order before you even made it?” Sonic folded his arms, putting two and two together.

“Yeah...” Amy suddenly slowed down in her steps, her eyes widening.

Sonic closed his eyes, matching her speed as he began to help her focus on the more important parts of her story, “And this... strange wind that passes by here... only comes at you and blows your dress up or opens your umbrella?”

She stopped.

He continued to walk, “And you say he works around here... which means he may have seen you come and go multiple times... and probably watched you ordered and heard what you liked, and saw what you read, and knew about you from the news and press... he disliked your friends and took you places and then entitled himself to being in charge over your Thursday and Friday venues... then, to really top it all off with the icing on the cake and all that jazz... he’s been insisting you go to a adult-themed club with him and throws a tissy-fit when you say no?”

Sonic stopped, his fists had already tightened into such hard balls of fury that he had to take silent deep breaths just to contain himself.

“And worst of all... he’s tried to copy me and put it in your mind that your friends don’t respect you the way we should... isolating you,” He put out a finger, “Grooming and manipulating you... Amy, you should have written this guy the moment he snapped at you... and probably sooner, but I’ll take that as you were just seeing the best sides of him... and not the dirty kind.” he didn’t turn around, but he felt Amy lingering behind him and knew if he said anymore, she may just start crying. “...Where do you think this creep is now?”

“He... He’s not a creep.” Amy lied, feeling in her heart that she just did lie, for Oscar’s sake...

Sonic tsk’ed and turned around, “How can you stand there and defend him!? Do you even know what Grooming is!?”

“...I... I don’t.” she wiped her eyes, “I don’t think I know anything...”

The manipulation had really set in on Amy, she was denying something she knew was true and didn’t know why. She was defending a man who clearly was up to no good, and yet... she cared about him still.

“Sonic... I think... I think I’m sick.” she held her stomach, the realization setting in. “You don’t think... he wanted me to take him to my house to..?”

“He wanted to what!?” Sonic lunged forward, holding his fists back and to his sides as he tried to remain level-headed, pulling away from her. “Amy, you know the truth now, it’s time to end this... ‘friendship’ you two have.”

Amy fell to her knees, “That’ll kill him!”

Sonic immediately looked behind him, Amy almost begging him not to make her do it as Sonic couldn’t stand to see her this broken and twisted up from Oscar’s scheming.

“Amy...” he wanted to say so many things..! But instead, just turned around and held a strong look, “You have to face this... but you won’t be alone.” He offered her his hand, “I won’t leave your side, and I’ll be there the whole way through. You deserve to go out and have fun without someone telling you that it can only be ‘their’ way of fun.” He looked so serious... but she felt a peace wash over her at how she knew his words were never lies or deceits for something devious. His words were for her and her well-being... not once did Sonic ever yell or enforce his way about things at all. He listened to her, even though she knew he must be raging inside at his friend’s predicament... it’s not like she purposefully got herself into this mess.

“You know how you’re prone to cause problems.“

She placed her hands up against her eyes, crying. “Am I... being a burden to my friends, Sonic?”

He immediately scooped her up into a bridal-style hold, “Which store did you want to visit today, Amy? Or do you want to just go home?”

“Please, I want to go home.” Amy held onto him as without a second word, he zoomed off.

The next few days, Sonic instructed that Amy block the number, but text messages seemed to not be the only thing Oscar knew... He called her home number, which surprised both of them, and the phone never stopped ringing.

That next Thursday, Sonic accompanied Amy everywhere she went, and they didn’t spot Oscar anywhere. But come that Friday...

Sonic was carrying some of Amy’s bags, she didn’t look fully recovered from anything, but at least she was wearing brighter colors in her coat she wore that day, and a nice sun hat as Sonic held the umbrella up for her.

He looked a little bored, but kept his eyes peeled when a sudden wind shoved him to the pavement.

“Ah! Sonic!” Amy turned around but was immediately grabbed around the waist, pulled back. “Gah!”

“I can’t believe you let him back into your life!!!”

Amy’s ears rang with Oscar’s voice, before shoving him back and falling down beside Sonic, who quickly shook off the wind blast and spun around to pick up Amy’s things, placing the bags by the store’s window.

“So, this is the wind-manipulator, eh?” Sonic rotated his shoulder out, having landed on it pretty roughly, “Look, I don’t know anything about you, and neither does Amy, really! So either get the hint and quit bothering Amy, or I’ll have to take matters into my own hands!” he hunkered down, getting ready for a fight, but... he also seemed not to be putting on airs or a show.

Sonic... although smiling a bit as he spoke to him, suddenly took a darker and more focused attention on how Oscar was holding himself.

Oscar looked to Amy, not even talking to Sonic, “I told you everything about me... What does that lying Sonic know about you!? I’m the one that’s been with you this whole time while he’s been off, probably with some other girl!”

Amy thought that ridiculous, and seeing him in a new light, she was able to at last come to fact with this pervert in front of her. “You... you were never my friend... were you, Oscar?”

He bit his teeth down, “Is that what he made you think?!”

“No, that’s what he made he realize!” She threw up her hammer and blasted wind at her.

She was forced to slide against the concrete, “I don’t mean to hurt you, Amy dear!” he cried out, “We’ll settle this when he isn’t around!”

“I think you’ve got it backwards, Oz!” Sonic, seeing that his hands controlled the wind, kicked it away from Amy’s direction and then spun in a rotation within the air to punch him down.

He stumbled, as though not used to physical fighting and tumbled all the way over into the street.

“I’ve known Amy much longer and deeper than you have! You’re just some creep who takes advantage of little girls!” Sonic’s fists was shaking, clearly, he didn’t want to just leave it at one blow. “Amy, get behind me!” He gestured out his hand and Amy immediately got up and moved behind him.

“I can... I think I can fight him!” She tried to state, but Sonic looked behind his shoulder and she put her head down. “I... I want to but...”

“...You still care about me, don’t you, Amy dear?”

“Quit calling me that!” Amy threw her arms down, “You used me! You weren’t my friend! I can’t believe I trusted you!”

Sonic turned to the man, “Why are you even answering him, Amy? He’s not talking to you, he’s talking to some Amy Dear girl he’s been building in his mind. You were never anything to him... it was the girl he was crafting that he was interested in.” Sonic slowly walked towards him as the man started to scoot back, clearly not able to fight Sonic The Hedgehog.

“Let’s play a new game...” Sonic suddenly lifted up a device, “Is your real name Warner Windstrom? You’ve got a bounty on your head that the cops are just dying to claim...” he pressed the button as suddenly an alarm went out, and from around the corners, police vehicles blocked his way of escape. “Oh, and that club? A typical place where your old ‘hostages’ claimed they were drugged. Trust me, pal, I’ll personally make sure you don’t get out of jail again.” Sonic let the police start moving in but Warner immediately shoved air beneath him and flew into the sky, shocking everyone as Sonic held up a arm over his eyes and moved back to Amy, shielding her as well.

She was in shock, that kind man she knew was suddenly a criminal and had previously hurt and abused other women... She didn’t know Sonic set this all up, but she probably wouldn’t have let him if she had known.

“I thought we were just gonna talk to him!” she cried out, putting her hand on his shoulder before shaking her head, “I’m defending him again... aren’t I?”

“Amy shouldn’t be with a loser like you, Sonic!” Warner cried out, “You can’t always save her! You can’t always be around to-!”

Before he could finish, a hammer slammed into his gut.

“Nice one, Amy.” Sonic complimented, as Amy stood up beside him.

She didn’t say anything, but judging from the neutral expression... and tears streaming down her eyes...

He just looked back at Warner, “I know this is a lot to take in... but trust me on this one... You’ll be alright.”

Amy summoned another hammer, “Want to give me a lift?”

“Certainly.” Sonic spun into a ball that lifted him up into the wind, then uncurled to reach out for Amy as she jumped, “Hit him hard!” he encouraged as he threw her up the rest of the length.

She pushed her dress down as he extended his arms to her, “Amy, please! You know me! I love-!”

She just growled and let out a piercing war-cry, slamming her hammer down on his face, “I’m not your friend, I’m not your anything, buzz off!!!!”

He slammed to the ground, and as the wind ceased, Sonic landed and caught her immediately, and the two watched as the police immediately took him.

He kept trying to call out to Amy but she didn’t say anything back, just ducking her head into Sonic’s shoulder.

Sonic’s eyes never left Warner’s face... but leaving the scattered bags around, he took her to the park near by and sat her down.

He waited there... as Amy was just frozen in her thoughts... unable to speak.

After some time, she got up and walked to stand beside him, “What about the bags?”

“Not concerned.” Sonic stated, then looked back to her, “You okay?”

“No,” Amy admitted, “You were right. It’s gonna take time... but I wish it would all just go away now.” she placed her hands on the side of her arms, “How... how did you know? When I was telling you about him... how did you know he was no good?”

Sonic tilted his head back and forth, then tapped his head. “When you’ve been around the block a few times... helping justice here and there... you learn a thing or two about red flags, Amy... you don’t have a lot of dating experience--or just knowing bad dudes are like that--in general! I don’t blame you... but I do think that you should be careful who your friends are.”

She scooted closer to him... then tilted her head to his shoulder.

“..Can you help me get better?”

“No,” he lightly tilted his head to hers, “But I can be with you while you figure it out.”

There was a long moment of silence as they held that comforting moment...

“Will I ever be me again?” she asked, her voice cracking slightly.

“...No,” He responded, tenderly, as though a whisper as he looked up at the rain being to slowly drop all around them. “But I can be with you as you learn to accept her.”

Amy closed her eyes, feeling the small drops of rain before it all at once, speedily came down on them.

“...Will you still love me? At the end of it all?”

Silence...

“I already do.”

Rain scattered as Sonic held his eyes straight up into the clouds... the storm in his heart subsiding as Amy cried and her shoulder’s bounced beside him.

[lizacstuff]

Your thoughts on the epi?

This episode was everything! I don't remember when I've enjoyed crying so much. The funny thing is, though, that I've found myself crying more while rewatching those scenes, than I cried during the first time I watched the episode. This episode will definitely rank among my favorites. Let's talk about the B and C characters and then get to Edser and, of course, Kiraz at the end. I spent the first 30 minutes resisting the urge to punch my screen anytime Ayfer was on it. Damn, I wanted to slap her silly. Could she have been any more annoying? Eda's a grown woman, if she is finally doing the right thing and telling the father of her child he's a dad, then be supportive instead of a screeching pain in the ass. When she actually said "I told you so" to an upset Eda... seriously? That is awful. What a bitter, joyless, petty individual. I was cheering for Melo every time she told Ayfer she was negative. Good! At least we know the other characters recognize how awful she is.

(I get long winded, so this continues under the cut)

Also what was with her going overboard to protect Burak's feelings over his delusional aspirations? Why shouldn't he understand that Serkan and Eda shared a great love and Melo is rooting for them to rekindle it? What does hiding that from him do? It's still true. Ayfer treats this dude as a member of the family, so he might as well know. I get his feelings might get hurt, but dude needs a reality check and to move on, and no matter how hard Ayfer hopes, Serkan in their lives or no, Eda is never going to want Burak. She's made that clear. If Ayfer likes him so much maybe she should marry him, that way at least Melo would be saved from his milquetoast presence.

Speaking of that, they were clearly trying to establish some sort of connection or vibe between him and Melo. So far, I'm not into it. If he's still so into Eda that Ayfer doesn't want him to have to hear about Eda/Serkan possibly reuniting, then he doesn't deserve Melo. Melo deserves someone who wants her, not someone who pines after someone out of his league and then settles for her bff once he realizes he never had a shot with the great beauty. We'll see how it develops, but he has the personality of damp carpet so I don't have high hopes.

Aydan was a little screechy this episode, but I cut her some slack since she just found out these traitors stole 5 years of her granddaughter's life from her. My friend @echoapothecary made a good point to me that Aydan deserves no sympathy for this since she didn't tell Eda Serkan was alive back in amnesia times, and I don't disagree with that. That move by Aydan pretty much tainted her character forever, and it's near impossible to come back from, but viewing this story in a capsule I do feel sorry for her. She wasn't a good mother to Serkan, but she does love him, and I think she craves family. The main point being, Serkan wasn't the only one who lost something significant by not knowing about Kiraz until now, Aydan did too. Perhaps we can say that losing the first five years of her granddaughter's life is her punishment for keeping the secret about Serkan, it's about as steep a penalty as one could pay. Talk about karmic retribution.

Also, since Serkan is apparently not going to impose any emotional tolls on any of the traitors for the secret that was kept from him, I'm glad Aydan did at least make her displeasure known and made some of the liars uncomfortable. Piril, at least, felt it, even if she won't suffer any real consequences. I kind of wanted Serkan to kick her out of the company. I really don't like that character and I think every time she's on screen she just sucks the life out of the show. Engin when he's in scenes with Serkan or Eda or Melo or Aydan or Erdem = Interesting. Engin when he's with Piril = Zzzzzzz.

Pina and Kerem were cute, but to be honest I really don't care. It's inoffensive and I get that we need B, C and D storylines to fill out two hours each week, so I'm good with it, but let's be real I'm only watching for the main event.

Speaking of... now to EDSER! I actually like that Serkan walked out and drove away after hearing the truth. I can only imagine what kind of shock and betrayal he must have felt at that moment, escaping must have seemed like his best option. What I liked even more is that Eda followed him. What a relief after the last episode where she was looking for any and every excuse not to tell him and then made the nonsensical decision to flee in order to avoid it. Too many times in the past between these two pride has gotten in the way. There was a time that Eda might have thrown up her hands at him leaving and pretended like it didn't hurt, that it didn't matter. I'm so glad those days seem to be over. One of the hallmarks of season 2 has been the improved communication (sans secret) between these two and this episode took that concept to a new level.

How heartbreaking to watch Eda plead with Serkan through the door, and how double-y heartbreaking to watch Serkan sitting on the floor, head bent, clearly in emotional agony. You could feel it coming off of him. Kudos to both Hande and Kerem who KILLED IT this episode. Seriously, their best work to date. Their chemistry is always on point, but the way they flawlessly work off of one another in every scene they share, whether it's deeply dramatic or something light and romantic is truly something special to behold. That's one reason why I don't get the folks who are so hung up in hating the season 2 plotline, that they can't appreciate any of this. Because this is the point. Giving these two artists deep and challenging scenes together and opportunities to make more magic. Watching them this season is honestly a privilege and I plan on enjoying every minute of it.

Despite Serkan's emotional turmoil, it was so like him to put the blanket over her and then sit across from her sleeping form as he indulged in some more brooding. However, I really appreciate that by the morning he was ready to talk to her. That conversation was hard, and I'm sure I'm not the only one who was jarred by him saying that he would have told her to get an abortion. In light of his later confessions, I think there's a few ways to take that. I think it was in part a nod to what an emotional mess he was at the time, and in part he said it to alleviate some of her guilt. Because even a betrayed and hurt Serkan cares so much about her, and he knows what he put who through at the time. Especially because at that moment he still had no plans to tell her the truth about why he broke up with her, he was still playing the part of the man who just didn't want children. So stubborn! Thank goodness that over the course of the next 12 hours he'll change his mind about that...

On another note, how happy did it make you to see Sirius? It made me pretty happy. He lives!!!!

From the moment Eda went to his hotel room the night before to confess all the way until they met again at the hotel, Eda really did everything right in how she approached him. However, once back in Sile, she makes her first critical error. It reminded me of the Eda in episode 29 who started pushing so hard at amnesia!Serkan and coming at him with such extreme emotion that he shut down. And that's what happened during that conversation on the beach. Eda needed to give him a little bit of time to come to terms with things, instead of forcing a conversation the first moment they saw one another. Good grief, what was she doing demanding answers from him hours after he found out? She knows this man! She knows that he plans every aspect of his life. So to spring on him that you hid a child from him for 5 years and he's a dad, is a LOT. I like that in a later scene he knows he reacted badly, and actually also says to her "What did you expect?" While his reaction wasn't great, it was also pretty predictable and she should have known to give him some time.

Speaking of the conversation on the beach, what a powerhouse scene for Hande. One note on it, that was the scene they had just shot when Hande and Kerem did their last IGlive on premiere day. The one where Kerem kept talking about how he was in a mood because of an intense scene they had just done. After watching I couldn't help but note that he, as Serkan, mostly just stood there stoically as Hande did all the emoting as Eda let loose on all the pent up emotion she'd been carrying both for years and with Serkan's fresh rejection. It speaks to both their personal and professional dynamic that he was so affected by her being in that state since he didn't do the heavy lifting in that specific scene. The way they are attuned to each other is probably a big reason they are so flawlessly in sync on screen.

I liked how they weaved the Kiraz/Baba scene in at the right time. That was one instance where Aydan, Seyfi and Engin's meddling was for the good, engineering a situation where Serkan was alone with his daughter. Also excellent comedy from Can, ratting out his dad about throwing ice cream on him. Good stuff. I like Engin-as-a-father scenes, I like Engin-as-a-friend scenes, I could just do without Engin-as-a-husband scenes. Anyway, Serkan needed time to adjust, but he also needed to be exposed to Kiraz so that he could view their prior unlikely bond through the new prism of fatherhood. It's telling how easily he slid into Dad territory with teaching her how to tie her shoes. He had been doing that all along, but at that moment he knew about the relationship and still did what was natural. He is ready to be her father, he just needs to realize he's worthy of it.

You can't blame Eda for not realizing it, but it was lovely to see how quickly Serkan turned the corner. He was already adjusting his thinking not even 24 hours after he found out about Kiraz and that was really what inserting himself

into her dealings with the Italians was about. Staying in contact until he could beat back all his neurosis. As for the business stuff, she apparently needed him as an investor, but I also love the way he was there to first build up her confidence and then praise her after a successful presentation. I've said it before but Serkan as her professional mentor is one of my favorite dynamics between them. It did make me wonder, is she still 45% owner of the Holding? It seems like it, she sure didn't hesitate to present herself as his partner. If she is, though, it seems impossible that they could have had zero contact for all those years, unless she just placed her stake in a trust and gave him full voting control of it. Details I'm sure they won't explore in-depth, but I did wonder.

Don't you just love an unwitting guest character (Italian guy) who comes in and forces our two protagonists to spend extra time together? I do. Thank you Italian guy and Italian guy's wife! I love how quick Serkan was to accept, you see, he had already turned a corner and was looking for excuses to get close to her. It was his first step in his journey to opening up to her. Also, who noticed that Eda wore a slinky blue dress the night after Kiraz mentioned that it's Serkan's favorite color? Just checking. She is not as immune to his charms as she'd like us to believe...

OF COURSE Serkan was at Eda's graduation. I think pretty much the whole fandom had guessed that from their conversation in episode 40, but it still hit me emotionally to have it confirmed. What I really liked about it was that Serkan didn't tip his hand by accident. He quoted her graduation speech specifically because he wanted her to know he was there. And not only that he willingly admits that he thought of her every single day since they parted. This is a huge step for him. It has been driving him crazy that Eda thinks he forgot her and is totally unaffected by her. However, even just a few hours earlier he was still in a place where he had no intention to tell her anything, it's actually impressive how quickly he came around. Now I don't blame Eda at all for declaring it's not enough, he put her through emotional hell when they broke up. I mean on one hand you'd think she'd be able to see that he was already opening his heart and there was more to the story, however, her reaction was good because it spurred him on to go and tell her the whole story.

And what a heartbreaking story it was. As I said several times over the last few weeks, I was hoping that part of Serkan's motivation was that the doctor had told him he would be unable to have kids, what I wasn't expecting though was the double whammy of not being able to have kids AND there being a 70% chance of the cancer coming back. No wonder Serkan was eFFed up! Who wouldn't be, but then you add in his additional insecurities about not being worthy of love and his hypochondria and that is a bad mental cocktail. You know what's ironic, Ayfer hates him but in reality he did exactly what Ayfer would have wanted him to do. Push Eda away for her own good so she could have everything she wants in life without him dragging her down. What makes Ayfer the worst (and a hypocrite) is that this is exactly what she would have wanted him to do, but she also blames him for Eda's heartbreak in the aftermath.

The scene was so cathartic to watch as a viewer. We've been waiting for weeks for Serkan's point of view as he's hidden behind his usual confident and calm veneer, and when we finally got it, we really got it. He did not hold back. Serkan is such a complex character, which is a bit surprising for a silly show that you wouldn't really expect build a character with so many layers. On the surface he has everything and seems to be full of ego, but his arrogance is only surrounding his abilities, intellect, and skills as a businessman and architect. Personally, he has little self-worth and thinks he's not worthy of anyone's love, especially not Eda's. However, while that has been a truth of the character for a long time, this speech was the first time he admitted how deeply rooted his fears are. It was stunning, though, to have a character who is so rooted in being in control and who is worried about his outward image, open up in such a raw way and expose all his fears and insecurities to a woman he's been apart from for five years. It was breathtaking and Kerem was fantastic in the scene.

Initially, with the subtitles, I misinterpreted (though I knew it couldn't be quite right) his parting words. The subtitles I saw made it seem like Serkan was saying "Don't say you forgot me" as in Serkan didn't want Eda to say she forgot him. But it made so much more sense when I saw it translated as "But don't say I forgot you." which was a throw back to their dinner conversation in episode 40 when Eda says, "You forgot me." Once I realized Serkan was saying that he couldn't handle her thinking, or say, that he'd forgotten her, the scene hit doubly hard!

I saw some criticism of that scene that said Eda was just standing there with no emotion, but I didn't get that at all. She had tears running down her face and I thought she was fighting for his soul pretty dang hard. First by using both emotion-- telling him that everything had changed because now he had a daughter and that he'd locked his heart and soul in a cage. Then by using logic-- when she told him the cancer is gone and that's it's over and when she challenged him over why everything has to be perfect. Think from her perspective how disorienting it would be to find out that everything you thought was true, was not, and that if the love of your life wasn't such a stubborn, selfless, self-sabotaging martyr that you could have built a family together instead of been separated for 5 years. It's a lot.

On the first watch this doorway scene is where I started to get emotional, but I didn't really lose it and fully cry until Serkan's scene the next day with Engin. For whatever reason that scene hit me hard. Hats off to Anil for his work there, the way his voice broke at times during that conversation really got to me. This type of true friendship scene was something that was sorely missing during the era of the other writers, and it was wonderful to see it back, just when Serkan needed it most. Serkan needed someone to shake him a bit about his fears of dying. I think the writers did a good job here, because while Serkan's neurosis and self-sabotage is maddening, with his history it's believable that he was stuck in a headspace where he really thought he couldn't be a father to Kiraz, or a partner to Eda, because he might up and die on them. I loved how Engin pointed out that Eda and Kiraz would not be the only ones affected if he died and how ridiculous it was for him to lock himself away.

I'm glad we got the scene with the doctor to really get a full glimpse of Serkan's view of his illness and it's also a relief to not only Serkan, but to us viewers that since five years have passed cancer-free he now has the risk of a typical healthy person. Serkan isn't the only one who has hang ups about his health, I think after amnesia and cancer viewers do too!

Finding out that Eda had made videos specifically for Serkan over the years, talking to him directly, hit hard. I wasn't really expecting that. I thought maybe she just had general photos and videos, like any doting parent would have, but the fact that she was always wanting him, documenting Kiraz's life and preparing for a day when he would hopefully take his place as Kiraz's father... wow. On the cynical side it makes it that much harder to believe that she never made more of an effort to tell him once Kiraz was born, but I won't focus on that. Not when the scene was as perfect as it was. Kerem again was stellar, he made me cry buckets. I think since amnesia many of us wanted an emotional response from him, thank goodness this story finally delivered it. The emotions running through him at that moment were overwhelming and Kerem did a fantastic job of portraying all of them, the heartbreak over everything he missed, the joy at seeing moments

from his daughter's life, the regret of not being there and being the partner Eda needed, the pride in the job Eda did in raising their daughter alone, and finally the bittersweet relief that Eda never forgot him.

It was a lot, but it was a good segue to the next scene when Eda calls him frantic because Kiraz went missing. What was clear from those videos was that while Eda, when we first meet her in Sile, appeared on the surface to have everything handled as a single mom, she always really wanted to have Serkan there as her partner. While Kiraz was pining for her dad, Eda was pining for Serkan as well. And we see this displayed in full force when Serkan arrives. Several people try to comfort Eda, including Burak, but she's not having it. However, as soon as Serkan gets there you can almost see the relief hit her in a wave. She's not in this alone anymore. Kiraz's father is there to help. Even if nothing is settled at that moment, she knows she can rely on Serkan and that he will know what to do. Which is supported by the fact that he clearly took charge the moment he found out, calling the authorities, having them begin searches etc.

But while highlighting his competence, conversely can we talk about how incompetently everyone else was at searching for Kiraz? They all acted worried, but did any of them make any real effort to find her? LMAO, they all seemed much more concerned with their own personal dramas. Especially egregious were Engin and Piril. Hello! Your son is clearly trying to tell you where the missing person is! Stop ignoring him. Thank goodness Serkan is very good at finding people.

Of course he found her and our hearts collectively shattered as we watched her trying to send a message to her Baba in space when in reality he was kneeling right there beside her, helping her tie the note to the balloon. If anything else was left to convince Serkan that he is wanted and needed, by both Eda and Kiraz, this situation was it. Even though some careless crew member spoiled the astronaut suit in an unnecessary IG story from the set, (that would have been a really good surprise) it was still satisfying to see this fairy tale play out. Never over "Baba?" and "Happy Birthday, my daughter" and now I can't wait to see Kiraz's reaction that her new friend Serkan Bolat is actually her dad and it should be pretty great to watch the three of them form a family together.

Overall this was the most emotional episodes of the series, and also one of the best.

[itsclydebitches]

Another thing about how rwby views trauma survivors reacting to their abuse or unfortunate background is that it frames the solution to healing is by serving in armed forces. Weiss and Blake joined Beacon to escape their abuser. Ren and Nora joined Beacon after the loss of their families. Winter joined the military to escape Jacques and I'm assuming will become the new Atlas general after Ironwood's death. The Huntsmen Academies are all framed as these safe havens (literally with Mistral) for anyone who can carry a weapon, meanwhile anyone who can't or doesn't want to join, or joins a group outside of the institution is depicted as bad.

To say that this is all muddied would be a huge understatement because even if we put aside the complicated message of, "Overcome your abuse by learning to punch back," at this point the combined huntsmen-military is no longer presented as a means of escape. Rather, between the rewriting of Winter's history – she has apparently been manipulated by Ironwood this whole time rather than choosing the military as a means of escaping her abuser – as well as the military aligned huntsmen – FNKI aren't heroes like RWBYJNOR anymore, willingly protecting their home, they're children who have been forced into this conflict – there's now this major divide between fighters-on-their-own and fighters-as-part-of-the-institution. We could even read this as extending to the huntsmen academies themselves, given that one has fallen, one was destroyed, and the other lost its figurehead. They used to be presented as havens for struggling individuals... now, not so much. The plot's message is not that heroes win by banding together through established structures that were designed to help those coming from bad circumstances (note how aware Ozpin is of these backstories: Qrow's bandit tribe, Blake's White Fang history, looking into Ruby's defense of the store, etc.), but rather you win by rag-tag individuals making decisions based on friendship.

Yet simultaneously, that divide is by no means neat and tidy (since plenty of stories have that latter message). As we've discussed elsewhere, RWBYJNOR is ingrained in these structures despite the story rejecting them. They got their initial training at Beacon (how many fans have argued that they learned enough there? That they're basically full-fledged huntsmen already? So, that school was pretty important, yeah?). They worked with Ironwood for months. They're using the prestige of their licenses to get people to listen to them. They're hijacking military equipment to give the world orders to prepare for an attack. Ruby became a general in all but title in that moment, in the same way that Weiss became the Remnant equivalent of a cop when she tried to arrest her father. Volumes 6-8 suddenly wanted to send an anti-military message without considering the context of their story (what does a military mean in a world where unambiguously evil monsters attack, as opposed to a world where these "monsters" are minorities?) and they failed to separate the heroes from the structures they so passionately reject. You cannot have the group stand in opposition to Ironwood and everything he represents while also encouraging the audience to oohh and ahhh at Jaune whipping out his huntsmen license to lead a group of civilians to safety. The supposed cruelty of the former and supposed heroism of the latter are meant to exist simultaneously, despite the contradiction. We went from the message that huntsmen academies, including Atlas', are a haven from abuse, poverty, etc. but now, suddenly, certain types of escapes are no longer morally sound. So just ignore how many of the heroes took the "wrong" path.

And then on top of all of that we have Rhodes. RWBY is pushing the individualism message hard nowadays – that a group of friends is better than a general and his soldiers just ignore that Ruby is their leader and they all follow her orders – yet it's Rhodes' individuality that is criticized in Cinder's flashback. He, as a single person, tries to take on the complex situation of helping an abused child and he failed. The fandom's reaction to his efforts is pretty telling because most kept falling back on structural solutions: "Why didn't he just call CPS? Why didn't he get her admitted early like Ruby? Why didn't he approach some superior to fix all this?" Most fans seemed to grudgingly acknowledge that kidnapping Cinder and raising this traumatized kid on the road while hunting grimm was... not the best idea, so they turned to the very things they've rejected in Ruby's part of the story: laws that people have to follow, schools with an hierarchy that can serve as support, someone above you whose orders you follow and whose seniority can help you in a tough situation. In Cinder's flashback people wanted Remnant to have structural solutions because, clearly, leaving one flawed man to fix this situation on his own didn't turn out so well. They (and the writers) just don't want Ruby to have to obey those same structures because Ruby is the title hero they've grown to love over eight years. We feel like we know Ruby and we assume that if Ruby is in charge she'd totally make the best decision. But Rhodes? He's a stranger, someone we see for less than ten minutes, so his flaws are far easier to home in on. Few are willing to acknowledge that Ruby is Rhodes on a much larger scale, trying things because she wants to help, but ultimately doing far more harm because she's incredibly inexperienced and is just running on her own, individual ideas, not any of the structures in place that are meant to deal with such crises. Rhodes' "Idk what else to do, so I guess I'll teach a tortured kid how to defend herself and hope for the best" is Ruby's "Idk what else to do, so I guess I'll drop Atlas on Mantle, leave with the Relics, move everyone to Vacuo, and hope for the best." The primary difference is that while Rhodes is punished through his death and the narrative makes it clear that this was the wrong choice (Cinder murders everyone and becomes a villain), whereas Ruby's screwups are continually framed as heroic. And that's because the show can't make up its mind about this structural vs. individual approach. Do huntsmen need to be held responsible for their actions, or do they need complete freedom to do the right thing with the belief that anything that goes wrong was completely out of their hands (Yangs' take)? Well, that depends entirely on which huntsmen we're talking about. RWBY's idea that some people are intrinsically good and others intrinsically bad means that the writing – and the fandom – can demand rogue huntsmen be held accountable while simultaneously cheering the group running away from arrest; curse Clover for following orders while simultaneously gushing over how loyal the group is to Ruby; condemn lies that Ozpin gives while simultaneously justifying the ones Ruby gives, etc. RWBY has no clear message, just the insistence that whatever our heroes does is good. The path they've taken, learning to fight to escape horrific situation is a good thing. The path Rhodes laid out, teaching Cinder to fight to escape a horrific situation, is a bad thing. It comes down to the characters, not the situation.

Finally, yeah, there's a complete lack of acknowledgment that either option – structural or individual – alienates those who don't know how to fight. This is seen most clearly in Whitley who asks why he'd want to be a huntsmen when he can afford an army, yet when armies are painted as unquestionably bad, the story won't admit that this leaves Whitley stranded. He had no way to escape his abuse like Winter and Weiss did. He had no way to defend himself when Weiss shoved a weapon in his face. The story never had to grapple with where it's left characters who can't fight and who shouldn't make the evil choice of relying on soldiers because Whitley unexpectedly got on Weiss' good side and gained her protection. It doesn't matter anymore because Whitley is a Good Guy now who the group will take care of. But if he'd continued to disagree? Gone to his room instead of calling Klein? If, in the future, he does something that annoys his sisters and they decide to ignore him like they did before? Well, Whitley is screwed. In a world besieged by grimm – with attacks growing with each volume – he wanted to rely on an army to help solve these problems. But then that was said to be wrong, the general died, and the army, far as we can tell, was left behind to die as well. So what's left? Rely on the huntsmen. Just hope that there are enough (there aren't), that you get a good one (not a Lionheart, or a Raven, or a Cardin, or a Dudley, or...), and that the good ones care enough to bother protecting you. Even if the story hadn't gone out of its way to show how terribly flawed individual huntsmen are – from Lionheart's devastating betrayal to Qrow teaming up with Tyrian – from a practical perspective it's just not enough. Volume 8 showed without a doubt that in a war like this, one built on a witch's ability to summon endless grimm, an army is necessary. Salem would have been into Atlas in a second without those soldiers holding her forces back. Yang, Jaune, and Ren wouldn't have gotten to the whale without that army. Yet the story never acknowledges this, instead pretending like the few individuals we see – the limited numbers the characters keep admitting are horrendously limited – could have somehow saved the day without that assistance. Everything we're seeing nowadays – which characters can use these institutions to escape abuse, which can lie to help the war, which should rely on structures as opposed to their own ideas and physical power – is a mess of inconsistent, often contradictory messages.

[doctorstephenvincentstrange]

Doctor Strange & Worth: MCU Meta

So this has sat unposted in my drafts for the longest time, but I’ve decided to dust her off and let her see the light of day, after all. These are just some of my thoughts regarding Stephen’s character development and journey in the Marvel Cinematic Universe film: his growth from someone who cannot see the true worth in himself or anybody else to someone whose eyes are opened to the beauty of everything. Not to mention how that eye-opening allows him to evolve from someone who cannot love to someone who loves fully and truly, and how Kaecilius plays a vital role in opening his eyes to the error of his ways.

Without further ado, let’s get into it! 

Let’s start with the beginning of the movie.

Stephen flounces around the hospital like he owns the place and flexes his overbearing, boastful personality without a second thought. Like, most people have at least a smidgen of consideration for others and some degree of self-consciousness or ‘filter’ regarding how they treat others, but Stephen has zero. He talks down on staff members, orders people around like inferiors regardless of their status, and acts as though he is God almighty and the hospital would go to the dogs without him, overestimating his self importance. He legit acted like an overgrown child that’s yet to be struck with the reality everything is not about him. Stephen seizes every possible opportunity to show off even when inappropriate, and does all he can to assert his correctness and prioritizes it. It’s clear from the get-go that Stephen has some kind of overinflated sense of self.

All this would certainly seem to indicate beyond a shadow of a doubt that he is a generic arrogant, selfish bastard 101, but let’s skip ahead a bit, just for a sec.

This line isn’t him joking around, rather, it’s the confirmation that Stephen truly thought his own behavior was endearing. As much as he liked himself, he was convinced everybody else did, too. He genuinely, sincerely was convinced that his antics were somehow winsome and charming. And of course, having been in a position of power as a Chief Surgeon and his state of world renown, there’s no way anybody would have told him otherwise. Nobody would really be frank and honest with him — I mean, yeah, sure, Christine was, but seeing as she was the only one he was on friendly terms with who he held in high regard and was frank with him (exclude Nick, and all probable others Stephen smugly thought very little of, and their opinions), there’s no way he’d take one person’s word over that of the masses. And it’s just obvious how overcrowded he was with sycophants that overfed his deluded ego and made it harder for him to wake up to his own self deception revolving the ‘charm’ he was convinced that he possessed.

Just look at the way he hits on her! Look at the denial! We did too have fun! 

You know how people say “the bigger they are, the harder they fall?” 

Yeah, this story really does live up to that.

The lie Stephen was living was cut short when he lost it all and his fall from grace leaves him at the mercy of people’s honesty. All those “people skills” he thought he had do him no favors, and suddenly anybody and everybody can speak freely to him, and he’s not getting sugarcoated responses. He’s no longer treating people as his inferiors however he pleases without lash back.

And Stephen, who only knows his worth through the reception and acknowledgement of his talent and the amazing feats he had achieved with his hands in the neurological field, now feels the weight of worthlessness crushing down upon him. There are no more CCN interviews, no more speaking engagements. In his own mind, he is useless. And without any worth, there is no reason anyone would want anything to do with him. He cannot accept, within his narrow mindset, that anybody could ever love him in this reduced state. For that reason, he insists that Christine Palmer — that unlike TV reporters or other sycophants, has stayed by his side all this time  — must only linger beside him for her own self gain and reputation. It must simply be an act of pity, because that’s how Stephen sees Christine’s acts of selflessness and her work— nothing but her looking down on other people to boost her own sense of self, as he has.

And when Stephen goes to Karmar-Taj, he’s completely out of his element and in a setting that is absolutely foreign to him, but navigates all the same, the only way that he knows how to. His thoughtless, proud tendency to view all else as beneath him really comes back to haunt him when it threatens to close the door to magic — and miraculous change and healing for him — forever. 

By the time Stephen realizes he has misjudged the Ancient One and Kamar-Taj, and that magic is indeed very real and potentially his one last shot at reobtaining his former life, it is too late. He beseeches the Ancient One to teach him the ways of magic, but she has already seen enough of his arrogance to determine him an ill fit for a pupil..

In the end, it is because of Mordo convincing the Ancient One that even a man such as Strange still has worth and he may be of use in the future, reasserting their beliefs that all life has value, no matter how misguided it may be, it need only be redirected and put on the correct path... does the Ancient One agree and allow Strange to return, for a chance at redemption and potentially salvation. 

And so, Stephen begins studying magic. And unsurprisingly, being wrong about magic isn’t enough to hamper his antics. He’s the same old Strange.

In this scene, Wong tells Stephen when he’s not ready to learn something yet, but Stephen completely challenges and opposes him, going so far as to break the rules of the library Wong protects just so he can continue with his self advancement and conquest towards superiority (and hopefully, healing). He challenges his lessons, preferring to teach himself and refusing to acknowledge that even his teachers could possibly have any superiority to his abilities. 

 And it’s so hard for Stephen to make sense of, the backlash he receives for these behaviors. He can’t understand how he’s apparently ‘made for the mystic arts’ but is also being told to mind his pace and take everything bit by bit, step by step and not just rush headlong in impatiently as he always has. In his own mind, he’s not doing anything wrong by breaking rules or pushing limits —  it’s all about the results, after all. And this, this is for the most important result of them all... his hands. It doesn’t matter how dirty they have to get, he wants to fix them.

In the medical world, when Stephen showed off, people clapped & praised him because what harm could there be in pushing the limits and crossing the boundaries to save someone’s life? It was okay if he wanted to do something unconventional and risky (like remove a bullet from someone’s brain without a visual) because the ends justified the means, and he always delivered. It didn’t matter what he had to do or how ruthless he was, treating all around him as mere tools at his disposal to achieve what he wanted, without considering what might be at stake. Boundaries were never of the essence to Stephen.

But when he pushes the boundaries of magic and tries out the Ancient One’s Private Collection just to pursue greatness and feed his own ambition, he gets retaliation from both Wong and Mordo and is reprimanded about all the consequences he didn’t think of and other lives he wasn’t considering as he never has been before. And Stephen can barely collect himself and for the first time in the film, is speechless and out of witty remarks to snap. He is just so put off because he’s never been put in that position before, being held accountable for the liabilities of his pursuits for greatness. Simply put, he had never been made to consider the eggs he was breaking to get his omelet, and now, he is.

And he still doesn’t get it. “They  really should put the warnings before the spell,” he says, because clearly it’s not his hastiness or ambition at fault, but the book.

And he doesn’t get it, and he most likely would have never gotten it or opened up to the Ancient One, Wong, Mordo, or even Christine. No, he had to see it for himself. And see it, he does; in fact, it ends up staring him straight in the face.

They didn't spend so much screen time drawing parallels between these two over and over for no reason, this was what it was all building up to. Here, Doctor Strange meets his ego’s match. Kaecilius wants to save the world by granting everyone eternal life, preventing all its inhabitants from feeling suffering ever again. A bit like "doing work that will save thousands for years to come," no? 

The influence and efforts of others finally pay off as Stephen begins to apply their thinking, and questions what the cost will be if Kaecilius does that for the whole world, and if that accomplishment would really be as amazing as doing what he can in the immediate moment to spare the/ benefit the lives of individual people... kind of like “saving one drunk idiot with a gun,” right?. And Kaecilius dismisses Strange's interjections, repeats the same words he said to the Ancient one in the beginning... they’re just insignificant specks in an indifferent universe, just sacrifices that must be had to achieve what must be done. He even tries to reason with Strange, and appeal to the very reason he’s in that mess in the first place... his hands, and his deep desire to have them healed and restored.

And for the first time Stephen is looking the devil in the eye, and sees himself.

 “Just look at your face!”  And in that moment, Stephen rejects the man he has been, and can see clearly his flaws for what they are. His ego trip may have blinded him, but in that moment, he got on his own level and saw himself for the first time the way that others saw him, and it wasn’t someone he wanted to be and he recognized the wrongs of his ways. How ambition and the conquest for betterment can consume someone completely, until they’re so blinded in their pursuit for self worth, that they disregard the worth of all the other lives and people around them — it’s all ends that justify the means. It's not actually about doing what's right. It's about accomplishing the greatest feat possible for oneself — this is Kaecellius' ego unleashed, not a sincere quest for world salvation.

And everything bad he didn’t want to become that he saw in Kaecellius, gives way for new direction in all the inspiring goodness he sees in the Ancient One, her final farewell, and her sacrifice of her life to save his and Mordo’s own.

And in the end, Stephen finally understands what the Ancient One, Wong, and Mordo, and Christine were all on about. It’s not about what change you can create for other people to benefit yourself, Stephen; it's about the change YOU can make to benefit other people, who are so many in number and so much larger than yourself. It’s not about the strength in your hands, and what they can do; but the resolve of your heart, and the strength of your will.

And he learns, because the Ancient One teaches him...

He uses his own lifeforce to fence off Dormamu from earth, because even if he suffers, everyone else will be safe. He tests the worth that the Ancient One claimed she always saw in him; that could achieve things greater than he ever dreamed, greater than his medical ambitions. The goal-oriented, ruthless man we saw in the beginning becomes someone who learns true purpose and ambition. His life that was hollow and empty, becomes truly fulfilling.

And the most intriguing piece of irony of them all?

After exhausting countless resources, plenty of doctors, libraries, and research archives seeking a way to heal his own hands, he found nothing but failure. But using only his own willpower, he who felt helpless and powerless against his disabled hands, managed to save the entire planet and all those living within it.

Because it wasn't his hands that gave him value, nor was it his work. There was something greater, but he was blind to it in himself, and everybody else, seeing all based on what they could accomplish — their educational background, their medical accomplishments  — a worth greater than him, in the world all around him that he always disregarded and failed to see. Something beautiful, precious.

And parallel to earlier events, when Stephen once again pushes the boundaries of magic, but this time, not in pursuit of greatness of for the betterment of his own hands... he is not received with a vocal reprimandation. On the other hand...

And here we are, at the end.

Stephen says it again. “You know, you really should read everything, because the warnings come at the beginning of the books.” He pokes fun at Kaecilius, at himself, at their likeness with a humility unlike yet before.

And Wong laughs. When Stephen went through so many different things trying to make Wong laugh — like he always had his other co-workers— he didn’t. 

But when he put himself and his heart into it, he did.

And no longer is Stephen on the same path as Kaecilius, surrounded by subservient followers, who only did as he told them because of what he was after and the results he promised to be able to deliver on. Now, he surrounds himself with those who genuinely care for him for who he is. No longer is Stephen so blinded by his need to be the greatest person in the room, that he can't see the worth of those around him — of love, of friendship, of companionship.

[meetmeatthecoda]

Okay so, I wanted to offer my two cents on that ask about Liz’s reaction in Luther Braxton: Conclusion. This is NOT meant as an attack on anyone—I find it 100% valid that the OG nonny (and anyone who related to them, including you dear Coda 💖💖💖) feels the way they do; they can’t control how they reacted to Liz any more than I can control how I reacted to that ask. Plus like, this is all fiction so no harm done? I purely wish to share my perspective, not ~present a counterargument~ or anything like that. :) Apologies in advance for how long this got. 😅😅😅

I get why you would react negatively to Liz’s screaming at Red, but I feel like?? That incident of all the times she’s treated him unjustly was (one of?) the most reasonable. Now, how she continues to act afterwards (regarding the Fulcrum but also, like, for the rest of the show welp) is 100% a continued bad decision in so many ways on her part and reflects terribly on her character, but her reaction in the immediate aftermath?? IDK, I feel the need to kind of defend her, probably because I absoluuuutely saw myself in her when she did that. I’ve (I shamefully admit) yelled, shoved, and even kicked at loved ones when they just wanted to comfort me but their attempts made me feel cornered and small. I’ve made logically unbased and ethically/emotionally unfair accusations against people who’ve done nothing but try to help me when I just needed something to get them away (literally or otherwise). When I just needed to attack something—take out my frustrations and confusion and fear and anger on someone. (And if Liz was like that, she might have latched onto Red as her target because he was the closest thing—physically, emotionally, and even in relation to the cause of that confusion and anger itself.) I have inflicted real harm on people while in an unsettling or unfamiliar mental state—harm that I couldn’t take back even when I could look back with a clear(er) mind and realize I never should have said/done any of that.

(Also, side note: when I first watched that ep and I saw Liz screaming at Red not to touch her?? I’d actually thought they were depicting her as being touch-averse due to the trauma and/or overstimulation, and I was?!! Like, call me badly coping but I appreciate seeing characters not being comfortable or straight-up being aggressive about being touched, even for just a moment, because that is me 24/7. Then of course a few more seconds and it turns out it’s not actually that?? Liz is just repulsed by Red’s Bad Guyness again apparently?? Whenever I rewatch the ep I still choose to see it as overstimulation though because, well… my heart is clearly very talented at choosing comfort characters for me. 🥲🥲🥲)

So speaking from personal experience, coming out of a trauma (or revisiting an unresolved one) is so stressful that it’s only natural to react explosively—even to the extent of unfairness and unreasonableness—in an attempt to protect or heal yourself, whether that attempt be justified or not. And honestly, I could even make the argument that for Liz, her attempt was to some extent justified. Of course Red would never hurt her, but sometimes a person needs breathing space. Like, literally needs. Maybe for the sake of her mental stability/health, Liz should have had her first moments coming up from her trance to herself. Does that make sense?? IDK if I made any sense there; I just know that while I never could have gotten to the place I’m at now without the EVENTUAL professional and personal support I’ve been blessed with, I also can’t fathom how much more mental anguish I would have experienced if I’d had people who knew me (or like, the “closest person” in Liz’s case) see me in the immediate aftermath of my trauma. Just… The state I was in? Yikes, am I glad only I saw myself pull myself together; I’d have had so much more to worry about with others seeing me like that. That might just be me and totally inapplicable to Liz of course, so I digress!

I’m not saying Liz isn’t responsible for her words/actions simply because they happened while she was in utter emotional upheaval and under mental and physical duress—Red definitely did NOT deserve that treatment from her. He did NOTHING WRONG. But with that kind of complex angst comes the inevitably mixed but nonetheless potent reactions of fans, I completely understand that. Everyone has different experiences and thus different viewpoints, and that’s fine and totally healthy in my book. Still, something about that discussion struck a chord with me—you can (and should) hold someone accountable for the harm they do while mentally unstable, but it’s possible and also healthy to do that without, yourself, harboring anger or resentment against them, you know? I had to teach myself (and those around me) that, so I guess I just wanted to put it out there. Again, I don’t mean to start anything and I’m so, so sorry if I inadvertently have. I hope it’s okay that I came here to explain my thoughts (and so wordily too, ack I’m sorry), and if not, I won’t anymore. Thank you for hearing me out this time though, I really appreciate it. :)

Dear anon!! 🤗🥰❤️ Firstly, I want to thank you for your kindness & respect for other's opinions!! This ask was worded in the sweetest, most considerate way & I appreciate it very much!! There's absolutely no need to apologize for having your own opinion & perspective, especially when you share & explain it so nicely, so never fear!! 😊❤️ Moving on to the meat of your ask - which is in regards to this previous one - you make such a good point!! When you look at it that way, the Luther Braxton Post-Memory-Unearthing Screaming Explosion is perhaps Liz's most justifiable negative reaction in the series LOL I guess looking back from where we are now - knowing all about & being completely fed up with all of Liz's awful writing & characterization in the subsequent seasons - it's easy to dismiss her reaction in Luther Braxton as something unreasonable & irritating & unfair to Red (which, to some extent - as you graciously allow - it is). But - as you generously point out - while that's a valid way of looking at it, it's also definitely worth examining from another point of view!! And I think your point of view (in everything ofc, but particularly in this) is so valuable!! I can relate at least on some level... I have definitely snapped at people, even those trying to help me, verbally & otherwise, when I lost my temper & just needed some space!! In fact, I think that's a pretty universal stress reaction & it's not necessarily something to be super ashamed of (but definitely something to be aware of & work on - a good reminder for us all!!) & it's definitely not a stretch to imagine Liz was going through something similar after being effectively water-boarded & having her memories so unceremoniously rifled through!! And, after all, Liz has one thing we generally don't... a perfect, convenient, willing catalyst for all the negative things in her life: Red (however undeserving of that title he may be.)

(And re: sidenote of touch-averse!Liz - Omg, I definitely thought about that being their angle at first too!! While I don't usually default to reacting that way myself [kind of the opposite for me usually LOL] I know that plenty of people do & it's 1000% valid as a coping mechanism & honestly??? A touch-averse Liz would be one of the more realistic reactions she's ever had 😂😭 especially considering the circumstances!! And hey, no shame about gravitating towards that interpretation bc it's 1) less painful for you & 2) you like comfort characters bc you 👏 do 👏 you 👏 but also?? I can't say anything bc the reason that I like that interpretation??? I love the angst of an overwhelmed & touch-averse!Liz unintentionally shattering Red's heart by completely rejecting his well-meaning physical comfort anddddd I'm not sure what that says about me tbh 😂😂😂)

Long story short, anon, you made perfect sense here, not to worry!! You were so respectful & cognizant of others' feelings, thank you so much for that, it doesn't go unnoticed!! You bring such a good point to the discussion with your perspective & outlook & I'm so thankful you chose to contribute!! I loved reading your thoughts & don't worry at all about the length, I appreciate your thoroughness!! (Plus, we all know I'm hardly one to talk, I never use one word when twenty will do 😂) Please don't hesitate to come back to my inbox any time to discuss whatever you like, I always love a little bit of friendly TBL conversation, especially since the show as we know it is so abruptly & unexpectedly over 😭 Yes, still grappling with that, in case you were wondering 🥲 Anyway, thank you again for your lovely ask, anon, I appreciate you greatly, & much, much love to you, of course, my friend!! ❤️