#that’s what I’ve really liked about the term good faith in a way

[autistic-trans]

Kinda wild going on twitter, and seeing people with BOTH rad inclus and terf DNI

Like damn, as an inclusions I just block on sight, but like.. isn’t it kinda telling?

Like you have such a narrow idea of what other people’s experiences and labels could be, that you’re adding radinclus right next to EVEN MORE EXCLUSIONARY AND VIOLENT THING THAT HAS NO COMPARISON TO IT

It feels very centrist, like.. “I support lgbt people, but not TOO WEIRD I want respectability in how other people identify so cishets understand us”… like fuck offf….

[e-the-village-cryptid]

thinking about that time I was at some kind of diversity and inclusion thing that involved discussion in small groups and one straight girl said she really wanted to be a good ally but sometimes there were some things she just didn’t know and was too afraid to ask for fear of accidentally being offensive. and as the only queer person in this 4-5 person group I said well go ahead and ask me, I don’t care if you accidentally use the wrong term right now or whatever, it’s better to talk about it and learn something, I love talking about queerness and I’ll answer the best I can. and she just looked so nervous and in the end wound up refusing to ask for fear of causing offense. and it wasn’t just the group setting, I’ve known straight people to act similarly even when it’s just one on one

and just. you guys. this is what purity culture and the “if you don’t know something you were never a real ally in fact you’re a bigot in fact you’re worse than bigots because you pretended not to be one” attitude does. how can our allies be allies if they’re scared to talk to us? to ask questions, to make mistakes, to learn? can we please bring back the idea of “in good faith”? there’s way more to say here about identity politics and virtue signaling and acting like language is more important than action but I’m too tired for that right now

please feel free to add to the discussion (regardless of if you’re queer or not), I would love to hear about people’s experiences with this and if others feel differently about it

[punkitt-is-here]

Sorry to set discourse on your doorstep, but I’m curious: How do you feel about genderbending characters? I’ve seen some people say it’s transphobic but tbh I’m not totally sure if I agree. What do you think, if you don’t mind my asking?

Genuinely don't think gender bending is transphobic and I think coming at the idea of gender bending in the most bad faith way possible is the only way u can really say it's transphobic. Gender bending characters is like....a time honored tradition among fans and it's fun to design someone with the opposite presentation in mind. Like, what stays the same? What changes? How can I keep this recognizable while still showing the character is different in some way or another? These are fun design ideas and goals and it's only if you rigidly subscribe to the idea that gender and sex are the same does that become an issue. like, I guess I can see how it can potentially be transphobic, but like? I feel like it does far more good in terms of making people wonder about gender expression and playing with it? Like, does my Big Macintosh comic count as gender bending? I took a pre-established character and designed her to be a trans woman, and I thought about what that might look like should the character go in that direction. And I've gotten tons and tons of heartwarming comments talking about how much that comic helped them! I'm a trans person, I think we should be doing more fun play with gender and shit.

[sprinkler-ashes]

the great war // aaron hotchner x reader

aaron hotchner x fem!reader

words: 5.5k

description: in which aaron hotchner thinks you’re hot-headed. inspired by the great war by taylor swift.

warnings: angst w/ a happy ending, one (1) steamy car makeout, cursing, typical cm violence depictions

a/n: long time no see, and i’m sorry about that. to make a long story short, summer was very awful on me; i had a breakup and am now back in school + drowning in work. I love this fic so much; it’s probably my favorite i’ve ever written and i hope you love it too <3 also!!! if you have a request for a fic to a song, please send it my way! taylor swift is my go-to, but i am open to any song request <3

you drew up some good faith treaties

i drew curtains closed, drank my poison all alone

you said i have to trust more freely

but diesel is desire, you were playin' with fire

You should have known better than to date someone you worked with. No, actually, you should have known better than to date, of all people, your boss.

Date was a loose term.

You weren’t really sure when the lines between co-workers blurred into friendship and when friendship blossomed into early morning coffee dates and late evenings in the office together doing paperwork, and even later nights spent at dinner tables being hours deep into conversation. You knew it hadn’t happened out of nowhere. This thing between the two of you had been building up for years – years of pining.

There was a voice in the back of your head telling you that it was all too good to be true, but you pushed it back as far as you could. Besides, the two of you hadn’t even called it dating, but it sure did feel like it.

But it hadn’t felt like that in a really long time.

Aaron had put a stop to whatever was going on four months ago. He had given you some bullshit excuse that he was your boss, it was wrong of him to be doing whatever the two of you were doing with his subordinate — blah, blah – but you had stopped listening when your heart became so heavy you thought it was going to physically weigh you down.

You had been through breakups before, even some serious ones, but nothing had ever felt like this. 

You tried to stop him, but he was also a man who had made his mind up; it was impossible to get through to him that you didn’t want to end it.

So you went back to work acting like nothing had happened. And it was about to be the death of you.

However, you were a professional. It’s not like the team even knew about you and Aaron. You acted the same as always when you were at work. No one suspected anything because no one knew what you were going through.

You didn’t talk to Aaron unless you had to. Truthfully, you hadn’t spoken to him for anything that wasn’t work-related since he basically dumped you on a random Wednesday evening for reasons you couldn’t fathom, but that didn’t mean you didn’t try.

In the beginning, you tried reaching out. You called, you texted him a couple of times, and you had even been so desperate one night that you sent him an email. Each time, you were met with rejection, and him saying something along the lines that both of you should just forget about everything.

So you did by cutting all contact. You thought to yourself, I’ll show him, but it really did nothing. If it bothered him, he never showed it.

It seemed like nothing bothered him until now. A whole whopping four months later.

“Not only did you blow our cover, but you walked into a hostage situation with no weapon to defend yourself; you didn’t even strap a vest on. You are lucky that no one died or was seriously injured.” Aaron wasn’t yelling – he was actually just slightly an octave below yelling – but it sure as hell sounded like he was screaming because his voice had never been like this towards you.

You frowned, not liking the way he was calling you out in front of everyone – in front of a group of people that you greatly admired and respected. “What else was I supposed to do, Hotch? If I hadn’t gone in there, that woman would have died. I was trying to save her life.”

“Save her life?” he asked incredulously. “From the moment you burst through those doors, you put her in even more danger than she was already in. Not only could she have died, but you also could have.”

“Why are you giving me so much shit over this?” you asked, throwing your hands up in anger, not paying attention to the awkward glances your team was giving each other. “I’m not the only one who's done this, and I won’t be the last. I don’t care to risk my life trying to save someone else. I’m sorry that I blew everyone’s cover, but I won’t apologize for saving her.”

Aaron shook his head, his demeanor that was normally unreadable was completely gone. “You’re on probation, effectively immediately-”

“What? I, Hotch-”

“You will not physically assist in any cases for the next two weeks. You will still travel to cases, but you will work directly from the police department. You will not be allowed to go in the field.”

He kept talking, his mouth moving a mile a minute listing off all the things you were allowed to do and what you couldn’t do, but you couldn’t focus on anything he was saying. You were so tempted to slap your boss across the face and if it wouldn’t have technically been workplace harassment, you probably would have.

“Hotch, we’ve all made mistakes,” Derek Morgan said. “No one ended up hurt tonight. With all due respect, I think a two week probation is a little harsh.”

You wanted to thank Derek for sticking up for you, but you couldn’t form words at that moment. Your feet were on the move faster than you could even think as they took you to the SUV that you’d arrived in, not wanting to hear Aaron talk to Derek about you. All you wanted to do was get on the jet, leave the small Arkansas town you were in, get back to Quantico, and try to stop thinking about Aaron Hotchner.

Unfortunately, that wasn’t as easy as you liked to think.

You rode back to the hotel with Emily and JJ, who had let you sit in the front seat, and didn’t dare look either of them in the eye. Emily tried to make small talk to lighten the mood, but you could barely even think about anything other than your probation and the way that Aaron had talked to you in front of everyone. She eventually took the hint, and the three of you rode back to the hotel in silence.

You finally turned to Emily once the SUV came to a stop. “Do you know if we’re leaving tonight or in the morning?” Normally, if you finished a case late, you always preferred to spend the night in the hotel in order to get some rest, but there was nothing you wanted more than to just go home now.

“Uh, tonight,” Emily said with a grimace. “Sorry, I know you usually hate leaving immediately after.”

You shook your head. “Not this time. I don’t think I’ve ever wanted to go home more than I do right now.”

Emily eyed you up and down, taking in your slumped, exhausted body. Her eyes flickered up to the mirror, catching JJ’s eye who was giving an equally worried look. “Do you want to talk-”

“Not right now, Emily,” you interrupted. “I’m going to pack my stuff up. Can you send me a text when it’s time to go?”

Emily looked like she wanted to say more, but she didn’t, sensing you obviously didn’t want to talk about it right now. “Yeah, I’ll let you know.”

“Thanks,” you mumbled. “See you guys soon.” With that, you were out of the SUV before either of them could unbuckle their seatbelts and on your way to the entrance of the hotel you were staying in along with the rest of the team.

Typically, you shared a room with someone, but luckily for you, it was your turn to get your own this time, which you couldn’t have been more thankful for when you swiped your keycard and finally got to be alone for a minute.

You knew that Emily meant well. She had been one of your closest friends since you had joined the team. You felt a tinge of guilt at how closed off you had been to her in the car when she was just trying to make sure you were okay. However, you really weren’t okay, and you really didn’t want Emily to know the full extent of what was going on.

After hastily packing your things and grabbing a quick shower, you received a text from Emily that it was time to go. On your way down to the lobby to meet her, it was finally setting in that you were, quite literally, exhausted. You’d been awake since before daylight and a quick glance at the time shining on your phone reminded you that you had been awake for nearly seventeen hours.

You rode with Emily, JJ, and Rossi to board the jet, but ended up napping the entire short duration of the drive. Truthfully, you hadn’t even realized you’d fallen asleep until Rossi had nudged you awake.

When you were finally in the air, you allowed yourself to catch a glance at your infuriating boss who was still, as usual, in his suit with his tie and jacket discarded, writing in a file.

Probably writing me up, you bitterly thought to yourself. You knew you had done a not-very-smart thing, but by the time you figured out that the original plan the team came up with wasn’t going to work, it was too late. If you hadn’t darted through the door and startled the unsub, the poor woman who was taken hostage was going to meet a very similar fate that four other women faced.

You could admit that it was a rash, last minute decision, but you didn’t regret it. You saved a woman’s life and helped capture an awful man who would have never stopped if not caught. It felt like Aaron was punishing you for something that wasn’t the decision you made tonight. Two weeks on probation felt a little extreme to you.

Twenty minutes into the flight, Derek, Rossi, and JJ were already asleep while Emily looked like she was close to following. Spencer was nursing what you thought was his second coffee in the short time on the jet, a pair of headphones in as he watched something on the tablet he had propped up.

That left only you and Aaron sitting in silence.

This had been a particularly hard case that had to be solved in under seventy-two hours in order to prevent any more victims since you, with the help of Spencer, figured out that the unsub operated on stalking and kidnapping his victims on a specific schedule. Hardly anyone had gotten much sleep in an attempt to solve the case as soon as possible – hence why nearly everyone was asleep.

Aaron finally spoke after nearly fifty minutes into the flight from his seat in front of you after Emily and Spencer had finally drifted off, though you weren’t sure how Spencer was even sleeping considering he had downed two coffees. “You should get some rest.”

“Don’t worry about me,” you said bitterly, keeping your eyes straight ahead. “I’ll be getting lots of rest in the next two weeks considering I can’t really do anything else on probation, so thanks, but I’m good.” The words were tumbling out before you could even comprehend what you’d said. In a normal situation, you’d be worried that speaking to your boss like that would result in its own consequences but considering you were already on probation, what was the harm?

He said nothing.

—

It was nine days into what felt like the most excruciatingly long probation known to man, and you still had five more days to go.

You had just gotten back from a case in Maine where you, unfortunately, barely got to do anything other than help out at the police station. In addition, you had to finish several online modules assigned to you by Strauss on safety in the field, which was, in your opinion, ridiculous considering you had been at the BAU for a good amount of time – long enough to know all about safety in the field.

“I think I’ve gone past the point of exhaustion,” Emily said as you came off the elevator as she stifled a yawn. “Is that a real thing?”

“Yes, my beautiful friend who I am so happy to see. That means you need to get home and rest.”

Penelope Garcia was there to greet you at the elevator, a warm smile lighting up her face as she gave Emily a hug then turned to you. “How are you doing?”

“I’ll be fine in five days when this stupid probation is over,” you told Penelope, watching her give you a sympathetic smile.

“I’m heading out, but you have my number if you need me,” she told you with a comforting pat to your arm. “Goodnight ladies.”

Penelope was on the elevator to leave as you and Emily, after waving off Penelope, filed off to your desks to pack up to go back to your apartments.

“Got a hot date tonight?” Emily asked jokingly.

You laughed and shook your head. “Haven’t had a hot date in a long time. What about you?”

It was true. The last date you had been on was four months ago with the man who also happened to be your boss and who also happened to be your number one enemy right now.

“Just with Sergio.”

You and Emily were already on your way out to leave for the night officially until you stopped in your tracks when you reached the elevator. “Ugh, I just realized I left my phone charger at my desk. You can go on without me.”

“You sure? I don’t mind waiting,” she said as she stepped into the elevator.

You nodded. “Go on; it’s late. Have a good night, Emily.”

A huff left your mouth as you turned back on your heel to walk back to your desk. Your hands grasped the charger laying under several files that you (probably) needed to look at, but tonight was not the night for that.

However, you realized it was definitely not your night at all when you tried to turn your car on, only to be met with a sound of spluttering.

“Not tonight,” you groaned, repeatedly trying to turn your key to start the engine, but the car never started, much to your luck. “Are you serious right now?”

Your car was by no means brand new, but it was a good car and not often did it give you problems. Except for tonight. Or in other words, the one night you desperately wanted to go home, take a shower, and go to bed.

You weren’t really sure of your options. You could probably call Emily. She couldn’t have gotten too far down the road. Maybe she could give you a ride since her apartment was on the way to your place. Another option was calling an Uber, but –

Your car door opening knocked you out of your train of thought. Your brain immediately went into fight-or-flight, and you chose fight as your hands instinctively reached for the pepper spray on your key ring.

“Hey! It’s just me.”

It was Aaron with his hands outstretched into a surrender position, his suit jacket hanging from the crease where his arm bent. “Why are you sitting in the parking lot in the dark with your car unlocked? Do you know how easy it would be for someone to-”

“Come up and kidnap me? Yeah, I learned all about it in my online safety training this past week as if I didn’t already know,” you sassed with an eye roll. “I think my battery is dead. I usually keep jumper cables in here, but I cleaned my car out last week and must have taken them out. I’m probably going to have to call an Uber.”

You didn’t know why you were telling him all of this. The small voice in the back of your head knew why, but you weren’t willingly to actively think about it. You had enough on your plate right now.

“I’ll give you a ride home.”

“Like hell you will,” you told him.

“You do know I’m your boss, and you technically can’t speak to me like that?”

“You won’t fire me. You'll just put me on probation.”

He paused, his eyes closing momentarily before opening them again and going back to his stoic demeanor as usual. “Let me drive you home, so I will know that you got home safely. Please.”

You wanted to say no, but it was late and getting a ride home from Aaron meant that you didn’t have to bother Emily or lose money on an Uber. The only thing you’d be losing, in your opinion, was what little dignity you had left when it came to Aaron.

It’s just a ride home, you told yourself in your head.

“Fine.” You had admitted defeat. “Give me a second.”

He turned his back to you and started to walk away from your car. When you knew for sure he couldn’t see you, you positioned the rearview mirror so you could see yourself in it. Before you could stop yourself, you attempted to fix your hair as nicely as possible and then took a moment to stop what you were doing. You scoffed at yourself and shook your head.

“What is wrong with me?” You asked yourself aloud. “He doesn’t care. Neither do you.”

However, after you grabbed your things, you did sneak one more look in the mirror before getting out of your car and locking it. You were glad when you took another look to see Aaron not looking in your direction. 

 You made your way over to Aaron’s signature parking spot, the same one he parked in every morning, and met him there, his hands typing something out on his phone until he noticed your presence.

Without missing a beat, he opened the passenger door for you. You wanted to tell your heart to stop when that familiar flutter came back like it used to all those months ago. You opened your mouth, but he stopped you before you could say anything.

“No need for a remark. I’m just opening the door for you.”

“I was going to say thanks.”

A ghost of a smile danced across his face as he shut the door. It was so quick if you weren’t paying attention then you wouldn’t have seen it.

Your eyes adjusted to the interior of Aaron’s car, déjà vu hitting you from the first time you were ever in his car. But you forced those thoughts back down with a grimace and a reminder of how that ended the first time.

With one hand gripping the wheel and the other holding onto the back of your seat as his torso turned, eyes watching behind as he backed out, you thought you were going to throw up. Not because you were sick, but because Aaron was so damn attractive in doing the simplest things like backing up a car.

“You can turn on the radio if you want,” Aaron told you. “Your cord is still in here.”

You bit your lip, eyes locking onto the green cord still plugged in. “I’ve been looking for that everywhere. I had to buy a new one for my car.”

Back when you were frequently with Aaron, and he was typically the designated driver when you went places, you often complained about the lack of music in his car. He only listened to whatever was on the radio. He had no CDs nor did he have an AUX cord, claiming something about never being in his personal car long enough to deal with music in it.

After that day, you put your AUX cord in his car the next time you were in it and controlled the music, often giving him a performance to your favorite songs in the car as he drove. Aaron never complained like a lot of guys would. Instead, he would watch you belt a heartbreak ballad with an amused smile.

But that was months ago. And things were much different now.

“I would’ve given it back to you, but it’s slipped my mind. Feel free to take it with you.”

The happy memories that the AUX cord brought back were pushed to the back of your head again at his words. He told you to take it because there was no point in it anymore. You two were done.

You didn’t plug the cord into your phone. You didn’t play a song. You sat in the terrible silence, wishing it wasn’t silent like before, but it was silent, and Aaron was acting like nothing was wrong. 

Another awkward moment passed as he kept driving, the route to where you lived engraved as he had driven there many times. Aaron didn’t have to ask you where you lived because he knew. He knew from all the late nights he dropped you back off. The thought of all the previous times you’d been on this exact same drive under different circumstances made your head hurt.

“Why did you put me on probation?” The words slipped out before you could stop them.

“You know why I put you on probation. You comprised the safety of yourself, the team, and-”

“I compromised the safety of myself, the team, and the victim, yes, I know, but you put me on a two week probation when I can name off countless times that others on the team have done worse and didn’t get put on a two-week probation,” you argued back. “I know I messed up, but at the end of the day, it feels like you’re punishing me for something.”

He nodded, his eyes staying trained on the road. “I am punishing you for something, and that something is compromising-”

“I swear if you say compromise one more time-”

“Compromising your safety and the safety of others.”

You didn't say anything. Your arms were crossed as you looked out the window and into the dark as objects moved past you, reaching closer to your destination.

Aaron spoke your name, but you didn’t want to look at him.

“What?”

“Look at me,” he said as the car came to a stop at a redlight.

You reluctantly looked over, not prepared to see him already looking at you. You swallowed, trying to keep your gaze on him.

“I’d rather you be angry with me than even thinking about the possibility of you getting hurt.”

You couldn’t speak even if you wanted to because he kept going.

“When I saw you run into that warehouse, it was one of the only times in my life that I have been so scared that I couldn’t think straight. I put you on probation because you did something reckless. All of us outside thought we lost you when we heard the gunshots. I know you and a few others thought probation was too harsh, but it’s important for you to know that if you’re going to storm a hostage situation, you have to communicate with us. The team cannot lose you,” Aaron told you, his eyes never leaving yours. “I can’t lose you. Understood?”

You were pretty sure that at this point your voice was gone. You simply nodded.

The light turned green, and Aaron started driving again, his eyes finally breaking contact. “Finish out your probation next week and then put it behind you.”

There were no more words spoken. It was silent. You didn’t know how to respond to anything he had just said to you.

Except you did have one question. You weren’t even sure if you wanted the answer to it.

“If you can’t lose me,” you started, fiddling with the sleeve of your top, “then why did you end things?”

“It was for the best,” Aaron said, breaking your heart all over again. “I’m your boss-”

“You being my boss didn’t seem to be a problem when your mouth was on mine every time you dropped me off from dinner.”

He didn’t seem to have an answer for that. You sat smugly in your seat waiting for him to say something.

“You want the truth?”

“I’ve only been asking you for the truth for four months now,” you shot back.

“I fell in love with you.”

Aaron said it so casually that you had to do a double take, your mouth slightly opening. Out of all the things he could’ve said, you did not in a million years think that would be it. Your heart was pounding, and there was a moment where you thought that you had imagined him saying that he fell in love with you, but he really did say it.

He continued. “I thought it was best to end what was going on between us because things would’ve only escalated, and I didn’t want people to think negatively about you. You’re a strong woman in a male-dominated field. You’ve worked hard to get to where you are. You should be taken seriously and unfortunately, going out with your boss doesn’t look good on paper. I hurt you, and I’m truly sorry for that.”

You hadn’t even realized it when Aaron had finally pulled up to the huge parking lot of your apartment building, which was surprisingly vacant for a Thursday night. The words he’d said were dancing around in your head. You hadn’t done anything wrong. It felt like a weight had been lifted off your shoulders.

Even after everything, all you really wanted was him.

“Aaron,” you said as you turned to him when he put the car in park, “I mean this with all due respect, but that’s not just your decision to make. I should get a say. I wish you had told me because for the last four months I’ve been going crazy with overthinking. That’s why it hurt so much when you put me on probation. I thought you were punishing me for something between us. Please don’t shut me out because I’m in love with you, and quite frankly, I don’t give a shit about what people say about me.”

“But people will talk about you-”

“So?”

“And there’s also Strauss-”

“Who we can deal with. I’m not afraid of Erin Strauss,” you cut him off again.

He raised his eyes before you spoke again. “Okay, maybe I’m slightly afraid of her, but that doesn’t change anything. You don’t choose who you fall in love with. If people want to talk about me for being in love, then let them. I just want to be with you, so please stop trying to protect me. I can handle anything.”

“Okay,” Aaron said after a minute. “Okay. If you want to do this, there is a lot to discuss work-wise.”

“That’s fine. I have a lot of time to discuss things. I’m on probation.” 

Every other time you had brought up your probation, it had been with anger, but this time, there was only a grin on your face. Even though you were still mad about that damn probation, which was another conversation for another time, you figured you might as well make a joke out of it.

Aaron couldn’t keep a straight face. “Yes, you are for five more days. You still have one more module on safety in the field to complete.”

“Screw you,” you said half-jokingly.

“You wish,” he shot right back.

“You’re damn right I do.”

It was as if there was a shift in the air. You’d spent four months without him and in that moment you had decided you never really wanted to go another second without him. There was still a lot to talk about between the two of you, but for now, all you really wanted to do was kiss him.

Even when the two of you were “seeing” each other, or whatever it was, there wasn’t much physical affection. Aaron always kissed you before dropping you off at night, but it was always short, sweet, and simple. Tonight, you didn’t want short, sweet, and simple as your goodbye kiss.

“You should be getting in. It’s late,” he told you, but neither of you made an effort to move. In fact, it felt like you had only gotten closer. You could feel Aaron’s breath fan your face.

You leaned even closer, your face only inches from his. “You gonna tell me goodnight?”

Aaron never replied, only moving to close the small gap between the two of you, his lips pressing against yours in a way that almost felt desperate.

You were the one to take it a step further as your mouth opened wider and one of your hands slid up to rest on his shoulder. Aaron gladly took the hint. His tongue was in your mouth and before you could process it, one hand had moved to cup your face while the other rested on your thigh.

He pulled back for a moment, but only to mess with something under his seat. You gave him a confused look, still breathing heavily. “What are you doing?”

Aaron’s seat had scooted back further to open more room between him and the steering wheel, and you realized what he was doing now. He simply shrugged. “The console is in the way.”

With that, you laughed and maneuvered yourself across the center console that Aaron seemed to hate at the moment. His hands instinctively grabbed your waist in an attempt to help you move over and onto him – literally.

You took in your current situation for a moment. You were straddling Aaron Hotchner in his car in a parking lot. If you had told yourself earlier in the morning that this is where you would be, you would not have believed it.

His lips were back on yours before you could think about anything else, hands still gripping your waist while yours moved to his hair. You were pressed against him, your chest to his, and left no room between the two of you.

“This okay?” He mumbled as his warm hands snaked underneath your shirt, now resting on your bare hips. He pressed a kiss to your jaw while you nodded, a deep breath leaving your mouth. He smiled against your jaw before reattaching his lips again, but this time to your neck.

You couldn’t think of the last time you felt like this. Your body felt like it was literally on fire, and Aaron’s mouth wasn’t doing anything to extinguish that fire – only making it worse.

As much as you loved the hot, open-mouthed kisses to your neck, you cupped his face, guiding him back up to your lips. Your hands slid to tangle in his hair, earning you a throaty sound from him, which only encouraged you further as you smiled against his lips before going back to kissing him.

Aaron pulled back only a few seconds later, both of you breathing heavily in a hot and flustered state. “As much as I’m enjoying this, we probably shouldn’t get too carried away in here.”

“What? Car sex isn’t on your bucket list?” You joked.

He laughed as you leaned into the hand cupping your face. “You deserve better than a car the first time.”

“So what I’m hearing is car sex after the first time?”

Aaron gave you one of his rare grins, and it lit up your entire world. “You are impossible.”

“I’m just kidding,” you said, giving him a peck on the cheek. “I really should be getting in the bed. My boss is making me come in at eight-thirty tomorrow for a meeting.”

“Oh really? He sounds very smart.”

You playfully rolled your eyes and with the help of Aaron, you moved back over to the passenger seat. “I will see you bright and early in the morning.”

“Looking forward to it.”

You gave him one last kiss before gathering your bag and opening the car door. “Goodnight, Aaron.”

“Goodnight,” he told you.

You shut the door and with a smile on your face, waved to him one last time before making your way towards the entrance of your apartment building.

However, before you could get very far, you heard Aaron’s voice calling your name. You turned around to see him with his window down.

“Did I forget something?” You called to him and watched confusedly as he shook his head.

“Your hair looked fine earlier. You didn’t have to fix it just for me.”

[yamujiburo]

1. You are INCREDIBLY patient when replying to asks. You always politely link them to your FAQ or to your master post. For the bad faith asks, you always are kind in your responses. I wanted to give you kudos. Even though you are well within your right to ignore/skip these asks, you still put thought into your responses. I'm giving you some kind words because I just KNOW it would be draining getting the same messages all the time.

2. I'm a fat person, and I've got a whole host of body issues, but your Jessie really helps with my self confidence. She still sees herself as sexy, and Delia still sees her as sexy (probably sexier lol). I also loved your logic behind the character design: sometimes healing and stability bring weight gain. That in itself has made me feel a bit better about myself. Not trying to treat you as a therapist. I just want you to know the impact your Jessie can have. It's so rare that we see fat characters in a positive light! I do hate how many people have a problem with your design though. :(

3. Aroace James also makes me feel seen. I am coming to terms with the fact I may be aroace myself, and it's been hard. I've always loved James, and I'm grateful you've spun him into a character I can relate to. I'm always all over your blog looking for more James crumbs lol.

I appreciate it! I like to assume the best in people and always answer in good faith. While I wasn’t super vocal at the time, I’ve had my fair share of bad takes on the internet and I feel like those who responded to me with patience and understanding had a longer lasting impression on me and led me to change my mind later. Gave me much to think about. Not everyone’s entitled to that patience but I think there is merit to handling things with kindness sometimes. You never know who’s on the other side of the screen and what they’re saying could just be out of genuine ignorance. Sometimes someone putting it in a gentle way is just the push you need. A lot of the time, I think people just want to be heard and are also willing to listen if they don’t feel immediately shut down.

I’m glad you think so! I love seeing fat characters and I love seeing fat characters who love themselves. Fat is beautiful, fat is cute, fat is hot

Hahaha I should do more with him! Aroace James makes a lot of sense to me given his background. I try not to write ABOUT the experiences of identities outside of my own but I think it’s important to at least show it!

[yourpsicodelicbitch]

WHY DO PEOPLE ALWAYS RELY ON ME?!??! astro placements

NAUDLINE PIERRE - EN

Sun 4H on Ascendant Persona Chart

ALWAYS people I know for a short period of time believe in me like if I was someone that knows everything’s gonna be okay. they love the security and home vibes I give. they’re often searching for my assurance and hugs. they’ve told me I give “mother” vibes 😭 and I tell things realistically but in a way other people understand with calm.

Jupiter 1H on Ascendant Persona Chart

Influence. That’s the word. Jupiter 1H on pc influence and -OMG-, at the point, it influence and form others lives and character. They attract people by being themselves, they’re the light that stands out on the crowd. The palm of their hand touches grass and flowers start growing 🌷✨🧚‍♀️🌈 they’re THAT person. Imagine how exhausting it’ll be to be popular bc many people relay on you. How optimistic and trustworthy, sincere and confident…too good to be true: they’re exhausted -what I’ve said before-. To suppress all emotions seen as negative, that are not accepted for the ones around you, or to have that pressure your whole life of being the support of everyone, except yours.

*birth chart aspects:

Sun trine Pluto

They trust you. They have faith in you. Why? You know what you want, you’re not lost, you have a clear vision of your path and how you’re gonna make it. You have these confidence that attracts people. Your inner strength feels right and that you recognize it and your weaknesses and positive traits. A natural leader. You see what others don’t, you’re always doubting or not trusting a situation 100%, they can stay calm bc of you. You see potential in things that normally are taken back or ignored. I don’t think you really care about what others may think but what’s behind that’s happening seduces you. People are drawn to you.

Moon conjunction Midheaven

another placement that gives mother vibes, although has more influence referring to a public or a bigger amount of people. your image is impecable in terms of being liked by others: sympathetic, caring and warm -just like you wish your mom was-. you’re diplomatic. they feel accepted and they belong with you. your mother it’s a really important person in your life that influent you in a way, how others see you treating them reflects on how your mom did it with you. MATERNAL INSTINCTS. INTUITION. you could be too protective over your friends or who’s on your life at the moment. the thing is that you can explode on an unexpected moment or it’ll seem unexpected bc everyone around you project this motherly image of you. you could seem too “strict mother” or taking too much time worrying about others or to not “disturb” them.

—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•

❀ Based on my personal experience and what I’ve analyzed in my surroundings.

❀ English is not my first language.

❀ I’m not a profesional astrologer.

Thank youu. baibaiii🫣🫶🏼💋

Do not copy. Please give me credits.

[artist-issues]

so here's something I'm curious about: God's Not Dead. The films, not the statement itself.

I first saw the first film when I was younger and I hadn't yet embarked on my journey on examining just what i was taught and what I truly believed, but I remember finding the film a little uncomfortable.

I saw the second film and Ive never watched the third, and I think what I really don't like the first film is how it bashes other people's walks of life (Muslim father, three brands of athiests, and how it continues the myth that Christians in The United States are being Persecuted for their Faith Right Now.

Oh yeah and how the plots are really really dumb too, since the first film centers around a philosophy class with a professor that is skipping a very important part of most College degrees and the second takes place in a Bible Belt State with a high school teacher answering a students question comparing Marting Luther King Jr to Jesus's Sermon on the Mount and being taken to court over it.

I was twelve or so when I saw that movie and I honestly was not convinced by the film That God's Not Dead (in terms of the actual arguments in the class scenes.

The specific Denomination that I grew up with (Adventist) focuses a LOT™ on the end times so I do know about the future persecution thing well but like, I don't think we're there yet.

Anyway if you don't know those movies, feel free to ignore this ask but I'm genuinely curious about your thoughts on them, wether positive or negative or neutral

Hi! I saw the first God’s Not Dead in theaters. Never re-watched it. Did not see the sequels.

The good thing about God’s Not Dead is that people worked hard to make something that might shine a counter-cultural light on the truth that the God of the Bible exists. Stories that try to point to truth are on the right track, baseline.

The bad thing about God’s Not Dead is that it took things that are real, and genuine, and true…and it made them feel fake. By telling the story with strange conclusions and weird-triumph moments.

The thesis of the movie, that God is not dead, is something that only non-Christians would need to be convinced of. But the movie is clearly made for Christians. So. Yeah, it’s uncomfortable.

But you shouldn’t find every experience that the movie tries to portray uncomfortable because they don’t happen. You should find it uncomfortable because they don’t happen in that cheesy, Hallmark-grade way.

When a student stands up to their professor and says, “no, I’m not going to go along with this, and this is super weird that you’re trying to draw this line about the specific Christian God,” guess what? The whole classroom doesn’t usually get up and agree with you. They normally barely react. So even though some professors do put their foot down and try to mock or “kill” God in the classroom, and some students do push back, no. It doesn’t normally happen in that victorious way.

Just like how some young Muslim converts to Christianity genuinely are treated poorly by their families, or their community, not just in America, but absolutely, certainly around the world. Absolutely, certainly. I literally can think of not one, but two examples I’ve recently heard of, directly, from people I know.

Like I said, the events and life-experiences that the first God’s Not Dead movie are based on do technically happen all the time in America, and the West, and the world in general. They just don’t normally come with crowd-agreement, impactful music, wise one-liners, and celebrity appearances. The worst thing that the God’s Not Dead movie does is show you hints of things that are real, and really happen in real life, but cheeseball way it shows you those things, and the caricatures it turns people into, makes the real thing look fake.

As far as “the myth that Christians are Persecuted Right Now in America” goes…you just have to decide what you mean by “persecuted.”

If you mean, are we getting our heads run over by cement mixers, or dragged out of our homes and imprisoned for studying or even owning a Bible, or kidnapped by hired hitmen once our families find out we’re Christians, like they are in Yemen or Africa or basically anywhere outside the West…no. No, we’re not facing persecution like that. We’re not persecuted.

But if you mean, in the context of this conversation, that “atheists and professors and people in the professional sector of our education systems don’t have a weirdly specific bone to pick with Christians,”then you’re wrong. They do. They have. For a long time.

My second semester in college, in my plain old World History class, the Professor legitimately opened his class by explaining to us students that if we wanted, he would allow us to replace our midterm and our final exams with book reports as long as we read two specific books he assigned us. One was a book about how Jesus of Nazareth was not the Messiah and the Bible was false. The other book was a fictional short novel with heavy themes criticizing specifically Christian religion. Those were the two books he picked for his students to skip taking the midterm and the final, if only they would read those two books. And those were the ones he chose.

Not only that, but literally in the first class, I remember being stunned when he flippantly opened his summary of the 18th century by saying, “If anyone ever tells you you should check out the God of the Bible, and follow him, laugh in their face. Don’t do it. He is the kind of God who likes to make His people promises and then strand them in the desert for forty years!” First class. Out the gate. Like it was a joke.

It’s not a joke. Dude just openly mocked two out of the three major world religions that people identify with across the globe. Explain to me how telling someone never to convert to a specific religion and to mock it instead is anything other than “discrimination?”

Can you imagine a Professor getting up in front of a class and saying, “if anyone ever tells you that you should check out Allah ] and follow him, convert to Islam, laugh in their face! And here’s one short novel and one historically inaccurate essay criticizing Allah and making fun of Islam; if you’ll read these, tell you what, I’ll let you skip the two most stressful exams of the semester!”

No, of course you can’t imagine that. A Professor who did that about any other religion, creed, or god would be fired or taken to court or penalized or dragged on social media, at least. But the only student in the whole room who batted an eye when he said that about the Christian God was me. The only one who said anything was me. And it wasn’t a big stand up, dramatic declaration. Momentous music didn’t play in the background. My friends and classmates didn’t’] gasp or support me or stand up and agree with me.

It was just me raising my hand and saying in a shaky voice with a red face, after the sixth time he’d randomly deviated from talking about the Roman plumbing system to describe how the Apostle Paul and the other Apostles supposedly disagreed about who Jesus was (big lie, not true at all, but often used to “discredit” the Bible) to say, “sir, that’s not true. It doesn’t make sense. There’s a verse in the Bible where the Apostle Peter literally tells the church that the Apostle Paul’s words are directly from God.” And then he was like, “okay, I’m going to move on.”

I mean I just felt kind of stupid because the whole class was confused about the interaction; nobody was treating it like it was as important as me or the professor was, so it felt awkward to “make a stand.” But rest assured, all over the freakin’ country, people are excited to use up way too much of their brain power and emotional energy mocking, disparaging, and trying to discredit the God of the Bible and Christianity. They don’t believe in Him, but they’re so he’ll-bent on making sure nobody else does either?? Like, I don’t believe in Big Foot, but I’m not walking around trying to barter my students into reading anti-Big Foot books by giving them a pass on their midterms. But that’s how lots and lots of “athiests” treat the specific Christian God.

That’s not new. It’s not dramatic. It’s not persecution. It’s alllll part of the same old song and dance.

But it is real. The worst thing about God’s Not Dead is it made it feel fake and caricature, when it happens all the time and matters 🤷‍♀️ Anyway. Hope that answered your question.

[genlossranboothrowaway]

what you said about philza’s privilege in terms of the qsmp experience (and just in general) is a great point tbh. i believe that HE believes in what he’s saying taking into account that he has access to different information than we do (not necessarily MORE, just different — dudes not on twitter for example so may not have seen testimonies from ex admins, but has info from people still involved in the server that we are not privy to etc). ultimately he’s only intending to talk to his community and reiterates that he’s not a spokesperson for the project, just another guy playing on his friends server taking what’s been told to him in good faith, so his truth is his truth but not necessarily the objective truth etc.

one thing I’ll say about the ‘no rp actors’ thing is that probably that’s referring to those specifically hired to do full time rp. my thought is that some admins still on the project that have been doing rp (the ‘5 active’ ones) are doing it for fun in the downtime from their main tasks. this seems pretty indicative when you only really see them doing this with bbh, because if it was actually their ‘job’ they would be available for the other creators still playing too. (i saw a bbh fan comment that ‘these admins suck at improv’ which, yeah. not their primary job probably lol). the only admin I’ve seen hang out with several creators is ‘ollie’ who we now know is ricardão, and that speaks for itself really given how many hours he’s clocked on the server just for fun outside of his ‘work’ obligations. so it’s like, should the new team specifically be telling the admins not to rp on the server if this is the case, to strictly stick to their tasks, or is it better to allow them autonomy over their time regardless of the arrangement? idk. in the end i’m reserving most of my judgement for if/when they release a statement on what changes have been made after (/if) this ‘restructuring’ gets done.

Hi anon, thx for the ask.

Even if they are not rp admins specifically I personally don't think they should be playing on the server at all right now unless they are getting paid for it. Letting the admins do volunteer work like that sets a dangerous precedent moving forward for all admins workers. The studio will be more inclined to hire (or keep employed) people who will do extra just because they want to, without pay, and it will end up the same way it is now: people being underpaid and expected to do much more than they are reasonably able to.

It's easier to picture when you imagine that it's something more boring. There's a guy at this restaurant that hasn't been paying their staff for overtime but he keeps pulling overtime anyway because he loves cleaning dishes so so so much. Maybe he does, maybe he doesn't, but he still shouldn't be encouraged to do so until the restaurant gets their shit figured out.

"Autonomy over their time" would make more sense if they were being paid hourly wages or a fixed salary, neither of which we've seen evidence for. As far as I'm aware all employees who have come forward were paid in unrecorded one-time payments or as contractors for a fixed project/piece/job.

Quackity Studios is going to have to figure out how to pay workers who are often working overtime hours, whose hours are not fixed and fluctuate wildly and unpredictably, and who are living in many different economic climates, which is a task I do not envy them at all.

They also (best case scenario) will have to figure out retrospectively how much they owe all of their unpaid and underpaid workers from the past year. I do not have much faith in this happening given the size and scope of this task and the fact that there is no way, at this moment, that the QSMP has made anywhere close to the amount of money that cost to run it. I personally think that QS is going to fight very hard to not have to pay any of their workers for work previously done, although I would love to be wrong.

Even considering just those two things, not to even mention the logistics of a structural and leadership overhaul that we've been told is taking place, it is irresponsible and honestly self sabotaging to continue to allow those admins to rack up rp time on the server.

The RP admins are not essential for continuing to run the server. If they are being paid that is money that could go towards backpay for the under/unpaid workers. If they are not being paid their activity on the server is only increasing the potential liability QS has in regards to their unpaid laborers.

[dangermousie]

Pre-Joseon Sageuks: a Biased and Incomplete List

So, as promised way earlier, a post on pre-Joseon sageuks that I’ve either watched or plan to watch so am aware of them. I am sure there are others but here is what I got. Obviously my takes on them are subjective blah blah blah.

Jumong - arguably the Daddy of all Traditional Sageuks, this one ran for over 80 episodes and had insane ratings. It follows the rise of the mythical founder of Gogureyo tho it takes fantastical elements of his story and changes them for historically plausible ones. It’s very long and very meaty and politics/battle heavy and has a large cast of complex characters (including pretty nifty women and a LGBTQ supporting OTP) but it is anchored by the incredible performance of Song Il Gook as the titular character as he slowly but believably grows from nothing to a hero if at the cost of losing his marriage.

The King of Tears Lee Bang Won - this is basically a half and half beast as (you can tell by the title), it’s set in the last days of Goryeo and early days of Joseon. The time period covered is the same as in My Country and Six Flying Dragons, but this is the most traditional take of them all, even more so than 6FD. Not a single pretty face in the cast (tho Joo Sang Wook is a mighty fine man, emphasis on “man”), this is for the real fans of traditional sageuks. I enjoyed it a lot but if you want to check out pre-Joseon sageuks but have mainly watched youth sageuk stuff before, you should probably start with another drama on this list.

The Great Seer - set in the reign of King Gongmin, the last proper king of Goryeo (his son King U is technically the very last but there are questions as to his status), this is for those of you who want to watch Ji Sang in a sageuk. It’s centered around seers but don’t expect mysticism, this knuckles down to politics.

Shin Don - hi there, another story set in the reign of King Gongmin! From the title, you can tel it centers heavily on the powerful monk who ruled for the King at one point. This has been on my to-watch list forever because this appears to devote a decent chunk of its time to Gongmin X Noguk and I am dying for a proper drama for those two. This is from 2005 so if you do watch, keep that in mind in terms of visuals etc. That cast is lit!

Bicheonmu - this is sort of cheating because it’s pretty much set in China but it involves Koreans so. It’s a drama take on the same story told in a pretty awesome movie. Tragic love, battles, young Joo Jin Moo etc. i am very fond of it. This said, find and watch the Chinese version, Korean one was shredded.

The Iron Empress/Empress Cheon Chu - set in Goryeo, this was another of women ruler centric dramas that had a mini popularity peak in late 00s/early 10s (a trend I wish continued.) it got overshadowed by Queen Seonduk but by all accounts is a solid drama. It’s on my list but I haven’t watched it yet.

The King’s Daughter, Soo Baek Hyang - by the writer of The Rebel and My Dearest. Have I got your attention? Another woman centric ruler tale set in Baekje. Yes, there is a love story. That cast is great, to boot. I have started and liked what I’ve seen but got sidetracked. Need to get back to it. Before you look at the ep number and faint seeing the number 108, keep in mind that the eps are half an hour long so it’s an equivalent of a normal 54 ep sageuk so if you can watch eg Empress Ki, you are good with this.

My Country: The New Age - Lee Bang Won but make it gay. OK, I kid, sort of (not really) but this is smart and passionate and heartbreaking. If you want a wide scope or lots of politics, probably not a take for you (Six Flying Dragons is RIGHT there), but if you want an intense, emotional tale, come right in!

Six Flying Dragons - to me, this is THE drama about Lee Bang Won. It’s smart and emotional, deals with politics and has heart. It has a large cast of characters I got invested in, OTPs that will blow your mind etc etc.

Faith/The Great Doctor - if you are a fan of old school shoujo like Red River, Basara or Fushigi Yuugi, this or Moon Lovers are your best bet on this list. A time traveling tale with other fantasy elements about a modern day plastic surgeon who ends up being kidnapped into Goryeo during the early days of King Gongmin’s (hi!) reign by a tormented, oath bound warrior played by Lee Min Ho at his hottest (and playing historical General Choi Young. Do RPS at your pleasure), this one is one of my all time favorites.

Seodonyo/Ballad of Seo Dong - I am actually currently watching this one tho I haven’t been posting about it. Set in both Baekje and Silla, this is an angsty love story with a side of politics. It’s filmed in 2005 and looks accordingly but if you don’t mind dated visuals, this is pretty great!

Emperor of the Sea - set in Silla and Tang, this was a huge hit and deservedly so. Our protag is a slave and gladiator and a great naval hero. This is grim and smart and epic. It’s from 2004 so once again, if dated visuals are no-go, skip, but if you want a great story and performances, this has your name on it.

The Kingdom of the Winds - an epic cursed prince narrative, our ML (Song Il Gook at his sexiest) rises from abandoned prince and slave and abused assassin to general, royal and king, sparing time for an angsty delicious love story with an enemy princess. This has serious sageuk bits AND the best shoujo tropes in the business, plus enough whump to keep anyone happy.

Gye Baek - Lee Seo Jin, another sageuk stalwart, stars as the title character in this tale of a Baekje commoner, war slave and general. This is grim but glorious.

Soldier/God of War - this is a traditional war-centric sageuk and grim as hell. Another slave to general tale.

King Geun Chu Go - this is on my watch list; it’s about a warrior king of Baekje. Haven’t seen it but heard good things.

Ja Myung Go - smart and unrelentingly tragic, featuring Jang Ryeo Won and Jung Kyung Ho as doomed lovers and Park Min Young in an evil role, this is great and has deeply flawed characters in the very definition of doomed by the narrative tale.

Arthdal Chronicles - this is obviously a fantasy but the tale of prophesied twins, magical priestess, wars and mysticism is clearly set in a pre-Joseon in terms of aesthetics world.

Alchemy of Souls - like Arthdal this is pure fantasy but also like Arthdal, a lot of its styling is pre-Joseon so on this list it goes.

Moon Lovers/Scarlet Heart Ryeo - ok I think if people have heard of only one drama on this very long list, it’s probably this one. Modern time traveling heroine ending up during the reign of Goryeo’s King Taejo, in the middle of his sons’ fight for the throne, having an epic but doomed romance with shoujo catnip tortured bad boy Lee Jun Ki.

Shine or Go Crazy - if you want a more historical take on Moon Lovers succession fight but still with plenty of hotness, angst and doomed romance, come right in. This baby stars Jang Hyuk, so you know it’s bound to be good. I actually started it and enjoyed it but got sidetracked. Need to get back to it. Fun fact: while Moon Lovers was hugely popular internationally, domestically Shine or Go Crazy (they aired around the same time), did much better.

The Legend/The First King’s Four Gods - for a long time this was my favorite kdrama of all time and is still probably in my top 10. Ignore the odd first episode, the rest is perfection. Expensive and wonderfully written, this was Bae Yong Joon’s last drama before he retired to rest on his pile of money (if you are young, you probably don’t remember what a big deal he was, bigger than all the Hallyu stars nowadays put together. He basically was singlehandedly supporting the kdrama industry at one point), but what a worthy way to go out. It’s an epic Goguryeo fantasy tale of a prophesied prince coming into his own, with such amazing characters and relationships and OTPs and battles and points about destiny versus free will. It is everything and I kinda want to rewatch now.

The Blade and The Petal/Sword and Flower - ostensibly a star-crossed Gogureyo love story, this really is more about politics. It’s a mixed bag. The visuals are insane but Uhm Tae Woong, while always solid in modern dramas, is out of place in a sageuk (in QSD Kim Nam Gil stole his thunder; there is nobody to do so here but that doesn’t help him.)

Queen Seon Duk - probably the most famous entrant into female power sageuks, this was a mad hit and centered on the titular character’s rise to power and fight for the same with her female nemesis Mishil. If you want love stories, angsty fighter Bidam propelled Kim Nam Gil to stardom as he stole the leading man mantle from Uhm Tae Woong.

Empress Ki - currently rewatching this. It’s set in the waning days of Goryeo but takes place mainly in Yuan. Still, the FL is Korean and a lot of the story revolves around one of her suitors’, a deposed Korean king, attempts to get his land back. As you can tell by my rabid posts, this is a great drama - politics, romance (I ship FL and the Yuan emperor like mad), murder, dysfunction and everything good.

Hwarang - it’s so brain dead it might as well be a brain-eating amoeba in drama form but it did give us both Park Hyung Sik and Park Seo Joon before they made it big in drama world. It’s terrible tho, stay away.

River where the Moon Rises - I have such a love/hate relationship with this drama - I loved the beginning, with our tormented assassin heroine slowly being warmed by the loyal rustic ML with his own trauma. And then Ji Soo’s bullying scandal happened and he was replaced by Na In Woo, aka the actor I like least from any country in all my close to two decades of watching dramas. I tried but I simply couldn’t and I am still mad. This said, if you don’t share my NIW allergy, it’s probably worth a watch.

The Great King’s Dream - if you liked QSD and can’t get enough of the period but want an even more traditional tale, you can do worse than this drama. I liked what I saw but this baby is 70 eps and lacks Bidam so I peaced out. Maybe I will get back to it sometime, but probably not.

Jeong Do Jeon - as you can tell by the title, centers on JDJ and the last days of Goryeo. Not really my bag (time period been done plenty in other dramas and I don’t have that much interest in JDJ) but supposed to be solid.

My Only Love Song - a short silly mess but still probably better than River (which tells the same story) because it doesn’t have NIW.

King Gwanggaeto the Great - 92 eps. I can’t!

The King Loves - delicious love triangle (that goes ALL ways), angst, prettiness, a side of bodyguard romance. What’s not to love in this Goryeo tale?

ETA: this post was so long that when I tried to tag every drama I mentioned, tumblr told me you hit the tag limit of 30 tags no more tags for you. Oh well, sorry dramas that ended up I tagged!

[valenshawke]

6 albums I’ve been listening to a lot lately! Plus one track from each that I’m especially fond of.

I was tagged by @captainhunnicutt. Thank you!

The Mandrake Project - Bruce Dickinson - "Many Doors to Hell" I waited 18 god damn years for this album. And while Iron Maiden has released four albums in that time period, I'm actually a bigger fan of Bruce's solo material. This song in particular does hit on a lot of things I liked to write about around the time his last solo album was released. A vampire who wants to be human again. Not quite, but I did (and do I guess) like to explore the blessing and the curse of being a vampire.

Vessels - Starset - "Telepathic" & "Telepathic (Acoustic Version)" Starset was the band @telekinetic-issue recommended to me after I recommended Ghost. So the great music exchange of 2022 lead, what is currently, my favorite Starset album. This song hit very close to me I listened to it obsessively as it very much captured my feelings towards my former best friend, before I finally managed to let that friendship go finally even though we hadn't really spoken since 2015.

72 Seasons - Metallica - "Lux Æterna" Probably the first Metallica album since, uh, forever where I truly feel like they band tried to put out a quality song every track (don't argue with me about Load & ReLoad, there was ONE solid album if they made better track selections and had a bit tighter arrangement). As for "Lux Æterna," it's one of those pick-me-up songs that motivates me to try to get my life together.

Infestissumam - Ghost - "Year Zero" In terms of album, it was this for Prequelle, Meliora, Impera. Impera, burned out listening to and absolutely hate one song on that album. Meliora benefits by having the Popestar EP on it, and thus having "Square Hammer." Prequelle has "Faith" and "Miasma"/"Dance Macabre" (you really need to listen to these two tracks back-to-back), and "Witch Image." Infestissumam I listen to the most and regularly since it has my all-time favorite Ghost song, "Year Zero" and the "band" at this time was more focused on using religious imagery in such a dark way that hits the bitter ex-Catholic heart of mine in such a way that no other band can.

Once - Nightwish - "Planet Hell" Tarja's last album with the band. Probably their last great album (no disrespect to Anette Olzon, Dark Passion Play and Imaginaerum were good albums). But a song about the contradictory nature of humanity and the notion that hell is really simply planet Earth? Yeah, that's a song for me.

Ghost in the Shell: Stand Alone Complex OST + - Yoko Kanno - "Lithium Flower" Yes, I'm trash. I know this. I'm Tumblr. I came to Tumblr because of anime and manga. But this song is just 1. Amazing. 2. And based solely on one line, it's like the character song for my blorbo. But Yoko Kanno is one of those composers where, once you hear her work, you just bow to her brilliance. Her mixing of styles and finding singers to fit whatever vision she has is nothing short of amazing. But this song is one of those that when it comes on, just don't bother me because I will ignore everything to listen to the song in full.

And I'm no-pressure-tagging: @beardedladyqueen, @spoczkot, @anisaanisa, @albatrossisland, @connie-rubirosa, @byronicbi, @transgalvantula plus anyone else that wants to do this!

[min0uet]

I’m not a fan of kabru/mithrun but can I ask why it’s bad to ship? I’ve read the whole manga and afaik they’re not related, theyre both adults.

hi anon. i know you're asking in good faith and i'm gonna answer in good faith, but before i do, i have to say it's kinda wild that multiple people interpreted "you're weird for shipping this" as "there is something deeply morally wrong with this ship" when i never actually said that. a ship can be bad without breaking some kind of moral or societal taboo, and i think more of you have to remember that. sometimes things just suck. sometimes you can just be a hater.

that said, here's why kabru/mithrun is weird. first of all one thing that really bothers me is the age gap. not literally of course, they're different races so comparing literal numbers means nothing; i mean in terms of maturity. here's a post about otta that i think is applicable: [link] the main relevant point is that you can roughly divide an elf's age by five to get a sense of how old they are in tallman years. mithrun is 185, and in tallman years would be about 37. kabru is 22, and that's just way too big of an age gap for me. like, it doesn't even fit into that "half your age plus seven" rule. again, before people get defensive, i'm not calling the ship """problematic""" or whatever bullshit. i'm just saying, personally, they're too far apart for me.

there's also the part where the canaries are milsiril's peers, not kabru's. kabru/mithrun would be like dating one of your mom's old coworkers. gonna link to another post here since i'm just repeating the same points they made: [link] this one's not as notable since it's not like milsiril and mithrun were besties or anything, just another thing that feels weird.

okay, i've explained my good faith reasons for disliking kabru/mithrun. now i get to be a hater.

hey did you guys forget that mithrun is like, openly racist?

like you can ship what you want or whatever, but i think if you're gonna ship kabru with this guy then you shouldn't complain when people call you weird for it. i'm just saying.

[nukitan]

Okay so as much as I dislike conflating Pokémon and Digimon, (they’re two shows that just so happen to be in the same genre and I think the comparisons should stop there. The bad faith ones anyway), how great the new Pokémon anime is has made me think about something.

Basically, I feel like Horizons has a lot of elements that I would love to see in a modern season of Digimon and I think the Digimon anime could take a page from their playbook. Which is funny since up until now I’ve always said the reverse.

Full rant bellow the cut to spare your time lines if you don’t want to read my rambles.

I split them into section going into Digimon first and then Pokémon if you want to skip around and don’t care about the other franchise. BUT, I will say that the point of this essay is that Pokémon Horizons is good, the first three seasons of Digimon are good and if you like one you should watch the other.

Anyway.

First I’m going to go into my history with Digimon and what I liked about the classic seasons and what I don’t like so much about the newer ones.

Basically, I love Digimon. Been hyper fixating on it off and on for twenty+ years. I’ve seen every season, subbed and dubbed multiple times, I’ve played a good chunk of the games, I play the TCG, ect.

Something that drew me to the Digimon anime over AniPoke, was the characters and the plot. In the early seasons Digimon tackled lots of difficult issues like divorce, adoption, death, loss, depression, among other things. But still kept a light hearted, feel good air. The characters felt deep and multi-faceted (At least in the sub), and I dare say are better written than some characters from some adult oriented anime out there. And they had cute monsters that evolved into bigger monsters and fought baddie monsters, what wasn’t there to love? The first three or so seasons did a fantastic job juggling characters, plot, cool creature fights, and cute and funny moments between the members of the cast. It never really felt like a commercial compared to contemporaries. It felt like the writers were creating something with soul, it was a story first and ad second. It felt like it had love.

Adventure, 02, and Tamers are my favorites. Bellow are some characters and their arcs I really enjoyed from those seasons, skip if don’t want spoilers.

I love Taichi’s arc of being reckless, and being one track minded to the point where he put all his friends in harms way and Yamato tries to act like this calm and cool lancer type but he’s actually the group heart and sensitive the way they bounce off each other and have conflicts throughout the series is just fantastic.

Ken in 02 and his whole arc of getting over the death of his brother and accepting the consequences of his actions as the Digimon Kaiser. And the way he slowly warms up to the group is so cute. I legit cried when I watched some of his episodes post kaiser as an adult.

Tamers as a whole is an extensional horror trip. Juri’s whole thing with her depression after the death of Leomon, how it related back to her trauma after losing her mom when she was younger, and the way the D-Reaper took advantage of that- I honestly don’t know how this was slipped into a kids show from the early 2000s.

A lot of these shows that started in the 90s and early 2000s were pledged with the “Glorified 20-25 minute toy ad” problem, and Digimon didn’t really seem to have that issue to me. It felt like the creators were putting the story and characters first, and an ad second or third.

The early seasons of Digimon felt like a celebration of childhood and was something that could be enjoyable to kids of all ages and adults alike. I don’t at all get that feeling that I’m watching a baby show when I watch early Digimon. It presents things in simple terms that kids could understand without talking down to its audience. It’s great.

And then the later seasons happened and Digimon forgot what made it great and lost its soul…

Xros wars was where the ball really seemed to drop in my opinion. Sure it still had the epic Kaiju fights but… that’s about it. Gone were the intense character moments and interesting plots. All we had was the special little marry sue of a boy Taiki who could do nothing wrong besides not “TURNING HIS BACK ON SOMEONE uwu”. And there was no overcoming adversity like in the earlier seasons, Taiki would just epically throw his Xros loader into the air and scream away his problems with a “DIGi-XROS!” (Sorry Taiki fans I can’t conceal my venom for this man)

And the monsters were just disappointing too. Like they were clunky and just looked like… toys.

It felt like Digimon had lost what made it tick and started to more closely resemble what I didn’t like about AniPoke, a toy commercial with a sanitized feel.

This continued for the next couple of seasons, only really picking up again in Appmon, but while Appmon is good and had it’s moments (I love the story with Yujin. He and Haru are totally roommates, cousins even), it still doesn’t compare to the heart the first three to five seasons had, imo.

Tri felt like a soulless nostalgia cash grab. Last Kizuna was good, it gave me hope for the anime again just to crush it all away with The Beginning.

I won’t get started on Adventure 2020 or we’ll be here all day. Needless to say it spat in the face of the show it was paying homage to.

Ghost Game got my hopes up, but then the last episode just took a dump on the rest of the show. It was fun, Kiyoshiro and Jellymon specifically were the stars of the show and GulusGammamon was interesting… until he wasn’t. It was fun, had a lot of potential with its horror feel, and was the closest to classic Digimon the modern seasons had been in awhile… at first anyway. It really shat the bed. And my problem with it don’t really relate to it being episodic in nature or anything, that can be done well. The characters just didn’t feel consistent (Especially Ruli) and it didn’t deliver on any of the plot intrigue it tried to stir up.

BUT! Ghost Game at least had… a little bit of heart. It felt like the creators knew their Digimon lore and did a fantastic job incorporating it into the monster of the week. I could really feel the love there.

Also on a side note, I am not just the Digimon equivalent to Gen-Oner, hating on things that are new and fetishizing the old. In fact, before I rewatched all of the seasons around 2020, I didn’t really care for the Adventure or Tamers. But my opinions did a total flip watching everything as an adult.

So, for a quick collection of thoughts before we move on to Pokémon:

What I like in a Digimon season:

1. Good characters with arcs that tackle bigger issues in a way kids can still understand and relate to without feel like they’re being talked down to.

2. Cute moments between members of the cast and their creatures.

3. Fights that feel like they mean something and aren’t just there for cool flashy effects.

4. A feeling of love and care for the franchise that goes beyond just trying to sell me toys and games.

Things I don’t like:

-OP mcs that solve every problem with the gimmick of the given seasons

-Flat, inconsistent characters that don’t feel like they have any agency or reason for doing what they’re doing besides that fact that they do indeed have Digimon.

-Pointless fights that are just there for no other reason than just to show a cool fight

-“BUY ALL OUR GAMES AND TOYS AT YOUR LOCAL HOBBY SHOP”

Okay now Pokémon.

Just like with Digimon here’s a little background with my history with the Pokémon anime

I’ve watched the original Pokémon anime up to Diamond and Pearl as a kid and I watched some of SM and most of Journey’s as an adult, but I’ve never really been big on anipoke.

Like at best it just felt like a cute show I could turn my brain off for and just vibe.

At worst it felt like a hyper sanitized toy/game commercial (Not blaming it, that was the anime’s main purpose after all).

Out of curiosity, I watched the new series. As much as I liked Ash, I really felt like he overstayed his welcome and they should have gotten rid of him and moved on ages ago since it felt like by DP there was nothing interesting to do with the character. The Pokémon world is huge and intresting, there was so much they could have done but Ash kind of felt like he bogged it down and stunted the anime’s growth past a point.

So yeah,I got excited when they finally pulled the plug and focused on a new set of characters so I gave Horizons a watch.

And I love it! It’s got heart, characters with development, a little bit of plot, and it’s cute? Like I was dumbfounded by the fact that a Pokemon anime, that I previously wrote off as just being a glorified ad, could be so good???

And then after thinking about what I liked so much about it, that’s when the topic of this essay hit me: Horizons feels like it has everything I long for in a modern Digimon anime, almost as if they took a page out of classic Digimon’s book. Like I always heard throughout the years that “Digimon had the better anime Pokemon has the better games” But Horizons really turned that on its head.

Let’s revisit my criteria for what I liked about the classic Digimon seasons from the section above to show what I mean. (Light Spoilers for Horizons ahead, though I wont go into specifics)

1. Good characters with arcs that tackle bigger issues in a way kids can still understand and relate to without feel like they’re being talked down to.

Yep. Horizons has that. Like the early seasons of Digimon, Horizons doesn’t just use it’s human characters as a vehicle to show you all the monsters you could catch if you bought the next game from your local shop for the low low price of 60 USD, nope. There feels like theres care there.

While they aren’t fully developed yet, Liko and Dot especially show huge character growth in the first 50 episodes. They focus on their flaws and how the characters overcome them.

Liko is very indecisive at first. She’s socially awkward, she feels like shes just going with the flow, afraid to take that first step to find out what she really wants out of life. Then, she finally does, she makes the decision to follow Friede and the Rising Volttacklers to find her new horizons. It’s great. And she still has lots of growing she can do later both as a trainer and as a character. She’s fantastic for a lead.

I also like how they use Sprigatito’s evolution as stand in for Liko’s growth so far in the series. Early Digimon did that too with the Crests in Adventure and the Bio Merging in Tamers and I always really like monster partners evolving to reflect their human so much, it’s such a good narrative device!

Dot slowly being brought out of her shell by Liko and the others is just- chefs kiss. She goes from being a reclusive shut in to slowly taking interest in the things Liko and co are doing and develops meaningful relationships with them. Her care for her friends and want to be there for them makes her take the first step and is now traveling around Paldea with them! And they went about this in a very well paced way where she still isn’t just magically over all her awkwardness and shut in tendencies yet. She too still has so much room for interesting development later down the road.

The adult characters are interesting too, even though they haven’t really done much yet. They really perfected that found family group of misfits trope that I’m usually pretty sick of. I love them.

And Amethio and the other villains also feel like they’re more than just your cackling evil for evil sake type characters and I’m super excited to see what they do with them!

And as far as the tackling bigger issues point: Though its just conjecture and I might be over thinking things (Though others in the fandom have pointed this out too) there’s definitely the groundwork for it here.

Liko’s family is very hands off and distant. Liko goes away to boarding school at the start of the series, her parents work, and her grandma is a vagabond traveling the world and doesn’t often stay in one place for long.

Liko lacks solid connections and foundation in her life due to her family being so closed off emotionally, which would explains her going with the flow and being unsure of what she really wants to do. She’s lost with no guidance. And it’s not like her family doesn’t love each other, no. They just don’t want to express their feelings for fear of it bogging each other down. They want Liko to be free to do what her heart tells her, but they’re so worried about talking things out that they don’t realize how that freedom has hurt Liko and made her into an anxious mess. (They even kind of hint at this in the second opening)

But yeah, like others have said, I’m not sure if this is on purpose or if they were trying to write Liko’s family to be full of strong women and just kind of accidentally fell into making them all feel too independent and distant from one another. And it would be really cool for the show to go into Liko’s home life more… but I’m not sure it would be on brand for Pokemon to talk about something so heavy. But fingers crossed!

2. Cute moments between members of the cast and their creatures.

Yep! Horizons has got plenty of it. Right now all of the main cast has two Pokemon each and they’re really taking the time to show off each Pokemon and give them a lot of wholesome moments together and with their trainers.

The human character interactions are great too! I really like the blossoming friendship between Liko and Dot (They could be roommates guys!) and the growing rivalry between Friede and Amethio! It’s great!

3. Fights that feel like they mean something and aren’t just there for cool flashy effects.

The fights in Horizons are so cool and well choreographed, but they aren’t just there to look pretty, not at all!

A lot of the fights that take place in the first two arcs are learning experiences for Liko, Roy, and Dot. They learn new strategies, their Pokemon learn new moves, and in the arc that’s airing at the time of writing, they’re learning how to terrestialize too. The fights don’t seem to happen without purpose and always seem like they either teach the characters a lesson about proper ways to be a trainer and even sometimes help them grow as characters too.

And theres even a healthy amount of losses and wins under the character’s belts and they drive home the lesson of “You learn more from a defeat”. I like how heavily they relied on the more experienced Friede at the beginning and they got frustrated from their losses and used it as fuel to want to learn to stand on their own two feet.

The fights are great and don’t just feel like a kid mashing two toys together like some series with battle elements can.

4. A feeling of love and care for the franchise that goes beyond just trying to sell me toys and games.

This is a little harder to explain and is more like a feel than anything. But I can definitely feel an air of care in Horizons that I don’t really see from shows that feel like twenty-three minute ads. The characters and story don’t just feel like they’re trying to sell me something.

While they’re definitely leaning heavy on the Paldea setting right now, it doesn’t feel like a straight adaption of the games. They don’t really do the “creature of the day” or “character of the day” type episodes like I remember seeing in past iterations of Anipoke. Horizons doesn’t have those moments that I feel like the character is looking right at me and saying “Buy Buy Buy”

And, at least so far, there seems to be a love for Pokemon with the way the reference Pokédex entries like with Hatenna being sensitive to strong emotions or what not.

Like I said, this is really more of a personal criteria and some people can be more sensitive to this kind of thing than others. The closest thing I can compare it to is like when you’re eating a meal a loved one made for you versus something you got at a diner or fast food restaurant. You don’t know how to put your finger on it but you can just taste the love… it’s like that with Horizons to me.

So yeah!

If you’ve read this far, thanks for listening to me rant! I’ll try to wrap it up here.

Basically I just really like Horizons. It gives me that same feel as when I was rewatching the classic Digimon seasons a view years ago… And like the way Horizons fixed all of the problems I had with Anipoke as a kid and as an adult is awesome, it really feels like Pokemon Company is making an effort to listen to criticism and better the series… I just really hope the Digimon anime can do the same.

Oh and all of this is just my opinion, if I said something that you don’t agree with about Digimon or Pokémon, I meant no offense and I’m happy to hear your opinions too!

I just want to close this by saying…

Fans of early Digimon, go watch Pokemon Horizons! You wont regret it!

Fans of Horizons go watch (the sub) of the first three or so seasons of Digimon! If you like Horizons and didn’t really click with Ash era Anipoke I think you’ll really have a good time, it’s so good!

I think both series could use more love, so go out there and give them both a watch!

Okay I’ll shut up now, thanks for reading!

[animebw]

Something I’ve noticed about RWDE and the asshole side of RWBY criticism is just how bad they are at reading anything into the things they don’t like beyond their initial dislike of them. They never say “I think X was done poorly, the writers were probably trying to accomplish Y but they fell short because Z and it hurts the show because ABC.” It’s always “X SUCKS AND THE WRITERS ARE AWFUL PEOPLE WHO HATE WRITING.”

Like, perfect example: I’ve seen a lot of people complaining about the pacing in the most recent RWBY episode, and I agree with a lot of their complaints. We weren’t given any time to see WBY’s reactions to Ruby’s choice in episode 8, how it affected them and what they thought about it before finding her at the tree. Hell, the way the start of the episode is written it basically feels like everyone forgets they exist so they can deal with Jaune’s trauma; nobody even really acts like Ruby just, you know, Did That. I get that WBY knows by now ascension isn’t death and Ruby’s probably not gone for good, but it’s still a hell of a sight to witness. And there needed to be, like, two more minutes dealing with that fallout before connecting it to Jaune’s catharsis and their mutual understanding that the people they care for aren’t gone forever. I know RWBY doesn’t have unlimited money to throw around, but it really feels like a critical scene was just cut out wholesome.

But there is a stark difference between how regular fans and RWDE voice these complaints. On one side, you’ve got normal people saying “Yeah, that was rushed, it needed a scene of WBY processing what just happened and it feels kind of callous for them to seemingly get over it so fast.” And on the other side, you’ve got the usual asshats going “OMG YANG HATES HER SISTER AND MILES AND KERRY ARE JERKING OFF JAUNE CAUSE HE’S MILES’ SELF-INSERT AND THEY HATE RUBY AND THEY HATE WOMEN ARGLABARLG.” No, you insufferable nimrods, it’s a very simple writing error, nothing more, nothing less. And you really don’t have to expend much brainpower to take that failure in context and move on. It doesn’t ruin the episode, it doesn’t take away from Yang’s scene with Ruby’s tree form, and unless you’re either stupid or deliberately arguing in bad faith, it’s not hard to take it on its own terms without blowing it out of proportion.

Despite what RWDE would have you believe, RWBY fans are fine with criticism. The reasonable, measured complaints I’ve seen from fans about this episode are proof of that. We have no problem discussing the issues with this show. But the bad-faith, poorly-researched, bias-driven, self-serving drivel that spills from these so-called critics’ mouths has no business sharing the same space as actual analysis. And we’re not going to insult our own intelligence pretending otherwise.

In short: RWBY fans have no problem with reasonable critiques. Maybe all these “critics” should try actually, you know, making some one of these days.

[ashikarin]

Honkai’s Treatment of Fu Hua

What i’ve been seeing in the last couple of chapters - ever since the ending of Elysium Everlasting - has been bothering me, especially in terms of their treatment of Fu Hua, hence the title.

The thing that bothers me the most relating to that is how no one seems to react to anything anymore. When Mei inherits the will of the Flamechasers and returns from the destruction of the Elysian Realm, which included the descending of the Current Era Herrscher of Corruption, by the way, everyone just kind of… brushes it off. Kiana and Bronya don’t react, Theresa seems not to care, and Durandal just doesn’t give a fuck?

I know there’re “more important things” going on, but really? REALLY? Raiden Mei met the warriors at the forefront of the fight against Honkai of the Previous Era, she met PE-thought process Kevin, who is their current Big Enemy, and no one even asked her about it? Kiana and Bronya went “oh cool you spoke to the most powerful warriors of the PE and the Herrscher of Origin? okay anyways” and moved on!

Which leads me to their treatment of Fu Hua. Because no one, not even Mei, who knows about Fu Hua’s memory purge, thought to tell her about the Flamechasers. Even if she didn’t realise the ER was a thing, she knew the Flamechasers. She had relationships with them, and so she’d want to know. She’d have a bigger reaction. All of that buildup where Mei skirts around telling sim Hua about future her and then nothing comes out of it? Seriously?

And i’m not saying HYV should have done this specifically for a reaction, because that’s not good writing either, but it completely brushes off that part of her history like it never happened. She knows and remembers Kevin, Su and Aponia, so by that logic, she should remember everyone else. So why not let her know?

Even on the Moon Base, if they didn’t want it in the Main Story, Klein is on the base. Do you mean to tell me Fu Hua never even asked or wondered why Mobius’s assistant was there?

The thing that pisses me off the most is the fact that this seems to suggest the fact that Hua doesn't deserve to or get the right to know that some of her closest friends just disappeared from reality for the rest of time. As if they never existed.

This doesn’t just apply to the Flamechasers. No one tells her anything! They don’t tell her Finality is running a time loop, or that MEI had no faith in Project Ember. Not only does it make Hua take even more Ls it reduces her character to a pitiable mess who doesn’t and has never been treated well and has only ever been seen as a utility by everyone but Kiana. She doesn’t get anything! She was told a lie and suffered for thousands of years because of that lie, and now that she has the chance to know the truth, they blindside and lie to her again?

Her memory purge at this point is just a plot device to not have to wrap up any loose ends and to not give her any characterisation at all. Like you could take the entire Shattered Samsara arc out and nothing would change because the only thing that it served to do was teach Kiana Edge of Taixuan.

And on that note, WHERE IS GARUDA FU HUA HYV??? offscreen 3 minute Garuda reveal. Where is Garuda Hua battlesuit huh?

[featherymalignancy]

Okay like if you agree, but….

here are 3 trends that I wish the fantasy genre would take a break from for a little while.

*Quick disclosure, this isn’t meant to feel overly negative, I mostly want to hear other people’s opinions on these trends and others!*

Hungry Games-esque “a competition with deadly stakes” plot lines. On the one hand, I get it, because like the rest of the world, I was totally enthralled by this premise when it was first introduced in the 2000 Japanese film Battle Royale and later, the Hunger Games. However, at this point the idea of the main character entering into a deadly competition feels a little tired and predictable, and unlike Battle Royale and The Hunger Games, the many of the latest iterations lack the searing social commentary which made the premise so compelling. Notable Examples: Serpent and the Wings of Night, Lightlark, The Jasad Heir

Motherfucking EPIGRAPHS. You know, that line or paragraph of text which proceeds every chapter. In the fantasy genre, often it is an except from a historical or religious text from the world in which the book is set. And here’s the thing—it’s not that I hate epigraphs, or that I don’t understand their purpose. They can be an elegant way to add context to the story without burdening the main narrative with too much exposition, and they can also help the created world to feel more “lived in”. Having said that, I feel like they are starting to get way overused, and for me, they’ve gone from feeling like a cool way for the author to provide context and add meta commentary to their story to serving as a slightly less clunky vehicle of info-dumping. Like…am I supposed to be remembering the characters of this lore which I only ever hear about through these epigraphs, because I can assure you, I am not. In other instances, they can feel like an authors lack of faith in the reader, as if they are afraid we might miss the point if they don’t include an unsubtle cue as to where we ought to focus our attention at the start of every chapter. I respect the role epigraphs have played in fantasy classics like Dune and Wheel of Time, but I currently feel the number of novels employing them has become fatiguing, and I hope the trend of including them decreases, at least in the short-term. Notable examples: Fourth Wing (Empyrean Series, Swordcatcher, Furyborn (Empirium series)

A [Blank] of [Blank] and [Blank] Not much to say here other than…when are romantasy authors going to let this go?? 😮‍💨😮‍💨 While you could argue the true genesis of this title naming convention could be GRRM’s A Song of Ice of Fire, I think we can all agree that—for better or worse—it was the popularity of ACOTAR that sent this title style into the stratosphere, and at this point, it has become ubiquitous to the point of literal disorientation. To me there is nothing inherently wrong with this title style (though I would also argue there is nothing particularly gripping about it, at least not enough to warrant a trend of this size) but it basically renders all of these books—which are already of a similar vibe and style—virtually indistinguishable. As a reader on the hunt for new books to scratch that romantasy itch, it’s nearly impossible to tell the dozens of titles bearing this title apart, which means I have no sense which which ones I’ve read, which I haven’t, which caught my interest, which I started and didn’t care for, etc. I have idea how much of this is a consequence of publishers trying to capitalize on a known entity in order to make the most money and how much is just the fact that naming a book is really fucking hard, but good lord, what is it gonna take to stop this madness? Notable examples: quite literally too many to name

What do yall think? Do you agree, disagree? What are some fantasy trends you’d like to see go away/make a comeback

[utilitycaster]

Do you feel like you like FCG more now *because* of how much he originally grated on you? Because I’ve been feeling lately like that. Like I see him now and part of what I enjoy is how very much he’s grown as a person from the (sorry Sam) painfully unpleasantly awkward/nosy guy he was. I like him more because of how much he bothered me to start. If not that, what else do you feel had fueled your shift in feelings, I’d love to hear!

Good question! I don’t know if it’s that he was grating early on so much that the things that were issues for me early on have since been resolved in-game as part of a compelling and well-crafted arc. There are characters who have great character arcs whom I’ve loved start to finish, but it is true that there’s something uniquely satisfying when a character you didn't like turns around, and this is by far the most dramatic turnaround I've experienced in actual play.

I didn’t mind the awkwardness, and the nosiness was a bit irritating, but for me the problems were much more the constant people-pleasing/terrible therapy from someone who didn’t seem to have any awareness combined with the fact that a sourceless cleric is not interesting to me at all, and Sam was having a difficult time with the mechanics which is somewhat unforgivable in a party with two glass cannons.

All of that has since been fixed. I think the subclass is still in need of retooling, but now that the party has more HP and FCG themself has more options, Sam is less reliant on the mechanics I disliked and much more comfortable with more standard cleric options. FCG developing a sense of personhood and approaching his interests out of genuine curiosity and wistfulness about the experiences he cannot have rather than the obsequious “oh, I’m just a machine” has been a joy to watch. And, of course, they’re engaging with a deity! They’re exploring faith in a way we really haven’t seen before; all our past clerics have been clerics since childhood, and the pathway to being a paladin is fundamentally different. Finding out more about Aeor, and his connection with FRIDA are both icing on the cake - really, all I needed was an arc about FCG finding a source of faith (deity-based or conceptual) and coming to terms with being a real person, and, like Ashton, I couldn’t be prouder of them.

If I may: I think of the cast, Sam is not necessarily graceful or subtle at dropping hints and working in a picture of what’s there without explicitly saying it (I've talked about this as negative space), but he is extremely good at understanding the structure of a story and that this is work that needs to be done. Think of Nott spending an hour disguised as a halfling in a cafe, or Scanlan doing drugs, or FCG being weird about birds and talking about their past party. It's necessary groundwork to be laid, and it’s infinitely better to lay it on thickly or imperfectly than to not do it at all. As a result, sometimes Sam's characters do take longer to grow on me, but they consistently have; the turnaround for FCG was just the sharpest.

I think because FCG was built around a particularly complicated reveal, it was rough until we hit Breaking Point. Because he was so focused on putting those dominoes in place, he was holding back too much on everything else. Once we had that reveal it felt like Sam could actually breathe. The confirmation FCG had a soul came not long after and everything since then has been a wonderfully explored arc of someone coming at the problem of “who am I and where do I fit in to the world” from several different directions.