#that's a whole ass story

[vulpine-spectacle]

ECHOES IN OUR BLOOD by Vulpine_Spectacle

If we had a daughter, I'd watch and could not save her , The emotional torture, from the head of your high table , She'd do what you taught her, she'd meet the same cruel fate , So now I've got to run, so I can undo this mistake . . . - Paris Paloma, Labor

[kymsys]

'It was late spring, the first time all year that the sunshine had any real strength behind it. Satoru was wittering on about something inane as always — Tentomon or something equally ridiculous.

There was nothing special about the moment. Not really. Except for the fact that Satoru had shrugged off his jacket in the heat. It was draped around his shoulders just so, exposing the long column of his throat, pale after a long winter. Really, there was nothing special about the moment. But when Suguru looked at the boy silhouetted against the spring sky, bright and blue and boundless and beautiful — just like his eyes, Suguru thought — his heart skipped a beat all the same. With all the sight afforded to him, Satoru never missed a thing. So it was risky, what Suguru did. Later, when he was looking at his new phone wallpaper under the cover of darkness, grinning like an idiot, he'd wonder how he ever got away with it. Yet, if Suguru's yearning to capture that perfectly ordinary moment forever was stronger than all reason, perhaps it was stronger than the Six Eyes, too. After all, not even Satoru could stop time.' - by my beloved @fushiglow ♥

(( also glo says: FUN FACT! Tentomon is voiced by Suguru's VA — ergo it's Satoru's favourite Digimon, obviously )) ---------------------------------------------------------

freshly added headcanons: • gojo at some point randomly barged into sugurus room and put glowy stickers all over his ceiling • suguru has gojo as his phone wallpaper, but keeps it a secret • suguru is a hamasaki ayumi fan • the cinnamoroll phone charm is from gojo who spent almost an eternity getting that out of a gatcha machine for him • they were happy

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[blu-ish]

I don't know why I didn't realize this until now but...

WHY ARE THEY THE ONLY TWO WITH BALLOONS???

[p4nishers]

this right here just shot me in the chest. loki offering a handshake to mobius bc they probably believed it'd be the last time they ever saw him and watching mobius disappear with TEARS in their eyes then looking at the hand mobius was holding as he disappeared like it holds the truth to the universe or some shit. like are you fucking kidding

[chickensauras]

I think Laois and MY personal favorite creature, The Simurgh, would get along :]

[a-spectacular-pigeon]

"OOoOooOOoh, but using 'it/its' pronouns for Murderbot is dehumanising!!"

[stolitzsings]

As the new episode drop approaches I am begging people to remember that there is such a thing as a narrative arc when it comes to building character relationships. Stolitz was always going to be angsty and slow-burn (and is all the better for it imho), and as much as I would love to see them work shit out and get together in the next episode, it makes sense that things would get worse between them before they got better

Half the fun of angsty ships is the pining, the misunderstandings, the times when they could JUST TALK ALREADY but are too stubborn or afraid or upset to do so. From what we've seen in the trailer it looks like they're going to have even more pain and misunderstandings in the next few episodes. That doesn't mean the creators are abandoning the ship, or that them not immediately fixing shit is a plot hole or bad writing. And if I see anyone using the word "queerbaiting" about this I swear to fuck I will remotely delete your blog

This is a bit more confrontational than my usual posts but this is the piss on the poor website and I'm gonna need everyone to engage their media literacy skills and actually think about the established conventions of slow burn narratives

Bottom line is I don't wanna see a bunch of bad-faith posts complaining about the next episode just because the creators decide to employ tension and the push and pull of competing character drives rather than just making everything perfect immediately

That being said I'm right here with you ready to get my heart smashed to bits by a comically large hammer labeled "these two idiot gays can't get their shit together"

[bearlytolerant]

Fandom: Star Wars: The Acolyte

Pairing: Qimir x fReader

Fic Rating: E (explicit)

Chapter Rating: Mature

AO3

ONE

Everyday—

Everyday is the same. Morning’s light shines, spackled and fractured through the tattered, burlap curtain. You raise your arm to shield your face. You cringe. You groan. You sit up. There’s a satisfying crackle when you roll your head from one shoulder to the other. Convinced that you should go to work, you stretch, then drag yourself out of bed (if you can consider a blanket on the floor and a rolled up shirt for a pillow as a bed). Still it’s better than waking up, face first in dirt. You’ve been there before and you’d rather not be there again.

Work is work. Food is food. Drink is drink. Evening is evening, but with that you can at least drown the dull life you live in copious amounts of liquor. Numb reality away and drift—drift in an imagined haze of a life where you’re free from this drudgery. And that’s exactly what you do today. Drink. Drink. Drink until you nearly disintegrate. Same as every other.

But this day is not like every other. You stumble out of the local bar and wander by the apothecary’s humble shop. There’s an agitating jingle that wraps itself around your head that’s just begun to throb as a breeze blows through, rustling the makeshift set of chimes near the smeared window. Grasping the corner of the building, fist closing as you wrap an arm around your waist, you steady yourself. A deep inhale and exhale and your stomach gurgles, lurches, threatening your evening and maybe even tomorrow morning too. Doubling over, you swallow, and gulp, and will the contents bubbling in the back of your throat downward. Downward into the pit of your stomach where it belongs.

“Not looking so good.” There’s a tsk. “I can help with that.”

You glance up to see an unfamiliar face that’s half smiling at you, eyes mostly hidden in the shadow of the hood of his cloak. That’s not the apothecary you know. It doesn’t matter, not when your insides want to be your outsides. You try to shove back some of the hair sticking to your temples and suck in fresh air. Even though it’s evening, the air is stale, and ripe with wet blanketed heat. It only makes matters worse.

“Please, I’ll take anything you’ve got,” you manage to croak.

The apothecary shuffles away and reappears after what feels like an eternity, a small vile in hand. He pops the cork and offers the vial. “It’s bitter,” he warns.

Throwing your head back, you dump the burning liquid down your throat and bitter is an understatement. Still, its effects are immediate. You straighten out, palm still pressed to the side of the building.

“Better?” He asks.

You give a nod. “How much?” There’s hope it won’t be your life’s savings but it would have been worth it. Any cost would be worth it to be able to crawl home and not spend the night hunched over a toilet and waking up to the incessant throb of a hangover.

He waves a hand at you. “Consider this one on the house.”

Eyeing him suspiciously, you give the empty vial back. “Nothing’s free.”

He folds his arms across his chest. “This is. You’re special.”

“I am not special,” you say.

Nobody’s special.

He throws you a curious smile, a chunk of his dark hair swooping down over his cheek. He leans in a little closer to you. “I think you are.”

He bites down on his bottom lip. Whether it’s to hold back more of what he wants to say or some kind of flirt, you’re too far gone to sort it out or really care.

“And I know you’re wrong,” you reply. “But thanks for the assist anyway.”

“Don’t thank me yet,” he replies.

With a shake of your head, you shove off the wall, leaving him behind as you continue your trek back to your hovel of a home and pass out.

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[rebouks]

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Alex: Did you just take a picture of me? [The girl leapt to her feet, squinting at Robin as he emerged from the bushes; it was far too late to run away] Alex: You totally did, didn’t you? [Robin didn’t know what to say, or how to explain. Taking pictures of people whilst they were in their own world was just.. fun; whether they were appreciative of that, however, was usually 50/50] Alex: Can I see it? [Robin barely had time to nod before the girl skipped toward him, brazenly but gently angling the screen to see] Alex: It’s a good one though-.. do you always take pictures of people when they’re not looking? [Robin shrugged loosely; he was just glad that she didn’t seem offended] Alex: This camera is pretty fancy; did you steal it? [Robin blinked, shaking his head] Alex: Woah, your parents must be loaded! [Robin snorted, shaking his head again] Alex: Hm, I guess you wouldn’t be camping if you were loaded though-.. you’re camping, right? [Robin nodded, gesturing vaguely in the direction of his campsite] Alex: How long are you here for? [Robin held up his hand, five more days] Alex: Ugh, I’ve been here forever… [Robin raised a brow questioningly] Alex: My dad’s looking after this tower thingie for a friend whilst he’s on some show he won’t let me watch. Cool, huh? [Robin smiled, hoping to convey the fact that it did indeed sound cool] Alex: It was at first, anyway-.. now it’s kinda boring. [Robin wondered how long she’d been here for the forest to become boring, but he couldn’t bring himself to ask] Alex: You don’t talk much, do you? [Robin dug the heel of his shoe into the grass idly, offering the girl another shrug. He was starting to think that his choice to remain silent wasn’t always a choice at all…] Alex: My dad’s a bit like that sometimes, especially since-… [Robin frowned, she didn’t need to finish her sentence, though she couldn’t have known that…] Alex: Well, never mind-.. hey, do you wanna see the tower? [Robin widened his eyes as if to say, really?] Alex: Sure! Dad isn’t home so it’ll just be us. [Robin lifted his sleeve to check his watch, there was plenty of time until curfew] Alex: It’s super neat inside, c’mon!

[dailydoseoffanfics]

pressure spoilers btw quick heads up

is there like human sebastian solace x reader fics out there i already found some in this website and a03 but ngl i want more of it (but i understand why there's a lack of it 💀 there's barely any information of his human years other than he was accused of murdering 9 people lmao) (and yes i know he's canonically married to zerum but I DON'T GIVE A SHITE 🗣🗣🗣🗣🗣🔥🔥🔥🔥🔥 /silly)

[rinbylin]

我赢了。 I won. - 我与他十年前海上一战，赢了他半招他却死了。 I fought him on the sea ten years ago and won by half a move, but he died. -你说既然笛飞声没有死，那李相夷一定还活着对不对？ since di feisheng is not dead, it must mean that li xiangyi is still alive, right? - 我快死了...你不惜一切代价却救不了我。// 好不容易救你出来，你可不能死。 I am dying...you have done everything no matter the costs yet you couldn't save me. // I saved you after much difficulty, you can't die. 君武勇之处，世所罕见，心悦诚服。 your valiance is unparalleled in this world. to which I am wholeheartedly convinced.

dihua + a matter of life and death | 莲花楼 mysterious lotus casebook

[shirozora-draws]

It's WHAT day today!? Not me already feeling weird about working on two sketches to post the same weekend as that sketch I posted for the first time in months only to find out that Today is the Two Year Anniversary of The Day Dinluke Took Over My Brain.

(It's not 12AM yet, this still counts as a 12/18 post)

Anyway.

Been dying to do some nice proper "the staircase fic is firmly on my mind" sketches. This version of Luke actually shows up later in the fic and the shape/cut/color of his robes are also influenced by Padme's wardrobe. Din's look has appeared on this blog before and is super duper influenced by what we saw of Aq Vetina's residents in the flashback scenes. The, uh, holocron plays a smaller part than it looks but I bought a holocron at Disneyland and wanted to have fun with my new reference.

Have I posted about the staircase fic on the art blog? It is live and currently posting as Gravity Well on AO3.

[skitskatdacat63]

"From triumph to failure is but one step."

+ the usual

I love when I can include paper sketches in the process gif. It's very satisfying to see it progress from a very vague imagining of what was in my head to the finished project.

+ version without text

My favorite sketch was definitely the one where I actually put in words what it's supposed to convey. I wouldn't usually write that down, cause it's all in my head, but it was useful to do so when sending it to other people. I'll go into it more but here it is just as a teaser:

Lmao first of all, I like how I was teasing "Spanish GP" art, but as per usual, it's just thinly veiled au art. IM SORRY, I'M NOT INTERESTED IN MAKING GENERAL POSTERS, THAT'S NO FUN! So instead you will get weirdly relevant matador au art. I like it a lot though, I was really shocked I was able to draw 3 different Fernandos, I mean even drawing one figure takes a lot out of me, but this was weirdly easy?? I think it's just the effect of not being burnt out anymore, and actually being able to draw with more ease makes me feel like a god.

Okay, so the text: "Fight or Flight?" I'll be honest, I don't even remember why I chose it, literally came to me in a vision 😭 But I think it's fitting with the narrative of this piece. Is it better to keep going on, keep fighting, or better to finally give up, and flee? Not that I even remotely think he should give up, but I feel like sometimes I can sense him pondering this very question. That was the big fear before he announced that he re-signed. Keep fighting and maybe, just maybe, you'll get the chance to finally go up against the bull again. Or accept it's an uphill battle and the fighting is going to keep getting more and more strenous, and maybe it's time to put down the sword. SORRY THIS IS SO ANGSTY FOR WHAT'S SUPPOSED TO BE "yayyyy home race!!!" Please forgive me <3

I. Renault

At some point, someone pointed out to me that I had drawn all other iterations of matador Fernando with a sword, except for Renault Fernando, and that ended up feeling very poignant to me. In a bull fighting match, they really only pull out the sword at the last minute to deliver the killing blow. So I think it's important to never draw this Fernando with a sword, because it shows the unfailing confidence and stability he has at that point. He only needs to pull out the sword at the end, as a formality almost, there's no reason for him to keep his guard up at all times.

II. Ferrari

Meanwhile this Fernando, he's considering his sword like he hasn't had to in the past. He's checking the sharpness, making sure in advance he can do what needs to be done. He's on guard, he feels like he needs to keep up his defenses at all times because he doesn't have that same amount of trust and stability anymore. He knows though he will be up against the (red) bull, at least that's never in question. At least there's the assurance he'll get the chance to fight.

III. Aston

Oh, Aston Fernando....He doesn't know whether to take up his sword or finally put it down for the last time. While at least Ferrari Fernando knows he's on constant guard against the bull, this Fernando doesn't even have that assurance anymore. He feels like he can never put down the sword, just in case he gets the chance to strike the killing blow on the bull, which feels like it's growing more and more unlikely.

Spanish flag: ? Lmao this was meant to be something to celebrate Fernando's home race and it turned very introspective whoops. Also got the Napoleon quote in there hahaha, can't escape it!! Shame though there is no French gp anymore, if so I'd probably draw an unhinged thing for it :,(

[tanky-baby]

When y’all imagine listeners talking with a character that isn’t their partner, what do y’all imagine their called?

Other that like, actual names ofc, I’m talking about nicknames