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#that's just. enjoying and understanding literary works
cowardnthief · 1 year
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just saw someone say that they didn't need to "get the point" of a literary novel, because they read for "entertainment" and "not to contemplate the human existence," and i think that is probably the most insane take on literature i've ever read. of course it was on tiktok.
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sarahreesbrennan · 8 months
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Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?
Genuine question.
Ohhh, my dear anon, I don't believe this is a genuine question.
But it does bring up something I've been meaning to talk about. So I'll take the bait.
Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.
Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.
… I have to say from my experience of women and men's writing, I haven't found that to be true.
I’m not in this to have an internet argument. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.
I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.
In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.
Depiction isn't endorsement. Depiction is discussion.
Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.
I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.
I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?
I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.
If the moral thing to do is shut people out and shut people up? Count me among the villains.
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thewritetofreespeech · 4 months
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hello. I read your bg3 marriage headcanons and was wondering if you could do a follow-up on what their first anniversary would be like? also add rolan, even though he wasn't in the original. only if you want to.
BG3 - 1st Anniversary Headcanons
[original ask in question X]
Gale
What does Gale ‘grand gestures are my love language’ Dekarios have planned for your first anniversary? Oh nothing special.
Just all your favorite meals cooked & ready for you. Starting with breakfast in bed. A small, light picnic at your favorite shoreline spot to watch the tides come in and enjoy the sea air. Ending with a romantic candlelight dinner that would put some of the finest Baldurian restaurants to shame.
He gives you a book of love poems as your present. Paper is traditional for the first anniversary after all. It is furthermore inscribed with his own, original poem on the front cover for you.
Astarion
He actually isn’t aware it’s your anniversary. Until he is reminded by someone. It’s not that it’s not important to him. Astarion has just never celebrated one before. How could he, when none of his previous lovers ever even stayed the whole night?
He has to work fast. But luckily Astarion is extremely clever and resourceful.
Playing it off like it was his plan all along to ‘pretend’ to forget, only for you to be further surprised is simply part of his plan. He plays it off so well that you believe him when he tells you that he got you a new necklace because ‘it reminded him of your eyes’. He makes a mental note to remember next year and be more genuine in his efforts.
A!Astarion
Of course, Astarion remembers the day you officially became his. Body, soul, and now legally.
Part of it may just be the celebration of having something that’s his. He hasn’t had anything for so long that he goes overboard. And with you, his most prized treasure, he can’t help it either.
The day, like all your days, is just about the two of you. He has a portrait commissioned for the two of you and commits to having one done every year, so you remember what you look like & how happy you are together. The old ones are kept in an archive below for safe keeping.
Wyll
He’s been looking forward to this day almost as much as getting married to you, the love of his life.
If he chose to stay in the Gate and become the new Grand Duke Ravengard, Wyll will host a ball so that you can celebrate with all those you hold dear. Old and new friends. He has the bard’s college compose a new song to commemorate the occasion, one that he can lead his partner out to the dance floor with and waltz them around all night.
If he went to Avernus to continue as the Blade, they will waltz together, alone, on the stoney rocks of the Hells. While Wyll hums a private tune between them to keep the music going.
Halsin
Halsin isn’t much for ceremonies or constructs of time. Nature and time move hand-in-hand with one another without making much note of their relationship, and he feels that they should do the same.
But…he can appreciate that something like this should be marked & remembered.
He will make time to get away from his duties as ‘Daddy Halsin’ to be a husband for a while; no matter how short it might be. He carves them a beautiful ornament. Something of a remembrance of their year to hang on a tree by their home. Halsin tells them that he hopes, one day, it will be filled with as many happy memories as leaves. The tree growing as with their love for years to come.
+Rolan
Who has time for such frivolities? Rolan has an acclaimed magic shop & literary archive to run, along with the magical commitments he has as the new caretaker of Ramazith's Tower. Surely, as his partner, they must understand that.
Lia gives him an extremely firm talking to about how selfish and narrow-minded he is being. That it’s not just about him anymore it’s about them.
Though Rolan will never admit that she’s right, he does make it up to his spouse. Apologizing to them for being so callous and making an effort to be more ‘traditionally romantic’. He presents them with a single white rose. Enchanted, so that it will never die, never wilt, and never fade. “It will always be as pure and radiant as my love for you. Should I forget to tell you every day, look upon it and remember. Though, I will try to remember to tell you everyday until my last ones.”
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mxltifxnd0m · 2 months
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heaven's in your eyes യ s. winchester
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summary: you and sam are in a sticky situation and there's only one way to get out of it
pairings: sam winchester x reader, sam winchester x fem! reader
word count: 3.4K
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warnings: vaguely set in season 3/4, fluff, mutual pining, slight angst, teasing from dean, sam in a tux (yes that's a warning), kissing, suggestive/spice, implied smut but no smut
a/n: i've had this one stuck in the noggin for a while and finally got around to writing it! this was heavily inspired by and based on the mall scene in captain america TWS between steve and nat and 3x6 episode with bela.
reblog and comment on the fic! I love seeing your thoughts on it sm 😊
𝘴𝘢𝘮 𝘸𝘪𝘯𝘤𝘩𝘦𝘴𝘵𝘦𝘳 𝘮𝘢𝘴𝘵𝘦𝘳𝘭𝘪𝘴𝘵
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You never thought you'd be in this position in a million years, feeling the heat of Sam's hands seep into the fabric on your waist as he pulled you in closer, sliding his leg between yours as your back hit the wall. This is not what you had thought would happen when you decided to ask for the Winchesters' help on your hunt.
You had run into the Winchester brothers after you had "accidentally" killed the witch they had been hunting. You had no idea that the three of you were hunting the same witch, but you had gotten to her first. You had no clue that the Winchesters were in the same town as you. Your paths never crossed until they found you hunched over the witch's body, blood splattered over your face and clothes, with the living room of the witch in complete disarray.
You looked up from the dead witch to see two tall mountains dressed in leather and flannel standing in the doorway. You remembered their faces were screwed up with expressions of surprise and puzzlement as you stood up from the carpeted floor with a grin on your face.
"Seems I beat the two of you to it." You said to them, slightly out of breath, and stuck out a hand for them to shake, introducing yourself to the two men who you deduced to be hunters. You instantly noticed that they were gorgeous. They seemed to walk straight out of a GQ magazine. But the thing that gave away the fact that they were hunters was how they held themselves like soldiers (and the fact they had guns in their hands as they burst into the house like madmen).
Your eyes were drawn to the taller one of the two (they were both pretty tall, but you could have considered this one a giant). He had shaggy brown hair with bangs that you just knew that he had to brush away from his eyes frequently and a nose that, if you followed the slope of it, you could see how it came to a cute point at the end of it. What really entranced you was his hazel eyes that memorized you as soon as you made contact with them.
They introduced themselves as Dean and Sam, the latter being the one you found yourself attracted to the most as his warm hand engulfed yours as the two of you shook hands.
From then on, you guys seemed to cross paths at least once a month on a hunt. Whether it was a nest of vampires, a vengeful spirit, or a pack of werewolves, the Winchesters and you would end up in the same place and time and end up working together. There was this unspoken agreement that the three of you would work together if you so happened to be working the same hunt.
During these hunts, you found yourself pining over Sam Winchester. You didn't know how it happened at first (okay, you do know how it happened, but you didn't want to admit anything at first), but you noticed how kind and sweet Sam was. Sam's empathy and positivity were a stark contrast to the bleakness you were used to as you worked on hunts, but it was a breath of fresh air for you.
It didn't help that the two of you got along like a house on fire. You met someone who could understand your weird niche literary references, match you in a battle of wits, and actually enjoy learning and the research aspect of hunting. And your yearning for him didn't stop there because it didn't help that Sam was devastatingly handsome and, at his core, such a gentleman.
The realization that you liked Sam hit you like a ton of bricks. So, you did what you did best when it came to your feelings, you ran. You distanced yourself from them. You would purposely dodge their calls (Sam's mostly). It was a dick move, and you knew it since they were most likely calling for help, but you couldn't bring yourself to call back.
But with this particular hunt, you were stumped and needed help. You had tracked down a necklace from the late 17th century that led a trail of bodies behind it. You surmised that it was cursed, and you needed to get to it and burn it. The only problem was that it was sold to a small museum owner in an estate sale from the previous owner and was going to be displayed in the town's museum for its grand opening, with the necklace being the main exhibit. You had no way of getting it without being caught, so you needed extra hands.
You paced the length of the motel room you were staying out, biting your thumb as you debated on calling in for some help. You would have called Bobby for help, but you knew he would just send the Winchesters over to you anyway. After pacing around your room, you bit the bullet and called Dean.
"Well, isn't this a surprise sweetheart!" Dean's voice filtered through your ears, and you couldn't help the slight smile that grew on your face at the sound of his cheery tone (even if you could hear the undercurrent of smugness in his words).
"Hi Dean," You greeted with a chuckle as you sat down on the edge of the bed, the springs creaking slightly underneath your weight.
"I hate to admit it, but I need your help on this hunt I'm working on." You asked as you bit your bottom lip, waiting for his response.
"You're in luck. Sammy and I just wrapped up a hunt here, where are you anyway?"
You felt your heart start to beat faster at the mention of Sam, which made you roll your eyes at your reaction to just a name. You told him the town and the state the hunt was in, and you could practically hear the grin in his voice as Dean replied.
"We're not that far from you. Just a couple hours drive from you."
"Well, if you're up for it, I could really use the help."
"Oh, we'll be there, sweetheart. Text me the motel you're staying at and the room number, and I'll let you know when we get there."
"Will do." You told him, and the two of you said goodbye as you hung up the phone. You fell backward onto the bed with a loud exhale. At least you had a couple of hours to compose yourself and try to breathe normally. You found yourself always short of breath while Sam Winchester was in the vicinity of you (you should probably go to the doctor for that, but it's not like you had good health insurance for a physical).
A couple of hours later, you heard the familiar rumble of the Impala just outside of the motel room. You felt something flutter in your stomach when you realized that you'd be seeing Sam after three months of no contact. There was a knock at the door, and after checking through the peephole of the door, you unlocked and swung the door open to be greeted with the broad grin of Dean Winchester, his brother, standing right behind him with a smaller smile on his face.
Dean had pulled you into a short but warm hug and brushed past you into your room, making himself home as you gave Sam a hug in greeting, feeling his arms wrap around you and squeezing before letting go. You could have sworn his touch lingered as he entered your room. You bit your bottom lip and released it as you shut your door.
Once Sam and Dean were settled at the table in your motel room and you on the bed, you gave them the rundown of what the hunt was and what you needed to do to get rid of the necklace. You were so engrossed in explaining your research and what you found out that you didn't notice Sam's eyes trained on you the entire time, a fond smile on his face as he listened to you talk.
"Not that we're not happy to see you, but this seems like a one-person job?" Dean questioned.
"That's what I thought too, but I found out that the necklace was going to be the main exhibit for the museum and unveiled at the end of the night. I was going to knab it beforehand, but this museum has pretty good security, and as much as I'm good at sneaking around, I don't have the measures to handle them without backup."
"We're just backup then? Oh, that hurts more than you could imagine sweetheart," Dean pretended to get shot in the heart, dramatically holding his chest.
You chuckled at Dean before you looked at Sam at that moment and caught him rolling his eyes at his brother.
"Quit being dramatic Dean," Sam said before his eyes met yours. "We'll help in anyway we can." The soft smile that was on his lips made you melt inside.
You smiled back at Sam. "Thanks, but there's another thing, it's a black-tie event." You winced a bit at your own words.
Dean groaned. "You're telling me I have to wear a tux?"
You scoffed at Dean's whining. "At least you could still hunt in a tux, wearing a dress makes it a little more difficult to move in."
A salacious grin made its way onto Dean's face. "Ah, but it's easier access if you know what I mean." He winked at you, and one of the pillows from the bed hit his face. You heard Sam chuckle, making your smile widen.
"Shut up, Dean. It's late, and the event is tomorrow. So you guys need to buy a suit and I need to go out and buy a dress." You all but shooed the brothers out of your room and bid each other good night.
Morning came faster than you anticipated, and the three of you went out for breakfast at the nearest diner before you guys went shopping for the outfits you needed for tonight.
"So, I was thinking, if the event is black-tie, wouldn't it mean this is invite only?" Sam asked while the three of you were eating.
You swallowed thickly and nodded. "Yeah, I was able to get two tickets, both of them with plus ones." The sweet old lady who ran the motel had given them to you, saying that she was too old to go and wanted to give them someone. She had given them to you since you had mentioned offhandly that you wanted to visit the museum after it opened.
"Good, I'll take the other ticket and Sammy here can be your plus one." Dean said with a wide smile as he patted Sam's shoulder. Your eyes widened at Dean's words, seeing the mischief glint in his green eyes.
You pursed your lips and looked at Sam. He had an unreadable face and looked everywhere but at you.
You cleared your throat to grab his attention. "Is that okay with you Sam?"
Sam finally looked at you and hummed. "Sorry, what?"
"Are you okay with being my date to the museum?" You clarified.
Sam nodded, his hair falling into his eyes as he did. "Yeah, it's okay." He reassured you, and the temptation to brush it away for him was at an all-time high. You couldn't help but feel a little disappointed when he did it himself.
From there, the three of you finished your breakfast and went out and shopped for your dresses and tuxedos, respectively. You had found a beautiful spaghetti-strap green dress; the neckline came at a v, exposing a large portion of your collarbone and chest, a slit on either side of the dress that went up to your midthigh. There was an open back that stopped right above your lower back. This was the first time in years you would wear a dress, and when you tried it on in the store, you couldn't help but get it.
Once you guys were done shopping, you went back to the motel to get ready. Dean teased you about how girls take longer, but you didn't dignify his teasing with a response. With a roll of your eyes and a wave of your hand, you went into your motel room to get ready and informed the boys to be prepared by 6:30 since the event started at 7.
You took a shower, shaved everything, and slipped into the dress. You did your makeup, and it was a little heavier than usual, having put some eyeshadow on your lids, smoking it out, eyeliner, and some lipstick to tie the look together. With your hair, you french braided the front of it, leaving some framing pieces out, and then took the rest of your hair and pulled it into a bun at the nape of your neck.
There was a knock on your door as you finished up, and you quickly left the bathroom and opened the motel door to see Sam and Dean in their tuxes. They both looked handsome, but your breath caught as you stared at Sam. His hair was relatively the same; it was just combed down, and some product was used to tame it. His suit fit him like a glove, and you gripped the door a little tighter as your eyes roamed his figure.
"Wow," Dean breathed out, breaking you out of your little trance. "You look great." Dean said with a genuine smile on his face. His compliment made you smile.
"Thanks Dean. You look pretty good too."
Dean scoffed playfully. "Just good? I think the words you're looking for are handsome, jaw-droppingly attractive or you know any adjective that means hot."
"Right," You drawled out. "Why would I lie to you?" You smiled sarcastically at him and laughed when his smile dropped into a scowl.
"I'll be in the car." He grumbled before stalking off to the parking lot and to the Impala.
You and Sam laughed at Dean before the two of you settled into an awkward silence.
You smiled tightly at him. "Let me get my bag and we can go."
Sam nodded, and you quickly grabbed your bag. You exited the room and locked the motel door once it closed. The two of you walked to the Impala and got in.
Once you had entered the museum, you knew you were doomed. Sam was acting like a perfect gentleman and date, always having a hand on you at all times, whether it be at the small of your back or your arm hooked around his as you walked around the ornate museum.
"I didn't get to say this earlier, but you look beautiful." Sam had whispered into your ear as the two of you walked into the museum, and you almost tripped on your kitten heels because of the sudden compliment. You felt your cheeks warm as you quietly thanked him.
The three of you decided to walk the museum and tried to find the necklace before it could be unveiled to the public. Dean had the first floor, while you and Sam had the second floor. Most of the second floor was the other exhibits the museum had. But you eventually found the necklace behind a locked room. Sam picked the lock to the door and saw the necklace in the corner of the room. The two of you carefully grabbed the necklace from the mannequin neck it was displayed on and put it in your bag.
Before you guys could get out of the room, you heard heavy footsteps heading your way. You started to panic internally as Sam looked at you urgently.
"Kiss me." You blurted out.
Sam's eyes widened. "What?"
"Look, we don't have a way out without being caught and public displays of affection make people very uncomfortable."
"Yeah, they do. Are you sure?"
You heard the footsteps get closer and closer, and you quickly pulled Sam down by his neck and placed your lips on his. Sam's hands found your waist as he pulled you in closer to his broad figure but also moved you backward until your bare back hit the wall.
His lips were soft and warm as they moved against yours, and you couldn't help but feel warmth fill your chest as you kissed him. Your hands made their way up his chest and wound up on his shoulder and hair, making him scoot closer to you, his leg fitting through the gap between your open ones and gasping into his lips as his thigh pressed against your core.
The door opened, and the both of you pulled away, slightly out of breath, and turned to see Dean grinning widely in the doorway.
"Well, as much as I love to see the two of you work your feelings out for each other, we need to leave before we get caught stealing a necklace."  
Your heart starts to beat faster than it already was at Dean's words. Sam had feelings for me? You thought to yourself as you looked at Sam, who was already looking back at you and seemed to think about the same thing.
Sam leaned down. "We'll talk at the motel." He whispered in your ear before pulling away and sending you a smile. You nodded and followed him out of the room, Dean leading the charge out of the museum.
You were nervous and antsy the entire ride back to the motel, having destroyed the necklace in the woods right beside the museum. You stared at the back of Sam's head as Dean drove, wondering what the hell was going through his head.
When you guys made it back, Sam had you followed back to your room. Dean noticed, and he started to make some teasing remarks about the two of you to keep it down. All you and Sam did was flip him off and go into your room.
After the door shut, you and Sam were standing in the middle of the room, staring at each other in a charged silence. You don't know who moved first, but the two of you were entangled in one another, hands pulling at clothes, lips, and teeth on jawlines and neck. Hips grinding into one another, low moans and groans filled the air as the two shared a passionate embrace.
Later, after the two of you cleaned up, you were tucked into Sam's side, resting your head on his bare chest, absentmindedly tracing his tattoo with your fingertip. At the same time, his hand trailed up and down your arm and shoulder and kissed your hair occasionally as the two of you basked in the comfortable silence.
"This isn't a one time thing for me you know?" Sam's voice broke through the calmness of the quiet room.
You turned your head to look up at him. "Really?" You asked him, and you could feel the corner of your lips threaten to twitch up into a smile.
Sam nodded a sheepish smile on his face. "I know I don't have the best track record, but I really like you." He said with a slight blush beginning to grow on his cheeks.
Sam had told you about his experiences with love in a late-night conversation you two had shared a couple of months ago. You could understand since you also didn't have the best experiences with love either and confided in each other about it.
But at Sam's admission, you couldn't help but smile widely as Sam. You moved from Sam's side to straddle his hips. He sat up a little, and you threw your arms over his shoulders.
"Well, you're in luck because I really like you too Sam Winchester." You leaned closer and brushed your lips over his.
You felt Sam grin as you pecked his lips. "Really?" He teased, his hands resting on your bare hips as he slowly moved them against his growing bulge under the sheets.
You kissed him hard before trailing your lips down his jaw and neck. "How about I just show you?" You mumbled against his collarbone and nipped at it before your lips trailed lower and lower down his body.
Maybe calling the Winchesters for help wasn't a bad idea at all.
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lumi-waxes-poetic · 2 months
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re: the Neil Gaiman shit
In light of recent revelations, it is very likely you or someone in your circle is seriously rethinking their relationship to Neil Gaiman's books.
That's perfectly natural. But if I might offer a word of advice (which of course you may do what you like with, I'm not god)?
If his books ever meant something to you growing up, and some part of you, no matter how small, refuses to let them go? That's okay. Don't devalue or burn cherished things just because the Author is a Horrible Person.
God only knows that if that were the requirement, we'd have little left to enjoy in the world.
If you feel the need to have a reckoning with your bookshelf, do not let my words stop you. Keep or discard his books at your own recognizance. Just remember that he is merely the author of these books: he is not the books themselves. If ever his books communicated something Good and True to you, do not feel pressured to throw that Good and True thing away just because the source was less good than you thought it was.
Despite his(overwhelmingly probable) guilt, Neil is ALSO one of the genuinely best writers we've had in DECADES. This will understandably complicate his legacy. As much as we like things to be simple, people are often multiple things simultaneously, and we often will dislike or even hate some of those things.
Was Neil being a hypocrite when he supported feminist and LGBTQIA+ causes while also being a huge... <gestures to all the allegations>? Very definitely. But I don't want to see the genuine strides his support helped make possible fall away just because his hypocrisy was revealed. I don't want to see people ignore or undermine the frankly EXCELLENT MESSAGES in a lot of his books just because the author didn't live up to the standards he wrote about.
This isn't about absolving Neil in the slightest. I hope he gets whatever justice he's due. But don't punish yourself arbitrarily for it. If you have decided that now is the time to move on from his books forever, I don't blame you. If you decide to keep reading his books and they inspire you to be a better person than him, that's just as awesome. Spite that sunnuvabitch with his own works.
It is my hope that people can and will continue to enjoy his stories, and take home from them some excellent messages, long after he faces justice for his actions as a person. He wouldn't be the first author whose works were forgiven long after his personal harms were done; literary history is replete with such individuals -- Lord Byron, Virginia Woolfe, Robert E. Howard, Ernest Hemingway, Ezra Pound, Vladimir Nabokov, etc. The list goes on and on for as long as one wishes to peruse it. Their problematic acts as people cannot and should not be ignored, but neither can nor should their works. Perhaps Neil Gaiman is in good company, then, as we add his name to that list. A brilliant author, with brilliant works to his name, but a far less than brilliant man.
Only you can decide how your relationship with the books you have read will work out. You alone have the power to determine what authors you read and whose works shall adorn your bookshelves.
Don't let the crowd tell you what you're allowed to read, but perhaps don't discount the crowd's opinion out of hand on this one either. They do, after all, have a point.
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shesjustanothergeek · 2 months
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The Gods We Can Touch Chapter Four: Before the Storm
|Aemond Targaryen x Strong!Reader|
Masterlist of Series
Summary: The older twin of Prince Jacaerys Velaryon, you were a picture of the maiden, untouched and untainted by man's sins. At least, that was what Alicent Hightower believed when she held you in her arms moments after her old friend's labors. You were her shining light, her dream. Though you were never hers, she believed you were meant to be.
What will become of you as time passes and the Queen's shining light grows within the blackened darkness? Will her eldest son's morbid fascination with the light burn the realm? Or will her second son's obsession with the only daughter of Rhaenyra Targaryen change the course of the Seven Kingdoms as we know it?
Author's Note: Hello everyone! How are we doing after the last chapter? I went on a vacay and enjoyed some time with my family and dog, but now we're back to business. I wanted to say that I'm not a literary genius. Later in this chapter Helaena says some lines from a piece of work by Hélène Cixous called Love of the Wolf. I'm not taking credit for her work by any means, but I couldn't help myself not to add it. It was just too perfect. Well, anyways, thank you for reading!
Chapter Warnings: mentions of childhood SA and trauma related to it, sexism, bullying.
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Birdsong accompanied you in your daily lessons with Septa Marlow, her parchment-thin flesh wrapped over her shaking bones as she pointed to the large map of what you assumed was Westeros. It wasn’t that you couldn’t identify the outline of your own country. You didn’t care. The tiny sparrow that decided to make its nest on the branch of an oak tree outside the tutor room window was far more interesting.
You could hear the sounds of swords clashing outside over the creature’s call, an added instrument into the melody of the Red Keep. There was no doubt your brothers and uncles were practicing their swordplay, Ser Criston teaching the pairs of children. How you longed to be out there with them, with your family, with your twin, learning of things much more exciting than what region of the country produced the most red wine.
You only wanted to see them and to be entertained. It wasn’t that you wanted to learn the sword, though you wouldn’t say no should someone ask.
But this resulted from the actions from the previous day when you disobeyed the Dragonkeeper’s commands. It surprised you when your mother failed to mention how your brothers and Aegon gave Aemond a pig, but you weren’t planning to go out of your way to tell on yourself and receive any more repercussions. You were already confined to the castle walls and forbidden from seeing your dragon for the next sennight. You couldn’t imagine what your mother would have done in response if she knew.
“Princess, pay attention,” the old crone’s wavering voice commanded, causing you to jolt.
You attempted to follow her instructions, rattling off the names of Houses and their most profitable exports, but metal clanging stole you from your duties once more. Why couldn’t you be with your brothers and uncles? You understood that today’s extra lessons were a punishment, but why couldn’t you join them? You and Jace were the same age, though you were a few moments older, and Luke was younger.
You could comprehend the importance of learning such knowledge, but your brothers were able to understand this and swordsmanship. Why could you not? Seeing as your mother had not learned it, you did not believe it was a skill you needed. This was the only thing that separated you from Jace, and you hated it.
Suddenly, everything went silent. The birds, the clang of steel, your mind halted into a noiseless silence, leaving the only sound of Septa Marlow’s droning, shaky voice. Screams you knew belonged to Aegon and the shrieks of your younger brother, Jace, briefly sounded, causing your feet to twitch in the direction of the sound. You knew your brother. That was not a noise of happiness but one of determination and fear, but once again, it plummeted into silence.
Then, it erupted. Shouts and thick, repeated thumps of what could only be skin on skin replaced the dull thudding of swords, only this time, it was of grown men.
Disregarding your Septa’s scolds of disobedience, you stood, rushing from the creaky wooden desk and chair with a soft wince from the pain between your legs. You ran to the window, face pressed against the glass, to see the situation unfold.
Ser Harwin kneeled over a man in polished armor you couldn’t see as he drove punch after punch into the man’s face. It was a member of the Kingsguard, judging by his attire as onlookers gathered around the two of them, attempting to remove Harwin from his victim.
Why would Ser Harwin be attacking a Kingsguard?
You pressed your face closer to the glass, fogging it with your breath. Soon, your mother’s protector was thrown off, revealing a bloodied, smug Ser Criston Cole, a proud smirk on his tan face as he spat viscous scarlet liquid. Ser Harwin spewed words of anger you couldn’t hear as you observed with wide eyes from above.
“Princess!” Marlow shouted, stomping her slippered foot in exasperation. “Return to your seat at once.”
“Ser Harwin is attacking Ser Criston!” you countered with a whine as you disregarded her demands. Without thinking of the consequences, you ran for the exit only to be met with the face of your sworn shield, halting you from seeing the commotion.
You were stuck. These were the repercussions of your actions, and now you had to sit in dull solitude with a Septa so old that your mother had her as wild possibilities ran through your head as to why Ser Harwin Strong attacked Ser Criston Cole.
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Finding where your uncle Aemond spent most of his time was effortless. He was unlike the rest of you, who loved to be outside in the dirt, running about the gardens as you and your brothers played any game you could think of. Aegon and the trio of you teased Aemond for the fact that he was different in this way, your eldest uncle impressing the idea that his brother’s likes of science, math, history, and philosophy were weird for a child. You also enjoyed subjects similar to your uncle’s, thirsting for knowledge of everything related to herbs, flowers, and other plants, but you never brought it up. Aegon would undoubtedly tease you for it if he knew.
Aemond’s interests weren’t typical, but you didn’t see it as something to look down on him for. But since Aegon did, you had no choice but to agree.
The library in the Red Keep was a lonely and shadowy place, rarely visited by anyone, not even the servants. The absence of lit candles or a crackling fire contributed to the eerie atmosphere, creating a sensation of fear that seemed to grip your very core as you stepped inside, as though you were venturing into an endless void of darkness. Despite the unsettling ambiance, you summoned your bravery, clutching your cherished collection of fairy tales for comfort, and gained the strength to push open the library doors. The sound of metal clanging echoed in the silence.
Motes of dust swirled in the beams of light pouring through the windows as you combed through the towering wooden bookcases. Your search was targeted and honed on a particular individual who, besides Lord Lyonel Strong and the rest of the council members, was known to make regular visits to this room. It was just a matter of time before you laid eyes on him.
After the sixth tall hickory bookshelf, you found Aemond resting on a window seat filled with lush fabric cushions, the sunbeams casting him in a yellow glow. You took a step forward, hesitating as you thought about how your uncle would react to your goodwill gesture. Despite anticipating his initial skepticism and harsh words, you held onto hope that persistence and authenticity would eventually make him see you for who you are.
You wished for it to be true.
“Have you come to mock me again, niece?” Aemond asked, interrupting your indecision with his nose still in the pages.
You swallowed as your mouth became dry, stepping out to reveal yourself fully. “No, Aemond. I came to read,” you replied, taking a gasp of air and summoning courage, “with you.”
Your uncle’s attempt to mask his surprise was unsuccessful as his eyes widened in astonishment. He quickly glanced at you and returned to his book, hoping to conceal his reaction.
His usual scowl deepened, pulling down at his freckled cheeks as he interrogated. “Why?”
A lopsided grin scrunched your plump cheeks upwards to crinkle your eyes as you shrugged. “Because I want to.”
Aemond flipped onto the next page with a skeptical face, yet his violet orbs never moved from the same spot. You had his attention. Hiding a victorious grin, you stepped towards him before he could protest, plopping onto the pillows beside Aemond. He quickly recoiled in exaggerated disgust, as if you were no more than an annoying fly that landed on his arm as he slammed the tome shut and briskly left.
This was an expected outcome, and you hurriedly chased after him, your shorter legs struggling to keep up with your uncle’s pace as he fled around a corner from your attempted act of bonding. You understood this was not a simple task and already built the mental stamina to outlast Aemond’s antics as he jumped down the stone steps of the Keep two at a time.
Eventually, he managed to escape you, his notable mane of blonde hair disappearing before a crowd of courtiers in the courtyard.
You huffed a sigh as you observed the sea of people, sweat stinging your privy part, but you ignored it, standing on the tips of your toes to peer over the wall of the pale redstone landing above the yard.
Suddenly, you spotted him at the far end as he caught your gaze, violet eyes widening in horror as if he saw one of the monsters from your stories. He turned away. His confident walk soon turned to a worried jog as you ran as fast as your limbs could carry you, shoving your way through the throng of people. You were used to playing chase with your brothers. Doing it with your uncle was the same, if not more manageable, with the help of his iconic hair and green garbs.
As you reached the area where you spotted your uncle, he was nowhere to be found, and you turned, looking across the vast meadow of the court that ebbed and flowed like the swaying of a wheat field, focused on their afternoon destinations. None of them paid any attention to the two dragon royals, both more than a head shorter and too self-absorbed to care.
With a sharp yelp, you fell to the ground, soiling your gown and dropping your book on the packed dirt as you caught yourself with your palms. They ached at the impact, tiny rocks embedding into your soft skin as you swiftly turned to the person who shoved you and saw no other than your uncle Aemond staring over you with rose-dusted cheeks. His arms securely bound his book to his chest as he looked down upon you with his nose, catching his breath and taking three paces back before you righted yourself.
“Why are you following me?” your uncle shouted down at you as he attempted to make his voice sound like a grown man.
You huffed as you swiped the dirt from your turquoise dress, gritting your teeth to control your frustration. This was one of your nice ones! Of course, Aemond would ruin it. Your mother would surely scold you when she found out.
“I told you I only wanted to read!” you screeched with a stomp of your foot as your arms flew into the air, flailing wildly. “And now you’ve ruined my favorite collection! The spine is loose and the pages are dirty!”
Aemond said nothing as you studied the now-tattered book before you. Every night, Ser Harwin or your father read a short story from this as you sat atop their laps, drifting off into a restful sleep filled with dreams of nymphs playing in a forest creek. Your book, too, was ruined—another consequence of wanting to be kind to your uncle.
“What’s it about?” he suddenly asked, prompting your watery eyes to move to him. The blush that covered Aemond’s face deepened, now traveling to his ears and throat as he dug his nails into the leatherback of his tome. He looked almost pained to inquire about anything that had to do with you.
Your first instinct was to bite with sharpened fangs of hurt, but you stopped, remembering your goal as you batted your watery lashes in disregard. “It was a volume of different stories,” you sighed with disappointment, afraid that if you showed any other emotions, you would revert to your old ways.
“I see.”
You stared at Aemond expectantly, waiting longer than what was proper for him to continue any sentence or explanation. Still, he did not, only observing you with a calculating expression. The low murmur of bustling court members filled the long silence, the occasional gust of wind and rattling metal low in the background. When your uncle refused to proceed with the conversation, you opened your mouth to do it for him, but much to your chagrin, he turned away before you could, not speaking a word as he kicked pebbles with his boots.
You scoffed in response, stunned and appalled by his actions. For a brief moment, one that didn’t last longer than a blink, Aemond showed kindness to you. You felt like an idiot for believing in that small part that thought last night changed your standing with Aemond, yet a ray of hope still lingered in your chest like the flame of a burnt wick on a dwindling candle.
You sighed in frustration as you looked over the worn and tattered pages of the stories. The determination you once had dwindled, and you couldn’t shake off the feeling that you deserved this. Memories of mocking Aemond’s odd behavior of the pig and making fun of him with your brothers and Aegon weighed heavily on you, intensifying the shame. A soft sigh of defeat escaped your lips as you reflected on your actions.
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Ser Harwin was leaving you. After his fight with Ser Criston in the training yard, he was stripped of his title as Commander of the City Watch and was sent back to Harrenhal the next day. You were devastated, fat tears running down your hot cheeks as he said farewell to you, Jace, Luke, and Joffrey before sleep.
Harwin had been with you since before you were born. He was there to help sort out quarrels between you and your brothers whenever one stole toys and refused to share. Harwin accompanied you to your lessons when your brothers were learning the art of swords or hunting. He taught you how to ride a horse when your father was out at sea with your grandfather Corlys and dried your tears whenever Aegon and Aemond were harsh. Ser Harwin was family as far as you were concerned, and returning to the Riverlands was akin to losing a member because Ser Criston claimed he cared too much about you and your brothers only to be a sworn protector.
You weren’t blind to the rumors surrounding your parentage and the resemblance to the Commander of the City Watch. It was all your uncles could do not to bring it up each moment they laid their Valyrian eyes on you. The word bastard haunted the now four of you wherever you went, a cloak of shame that threatened to devour your girlish body whole.
Jace often raised concerns about who your birth father was, but he was never brave enough to ask your mother about it. It was an open question of uncertainty that never seemed to find the correct answer, yet, no matter what, you knew that even if you were not of Laenor Velaryon’s blood, they could never deny that you were your mother’s. You were a Targaryen, just like your aunt and uncles, and that was something that could never change.
“Be good to your mother. I’ll visit when I can,” Ser Harwin said tenderly, kneeling before you, Jace, and Luke as your mother cradled Joffrey. He stood with a grunt as he observed the four of you, a misty look in his eyes that you could mistake for tears. “But that may be some time.”
Sobs stained the white cotton sleeves of your nightgown gray, sniffling as you wiped away more snot and salty water. You would miss Ser Harwin terribly, and he knew that, but that did not make this any less painful as you clung to Jace’s side and he, your mother.
“I will return. I promise,” Harwin expressed with a gravelly voice as he tenderly brushed loose strands of your hair that hid your wet eyes. You listened to the same voice as you sat on his lap, resting your head upon his chest as he read you and your brother’s fairy tales before bed.
Harwin would tell no more stories in that deep, rumbling tone that soothed your soul beyond measure, and you felt your heart crack more at the thought.
Harwin moved to say his final farewell to Joffrey and your mother, kissing the babe’s forehead as you buried your face in your brother’s neck. “You will be a stranger when we meet again,” he said to the bundle of fabric that cooed in your mother’s arms.
And that was true, not just for Joffrey, but for all of you.
Ser Harwin bid goodbye to your mother with a simple “princess” as they shared a long, meaningful glance with layers of emotion and scores of history behind them. He said no more and gathered his sword, swinging it over his shoulder as you released a cry, running to the comforting embrace of your mother’s bed. You could no longer watch Harwin as he left your life, a new wave of sobs taking over as you shoved your face into her feather pillows. It smelled of her, home, and happiness—fresh lavender and sage on expensive cotton sheets.
Despite your mother’s reassurance that you would see Ser Harwin again someday, you could not help but feel like this was a death sentence. As if you stood in front of his coffin and buried him beneath the dirt and worms yourself. He would no longer be the sworn shield he was when he left at this very moment, as you heard the sound of hurried footfalls exiting the room.
Luke followed you to the wide bed, tucking himself into your side and resting his temple on your chest as you both cried in an agonizing yet loving embrace. You could hear Jace talking to your mother outside the doorway, little Joffrey babbling as she softly bounced him in her arms. Whether it was to comfort your babe brother or her, you did not know.
“Is Harwin Strong my father? Am I a bastard?” you heard Jace ask. His fierce and unwavering inquiry only made you sadder. On instinct, you covered Luke’s ears as he hiccuped into your chest. He did not need to have doubt burrow into his mind at such a young age.
Your mother was silent. The only sounds coming were from you, the soft crackles of the fire in the hearth, and your little brother’s heaving breaths as you struggled to cope with the loss.
“You are a Targaryen. That is all that matters,” she finally answered, tone strong. Her words were rehearsed and practiced, and they did not quell the thirst for the truth in either you or Jace.
Your barely younger brother returned to the room. His thin lips downturned, and his head hung low as he sat on one of the plush settees littering the area. You could tell he was unsatisfied with your mother’s response, as were you, but he understood he would get the same reply should he push the matter. Your mother followed in soon after, observing the three of you with tired yet loving eyes.
The same question was on your lips, threatening to break free at any moment, lilac orbs landing on your brown ones as she stared at you with your newest brother still in her arms. She was not inclined to answer, and yet you knew. It was written plainly in the fine lines of her face, the slope of her nose, and how tears lined her lashes as your mother inhaled a fierce, shuddering breath. Much like her, you refused to say the words aloud, electing to bask in the grief-stricken sadness that enveloped your family.
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The hour of the owl was upon you before you finally went to your chambers, unable to find rest in your kin’s arms. Your brothers choose to stay with your mother inside hers as their tiny bodies pressed against each other after the tears have long dried.
The halls and corridors of the Red Keep were noiseless as you trekked through them with keen eyes. The portraits of your ancestors you passed daily seemed to follow you with their purple gazes, their accusing stares boring shame into your soul and setting your hair alight.
Alicent’s warning rang through your head as the squeak of a rat sounded, her rich voice echoing inside until it was all you could hear. The end could not come fast enough as you shut the large wooden doors to your, Jace’s, and Luke’s shared quarters, swiftly hiding under your blue bed sheets, heart hammering in your chest.
Your bed was cold and safe, and your pulse calmed steadily. Now, more than ever, the uncertainty behind your birth was thrust before you.
It was always easier to deny the fact that you were most likely a bastard than it was to accept it. Those who accused you did not understand that they weren’t only saying your blood was not Laenor Velaryon but that you and your brothers were a sin, your very existence an insult to House Velaryon, the king, and to all those who dutifully suffered unkind marriages.
Bastards were not heirs. They were creations purely out of selfish lust and desire.
It called into question all four of your legitimacy of inheritance. None of you had claims to the thrones or titles you were set to receive upon the death of your parents, and no prospects would want to wed a bastard should you accept it.
You understood why your mother did not admit the words allowed in the confidence of the now four of you. If you spoke them into existence, it would only make them real. It left you no choice but to deny, deny, deny until your tongue withered and lips fell off. Living a life of refusal of admittance would be difficult. Still, it was the only way to ensure you and your brother’s places would be secured until the Stranger decided to take another companion.
The empty well of tears soon filled once more as you sighed deeply in surrender to the turbulent path ahead, tucking your hand underneath your pillow for the relief of rest, but unfortunately, it did not find you.
Your vanity mirror shined like a beacon in the darkness, reminding you of that night. You still needed to move it back to its original place and give your maids the excuse that you wanted to see what it would look like there. It was a lie.
The idea that Aegon knew of a passage into your rooms haunted you when you set foot into the space. You were scared, anxious, no… terrified that your eldest uncle would waltz into your bed chamber at any moment. The unknown was what frightened you—of what he would do. The notion that he could enter pushed you to rise from bed, planting the soles of your feet onto a maroon Myrish rug as you grabbed the legs of the vanity and pulled it back into place. You would have to think of another lie to tell your maids.
“Why is Uncle Aemond unkind to us?” a timid voice rang out into the once private space.
Nearly jumping out of your skin, you turned to see Luke with a wooden toy dragon curled into his tiny fist. It looked as if he had just awoken from sleep minutes ago, which you assumed was the case judging by his messy hair and crusted eyes. As you caught your breath, clutching the skirt of your pale gray nightgown, you disregarded any questions about why he was here instead of your mother’s room.
“I’m sure he doesn’t mean to be,” you answered as your racing heart calmed. “Why do you ask?”
“I saw him push you over in the courtyard,” he ardently explained, his dark brows rising against his pale skin. It reminded you of your father when he tried to speak earnestly with the three of you, yet Luke’s boyish voice had no similarities to his.
You sighed, recalling the now ruined book you hid in your trunk alongside your tattered dress. “He was angry.”
You did not want to tell Luke about Aemond’s rejection, as the embarrassment was still fresh. He would no doubt try to tell you how you were wrong for attempting to befriend him after the mean things he’d said to you all your life.
“He’s always angry, but we haven’t done anything,” Luke countered with a frown on his small lips, fiddling with his fingers at his sides.
You paused for a long moment, unsure of what to say. The three of you were not nearly as cruel to Aemond as Aegon was. Your mother raised you to be kind to your uncles and aunt no matter what they did to you, and while you were not perfect, any jokes or rude remarks were not made with the intent to hurt him. With a great sigh, you lead Luke in front of the gated fireplace, where a collection of your toys rests in the orange glow. He picked up a polished wooden horse, running his tiny thumbs over the varnish as you spoke.
“I think he believes we don’t belong here,” you said. The explanation was vague, and it irked you beyond measure. The truth of your words threatened to surface like an apple thrown into a barrel full of water.
“We live here. This is our family,” he replied in confusion, dark eyes so wide you could see the entire white. He wasn’t wrong, yet the truth of the matter clawed at your throat to become free.
“We don’t look like Targaryens. You must have noticed.” You could not stop the words from being said. You were such a good liar. Why was it impossible to lie about this?
“You mean our hair?” Luke questioned with a tilt of his head, scratching his scalp in confusion with one of the wooden toys.
You didn’t want to tell him and put the burden of knowledge onto your younger brother that you and Jace were cursed with, but it was something you understood would follow the now four of you for the rest of your lives.
Luke was still younger than you, yet his simple statement of your hair tested your last bit of resolve. “Our hair, eyes, and everything!” you exclaimed exasperated.
“But I have a crooked little finger like Mama,” he reasoned with the raise of his hand, showing his small digit. You deflated, sighing a drawn-out breath to calm your temper as you picked up one of your rag dolls from the pile.
“A crooked little finger isn’t enough,” you decided to say as you stroked the button eyes on your toy. Why couldn’t he comprehend that no matter how many similarities you had to your mother, the fact of who your father was remained uncertain?
“Well, if we aren’t Targaryens, where did we come from?” The sap inside the fire popped, startling you and your brother as you stared into the flames.
You were Targaryens. That much was obvious. You cannot fake exiting your mother’s womb. It was the matter of your father that sparked rumors, but you did not want to give Luke any more thoughts over the subject, coming to accept that he was not old enough to understand what your uncle was being mean about.
“We were born here. Mama is our mother, but there’s something else and Aemond knows it,” you answered obscurely, clutching your dolly into your chest as the night air howled outside the glass windows.
It felt like the Keep was listening to your conversation, the walls groaning in response to your words. The very castle you lived in understood the truth, and the pressure of it weighed heavily on your soul. Just like the paintings of your ancestors, the Red Keep knew of your shame.
“I do not wish to be different,” Luke confessed with dejection, too sad for your liking, as he stopped playing with the toys.
You didn’t want to cause anyone’s sadness, let alone your brother’s, and you frowned, taking Luke’s hand in yours and scooting across the floor to hug his side.
You loved your family more than words could describe as you held your younger brother closer. Jace, Luke, and now Joffrey did not deserve the torment they would face for the rest of their lives at the hands of your uncles and the court. As the eldest, it was your responsibility to protect them from things your parents could not, to take care of them and dry their tears, not to burden your mother or father, but this was something you understood you could not fix, yet it did not deter you from trying.
“Nor do I,” you finally spoke, holding Luke close to your heart and kissing him on his cherubic cheek. “So let us be good children and please those who love us so they may forget what we lack. Come. It’s time for bed.” Your mother would say that as you took your brother by the hand and led him to your bed.
If you couldn’t change what people said, you could at least change the contents they discussed.
You would excel in your place as the unspoken heir and accept your duties no matter what with your shoulders back and your chin held high. You would learn the history of your ancestors, the politics of your country, and whatever else you believed was dutiful to prepare yourself for the responsibility you would inherit after your mother. Not feeling the same fear you did earlier, now with your younger brother at your side, you pulled the covers over both of you as Luke snuggled into your side’s comforting embrace.
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Aemond felt he lacked something compared to his siblings, niece, and nephews. Some of him believed that if a dragon hatched from his egg, or he claimed a living one, things would be different from how they were now. He would not be the subject of people’s taunts nor feel the prominent sensation of inadequacy that weighed on his soul, but it seemed as if Aemond was destined to suffer within the shadows of his family’s success no matter how hard he tried to step out of it.
His older brother possessed the skills of conversation and humor he didn’t have and constantly teased him for it, though Aegon was not without faults. His brother would tell him to stop being a “twat,” to get his nose out of books, and that he was dull, sullen, and far too severe for his age.
Because of this, Aegon preferred to spend time with Jace, Luke, and his niece, but it didn’t help that they were much easier company. His half-sister’s children seemed to have a bond closer than his siblings, each with dragons, which was the one thing he didn’t possess. Aemond would never admit he was jealous of his niece and nephews, for that would mean that he saw them as equals of comparison, which was something they weren’t. They were beings of lesser standing, though they thought themselves on par, as they had been raised with the same extravagance he was.
Aemond knew you would be looking for him the next day as he watched you skip to the library the following morning, your smile so bright on your face that it made him sick. Seeing how the joy fell from your face when you saw he was not there gave him a deep sense of satisfaction.
Did you think him stupid?
He could see the telltale signs of tears welling in your eyes as you realized your hidden plans of ridicule were foiled: the scrunch of your dark brows, rapid blinking to get the droplets at bay, and then the pursing of your lips. This time, you held firm and refused to let your emotions guide you. At least, that was what Aemond believed as he observed you exiting the library deep in thought.
He knew you would not give up so easily, and instead of taking solace in his usual places of inhabitant and risking you finding him, he chose to watch you. You could not see him if he was three steps ahead. Aemond was glad that you weren’t nearly as bright as you believed, and as long as he stayed out of sight, he could be sure you wouldn’t bother him. The irony of the situation that he would now be following you to avoid you didn’t matter, and he certainly wasn’t concerned about your well-being after what Aegon did, either.
You were as foreign to one another as Old Valyria; there was no reason for him to care. Aemond would do this every day for the rest of his life if it meant he would never have to spend a moment with you again.
“Brother, what are you doing?”
Helaena’s voice drifted through the halls like summer wind through tree leaves, startling Aemond as he watched his niece’s dark head disappear around a corner. Her fair blonde locks, a copy of her brother’s, were braided around the crown of her head, a tiny metal cage in her lithe fingers, and a curious expression on her visage directed towards him.
“You’re avoiding her,” Helaena declared with a resolute lilt to her tone, taking the insect out of its confines. “After what has been stolen.”
Aemond stared at his sister with perplexed eyes, quickly looking to ensure you had not heard the conversation and came to investigate.
“I don’t know what you mean,” Aemond said distractedly, wringing his hands at the pit of unease in his stomach.
There was no possibility that she knew what occurred during the night. Aegon would never willingly admit something like this, and you would undoubtedly keep what happened a secret, seeing as you refused to tell your mother in fear of punishment.
Helaena was silent as she observed the olive-and-brown grasshopper in her palm, petting it with her index finger before it tried to jump away. She held the open metal cage in the bug’s intended direction, and it landed inside, swiftly flicking the door shut before it could attempt to escape again.
“Tis our fate, I think, to crave what is given to another. If one possesses a thing, the other will take it away,” Helaena declared with the furrow of her blonde eyebrows, the insect thumping against the metal bars as she looked at her younger brother.
Her words were cryptic, and Aemond felt a bead of sweat run down his spine as he observed his older sister. He didn’t understand what she meant. She intensely focused on it, so he assumed it was about the grasshopper. Aemond wordlessly shrugged, disregarding his older sister’s vague observation as he peered anxiously at where he last spotted you.
“Tis not difficult for the ewe to love the lamb. But for the wolf?” Helaena began again, standing beside her brother with a soft swish of her satin skirt. “The wolf’s love for the lamb is such a renunciation, it’s the wolf’s sacrifice—it’s a love that could never be requited. This wolf that sacrifices its very definition for the lamb, this wolf that doesn’t eat the lamb, is it a wolf? Is it still a wolf?”
Aemond paid no attention to her now as Helaena spouted what he felt was nonsense and decided to push forward in search of you, ensuring with noiseless strides you would not see him once he got close.
Helaena was someone he felt was misunderstood like him, but now was not the time to go on with poetry and riddles.
“But sometimes it’s the wolf that falls into the jaws of the lamb. Out of love, the wolf falls backward into the circle of fire. It goes around fast. It so happens that the lamb catches the wolf,” Helaena continued, her voice soft like morning spring rain as she followed her vexed younger brother. She was inside her world, purposely or ignorant of her brother’s frustration.
“There is no greater love than the love the wolf feels for the lamb it doesn’t eat.”
Aemond groaned, losing his temper, which he rarely did in the presence of his sister. His niece had irked him, causing his heartbeat to quicken and his lungs pant.
“Helaena, will you please stop with this nonsense? I have important matters to tend to,” Aemond barked hushedly as a servant passed by, blocking the sun from the windows.
Any other day, he would allow his sister to speak for however long and about whatever she wanted, but this was not one of those times. You could happen upon him at any moment, and the prince did not want to risk the chance of a repeat encounter.
Helaena refused to listen to him as her musings became louder and sharper as if she was trying to convey a point without the proper words, no doubt alerting you and everyone else in the Keep to where he was. Aemond felt the blanket of defeat shroud his figure as the sound of light hurried footfalls sounded in the hall.
“The lamb loves its wolf. The wolf turns white and starts quivering out of love for the lamb. The lamb loves the wolf’s fragility, and the wolf loves the frail one’s force. The wolf is now the lamb’s lamb and the lamb has tamed the wolf,” his sister concluded, violet-eyed with an understanding she attempted to impart onto Aemond with the harsh squeeze of her digits on his arm.
He gasped, his brows arched in pain from Helaena’s sharp nails piercing through his tunic, and tried to wretch his arm free with a panicked grunt, but to no avail. Before he could blink, your pitched voice pierced Aemond’s ears, and he felt like they would burst.
“Uncle! There you are. I’ve been looking everywhere for you.” The loose strands of your neatly styled hair bounced with every step as you approached Aemond with a broad grin on your lips. “I was hoping we could read today. I chose a book I think you would like. I know you don’t enjoy fairytales.”
“Love blackens the lamb, leaving fire and blood to light their way,” Helaena whispered, her violet gaze directed towards the tall window as a bird flew past. She released Aemond’s arm as if she suddenly realized she still had it. She looked back to her grasshopper, wordlessly displaying it for you to see.
“Oh, is that a new one Helaena?” you asked with a bright curiosity in your tone. Aemond didn’t believe you truly cared about his sister and her bugs, curling his lip in disgust at what he thought were false niceties. “Where did you find it? We’ll have to go there sometime to see if there are more!”
You didn’t care about Helaena and her hobbies. You were more like Aegon and made fun of her for the bugs she collected. At least, that was what he had in his mind. Aemond felt conflicted as he watched his sister nod in agreement, asking when your punishment was over so you could spend time together again.
When he noticed Helaena’s faint smile as she left, grasshopper in tow, a warmth blossomed inside his heart. His sister only showed happiness when she truly felt it, not to be polite like most, and it caused Aemond to turn to you, his face pale. You were his annoying, spoiled, bastard niece who got anything she wanted, so why were you not acting like it?
It felt like butterflies were inside your stomach as you took another step toward Aemond, a book clutched to your chest like before. Aemond watched as his sister left the two of you alone without a word, like she was in a world of her own. He wanted to reach out to her to be not alone with his dreadful niece, but Helaena was gone as quickly as she emerged, leaving her younger brother with the girl he hated most in the world.
“I have a book I think we both would like today, uncle. It’s one about the warrior Queen Nymeria and her journey to Dorne,” you announced, a slight sway in your step as you tried to quell your anxiety.
Aemond huffed as he looked for a way out of this and sighed in defeat when he found none, clenching his thumbs inside his palms to control the ire that swelled in response. Your uncle didn’t want your pity or your friendship. He knew you were only spending time with him since you didn’t wish to Aegon and could not be with your brothers because they were in their lessons. You would have never done this if his eldest brother could control his impulses. It made him feel like a second choice, another painful reminder that he was always second to his kin, yet not good enough to be a spare.
Walking away in surrender, he led you back to the library, where no one would see the pair of you, and the sun provided the only light. He knew Aegon would tease him beyond what he could take if he saw you together, and after that night, Aemond did not want to see him anyway.
You set the book of Queen Nymeria’s adventures on a dusty wooden table and giggled as you fanned the air. Aemond was not amused, sulking in the chair beside you as he opened the leather back of the book. You sat next to him, shoulders touching, ignoring his reaction. He mockingly covered his mouth as if he smelled something terrible when he inhaled the citrus scent on your skin. This made you feel a bit upset, but you tried to hide it by tugging at your dark hair and avoiding his gaze.
You read the first page together silently. It stated how the queen looked, how beautiful she was with long, flowing, swarthy hair cascading down her waist with sturdy hips, her skin a smooth, youthful complexion with brown eyes to match. Yet still, she was a fierce warrior with an indomitable spirit who led her men into battle and took no cowards. You imagined you would be like her when you grew up, a beautiful warrior queen who ruled her kingdom with an unwavering though gentle and cunning fist, who people loved and respected her rule.
“Can I turn it?” Aemond asked dispassionately, cutting through the silence. You hadn’t realized you had been so lost in your daydreams that you had not retained a single word written on the page, but to not make your uncle perceive you lower than he already did, you nodded.
You leaned closer to the pages before you decorated them in elaborate colors of blue and red, studying the new page and picture. Aemond glanced at you out of the corner of his eye, unnoticed by you as you were lost in the vast expanse of your mind, your cheek right next to his.
He was surprised at how different you were, apart from the apparent fact of age and sex. His eyelashes were almost white and translucent, while yours were black, long, surrounding dark eyes that glistened with natural wetness that threatened to suck him into their depths if he stared for too long. Aemond’s skin was pale and dusted with sun kisses, yet yours was plain, flushed, and full of life, your lips more defined and moist than his. You possessed a pug nose matching that of your brothers rather than his aquiline one, a softer, more plump face than his, as Aemond’s was more defined even for his age. His hair, the color of Targaryen’s, the white you didn’t have a hint of and mocked you for, was visible proof of who your father was.
Though Aemond immensely enjoyed pointing out the idea that you were a bastard, he reluctantly realized that you weren’t unattractive, at least by Westerosie standards.
“I will be like Nymeria when I am queen,” you announced to Aemond, breaking the silence. He gave you a sidelong glance and sighed. It wouldn’t hurt if there were some conversation between you. It didn’t seem like you would be mean to him, and he supposed you were indebted to him after all.
At your hopeful expression, your uncle didn’t have the heart to tell you that neither you nor your mother would rule the Seven Kingdoms. Women were not fit to rule and carry such a burden. They were too gentle of creatures to make the harsh decisions that ruling required.
“Are you certain you’ll be a good ruler? You can barely get your brothers to listen to you. What makes you think the Lords of the realm will?” Aemond questioned with a trace of bitterness you couldn’t understand the cause of.
Turning to him with a face painted with a serious expression, your brows scrunched together and lips tight in a severe line as you took his hand. “Just as Nymeria burned her ships to prevent any cowardly men from fleeing, I will burn all those who try to hurt my family and oppose my reign.”
You stated the words with such a decisive coldness that it caused Aemond to shiver. He was shocked and in awe at your declaration, stunned into silence filled with momentary admiration. Aemond never imagined that would come out of your mouth. He always pictured you as soft-hearted when it came to violence, having seen you cower when Aegon would hit your brothers too hard when training.
“What would you do if they didn’t allow your mother to be queen? You wouldn’t have the power to do that,” your uncle reasoned, giving you a devoted attention he never gave before. It made you pause.
“Perhaps I was a bit rash,” you reasoned with the gentle tug of your hair, letting go of Aemond’s hand in nervousness. He swiftly snatched it back before you could think, a surge of excitement rolling in the pit of your stomach with the action. “It wouldn’t only be me, though. I would have Jace, Luke, and Joffrey when he becomes a rider. We would help our mother if anyone tried to prevent her, and I would have my husband, too. He would be my Mors Martell and help me conquer all of Dorne!”
You looked at Aemond with uncertain eyes as your gaze flicked from him to the open book the two of you barely read.
“You mean Aegon. Someone with a dragon,” he countered snidely, turning his flushed cheeks away from you.
“No,” you snapped quicker than you could have imagined. “I don’t want Aegon to be my husband.”
Aemond needn’t ask why.
You hadn’t heard your eldest uncle’s name since that night, and hearing it made something within you break. You despised Aegon for his actions. Did he feel entitled to mistreat you because of the betrothal plan? It filled you with blackened fury. You took a quick breath to calm yourself and looked to Aemond, who appeared remorseful.
“You don’t need a dragon to be powerful,” you explained with a gentle tone, but Aemond only scoffed.
“That’s easy for you to say when you have one,” he bit, causing the tips of his ears to grow pink in anger.
You attempted to hide your huff of annoyance at his sulking but failed, rolling your dark eyes as you answered him honestly. “I do believe you’ll have a dragon one day. There are too many around for you not to. You just need to find the right one, but even if you don’t, there are other ways to have power. You could ride with me and Gaeli, too, if you like? If you never claimed one.”
It was an offering of peace, of goodwill, telling your uncle without the words that you were sorry for having played all the jokes you did on him for not having a mount. You wanted him to know he was welcomed into the world of dragons without one, that you would still see him as an equal, if not better than you in some aspects. He was already showing prospects of being a fine warrior.
“Really?” Aemond perked, violet eyes setting alight with happiness you had never seen him show. He felt childish, but he couldn't help it. You offered for him to ride a dragon!
You giggled, unable to hold your joy back as you bobbed eagerly. “Of course, Aemond! As soon as Gaelithox is large enough to ride you will be with me. We can learn together for when you finally mount one!”
It was the first time you saw your uncle smile with genuine, untainted mirth, displaying a set of dimples you didn’t know he had. The pair of you fell into a deep conversation long into the late evening, causing your mother to pace with nerves until you returned, discussing thoughts of the future, of what dragons Aemond could claim, and how, if he never bonded with one, you would make him feel as if he was a dragon rider like the rest of your family.
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The following days, Aemond rose with the sun, a sensation he had never felt before in the pit of his stomach as his servant dressed him in traditional green garbs.
Excitement.
He was filled with eager anticipation for the days ahead now that he had something positive to look forward to. It was something only he had now. In a way, though Aemond would never admit it, for it was such a horrendous thought that brought him great shame, he was glad that Aegon raped his niece. If he hadn’t, Aemond would never have gained one of the two things Aegon had that he didn’t.
First, he took the companionship of the only person who steadfastly supported his old brother. Next, all Aemond had to do was acquire a dragon, and finally, he would be equal to Aegon, if not better.
As Aemond traveled the halls, understanding full well that he could read within the privacy of his chamber, he went to the library to read ever since he and his niece shared words of the future. He met you in the same place in the library after your lessons, whether to read, chat, or enjoy the peace of the other’s company.
Though Aemond was proud that he took something from Aegon, he was afraid that his brother would see you together one day, but Aegon never ventured into the noiselessness of the library. The eldest son had never been much of a student.
You typically sparked conversations, and Aemond would answer back in kind. It made him feel better about himself—more of a man to have someone solely seek his attention and knowledge in a way no one else had before. Aemond always ended the day with a pleasant flutter in his heart and tingling in his fingers for what tomorrow would bring.
One night, as Aemond lay fast asleep with visions of the sun blinding his eyes, green scales, and a head of dark hair that flew in the wind, he woke with a start to the sound of his chamber doors opening. He feared it was Aegon and his nephews who were once again trying to make a mockery of him.
He rose within the lush emerald bedsheets, terrified, as the torchlight shone from the hallway, outlining the figure in the door frame. The person stepped forward with a loud creak of the metal hinges.
“Aemond?”
He heard the quiet mumble, the voice softer than that of the feather pillows he lay his head on at night. Aemond could barely see your silhouette in the darkness, squinting with sleep-clouded eyes to ensure it was you. He could hear your soft sniffles and quick breaths as concern hastened his heart.
“Can I sleep with you?”
You could hear your uncle shift on his bed, mind still reeling from being woken up from a deep slumber. The silence stretched long between you and Aemond, and you feared he might refuse your plea for comfort.
“What? Why?” he hissed with venom. There was no privacy from Aegon here. At any moment, his older brother could walk into his room and see you conversing. He didn’t need another excuse to be ridiculed. You had to leave now.
Your hiccups were loud at his rejection as you wiped at your tears, unable to form coherent sentences as sobs racked your lungs. “I…I had a dream. Ae-gon came… back. He hurt me again, and I… I couldn’t…” You cried, palms scratching at your scalp as you tried to speak.
“Go sleep with Jace,” he retorted, ready to return to bed. Spending time together privately was one thing, but this was invading his space, his place of solitude without siblings or nieces.
“I can’t! He and Luke have been sleeping with Mama since Ser Harwin left,” you babbled in despair, glancing over your shoulder as if the monster called Aegon would emerge from the shadows and devour you whole.
Your desperation stung Aemond's heart, and sympathy clouded his sense that the fear you felt was something he, too, experienced. After a long pause, your uncle shifted to the side, noiselessly lifting his sheets and making room beside him.
Breathing a loud sigh of relief that reminded him of a fish gasping for air, you closed the door, running to Aemond’s bed and immediately clinging to his side. He knew you to be affectionate, but he still carried concern in his mind. Yet how you trembled like a frightened fawn, told him this was not a rouse. You were sincerely terrified that your eldest uncle would return and no one would stop him this time.
“I’m sorry, I’m sorry. I know you don’t like me,” you sobbed into your uncle’s green nightshirt, gripping the fabric so tight that Aemond worried it would rip. “Please, please, please don’t let him hurt me again, uncle. I can still feel it between my legs.”
Aemond froze at the sudden burst of intimacy, slowly wrapping his arms around your quivering body. Despite the context of the situation, having you so close sent a pleasant tingling down the base of his spine. He tried to focus on your breathing, waiting for it to calm down before he spoke again.
Though he was beginning to tolerate your presence, having you within his bed chambers was not something he wanted.
Aemond recalled the last time you experienced panic like this, a type too intense for your body to manage, ripping your hair straight from the root in response. He hated to realize he didn’t want you to suffer like that again, and unconsciously, he began to stroke the crown of your head.
It felt good to be needed, so desperately wanted by someone that they tried to crawl inside him, seeking protection, and Aemond felt an overwhelming urge to protect you how a wolf does its pup. He would shelter you from all monsters and people that sought you harm so long as you returned to him with the same wet eyes and arms full of love.
When you finally relaxed, no longer shaking like a leaf in the autumn wind, he spoke, praying that your exhausted mind would forget his confession in the morning.
“When I have a dragon he will not hurt you so long as you’re with me.”
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Masterlist of Series
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Oh, sweet prophetic girl. You know so much yet can do so little. Cursed with the knowledge of what will come and what has yet to be. Let's all pour one out for Helaena, besties.
I hope this chapter makes up for how sad the last one was. I love writing for angsty young Aemond. As always, thank you for reading!
Tagged Peeps: @millies0bsimp , @britt-mf , @marvelescvpe , @haikyuusboringassmanager , @discofairysworld , @lottiemsgf , @nessjo , @fiction-fanfic-reader , @qvnthesia , @hotvillianapologist
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ornii · 8 months
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Bitterly Beautiful: Tame The Stress 🍋
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Writers Block was a serious detriment to artists of literary all over the world. It even hampers the writing of Wednesday Addams, as invincible as she portrays herself. You sat gingerly on her bed, listening to her type away on the machine she uses near on her desk, you gently polished your cane, feeling the smooth wood along your palm and the slight sleek feel of the rag in your other. You were fairly content with how you spend your time with Wednesday.
She was the definition of Anti-social but you weren’t necessarily a people person either, that made spending time together just effortless. You both stayed in the room but mostly did your own thing, it’s the company she had is what made you so enthralled.
Your Blindness made reading her novel basically impossible, but it didn’t stop you from asking her to read it to you, still wanting to listen to your Girlfriends work. Knowing her in and out, you could always sense if something was up, the Octave in her vocal ranges goes up or down a pitch, her increased heartbeat, telltales of stress or anxiety. You could almost feel her scowling at the Typewriter as she stoped and typed spastically. You heard a sigh of annoyance and you knew she was hitting a block.
“Having trouble?” You asked, placing the cane down to prop yourself up on it. Wednesday wasn’t one for expressing feeling or even discomfort, she always kept aloof and distant. But lying to you was nearly impossible. Wednesday kept her nightly clothing simple, a pair of short black shorts and a desk black nightgown that lacked any flair, it looked more like an oversized t-shirt, but you obviously didn’t complain.
“It seems I’ve hit what weak minded writers call a “writers Block” she explained, she raised her hand to type once more and you could sense it just from her body movements.
“It isn’t Weak minded to be mentally stumped. Take a break, talk with me, or play your Cello.” You approach and knelt down slightly to be on her level. Wednesday turns her head to you, you could never truly understand what Wednesday looked like but you always had a general idea and sense, regardless she was beautiful.
“I don’t need your pity. especially from a blind man.” She huffed and went back to her work. But Wednesday wasn’t going to listen to your advice. There was always one thing that did really take off the stress from people, and it was your Boyfriend duties to make sure Wednesday was accurately taken care of. You calmly got down on all fours as she ignored you, and slipped under her desk. She continued to fumble with her writing, your hands gently poked her foot. She ignored it until you gently traced it along her shin and up to her knee, and softly kissed it.
“(Y/n), I’m not in the mood for your—“ she attempted to reprimand you, but you casually and gently placed your head on one of her legs. “Babe, just enjoy yourself.” You said in a loving whisper, you used both palms to softy grip her thighs, right below the Shorts, her skin was always soft and well taken care of.
You slowly and carefully went up her legs, feeling the tensing of her body. She was trying to ignore you, ignore your hands but it was slowly melting her icy resolve. Your fingertips gently brushed higher and higher right to her thighs, and trickled back down her shorts. You felt a sudden shift and you slowly crept closer and closer, palms gently closing in to her underwear. You felt her toes curl and a sigh of slight surprise come from her nose.
“Just relax, and enjoy yourself, Enids not here.” You spoke so softly but deeply, something about it almost made her shift switches in her brain. Your palms felt her legs spread a bit almost inviting you to get her off.
Wednesdays brain began to flow a bit more, this time typing on the Story she’s doing, your fingers reached slightly under her gown and to the waistband of her shorts and underwear, with a little pull you felt her clothes slip off. Your warm breath gently brushing up against her slightly aroused clit. You heard a slight shiver from your Girlfriend as she typed. More aggressive.
“You only have a few minutes before I— ooooh~” You leaned your head in and didn’t hesitate to give her inner lips a warm wet greeting. The suddenly shift of your warm wet tongue on her body made her demeanor shift to a woman in actual pleasure. You lapped your tongue all over and made sure to gently nudge her clitoris every time to tease her.
You shifted your body lower, letting Wednesday rest her legs on your shoulder as you worked your way inside her. Oral wasn’t something you both did since she viewed normal sex as more than satisfactory, and you didn’t particularly complain about it either. Being with her was more than enough, she obviously underappreciated how good you were, Wednesday at this time had completely abandoned her story and leaned on her arm, trying to hold it together as she felt you breath, tongue, saliva, all over her exposed privates. Her other hand rushed under the table to grip your hair. Wednesday wasn’t an aggressive lover on purpose, she just didn’t know how to be gentle.
“Move your.. tongue an inch to the right, yes.. there.” Wednesday was breathing much heavier than expected, she began to lean back, slowly coming to an orgasm.
“Keep going, don’t you dare stop..” she ordered, but it didn’t sound like authority, more like a woman telling you how to make the next few moments really matter. Your tongue slipped inside and the slightest gasp of air from her were music to your ears.
“There, I feel it, coming… I… I feel it…” Wednesday cocked her head back, gripping your scalp she wrapped her legs around your head and neck, pulling your tongue and face in deep, feeling her pussy convulse and drip right on your face, slowly trailing down your chin.
Her legs were shaky, exhausted from getting a very good workout. She finally relented and let your breath as you pulled back, taking a deep breath. You couldn’t see it but the sound of dripping on the door and Wednesday silence but heavy breath told you that you were doing just fine. Coming back from the desk you crept back up behind her, your face next to hers. “Feeling better?” You said into her ear, all of this intensity caused your cock to harden like stone and make it pretty obvious what’s next.
Standing up your bulge was nudged against her face, Wednesday looked up at you, and attempted to stand up but got a bit wobbly. She didn’t hesitate to shove her lips on yours. They wrestled for control as her hand pressed firmly on the outline of your cock. With a fumble and tumble with your clothes you both stripped down, taking a break, you felt the girl yank you to her bed, getting on all fours and bending over, she looked back at you.
“Do not make me beg..” she said, but you didn’t have to ask. Your hands grip her waist.
“Don’t hesitate to— Fuck!~” Wednesday tried not to make that kind of sound but it was too late, the sudden impact of your cock drilling into her made her cry out in please. She gripped the bed as you pulled out of her wet insides and went back in for good measure, giving her a heavy hammer to her insides as you thrust away.
Wednesday didn’t try to fight you in this, she wanted to be taken, to let you give it to her the way you wanted, the way you knew you both liked it. The way her insides squeezed around you, the way the sweat dripped off your chest and onto her back, the sounds she makes when you give her slightly pale ass a good slap. Her face buried into the pillows as she gasped and tried to hold on to some control but it wasn’t easy for her.
“I’m, gonna cum.”
“Do it… inside me… p-please… I can’t take it anymore.” Wednesday for the first time begged so softly for it. You gave her exactly what she asked, you gripped her pigtails and yanked as your legs grew numb, hitting the climax you let as much of it inside as you could. Reorganizing her insides to only fit you. Panting like a dog you almost fell on top of her, you held yourself up as she slide off your cock and collapsed into her bed, you fell next to her, feeling her breath brush against your neck as you slept.
You had woken tired, But somehow also more lightweight. Like you really took a load off, you sat up to sense where and what was going on. You felt something along your stomach and chest, a body, Wednesday was sleeping on you. Well she was awake.
“Hey sleepyhead?” You joked, Wednesday was silent, until she tilted her head to face you.
“Thank you for, letting me see reason, I needed to relax and you gave me what I needed, even though I thought I knew better.” She admits, your hand softly caressed her head as she put it back down to sleep.
“It’s okay, you were stressed, at least you tamed it.” You reassured her, and she sighed.
“No, you tamed it.”
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weepingchoir · 5 months
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can you give some concrete examples of what "writing defensively" sounds like? I'd like to apply the advice to my work but I don't know exactly what it means.
It manifests differently in nonfiction and fiction.
Nonfiction is easier. I get a lot of essays that take momentary asides to promise that they're making a point, and that we'll all get to enjoy the point soon, if you just bear with them. Not only is saying that you're making a thesis not in fact making a thesis (and by literary rudiment, wordcount bloat), it's also drawing attention to the ways you haven't yet arrived at your thesis. It is counter-thesis.
In fiction, I find that it manifests in largely two ways:
Good King Syndrome. You take the time to explain to the audience that this particular instance of something you understand to be real-life ethically, socially or politically incorrect (pardon my french) is exceptional and good.
Very Bad King Syndrome. You take the time to remind the audience that you are real-life aware that the thing you're portraying is wrong.
Both of these methods of literary self-defense preempt a dialogue with the audience, a dialogue that doesn't actually have to include the real-life you. A complete work of literature can, if you let it, be a standalone entry into a discussion. It can run its own course. By preempting the dialogue, though, you are opening it, and by emphasizing the ways in which it does or doesn't reflect your real-life morality, you are inserting yourself into the dialogue. You've created a gap in your work through which your actual self is vulnerated, like a House of the Dead boss.
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Often, defensive fiction will warp a character into a mouthpiece for author opinions. Readers can very easily pick up on when you're doing this. It disbelieves their suspension, and it turns the rest of the work into an open hunt for your real-life beliefs, invalidating its worth as narrative fiction in favor of a morality essay. Writing morality essays is the favorite activity of most bad writers, and most bad writers are readers. Which is why defensive writing doesn't repel haters, but in fact attracts them. You're giving them free raw material!
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With the rise of booktok/booktwt, there's been this weird movement against literary criticism. It's a bizarre phenomenon, but this uptick in condemnation of criticism is so stifling. I understand that with the rise of these platforms, many people are being reintroduced into the habit of reading, which is why at the base level, I understand why many 'popular' books on booktok tend to be cozier.
The argument always falls into the 'this book means too much to me' or 'let people enjoy things,' which is rhetoric I understand -- at least fundamentally. But reading and writing have always been conduits for criticism, healthy natural criticism. We grow as writers and readers because of criticism. It's just so frustrating to see arguments like "how could you not like this character they've been the x trauma," or "why read this book if you're not going to come out liking it," and it's like...why not. That has always been the point of reading. Having a character go through copious amounts of trauma does not always translate to a character that's well-crafted. Good worldbuilding doesn't always translate to having a good story, or having beautiful prose doesn't always translate into a good plot.
There is just so much that goes into writing a story other than being able to formulate tropable (is that a word lol) characters. Good ideas don't always translate into good stories. And engaging critically with the text you read is how we figure that out, how we make sure authors are giving us a good craft. Writing is a form of entertainment too, and just like we'd do a poorly crafted show, we should always be questioning the things we read, even if we enjoy those things.
It's just werd to see people argue that we shouldn't read literature unless we know for certain we are going to like it. Or seeing people not be able to stand honest criticism of the world they've fallen in love with. I love ASOIAF -- but boy oh boy are there a lot of problems in the story: racial undertones, questionable writing decisions, weird ness overall. I also think engaging critically helps us understand how an author's biases can inform what they write. Like, HP Lovecraft wrote eerie stories, he was also a raging racist. But we can argue that his fear of PoC, his antisemitism, and all of his weird fears informed a lot of what he was writing. His writing is so eerie because a lot of that fear comes from very real, nasty places. It's not to say we have to censor his works, but he influences a lot of horror today and those fears, that racial undertone, it is still very prevalent in horror movies today. That fear of the 'unknown,'
Gone with the Wind is an incredibly racist book. It's also a well-written book. I think a lot of people also like confine criticism to just a syntax/prose/technical level -- when in reality criticism should also be applied on an ideological level. Books that are well-written, well-plotted, etc., are also -- and should also -- be up for criticism. A book can be very well-written and also propagate harmful ideologies. I often read books that I know that (on an ideological level), I might not agree with. We can learn a lot from the books we read, even the ones we hate.
I just feel like we're getting to the point where people are just telling people to 'shut up and read' and making spaces for conversation a uniform experience. I don't want to be in a space where everyone agrees with the same point. Either people won't accept criticism of their favorite book, or they think criticism shouldn't be applied to books they think are well written. Reading invokes natural criticism -- so does writing. That's literally what writing is; asking questions, interrogating the world around you. It's why we have literary devices, techniques, and elements. It's never just taking the words being printed at face value.
You can identify with a character's trauma and still understand that their badly written. You can read a story, hate everything about it, and still like a character. As I stated a while back, I'm reading Fourth Wing; the book is terrible, but I like the main character. The worldbuilding is also terrible, but the author writes her PoC characters with respect. It's not hard to acknowledge one thing about the text, and still find enough to enjoy the book. And authors grow when we're honest about what worked and what didn't work. Shadow and Bone was very formulaic and derivative at points, but Six of Crows is much more inventive and inclusive. Veronica Roth's Carve the Mark had some weird racial problems, but Chosen Ones was a much better book in terms of representation. Percy Jackson is the same way. These writers grow, not just by virtue of time, but because they were critiqued and listened to that critique. C.S. Lewis and Tolkien always publically criticized each other's work. Zora Neale Hurston and Langston Hughes had a legendary friendship and back and forth with one another's works which provides so much insight into the conversations black authors and creatives were having.
Writing has always been about asking questions; prodding here and there, critiquing. It has always been a conversation, a dialogue. I urge people to love what they read, and read what they love, but always ask questions, always understand different perspectives, and always keep your mind open. Please stop stifling and controlling the conversations about your favorite literature, and please understand that everyone will not come out with the same reading experience as you. It doesn't make their experience any less valid than yours.
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Red Magazine October 2024
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I here’s a moment in Rivals, the new television adaptation of Jilly Cooper’s bestselling novel, when Aidan Turner’s character recites WB Yeats’ famous poem When You Are Old. It’s a moment of peak Irishness, and, for Turner, who has long cherished a yearning to play a literary Irish character, the scene was joyous. ‘I loved it!’ he exclaims over Zoom, grin wide across his face. ‘I think I was enjoying it way too much. I could smell the classroom again when I started reading that. I was going, “Oh, my god, I remember all of these poems!”’
Turner is trying hard right now not to use the word ‘fun’ when describing Rivals, but he tells me that it’s proving rather impossible. ‘It was the most fun I think I’ve ever had on a production,’ he declares. Watching the show, I can’t say that I doubt him for a second. Set in the fictional upper-class county of Rutshire, Disney’s raunchy new series delves into the cut-throat world of independent television in 1986, in which a long-simmering rivalry between Lord Tony Baddingham (David Tennant), controller of Corinium Television, and notorious womaniser Rupert Campbell-Black (Alex Hassell) is threatening to boil over. Against a backdrop of sex, scandals and scheming, Irishman Declan O’Hara (Turner), a talented talkshow star who is wooed to the countryside to join Corinium, vows to get his revenge.
‘I THINK WORKING ON RIVALS WAS THE MOST FUN I’VE EVER HAD ON A PRODUCTION’ 
‘It happens once in a while when all the stars align,’ enthuses Turner, ‘and you get a bunch of really great actors who want to work with each other, want to work on this material and who want to be in this particular place at this particular time.’ Reading the script, he could immediately understand O’Hara’s sense of alienation as he steps into a quintessentially British world obsessed with class. ‘Because I’m Irish, I didn’t have to try too hard to put those glasses on,’ he explains. ‘It seems to me very much like he is the outsider. He doesn't really like the people or what they’re trying to achieve. He sort of has a bohemian sensibility. He’s a literate person, a more serious person. He’s a journalist. He likes things black and white, straight and clear, and this world I think he finds a bit gross.’
As you’d expect from a Jilly Cooper adaptation, Rivals is a rollickingly entertaining romp, full to the brim with helicopters, horse riding, lavish parties and romantic entanglements. But the show has political shades, too, examining questions of race, gender, class and sexual liberation through a 2020s lens. ‘I think it feels really truthful and honest,’ Turner says with sincerity. ‘I think we’re showing a world that, I think in some ways, still does exist, but very much existed in a different way back then. And I think we show it in a kind of no-frills approach to it.’ With the exception of high-powered executive Cameron Cook (Nafessa Williams), Turner notes that the majority of the women in the show don’t hold positions of power. ‘We show the hypocrisy and the bigotry in that,’ he adds passionately. ‘It’s not just like, “Here’s what it was like, let’s move on,” you know? It’s not just a museum piece. I think we’re showing how wrong that was, how difficult that was, and I think how we’ve made improvements in the years gone by.’
He suspects that some viewers won’t expect that commentary from a show like Rivals. ‘They may think it’s fluffy, or it’s just a comedy,’ he says. ‘I mean, it’s very much not. I don’t think you get the calibre of actors involved in the show if it was just that, either.’ The cast became like a family unit, he says, and for actors of a similar age to himself, some of whom are parents, filming the show in the Cotswolds offered a unique opportunity to bond. ‘You know, we’re getting out of London for a week or two, and we’re getting to hang out in Bristol and have cocktails at night and talk about the show and do all these things,’ he explains. ‘We quickly realised that this is quite special, and we’re going to lean right into it.’ Did that involve getting into the party spirit, I ask? ‘I don’t want to start getting in trouble,’ he chuckles. ‘But there was a sprinkle of hedonism over the production, for sure. It makes the show better.’
If Rivals offered Turner a little escapism, it’s also further proof that as an actor, he can’t be neatly categorised. Since galloping onto our screens as the swashbuckling, scythe-swinging protagonist in Poldark, he’s resisted being pigeonholed as a romantic lead, winning plaudits playing a top coach accused of abuse in tennis drama Fifteen-Love, and a chilling clinical psychologist in crime thriller The Suspect. ‘It was nice to do a couple of shows that were in contemporary worlds, you know, wearing suits and jeans and shoes and carrying iPhones,’ he says modestly. ‘And not riding around in horses and carriages, or in a world of goblins and orcs or whatever. So yeah, it’s good to mix it up, but you never know what’s around the corner.’
Let it be known, though, that if the occasion calls for Turner to jump on a horse, he’s more than up to the task. As well as riding, he boasts an impressive range of talents, including being a champion ballroom dancer. What skills did he learn on the set of Rivals? ‘I can drink whiskey like nobody’s business,’ he laughs. That, and drive O’Hara’s yellow Mini. ‘That Mini was almost impossible to drive, and I’m pretty good at it now.’ He did also grow a statement moustache. ‘For the first time in my life as an actor, I felt a little bit sad to get rid of it,’ he says ruefully. ‘I had it for so long. We’ll see if it comes back’. 
He’s excited for Rivals to make its way out into the world. ‘We’re all just really happy and proud, he says. ‘You know, it’s the show that we set out to make, which is also a rare thing.’ That said, he’s not in a rush to find his next project. ‘Sometimes you also just need to step back for a while and not work all the time, and wait for the good thing to come along,’ he muses. ‘I’m a better person when I do the work that I really want to do.’ When we speak, he’s in Canada with his wife, Succession star Caitlin FitzGerald, who is filming, and his two-year-old son. They navigate who takes on the next project, he explains, by having an open dialogue. ‘I mean, our lives have changed a lot and not a lot at the same time, if you know what I mean. We’re still both working. We’re still both lucky that way. We can keep working and keep our family life together, and everything is just great and happy.’
‘I LOVE BEING AN ACTOR, BUT I THINK THERE’S ALSO SOME OTHER HATS THAT I CAN PUT ON’ 
Turner’s not at liberty to discuss his next project, but he’s very excited for it. ‘It’s a very different type of show than anything I’ve done before,’ he smiles. In the future, he envisages working more with friends and hopes to turn his hand to producing. ‘I love being an actor. But I think there’s also some other hats I can put on that I can be equally as good at, if not better.’ In the meantime, he says, his roles are only getting more interesting. ‘It’s the best thing!’ he exclaims. ‘I mean, I sort of knew it was gonna happen.’ With the benefit of life experience, he explains, his characters are naturally getting more layered. ‘I think that matters you know? I want to listen to a 41-year-old man, over a 21-year-old man. I just do,’ he says emphatically. ‘For me, that’s more interesting.’ 
Twenty years after breaking into the industry, he’s lost the ‘cacophony of nerves’ that came with trying to impress as a young actor. ‘I’ve learned that it’s okay to find the thing, or to not know the thing, to get on set and go, “Okay, I have no idea how we’re going to do this.”’ It’s been freeing, he says, learning to let go. ‘Now it’s fun and creative and it feels more relaxed, and then the work is better through all that, too. So I guess if I could say something to the younger actor, it would just be, breathe. Everything’s gonna be fine. You know the lines, you know the work. Just get in there and have fun. And don’t worry so much about the work itself. The work will happen. Just let you happen first.’ 
Rivals is streaming on Disney+ this autumn 
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florenceafternoon · 16 days
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━。゜✿ jily fic recommendations ✿ ゜。━
Featuring coffee shop, neighbours and historical AUs because everyone deserves to find their next comfort read.
For reference, anything in italics is taken from the summaries.
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Provisionally Yours by snapslikethis
Lily Evans discovers she’s been married off to James Potter without her knowledge. She and the spoiled count (in whom she appears to have finally met her match) have three days, for better or worse, to decide whether to accept the contract. With her sister adamant to make her life miserable, and a husband who seems equally determined to repel her, what else can possibly go wrong?
I think this fic captures their inquisitive nature perfectly. Through their banter, you can see just how compassionate and selfless James is and how he can be very sincere despite his antics. Lily is described in canon as vivacious and this fic illustrates how her reserved nature dissolves when in good company.
Till Death Do Us Part (Let It Be Quick) by @wearingaberetinparis
“Till death do us part,” she concluded, all air sucked from her lungs. Her fate signed, sealed and delivered. As the priest spoke his final words, she found herself ensnared in her adversary's gaze, trapped by the weight of it, her mouth opening as she spoke under her breath - almost subconsciously: “Let it be quick.”
A Jily Arranged Marriage AU in which Lady Lily never imagined she would fall for the husband she was forced to wed. Inspired by My Lady Jane.
I'm so excited about this, you guys don't understand!! Mary's writing is always phenomenal but her historical AUs have a very special place in my heart
all the king's horses, all the king's men by @jilyss
As queen, Lily Evans faces the suffocating weight of isolation and loneliness that comes with the crown. The only constant in her life is James Potter, her loyal and ever-watchful royal guard.
Wizarding Betrothal by pasmosa
Lily’s parents arranged her marriage to a wizard when she was born, and sealed the deal with a binding magical contract! Nobody counted on Lily choosing not to cooperate! Someone’s heart will get broken. Will it be her own?
oops I did it again by Anonymous
Annoyance, a deep, visceral annoyance that only Potter seems capable of generating, stirs up within her. Part of her still wants to storm out and away from him, another part wants to smack that smirk off his face, and a third very secret part that should never have existed in the first place can’t stop thinking about that photo, about her mouth on his, about his long fingers rucking up the hem of her shirt.
If she leaves now, she reasons, he’ll have gotten the last say, and that’d be absolutely no fair.
So she stalks over, plants her hands on her hips, and looks up at him. “Alright, new deal,” she says. “One kiss — one real kiss — and then you get it out of your system.”
(Spoiler alert: Neither of them gets anything out of their system.)
It's got everything you'd want from a uni AU
Literary Sophistication by @andromedabooks
Bookstore AU where an English girl enjoys Great American novels and her date has correct opinions regarding film adaptations
Customer In Law by @annabtg
James Potter is young, handsome, the proud owner of a coffee shop, and tragically - according to his mother - single. In an attempt to stop her from trying to set him up with her friends' daughters, he decides to go along with his best friend's plan and recruit his regular customer Lily Evans to play the part of his girlfriend during his mother's birthday party. Of course, the fact that he’s got a huge crush on her is entirely irrelevant…
The amount of pinning in this...
Golden Lights by PotterandEvans (on ao3)
James Potter, competition-winning figure skater has a crush, a crush on the redhead that works at his favourite coffee shop. When he finds out that she also teaches children how to skate on the weekends, he finds himself on the rink to join her.
throwing chances (requires an ao3 account) by @theroomofreq
prompt: “I’ve spent the summer climbing through your bedroom window so no one sees, please won’t you give me a chance?”
Or the one where both of them are early birds but Lily needs coffee
A Cashmere Christmas Miracle by @oyprongs
"Lily doesn’t really have an excuse for why she does it. It’s completely unprofessional - not that that matters much at her workplace - and probably constitutes some form of light stalking. But the jumper’s been in the bin at work for weeks, and she’s tired of tossing it aside whenever she clears out the other clothes, and Mary’s on holiday so she doesn’t have anyone dropping in to say hi, and she has to stress this: Lily’s job is very, very boring."
or Lily finds a jumper at her work's lost and found and decides to text the number stitched to the label.
This fic read like a recount a friend would text me and I mean this in the best way
Can't you see (you belong with me) by Boggarts_butterbeer (on ao3)
"I love your eyes" she says it so softly, so earnestly and his heart absolutely melts. "It was you" she carries on, resting her forehead on his, "it was going to be you all along"
he's about to say something (and it isn't going to be complete mush) when the door bangs open and they turn to Effie holding a tray of biscuits, absolutely grinning from ear to ear shouting "Fleamont, Oi Fleamont get your arse up here it's happened! it's finally happened, Oh and bring the camera!" and behind him is Sirius, recording the whole thing doubled over in laughter, and lily flushed red, hiding her face in his chest as he groans
Or Jily muggle au inspired by the You Belong with Me music video because it is the best video of all time- Lily pines secretly whilst James pines not so secretly
Because at my core I'm a friends to lovers girl
Covet Thy Neighbour by @beedaily
There are lots of ways to introduce oneself to a new neighbour, but breaking into their flat, perhaps, is a road less travelled.
Reunion also by @ /beedaily
The last person Lily expects to see at her law conference is the first boy she'd ever kissed.
Shout Out To My Ex series also by @ /wearingaberetinparis
James and Lily work for Phoenix Radio, a radio station that finds its existence threatened by the successful Riddle Radio. When asked to brainstorm an idea for a new show, Lily comes up with a show in which two exes discuss the aftermath of their break-up. Obviously, so Albus Dumbledore and Minerva McGonagall decide, she and James are perfect to play the part. The only problem? They never actually dated. A fake exes AU that leads to so much more drama than you might expect.
A Jily Modern AU inspired by Rachel Lynn Solomon’s "The Ex Talk".
The ending was just perfect
I Spy, I Spy With My Little Eye also by @ /wearingaberetinparis
Potter. James Potter. It sounds like a joke. It most certainly isn’t.
A Jily MI6 Spies AU in which James Potter and Lily Evans attempt to take down Tom Riddle.
Too Young to Have This Kind of Epiphany by @tinyluminaryzombie
Lily's a badass legislative director at a climate non-profit. James is a sweet, funny, and gorgeous co-owner of Three Broomsticks, the cafe Lily's started visiting. They're kind of obsessed with each other (but also refuse to make a move).
her favourite regular by @arianatwycross
A little doe-mestic moment for our two love birds with a sprinkle of my favourite: coffee
The Phoenix: A Coffee Shop Story by hp_poppet_writer (on ao3)
Lily gets more than she bargained for at the new coffee place her roommate recommends.
Lily feels her mouth go dry. If this is the view, this tall, chiseled specimen with the perfect amount of scruff on his face, she would gladly drink a cup of the worst coffee in the world every day. Her caffeine-deprived, still-asleep, drooling brain manages to squeak out “coffee” as she continues to openly stare at him.
His smile turns into a smirk, hazel eyes lighting with a mischievous glint. He pushes his glasses up before responding.
my mind turns your life into folklore (i can’t dare to dream about you anymore) by petitecanard (on ao3)
Lily had not been the reigning belle for twenty miles around Cokeworth without learning to distinguish between a flirt and a man who was in earnest. She replied instantly: “I know very well that Lord Potter means nothing by his compliments! Indeed, I am in no danger of being taken-in like a goose. And I still think he is odious, and a toerag, and a bully, and – and everything of that sort!”
Or, when the impoverished Miss Lily Evans embarks to London to find a husband, she impetuously engages in a battle of wits with the eligible Lord James Potter.
Quintessential jily
moppet (requires an ao3 account) by @gryffindormischief
Sometimes it's the unexpected things you love the most (feat. singel dad James).
heuristic also by @ /gryffindormischief
Bad restaurants, texting, DDR, pet apartments, more texting, nachos, and bookstore dates, all normal in the early days of a relationship, right?
may i borrow some sugar by oneofthesirens
Lily sits up so fast she’s surprised she doesn’t get whiplash. She recognises him, vaguely, in that way that sometimes they pass in the street and awkwardly nod. He’s tall – really tall, and she definitely has not developed an obsession with that – and wears glasses that are either dorky in a cool way, or hipster in an uncool way. He’s kind of exactly her type which was the first thing Marlene had pointed out when she’d seen him in passing.
Her naked and, more importantly, oblivious neighbour spins around to grab something from behind him and Lily sees… well, everything. More than she wanted to and, at the same time, not enough at all.
So, she does what any reasonable, twenty-five-year-old girl would do; snatches her phone from the bedside table, pulls the duvet up above her head so her naked neighbour can’t see her looking, and texts her friends.
Or: Lily and James are semi-neighbours, somewhat acquaintances, and she might have hosted a pretend-party just to talk to him
The Return (requires an ao3 account) by cwannabe5 (on ao3)
When Lily returns to her old university town for a weekend reunion with her university friend group, she naively expects old feelings and relationship dynamics to stay where they belong: in the past. However, it becomes immediately clear to her that being drawn towards James isn't something she can run from forever, and in fact, if she can manage to admit it to herself, sometimes addressing the elephant in the room leads to a happy ending.
Also, (not so) reluctant bed-sharing.
Life and Lemons by @lovesickjily
Harry loves his parents dearly, but he would love it even more if they were together. He decides to play cupid in an effort to have a happy family.
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icycoldninja · 6 months
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hey so i was thinking: Sparda Boys and V with a writer S/O? take as long as you need to with this (writer's block is kicking my ass rn sadly but) , i don't really mind
Hey I feel that bro, enjoy and hopefully your inspiration will return to you 💜
Sparda Boys + V x Writer!Reader headcannons
¤ Dante ¤
-He's not a scholar and knows next to nothing about books since he rarely reads, but if his sweetheart is writing stuff, by God, he will read whatever they put out there.
-Uses you as a human dictionary whenever he comes across new words, not understanding that that's not the purpose of a writer.
-"Hey babe, what's this word?"
"What word?"
"Uhh...Ink-Can-Dress-Ant."
"What?"
"Ink-can-dress-ant, I think that's how you say it."
"How's it spelled?"
"I-N-C-A-N-D-E-S-C-E-N-T."
"Incandescent, Dante, not ink-can-dress-ant."
-He'll be the first to read your work and is very proud of this fact. He, Dante, the Legendary Devil Hunter, is also your private beta reader. Awesome.
-Oddly enough, him reading all your works results in him developing a larger vocabulary--something that shocked everyone, especially Vergil.
-Congratulations! Thanks to you, Dante can use big words now!
■ Vergil ■
-You, a writer, are dating Vergil, the biggest bookworm on the planet? You are now Vergil's goddess.
-He wants to read everything, regardless of its quality. He'll visually devour all the words off the page, absorbing every word.
-You two now have yet another topic to nerd out about; you can spend hours chatting about books, writing techniques, and so on.
-Vergil is filled with a sense of pride whenever he reads your published writing; it pleases him so much to know you're growing your talents.
-He has an entire bookshelf dedicated to your books and takes special care of these books. They're more than just words on pages bound by cardboard and leather; they're treasures.
-Will take up writing as well, just so he can be closer to you.
□ Nero □
-Nero is not a bookworm by any sense of the word; he's read a few books in his time, but he's more combat oriented.
-Doesn't mind being a beta reader for anything you write.
-Your works have inspired him to take up reading again, and in doing so, he unleashes his inner book nerd. Like father, like son.
-He's always looking forward to whatever you write, and when you get writers block (as we all do) he'll take you out to a park, or a peaceful lake, in the hopes that the natural beauty of your surroundings might restore your creative juices.
-He, too, has a collection of all your works and keeps them proudly on display on a nice bookshelf in his house.
-Encourages you daily to keep writing because now he's addicted to reading your work. You really have changed him.
● V ●
-Oh congratulations, you've found yourself a soul mate.
-V loves to read (he totes his copy of William Blake poetry around and reads from it all the time, even in the middle of battle) and is more than happy to read your books.
-V is also a writer himself; he writes poetry, as we know. Because of this, he understands more than anyone the pain of writer's block and knows just what to do about it.
-He'll arrange for a relaxing movie/reading night, which in his experience, helps restore your creativity.
-If that doesn't work, Griffon's loud mouth and wise-guy (yet funny) jokes will take your mind off of things.
-V understands literature and knows all sorts of obscure things about famous literary figures; so much so that you two can converse for hours on end just gabbing away about books, their authors, and other interesting tidbits of knowledge.
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autumnnnsun · 9 months
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Now that I’ve finished reading Hortus de Escapismo and Executor’s record, I really gotta ramble about Executor for a second and kinda talk abt how Arknights handles his lack of empathy trait that I really enjoy. This isn’t a proper analysis or anything just my thoughts I wanna vomit for a sec.
So it’s implied in Executor’s record that he just, wasn’t born having empathy despite being a sankta. Or at least he just naturally doesn’t have the same levels of understanding of emotion as other sankta. The part that I really like about it is how Executor’s Record and story in general doesn’t portray that as a necessarily bad thing.
His lack of empathy allows him to think in a way that is a lot more unique than other sankta. When his partner in his record story told him to sacrifice him, he still brought his body back to Laterano. One of the reason being because of a specific sentence in the will they were enacting (“I hope all Laterans return back to their home.” Smth that most people would assume is just smth the will writer wrote for some extra literary flare) but also because he disregarded his partner’s feelings. His lack of empathy is the reason why he did something good and that is very interesting to me especially when most people tend to demonise having low/no empathy.
I also just really like how in his record story, it’s emphasised that he knows what emotions ARE. He has developed a system with his parents to recognise and visualise emotions by drawing lines that represent them. He knows what it is, he can recognise it to a level where he can think of the next best course of action when confronted with it, he just doesn’t put much importance on it nor does he bother with understanding it for the most part. Especially if it’s something that will get in the way of his job. And I REALLY like that cus it reminds me of how people irl that have low empathy will develop systems to work around it and still be kind.
I know a lot of us joke about Executor being autistic and that’s funny and I like the jokes as much as everyone else, but low or no empathy is a trait of other mental disorders and disabilities and even as someone that hasn’t been diagnosed with anything yet it still feels kinda nice to see low empathy being portrayed in a way that isn’t villanious.
In fact, Executor having low empathy kinda makes him the best person in the room sometimes especially in Hortus de Escapismo. The part where he does a warning shot at Oren and Lemuen and essentially goes “Can ya’ll STOP I’m trying to do my JOB.” And essentially manages to stop a massacre because of it is so funny but also so fucking hype bruv. I like how in the end of the event when Executor was starting to ask more questions and have more doubts and was starting to let emotions affect his actions a bit more, it isn’t framed as like “Oh mah gerd, he’s learning empathy and being more hooman!”
Instead he’s asking questions and seeking to find solutions to them in his own unique way. Asking around and adding more variables to his thought process like a computer would (which has some implications that gets my lore brain churning but hrghrghrgh)
Top it all of with the fact that he is specifically a character that is born and raised in a society that values empathy. Being able to feel other people’s emotions is what makes you a sankta. And Executor, is one of the better sanktas because he doesn’t follow that rule.
God I love Executor, go son, thrive.
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saintsenara · 6 months
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Wait why are you not a fan of Snape and Hermione?? 2 nerds who care a socially awkward amount about the things they care about nerding out together at levels of romance people who can be chill and normal about things can’t comprehend?? It’s not one of my fav ships but I can definitely see it!
I headcanon that Snape picks on Hermione being a muggle raised know it all thirsty to prove and lacking self awareness because he was one himself when he arrived at school and James and Sirius picked on him for it! It’s like that you’re most repulsed by the things you’re self conscious of in yourself thing to me. Or maybe a him trying to live out being the “cool” one in that dynamic thing
But when she’s a grown woman and more self possessed like he became too I feel like that same energy ness has potential for love!
Hermione is famously respectful and compassionate enough towards all beings to be more understanding than say Lily Evans of his prickly tender ego if he had another m word style outburst and such a people pleaser she’d keep coming back for more snark as long as he peppered it with the odd encouraging compliment
And I feel like a Snape in reciprocated love could absolutely veer into inventing beautiful and helpful spells to impress his lover or sending “made me think of u 😘” notes with verses of elaborate obscure poetry territory that would be frankly the level of literary and academic courtship our Herms deserves 😌
Is it cause they’d both be the highly strung worrier one and they both need someone to ground them? Or maybe too pessimistic together and one of them needs to be the cheerful one?
anon, i genuinely love this for you - i'm always thrilled to get people explaining their love for ships in the ol' inbox, especially when they're ships i don't instinctively vibe with, and i have been won round to stranger premises than this by a passionate defence of why two characters should kiss.
where i still think snamione isn't clicking for me, however, is that the way you describe both snape and hermione here doesn't align in any significant way with what i personally think would be interesting to explore about either character in a relationship and have them still feel meaningfully like their canon selves.
[i will say, though - because i always think it's worth reiterating my fandom commitment towards being neither a cop nor a priest - that i literally don't give a shit about either the age gap or the student-teacher dynamic. i know that's an objection to pairings like snarry and snamione which lots of people do express. but i will never be one of them.]
the primary reason that i don't vibe with many of the more... sapiosexual hermione ships [by which i mean not only snamione but tomione] is that they hang on the idea that hermione's intellect expresses itself in a way we never actually see in canon.
or, the idea that snape and hermione are intellectually compatible [and that they would enjoy hanging out being nerdy about stuff] is just... not true.
throughout the seven-book canon, the way that hermione shows herself to be clever is that she displays an excellent memory and an enormous capacity to rote-learn. her intelligence is overwhelmingly demonstrated - both in the classroom and during the trio's year on the run - by her being able to regurgitate swathes of information, very usually verbatim from the source she got it from.
she is clearly able to use this ability to retain information to understand the theoretical component of magic in a way neither harry nor ron ever manage, and she is able to use this understanding of theory to work out how to perform spells which are ahead of her expected level on the hogwarts curriculum.
and this is intelligence - and i want to be very clear that i'm not trying to suggest that hermione shouldn't be thought of as intellectual, or that her academic achievements should be devalued. but it isn't the way snape's intelligence manifests itself.
because hermione is never shown - at any point in canon - to be a particularly creative or experimental thinker.
she places an enormous intellectual trust in disciplinary authority - teachers and textbooks - and is frequently rattled when these are revealed to be partial or incorrect, as we see in her shock at hogwarts: a history not mentioning house elves or her anger at harry getting better results by following the modified instructions in the prince's textbook [despite knowing nothing about the theory underpinning them] than she does with the "official" ones.
she also regards the gatekeeping of inquiry which disciplinary boundaries enforce to be a positive thing and she never displays any inclination to step beyond them. she dislikes the spells in the prince's textbook because they aren't ministry-approved - and i must say that i think the idea that she'd be won over by a man creating spells for her is wishful thinking...
she is immediately mistrustful of anything she can't find something she regards as an empirical source for - notice, for example, that she only comes round to the idea that prophecies might be real once she encounters them in the ministry of magic.
even when we see her using magic on her own terms - the jinx she uses on marietta edgecombe, for example; or the protean charm on the da coins - the magic she's using is sophisticated, and is being applied in a way which wouldn't be classroom-sanctioned, but it's not magic which is being used in a way which is removed from the spell's original purpose. the protean charm on the da coins is impressive because it's a flawless execution of newt-level magic by a sixteen-year-old. it's not impressive because hermione is using it in a strange, experimental, or radical way.
[in contrast, the dark mark - which harry notes the coins mimic - is clearly a spell voldemort himself invents.]
snape, on the other hand, is an experimenter. he's someone who clearly sees magic as a creative force which he has every right to shape as he sees fit by adaptation and invention. and he's someone who evidently rejects the logic of disciplinary gatekeeping - one tension in his relationship with dumbledore prior to half-blood prince is that snape evidently retains an enormous intellectual interest in the dark arts [which, as he tells us, are an area of magic which is feared precisely because they can't be neatly contained within disciplinary boxes - they are ever-changing, unfixed, mutating...]
and it's these conflicting views of what magic is and how it should be used and thought about which is the cause of the intellectual incompatibility we see between snape and hermione in canon.
he is unequivocally in the wrong for his dismissive classroom manner towards her - because he is an adult and she is a child. but he isn't wrong in principle that hermione just repeating what she's read in the textbook and refusing to synthesise her knowledge [she always goes massively over word limits! she never gives answers in class in her own words!] isn't actually a demonstration that she understands the material. [and therefore something a good teacher would guide her through conquering... snape having no interest in doing this is his own fault.]
and - from a snamione-specific perspective - it's all the evidence snape needs that, actually, they're not going to enjoy hanging out chatting about academic pursuits. hermione values knowledge like a dragon hoards treasure. snape wants to take that treasure, melt it down, and turn it into new and weird things.
once again, i don't think this a flaw in either of their characters - it's just something which is. and i don't think it's an insurmountable obstacle to writing snamione, because i believe any ship is possible if an author has enough nerve. but it's an aspect of both characters' canon personalities [and hermione's above all] which never seems to make it into snamione fics - all of which, as far as i've encountered them, are beholden to an idea of hermione's approach to academia which is considerably more flexible than we actually see in the books.
of your other points, i'm not particularly convinced by the idea that snape sees his younger self in the teenage hermione. this isn't just for the reasons outlined above - hermione isn't trying to prove herself in the same way he was, which was by creating and experimenting in a bid to be noticed and considered impressive - but also because of the massive gulf in their respective class backgrounds.
hermione is really posh - and, while she's obviously subjected to discrimination at hogwarts on account of her blood-status, she also comes from a family with both the financial resources and the cultural language to make her familiar with the vibe of the elite muggle boarding schools hogwarts is a pastiche of.
the teen snape - in contrast - stands out from his cohort in that he is visually identifiable as working-class [which does appear to be genuinely unusual at hogwarts]. his class background is something which clearly drove a lot of the marauders' bullying of him [i'm sorry to the girlies who think james and sirius targeted him out of some righteous desire to stamp out his prejudice - it was because he was poor and uncouth] and which he still has a chip on his shoulder about as an adult.
this - again - is not an insurmountable barrier to a snamione relationship [as it's not a barrier to thousands of real-world partnerships and friendships]. but it is something an author needs to grapple with if they want to make the pairing - at least, in my opinion - seem plausible. but the standard vibe seems to be that snape would be comfortable in the grangers' home fairly quickly, and that he'd be delighted to have hermione swanning around offering suggestions for how they could do up spinner's end... instead of him resenting this as the unwelcome meddling of people who've never had to worry for money.
i'm also not particularly convinced by the idea that hermione would get over being called a mudblood - especially by an adult man. while i think it's completely plausible that she'd handle this differently than lily [although lily's reaction is entirely justified - and i don't think we should throw the baby out with the bathwater of contextualising the teenage snape and the motivating factors behind his decisions by pretending that cutting off your friend because he called you a slur is a petty, ill-thought-out, or unreasonable move], i don't think that her reaction would be automatically forgiving.
hermione is compassionate towards kreacher when he calls her a mudblood because kreacher is a slave, whose prejudicial views are inextricably bound up in the magic used to oppress him [i.e. that if he received an order to use the term, or to refuse to serve a muggleborn food, from his masters, he would have to punish himself violently if he disobeyed it]. she is not - quite rightly! - compassionate towards someone like draco malfoy when he calls her one, since he is a free person with full agency to choose not to do this.
could she forgive him - or snape - for using the term? sure! absolutely! but i don't think it's a given - and i also think she'd expect a demonstration of how sorry snape was which wouldn't necessarily align with how he'd think he'd demonstrated his regret.
i do agree that - as you say - hermione is a people-pleaser, and she definitely has a far greater tolerance for being treated cruelly by people she wants to impress [especially authority figures - including snape himself] than either harry or ron. and i think this has the potential to introduce an extremely thorny dynamic into a snamione fic - in which the power dynamic inherent in the age gap [which, to reiterate, i think is completely fine for an author to enjoy] is compounded by hermione being unwilling to anger or contradict snape [which is a vibe - as i've said in answer to an ask about harmony - we also see in her relationship with harry... it's also obviously exactly how snape's relationship with dumbledore works.]
on a couple of the more minor characterisation notes, i'm afraid that the idea of snape as a great romantic has never hit for me. it seems really bound up in the way alan rickman portrayed him in the films, which i've always found a bit toothless. i also don't like the trope of "actually snape's really hot" which seems to always accompany it - ugly, odd men to get to bone too!
[what he would be - i think - is a magpie. get ready to be handed odd stones and bits of leaves on dates.]
i also think they're highly-strung in ways which differ enough to mean they'd just annoy each other. hermione is highly-strung in that she flusters easily and is very poor under pressure, but she's actually pretty emotionally stable [and i'd dispute that she's a pessimist - this is a girl who thinks that she's successfully eradicating slavery at hogwarts by knitting hats; she's pretty robust, funny, cheerful, and idealistic]. snape is highly-strung in that he has a hair-trigger temper and is very emotionally volatile, but he's obviously an extraordinarily good liar, very quick on his feet, and very good under pressure. he'd think she panicked too much [and over insignificant things he didn't care about], she'd think he tanked the vibe of a date by taking offence at someone breathing too loudly.
where are they similar? well, they have a shared self-serving streak [hermione is appalled by behaviour from harry and ron she considers perfectly moral when she does it]; capacity for cruelty; tendency towards secrecy; tendency towards pettiness and pleasure in the misfortune of others; loathing of flying a broom; cutting sense of humour; stubbornness; resilience; clear dislike of slumming it in nature; love of puzzles; and a weakness for red hair.
i think you could make it work on the grounds that they'd probably have the time of their lives being haters together - especially, i feel, about rita skeeter.
and - y'know - because love is weird.
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quixotical-lymbo · 2 months
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Hello there!😁
If u can of not, I would like to request MK, Wukong, &/or Macaque (U choose may choose who if u don't want to write all😊)x female reader headcanon that does photography(& maybe videography). They enjoyed it as a hobby as a child and continues on with age. Like taking videos or pictures with friends and family so she doesn't forget the good times.
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Pairing: Wukong, Macaque, MK x fem!Reader Rating: SFW Warnings/Tags: Fluff, just fl u f f, and Macaque being a lil buttwipe. Word Count: 500+ words
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WUKONG 
☀️ ️If Wukong had a partner that regularly took photos then be prepared to have your camera roll be 65% full of his beautiful face. 
☀️ He thinks your hobby is nice and would indulge in it to make you happy; you need a close up of a funny looking bug in that tree? Well, up you go! Oh, what's that? You couldn't catch up to the bird that keeps flying away? Have no fear, Wukong is here to help! 
☀️ When you're not looking, he'll take your camera/and or camcorder and take secret photos/videos for you to find later. They'll either be full of sweet praises or silly jokes and close-up shots of him messing around in your room. 
MK 
🍜 MK seems to be the type to appreciate every form of artistic expression, including photography. When he learns that you've had it as a hobby since you were a kid, he'll insist on being your muse or suggesting things for you to take photos of–cuz, y'know he's the type to think everything is an important memory to keep record of. 
🍜 "Oh, oh, take this one! This one!" 
🍜 "What about this one? It has four buttons on it!" 
🍜 "Don't forget to take a pic of that corner of Pigsy's shop-!" 
🍜 All in all, he's very happy when he looks in your album to find a lot of photos of him and you spending time together—MK's heart swells when he found that you even included a few of his suggestions in the album, but his face exploded when he found the photo of you kissing his cheek while he was distracted by something out of the shot.
MACAQUE 
🌙  While he respects your craft, he doesn't understand your insistence on trying to snap pictures of him. Don't get him wrong, he'll allow you to take some photos of him if he accidentally photo bombs the shot, but more…intimate photos are a hard no from him (especially since he knows how much you scrapbook). 
🌙 You could say he's embarrassed at the idea of coming across a lovey-dovey section of your collection of photos featuring the two of you. He can already hear the teasing comments from a certain group. 
🌙 There have been times when you tried to sneak a few shots of him, but these plans were all thwarted as he disappeared before the shutter went off. He'd reappear behind you, kiss your cheek, then tauntingly say you'll probably get him next time. 
🌙 And get him you did.
🌙 It was a random Tuesday when the two of you were chilling in your home/apt and a movie was playing on the TV. One thing led to another and you two began making out on the couch. Macaque was so into it that he didn't even feel you reach underneath the couch for your camera. 
🌙 The shutter went off and Macaque just..laid there above you frozen, wide-eyed, with his cheeks flushed and hair all in disarray. 
🌙 You had to beg and plea to keep the photo, but he relented after you promised you'll keep it out of the public's eye. No one else deserved to see that photo but you. 
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🍜 - I do not give permission for anyone to translate, copy, republish, or plagiarize any of my written works. I provide no permission for any of my literary works to be used in artificial intelligence. sparkle banner(s) by @adornedwithlight !!
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foursaints · 2 months
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as your book recs are absolutely exquisite, what kinda books are the gang reading, mainly remus, reg, james barts even all them guys ( if they even read at all)
this is an elaborate excuse to get book recommendations from user foursaints everyone shut up
i imagine the slytherins as all very literary (pureblood tutoring will do this to you) which is a popular hc! but i think people tend to lump “the classics” together & assume the slytherins are all reading the same handful of Big Name canonized authors, which can be so reductive…. what about literary infighting.
respectfully you could not find regulus black within a MILE of camus or sartre or kafka! he finds them childish & cheap & sensationalist because he prefers the grandeur of stuffier armchair classics and he has a self-serious bent. he has a secret tendency towards sweeping romance and also enjoys the florid. regulus black is reading PROUST and PUSHKIN and he nurses a deep, uncharacteristic love for RIMBAUD. his most enduring favorites are rilke’s letters and moliere’s plays and goethe’s Faust. and he will call dostoyevsky juvenile if you bring him up!
evan likes his literature bleak and straightforward and sharp as a knife. he is open to experimentation with form. he likes short stories and playwrights. flannery o’conner is a MAJOR one for him, also thomas hardy, also august strindberg, also ibsen’s later works. he fucks with russian formalism a la viktor shklovsky. he probably has a gigantic boner for ezra pound and yukio mishima that everyone mocks him for and he has a warmth towards brecht & stein.
barty is my modernism #understander and #darling… he straddles evan and regulus’s tastes in that he enjoys both the stuffy & the deconstructed, but he has a taste for vulgarity and more of an openness to the playful. joyce. pirandello. eco. maeterlinck. borges. lorca. out of everyone i see him enjoying chekhov the most, and having a secret but very powerful attachment to him….
yes they are all reading the same hyper-canonical eurocentric aristocratic drawing room picks but they are NOT just reading Crime And Punishment or whatever. it’s like the english department on sabbatical in there. they are on the verge of coming to blows about it the whole time……..
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