#thats all i got out of this movie

[goffilolo]

In conclusion, when Asta becomes the wizard king Yuno needs to bid his time and wait for his turn to be Asta's 2nd wife

[gophergal]

Life on the farm

[lorephobic]

been thinking about how in a couple of different interviews, barry has brought up that he played five different olivers chronologically thru the movie. i've been fiddling with my theories as to where each oliver ends and a new one begins and have roughly landed here but would love to hear other ideas:

oliver 1: oxford, watching and wanting felix. an outsider, batting up against the window, just desperate to get in. begins observing everything: details of felix's life, details of farleigh's life, begins orchestrating his performance for felix, setting the stage for whatever will get him into the spotlight.

oliver 2: saltburn, pre-bathtub, the best few months of his life, living in felix's light. this is the dream. he will cling onto it and comb over it and jerk off to it and wonder how he could ever get it back.

oliver 3: saltburn, post-bathtub, post-pamela, understanding how precarious his position is, losing felix quickly, making risky, desperate moves in an attempt to regain his attention. eating holes in everything and becoming a toy that felix doesn't want to play with anymore.

oliver 4: saltburn, post-confession, post-licking-the-fucking-plate, confused by his own obsession and pivoting toward preserving and not letting anyone remove him from what he thinks is rightfully his: felix's space and felix's role and felix's memory

oliver 5: post-post-saltburn, monologuing to his final victim, justifying his actions in any way possible, an obsession that has festered for more than a decade, re-realized in his obsession with his self and his work. oliver in his most catton-like state. denying that the desire was ever there. has a complete and utter horror of the ugliness he's committed. a beautiful man in his beautiful house, surrounded by beautiful things. finally free from want.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[b4kuch1n]

yay! I drew these quite literally three years ago. dragonheart!milo and raihan! a knight on a doomed dragon hunt being lifted out of his station by a small village medicine man. together they become magic lawyers and overthrow the government

the main details in these do survive into the iterations I’ve drawn (instead of these actual designs I spent time to make el oh el): the “leaf” diamond quilt/gambeson and the plaited coattail for milo, the “atypical” weapons, long coat, and large number of scattered fake gold trims and accessories for raihan. I think I lost raihan the hat and added a cape for milo further down the line because like this their general silhouettes are too similar for my liking lol

[ganondoodle]

(idk if anyone wants to keep hearing my opinions on totk book stuff but-)

apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this

i dont think theres anything they can do or say that wont make be believe they either

are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all

something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)

given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??

are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )

(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)

[goth-deidara]

So skeptical of love,

But still. I want it more, more more 

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.

[mishy-mashy]

Just got two guesses about BNHA 425

1) This person is probably the new AFO.

It's mentioned that while big fights are recorded, it's the aftermath that isn't, with a lot of trouble happening there. AFO rose up during those uncertain gaps of time, and right now, the story is going through another period of unease and attempted repair.

Soon after they mention this is how AFO came to be, we see this guy. Maybe it's to do with the idea "A story can't be a story without a villain" or something.

A story about heroes has no big bad villain now. Maybe it's to fill in. Or to continue the trend: a villain will rise up during the period of strife and attempted restoration.

2) This is Endeavor looking at Touya in a hospital room.

I've seen some people talk about how Touya has to be alive, because he was on a stretcher.

When someone is in critical condition, and their situation is extremely delicate, it's possible that patient can be put into an isolated, sterilized room to keep out the germs. Visitors can only view them from beyond a glass wall.

Ex. Yuuki in SAO

A patient with fragile health, that can't move or live without a machine, and is being kept in a sterilized room to prevent infection. Visitors can only view beyond glass.

I know this is me using SAO as a reference, but it's the first image that came to mind about this. Even if she's using some advanced technology to have some semblance of normal consciousness, MHA is advanced enough because of Quirks to still have big machines and ways to help people with Quirk accidents. (Basically, don't defunct this cuz I referenced SAO, but also)

Elemental Quirks are rather common, imo.

Anyway— it looks similar to what's being shaded out.

"The Todoroki family faces..." literally insinuates it's a family issue.

Endeavor said he wasn't going to take his eyes off of Touya. He said he would look straight at him. And if that's Touya in a hospital bed, Endeavor is keeping his promise.

We've also seen with AFO and All Might, and Kurogiri and Present Mic + Aizawa, when villains are in captivity and can only be viewed beyond a pane of glass.

Touya is both someone in need of medical care, and a villain.

[much-ado-about-whomst]

Jealously

The sound of laughter echos over the diner. Mike's fist tighten. Normally, Ness's laugh is cause for him to smile, but not when it's aimed at the guy at the bar who's been openly flirtling with his boyfriend all night.

There's an ugly feeling well up in his stomach. It makes him want to punch the guy senseless. The thing that frustrates Mike the most is that Ness doesn't even notice, he's just nice to everyine and assumes that they're being nice back.

"When do you get off work?" The bastard asks Ness.

"I'm leaving now. I just need to close out your tab and then I'm clocking out." Ness grabs the guys credit card and makes to leave. Bar guy puts a hand in Ness's arm, stopping him. Mike gets up and starts making his way over

"Do you want to come over, sweet thing? I could show you a good time." Mike sees the exact moment it clicks for his boyfriend because Ness stiffens and extracts his arm away from the other guy.

Mike comes up behind the taller man and wraps his arms around him as he asks, "Ready to go Darlin?" He looks the guy at the bar dead in the face before going on tiptoe to kiss Ness's cheek. The stranger glares right back at Mike.

"Almost Sugar. I just got one more thing to do then I'm all yours for the rest of the night." Ness smiles at him before rushing off to the back.

"Touch him again and I'll make sure you never see the light of day again. Clear?" The man pales and slowly nods his head. Ness stops by just long enough to hand him his change and receipt before disappearing into the back to grab his things.

It's not until later that night, after they put Abby to bed, and they're relaxing on the couch that Ness asks, "What did you say to Brad?"

"Who?"

"The guy at the bar. When I came back he looked like he'd seen a ghost."

"Just made sure he knew not to touch someone who didn't want to be touch." There was a few moments of silence.

"Thank you."

"Did you not realise that he was flirting with you the whole time?" Ness started to splutter and blush.

"Wha- no! He wasn't- flirting?!? With me??..... What the whole time? Were you watching us?" It was Mike's turn to blush.

"Were you jealous?"

"N-no, I wasn't. I was just looking out for you."

"Aww thats so cute." Ness cooed. "You know you don't have anything to worry about, right?" Ness adds a little more seriously. Mike huffs.

"I know. I just. You're such an amazing guy. Anyone would be lucky to be with you. But me? Sometimes I feel like I'm not even worthy of being in your presence, let alone dating you." Mike looks down at his feet, unable to look at Ness's face. It's something Mike's been feeling ever since they started dating. A worry that Ness will realize that he's much better off without Mike and his airplane load of baggage.

Suddenly, Mike finds himself wrapped up in Ness's arms.

"Oh, Sugar. I had no idea you felt this way." The taller man puts Mike's chin between his finger and thumb and raises it until their eyes meet.

"You are the one I want to be with. I choose you, and I will continue to choose you, choose us, choose this little family we've built. Every. Single. Day." Ness vows before lowering his head to meet Mike's lips. It's a passionate kiss, only because it's two people who are conveying to each other just how much they are loved. Ness can feel Mike's tears, sees them as he pulls back. He wipes them away.

"Sugar, I love you."

"I love you too Darling."

[forecast0ctopus]

which characters do you want to draw more of?

yknow i feel like this is probably more pointed towards star trek. which there ARE a lot of trek characters id like to draw more of. but you just opened a whole can of worms man theres so much stuff i love that i havent really done much fanart for..... i want to do scooby-doo fanart soooo bad but i never get past the sketch phase....i havent drawn hardly any paranatural in ten years... woould love to draw more my babysitter's a vampire fanart its been so long since ive drawn those guys....... ive wanted to do jaane tu ya jaane na redraws for the longest time... okay i wont go on any longer ill stick anythin g else. in the tags lmao

[emi1y]

car wreck 🫣 womp womp (everyone is okay) (not my car but i was the passenger)

[urproblematicfav-arsonk]

Googling the cast of the Borderlands movie cuz its apparently coming out soon and I see that fuckinf Krieg is there????? WHY IS KRIEG THERE WHAT, WRONG GAME??

If Jamie Lee Curtis does not put her entire PUSSY into playing my favorite canon autistic character then I'm going to go fucking insane. bl3 already fucked me over by erasing all of her autistic traits and ruining her character, babe pls u did so good in Everything Everywhere Im fucking begging

[thatsgonnaleaveamark]

whumptober 2023 - day 1 ↳ drugging (alt prompt) The Continental 1x01

[jays-supersonic-dynamo]

colored a movie!lloyd for funsies!!

[skitskatdacat63]

This is my personal crossover event of the century