#the 100 2x01

[laufire]

STACKED100 | october 22nd | "the 48" (I)

You're ok. It's all good.

[crownspeaksblog]

Deans face is so good.. to me that looks like a "what the fuck is going on???!!" Kind of look..

Rio goes from beating the shit out of dean, slapping him, humiliating him and being a scary menace to being just soft.. he's walking slowly towards beth, calling her Elizabeth, slowly taking the gun off her hand, softly speaking to her, telling her "it's alright, it's okay", gently pushing her hair and caressing her chin and he feels genuine.. and dean is just sitting there speechless..

Because dean gets violent criminal unleashing his anger on him but this gentleness doesn't make any fucking sense!

[booasaur]

The Dragon Prince - 2x01 || 4x01

[okmcintyre]

Clarke + Bellamy separated, fight tirelessly to try and save their missing friends

[bisexualseraphim]

Today we start S2! Here we go with Episode 1!

[starbuck]

SO, as my fellow BrBaBCS friends may remember, it’s been my theory ever since I started rewatching BrBa that the timing of the DEA going after Tuco RIGHT after he started selling Walt’s supermeth was too coincidental to be true… that it would make sense if Gus was somehow involved considering he was about to secretly launch his own meth business and did NOT want competition from the cartel and ESPECIALLY not a Salamanca.

Eventually though, this theory seemed to be proven false by my being reminded that the DEA found Tuco’s bloody fingerprint on No Doze’s body, giving them a perfectly legitimate excuse to go after Tuco without any outside involvement necessary. That’s what I *thought*… But then this morning I realized that I had overlooked one crucial detail: HOW did the DEA find No Doze and Gonzo’s bodies so quickly in the first place?

They were tucked away in a junkyard SO secluded that a man could be murdered in broad daylight with no one taking notice, but I’m supposed to believe that some random person found Gonzo RIGHT after he died and reported this not just to the police, but to the DEA? A likely story… Instead, let me tell you another story…

Tuco had already been selling Walt’s meth for at least a week prior to the junkyard sale… A new, super-potent strain of meth goes on the market in the ABQ territory and OBVIOUSLY Gus is gonna take notice and be displeased. So what does he do? Well, first he’s gotta figure out where Tuco is getting it from. He has someone (probably Mike) follow Tuco to the junkyard sale and watch the whole thing with binoculars from a distance. He watches Tuco murder No Doze and dispose of his body. Interesting. They’ll put a pin in that. In the meantime, they’ve gotta figure out who these guys Tuco got the blue meth from are.

Canonically, Walt and Jesse are both spied on in the days following the junkyard sale and both assume the culprit to be Tuco, however, I went back and checked and was validated by the fact that, as expected, the car that pulls away from Walt’s house in 2x01 is NOT the same car that Tuco drove to the junkyard. Additionally, Tuco seems surprised to learn Walt’s real name and that he has a family in the following episode, things which shouldn’t have surprised him if he had already been spying on Walt’s home. No, I think a better explanation for all of that was that it was Gus’ guys scoping out the competition (but also happy to let Walt and Jesse THINK it was Tuco because anything to make that relationship more fraught than it already was is to their benefit).

And so that all brings us to the question of who tipped off the DEA… Just as Gus had guys watching Walt and Jesse, someone also must have tailed Gonzo back to the junkyard, watched him die, and, with Tuco now entirely defenseless, decided that this was the moment to strike. They left an anonymous tip with the DEA and then let the law do the rest of the work for them. The way things ultimately went down for Tuco was obviously unplanned… I’m sure the original plan was just to have him imprisoned again, but I can’t imagine that Gus was too unhappy about Tuco’s death, even if he didn’t exactly orchestrate it himself.

This is all heavy conjecture, obviously, but I think it makes sense and I like how this reading lets it mirror Tuco’s going to prison in BCS where, on the face of it, it’s Tuco’s own inability to control his temper fucking him over, but, in truth, he’s also being set up by outside forces he has no knowledge of. Really adds to the tragedy of it all, in my opinion.

[pulsingvoid]

not negating anybody's experience i know black sails is outstanding regardless of how or when or how quickly you watch it. but also, as a gay person who watched it in real time, you really had to be there. they introduce anne bonny and you know your pirate history so you KNOW she's a girlliker. she has a moment with max but youre not sure where it's gonna go. because it's 2014. you wait over a year for 2x01 and she and max fucking obliterate you with the sword drop kiss scene. all anybody is talking about in the tags is vaneeleanor. a few weeks later 2.05 drops and flint is not only textually gay and kissing a man but he is waging war on england, on all of civilization for taking away his male lover. you find this out after investing fourteen hours on this show that have spanned over a year and a half in your real life. not to mention the miranda stuff and silver's arc and mr scott and madi and the death march that seasons 3 and 4 feel like when you have no inkling of how it's gonna end. but you stick with it regardless because it's good and besides it's 2014-2017 and the only genre show with gay people in it is fucking... the 100? lol anyway. more gay people flock to black sails between seasons and the tag becomes more about the gay shit than vaneeleanor, thank fucking god, finally. you all dread the last season. you brace yourselves for the worst. you thank the stars this show airs weekly because watching even just two episodes together is too overwhelming. 4.08 airs. you cry. 4.09 airs. you cry. 4.10 airs. your life will never be the same. you cry so hard you catch a fever and have to stay in bed all week to recuperate. you know this was a once in a lifetime experience never to be repeated again but you can't help but hold every other show to this impossible standard.

[bemusedlybespectacled]

Minor tangent but I have seen a specific criticism of OFMD multiple times that's along the lines of "the problem was the first three episodes being too dark and gritty instead of being our fluffy kind gay show."

And I strongly disagree with that criticism.

Like, Season 1 already had its dark and gritty moments. It was never 100% fluffy. Everything Ed does at the end of 1x10 (throwing Lucius overboard, cutting off Izzy's toe, marooning the crew, and kidnapping Jim and Frenchie) is the most obvious example, but there are others: Stede's experiences as a child, Ed's abusive father, Jim's family's murder. All of them are shown to still be affected years later in a way that impacts how they interact with other people, which is why it's emotionally satisfying when they find love despite it.

Addressing the events of the S1 finale in the first couple of episodes of S2 was vital. It solidifies just how devastated Ed is and how that devastation has affected everyone else, both negatively and positively, for a given value of "positive" (the Kraken crew is clearly closer as a result of their shared trauma). The scenes showing how being part of Stede's crew changed them for the better (talking to and hugging Izzy, Jim telling Fang the wooden boy story with the voices, etc.) were absolutely necessary and arguably the strongest parts of the show, and I don't think we would have had that if the stakes weren't so high. "Ed is a bit mopey sometimes, but it's not that bad!" just doesn't have the same oomph.

Had they pulled a Last Jedi and started 2x01 by throwing away all that build up from 1x10 and making a joke about it, it would have been a poorer show. The times when darker things were treated as a joke (Lucius' experience after being thrown overboard), flat-out ignored (Stede's fairly obvious anxiety disorder), or blown past because of time constraints (Ed getting voted off the ship and then reinstated as part of the crew within a day) were when the show was weakest.

The problem, of course, is that once you've acknowledged that impact, you need to keep acknowledging it. It needs to continue having an impact. And you can't do that if you don't have the time to explore it because you need to skip ahead to the part where everything's fine now.

I'm not saying that they needed to fully shift gears and stop being a comedy entirely. I think S1 threaded the needle pretty well in terms of balancing the conflict with humor. Like, Ed has a breakdown in the bathtub over murdering his father and what a horrible person he is and his plan to kill Stede, and none of that is a joke; the joke is when Stede checks to make sure Ed isn't going to kill him. The sad stuff can be taken seriously and we can still have humor to break the tension! We can do it! We have the technology!

But you can't have a serious thing happen for the sake of growth and then hand wave it away later when it's inconvenient. And you definitely can't introduce ways to break that tension (surprise, Stede is alive because he used This One Weird Trick!) and then not use it when it's inconvenient (surprise, Izzy is alive because he– oh, wait, no, he's dying for realsies).

The issue wasn't the show having dark and gritty bits at all. The issue was the lack of time for those dark and gritty bits to do their fucking job: being a catalyst for personal and relationship growth in a way that actually matters to and affects the story.

[ladyluscinia]

"What if it weren't like that?"

...or I'd like to propose a different theory of what's going on in Edward's head.

Going into the S2 finale, I feel like there's once again a huge consensus that Edward and piracy are an unsustainable mix, and he has to quit. Specifically after 2x07 he knows for sure, 100% that he wants to quit, and he's pulling away from Stede because he doesn't know how to communicate that certainty to him.

There's a very established meta framework backing up this belief. It's not new, just everyone pointing and saying "look! - the show is affirming us" at the same time. And it does make a lot of points about foundational trauma, the violence of the lifestyle, etc. I don't need to break it down for you. If you're seeing this post then you've seen the arguments before.

The thing is... I'm not actually sold on this read.

Edward is a complicated guy and I love to try and peel back his layers, and I'm not sure that retirement is truly his endgame. And maybe more importantly... I'm not sure retirement endgame is quite the thematic crescendo it's being presented as.

So let's talk a bit about Edward, particularly in 2x06 and 2x07.

---

Edward's Ongoing Depression Spiral

The thing about backsliding - and the Kraken was a pretty monumental backslide - is that even if you gain a lot of ground afterward, you still might not be much further than where you started.

Edward believing change is possible with Button's 2x04 guidance + his & Stede's conversation about taking it slow at the end of 2x05 are both huge steps for a guy that was openly suicidal at the beginning of the season. However, in the grand scheme of things, he's pretty much cycled back to the dilemma he was facing in S1 - continuing life as it was is intolerable, but he doesn't actually have a solid idea of what he wants. "Stede" is not a real, actionable answer.

In S1, this caused him to run recklessly into extremes of vulnerability with Stede because Stede was doing something different. He tried to metaphorically cut loose his entire history - as a pirate, as Blackbeard, as Edward Teach - and become a new "Ed" with no baggage, who was free to live an endless vacation honeymoon with his new boyfriend. And when the consequences of their own actions came crashing back in - an abandoned Izzy, Spanish Jackie, and Chauncey Badminton - Edward's desperate actions to save Stede turned into over-commitment to a guy he barely knows, a reckless plan to run halfway around the world to escape himself, and then a truly disastrous downturn when that blew up in his face.

Wherever you go, there you are - except Edward hates that guy. Edward's only concrete want so far for the new direction of his life is the one thing that's impossible - to not be Edward Teach.

So now, back to contemplating the same unknown future he was trying to chase in S1, the Kraken Era has given Edward new perspective, for better and worse. (I'm gonna link my rambling BlackHands / Kraken Era thoughts from 2x01 - 2x03 just because.) He's learned caution and is dipping his toes in self-reflection - Stede's love alone is not enough to save him, and his self-loathing has been acknowledged. Reckless pursuit of change without growth was doomed - an important lesson both Stede and Edward have started to learn.

Unfortunately, growth requires looking backwards, and if Edward was already disinclined to that due to killing his dad, he's struggling so much worse now that he's got months of fresh atrocities that he absolutely did not need to commit.

---

Drowning in Guilt

Edward's core trauma that he flashes to constantly goes back to killing his dad that night - something notably not associated with piracy. That guilt is the root of his self-loathing, but Edward is a rather troubled grown man with guilt aplenty, especially after the first two episodes of S2.

In 2x05 Edward starts with a CEO scripted non-apology firmly recategorizing all of his Kraken actions as "whatever that nasty dark stuff was that brought us here... it's in the past", and then his discussion with Stede does not involve too much reflection on why this probation is necessary and drops this gem:

"Oh fuck no. Apologizing? Nah. Didn't apologize for jack shit."

However - demonstrating self awareness / growth - he's also clearly projecting guilt and a desire (that's almost too big to look at) to apologize to Izzy for everything, and then he honestly talks with Fang (who he's known for 20 years!) about how he can not be understandably mad at him, after Fang pushes back on Edward's toxic rewriting of Knife Parade. He even learns to sit with himself!

All of which makes the start of 2x06 so layered.

We open with Edward sitting with himself, looking out over the ocean and stewing in guilt - in order: his dad, the storm, Izzy's toe, shooting Izzy, driving the crew to mutiny - and then the conversation that Edward was haunted by all last episode comes to him. He's back in his leathers - playacting the penitent with the onesie and cat bell got old after a day, and he had never truly linked his probation rules with any of his earnest feelings of remorse. Just a necessary performance to appease the crew.

Now he's himself again, as uncomfortable in his own skin as ever, and Edward Teach apologizes for Izzy's leg. He isn't being demanded to apologize by Izzy (no matter how much he may deserve it). Izzy is fully prepared to pretend it never happened despite the evidence of his body. But Edward wants to - needs to for the babiest step toward his own peace of mind - and so he does.

And then he flees from one guilt and accidentally stumbles into another. Stede has so helpfully pulled all Edward's Kraken treasure into one place, and Edward lampshades it:

"Excellent. A reminder of all my guilt. A guilt room."

Now, Stede has a decent idea here. His "poison into positivity" bit is not bad (and it echoes the language Izzy and Edward used - though I think it's a tossup whether Stede heard about that or if the parallel is purely on a Doylist level). It definitely lifts Edward's mood for the day and pulls him out of his guilt spiral for a bit.

Until it comes back so much worse.

Ned Low. Oh fuck the implications of Ned Low.

So here's the thing. People have rightly observed that Edward broke Ned's record intentionally during Kraken Era. In fact, since he makes the comment about "We got a record to break" after the wedding boat aka the last ship he takes, and Ned isn't coming after him for a tie, presumably he set the new record and then proceeded to break it over and over again. Just to rub it in. Just to really piss the sadist off.

And if Edward's attempt to take the whole ship and crew down with a storm at his lowest point was bad, what he was courting by baiting Ned before the season even started was worse. This is a man who would have tortured everyone on the breakup boat to death when he caught up to them, and Edward was passively planning on letting him do it.

Edward knows this.

Poison into positivity just became "oh shit I forgot I'm the most poisonous thing any of these people have ever run into," and he's just getting started. It's hard to shove it down and brush it off and pretend it was no big deal when Stede starts getting the hot poker to the chest.

He doesn't want to kill Ned because he's not worth the poison, but the poison is already here.

When Stede kills Ned, Edward has already spiraled. He's already got a whole narrative in his head about how this is all his fault, how this is his poison, his guilt, his Kraken surfacing to ruin Stede too.

"I'm not a good person, Stede. That's why I don't have any friends," Edward chokes out.

"It all boils down to this - You're afraid you're unlovable," snarls Hornigold's ghost in the gravy basket.

"I hate myself," Edward realizes.

"Don't do it, Stede. Killing in cold blood" - like I did - "you can't come back from that" - like I haven't.

Edward's guilt is projecting all over this scene. He's made some baby steps toward seeing Stede as a flawed person vs mythical mermaid whose love can save him, but the idealization is still coloring both their views. Stede still hasn't told Edward about any of his childhood traumas or deep seated insecurities, and Edward has continuously avoided putting together that Stede is fucked up as well. He's convinced himself that killing Ned Low is a great tragedy that will permanently scar Stede's previously unblemished goodness in a way that is all Edward's fault, and he's sticking to it despite how completely it does not apply.

Reality has never been much good at breaking through his self-loathing before.

Izzy tries to warn him to give Stede a minute, but Edward doesn't listen. And while there's a good amount of concerned boyfriend in that act, I also suspect there's more than a little self-harm. Edward's spiraling about what he's wrought. He shows up at Stede's door already paralleling this to killing his dad. Of course he wants to be in the blast radius.

Apparently, having sex about it.

---

"Bye-Bye" Blackbeard, See You Again Soon

Last season, when Edward's ignoring his past went poorly, he tried to metaphorically bundle Blackbeard and all his traumas up and cast them into the sea. He was "Edward Teach Born-on-a-Beach," and then "No-Beard" who found folding stuff in prison fun, and then he's kissing Stede and getting excited about picking new, cool names for China, because:

"Our old lives would be gone. Dead. Never were."

Edward, babygirl, that is not how that works.

Now, he's actively backsliding down a guilt spiral, just had ill-advised sex a day after the "take it slow" talk that he's already regretting, and he gets up in the morning, pulls on another goddamn robe, and goes to literally bundle Blackbeard up and cast him into the sea.

Babe you already tried this.

I don't think it's a coincidence that disposing of his leathers signals Edward is back to reckless change instead of intentional change. He tries to make breakfast in bed despite never having ever made breakfast before and explains his twine as a panicked decision. The idealization of Stede is back in force - he chooses now to tell him about the mermaid vision - "fantastic," he describes him - and thanks him for saving his life. (Once again, in times of trouble, Edward is the one offering up rosy imaginations for their relationship that swallow him whole and Stede is shoving his recent childhood trauma flashbacks down to be Normal™.)

In the Republic, Edward does avoid becoming straight up jealous of all Stede's positive infamy, but he's also doing his hardcore all or nothing thing again - this time running away from himself toward a grubby, poor, "nobody" version of Ed (or do we think he's gonna try "Jeff" again?). Jackie calls his attention to how his new life direction (as of 6 hours ago) is not necessarily aligned with Stede's, and - rather than doing something as crazy as talking - he mutters "shit" and heads to the docks where Izzy finds him.

For a guy who felt "Fucking great" throwing away his leathers, Edward sounds kind of sarcastic, even if I'm sure he's feeling just as light as he was on that Naval Academy beach. But Izzy - going through his own shit but still trying to be supportive - opened this conversation with a joke about Stede and I suspect thinks they are talking about putting the "Edward retiring to be with Stede" plan back on the table. (Edward could clear this up, but he's still not communicating his emotions to Izzy.) So Izzy encourages him:

"Maybe you should listen to it."

Edward's face falls, he looks back down at the fishing boat, and apparently gets himself a new job. He just needs to go dump his boyfriend about it. They're simply incompatible, you see?

Edward's a fisherman now. He's gonna sit with himself until he finds a better guy in there, just like Fang taught him. (Don't blame Fang for this 😆 he just wanted Edward to stop talking!)

Now there's a lot going on in the breakup scene, but I want to talk about one statement Edward makes (keeping in mind he's already spiraled all the way into his new fisherman identity):

"I don't even know who I am! Alright, I know I don't want to be a pirate, but you..."

Because, see - I don't think the second part of that is necessarily true.

It's not that Edward doesn't want to be "a pirate". That's what he's using as shorthand (and a way to strongly delineate his new career from Stede: "Fishermen and pirates - they're nothing alike.").

What he's not saying is, once again, I know I don't want to be Edward Teach.

And, babygirl, I love you... but too fucking bad.

---

Better Piracy as a Theme

There's a lot of meta around about how Edward views piracy as a kind of enforced toxic masculinity. How his traumas are woven so thoroughly into his Blackbeard career that the thought of continuing as a pirate is killing him. He has to retire. It's the only way he'll truly be happy as "just Edward."

And I question that framing.

Like... Edward clearly has trauma tied up in piracy. His time on Hornigold's ship appears to have defined his (and Calico's Jack's) fairly fucked up approach to casual violence. His time as Blackbeard has enabled his poor impulses, and he is absolutely sick of piracy as he's experienced it the first time we meet him. That's not in question.

But while leaving is one solution, I think change is another.

In the OFMD universe, piracy is not a stand-in for toxic masculinity. Stede, an outsider, describes it as a "culture of abuse" in the first episode, but it's the culture of piracy where we see openly gay relationships, polyamory, freedom of expression in clothing and presentation, the oppressed having power... to treat piracy as inherently toxic is to deny that the culture of piracy is what gave life to Calypso's Birthday party. Our main characters are pirates.

There is a lot of violence and most pirates are very troubled people, but it's not piracy's fault. That's getting the cause and effect reversed. The "problem" with piracy and pirate culture is that the people coming into it and building this community are already traumatized.

As Edward points out to Stede:

"It's usually something like that. It's often family-based stuff."

(Also the problem might be the pirate Captains, lol. I mean, if you start listing the major drivers and enablers of toxic culture... Hornigold, Ned Low, Calico Jack, Blackbeard. Fortunate, then, that the crew of the Revenge is demonstrating that piracy can also be about workers' unions and supporting each other against your shitty boss while operating in a thriving community. He can play nice or get out.)

Oluwande tells us from the start that people don't choose to be pirates - they get forced into it by terrible circumstances in a terrible society. Piracy is the community that accepts the outcasts, but it can't magically fix them. They have to do that themselves, which our crew is showing can be done.

Stede did not swan in with all the answers, but he gave his crew the space and all the confused-yet-well-meant support they needed to strengthen their own bonds and community. Oluwande and Frenchie especially have been really stepping up in leadership positions. Like, the whole plot of 2x05 was showing they have successfully formed a union and that they will operate as a united front against their captains if need arises. It's so good!

They are living that better culture that Stede wanted so bad, and it's not just our crew.

Piracy influenced by the Revenge crew has been shown as helpful and even desirable to chase.

Hellcat Maggie and the rest of Low's crew don't sail off to get new jobs - they are resuming piracy but this time talking about profit sharing. Anne and Mary, our oh so aggressive BlackBonnet mirrors, retired from piracy together like Edward was dreaming of in 1x09, and what "fixes" them is burning it all down and returning to piracy (rejecting Mary's fears) with their love at the forefront of their minds.

Edward wants to leave piracy behind forever because he has depression and hates himself, but the biggest thing he hates himself for isn't even a thing he did as a pirate. He's pushing back on his Hornigold trauma from the moment we meet him - in fact, I have a whole other meta idea I need to pull together after the season about how he has potentially thought he was doing "soft piracy" in spite of Hornigold this whole time - but the guilt he feels about killing his dad is still too big for him to even look at. And that won't go away even if he could cut 20+ years of Blackbeard out of his chest.

He's bored. He was stagnating. He needs to address that knot of self-loathing before it successfully drowns him.

Maybe people are right and he could be the one pirate to find peace operating a bed and breakfast? Maybe he'll follow in Jackie's footsteps and stay connected to the community by running a gay bar or something?

But I also think, maybe, he has a community surrounding him, a home and love on the sea, and a career with plenty of aspects he did enjoy - sailing, fuckeries, luxuries, creative problem solving - and he might just need to join everyone in striving for a better culture?

And step one would be realizing that wherever he goes, he's still Edward Teach, and he's got to stop running from that fact.

[stagefoureddiediaz]

That cut off tee has be feeling g a lot of ways.

We haven’t seen Buck in a cut off tee since his posturing at Eddie in the firehouse gym wayyyyyy back in 2x01

I don’t know why but that fact and the fact that this might very likely be from ep 100 is giving me how it started how it’s going vibes - there’s just something about the idea of them playing into Bucks jealousy and it making him do stupid things (like sprain someone’s arm or whatever injury he causes).

It’s the combination of the cut off tee that connects to the jealous posturing, the water theme and the construction on sunset theme all being put together in one scene that has me feeling things.

Idk i can’t articulate it right now

[rdng1230]

10 things Easily fixable about That thing that happened: look, killing off Izzy Hands was always gonna hurt like a bitch. And it was a stupid decision, but what really made it worse was how many ways they could have made it better and specifically didn’t, so here’s a list in no particular order of general things that I think would’ve made things suck less, and a couple different story fix proposals. Maybe if I write it all out I can move on a little bit.

I know it was for budgetary reasons but it bothered me Ivan was killed off with one sentence and never mentioned again. I think what would have worked is if Ivan had been a little more fleshed out in s1, and then had him die on screen at the hands of a particularly dickish British naval officer in 2x01. Cut to episode 7 and said dickish Brit is Ricky’s number two. Izzy could have willingly and purposefully drawn the fire of officer asshole, as an acknowledgement of his failure to save Ivan and his past failures to be a proper protector of blackbeards crew, and to save the crew he’s now realized is his family that he is willing to die for. In addition I think that would’ve helped set up the British as being an actual formidable bad guy, because up to this point they were the most looney tunes ass villains on the high seas. Also it would’ve been an interesting symmetry to have the loyal pirate first mate vs. the loyal imperialist scumbag first mate. Think of the banter people.

I hate it when bad events in stories are predicated on having highly intelligent characters be complete idiots. You’re telling me Izzy fucking hands didn’t check noseless wonder for weapons? Fuck off. At least have a fellow soldier toss ricky a musket or something, or just have another soldier shoot him.

I think the main issue here is agency. Yes everyone consented to going into battle that way, but Izzy’s shooting was unceremonious, it wasn’t like he charged somebody or acted as bait, he just got hit by a stray bullet (It’s giving “your shirt” and I fucking hate it Iykyk)

Literally no one attempted medical intervention to help Izzy. Roach isn’t gonna stuff a rag in there? Jim isn’t gonna pass a knife to help rip Izzy’s clothes to visualize the wound? Fang and Frenchie aren’t gonna hold his hand? We’re not even gonna fucking try?!?!

if they had to center Ed’s issues with Izzy’s literal dying words, could we have at least have it be a big character moment for Ed to say “yes the crew is my family, but they’re yours too and I promise I’ll take care of them and make amends” like if DJ is so convinced of this father mentor thing (which seriously what the fuck is he even talking about) what’s more par for the course in this trope then the ole “you’re the man of the house now son you gotta take care of the family” routine

look, I know they got a short episode that they have to keep short. Cut a minute of time out of that breathtakingly awkward fishing sequence from the beginning and give Izzy’s death some breathing room. FFS the fallout from Karl’s and Lucius’s finger’s death had more reaction and more airtime than Izzy Hands (and more effect on the story)

Ricky fucking got away and no one talks about it. It would’ve been great if literally anyone had said “yeah we’re going after that guy” or “we may have won the battle but the British are always out there and one of these days we’ll meet again” just an acknowledgement that one guerilla battle at the republic of pirates was never gonna be the end of it.

this one hits close to home for me. I live on a boat, my mother is a licensed 100 ton ship captain. We’re seafarers goddamit and when we shake off this mortal coil we are buried (or cremated and scattered) at sea. Izzy Hands would not have wanted a land burial and he would’ve wanted to be buried at sea like the distinguished pirate he is, by the crew that became his family.

This segues into the burial at sea thing but maybe don’t bury him without his leg on, like just don’t do that. Don’t put his cravat and mothers ring where anybody could just come along and yank it off, Jesus.

I think frenchie being captain was a weird choice tbh. I love frenchie but he is a jester, a troubadour, a fae walking among us, the worlds handsomest grifter, but this dude does not want to be captain. However, if you had to make him captain I think it would’ve been nice to have had a scene post amputation where Izzy deliriously tells frenchie all these bits of advice about being first mate/captain and how Izzy had failed to be a good one in the past. I just loved the frenchie izzy bond in general and I would’ve loved another extra scene with them. This also would’ve lended itself well to frenchie being the one to outwardly grieve (the box opening up finally) during that minute of breathing room post death that I mentioned was needed earlier, maybe he would’ve reprised la vie en rose, or played a shanty/wake song that everyone could join in on.

I’m sure there are other things too that I’ve forgotten, but I think this covers most of it. Let me also say Izzy’s death was hardly the only issue I had with the finale, but that moment was the most egregiously and easily fixable (or at the very least mitigable) plot point. At the end of the day I think Izzy should’ve just not fucking died, but if they were gonna kill him, there were so many more respectful ways to do it.

[laufire]

STACKED100 | october 22nd | "the 48" (II)

I’m sorry for shooting you. Okay? Is that what you want to hear?

[amuseoffyre]

I was rewatching S1 the other day and remembered how much of it had struck me as "huh, that seems a very… specific thing to focus on" and my foreshadowing spidey-senses started tingling back when it first aired. And then more turned up while I was watching S2.

Ones that have come to fruition:

The nose jar It got a lot of focus for a one-scene moment. Why specify that someone causing trouble would get a nose cut off and then not show someone getting punished with their nose getting cut off? Chekov's nose-jar was used in 2x01 and is a trigger point for the entire villain arc for the second season.

The recurring threats to Lucius's life Honestly, the amount of times he was threatened and harangued and nearly killed by Jim. It really would have been bad for the vibe around there, so when they 'killed' him at the end, Naaaaaaah. Didn't believe it for a moment. (Speaking of, Izzy has a similar run of near-deaths all through S2, so HMMMMMMM)

"Captain Hornigold! There's a blast from the past!" The second they brought up his name, I was ears pricked up and staring and going oooooooo, because there's no way you mention a significant figure from both pirate history and Ed's department of backstory when we know he's Captain of the good ship Daddy Issues without having a plan for one of the major male influences in his life, especially knowing the history that Hornigold takes the act and turns hunter and is instrumental in tracking down Blackbeard.

The wait staff exchange in 2x06 It seemed like lot of dialogue to not be leading somewhere. Behold, the Revenge crew as Wait staff in 2x01:D

The escalation of the British enmity We started out with Captain Badminton and levelled up to Admiral Badminton with the British as recurring villains all through the season and the thread of royal influence popping up here and there, which got me thinking next stop would be either their elder brother or someone even further up the social pecking order. Enter Ricky.

Secret passages built into the ship So I, like many others, assumed Lucius would be the dead man hiding in the walls. We were halfway right XD There was a dead man hidden in there. Twice.

We'll go to China Was left with a "why China?" vibe from that and it wouldn't stop niggling me that there was some specific reason that the writers would have chosen China of all place. Turns out if you can't go to China with your boyfriend, China will come to you and kick your ass.

Still to come:

"You saved the clippings so we can make fake heads and escape" I maintain this is the big one for S3. We have no less than 10 separate references to heads/faces being removed and fake heads. Stede even uses three different fake heads as props (rowing boat, the skull in the fuckery and the corpse head in the triple-fuckery of his death) and given Blackbeard's death famously involves his head being strung from the mast of the ship, it feels prescient.

"I thought that when I did marry, it would be for love" "Peasants marry for love" Not. Subtle :D Our man has already made himself a peasant and has his boyfriend, so he's part of the way there.

"I always hated you" Ed saying this to imaginary Hornigold has me absolutely foaming at the mouth for what the real Hornigold is like and absolutely 100% certain this is the plan for S3. As mentioned earlier Hornigold became a pirate hunter but also it would tie in with the S1 foreshadowing as well - we've had him mentioned, we've seen what he looks like, we know what he's done so the second he shows up in S3, we need no introduction. Plus Ed's processing his history so having his history roll up to hunt him down? *chefkiss* YES. And if (as I'm convinced) Stede was in the Gravy Basket like Ed in 1x04, then based on how Mary and Father Teach behaved, the way Hornigold is acting in the Gravy Basket is completely out of character, which would track since he's being pally and nice and taking care of Ed at different points. The few facts we do know from Jack and Ed's recollections include stabbing them, beating them down, treating them like dogs, the Felix story and him threatening to flay Ed's skin off and feed it to him. This means that outside of the basket he's gonna be SO. MUCH. WORSE.

Crossing the Darien Gap We got the glimpse of Zheng's crews bringing ships through the jungles across the Darien Gap and saw the queue of ships lined up on the Pacific side on the map. Ricky may have taken out the ships that were in the Republic, but that wasn't all of Zheng's fleet and he has no idea more are on the way because everyone knows no one can cross the Darien Gap. He'll never see it coming ;)

A Royal Hostage Given how petty a little bitch Ricky is, I get powerful vibes that he would be the one to specifically unleash Hornigold on Stede and Ed. Stede especially, since he's the one who recommended taking him as a hostage, and he already blames Stede for leading him a) to the Republic and b) for his nose getting the chop. Him using Daddy's fortune to settle a vendetta by privately commission a famous pirate hunter doesn't seem like a stretch.

Our spirit will outlast your whole fucking empire Izzy's definitely not gone for good. He's gonna be back and he's going to be a glorious little bitch about it :D (Supporting foreshadowy evidence: shot in the left side, indestructible little fucker who has been shot-and-believed-dead twice before, existence of the gravy basket, canonical resurrections, a known seawitch with ties to purgatory at the grave)

There are some more, but it's getting late and I am sleeby, so will post 'em another day.

[virahaus]

you know, i think the actual issue with the entire "tommy isn't 100% developed yet" take of bucktommy haters is just... that it is so dumb as fuck that i don't know how to take any of these people serious ever again lmao. like, even children have more common sense at this point. eddie diaz was introduced in 2x01, and we also did not know him. because newly introduced characters, especially when they are side character, are developed over years and seasons. telling a character's story Takes (Screen) Time, omfg! the only reason we know eddie (and any other character of the show) Now is because we have spent Years with him (all of them) by now. not a single buddie stan ever complained about eddie diaz being underdeveloped in season 2. because they do turn on their common sense only when it supports their own biased fanon narrative. guess what happens if 911 keeps tommy for multiple seasons: we will know more about him, and he will be even more developed! this is how story writing works, why are literal adults not embarrassed to act this dumb on purpose omg pls make them go back to kindergarten!!!

You are speaking so much truth anon. It's literally unbecoming to watch them dissolve into media illiteracy

[okmcintyre]

Raven covers for Murphy, despite his being the one who shot her. Moments later, he praises her to Kane

[sevensoulmates]

Buddie Meta 7x04 Part 3 (of 4)

Click here for part 1, part 2 or part 4.

Onto gay scene number four.

This is ONCE AGAIN a direct parallel to 2x01. Ya know, the gym scene where everyone was like "why is Buck puffing his chest and trying to look hotter and stronger than Eddie"? Tim Minear would have us believe it's because he was threatened by Eddie, but those of us with our third eye open all know the man was attracted to Eddie, and Eddie was attracted right back.

Even down to putting the extra weights on the lift machine, it's almost beat for beat the same Buck trying to get Eddie's attention, only this time they have six years of love and devotion under their belt. This peacocking isn't about trying to prove Buck is better than Eddie, and it's most definitely not about Tommy. Tommy isn't here, neither is he mentioned. The object of Buck's attention is purely Eddie. Buck wants Eddie to look over and notice him without a spotter and come running over to be his partner, and maybe he also wants Eddie to notice that Buck is also strong and capable and sexy. Y'all ever seen those mating rituals where the male tries to prove he's big and strong and interesting so that the female will choose him? Buck is trying to make himself appear sexier than Tommy, and in my opinion, there's no other way to read this scene than that.

He keeps looking to see if Eddie is noticing him, and when Ravi offers to be Buck's spot he shoos him away. What's also interesting is the framing of the camera. Eddie is positioned in the background between Buck's spread legs and his open arms. I'm not a filmmaker so I don't really know 100% what that means, but I just think it's an interesting choice to have Buck purposefully putting his crotch forward for Eddie to see, and keeping Eddie constantly in view only through Buck's spread arms and legs. Idk, it's givingggmmmgaysex. But what do I know?

Also keep in mind we (and probably Buck too) don't actually know who Eddie is talking to on the phone. We're meant to assume it's Tommy, but it could be Marisol, right? The last time Eddie had this kind of giggly little phone interaction it was in 6x18 with Marisol. But the show wants us to believe it's Tommy and to connect all of Eddie's actions with Tommy to being potentially romantic.

Buck specifically has a basketball delivered to the station instead of, you know, his home, in order for Eddie to notice that Buck is suddenly interested in basketball and invite him again to play with them on Thursday. And again, I don't blame Eddie for missing the signs here. Buck has made it clear multiple times in the past that he does not want to play basketball with the other firefighters. So why would Eddie suddenly assume he's interested now? Plus he's distracted on the phone, so he might not have even really fully processed what Buck said or the insinuation of wanting to play basketball on Thursday. Buck sits down completely rejected because his latest attempt to gain EDDIE'S ATTENTION (not Tommy's) has been foiled. But thankfully Chimney comes along and provides Buck another access point.

Even Chimney is confused as to why Buck suddenly wants to play basketball. His excuses are weak, and Chimney instantly clocks that Buck isn't really there to play basketball with him but because he's trying to get in with Eddie and Tommy. Whether or not Chimney knows that Buck's trying to do it for Eddie's attention is unknown. We know that he was partially around when Buck was blabbing to Maddie, but he may not have caught the full context.

Again, Buck is witness to how easily Tommy and Eddie touch, even though this in particular is much more "bro-y" than anything Buck and Eddie have ever done before. It's interesting that even though the episode is trying to show that the Tommy/Eddie relationship is similar to the Buck/Eddie relationship, there are still pointed times like this where the show still frames Tommy/Eddie as very very different, platonic-only, much more "bro-like" friendship.

This time however EDDIE is the one who calls Tommy "his boy!". Now we're finally getting the reversal of Tommy in Eddie's possessive. BUT this doesn't shift Eddie out of Tommy's possessive just yet. Instead, it is a mutual claim in conjunction with the rest of the scene that follows. So now it's not just a fear that Buck has that Eddie would choose Tommy over him, it's metaphorically come true. Now Tommy is Eddie's boy, and if that's the case, where does that leave Buck?

Eddie, as lovingly oblivious as always, is shocked to see Buck here and subtly showcases his own jealousy. It's not anywhere near on the same level, but it does show Eddie noticing that Buck never says yes to him to play basketball, but somehow Chim got him to come? It does show that Eddie is still thinking about Buck here and thinking about what Eddie wasn't able to do to convince him.

This little exchange shows yet another little way in which Tommy is encroaching on Buck's place with Eddie. The trope of "battlefield boyfriends" aka the two of them against the world. Tommy is extremely confident that he and Eddie will be able to beat Buck and Chim, and that rubs Buck the wrong way. Because up until now it's been BuckAndEddie against everyone else, and now it's TommyAndEddie. They're each other's "men". They're the team against Buck. Now it's become something hostile.

This is a poke at Buck because he figures out he's bisexual at the end of the episode. But it's also funny because back in the day there used to be a lot of talk around Eddie in particular having beards. Beards can be both a conscious or unconscious choice on the part of a queer person. For some people, they don't know they're using someone as a beard because they're still deep in compulsive heterosexuality. In my opinion, this description fits Eddie and Marisol best at this point in time. I'm not saying that this Chim line is about Eddie, but it does bring up the question of beards in canon and who/what might be considered a beard in the current storyline.

Buck, honey, Eddie was paying you so much attention here. He was trying to have a fun game of basketball game here, but Buck couldn't even let himself enjoy it because he couldn't get it out of his mind that Eddie wasn't on his team, that Eddie's playing against him, with Tommy.

Eddie says an interesting line here to Buck: "You ain't getting past me" and it's so true, Eddie. Buck is probably not ever gonna be able to move past his feelings for you, regardless of who he dates in the middle.

And then we have yet another directorial camera shot that mimics the same dynamic at the end of 7x03. Eddie is running forward, Buck is desperately following behind him, and Tommy's running behind both of them. This could be foreshadowing again how no matter how much Tommy might try, Buck will always be chasing after Eddie.

Something else interesting to me is how the Buck/Eddie body slam is similar to the Eddie/Tommy body slam. These "intricate rituals" queer men will have in order to find socially acceptable ways to touch each other. It also takes me back to earlier in the meta where I talked about men using fighting/physical violence as an excuse to touch each other, hence why wrestling is a homoerotic sport. I don't know what was going through Buck's head, but I do think he was trying in some way, to force back that physical touch with Eddie, and take it away from Tommy. And in a way, it does also feel like a punishment. Like Buck's trying to make Eddie feel bad for being this physical with Tommy. And yes, Buck was in the wrong here. He let his hurt and jealousy get the best of him here and hurt Eddie in the process.

I've seen people wonder why Buck wasn't freaking out about Eddie the way he has in the past. Well, one, this isn't a life or death scenario, and two, this is the first time it's ever been Buck's fault that Eddie's hurt. I think Buck's in shock. He's probably stunned and disgusted with himself and his desire to help Eddie is being hindered by extreme guilt, hurt, shame, and a whirlwind of other emotions he probably can't process in the moment. And that leads him to just stand still and watch instead of trying to help. He likely also thinks that Eddie wouldn't accept his help at this moment either. Buck does try to be the one who takes Eddie to the hospital, and likely would've apologized along the way. It could've been a good time for them to talk, to confront and work out the issue, but Tommy (once again) swoops in to be the one to help Tommy, effectively cutting off Buck's last chance to prove himself to Eddie.

Now, Buck's lost the last thing he can provide to Eddie over Tommy: safety, having his back, and being the one person he can always trust above all else. Buck probably thinks he's broken Eddie's trust and will lose him to Tommy for sure now. That's the kind of catastrophizing I can see him leaping to at this point in time.

Buck then does what he does best, and pulls away. Not because he doesn't care about Eddie, but because he's already accepted that he's lost Eddie.

Buck admits that this was a backward way of punishing Eddie, and Maddie rightfully puts him in his place for that. But then again, Maddie is speaking from a place of knowing what it's like to be physically abused (not saying this is abuse but it does still inform Maddie's perspective). Buck however is acting not from a place of an abuser or actually wanting to hurt someone, but from a place of living his whole life only knowing one way of getting people's attention. And for the longest time, that method involved hurting himself. And this time when hurting himself wasn't an option, it ended up coming out as hurting Eddie. Again, I am not trying to condone or excuse Buck's actions, but I am trying to provide a reason so we're not out here writing a million think pieces and fics about how Buck is suddenly a horrible physically abusive person (we're NOT having a repeat of the way y'all treated Eddie after the streetfighting arc). He made a mistake and obviously, he's going to apologize to Eddie and sincerely understand his actions were absolutely not it in the next episode. So, just like we're giving Eddie some grace here, let's give Buck some grace too. Moving on.

Maddie does have a point, and she's right in a lot of ways, however, she, as a (as far as we know) straight woman, is coming at this from the perspective of being "friend-jealous" which we all know is disproven for Buck less than 10 minutes later. This talk with Maddie does give Buck good advice, but at the same time, I do believe it's likely confused him further. Because now he believes that the way he was feeling was normal best friend jealousy feelings when they really were not. Her advice is solid but doesn't really push Buck to think deeper about why all of a sudden he felt like Eddie making a new friend was the end of the goddamn world. And she can't really know to push him in that direction because she's operating under the assumption that Buck is straight. But he's not. They're both missing fundamental information here and without that, Buck still cannot truly process the depth of his feelings. I think this is a large part of why when Tommy comes over and kisses him in the next scene, Buck finds it very easy to glom onto the "out of nowhere" notion that the reason he was acting this way the entire episode is because he wants Tommy. It's very well true that Buck could've been experiencing physical attraction and an infatuation/crush on Tommy, but now, with Maddie's misinformed permission, switches targets and projects all of his big bi feelings onto Tommy.

Buck is surprised Tommy came over, the audience and Buck both expect Eddie to be standing on the other side of the door. Tommy seems like a very observant character. He picks up on Buck's queerness (and likely Eddie's) and picks up on why Buck has been acting out of character the whole episode. Buck owns up to his actions and admits that yes, Tommy and Eddie can be friends and Eddie can have more than one friend.

We then get an acknowledgment from Tommy that actually when he spends time with Eddie and Chris, the two of them talk about Buck a lot. Eddie isn't specifically mentioned, but it's implied that Eddie has told Tommy a lot about Buck if Tommy already knows that Buck is an irreplaceable part of both their lives. It's also funny because the last time someone said this, it was Buck trying to reassure Christopher that none of his dad's girlfriends would ever replace his mom. This once again firmly places Buck in the category of an irreplaceable parent for Christopher.

This is another callback to season 3, the last time Buck and Eddie fought over the lawsuit, and Buck "making it about himself". This is a consistent character flaw in Buck, and at least now all of the characters can recognize it for what it is. It's also a callback to the 3x09 scene "You're gonna make it about you? again?" But see the thing is, I don't really think Buck was making Tommy and Eddie's friendship about him. I think he was hit with a rush of fear of missing out on what he and Eddie could be, and because he still didn't have the words to explain what exactly that meant, it came out in the only way he could think to communicate it: through trying to get Eddie's attention like a little kid pulling a girl's pigtails. It's unhealthy, yes, but it's all Buck really knows at this point.

Tommy admits that he was also jealous, not exactly of Buck and Eddie, but of the 118 and how they've built an unbreakable family bond that only came to be right after he left. Tommy wanted to be a part of that, and oh boy, if that's something Buck can relate to. The specific black hole craving to find a family that accepts you.

And I absolutely believe that Buck is curious about Tommy, does want to be his friend, and does think he's super cool and probably thinks he's super hot and attractive as well. But the vibe I'm getting here is that Buck is seeking out in Tommy what he craves from Eddie.

Go to part 4 for the last part I swear!!

Part 4. Part 1, Part 2.