my hot take is none of phil's 'wild northern childhood anecdotes' are actually at all weird he just phrases things in a funny way. dan lost his mind abt the whole dog warden thing and the literal story was just 'i won a school contest as a kid and got to meet the mayor of a small town'. when i was that age i was in the newspaper for making a flute out of a sweet potato small english primary schools were just LIKE that. this is not a dig btw it's just proof phil is a comedy genius bc he makes all these very normal things sound absolutely bizarre just by stringing words together in a way no human being has ever previously managed
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I think there needs to be more stories about friends who are almost lovers. who are closer then anything in the world. who can read each others minds. who appreciate how beautiful and impressive the other is. and then have them absolutely destroyed by their own personal events and have that bond twist around like a broken electric cable until it snaps under the pressure of incompatible lives. and then that love turns to hate and then to a haunting.
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What I love about Dungeon Meshi is that it says “eat, or be eaten,” but not as in “survival of the fittest.” “Eat, or be eaten,” because there is no third choice—every day of your life, one or the other will happen. If you choose not to eat, you will be eaten. Eating is a mandatory part of being alive. The failure to acknowledge this makes you weak, guarantees that you will fail—as seen with Shuro, as seen with Thistle.
“Eat, or be eaten,” because “living things take other lives as sustenance, and no one is exempt.” If you eat—if you are a living thing—you will be eaten one day. Whether it's to literally be killed and eaten for your flesh, or decomposed down to the bone—violently or painlessly, quickly or slowly, you will be eaten and turned into sustenance for other living things. A dead body is always consumed as food, and there is no meaningful distinction between the two. The only way to avoid it is to have never been born at all.
“Eat, or be eaten,” because “eating is a privilege of the living.” And isn’t that incredible? To be a living thing is to have the privilege of eating. To have the ability to eat is a boon, an honour, a birthright. It is the unique, universe-given gift and right of all living things. It is synonymous with being alive—to live is to eat. To eat is to be eaten. We are eaten because we eat, we die because we were born, and the privilege of eating is earned through the inevitability of our deaths. The two cannot be separated.
“Eat, or be eaten,” because “eating is a privilege of the living” and the reason why a mortal man could topple the personification of infinity—it cannot die, therefore it is not alive, yet it chose to eat. But to eat at all is to become a thing that can be eaten—choosing to take means you will have things taken from you in the same manner. The moment that Laios accepted this—after killing his sister with his own hands—was the moment the Winged Lion had already lost.
Dungeon Meshi is far from the first story to say, “memento mori.” But it takes the inevitability of death—a concept too distant and philosophical to grip the average person—and reframes it within the act of eating. Makes it visceral by using a universal part of daily life, a routine that every living thing is intimately familiar with.
“Remember that you will die,” it says, but furthermore, “remember that your future death is a prerequisite for the food you are able to eat now—remember that other things die so that you can eat, remember that you will die to feed something else, and that there is no other alternative. There is no way to stop this. To take is to have things taken from you. To eat is to be eaten one day. There is nothing kind or cruel about this—it just is, and you must be the one to understand it and bring meaning to your own existence.
In light of all this, why wouldn't you choose to live as deliciously as possible?”
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So I have seen several people now playing with the idea that Rook might've actually died at the ritual site and that whatever happened there with their blood and their connection to the Fade/Solas/the Dread Wolf pride demon was something similar to what we know of demon/spirit possession that can bring people back to life...... which would be absolutely insane to me, given what that could imply for the story and also how Solas feels about free will and abominations and... you know, all of that. 😂
BUT (and this is probably the most tinfoily I'm gonna get at this point lol)....
Between THIS and *checks notes*...
The short story "The Wake" implying that Lucanis died some time after The Wigmaker Job, him being called "The Demon" and all the pride demon imagery in his design/tarot card, having people suspect that he was brought back to life by a pride demon.
The devs saying "Manfred the skeleton is not romanceable, but we're not saying NO skeleton romance".
Harding suddenly having magical abilities.
There being something eerie about a lot of the companion tarot cards, mostly because of the glowy eyes that we often associate with possession.
....so I'm just gonna put the tinfoil hat back on and conclude that all this clearly has to mean that.. uh...
Everyone is dead...?
And they're all abominations now, which means that somehow all of them have a connection to some powerful spirit/demon that brought them back to life to join Rook on this final mission to save the world. 😂
Or something like that, Idk, the heat is clearly getting to me. lmaoo 💀
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